The Project Gutenberg EBook of Index of the Project Gutenberg Works of
Immanuel Kant, by Immanuel Kant

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever.  You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this eBook or online at
www.gutenberg.org.  If you are not located in the United States, you'll
have to check the laws of the country where you are located before using
this ebook.



Title: Index of the Project Gutenberg Works of Immanuel Kant

Author: Immanuel Kant

Editor: David Widger

Release Date: March 6, 2019 [EBook #59023]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF KANT ***




Produced by David Widger








INDEX OF THE PROJECT GUTENBERG

WORKS OF

IMMANUEL KANT



Compiled by David Widger





CONTENTS


##  THE CRITIQUE OF PURE REASON

##  THE CRITIQUE OF PRACTICAL REASON

##  FUNDAMENTAL PRINCIPLES OF THE METAPHYSIC OF MORALS

##  THE METAPHYSICAL ELEMENTS OF ETHICS

##  THE INJUSTICE OF COUNTERFEITING BOOKS

##  CRITIQUE OF JUDGEMENT

##  PERPETUAL PEACE

##  PROLEGOMENA







TABLES OF CONTENTS OF VOLUMES





THE CRITIQUE OF PURE REASON
By Immanuel Kant
Translated by J. M. D. Meiklejohn



CONTENTS
Preface to the First Edition (1781)
Preface to the Second Edition (1787)
Introduction
I. Of the difference between Pure and Empirical Knowledge
II. The Human Intellect, even in an Unphilosophical State, is in Possession of Certain Cognitions "a priori".
III. Philosophy stands in need of a Science which shall Determine the Possibility, Principles, and Extent of Human Knowledge "a priori"
IV. Of the Difference Between Analytical and Synthetical Judgements.
V. In all Theoretical Sciences of Reason, Synthetical Judgements "a priori" are contained as Principles.
VI. The Universal Problem of Pure Reason.
VII. Idea and Division of a Particular Science, under the Name of a Critique of Pure Reason.


I. Transcendental Doctrine of Elements
First Part�TRANSCENDENTAL AESTHETIC
� 1. Introductory
SECTION I. OF SPACE
� 2. Metaphysical Exposition of this Conception.
� 3. Transcendental Exposition of the Conception of Space.
� 4. Conclusions from the foregoing Conceptions.
SECTION II. OF TIME
� 5. Metaphysical Exposition of this Conception.
� 6. Transcendental Exposition of the Conception of Time.
� 7. Conclusions from the above Conceptions.
� 8. Elucidation.
� 9. General Remarks on Transcendental Aesthetic.
� 10. Conclusion of the Transcendental Aesthetic.
Second Part�TRANSCENDENTAL LOGIC
Introduction. Idea of a Transcendental Logic
I. Of Logic in General
II. Of Transcendental Logic
III. Of the Division of General Logic into Analytic and Dialectic
IV. Of the Division of Transcendental Logic into Transcendental Analytic and Dialectic
FIRST DIVISION�TRANSCENDENTAL ANALYTIC
BOOK I. Analytic of Conceptions. � 2
Chapter I. Of the Transcendental Clue to the Discovery of all Pure Conceptions of the Understanding
Introductory � 3
Section I. Of the Logical Use of the Understanding in General. � 4
Section II. Of the Logical Function of the Understanding in Judgements. � 5
Section III. Of the Pure Conceptions of the Understanding, or Categories. � 6
Chapter II. Of the Deduction of the Pure Conception of the Understanding
Section I. Of the Principles of a Transcendental Deduction in general � 9
Transition to the Transcendental Deduction of the Categories. � 10
Section II Transcendental Deduction of the pure Conceptions of the Understanding.
Of the Possibility of a Conjunction of the manifold representations given by Sense. � 11.
Of the Originally Synthetical Unity of Apperception. � 12
The Principle of the Synthetical Unity of Apperception is the highest Principle of all exercise of the Understanding. � 13
What Objective Unity of Self-consciousness is. � 14
The Logical Form of all Judgements consists in the Objective Unity of Apperception of the Conceptions contained therein. � 15
All Sensuous Intuitions are subject to the Categories, as Conditions under which alone the manifold Content of them can be united in one Consciousness. � 16
Observation. � 17
In Cognition, its Application to Objects of Experience is the only legitimate use of the Category. � 18
Of the Application of the Categories to Objects of the Senses in general. � 20
Transcendental Deduction of the universally possible employment in experience of the Pure Conceptions of the Understanding. � 22
Result of this Deduction of the Conceptions of the Understanding. � 23
BOOK II. Analytic of Principles
INTRODUCTION. Of the Transcendental Faculty of judgement in General.
TRANSCENDENTAL DOCTRINE OF THE FACULTY OF JUDGEMENT OR, ANALYTIC OF PRINCIPLES.
Chapter I. Of the Schematism at of the Pure Conceptions of the Understanding.
Chapter II. System of all Principles of the Pure Understanding.
Section I. Of the Supreme Principle of all Analytical Judgements.
Section II. Of the Supreme Principle of all Synthetical Judgements.
Section III. Systematic Representation of all Synthetical Principles of the Pure Understanding.
Chapter III Of the Ground of the Division of all Objects into Phenomena and Noumena.
APPENDIX.
SECOND DIVISION�TRANSCENDENTAL LOGIC
TRANSCENDENTAL DIALECTIC. INTRODUCTION.
I. Of Transcendental Illusory Appearance.
II. Of Pure Reason as the Seat of Transcendental Illusory Appearance.
TRANSCENDENTAL DIALECTIC�BOOK I�OF THE CONCEPTIONS OF PURE REASON.
Section I-Of Ideas in General.
Section II. Of Transcendental Ideas.
Section III. System of Transcendental Ideas.
TRANSCENDENTAL DIALECTIC�BOOK II�OF THE DIALECTICAL PROCEDURE OF PURE REASON.
Chapter I. Of the Paralogisms of Pure Reason.
Chapter II. The Antinomy of Pure Reason.
Section I. System of Cosmological Ideas.
Section II. Antithetic of Pure Reason.
Section III. Of the Interest of Reason in these Self-contradictions.
Section IV. Of the necessity imposed upon Pure Reason of presenting a Solution of its Transcendental Problems.
Section V. Sceptical Exposition of the Cosmological Problems presented in the four Transcendental Ideas.
Section VI. Transcendental Idealism as the Key to theSolution of Pure Cosmological Dialectic.
Section VII. Critical Solution of the Cosmological Problem.
Section VIII. Regulative Principle of Pure Reason in relation to the Cosmological Ideas.
Section IX. Of the Empirical Use of the Regulative Principle of Reason with regard to the Cosmological Ideas.
I. Solution of the Cosmological Idea of the Totality of the Composition of Phenomena in the Universe.
II. Solution of the Cosmological Idea of the Totality of the Division of a Whole given in Intuition.
III. Solution of the Cosmological Idea of the Totality of the Deduction of Cosmical Events from their Causes.
IV. Solution of the Cosmological Idea of the Totality of the Dependence of Phenomenal Existences.
Chapter III. The Ideal of Pure Reason.
Section I. Of the Ideal in General.
Section II. Of the Transcendental Ideal (Prototypon Trancendentale).
Section III. Of the Arguments employed by Speculative Reason in Proof of the Existence of a Supreme Being.
Section IV. Of the Impossibility of an Ontological Proof of the Existence of God.
Section V. Of the Impossibility of a Cosmological Proof of the Existence of God.
Section VI. Of the Impossibility of a Physico-Theological Proof.
Section VII. Critique of all Theology based upon Speculative Principles of Reason.
Appendix. Of the Regulative Employment of the Ideas of Pure Reason.


II. Transcendental Doctrine of Method
Chapter I. The Discipline of Pure Reason.
Section I. The Discipline of Pure Reason in the Sphere of Dogmatism.
Section II. The Discipline of Pure Reason in Polemics.
Section III. The Discipline of Pure Reason in Hypothesis.
Section IV. The Discipline of Pure Reason in Relation to Proofs.
Chapter II. The Canon of Pure Reason.
Section I. Of the Ultimate End of the Pure Use of Reason.
Section II. Of the Ideal of the Summum Bonum as a Determining Ground of the Ultimate End of Pure Reason.
Section III. Of Opinion, Knowledge, and Belief.
Chapter III. The Architectonic of Pure Reason.
Chapter IV. The History of Pure Reason.





THE CRITIQUE OF PRACTICAL REASON
By Immanuel Kant
1788
Translated by Thomas Kingsmill Abbott



CONTENTS
PREFACE.
INTRODUCTION.
Of the Idea of a Critique of Practical Reason.
FIRST PART � ELEMENTS OF PURE PRACTICAL REASON.
BOOK I. The Analytic of Pure Practical Reason.
CHAPTER I. Of the Principles of Pure Practical Reason.
I. DEFINITION.
REMARK.
II. THEOREM I.
III. THEOREM II.
REMARK I.
REMARK II.
IV. THEOREM II.
REMARK.
V. PROBLEM I.
REMARK.
VII. FUNDAMENTAL LAW OF THE PURE PRACTICAL REASON.
REMARK.
COROLLARY.
REMARK.
VIII. THEOREM IV.
REMARK.
REMARK II.
Practical Material Principles of Determination taken as the Foundation of Morality, are:
I. Of the Deduction of the Fundamental Principles of Pure
II. Of the Right that Pure Reason in its Practical use has to an Extension which is not possible to it in its Speculative Use.
CHAPTER II. Of the Concept of an Object of Pure Practical Reason.
Table of the Categories of Freedom relatively to the Notions of Good
Of the Typic of the Pure Practical Judgement.
CHAPTER III. Of the Motives of Pure Practical Reason.
Critical Examination of the Analytic of Pure Practical Reason.
BOOK II. Dialectic of Pure Practical Reason.
CHAPTER I. Of a Dialectic of Pure Practical Reason Generally.
CHAPTER II. Of the Dialectic of Pure Reason in defining the Conception of the "Summum Bonum".
I. The Antinomy of Practical Reason.
II. Critical Solution of the Antinomy of Practical Reason.
III. Of the Primacy of Pure Practical Reason in its Union with the Speculative Reason.
IV. The Immortality of the Soul as a Postulate of Pure Practical Reason.
V. The Existence of God as a Postulate of Pure Practical Reason.
VI. Of the Postulates of Pure Practical Reason Generally.
VII. How is it possible to conceive an Extension of Pure Reason in a Practical point of view, without its Knowledge as Speculative being enlarged at the same time?
VIII. Of Belief from a Requirement of Pure Reason.
IX. Of the Wise Adaptation of Man's Cognitive Faculties to his Practical Destination.
SECOND PART. -- METHODOLOGY OF PURE PRACTICAL REASON.
Methodology of Pure Practical Reason.
CONCLUSION.





FUNDAMENTAL PRINCIPLES OF THE METAPHYSIC OF MORALS
By Immanuel Kant
1785
Translated by Thomas Kingsmill Abbott


CONTENTS
PREFACE
FIRST SECTION�TRANSITION FROM THE COMMON RATIONAL KNOWLEDGE OF MORALITY TO THE PHILOSOPHICAL
SECOND SECTION�TRANSITION FROM POPULAR MORAL PHILOSOPHY TO THE METAPHYSIC OF MORALS
The Autonomy of the Will as the Supreme Principle of Morality
Heteronomy of the Will as the Source of all spurious Principles of Morality
Classification of all Principles of Morality which can be founded on the Conception of Heteronomy
THIRD SECTION�TRANSITION FROM THE METAPHYSIC OF MORALS TO THE CRITIQUE OF PURE PRACTICAL REASON
The Concept of Freedom is the Key that explains the Autonomy of the Will
Freedom must be presupposed as a Property of the Will of all Rational Beings
Of the Interest attaching to the Ideas of Morality
How is a Categorical Imperative Possible?
Of the Extreme Limits of all Practical Philosophy.
CONCLUDING REMARK





THE METAPHYSICAL ELEMENTS OF ETHICS
By Immanuel Kant
1780
Translated by Thomas Kingsmill Abbott


CONTENTS
PREFACE
INTRODUCTION TO THE METAPHYSICAL ELEMENTS OF ETHICS
I. Exposition of the Conception of Ethics
II. Exposition of the Notion of an End which is also a Duty
REMARK
III. Of the Reason for conceiving an End which is also a Duty
IV. What are the Ends which are also Duties?
V. Explanation of these two Notions
A. OUR OWN PERFECTION
B. HAPPINESS OF OTHERS
VI. Ethics does not supply Laws for Actions (which is done by Jurisprudence), but only for the Maxims of Action
VII. Ethical Duties are of indeterminate, Juridical Duties of strict, Obligation
VIII. Exposition of the Duties of Virtue as Intermediate Duties
(1) OUR OWN PERFECTION as an end which is also a duty
(2) HAPPINESS OF OTHERS as an end which is also a duty
IX. What is a Duty of Virtue?
X. The Supreme Principle of Jurisprudence was Analytical; that of Ethics is Synthetical
XI. According to the preceding Principles, the Scheme of Duties of Virtue may be thus exhibited
XII. Preliminary Notions of the Susceptibility of the Mind for Notions of Duty generally
A. THE MORAL FEELING
B. OF CONSCIENCE
C. OF LOVE TO MEN
XIII. General Principles of the Metaphysics of Morals in the treatment of Pure Ethics
XIV. Of Virtue in General
XV. Of the Principle on which Ethics is separated from Jurisprudence
REMARKS
Of the Doctrine of Virtue on the Principle Of Internal Freedom.
XVI. Virtue requires, first of all, Command over Oneself
XVII. Virtue necessarily presupposes Apathy (considered as Strength)
REMARK
ON CONSCIENCE





OF THE INJUSTICE OF COUNTERFEITING BOOKS
By Immanuel Kant



CONTENTS
OF THE INJUSTICE OF COUNTERFEITING BOOKS
I. Deduction of the Editor's Right against the Counterfeiter
Proof of the Major
Proof of the Minor
II. Refutation of the Counterfeiter's pretended Right against the Editor.
Proof of the Major
Proof of the Minor
Universal Observation





KANT'S CRITIQUE OF JUDGEMENT
Translated With Introduction And Notes
By J. H. Bernard, D.D., D.C.L. Bishop Of Ossory
CONTENTS
Editor's Introduction 	xi
Preface 	1
Introduction 	7
I. 	Of the division of Philosophy 	7
II. 	Of the realm of Philosophy in general 	11
III. 	Of the Critique of Judgement as a means of combining the two parts of Philosophy into a whole 	14
IV. 	Of Judgement as a faculty legislating a priori 	17
V. 	The principle of the formal purposiveness of nature is a transcendental principle of Judgement 	20
VI. 	Of the combination of the feeling of pleasure with the concept of the purposiveness of nature 	27
VII. 	Of the aesthetical representation of the purposiveness of nature 	30
VIII. 	Of the logical representation of the purposiveness of nature 	35
IX. 	Of the connexion of the legislation of Understanding with that of Reason by means of the Judgement 	39
First Part.�Critique of the Aesthetical Judgement 	43
First Division.�Analytic of the Aesthetical Judgement 	45
First Book.�Analytic of the Beautiful 	45
First Moment of the judgement of taste, according to quality 	45
� ?1. 	The judgement of taste is aesthetical 	45
� ?2. 	The satisfaction which determines the judgement of taste is disinterested 	46
� ?3. 	The satisfaction in the pleasant is bound up with interest 	48
� ?4. 	The satisfaction in the good is bound up with interest 	50
� ?5. 	Comparison of the three specifically different kinds of satisfaction 	53vi
Second Moment of the judgement of taste, viz. according to quantity 	55
� ?6. 	The Beautiful is that which apart from concepts is represented as the object of a universal satisfaction 	55
� ?7. 	Comparison of the Beautiful with the Pleasant and the Good by means of the above characteristic 	57
� ?8. 	The universality of the satisfaction is represented in a judgement of Taste only as subjective 	59
� ?9. 	Investigation of the question whether in a judgement of taste the feeling of pleasure precedes or follows the judging of the object 	63
Third Moment of judgements of taste according to the relation of the purposes which are brought into consideration therein 	67
� 10. 	Of purposiveness in general 	67
� 11. 	The judgement of taste has nothing at its basis but the form of the purposiveness of an object (or of its mode of representation) 	69
� 12. 	The judgement of taste rests on a priori grounds 	70
� 13. 	The pure judgement of taste is independent of charm and emotion 	72
� 14. 	Elucidation by means of examples 	73
� 15. 	The judgement of taste is quite independent of the concept of perfection 	77
� 16. 	The judgement of taste, by which an object is declared to be beautiful under the condition of a definite concept, is not pure 	81
� 17. 	Of the Ideal of Beauty 	84
Fourth Moment of the judgement of taste, according to the modality of the satisfaction in the object 	91
� 18. 	What the modality in a judgement of taste is 	91
� 19. 	The subjective necessity which we ascribe to the judgement of taste is conditioned 	92
� 20. 	The condition of necessity which a judgement of taste asserts is the Idea of a common sense 	92
� 21. 	Have we ground for presupposing a common sense? 	93
� 22. 	The necessity of the universal agreement that is thought in a judgement of taste is a subjective necessity, which is represented as objective under the presupposition of a common sense 	94
General remark on the first section of the Analytic 	96vii
Second Book.�Analytic of the Sublime 	101
� 23. 	Transition from the faculty which judges of the Beautiful to that which judges of the Sublime 	101
� 24. 	Of the divisions of an investigation into the feeling of the Sublime 	105
A.�Of the Mathematically Sublime 	106
� 25. 	Explanation of the term "Sublime" 	106
� 26. 	Of that estimation of the magnitude of natural things which is requisite for the Idea of the Sublime 	110
� 27. 	Of the quality of the satisfaction in our judgements upon the Sublime 	119
B.�Of the Dynamically Sublime in Nature 	123
� 28. 	Of Nature regarded as Might 	123
� 29. 	Of the modality of the judgement upon the sublime in nature 	130
General remark upon the exposition of the aesthetical reflective Judgement 	132
Deduction of [pure] aesthetical judgements 	150
� 30. 	The Deduction of aesthetical judgements on the objects of nature must not be directed to what we call Sublime in nature, but only to the Beautiful 	150
� 31. 	Of the method of deduction of judgements of taste 	152
� 32. 	First peculiarity of the judgement of taste 	154
� 33. 	Second peculiarity of the judgement of taste 	157
� 34. 	There is no objective principle of taste possible 	159
� 35. 	The principle of Taste is the subjective principle of Judgement in general 	161
� 36. 	Of the problem of a Deduction of judgements of Taste 	162
� 37. 	What is properly asserted a priori of an object in a judgement of taste 	164
� 38. 	Deduction of judgements of taste 	165
� 39. 	Of the communicability of a sensation 	167
� 40. 	Of taste as a kind of sensus communis 	169
� 41. 	Of the empirical interest in the Beautiful 	173
� 42. 	Of the intellectual interest in the Beautiful 	176
� 43. 	Of Art in general 	183
� 44. 	Of beautiful Art 	185
� 45. 	Beautiful art is an art in so far as it seems like nature 	187
� 46. 	Beautiful art is the art of genius 	188
� 47. 	Elucidation and confirmation of the above explanation of Genius 	190viii
� 48. 	Of the relation of Genius to Taste 	193
� 49. 	Of the faculties of the mind that constitute Genius 	197
� 50. 	Of the combination of Taste with Genius in the products of beautiful Art 	205
� 51. 	Of the division of the beautiful arts 	206
� 52. 	Of the combination of beautiful arts in one and the same product 	214
� 53. 	Comparison of the respective aesthetical worth of the beautiful arts 	215
� 54. 	Remark 	220
Second Division.�Dialectic of the Aesthetical Judgement 	229
� 55. 	  	229
� 56. 	Representation of the antinomy of Taste 	230
� 57. 	Solution of the antinomy of Taste 	231
� 58. 	Of the Idealism of the purposiveness of both Nature and Art as the unique principle of the aesthetical Judgement 	241
� 59. 	Of Beauty as the symbol of Morality 	248
� 60. 	Appendix:�Of the method of Taste 	253
Second Part.�Critique of the Teleological Judgement 	257
� 61. 	Of the objective purposiveness of Nature 	259
First Division.�Analytic of the Teleological Judgement 	262
� 62. 	Of the objective purposiveness which is merely formal as distinguished from that which is material 	262
� 63. 	Of the relative, as distinguished from the inner, purposiveness of nature 	268
� 64. 	Of the peculiar character of things as natural purposes 	272
� 65. 	Things regarded as natural purposes are organised beings 	275
� 66. 	Of the principle of judging of internal purposiveness in organised beings 	280
� 67. 	Of the principle of the teleological judging of nature in general as a system of purposes 	282
� 68. 	Of the principle of Teleology as internal principle of natural science 	287
Second Division.�Dialectic of the Teleological Judgement 	292ix
� 69. 	What is an antinomy of the Judgement? 	292
� 70. 	Representation of this antinomy 	293
� 71. 	Preliminary to the solution of the above antinomy 	296
� 72. 	Of the different systems which deal with the purposiveness of Nature 	298
� 73. 	None of the above systems give what they pretend 	302
� 74. 	The reason that we cannot treat the concept of a Technic of nature dogmatically is the fact that a natural purpose is inexplicable 	306
� 75. 	The concept of an objective purposiveness of nature is a critical principle of Reason for the reflective Judgement 	309
� 76. 	Remark 	313
� 77. 	Of the peculiarity of the human Understanding, by means of which the concept of a natural purpose is possible 	319
� 78. 	Of the union of the principle of the universal mechanism of matter with the teleological principle in the Technic of nature 	326
Appendix.�Methodology of the Teleological Judgement 	334
� 79. 	Whether Teleology must be treated as if it belonged to the doctrine of nature 	334
� 80. 	Of the necessary subordination of the mechanical to the teleological principle in the explanation of a thing as a natural purpose 	336
� 81. 	Of the association of mechanism with the teleological principle in the explanation of a natural purpose as a natural product 	342
� 82. 	Of the teleological system in the external relations of organised beings 	346
� 83. 	Of the ultimate purpose of nature as a teleological system 	352
� 84. 	Of the final purpose of the existence of a world, i.e. of creation itself 	359
� 85. 	Of Physico-theology 	362
� 86. 	Of Ethico-theology 	370x
� 87. 	Of the moral proof of the Being of God 	377
� 88. 	Limitation of the validity of the moral proof 	384
� 89. 	Of the use of the moral argument 	392
� 90. 	Of the kind of belief in a teleological proof of the Being of God 	395
� 91. 	Of the kind of belief produced by a practical faith 	403
General remark on Teleology 	414





PERPETUAL PEACE, A PHILOSOPHICAL ESSAY
By Immanuel Kant
1795
Translated With Introduction And Notes By M. Campbell Smith
CONTENTS
PAGE
PREFACE BY PROFESSOR LATTA 	v
TRANSLATOR'S INTRODUCTION 	1
PERPETUAL PEACE 	106
FIRST SECTION CONTAINING THE PRELIMINARY ARTICLES OF PERPETUAL PEACE BETWEEN STATES 	107
SECOND SECTION CONTAINING THE DEFINITIVE ARTICLES OF PERPETUAL PEACE BETWEEN STATES 	117
FIRST SUPPLEMENT CONCERNING THE GUARANTEE OF PERPETUAL PEACE 	143
SECOND SUPPLEMENT-A SECRET ARTICLE FOR PERPETUAL PEACE 	158
APPENDIX I.-ON THE DISAGREEMENT BETWEEN MORALS AND POLITICS WITH REFERENCE TO PERPETUAL PEACE 	161
APPENDIX II.-CONCERNING THE HARMONY OF POLITICS WITH MORALS ACCORDING TO THE TRANSCENDENTAL IDEA OF PUBLIC RIGHT 	184
INDEX 	197





PROLEGOMENA
By Kant
Edited In English By Dr. Paul Carus
CONTENTS
PUBLISHERS' PREFACE.
INTRODUCTION.
PROLEGOMENA.
PREAMBLE ON THE PECULIARITIES OF ALL METAPHYSICAL COGNITION.
FIRST PART OF THE TRANSCENDENTAL PROBLEM.
HOW IS PURE MATHEMATICS POSSIBLE?
SECOND PART OF THE TRANSCENDENTAL PROBLEM.
HOW IS THE SCIENCE OF NATURE POSSIBLE?
THIRD PART OF THE MAIN TRANSCENDENTAL PROBLEM.
HOW IS METAPHYSICS IN GENERAL POSSIBLE?
SCHOLIA.
SOLUTION OF THE GENERAL QUESTION OF THE PROLEGOMENA, "HOW IS METAPHYSICS POSSIBLE AS A SCIENCE?"
APPENDIX.








End of the Project Gutenberg EBook of Index of the Project Gutenberg Works
of Immanuel Kant, by Immanuel Kant

*** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF KANT ***

***** This file should be named 59023-0.txt or 59023-0.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/5/9/0/2/59023/

Produced by David Widger

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.