The Project Gutenberg EBook of A Book of Birds, by Carton Moore Park This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: A Book of Birds Author: Carton Moore Park Release Date: August 1, 2016 [EBook #52686] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK A BOOK OF BIRDS *** Produced by Chris Curnow, Carol Spears and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
The Flamingo is most happy standing on one leg in a foot or two of water. There he waits patiently for any fish that may come his way. His colour may be pink or scarlet according to the part of the world in which he is born; and when he is standing motionless on the look-out for fish, his red body and long legs give him quite a military appearance—like a soldier at attention. The Flamingo prefers a warm climate, and by moving from place to place he manages to enjoy a continual summer-time.
The Vulture is a very useful bird, but he would not make a pleasant pet. His home is in the sunny lands of the south, where he is always very busy in tidying up for Dame Nature. When any poor animal is killed or dies of old age the news seems to spread like magic, for although not a single bird may be in sight, in the course of a few minutes Vultures come flocking up from all sides. And they never leave their banquet until they have eaten up everything but the bones.
The Magpie is not, as a rule, on good terms with his neighbours. He is very noisy, very mischievous, and very quarrelsome, and is not above stealing eggs from the nests of other birds. No doubt he clears the fields of a great number of grubs and slugs, but he does so much damage in the poultry-yard that he always goes the other way when he sees the farmer coming. His nest is built very cunningly of sticks and clay, and he surrounds it with sharp thorny twigs to keep out robbers like himself.
The Penguin is a kind of humpty-dumpty bird. He is far too fat to fly—the best he can do is to waddle. But his fat is very useful to him, for it is a kind of greatcoat, and helps to keep him warm while fishing in the bitterly cold waters around the South Pole. There is only one time, in fact, when the Penguin becomes lean, and that is when Mother and Father are bringing up their family. Then they seem to forget all about themselves, and while the little Penguins grow sleek and podgy, the poor old birds become so scraggy that their best friends scarcely know them.
When the nightingale, the swallow, and many other of our summer visitors desert us, the little Wren remains through the long winter to cheer us with her song. She is a tiny bird, but her song is very loud, and sweet, and clear, and she may often be heard singing gaily even while the snow is falling. In the springtime the Wren builds her nest in the woods, choosing a place as near to the ground as possible, but later in the year she leaves her snug home and takes up her quarters under the eaves of houses, or as near as she can get to the dwellings of man.
The Eagle has long been regarded as the King of Birds, just as the lion is spoken of as the King of Beasts. There are some who say that he is not worthy of this honour, but certainly few of his subjects would care to fight him for the crown, for he has a remarkably strong beak, and his feet are armed with the sharpest of claws. Soaring high up in the air, he swoops down on his prey like a thunderbolt from the sky, and carries it off to his nest on some rocky cliff or steep mountain side. Small birds, rabbits, lambs, and fawns all help to fill the Eagle’s larder.
The White Heron lives upon what he can pick up on the borders of marshes or the banks of rivers. He has a pretty large bill of fare, including fish, frogs, rats, mice, and various kinds of snails, worms, and insects. With his long legs he wades for some distance into the water, and there he stands without a movement, waiting for the fish to come within reach of his terrible beak. But at the same time he keeps a watchful eye upon what is going on around him; for the Heron is very shy, and if you go to call upon him, you will probably find that he is not at home.
Although his gobble-gobble is now to be heard in every farmyard, it is only a few hundred years since the Turkey first came to this country. He did not come from Turkey, as people at one time thought, but from the Continent of North America, where he is still to be found in his wild state. Mr. and Mrs. Turkey are not always on good terms, for when Mrs. Turkey lays an egg she has to hide it away to prevent her husband from destroying it. In fact, he is a tyrant, and is not afraid of anybody, except Father Christmas.
The Bird of Paradise is the most gorgeous of living creatures. From the crest of his head to the last feather in his magnificent tail he is a blaze of brilliant colour. And very proud he is of his good looks—so much so that a number of these beautiful birds will assemble together merely in order to show themselves off to one another. In New Guinea, where the Bird of Paradise lives, the natives call these gatherings dancing parties; but the poor hen bird, who is not at all good-looking, is not invited.
The Barn-door Fowl does not often live to a great age, but her life, although short, is a very merry one. She is provided with a comfortable home, in which she can cackle to her heart’s content, without fear of being snapped up by her enemy the fox; and every day she receives an ample supply of corn, to say nothing of worms, cabbage-stumps, cold potatoes, and other luxuries. In return for all this she is only asked to lay a fair number of eggs for our breakfast. If she will not do this, of course the consequences are serious.
The Adjutant bird owes his name to his very dignified walk, which is believed to be almost as important as that of a real adjutant on parade. He is nearly as tall, too, as a British soldier, helmet and all, and has an even better appetite, for he can swallow a fowl or rabbit, or even a small leg of mutton, at a single mouthful. The Adjutant lives in India, where he helps the jackal and the crow to eat up what no other bird or beast will touch. When he is about, it is best to keep the larder door locked.
The Raven is as black as a chimney-sweep, and very wicked besides. There is nothing small or weak that he will not attack; but he is particularly fond of ducklings, chickens, and young lambs. He is so knowing, too, that in olden times he was supposed to be able to foretell the future. In those days priests were specially appointed to study his croakings and tell the people what was going to happen; but this was before there were any newspapers.
When snow is on the ground, and King Frost holds the woods and fields in his icy grip, the little Robin Redbreast taps at our window for his breakfast of crumbs. If we are very quiet and gentle, and are careful to shut up the cat, he will even hop into the room and help himself to the good things on the table. For of all the little birds that make the woods glad with their song, there is none so fearless as this tiny warbler with the red breast, the bold black eye, and pretty winning ways.
The Condor is seen at his best far up in the mountains of South America, where he builds his nest on a crag a hundred times as high as a church steeple. Although he is one of the largest birds of prey, he is usually content to wait until the puma has finished a meal, when he sails down and eats up what remains. But sometimes he kills a lamb or a goat on his own account, and when he finds a meal to his liking he will gorge himself until he is unable to fly. Then he is often caught and pays the penalty of his greediness.
The ordinary farmyard Goose has only one business in life, and that is to grow fat. The farmer does not teach her any other accomplishment, so it is scarcely surprising that she is rather stupid. That the Goose can be clever if she has the chance we see from the behaviour of her untamed sisters, who are among the wariest and most intelligent of birds. They live in huge flocks, and when they settle down to feed there is always a sentry Goose on guard to warn them of the approach of danger.
The Cassowary may be said to be only half a bird, for though he has wings he is quite unable to fly. But with his long legs he can run along the ground at an amazing speed, and it must be a swift horse indeed that can overtake him. His home is in the beautiful islands of the South Seas, where he finds a plentiful supply of fruit. But he is also fond of the eggs of other birds, and to assist his digestion he will swallow any scraps of old iron or broken bottles that may be lying about.
The Pelican is a fisherman by trade, and his fishing basket is a part of himself. Just under his bill is a large pouch in which he stores up all the fish he catches until it is time for dinner. When mamma goes home to the little Pelicans, she opens her beak and allows them to help themselves out of this basket. Let us hope that she has had her own dinner first, for they are greedy little rascals.
The Pigeon is one of the gentlest and most trustful of pets. Few birds can compare with him in swiftness of flight, but although he may sometimes lose himself, it never occurs to the tame Pigeon to fly away from his dove-cote, and seek his fortune in the wide world. Like the house cat, he thinks there is no place like home. The Carrier, one of the swiftest of the Pigeon family, will find his way home over hundreds of miles, travelling faster than many an express train. In fact, the Carrier Pigeon is often used to carry messages from one distant place to another.
The Guinea Fowl has been so long among us that we no longer look upon him as a stranger. He was brought a long time ago from Africa, where his relations may still be found, assembling in huge flocks in damp, marshy places that furnish a good supply of worms and insects. Whether he be tame or wild, the most remarkable thing about the Guinea Fowl is his voice. When he is frightened or angry he gives forth a screech like an old barn-door creaking on rusty hinges, and he does not leave off until he and everybody else are quite tired.
The Jackdaw is a cousin of the Rook, and, like him, lives in flocks. He makes his home high up in church steeples and old, ruined towers, where he spends a great part of the day chattering and quarrelling. He quickly makes friends with sheep, and may often be seen in the fields plucking wool from their backs to line his nest with. He is easily tamed if he is caught when just learning to fly, and, as he may be taught to speak, he makes a very interesting pet.
The tame Duck, although now in humble circumstances, comes of a most respectable family. She is first cousin to the wild duck, who is much sought after at certain seasons, and among her more distant relations are the lordly swan and the graceful flamingo. As a swimmer and diver the tame Duck has very few equals among feathered folk. Even as a duckling she does not require a single swimming-lesson, but at the first sight of water plunges boldly in and begins hunting for worms and other delicacies.
On his head the Peacock carries a crest of twenty-four beautiful feathers, and behind him a train more gorgeous than that of any princess. When he is pleased he lifts up his train and spreads it out like a fan—a fan of such beautiful colours and so delightful a pattern that it could not be made for a king’s ransom. In the moulting season these feathers drop off, and then the Peacock is so much ashamed of himself that he hides away until they grow again. His wife is not so richly dressed; indeed, the poor thing is quite a dowdy person.
When circling between sea and sky, or skimming lightly over the crests of the waves, the Seagull is a picture of beauty and grace. But all the while he has a keen eye to business; and a sudden dive, a splash, and the gleam of silvery scales tell us that another little fish will swim no more in the deep blue sea. Like Jack Tar, the Seagull gets his living on the ocean; but when fish are scarce, or the weather at sea is more than usually cold, he makes his way inland, and is content with worms and slugs and almost anything else that is eatable.
Until he is caught, put in a cage, and taught to say “Pretty Polly”, the Parrot leads a very pleasant life. His home is usually in the very hot regions of the earth, where he makes a pretty picture with his bright plumage, flitting about in the dense forests with scores and hundreds of his friends. He lives upon fruit and honey, and when he is not feeding he is chattering and screeching. Even if his neighbour is pounced upon by a tree-snake or a four-footed enemy his grief and alarm only last for a few minutes. One parrot is never missed among so many.
The Rook is a busy, chattering, cheerful soul, who loves plenty of noise and bustle, and is never content with his own company. In order to have his friends and relations around him, he builds his nest in a kind of bird-village, or rookery as it is called, high up in a clump of tall trees. The rookery is governed by strict laws, and one of the strictest is that strangers are not admitted on any account. If any rash new-comer ventures to begin nest-building, the old inhabitants set upon him with beak and claw, drive him out of the rookery, and tear his house to pieces.
Nobody could be half so wise as the Owl looks; but there is no reason to suppose that he has more brains than the rest of us. By day he keeps himself to himself, for the sun is bad for his eyes; but at dusk he comes out from his hole in the belfry tower or ivy-covered wall, and flits about the fields on the look-out for his supper. When they hear his grim “Hoot-toot!” the rat, and the mole, and the little field-mouse had better hurry home to their nests.
End of the Project Gutenberg EBook of A Book of Birds, by Carton Moore Park *** END OF THIS PROJECT GUTENBERG EBOOK A BOOK OF BIRDS *** ***** This file should be named 52686-h.htm or 52686-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/2/6/8/52686/ Produced by Chris Curnow, Carol Spears and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.