The Project Gutenberg EBook Cleopatra, by Georg Ebers, Volume 2.
#36 in our series by Georg Ebers

Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.

This header should be the first thing seen when viewing this Project
Gutenberg file.  Please do not remove it.  Do not change or edit the
header without written permission.

Please read the "legal small print," and other information about the
eBook and Project Gutenberg at the bottom of this file.  Included is
important information about your specific rights and restrictions in
how the file may be used.  You can also find out about how to make a
donation to Project Gutenberg, and how to get involved.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**EBooks Readable By Both Humans and By Computers, Since 1971**

*****These EBooks Were Prepared By Thousands of Volunteers*****


Title: Cleopatra, Volume 2.

Author: Georg Ebers

Release Date: April, 2004  [EBook #5474]
[Yes, we are more than one year ahead of schedule]
[This file was first posted on May 21, 2002]

Edition: 10

Language: English

Character set encoding: ASCII





*** START OF THE PROJECT GUTENBERG EBOOK CLEOPATRA, BY GEORG EBERS, V2 ***



This eBook was produced by David Widger <widger@cecomet.net>



[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them.  D.W.]





CLEOPATRA

By Georg Ebers

Volume 2.



CHAPTER IV.

The house facing the garden of the Paneum, where Barine lived, was the
property of her mother, who had inherited it from her parents.  The
artist Leonax, the young beauty's father, son of the old philosopher
Didymus, had died long before.

After Barine's unhappy marriage with Philostratus was dissolved, she had
returned to her mother, who managed the affairs of the household.  She
too, belonged to a family of scholars and had a brother who had won high
repute as a philosopher, and had directed the studies of the young
Octavianus.  This had occurred long before the commencement of the
hostility which separated the heirs of Caesar and Mark Antony.  But even
after the latter had deserted Octavia, the sister of Octavianus, to
return to Cleopatra, the object of his love, and there was an open breach
between the two rivals for the sovereignty of the world, Antony had been
friendly to Arius and borne him no grudge for his close relations to his
rival.  The generous Roman had even given his enemy's former tutor a fine
house, to show him that he was glad to have him in Alexandria and near
his person.

The widow Berenike, Barine's mother, was warmly attached to her only
brother, who often joined her daughter's guests.  She was a quiet, modest
woman whose happiest days had been passed in superintending the education
of her children, Barine, the fiery Hippias, and the quiet Helena, who for
several years had lived with her grandparents and, with faithful
devotion, assumed the duty of caring for them.  She had been more easily
guided than the two older children; for the boy's aspiring spirit had
often drawn him beyond his mother's control, and the beautiful, vivacious
girl had early possessed charms so unusual that she could not remain
unnoticed.

Hippias had studied oratory, first in Alexandria and later in Athens and
Rhodes.  Three years before, his uncle Arius had sent him with excellent
letters of introduction to Rome to become acquainted with the life of the
capital and try whether, in spite of his origin, his brilliant gifts of
eloquence would forward his fortunes there.

Two miserable years with an infamous, unloved husband had changed the
wild spirits of Barine's childhood into the sunny cheerfulness now one of
her special charms.  Her mother was conscious of having desired only her
best good in uniting the girl of sixteen to Philostratus, whom the
grandfather Didymus then considered a very promising young man, and whose
advancement, in addition to his own talents, his brother Alexas, Antony's
favourite, promised to aid.  She had believed that this step would afford
the gay, beautiful girl the best protection from the perils of the
corrupt capital; but the worthless husband had caused both mother and
daughter much care and sorrow, while his brother Alexas, who constantly
pursued his young sister-in-law with insulting attentions, was the source
of almost equal trouble.  Berenike often gazed in silent astonishment at
the child, who, spite of such sore grief and humiliation, had preserved
the innocent light-heartedness which made her seem as if life had offered
her only thornless roses.

Her father, Leonax, had been one of the most distinguished artists of the
day, and Barine had inherited from him the elastic artist temperament
which speedily rebounds from the heaviest pressure.  To him also she owed
the rare gift of song, which had been carefully cultivated and had
already secured her the first position in the woman's chorus at the
festival of the great goddesses of the city.  Every one was full of her
praises, and after she had sung the Yalemos in the palace over the waxen
image of the favourite of the gods, slain by the boar, her name was
eagerly applauded.  To have heard her was esteemed a privilege, for she
sang only in her own house or at religious ceremonials "for the honour of
the gods."

The Queen, too, had heard her, and, after the Adonis festival, her uncle
Arius had presented her to Antony, who expressed his admiration with all
the fervour of his frank nature, and afterwards came to her house a
second time, accompanied by his son Antyllus.  Doubtless he would have
called on her frequently and tested upon her heart his peculiar power
over women, had he not been compelled to leave the city on the day after
his last visit.

Berenike had reproved her brother for bringing the Queen's lover to
Barine, for her anxiety was increased by the repeated visits of Antony's
son, and still more aroused by that of Caesarion, who was presented by
Antyllus.

These youths were not numbered among the guests whose presence she
welcomed and whose conversation afforded her pleasure.  It was flattering
that they should honour her simple home by their visits, but she knew
that Caesarion came without his tutor's knowledge, and perceived, by the
expression of his eyes, what drew him to her daughter.  Besides,
Berenike, in rearing the two children, who had been the source of so much
anxiety had lost the joyous confidence which had characterized her own
youth.  Whenever life presented any new phase, she saw the dark side
first.  If a burning candle stood before her, the shadow of the
candlestick caught her eye before the light.  Her whole mental existence
became a chain of fears, but the kind-hearted woman loved her children
too tenderly to permit them to see it.  Only it was a relief to her heart
when some of her evil forebodings were realized, to say that she had
foreseen it all.

No trace of this was legible in her face, a countenance still pretty and
pleasing in its unruffled placidity.  She talked very little, but what
she did say was sensible, and proved how attentively she understood how
to listen.  So she was welcome among Barine's guests.  Even the most
distinguished received something from her, because he felt that the quiet
woman understood him.

Before Barine had returned that evening, something had occurred which
made her mother doubly regret the accident to her brother Arius the day
before.  On his way home from his sister's he had been run over by a
chariot darting recklessly along the Street of the King, and was carried,
severely injured, to his home, where he now lay helpless and fevered.
Nor did it lessen his sufferings to hear his two sons threaten to take
vengeance on the reckless fellow who had wrought their father this
mischief, for he had reason to believe Antyllus the perpetrator of the
deed, and a collision between the youths and the son of Antony could only
result in fresh disaster to him and his, especially as the young Roman
seemed to have inherited little of his father's magnanimous generosity.
Yet Arius could not be vexed with his sons for stigmatizing, in the
harshest terms, the conduct of the man who had gone on without heeding
the accident.  He had cautioned his sister against the utterly unbridled
youth whose father he had himself brought to her house.  With what good
reason he had raised his voice in warning was now evident.  At sunset
that very day several guests had arrived as usual, followed by Antyllus,
a youth of nineteen.  When the door-keeper refused to admit him, he had
rudely demanded to see Barine, thrust aside the prudent old porter, who
endeavoured to detain him, and, in spite of his protestations, forced his
way into his dead master's work-room, where the ladies usually received
their visitors.  Not until he found it empty would he retire, and then he
first fastened a bouquet of flowers he had brought to a statue of Eros in
burnt clay, which stood there.  Both the porter and Barine's waiting-maid
declared that he was drunk; they saw it when he staggered away with the
companions who had waited for him in the garden outside.

This unseemly and insulting conduct filled Berenike with the deepest
indignation.  It must not remain unpunished, and, while waiting for her
daughter, she imagined what evil consequences might ensue if Antyllus
were forbidden the house and accused to his tutor, and how unbearable,
on the other hand, he might become if they omitted to do so.

She was full of sad presentiments, and as, with such good reason, she
feared the worst, she cherished a faint hope that her daughter might
perhaps bring home some pleasant tidings; for she had had the experience
that events which had filled her with the utmost anxiety sometimes
resulted in good fortune.

At last Barine appeared, and it was indeed long since she had clasped her
mother in her arms with such joyous cheerfulness.

The widow's troubled heart grew lighter.  Her daughter must have met with
something unusually gratifying, she looked so happy, although she had
surely heard what had happened here; for her cloak was laid aside and her
hair newly arranged, so she must have been to her chamber, where she was
dressed by her loquacious Cyprian slave, who certainly could not keep to
herself anything that was worth mentioning.  The nimble maid had shown
her skill that day.

"Any stranger would take her for nineteen," thought her mother.  "How
becoming the white robe and blue-bordered peplum are to her; how softly
the azure bombyx ribbon is wound around the thick waves of her hair!  Who
would believe that no curling-irons had touched the little golden locks
that rest so gracefully on her brow, that no paint-brush had any share in
producing the rose and white hues on her cheek, or the alabaster glimmer
of her arms?  Such beauty easily becomes a Danae dower; but it is a
magnificent gift of the gods!  Yet why did she put on the bracelet which
Antony gave her after his last visit?  Scarcely on my account.  She can
hardly expect Dion at so late an hour.  Even while I am rejoicing in the
sight of her beauty, some new misfortune may be impending."

So ran the current of her thoughts while her daughter was gaily
describing what she had witnessed at her grandfather's.  Meanwhile she
had nestled comfortably among the cushions of a lounge; and when she
mentioned Antyllus's unseemly conduct, she spoke of it, with a
carelessness that startled Berenike, as a vexatious piece of rudeness
which must not occur again.

"But who is to prevent it?" asked the mother anxiously.

"Who, save ourselves?" replied Barine.  "He will not be admitted."

"And if he forced his way in?"

Barine's big blue eyes flashed angrily, and there was no lack of decision
in her voice as she exclaimed, "Let him try it!"

"But what power have we to restrain the son of Antony?" asked Berenike.
"I do not know."

"I do," replied her daughter.  "I will be brief, for a visitor is
coming."

"So late?" asked the mother anxiously.

"Archibius wishes to discuss an important matter with us."

The lines on the brow of the older woman smoothed, but it contracted
again as she exclaimed inquiringly: "Important business at so unusual an
hour!  Ah, I have expected nothing good since early morning!  On my way
to my brother's a raven flew up before me and fluttered towards the left
into the garden."

"But I," replied Barine, after receiving, in reply to her inquiry, a
favourable report concerning her uncle's health-"I met seven--there were
neither more nor less; for seven is the best of numbers--seven snow-white
doves, which all flew swiftly towards the right.  The fairest of all came
first, bearing in its beak a little basket which contained the power that
will keep Antony's son away from us.  Don't look at me in such amazement,
you dear receptacle of every terror."

"But, child, you said that Archibius was coming so late to discuss an
important matter," rejoined the mother.

"He must be here soon."

"Then cease this talking in riddles; I do not guess them quickly."

"You will solve this one," returned Barine; "but we really have no time
to lose.  So-my beautiful dove was a good, wise thought, and what it
carried in its basket you shall hear presently.  You see, mother, many
will blame us, though here and there some one may pity; but this state of
things must not continue.  I feel it more and more plainly with each
passing day; and several years must yet elapse ere this scruple becomes
wholly needless.  I am too young to welcome as a guest every one whom
this or that man presents to me.  True, our reception-hall was my
father's work-room and you, my own estimable, blameless mother, are the
hostess here; but though superior to me in every respect, you are so
modest that you shield yourself behind your daughter until the guests
think of you only when you are absent.  So those who  seek us both merely
say, 'I am going to visit Barine'--and there are too many who say this--
I can no longer choose, and this thought--"

"Child!  child!" interrupted her mother joyfully, "what god met you as
you went out this morning?"

"Surely you know," she answered gaily; "it was seven doves, and, when I
took the little basket from the bill of the first and prettiest one, it
told me a story.  Do you want to hear it?"

"Yes, yes; but be quick, or we shall be interrupted."

Then Barine leaned farther back among the cushions, lowered her long
lashes, and began: "Once upon a time there was a woman who had a garden
in the most aristocratic quarter of the city--here near the Paneum, if
you please.  In the autumn, when the fruit was ripening, she left the
gate open, though all her neighbours did the opposite.  To keep away
unbidden lovers of her nice figs and dates, she fastened on the gate a
tablet bearing the inscription: 'All may enter and enjoy the sight of the
garden; but the dogs will bite any one who breaks a flower, treads upon
the grass, or steals the fruit.'

"The woman had nothing but a lap-dog, and that did not always obey her.
But the tablet fulfilled its purpose; for at first none came except her
neighbours in the aristocratic quarter.  They read the threat, and
probably without it would have respected the property of the woman who so
kindly opened the door to them.  Thus matters went on for a time, until
first a beggar came, and then a Phoenician sailor, and a thievish
Egyptian from the Rhakotis--neither of whom could read.  So the tablet
told them nothing; and as, moreover, they distinguished less carefully
between mine and thine, one trampled the turf and another snatched from
the boughs a flower or fruit.  More and more of the rabble came, and you
can imagine what followed.  No one punished them for the crime, for they
did not fear the barking of the lap-dog, and this gave even those who
could read, courage not to heed the warning.  So the woman's pretty
garden soon lost its peculiar charm; and the fruit, too, was stolen.
When the rain at last washed the inscription from the tablet, and saucy
boys scrawled on it, there was no harm done; for the garden no longer
offered any attractions, and no one who looked into it cared to enter.
Then the owner closed her gate like the neighbours, and the next year she
again enjoyed the green grass and the bright hues of the flowers.  She
ate her fruit herself, and the lap-dog no longer disturbed her by its
barking."

"That is," said her mother, "if everybody was as courteous and as well
bred as Gorgias, Lysias, and the others, we would gladly continue to
receive them.  But since there are rude fellows like Antyllus--"

"You have understood the story correctly," Barine interrupted.  "We are
certainly at liberty to invite to our house those who have learned to
read our inscription.  To-morrow visitors will be informed that we can no
longer receive them as before."

"Antyllus's conduct affords an excellent pretext," her mother added.
"Every fair-minded person must understand--"

"Certainly," said Barine, "and if you, shrewdest of women, will do your
part--

"Then for the first time we can act as we please in our own home.
Believe me, child--if you only do not--"

"No ifs!--not this time!" cried the young beauty, raising her hand
beseechingly.  "It gives me such delight to think of the new life, and if
matters come to pass as I hope and wish--then--do not you also believe,
mother, that the gods owe me reparation?"

"For what?" asked the deep voice of Archibius, who had entered
unannounced, and was now first noticed by the widow and her daughter.

Barine hastily rose and held out both hands to her old friend,
exclaiming, "Since they bring you to us, they are already beginning the
payment."




CHAPTER V.

An artist, especially a great artist, finds it easy to give his house an
attractive appearance.  He desires comfort in it, and only the beautiful
is comfortable to him.  Whatever would disturb harmony offends his eye,
and to secure the noblest ornament of his house he need not invite any
stranger to cross its threshold.  The Muse, the best of assistants, joins
him unbidden.

Leonax, Barine's father, had been thus aided to transform the interior of
his house into a very charming residence.  He had painted on the walls of
his own work-room incidents in the life of Alexander the Great, the
founder of his native city, and on the frieze a procession of dancing
Cupids.

Here Barine now received her guests, and the renown of these paintings
was not one of the smallest inducements which had led Antony to visit the
young beauty and to take his son, in whom he wished to awaken at least a
fleeting pleasure in art.  He also knew how to prize her beauty and her
singing, but the ardent passion which had taken possession of him in his
mature years was for Cleopatra alone.  He whose easily won heart and
susceptible fancy had urged him from one commonplace love to another had
been bound by the Queen with chains of indestructible and supernatural
power.  By her side a Barine seemed to him merely a work of art endowed
with life and a voice that charmed the ear.  Yet he owed her some
pleasant hours, and he could not help bestowing gifts upon any one to
whom he was indebted for anything pleasant.  He liked to be considered
the most generous spendthrift on earth, and the polished bracelet set
with a gem, on which was carved Apollo playing on his lyre, surrounded by
the listening Muses, looked very simple, but was really an ornament of
priceless value, for the artist who made it was deemed the best stone-
cutter in Alexandria in the time of Philadelphus, and each one of the
tiny figures sculptured on the bit of onyx scarcely three fingers wide
was a carefully executed masterpiece of the most exquisite beauty.
Antony had chosen it because he deemed it a fitting gift for the woman
whose song had pleased him.  He had not thought of asking its value;
indeed, only a connoisseur would have perceived it; and as the circlet
was not showy and well became her beautiful arm, Barine liked to wear it.

Had not the war taken him away, Antony's second visit would certainly not
have been his last.  Besides the singing which enthralled him, the
conversation had been gay and brilliant, and in addition to Leonax's
paintings, he had seen other beautiful works of art which the former had
obtained by exchanging with many distinguished companions.

Nor was there any lack of plastic creations in the spacious apartment,
to which the flashing of the water poured by a powerful man from the
goatskin bottle on his shoulder into a shell lent a special charm.

The master who had carved this stooping Nubian had also created the much-
discussed statues of the royal lovers.  The clay Eros, who with bent knee
was aiming at a victim visible to himself alone, was also his work.
Antony, when paying his second visit, had laughingly laid the garland he
wore before "the greatest of human conquerors," while a short time ago
his son Antyllus had rudely thrust his bouquet of flowers into the
opening of the curved right arm which was drawing the string.  In doing
so the statue had been injured.  Now the flowers lay unheeded upon the
little altar at the end of the large room, lighted only by a single lamp;
for the ladies had left it with their guest.  They were in Barine's
favourite apartment, a small room, where there were several pictures by
her dead father.

Antyllus's bouquet, and the damage to the clay statue of Eros, had played
a prominent part in the conversation between the three, and rendered
Archibius's task easier.

Berenike had greeted the guest with a complaint of the young Roman's
recklessness and unseemly conduct, to which Barine added the declaration
that they had now sacrificed enough to Zeus Xenios, the god of
hospitality.  She meant to devote her future life to the modest household
gods and to Apollo, to whom she owed the gift of song.

Archibius had listened silently in great surprise until she had finished
her explanation and declared that henceforth she intended to live alone
with her mother, instead of having her father's workshop filled with
guests.

The young beauty's vivid imagination transported her to this new and
quieter life.  But, spite of the clear and glowing hues in which she
described her anticipations, her grey-haired listener could not have
believed in them fully.  A subtle smile sometimes flitted over his grave,
somewhat melancholy face--that of a man who has ceased to wrestle in the
arena of life, and after severe conflict now preferred to stand among the
spectators and watch others win or lose the prize of victory.  Doubtless
the wounds which he had received still ached, yet his sorrowful
experiences did not prevent his being an attentive observer.  The
expression of his clear eyes showed that he mentally shared whatever
aroused his sympathy.  Whoever understood how to listen thus, and,
moreover--the prominence of the brow above the nose showed it--was also a
trained thinker, could not fail to be a good counsellor, and as such he
was regarded by many, and first of all by the Queen.

The wise deliberation, which was one of his characteristic traits, showed
itself on this occasion; for though he had come to persuade Barine try a
country residence, he refrained from doing until she had exhausted the
story of her own affairs and inquired the important cause of his visit.

In the principal matter his request was granted ere he made it.  So he
could begin with the query whether the mother and daughter did not think
that the transition to the new mode of life could be effected more easily
if they were absent from the city a short time.  It would awaken comment
they should close their house against guests on the morrow, and as the
true reason could not be given, many would be offended.  If, on the
contrary, they could resolve to quit the capital for a few weeks, many,
it is true, would lament their decision, but what was alloted to all
alike could be resented by no one.

Berenike eagerly assented, but Barine grew thoughtful.  Then Archibius
begged her to speak frankly, and after she had asked where they could he
proposed his country estate.

His keen grey eyes had perceived that something, bound her so firmly to
the city that in the case of a true woman like Barine it must be an
affair of the heart.  He had evidently judged correctly, for, at his
prediction that there would be no lack of visits from her dearest
friends, she raised her head, her blue eyes sparkled brightly, and when
Archibius paused she to her mother, exclaiming gaily "We will go!"

Again the vivid imagination daughter conjured the future before her in
distinct outlines.  She alone knew whom she meant when she spoke of the
visitor she expected at Irenia, Archibius's estate.  The name meant "The
place of peace," and it pleased her.

Archibius listened smilingly; but when she began to assign him also a
part in driving the little Sardinian horses and pursuing the birds, he
interrupted her with the statement that whether he could speedily allow
himself a pleasure which he should so keenly enjoy--that of breathing the
country air with such charming guests--would depend upon the fate of
another.  Thank the gods, he had been able to come here with a lighter
heart, because, just before his departure, he had heard of a splendid
victory gained by the Queen.  The ladies would perhaps permit him to
remain a little longer, as he was expecting confirmation of the news.

It was evident that he awaited it in great suspense, and that his heart
was by no means free from anxiety.

Berenike shared it, and her pleasant face, which had hitherto reflected
her delight at her daughter's sensible resolution, was now clouded with
care as Archibius began: "The object of my presence here?  You are making
it very easy for me to attain it.  If I deemed it honest, I could now
conceal the fact that I had sought you to induce you to leave the city.
I see no peril from the boyish insolence of the son of Antony.  The point
in question, child, is merely to put yourself out of the reach of
Caesarion."

"If you could place me in the moon, it would please me best, as far as he
is concerned," replied Barine eagerly.  "That is just what induced me to
change our mode of life, since my door cannot be closed against the boy
who, though still under a tutor, uses his rank as a key to open it.  And
just think of being compelled to address that dreamer, with eyes pleading
for help, by the title of 'king'!"

"Yet what mighty impulse might not be slumbering in the breast of a son
of Julius Caesar and Cleopatra?" said Archibius.  "And passion--I know,
my child, that it is no fault of yours--has now awakened within him.
Whatever the result may be, it must fill his mother's heart with anxiety.
That is why it is needful to hasten your departure, and to keep your
destination a secret.  He will attempt no violence; but--he is the child
of his parents--and some unexpected act may be anticipated from him."

"You startle me!"  cried Barine.  "You transform the cooing dove which
entered my house into a dangerous griffin."

"As such you may regard him," said the other, warningly.  "You will be a
welcome guest, Barine, but I invited you, whom I have loved from your
earliest childhood, the daughter of my dearest friend, not merely to do
you a service at Irenia, but to save from grief or even annoyance the
person to whom--who is not aware of it--I owe everything."

The words conveyed to both ladies the knowledge that, though they were
dear to Archibius, he would sacrifice them, and with them, perhaps, all
the rest of the world, for the peace and happiness of the Queen.

Barine had expected nothing else.  She knew that Cleopatra had made the
philosopher's son a wealthy man and the owner of extensive estates; but
she also felt that the source of his loyal devotion to the Queen, over
whom he watched like a tender father, was due to other causes.  Cleopatra
prized him also.  Had he been ambitious, he could have stood at the helm
of the ship of state, as Epitrop long ago, but--the whole city knew it--
he had more than once refused to accept a permanent office, because he
believed that he could serve his mistress better as an unassuming,
unnoticed counsellor.  Berenike had told Barine that the relations
between Cleopatra and Archibius dated back to their childhood, but she
had learned no particulars.  Various rumours were afloat which, in the
course of time, had been richly adorned and interwoven with anecdotes,
and Barine naturally lent the most ready credence to those which asserted
that the princess, in her earliest youth, had cherished a childish love
for the philosopher's son.  Now her friend's conduct led her to believe
it.

When Archibius paused, the young beauty assured him that she understood
him; and as the alabaster hanging lamp and a three-branched light cast a
brilliant glow upon the portrait which her father had painted of the
nineteen-year-old Queen, and afterwards copied for his own household, she
pointed to it, and, pursuing the current of her own thoughts, asked the
question:

"Was she not marvellously beautiful at that time?"

"As your father's work represents her," was the reply.  "Leonax painted
the portrait of Octavia, on the opposite side, the same year, and perhaps
the artist deemed the Roman the fairer woman."  He pointed as he spoke to
a likeness of Octavianus's sister, whom Barine's father had painted as
the young wife of Marcellus, her first husband.

"Oh, no!"  said Berenike.  "I still remember perfectly how Leonax
returned in those days.  What woman might not have been jealous of his
enthusiasm for the Roman Hera?  At that time I had not seen the portrait,
and when I asked whether he thought Octavia more beautiful than the
Queen, for whom Eros had inflamed his heart, as in the case of most of
the beautiful women he painted, he exclaimed--you know his impetuous
manner--'Octavia stands foremost in the ranks of those who are called
"beautiful" or "less beautiful"; the other, Cleopatra, stands alone, and
can be compared with no one.'"

Archibius bent his head in assent, then said firmly, "But, as a child,
when I first saw her, she would have been the fairest even in the dance
of the young gods of love."

"How old was she then?"  asked Barine, eagerly.

"Eight years," he answered.  "How far in the past it is, yet I have not
forgotten a single hour!  "Barine now earnestly entreated him to tell
them the story of those days, but Archibius gazed thoughtfully at the
floor for some time ere he raised his head and answered: "Perhaps it will
be well if you learn more of the woman for whose sake I ask a sacrifice
at your hands.  Arius is your brother and uncle.  He stands near to
Octavianus, for he was his intellectual guide, and I know that he reveres
the Roman's sister, Octavia, as a goddess.  Antony is now struggling with
Octavianus for the sovereignty of the world.  Octavia succumbed in the
conflict against the woman of whom you desire to hear.  It is not my
place to judge her, but I may instruct and warn.  Roman nations burn
incense to Octavia, and, when Cleopatra's name is uttered, they veil
their faces indignantly.  Here in Alexandria many imitate them.  Whoever
upholds shining purity may hope to win a share of the radiance emanating
from it.  They call Octavia the lawful wife, and Cleopatra the criminal
who robbed her of her husband's heart."

"Not I!" exclaimed Barine eagerly.  "How often I have heard my uncle say
that Antony and Cleopatra were fired with the most ardent love for each
other!  Never did the arrows of Eros pierce two hearts more deeply.  Then
it became necessary to save the state from civil war and bloodshed.
Antony consented to form an alliance with his rival, and, as security for
the sincerity of the reconciliation, he gave his hand in marriage to
Octavia, whose first husband, Marcellus, had just died--his hand, I say,
only his hand, for his heart was captive to the Queen of Egypt.  And if
Antony was faithless to the wife to whom statecraft had bound him, he
kept his pledge to the other, who had an earlier, better title.  If
Cleopatra did not give up the man to whom she had sworn fidelity forever,
she was right--a thousand times right!  In my eyes--no matter how often
my mother rebukes me--Cleopatra, in the eyes of the immortals, is and
always will be Antony's real wife; the other, though on her marriage day
no custom, no word, no stroke of the stylus, no gesture was omitted, is
the intruder in a bond of love which rejoices the gods, however it may
anger mortals, and--forgive me, mother--virtuous matrons."

Berenike had listened with blushing cheeks to her vivacious daughter; now
with timid earnestness she interrupted: "I know that those are the views
of the new times; that Antony in the eyes of the Egyptians, and probably
also according to their customs, is the rightful husband of the Queen.
I know, too, that you are both against me.  Yet Cleopatra is in reality a
Greek, and therefore--eternal gods!--I can sincerely pity her; but the
marriage has been solemnized, and I cannot blame Octavia.  She rears and
cherishes, as if they were her own, the children of her faithless husband
and Fulvia, his first wife, who have no claim upon her.  It is more than
human to take the stones from the path of the man who became her foe, as
she does.  No woman In Alexandria can pray more fervently than I that
Cleopatra and her friend may conquer Octavianus.  His cold nature, highly
as my brother esteems him, is repellent to me.  But when I gaze at
Octavia's beautiful, chaste, queenly, noble countenance, the mirror of
true womanly purity--"

"You can rejoice," Archibius added, completing the sentence, and laying
his right hand soothingly on the arm of the excited woman, "only it would
be advisable at this time to put the portrait elsewhere, and rest
satisfied with confiding your opinion of Octavia to your brother and a
friend as reliable as myself.  If we conquer, such things may pass; if
not--The messenger tarries long--"

Here Barine again entreated him to use the time.  She had only once had
the happiness of being noticed by the Queen--just after her song at the
Adonis festival.  Then Cleopatra had advanced to thank her.  She said
only a few kind words, but in a voice which seemed to penetrate the
inmost depths of her heart and bind her with invisible threads.
Meanwhile Barine's eyes met those of her sovereign, and at first they
roused an ardent desire to press her lips even on the hem of her robe,
but afterwards she felt as if a venomous serpent had crawled out of the
most beautiful flower.

Here Archibius interrupted her with the remark that he remembered
perfectly how, after the song, Antony had addressed her at the same time
as the Queen, and Cleopatra lacked no feminine weakness.

"Jealousy?"  asked Barine, in astonishment.  "I was not presumptuous
enough to admit it.  I secretly feared that Alexas, the brother of
Philostratus, had prejudiced her.  He is as ill-disposed towards me as
the man who was my husband.  But everything connected with those two is
so base and shameful that I will not allow it to cloud this pleasant
hour.  Yet the fear that Alexas might have slandered me to the Queen is
not groundless.

"He is as shrewd as his brother, and through Antony, into whose favour he
ingratiated himself, is always in communication with Cleopatra.  He went
to the war with him."

"I learned that too late, and am utterly powerless against Antony,"
replied Archibius.

"But was it not natural that I should fear he had prejudiced the Queen?"
asked Barine.  "At any rate, I imagined that I detected a hostile
expression in her eyes, and it repelled me, though at first I had
been so strongly attracted towards her."

"And had not that other stepped between you, you could not have turned
from her again!" said Archibius.  "The first time I saw her I was but a
mere boy, and she--as I have already said--a child eight years old."

Barine nodded gratefully to Archibius, brought the distaff to her mother,
poured water into the wine in the mixing vessel, and after at first
leaning comfortably back among the cushions, she soon bent forward in a
listening attitude, with her elbow propped on her knee, and her chin
supported by her hand.  Berenike drew the flax from the distaff, at first
slowly, then faster and faster.

"You know my country-house in the Kanopus," the guest began.  "It was
originally a small summer palace belonging to the royal family, and
underwent little change after we moved into it.  Even the garden is
unaltered.  It was full of shady old trees.  Olympus, the leech, had
chosen this place, that my father might complete within its walls the
work of education entrusted to him.  You shall hear the story.  At that
time Alexandria was in a state of turmoil, for Rome had not recognized
the King, and ruled over us like Fate, though it had not acknowledged the
will by which the miserable Alexander bequeathed Egypt to him like a
field or a slave.

"The King of Egypt, who called himself 'the new Dionysus,' was a weak
man, whose birth did not give him the full right to the sovereignty.
You know that the people called him the 'fluteplayer.'  He really had no
greater pleasure than to hear music and listen to his own performances.
He played by no means badly on more than one instrument, and, moreover,
as a reveller did honour to the other name.  Whoever kept sober at the
festival of Dionysus, whose incarnate second self he regarded himself,
incurred his deepest displeasure.

"The flute-player's wife, Queen Tryphoena, and her oldest daughter--she
bore your name, Berenike--ruined his life.  Compared with them, the King
was worthy and virtuous.  What had become of the heroes and the high-
minded princes of the house of Ptolemy?  Every passion and crime had
found a home in their palaces!

"The flute-player, Cleopatra's father, was by no means the worst.
He was a slave to his own caprices; no one had taught him to bridle his
passions.  Where it served his purpose, even death was summoned to his
aid; but this was a custom of the last sovereigns of his race.  In one
respect he was certainly superior to most of them--he still possessed a
capacity to feel a loathing for the height of crime, to believe in virtue
and loftiness of soul, and the possibility of implanting them in youthful
hearts.  When a boy, he had been under the influence of an excellent
teacher, whose precepts had lingered in his memory and led him to
determine to withdraw his favourite children--two girls--from their
mother's sway, at least as far as possible.

"I learned afterwards that it had been his desire to confide the
princesses wholly to my parents' care.  But an invincible power opposed
this.  Though Greeks might be permitted to instruct the royal children
in knowledge, the Egyptians would not yield the right to their religious
education.  The leech Olympus--you know the good old man--had insisted
that the delicate Cleopatra must spend the coldest winter months in Upper
Egypt, where the sky was never clouded, and the summer near the sea in a
shady garden.  The little palace at Kanopus was devoted to this purpose.

"When we moved there it was entirely unoccupied, but the princesses were
soon to be brought to us.  During the winter Olympus preferred the island
of Philae, on the Nubian frontier, because the famous Temple of Isis was
there, and its priests willingly undertook to watch over the children.

"The Queen would not listen to any of these plans.  Leaving Alexandria
and spending the winter on a lonely island in the tropics was an utterly
incomprehensible idea.  So she let the King have his way, and no doubt
was glad to be relieved from the care of the children; for, even after
her royal husband's exile from the city, she never visited her daughters.
True, death allowed her only a short time to do so.

"Her oldest daughter, Berenike, who became her successor, followed her
example, and troubled herself very little about her sisters.  I heard
after wards that she was very glad to know that they were in charge of
persons who filled their minds with other thoughts than the desire to
rule.  Her brothers were reared at Lochias by our countryman Theodotus,
under the eyes of their guardian, Pothinus.

"Our family life was of course wholly transformed by the reception of the
royal children.  In the first place, we moved from our house in the
Museum Square into the little palace at Kanopus, and the big, shady
garden delighted us.  I remember, as though it were but yesterday, the
morning--I was then a boy of fifteen--when my father told us that two of
the King's daughters would soon become members of the household.  There
were three of us children--Charmian, who went to the war with the Queen,
because Iras, our niece, was ill; I myself; and Straton, who died long
ago.  We were urged to treat the princesses with the utmost courtesy and
consideration, and we perceived that their reception really demanded
respect; for the palace, which we had found empty and desolate, was
refurnished from roof to foundation.

"The day before they were expected horses, chariots, and litters came,
while boats and a splendid state galley, fully manned, arrived by sea.
Then a train of male and female slaves appeared, among them two fat
eunuchs.

"I can still see the angry look with which my father surveyed all these
people.  He drove at once to the city, and on his return his clear eyes
were as untroubled as ever.  A court official accompanied him, and only
that portion of the useless amount of luggage and number of persons that
my father desired remained.

"The princesses were to come the next morning--it was at the end of
February--flowers were blooming in the grass and on the bushes, while the
foliage of the trees glittered with the fresh green which the rising sap
gives to the young leaves.  I was sitting on a strong bough of a
sycamore-tree, which grew opposite to the house, watching for them.
Their arrival was delayed and, as I gazed meanwhile over the garden,
I thought it must surely please them, for not a palace in the city had
one so beautiful.

"At last the litters appeared; they had neither runners nor attendants,
as my father had requested, and when the princesses alighted--both at the
same moment--I knew not which way to turn my eyes first, for the creature
that fluttered like a dragon-fly rather than stepped from the first
litter, was not a girl like other mortals--she seemed like a wish, a
hope.  When the dainty, beautiful creature turned her head hither and
thither, and at last gazed questioningly, as if beseeching help, into the
faces of my father and mother, who stood at the gate to receive her, it
seemed to me that such must have been the aspect of Psyche when she stood
pleading for mercy at the throne of Zeus.

"But it was worth while to look at the other also.  Was that Cleopatra?
She might have been the elder, for she was as tall as her sister, but how
utterly unlike!  From the waving hair to every movement of the hands and
body the former--it was Cleopatra--had seemed to me as if she were
flying.  Everything about the second figure, on the contrary, was solid,
nay, even seemed to offer positive resistance.  She sprang from the
litter and alighted on the ground with both feet at once, clung firmly to
the door, and haughtily flung back her head, crowned with a wealth of
dark locks.  Her complexion was pink and white, and her blue eyes
sparkled brightly enough; but the expression with which she gazed at my
parents was defiant rather than questioning, and as she glanced around
her red lips curled scornfully as though she deemed her surroundings
despicable and unworthy of her royal birth.

"This irritated me against the seven-year-old child, yet I said to myself
that, though it was very beautiful here--thanks to my father's care--
perhaps it appeared plain and simple when compared with the marble, gold,
and purple of the royal palace whence she came.  Her features, too, were
regular and beautiful, and she would have attracted attention by her
loveliness among a multitude.  When I soon heard her issue imperious
commands and defiantly insist upon the fulfilment of every wish, I
thought, in my boyish ignorance, that Arsinoe must be the elder; for she
was better suited to wield a sceptre than her sister.  I said so to my
brother and Charmian; but we all soon saw which really possessed queenly
majesty; for Arsinoe, if her will were crossed, wept, screamed, and raged
like a lunatic, or, if that proved useless, begged and teased; while if
Cleopatra wanted anything she obtained it in a different way.  Even at
that time she knew what weapons would give her victory and, while using
them, she still remained the child of a king.

"No artisan's daughter could have been further removed from airs of
majestic pathos than this embodiment of the most charming childlike
grace; but if anything for which her passionate nature ardently longed
was positively refused, she understood how to attain it by the melody of
her voice, the spell of her eyes, and in extreme cases by a silent tear.
When to such tears were added uplifted hands and a few sweet words, such
as, 'It would make me happy,' or, 'Don't you see how it hurts me?'
resistance was impossible; and in after-years also her silent tears and
the marvellous music of her voice won her a victory in the decisive
questions of life.

"We children were soon playmates and friends, for my parents did not wish
the princesses to begin their studies until after they felt at home with
us.  This pleased Arsinoe, although she could already read and write; but
Cleopatra more than once asked to hear something from my father's store
of wisdom, of which she had been told.

"The King and her former teacher had cherished the highest expectations
from the brilliant intellect of this remarkable child, and Olympus once
laid his hand on my curls and bade me take care that the princess did not
outstrip the philosopher's son.  I had always occupied one of the
foremost places, and laughingly escaped, assuring him that there was no
danger.

"But I soon learned that this warning was not groundless.  You will think
that the old fool's heart has played him a trick, and in the magic garden
of childish memories the gifted young girl was transformed into a
goddess.  That she certainly was not; for the immortals are free
from the faults and weaknesses of humanity."

"And what robbed Cleopatra of the renown of resembling the gods?" asked
Barine eagerly.

A subtle smile, not wholly free from reproach, accompanied Archibius's
reply: "Had I spoken of her virtues, you would hardly have thought of
asking further details.  But why should I try to conceal what she has
displayed to the world openly enough throughout her whole life?
Falsehood and hypocrisy were as unfamiliar to her as fishing is to the
sons of the desert.  The fundamental principles which have dominated this
rare creature's life and character to the present day are two ceaseless
desires: first, to surpass every one, even in the most difficult
achievements; and, secondly, to love and to be loved in return.  From
them emanated what raised her above all other women.  Ambition and love
will also sustain her like two mighty wings on the proud height to which
they have borne her, so long as they dwell harmoniously in her fiery
soul.  Hitherto a rare favour of destiny has permitted this, and may the
Olympians grant that thus it may ever be!"

Here Archibius paused, wiped the perspiration from his brow, asked if the
messenger had arrived, and ordered him to be admitted as soon as he
appeared.  Then he went on as calmly as before:

"The princesses were members of our household, and in the course of time
they seemed like sisters.  During the first winter the King allowed them
to spend only the most inclement months at Philae, for he was unwilling
to live without them.  True, he saw them rarely enough; weeks often
elapsed without a visit; but, on the other hand, he often came day after
day to our garden, clad in plain garments, and borne in an unpretending
litter, for these visits were kept secret from every one save the leech
Olympus.

"I often saw the tall, strong man, with red, bloated face, playing with
his children like a mechanic who had just returned from work.  But he
usually remained only a short time, seeming to be satisfied with having
seen them again.  Perhaps he merely wished to assure himself that they
were comfortable with us.  At any rate, no one was permitted to go near
the group of plane-trees where he talked with them.

"But it is easy to hide amid the dense foliage of these trees, so my
knowledge that he questioned them is not solely hearsay.

"Cleopatra was happy with us from the beginning; Arsinoe needed a longer
time; but the King valued only the opinion of his older child, his
darling, on whom he feasted his eyes and ears like a lover.  He often
shook his heavy head at the sight of her, and when she gave him one of
her apt replies, he laughed so loudly that the sound of his deep,
resonant voice was heard as far as the house.

"Once I saw tear after tear course down his flushed cheeks, and yet his
visit was shorter than usual.  The closed 'harmamaxa' in which he came
bore him from our house directly to the vessel which was to convey him to
Cyprus and Rome.  The Alexandrians, headed by the Queen, had forced him
to leave the city and the country.

"He was indeed unworthy of the crown, but he loved his little daughter
like a true father.  Still, it was terrible, monstrous for him to invoke
curses upon the mother and sister of the children, in their presence, and
in the same breath command them to hate and execrate them, but to love
and never forget him.

"I was then seventeen and Cleopatra ten years old.  I, who loved my
parents better than my life, felt an icy chill run through my veins and
then a touch upon my heart like balsam, as I heard little Arsinoe, after
her father had gone, whisper to her sister, 'We will hate them--may the
gods destroy them!' and when Cleopatra answered with tearful eyes, 'Let
us rather be better than they, very good indeed, Arsinoe, that the
immortals may love us and bring our father back.'

"'Because then he will make you Queen,' replied Arsinoe sneeringly,
still trembling with angry excitement.

"Cleopatra gazed at her with a troubled look.

"Her tense features showed that she was weighing the meaning of the words,
and I can still see her as she suddenly drew up her small figure, and
said proudly, 'Yes, I will be Queen!'

"Then her manner changed, and in the sweetest tones of her soft voice,
she said beseechingly, 'You won't say such naughty things again, will
you?'

"This was at the time that my father's instruction began to take
possession of her mind.  The prediction of Olympus was fulfilled.  True,
I attended the school of oratory, but when my father set the royal maiden
a lesson, I was permitted to repeat mine on the same subject, and
frequently I could not help admitting that Cleopatra had succeeded
better than I.

"Soon there were difficult problems to master, for the intellect of this
wonderful child demanded stronger food, and she was introduced into
philosophy.  My father himself belonged to the school of Epicurus, and
succeeded far beyond his expectations in rousing Cleopatra's interest in
his master's teachings.  She had been made acquainted with the other
great philosophers also, but always returned to Epicurus, and induced the
rest of us to live with her as a true disciple of the noble Samian.

"Your father and brother have doubtless made you familiar with the
precepts of the Stoa; yet you have certainly heard that Epicurus spent
the latter part of his life with his friends and pupils in quiet
meditation and instructive conversation in his garden at Athens.  We,
too--according to Cleopatra's wish--were to live thus and call ourselves
'disciples of Epicurus.'

"With the exception of Arsinoe, who preferred gayer pastimes, into which
she drew my brother Straton--at that time a giant in strength--we all
liked the plan.  I was chosen master, but I perceived that Cleopatra
desired the position, so she took my place.

"During our next leisure afternoon we paced up and down the garden, and
the conversation about the chief good was so eager, Cleopatra directed it
with so much skill, and decided doubtful questions so happily, that we
reluctantly obeyed the brazen gong which summoned us to the house, and
spent the whole evening in anticipating the next afternoon.

"The following morning my father saw several country people assembled
before the secluded garden; but he did not have time to inquire what they
wanted; for Timagenes, who shared the instruction in history--you know he
was afterwards taken to Rome as a prisoner of war--rushed up to him,
holding out a tablet which bore the inscription Epicurus had written on
the gate of his garden: 'Stranger, here you will be happy; here is the
chief good, pleasure.'

"Cleopatra had written this notice in large letters on the top of a small
table before sunrise, and a slave had secretly fastened it on the gate
for her.

"This prank might have easily proved fatal to our beautiful
companionship, but it had been done merely to make our game exactly like
the model.

"My father did not forbid our continuing this pastime, but strictly
prohibited our calling ourselves 'Epicureans' outside of the garden, for
this noble name had since gained among the people a significance wholly
alien.  Epicurus says that true pleasure is to be found only in peace of
mind and absence of pain."

"But every one," interrupted Barine, "believes that people like the
wealthy Isidorus, whose object in life is to take every pleasure which
his wealth can procure, are the real Epicureans.  My mother would not
have confided me long to a teacher by whose associates 'pleasure' was
deemed the chief good."

"The daughter of a philosopher," replied Archibius, gently shaking his
head, "ought to understand what pleasure means in the sense of Epicurus,
and no doubt you do.  True, those who are further removed from these
things cannot know that the master forbids yearning for individual
pleasure.  Have you an idea of his teachings?  No definite one?  Then
permit me a few words of explanation.  It happens only too often that
Epicurus is confounded with Aristippus, who places sensual pleasure above
intellectual enjoyment, as he holds that bodily pain is harder to endure
than mental anguish.  Epicurus, on the contrary, considers intellectual
pleasure to be the higher one; for sensual enjoyment, which he believes
free to every one, can be experienced only in the present, while
intellectual delight extends to both the past and the future.  To the
Epicureans the goal of life, as has already been mentioned, is to attain
the chief blessings, peace of mind, and freedom from pain.  He is to
practise virtue only because it brings him pleasure; for who could remain
virtuous without being wise, noble, and just?--and whoever is all these
cannot have his peace of mind disturbed, and must be really happy in the
exact meaning of the master.  I perceived long since the peril lurking in
this system of instruction, which takes no account of moral excellence;
but at that time it seemed to me also the chief good.

"How all this charmed the mind of the thoughtful child, still untouched by
passion!  It was difficult to supply her wonderfully vigorous intellect
with sufficient sustenance, and she really felt that to enrich it was the
highest pleasure.  And to her, who could scarcely endure to have a rude
hand touch her, though a small grief or trivial disappointment could not
be averted, the freedom from pain which the master had named as the first
condition for the existence of every pleasure, and termed the chief good,
seemed indeed the first condition of a happy life.

"Yet this child, whom my father once compared to a thinking flower, bore
without complaint her sad destiny--her father's banishment, her mother's
death, her sister Berenike's profligacy.  Even to me, in whom she found a
second brother and fully trusted, she spoke of these sorrowful things
only in guarded allusions.  I know that she understood what was passing
fully and perfectly, and how deeply she felt it; but pain placed itself
between her and the 'chief good,' and she mastered it.  And when she sat
at work, with what tenacious power the delicate creature struggled until
she had conquered the hardest task and outstripped Charmian and even me!

"In those days I understood why, among the gods, a maiden rules over
learning, and why she is armed with the weapons of war.  You have heard
how many languages Cleopatra speaks.  A remark of Timagenes had fallen
into her soul like a seed.  'With every language you learn,' he had said,
'you will gain a nation.'  But there were many peoples in her father's
kingdom, and when she was Queen they must all love her.  True, she began
with the tongue of the conquerors, not the conquered.  So it happened
that we first learned Lucretius, who reproduces in verse the doctrines of
Epicurus.  My father was our teacher, and the second year she read
Lucretius as if it were a Greek book.  She had only half known Egyptian;
now she speedily acquired it.  During our stay at Philae she found a
troglodyte who was induced to teach her his language.  There were Jews
enough here in Alexandria to instruct her in theirs, and she also learned
its kindred tongue, Arabic.

"When, many years later, she visited Antony at Tarsus, the warriors
imagined that some piece of Egyptian magic was at work, for she addressed
each commander in his own tongue, and talked with him as if she were a
native of the same country.

"It was the same with everything.  She outstripped us in every branch of
study.  To her burning ambition it would have been unbearable to lag
behind.

"The Roman Lucretius became her favourite poet, although she was no more
friendly to his nation than I, but the self-conscious power of the foe
pleased her, and once I heard her exclaim 'Ah! if the Egyptians were
Romans, I would give up our garden for Berenike's throne.'

"Lucretius constantly led her back to Epicurus, and awakened a severe
conflict in her unresting mind.  You probably know that he teaches that
life in itself is not so great a blessing that it must be deemed a
misfortune not to live.  It is only spoiled by having death appear to us
as the greatest of misfortunes.  Only the soul which ceases to regard
death as a misfortune finds peace.  Whoever knows that thought and
feeling end with life will not fear death; for, no matter how many dear
and precious things the dead have left here below, their yearning for
them has ceased with life.  He declares that providing for the body is
the greatest folly, while the Egyptian religion, in which Anubis strove
to strengthen her faith, maintained precisely the opposite.

"To a certain degree he succeeded, for his personality exerted a powerful
influence over her; and besides, she naturally took great pleasure in
mystical, supernatural things, as my brother Straton did in physical
strength, and you, Barine, enjoy the gift of song.  You know Anubis by
sight.  What Alexandrian has not seen this remarkable man? and whoever
has once met his eyes does not easily forget him.  He does indeed rule
over mysterious powers, and he used them in his intercourse with
the young princess.  It is his work if she cleaves to the religious
belief of her people, if she who is a Hellene to the last drop of blood
loves Egypt, and is ready to make any sacrifice for her independence and
grandeur.  She is called 'the new Isis,' but Isis presides over the magic
arts of the Egyptians, and Anubis initiated Cleopatra into this secret
science, and even persuaded her to enter the observatory and the
laboratory--

"But all these things had their origin in our garden of Epicurus, and my
father did not venture to forbid it; for the King had sent a message from
Rome to say that he was glad to have Cleopatra find pleasure in her own
people and their secret knowledge.

"The flute-player, during his stay on the Tiber, had given his gold to
the right men or bound them as creditors to his interest.  After Pompey,
Caesar, and Crassus had concluded their alliance, they consented at Lucca
to the restoration of the Ptolemy.  Millions upon millions would not have
seemed to him too large a price for this object.  Pompey would rather
have gone to Egypt himself, but the jealousy of the others would not
permit it.  Gabinius, the Governor of Syria, received the commission.

"But the occupants of the Egyptian throne were not disposed to resign it
without a struggle.  You know that meanwhile Queen Berenike, Cleopatra's
sister, had been twice married.  She had her miserable first husband
strangled--a more manly spouse had been chosen by the Alexandrians for
her second consort.  He bravely defended his rights, and lost his life on
the field of battle.

"The senate learned speedily enough that Gabinius had brought the Ptolemy
back to his country; the news reached us more slowly.  We watched for
every rumour with the same passionate anxiety as now.

"At that time Cleopatra was fourteen, and had developed magnificently.
Yonder portrait shows the perfect flower, but the bud possessed, if
possible, even more exquisite charm.  How clear and earnest was the gaze
of her bright eyes!  When she was gay they could shine like stars, and
then her little red mouth had an indescribably mischievous expression,
and in each cheek came one of the tiny dimples which still delight every
one.  Her nose was more delicate than it is now, and the slight curve
which appears in the portrait, and which is far too prominent in the
coins, was not visible.  Her hair did not grow dark until later in life.
My sister Charmian had no greater pleasure than to arrange its wavy
abundance.  It was like silk, she often said, and she was right.  I know
this, for when at the festival of Isis, Cleopatra, holding the sistrum,
followed the image of the goddess, she was obliged to wear it unconfined.
On her return home she often shook her head merrily, and her hair fell
about her like a cataract, veiling her face and figure.  Then, as now,
she was not above middle height, but her form possessed the most
exquisite symmetry, only it was still more delicate and pliant.

"She had understood how to win all hearts.  Yet, though she seemed to
esteem our father higher, trust me more fully, look up to Anubis with
greater reverence, and prefer to argue with the keen-witted Timagenes,
she still appeared to hold all who surrounded her in equal favour, while
Arsinoe left me in the lurch if Straton were present, and whenever the
handsome Melnodor, one of my father's pupils, came to us, she fairly
devoured him with her glowing eyes.

"As soon as it was rumoured that the Romans were bringing the King back,
Queen Berenike came to us to take the young girls to the city.  When
Cleopatra entreated her to leave her in our parents' care and not
interrupt her studies, a scornful smile flitted over Berenike's face, and
turning to her husband Archelaus, she said scornfully, 'I think books
will prove to be the smallest danger.'

"Pothinus, the guardian of the two princesses' brothers, had formerly
permitted them at times to visit their sisters.  Now they were no longer
allowed to leave Lochias, but neither Cleopatra nor Arsinoe made many
inquiries about them.  The little boys always retreated from their
caresses, and the Egyptian locks on their temples, which marked the age
of childhood, and the Egyptian garments which Pothinus made them wear,
lent them an unfamiliar aspect.

"When it was reported that the Romans were advancing from Gaza, both
girls were overpowered by passionate excitement.  Arsinoe's glittered in
every glance; Cleopatra understood how to conceal hers, but her colour
often varied, and her face, which was not pink and white like her
sister's, but--how shall I express it?"

"I know what you mean," Barine interrupted.  "When I saw her, nothing
seemed to me more charming than that pallid hue through which the crimson
of her cheeks shines like the flame through yonder alabaster lamp, the
tint of the peach through the down.  I have seen it often in
convalescents.  Aphrodite breathes this hue on the faces and figures of
her favourites only, as the god of time imparts the green tinge to the
bronze.  Nothing is more beautiful than when such women blush."

"Your sight is keen," replied Archibius, smiling.  "It seemed indeed as
if not Eos, but her faint reflection in the western horizon, was tinting
the sky, when joy or shame sent the colour to her cheeks, But when wrath
took possession of her--and ere the King's return this often happened--
she could look as if she were lifeless, like a marble statue, with lips
as colourless as those of a corpse.

"My father said that the blood of Physkon and other degenerate ancestors,
who had not learned to control their passions, was asserting itself in
her also.  But I must continue my story, or the messenger will interrupt
me too soon.

"Gabinius was bringing back the King.  But from the time of his approach
with the Roman army and the auxiliary troops of the Ethnarch of Judea,
nothing more was learned of him or of Antipater, who commanded the forces
of Hyrkanus; every one talked constantly of the Roman general Antony.  He
had led the troops successfully through the deserts between Syria and the
Egyptian Delta without losing a single man on the dangerous road by the
Sirbonian Sea and Barathra, where many an army had met destruction.  Not
to Antipater, but to him, had the Jewish garrison of Pelusium surrendered
their city without striking a blow.  He had conquered in two battles; and
the second, where, as you know, Berenike's husband fell after a brave
resistance, had decided the destiny of the country.

"From the time his name was first mentioned, neither of the girls could
hear enough about him.  It was said that he was the most aristocratic of
aristocratic Romans, the most reckless of the daring, the wildest of the
riotous, and the handsomest of the handsome.

"The waiting-maid from Mantua, with whom Cleopatra practised speaking the
Roman language, had often seen him, and had heard of him still more
frequently--for his mode of life was the theme of gossip among all
classes of Roman men and women.  His house was said to have descended in
a direct line from Hercules, and his figure and magnificent black beard
recalled his ancestor.  You know him, and know that the things reported
of him are those which a young girl cannot hear with indifference, and at
that time he was nearly five lustra younger than he is to-day.

"How eagerly Arsinoe listened when his name was uttered!  How Cleopatra
flushed and paled when Timagenes condemned him as an unprincipled
libertine!  True, Antony was opening her father's path to his home.

"The flute-player had not forgotten his daughters.  He had remained aloof
from the battle, but as soon as the victory was decided, he pressed on
into the city.

"The road led past our garden.

"The King had barely time to send a runner to his daughters, fifteen
minutes before his arrival, to say that he desired to greet them.  They
were hurriedly attired in festal garments, and both presented an
appearance that might well gladden a father's heart.

"Cleopatra was not yet as tall as Arsinoe, but, though only fourteen, she
looked like a full-grown maiden, while her sister's face and figure
showed that in years she was still a child.  But she was no longer one in
heart.  Bouquets for the returning sovereign had been arranged as well as
haste permitted.  Each one of the girls held one in her hand when the
train approached.

"My parents accompanied them to the garden gate.  I could see what was
passing, but could hear distinctly only the voices of the men.

"The King alighted from the travelling chariot, which was drawn by eight
white Median steeds.  The chamberlain who attended him was obliged to
support him.  His face, reddened by his potations, fairly beamed as he
greeted his daughters.  His joyful surprise at the sight of both, but
especially of Cleopatra, was evident.  True, he kissed and embraced
Arsinoe, but after that he had eyes and ears solely for Cleopatra.

"Yet his younger daughter was very beautiful.  Away from her sister, she
would have commanded the utmost admiration; but Cleopatra was like the
sun, beside which every other heavenly body pales.  Yet, no; she should
not be compared to the sun.  It was part of the fascination she exerted
that every one felt compelled to gaze at her, to discover the source of
the charm which emanated from her whole person.

"Antony, too, was enthralled by the spell as soon as he heard the first
words from her lips.  He had dashed up to the King's chariot, and seeing
the two daughters by their father's side, he greeted them with a hasty
salute.  When, in reply to the question whether he might hope for her
gratitude for bringing her father back to her so quickly, she said that
as a daughter she sincerely rejoiced, but as an Egyptian the task would
be harder, he gazed more keenly at her.

"I did not know her answer until later; but ere the last sound of her
voice had died away, I saw the Roman spring from his charger and fling
the bridle to Ammonius--the chamberlain who had assisted the King from
the chariot--as if he were his groom.  The woman-hunter had met with
rare game in his pursuit of the fairest, and while he continued his
conversation with Cleopatra her father sometimes joined in, and his deep
laughter was often heard.

"No one would have recognized the earnest disciple of Epicurus.  We had
often heard apt replies and original thoughts from Cleopatra's lips, but
she had rarely answered Timagenes's jests with another.  Now she found--
one could see it by watching the speakers--a witty answer to many of
Antony's remarks.  It seemed as if, for the first time, she had met some
one for whom she deemed it worth while to bring into the field every gift
of her deep and quick intelligence.  Yet she did not lose for a moment
her womanly dignity; her eyes did not sparkle one whit more brightly than
during an animated conversation with me or our father.

"It was very different with Arsinoe.  When Antony flung himself from his
horse, she had moved nearer to her sister, but, as the Roman continued to
overlook her, her face crimsoned, she bit her scarlet lips.  Her whole
attitude betrayed the agitation that mastered her, and I, who knew her,
saw by the expression of her eyes and her quivering nostrils that she was
on the point of bursting into tears.  Though Cleopatra stood so much
nearer to my heart, I felt sorry for her, and longed to touch the arm of
the haughty Roman, who indeed looked like the god of war, and whisper to
him to take some little notice of the poor child, who was also a daughter
of the King.

"But a still harder blow was destined to fall upon Arsinoe; for when the
King, who had been holding both bouquets, warned Antony that it was time
to depart, he took one, and I heard him say in his deep, loud tones,
'Whoever calls such flowers his daughters does not need so many others.'
Then he gave Cleopatra the blossoms and, laying his hand upon his heart,
expressed the hope of seeing her in Alexandria, and swung himself upon
the charger which the chamberlain, pale with fury, was still holding by
the bridle.

"The flute-player was delighted with his oldest daughter, and told my
father he would have the young princess conveyed to the city on the day
after the morrow.  The next day he had things to do of which he desired
her to have no knowledge.  Our father, in token of his gratitude, should
retain for himself and his heirs the summer palace and the garden.  He
would see that the change of owner was entered in the land register.
This was really done that very day.  It was, indeed, his first act save
one--the execution of his daughter Berenike.

"This ruler, who would have seemed to any one who beheld his meeting with
his children a warm-hearted man and a tender father, at that time would
have put half Alexandria to the sword, had not Antony interposed.  He
forbade the bloodshed, and honoured Berenike's dead husband by a stately
funeral.

"As the steed bore him away, he turned back towards Cleopatra; he could
not have saluted Arsinoe, for she had rushed into the garden, and her
swollen face betrayed that she had shed burning tears.

"From that hour she bitterly hated Cleopatra.

"On the day appointed, the King brought the princesses to the city with
regal splendour.  The Alexandrians joyously greeted the royal sisters,
as, seated on a golden throne, over which waved ostrich-feathers, they
were borne in state down the Street of the King, surrounded by
dignitaries, army commanders, the body-guard, and the senate of the city.
Cleopatra received the adulation of the populace with gracious majesty,
as if she were already Queen.  Whoever had seen her as, with floods of
tears, she bade us all farewell, assuring us of her gratitude and
faithful remembrance, the sisterly affection she showed me--I had just
been elected commander of the Ephebi--"  Here Archibius was interrupted
by a slave, who announced the arrival of the messenger, and, rising
hurriedly, he went to Leonax's workshop, to which the man had been
conducted, that he might speak to him alone.




ETEXT EDITOR'S BOOKMARKS:

Shadow of the candlestick caught her eye before the light
Soul which ceases to regard death as a misfortune finds peace





*** END OF THE PROJECT GUTENBERG EBOOK CLEOPATRA, BY GEORG EBERS, V2 ***

*********This file should be named 5474.txt or 5474.zip **********

This eBook was produced by David Widger

Project Gutenberg eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the US
unless a copyright notice is included.  Thus, we usually do not
keep eBooks in compliance with any particular paper edition.

We are now trying to release all our eBooks one year in advance
of the official release dates, leaving time for better editing.
Please be encouraged to tell us about any error or corrections,
even years after the official publication date.

Please note neither this listing nor its contents are final til
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg eBooks is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.

Most people start at our Web sites at:
https://gutenberg.org or
http://promo.net/pg

These Web sites include award-winning information about Project
Gutenberg, including how to donate, how to help produce our new
eBooks, and how to subscribe to our email newsletter (free!).


Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date.  This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.

http://www.ibiblio.org/gutenberg/etext03 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03

Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90

Just search by the first five letters of the filename you want,
as it appears in our Newsletters.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
time it takes us, a rather conservative estimate, is fifty hours
to get any eBook selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.   Our
projected audience is one hundred million readers.  If the value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour in 2002 as we release over 100 new text
files per month:  1240 more eBooks in 2001 for a total of 4000+
We are already on our way to trying for 2000 more eBooks in 2002
If they reach just 1-2% of the world's population then the total
will reach over half a trillion eBooks given away by year's end.

The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks!
This is ten thousand titles each to one hundred million readers,
which is only about 4% of the present number of computer users.

Here is the briefest record of our progress (* means estimated):

eBooks Year Month

    1  1971 July
   10  1991 January
  100  1994 January
 1000  1997 August
 1500  1998 October
 2000  1999 December
 2500  2000 December
 3000  2001 November
 4000  2001 October/November
 6000  2002 December*
 9000  2003 November*
10000  2004 January*


The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.

We need your donations more than ever!

As of February, 2002, contributions are being solicited from people
and organizations in: Alabama, Alaska, Arkansas, Connecticut,
Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois,
Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts,
Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New
Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio,
Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South
Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West
Virginia, Wisconsin, and Wyoming.

We have filed in all 50 states now, but these are the only ones
that have responded.

As the requirements for other states are met, additions to this list
will be made and fund raising will begin in the additional states.
Please feel free to ask to check the status of your state.

In answer to various questions we have received on this:

We are constantly working on finishing the paperwork to legally
request donations in all 50 states.  If your state is not listed and
you would like to know if we have added it since the list you have,
just ask.

While we cannot solicit donations from people in states where we are
not yet registered, we know of no prohibition against accepting
donations from donors in these states who approach us with an offer to
donate.

International donations are accepted, but we don't know ANYTHING about
how to make them tax-deductible, or even if they CAN be made
deductible, and don't have the staff to handle it even if there are
ways.

Donations by check or money order may be sent to:

Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655-4109

Contact us if you want to arrange for a wire transfer or payment
method other than by check or money order.

The Project Gutenberg Literary Archive Foundation has been approved by
the US Internal Revenue Service as a 501(c)(3) organization with EIN
[Employee Identification Number] 64-622154.  Donations are
tax-deductible to the maximum extent permitted by law.  As fund-raising
requirements for other states are met, additions to this list will be
made and fund-raising will begin in the additional states.

We need your donations more than ever!

You can get up to date donation information online at:

https://www.gutenberg.org/donation.html


***

If you can't reach Project Gutenberg,
you can always email directly to:

Michael S. Hart <hart@pobox.com>

Prof. Hart will answer or forward your message.

We would prefer to send you information by email.


**The Legal Small Print**


(Three Pages)

***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.

*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG-tm
eBook, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM EBOOKS
This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks,
is a "public domain" work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the "Project").
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the "PROJECT GUTENBERG" trademark.

Please do not use the "PROJECT GUTENBERG" trademark to market
any commercial products without permission.

To create these eBooks, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's eBooks and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other eBook medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this eBook within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause:  [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     eBook or this "small print!" statement.  You may however,
     if you wish, distribute this eBook in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word
     processing or hypertext software, but only so long as
     *EITHER*:

     [*]  The eBook, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The eBook may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the eBook (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          eBook in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the eBook refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Foundation of 20% of the
     gross profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Literary Archive Foundation"
     the 60 days following each date you prepare (or were
     legally required to prepare) your annual (or equivalent
     periodic) tax return.  Please contact us beforehand to
     let us know your plans and to work out the details.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.

The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
"Project Gutenberg Literary Archive Foundation."

If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com

[Portions of this eBook's header and trailer may be reprinted only
when distributed free of all fees.  Copyright (C) 2001, 2002 by
Michael S. Hart.  Project Gutenberg is a TradeMark and may not be
used in any sales of Project Gutenberg eBooks or other materials be
they hardware or software or any other related product without
express permission.]

*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*