Project Gutenberg's Harper's Young People, August 2, 1881, by Various
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you'll have
to check the laws of the country where you are located before using this ebook.
Title: Harper's Young People, August 2, 1881
An Illustrated Weekly
Author: Various
Release Date: March 28, 2015 [EBook #48597]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, AUGUST 2, 1881 ***
Produced by Annie R. McGuire
| TIM AND TIP. |
| MOTHER MICHEL AND HER CAT. |
| PICKING BERRIES. |
| BLOCKADED BY A LION. |
| RABBITS AS PETS. |
| DIGGING FOR INDIAN RELICS. |
| AND WHY? |
| A BIT OF FOOLISHNESS. |
| OUR POST-OFFICE BOX. |
| DISAPPOINTED. |
| Vol. II.—No. 92. | Published by HARPER & BROTHERS, New York. | PRICE FOUR CENTS. |
| Tuesday, August 2, 1881. | Copyright, 1881, by Harper & Brothers. | $1.50 per Year, In Advance. |
"'STRAYED.—A boy from the home of the subscriber; and any one returning him will be suitably rewarded. Said boy is about eleven years old, has short light hair, a turned-up[Pg 626] nose, and face very much tanned. When last seen he had on a suit of blue clothes considerably faded and worn, and had with him a yellow dog with a long body, short legs, and a short tail. The boy answers to the name of Tim, and the dog to that of Tip. Any information regarding the runaway will be liberally paid for. Address Captain Rufus Babbige, in care of this office.'
"There, Tim," said the man who had been reading the advertisement aloud, from the columns of a country newspaper, to a very small boy with large dark eyes and a very pale thin face, who was listening intently, "you see that Rufe Babbige don't intend to let you get away as easy as you thought, for he's willing to pay something for any news of you, though I'll be bound he won't part with very much money."
"But he always said he wished I'd have sense enough to die," replied the boy, trying to choke down the sob of terror which would rise in his throat at the idea of being thus advertised for as though he were a thief; "an' it don't seem to me that there's been a day but what he or Aunt Betsey have given me a whippin' since my mother died. Look here."
As he spoke, the boy pushed the ragged coat sleeves up from his thin arms, showing long discolorations which had evidently been made by a whip-lash.
"It's all over me just like that, an' I don't see what he wants Tip an' me back for, 'cause he's always said he wished he was rid of us."
"It's a shame to treat a boy that always behaved himself as well as you did like that," said the proprietor of the country store into which the runaway had entered to purchase a couple of crackers, "an' I don't see what the folks up in Selman were thinking of to let him abuse you so. I don't approve of boys running away, but in your case I think the only fault is that you didn't run sooner."
"But now that he's put it in the paper, he'll be sure to catch me, for I'm only six miles from Selman;" and the big tears began to roll down the boy's cheeks, marking their course by the clean lines they left.
"Folks that know him wouldn't any more think of sending you back to him than they would of cutting your hand off," said the man, as he shook his fist savagely in the direction Captain Babbige was supposed to be.
"But what does he want us for, when he's always wanted to get rid of us?" persisted the boy, stooping down to caress a very queer-looking dog, whose body seemed to have been stretched out, and whose legs looked as if they had been worn down by much running.
"I reckon I can tell you why he wants you, Tim, and when you get older it'll do you some good to know it. He's your uncle, an' your legal guardian, an' I've been told by them that knows that he's got quite a sum of money belonging to you, which would all be his if you should die. Some day, when you are of age, you come back here and claim it; but don't you let him get hold of you again now."
"Indeed I won't," replied the boy, trembling at the thought of the fate which would be his if he should be so unlucky as to fall into the Captain's clutches again.
"Run away from here so far that he can't find you, and when you get a place where you can go to work, be as good a boy as I've always known you to be, and you'll come out of this trouble by being a good, honest man. Here are a couple of dollars for you, and I only wish it was in my power to take you home with me and keep you. But Rufe Babbige would soon break that up, and the best thing you can do is to trudge off as fast as possible."
The boy tried to thank the kind-hearted shop-keeper, but the tears were coming so fast, and the big sob in his throat had got so far up toward his mouth, that he could not utter a word.
Just then a customer entered the store, and he hurried away at once, closely followed by the odd-looking dog, which displayed, in his way, quite as much affection for the boy as the boy did for him.
Down through the one street of the little village, out on to the country road, the two walked as if they were already foot-sore and weary; and when at last they came to where the road wound along through the woods, Tim sat down on a rock to rest, while Tip huddled up close beside him.
"It's kinder too bad to be called such names in the papers, ain't it, Tip?" said the boy, speaking for the first time since they had left the store, "an' I think he ought to be 'shamed of hisself to talk so about you. It ain't your fault if your legs is short, an' your tail gone; you're worth more'n all the dogs in this world, an' you're all that I've got to love me, an' we'll never go back to let Captain Babbige beat us any more, will we, Tip?"
Just then the dog, which had been chewing some blades of grass, got one in his nose—a mishap which caused him to sneeze, and shake his head vigorously, while Tim, who firmly believed that Tip understood all that was said to him, looked upon this as a token that the dog agreed with him, and he continued, earnestly:
"I know just as well as you do, Tip, that it wasn't right for us to run away, but how could we help it? They kept tellin' us we was in the way, an' they wished we'd die, an' everybody that was kind to us told us we'd better do just what we have done. Now we're off in the big, wide world all by ourselves, Tip, an' whether the Cap'en catches us or not, you'll love me just as much as you always have, won't you? for you're all I've got that cares for me."
The dog was still busy trying to settle the question about the grass in his nose, and after that was decided in his favor, he looked up at his young master, and barked several times, as if expressing his opinion about something, which the boy interpreted as advice.
"Well, I s'pose you're right, Tip, we ought to go along; for if we don't, we sha'n't even find a barn to sleep in, as we did last night."
As he spoke, Tim arose wearily from his hard seat, his legs stiff from long walking, and trudged along, while Tip followed as closely at his heels as it was possible for him to get.
It was nearly sunset, and as he walked on it seemed as if he was getting farther into the woods, instead of coming out at some place where he could find shelter for the night.
"Looks kinder lonesome, don't it, Tip?" and Tim choked back a sob as he spoke. "I don't want to sleep out here in the woods if I can help it; but it wouldn't be half so bad as if one of us was alone, would it?"
In this fashion, keeping up a sort of a conversation, if it could be called such, where one did all the talking, and the other wagged his short stump of a tail, the two journeyed on until it was almost too dark to distinguish objects a short distance ahead.
Only once since the store-keeper had given him the two dollars had Tim thought of what he had said regarding Captain Babbige's having money of his, and then he put it out of his mind as an impossibility, for surely he would not have scolded so about what the boy and his dog ate if Tim had any property of his own.
"I guess we shall have to sleep in the woods, Tip," said Tim, disconsolately, as the trees appeared to be less thick together, but yet no signs of a house; "but it won't be much worse than what Aunt Betsey calls a bed good enough for boys like me."
Just at that instant Tim was frightened out of nearly all his senses, and Tip was started on a barking match that threatened to shake his poor apology of a tail from his thin body, by hearing a shrill voice cry out:
"Look here, feller, where are you goin' this time of night?"
| The Countess. |
| Mother Michel, her maid and companion. |
| Father Lustucru, steward to the Countess. |
| An Apothecary, friend of Lustucru. |
| Moumouth, the Countess's pet, and Michel's charge. |
Countess.—A yellow silk petticoat, with gay over-dress. Hair high and powdered. Jewels and fan.
Michel.—Black silk. Long silk mittens. A cap with lace strings. Apron, reticule, and knitting or fancy work.
Lustucru.—French small-clothes, dark colored. Hair in queue, and powdered. Also a cowl for Act II.
Apothecary.—Dark cowl.
Duo.—Countess and Michel. "For a maid there is no denying." Cavatina (Zerlina), Fra Diavolo. Auber.
Solo.—Michel. "Vagabond." J. T. Molloy.
Duo.—Countess and Michel. "Silence" quartette.
Duo.—Lustucru and Michel. "A dairy-maid am I." No. 21, Haymakers. George Root.
Solo.—Michel. "I can not dance to-night." Old ballad. Music by Mrs. T. H. Bayly.
Solo.—Lustucru. "Lucy Long."
Duo.—Lustucru and Michel. "Lucy Long."
Duo.—Lustucru and Apothecary. Conspirators' chorus from La Fille de Madame Augot.
Duo.—Lustucru and Michel. "A dairy-maid am I." No. 21, Haymakers. George Root.
Solo.—Lustucru. "Then you'll remember me." Balfe.
Solo.—Michel. "Serenade to Ida." Weingand.
Duo.—Michel and Lustucru. "On yonder rock reclining." Fra Diavolo. Auber.
Scene.—Discovers Mother Michel and Countess. Mother Michel is serving Countess, sitting before a mirror, admiring her hair.
Duo.—Mother Michel and Countess.
Tune—"For a maid there is no denying." Cavatina (Zerlina), Fra Diavolo. Auber.
Countess. Now, Mother Michel, how does my hair thus suit you?
Michel. Beautiful, beautiful, Countess. Of course just like you.
Countess } together { Oh no, oh no; oh no, no, etc.
Michel } together { Oh yes, oh yes; oh yes, yes, yes, etc.
Countess (at end of song). Ah, Mother Michel, I fear you are not sincere. To be sure, my hair is a miracle of handiwork, but beautiful!—Ah, Michel!
Michel. Nay, your grace, my words are but too insignificant to express my admiration.
Countess. Well, well, never mind. Listening to flattery may strengthen my mind for hearing the truth; therefore I will let your speeches pass. But have you seen Moumouth this morning?
Michel. Ah, yes, madame. Chancing but now to pass the cellar stair, I beheld that sagacious animal watching, with intensest interest and quivering tail, a rat hole.
Countess (rapturously). Angelic creature!
Michel. And I disturbed him not, only called Father Lustucru's attention to him.
Countess. Ah, Michel, that is a great grief to me. Moumouth objects to Father Lustucru, my steward, who has always been so kind to him.
Michel. Yes, alas! never did I see one of your pets so prejudiced against one of your household.
Countess. Do not, I pray, refer to my other pets. And yet there is a consolation in speaking of their charms. My beautiful green parrot—
Michel (sadly). A victim to cold parsnips.
Countess (weeping). I can never forget how in his dying agonies he looked reproachfully in my face, and with his usual quickness at catching up words, cried, "To the mischief with your cold parsnips!" I can never forget. [Overcome.]
Michel. Yes, yes, Pompo would always say naughty words. And then there was Ponto, the ape—
Countess. Forbear! forbear! My anguish at finding him cold and drowned overcomes my heart. [Weeps.]
Michel. Cheer up, madame; Moumouth still lives, and is happy.
Countess. My constant fear is that he'll die or be killed.
Michel. Never fear. How well I remember the day we found him, and your noble conduct at that time!
Countess. Flattery again, Michel.
Michel (warmly). I can not flatter when I speak of that noble act. I have immortalized it in verse. Will you listen if I repeat it?
Countess. Proceed. For Moumouth's sake I will listen.
Solo.—Michel.
Tune—"Vagabond." James T. Molloy. (From second verse.)
Dirty, ragged, forlorn,
Saucepan attached to his tail,
Driven by many a stone,
He loudly his fate did bewail.
Cruelly and roughly
The boys around him crowd,
Shouting and laughing,
With their voices loud.
Pelted with mud,
The wretched creature stood
Appealing for help
From the boys rude.
Oh, how can one,
Boasting of any heart,
In such cruel sport
Ever take a part?
But mercy kind
Moved you to cry,
"Catch me you Cat
If you can; all may try."
Oh, what a chase
Therewith begun!
Every boy broke into a run;
They chased him o'er garden-wall,
By alley, store, and stall.
They snatch him, pull him, grab him, nab him. [Very fast.]
Oh, then to your grace
They brought him for francs five,
Bearing him proudly aloft,
A great deal more dead than alive.
Countess (who has listened eagerly). Bravo! bravo! Michel; it is a beautiful account of my Cat's rescue. I shall have it printed in gold letters on glazed paper.
Michel. Oh, thanks. Now you flatter me. But that reminds me. Father Lustucru gave me a letter for you this morning, which I forgot to deliver. [Presents letter on a salver.]
Countess. A letter? Ah! 'tis from my sister. [She reads.] Oh, Heaven! my sister is ill—has broken her leg—and writes to me to come to her. Michel, I faint. [She faints.]
Michel (fanning violently). Madame, madame, for your sister's sake, revive. [Applies salts.]
Countess (recovering). Now I am better; but, oh, Michel, to be thus torn from my home and my Cat, to rush to the suffering, is indeed sad.
Michel. I have no words with which to express my sympathy.
Countess. I must go immediately. Go, Michel, bring my bonnet and shawl, and order the carriage. [Exit Michel and returns, bringing shawl and bonnet.] And now, Michel, go bring Moumouth, my Cat, my charmer; let me once more embrace him.
Michel. Ah, madame, if you could spare him this sad parting! Think of his delicate nerves, his sensitive heart, and spare him this hour of agony. Believe me, he shall be well attended to for your sake, my loved mistress.
[They both weep violently.]
Countess. Yes, yes, I see the wisdom of this sacrifice, dear Michel. Moumouth shall not be broken-hearted by an anguished parting. Only care for him tenderly. And now, farewell.
Michel (overcome). Farewell, most beloved mistress, most beautiful Countess—
Countess. Hush; you will disturb Moumouth's watch of the rat hole, and bring him to witness this sad farewell. [Softly.]
Duo.—Countess and Michel.
Tune—"Silence."
Silence, silence—softly speak and sigh.
Silence, silence—softly speak and sigh.
There doth our Moumouth watching lie;
There (pointing the other way) must we go without good-by.
Silence, silence—disturb him not, I pray.
Softly tread, softly tread, with footsteps soft and low.
[Repeat.]
Hush! hush! [Repeat.]
Scene.—Lustucru's room. Lustucru discovered sitting at table in a happy mood.
Lustucru. At last! at last! I have not waited in vain; fortune has smiled upon my efforts, and rewarded my patience. The Countess has gone to her sister, and only stupid Mother Michel remains. No one saw me seize that wretched Cat last night and put him in the basket; no one saw my joyful dance around my treasure, and no one saw my look of bliss when I flung the Cat from the high bridge down, down into the great river. Mother Michel receive five hundred francs in reward for care of that Cat! I think not. Wretched, ungrateful beast! I am at rest now, I breathe freely: Moumouth is dead; revenge is mine. Ah! here comes Michel, looking, no doubt, for our Cat.
[Enter Michel, hastily.]
Michel. Good-morning, Lustucru; but have you seen Moumouth this morning? In vain have I searched for him.
Lustucru. Does your Cat ever come where I am? You know he hates me.
Michel. Alas! where is he? I left him last night by the parlor fire, and now I can not find him.
Lustucru (slyly). Can he be lost?
Michel. Ah, no, no! it is impossible. He is somewhere in the house.
Lustucru. He ought to be found. [With feigned anxiety.] He ought to be searched for this instant. Moumouth is a precious animal, whose value makes it well worth the search. Let us search for him.
[They proceed to look under furniture and in corners, Lustucru chuckling and dancing whenever Michel's back is turned.]
Michel. Alas! I left him only an instant.
Lustucru. I begin to believe that he is lost. It is a great misfortune for you. The Countess—what will she say when she returns? She is capable of turning you out of doors.
Michel (indignant). Turn me out of doors! Father Lustucru, do you know of whom you are speaking?
Lustucru (politely). Certainly, madame. To Mother Michel—the Cat lover—and loser.
Duo.—Lustucru and Michel.
Tune—"A dairy-maid am I." No. 21, Haymakers. George Root.
Michel.
Mother Michel am I,
Maid to her Grace;
And I'll have you to know
I mean to keep my place.
Lustucru.
Father Lustucru am I,
Steward to her Grace;
And I'll have you to know
I mean to keep my place.
Michel.
Oh! will you be quiet,
You hateful old codger!
Lustucru.
Oh! will you be quiet,
Cat loser, and dodger!
Michel. } together {
Lustucru. } together {
Oh, in my life I ne'er saw
Such a bother—oh, bother, oh, bother!
Michel. } together { Mother Michel am I, etc.
Lustucru. } together { Father Lustucru am I, etc.
Lustucru (at end of song). Madame, do not be discouraged—
Michel. Oh, don't speak to me—don't, don't, I pray of you. [Weeps violently.]
Solo.—Mother Michel.
Tune—"I can not dance to-night." Mrs. T. H. Bayly.
Oh, who will bring him back to me?
Oh, who will bring me joy once more?
Who will set my heart at rest,
And Moumouth dear restore?
It makes my tears so doleful
As I think upon his charms—
Oh, who will bring him back to me,
Restore him to these arms?
[Repeat first verse.]
Lustucru (as her song ends, during which he has been chuckling). Mother Michel, I do bethink me, I dreamed of Moumouth last night.
Michel (groaning). Alas! alas! how did he look?
Lustucru. In good sooth, pale and sad, as if he were not well. [Groans also.]
Michel. Oh. Lustucru, even you feel his loss, although he never loved you. I can forgive you everything, when I hear that groan of anguish. Where did you dream Moumouth was?
Lustucru. He seemed to be in the garden, under the lilac bushes, his favorite resort.
Michel. I will go and look there. Oh, Lustucru, this anguish!
[Exit Michel. Lustucru dances, singing.]
Solo.—Lustucru.
Tune—"Lucy Long."
Oh, Moumouth dear, my darling,
I hope you're nicely drowned,
And never more a-kicking
By Michel will be found.
Tra la! la! la! la! etc.
[Repeat verse as refrain.]
Enter Michel. Lustucru suddenly stops, and becomes doleful.
Lustucru. Was he there? Dear Mother Michel, was our charming Moumouth there?
Michel. Oh no! no! no! What shall I do!
Lustucru. Have you looked in the store-room? I imagined I heard a meowing just now as I passed by the door.
Michel. No, but I will go look. Oh, Lustucru, I forgive you everything, you are so kind. Oh, my Cat, Moumouth!
[Exit, and is heard calling in the distance. Lustucru returns to his dance.]
Solo.—Lustucru.
Tune—"Lucy Long."
Call, my charming Michel,
Call till you are hoarse;
You will not find your Moumouth,
For he is dead, of course.
Enter Michel, mournfully. Lustucru sober again.
Lustucru. Alas! my friend, you have not found him?
Michel. No, no. Moumouth, Moumouth, you break my heart. Come to my arms.
Lustucru (with hidden malice).
Oh, Mother Michel,
Your cat is not lost;
He's up in the garret
A-hunting the mice
With his little straw gun
And sabre of wood.
Michel (eagerly). He is in the garret? I hasten there on wings of love. Moumouth! pussy! [Exit, calling as before.]
Lustucru. What a cat-astrophe, and what fe-elin' she has! Whittington, Lord Mayor of London, miller's son, you are all excelled by this excellent woman, whose love for her Cat only exceeds her love for—five hundred francs that she shall not get. Ah! I have a heart for any—
Michel (heard without, shouting). Joy! he is found, my charming Moumouth! my Cat! my friend! Joy!
Enter with Moumouth in her arms.
Lustucru (who has stepped back, thunder-struck). Found!
Michel. Yes, yes. Give me joy, Lustucru. I could dance for joy.
Duo.—Lustucru and Michel.
Tune—"Lucy Long."
Michel (capering).
Oh dear, I am so joyful,
I can not help but dance.
Lustucru.
I give joy, oh, Michel,
For this most happy (?) chance.
Michel.
I'm so glad he's living,
Lustucru (viciously).
The darling little pet.
Michel.
The joy of my heart.
Lustucru (aside).
I'll have my revenge yet.
[Repeat together the first two verses.]
[Curtain falls on Act II.]
Scene.—Lustucru's room. Curtains at back, parting in centre. Table in back, on which is a large plate and spoon. Music—Conspirators' chorus from "La Fille de Madame Augot." Enter to the introduction, slowly, Lustucru and Apothecary, attired in mysterious black cowls.
Duo.—Lustucru and Apothecary.
Tune—"Conspirators' chorus." La Fille de Madame Augot.
When one's conspiring he must not fear
To put to death his foes so drear.
Then this little hash we will gently mix,
And put an end to Moumouth's little tricks.
Hush! ah, hush! lest Michel hear.
Hark! ah, hark! Doth a step draw near?
Then softly tread, then softly tread,
And we will gently mix
A sweet little hash, a sweet little hash,
And put an end to Moumouth's little tricks.
Then boldly rouse, and lead the way!
Then boldly rouse, and lead the way!
Oh!
Apothecary (tragically). And now, Lustucru, mix it well.
Lustucru (mixing hash in plate gloomily). Hand me yonder phial, and quickly too.
Apothecary (handing bottle). 'Tis done.
Lustucru (holding up plate). 'Tis done. Revenge is mine!
[Both return to duo as before.]
Hush! ah, hush! a step draws near.
Hush! ah, hush! lest Michel hear, etc., etc.
[At end Apothecary goes out mysteriously.]
Lustucru. At last, dear Moumouth, I have you. Thou wast never known to refuse so sweet a hash. Why, 'tis charming. [Sniffing it sarcastically.] But yesterday that old fool Michel didst say thou hadst lost appetite. Blessed words! holy inspiration! from them I obtained the idea.
[Michel heard without: "Moumouth! Moumouth!"]
Michel (entering). Ah! Lustucru, what shall I do? Moumouth will not eat his breakfast. All appetite is fled. He is breaking his heart for the Countess. Alas! what shall I do?
Lustucru. I heard your complaint last night, dear Mother Michel, and I have mixed a most appetizing hash. It is for our charming Moumouth.
Michel (gratefully). Lustucru, you are a miracle of goodness. I have it in my heart to embrace you. I shall bless you always.
Lustucru. Thanks for your prayers, Michel: prayers are what I most delight in.
Michel. But the hash, Lustucru? Let me hasten to my pining Moumouth, my poor sufferer.
Lustucru (presenting the poisoned dish). Here, Michel, and bless you! And bless Moumouth too, although he hates me. Thank Heaven, I have a forgiving nature.
Michel (transported). Lustucru, you are an angel. Adieu; Moumouth awaits me. I fly, but I bless you. Lustucru, I love you.
[Exit Michel with hash.]
Lustucru (sneeringly). Love me, do you? Ah! Lustucru's an angel, a miracle of goodness! But what is this? Michel returns. [Enter Michel.] Ah! Michel, can you not find Moumouth?
Michel (sobbing). What shall I do—oh, what shall I do?
Lustucru. What is the matter?
Michel. Oh dear! oh dear!
Lustucru. What has happened? Is—is Moumouth— [Eagerly.]
Michel. My poor Moumouth!
Lustucru. What! is Moumouth—dead?
Michel (unheedingly). He just looked up at me once, and waved his dear tail, then looked once more at me, and—[sobs]—and—[sobs]
Lustucru (eagerly). And died?
Michel. No, no (sobbing); he would not eat the hash.
Lustucru (beside himself). Oh! hey diddle dee! get out!
Michel (still weeping). I see you feel sad too. My Moumouth will die of starvation.
Lustucru (pacing the room angrily). Humph!
Michel. And I have just received a letter from the Countess saying she will return soon, and she hopes to find Moumouth well, and that she has reserved for me a handsome reward.
Lustucru (still pacing the room). Ho!
Michel. But since Moumouth refuses your hash, Father Lustucru, I think I shall taste it, to set Moumouth an example. It looks very nice.
Lustucru (alarmed). Don't touch it, I beg of you.
Michel. Why not? Is there anything wrong in the hash?
Lustucru. No, certainly not; but what is prepared for a cat should not serve for a Christian. It is necessary to guard propriety, and not trifle with the dignity of human nature.
Michel. Very well; Moumouth may suit himself. But I can not believe your hash is so very nice, or Moumouth would not have refused it.
Lustucru. Do not reflect on my hash, madame, because your Cat objects to it. Moumouth never had good taste.
Michel. Humph! I suppose that is because he never took a fancy to you. I think he has very good taste; he adores me.
Lustucru. Vanity! vanity!
Michel (fiercely). Egotism! egotism!
Lustucru. Mother Michel, beware!
Michel. Father Lustucru, take heed!
Lustucru. B-e-w-a-r-e, woman!
Michel. Man, take heed!
[They burst into duo, same as Act II. Tune—"Dairy-maid am I." Curtain falls on them highly irate.]
Scene.—Garden belonging to the Countess. Lustucru enters with a large bag and heavy cane.
Lustucru (meditatively). At length my decision is made. Moumouth, the charming cat, shall go into this bag, and I, Lustucru, shall beat him to death. Ah! he shall not escape me again. Michel goes for a walk; I seize Moumouth; I tie him in this bag; and then—oh, then he shall die. I could fly for joy when I think of it. Michel will not have her five hundred francs, and perhaps she will be discharged. Dearest Moumouth, how grateful I ought to be to you for bringing me such joy!
Solo.—Lustucru.
Tune—"Then you'll remember me." Bohemian Girl. Balfe.
When other cats and other pets
Around me sweetly rove,
When other objects dear to me,
Appeal unto my love,
At such times then will my heart,
In joyful throbbing be,
Turned thankfully to Moumouth dead:
Oh! I'll remember thee—
Oh! I'll remember, I'll remember thee!
[Exit Lustucru. Enter almost immediately Michel attired for a walk.]
Michel. I thought I heard Lustucru here? Well, I was mistaken. I was going to leave Moumouth in his care—but no matter. Moumouth rests peacefully under yon lilac bush. Dear Cat, how sweet is his repose! I will sing softly as I go; so perchance in his dreams he may hear my song.
Solo.—Michel.
Tune—"Serenade to Ida." Weingand.
Softly shadows creep and linger
Where my Moumouth lies asleep;
And ye flowers that nod and blossom,
Over him your vigils keep.
Guard well my slumbering Moumouth;
Let no evil harm or pain,
And let him but wake from dreaming,
To sleep and dream again—
Dream on!
[Exit slowly. A fearful cat howling is heard without. Enter Lustucru, bag in hand, full of Moumouth, and a club in the other.]
Lustucru. At last! at last! Moumouth, you jewel, you angel. You refuse cold water diet and hash, but a beating you never refused yet. Beets are good enough, too, in their way, and you shall soon be a "dead beat." But first let me rejoice awhile. [Moumouth struggles in the bag.] Ah! you do not like being shut up in a bag? Then we will have to hasten affairs. One, two, three, and away we go. One, two— [Raises stick. Mother Michel is heard without, calling "Moumouth!" Lustucru drops his stick, dumfounded.]
Michel (without). Moumouth! Moumouth! Surely I heard Moumouth somewhere. [Entering.] Ah, Father Lustucru, have you— [In amazement.]. Why, what have you in that bag?
Lustucru. I—I was—beating a little meal, or corn—out—that—
Michel (sternly). Lustucru, that bag has something alive in it. Moumouth, where are you? [Moumouth mews in the bag.] Traitor [flying at Lustucru and grasping the bag], thou art unmasked.
Lustucru (dropping on his knees). Mercy, mercy, my good Michel—my sweet Michel.
Michel (swinging aloft the bag). Then you have endeavored to kill him all along? The hash was—
Lustucru. Poisoned. Oh, forgive me. And I tried to drown him! Oh, forgive me. I'll never do it again.
Michel. Ah, doubly dyed traitor! the Countess returns to-morrow, and then stern justice shall reign. Moumouth, rejoice. Victory, victory is ours. [Swings empty[1] bag over Lustucru's head, while Moumouth is held in her arms.]
Duo.—Lustucru and Michel singing together.
Tune—"On yonder rock reclining." Fra Diavolo. Auber.
Lustucru.
Oh! pity me, I pray,
Nor let thy wrath on me descend;
Let my prayers move thy heart,
And mercy for me bend.
Your cat my rage inviting,
By tricks and ways so cute and skilled,
I could not see alive and well,
And so I wished him killed.
Mercy! mercy! Bend thy righteous pride:
The cat is well and healthy now—
Oh, would that he had died!
[Repeat last two lines.]
Michel.
On your knees now bending,
Justice shall be fully shown;
And my rage sternly descending,
You shall for this atone.
My heart you've caused to tremble,
With anxious fears and doubts assailed:
You would have killed my Cat had he
Been one-lived as he is one-tailed.
Tremble! tremble! Traitor doubly dyed,
You shall feel the pressure rare of my angry pride.
[Repeat last two lines.]
[Quick curtain, while Michel waves the bag and cat in triumph over Lustucru's head.]
Away to the hill-side on swift little feet,
Trot quick through the meadows in shadow and sun;
Broad brims and deep crowns over brows that are sweet,
And round rosy cheeks that are dimpling with fun.
And home from the hill-side on slow little feet,
With baskets as heavy as faces are bright;
And who will be first the dear mother to greet,
And see her surprise and her look of delight?
But she never will dream, by the berries they bring,
Of the millions they left where the sweet berries grow,
Away on the hills where the merry birds sing,
And the brook dances down to the valley below.
"Now, monsieur," says old Major De Launay, pointing to the vast jungle of monstrous reeds fringing the African coast far as the eye can reach, as the Tunis steamer heads seaward out of Bona Harbor, "if you want some sport, take a gun and go in among those reeds, and you may be sure of not having long to wait before you find yourself face to face with a lion."
"A lion?" echo I. "Why, I thought they had all been killed off long ago."
"So they have everywhere else along the coast; but just here, as you see, it's a wild kind of country, and Monsieur Yellowmane has it all his own way. There are plenty of brave fellows among our Arabs here, and we Frenchmen don't consider ourselves cowards; but I can tell you that you won't find a man in all this district, Arab or Frenchman, who would go through those reeds after night-fall—no, not if you were to offer him a thousand francs."
"Wouldn't you do it yourself, then, M. De Launay?" ask I, rather surprised at such an avowal from a man whose reckless courage is a proverb throughout the length and breadth of Algeria.
"No, that I wouldn't," answers the old soldier, emphatically. "I've tried it once already, and I can promise you I won't easily forget how that adventure ended. Would you like to hear the story? Well, then, here it is for you:"
Some thirty years ago, when I was a good deal nimbler than I am now (and a good deal sillier too, I'm afraid), a lot of us were quartered at Bona, with nothing much to do except taking charge of some stores; and as always happens with young officers when there's not enough duty on hand to keep them steady, we weren't long in getting into mischief. One day at mess somebody brought up this story of the reed jungle, and how no one dared go into it, and we all began joking each other about who should be the man to face the lions.
"De Launay's the one to do it!" cried Alphonse St. Foix, a young sub-lieutenant. "He's afraid of nothing. Don't you remember how he led the assault at Constantine?"
"It would hardly be a fair trial, though," said our senior Major, in his polite way; "for the lions would undoubtedly let him pass as one of themselves."
"Or if he were to put on a lion's hide," chimed in Claude Latour (who must have his joke, whatever happened), "they'd never find him out so long as he didn't bray."
At that there was a general laugh, which put me out so much that (more shame for me) I fairly lost my temper.
"Well," cried I, springing up, "for that one word I'll go and do the thing this very night, and then it shall be seen which of us is the lion, and which the ass."
"Agreed! agreed!" shouted all, clapping their hands, and hallooing like madmen.
But poor Claude looked quite chop-fallen, for he had never intended to push the joke so far, and the moment we rose from table he came up to me and held out his hand.
"For Heaven's sake, Henri," said he, "don't go and get yourself killed just for that foolish joke of mine, which I ought to have bitten my tongue off sooner than utter. I never dreamed you'd take it so seriously, and I'm heartily sorry to have vexed you."
I answered not a word, but just looked him straight in the eyes for a moment, and then turned my back and walked off. Many a time have I been sorry for it since then, for the poor fellow was killed by those rascally Kabyles (Arabs) a few months later; but one always repents of these things too late.
Well, night came at last, and every officer who wasn't on duty turned out to see me start. It had been arranged that I was to set off a little after midnight, and that my comrades were to see me into the jungle at a point close to the sea, and then come to meet me about sunrise at another point farther inland. The whole length of my circuit through the reeds would be only a little over two miles, but this, in a tract where one step was generally supposed to be certain death, was thought quite sufficient.
I took my double-barrelled rifle and hunting knife (not that they could be much good against a whole jungle of lions), and the moment our watches pointed to half past twelve, off we started. I couldn't help thinking as we went along that there could hardly have been a worse night for the purpose, so far as I was concerned. The night was so still that you might have heard a step hundreds of yards away, and the full moon gave light enough to make out the smallest print of a newspaper, let alone the figure of a man. But, as we say, "when you've broken the shell, you must eat the egg"; so I kept my thoughts to myself, and tramped on.
It was a pretty long march, and a difficult too, down to the place for which we were bound. By the time we got there it was two o'clock, leaving less than two hours before sunrise. At last the great reed forest began to rise before us, shadowy and spectral in the moonlight. My comrades shook me by the hand, and wished me good-speed. In another moment the reeds had closed behind me.
Just at first I didn't feel it so much, for the excitement of the adventure kept me up; and, besides, I had quite enough to do in picking my way along, the reeds being a good deal higher than my head, and very nearly as thick as a man's wrist. But when the first excitement began to wear off, then it all came upon me at once, just like the shock of a shower-bath. Every time a reed rustled I seemed to feel the sharp teeth in my flesh already; and indeed it's a wonder how I ever escaped, for I could hear them moving on every side of me; but somehow or other none of them offered to touch me.
On I went—on, on, on—until I seemed to have done ten miles instead of two. In fact, I afterward found that I had gone far beyond the prescribed distance; but what could I do, with the reed-tops shutting out the very sky, until sometimes I had hardly any moon to steer by? At last the reeds began to grow thinner, and presently, just as I was getting fairly tired out, forth I came on to the open plain, with the first gleam of daybreak just dawning in the eastern sky.
Then I discovered, to my very great disgust, that instead of striking the point where my comrades were to meet me, I had gone ever so far beyond it.
"Well," thought I, "there's time enough yet, at all events, before sunrise. I'll just sit down and rest for five minutes, and then walk back to the meeting-place."
So down I sat upon a rock, and, as you might expect, was fast asleep directly.
I don't know how long I slept; but I awoke suddenly with that uneasy feeling which you sometimes have when somebody stands by your bedside and looks fixedly down upon you as you sleep. And sure enough somebody was looking fixedly down upon me; for when my eyes opened they rested upon the biggest lion I'd ever seen in my life.
I took in the full horror of the situation at a glance. My gun had slid down over the smooth rock, and was lying fully six feet away, with the beast right between me and it. My comrades, even if they hadn't got tired of waiting and gone home (as they most likely had), were too far off to be summoned by any shout. Add to this that I was already parched with thirst, and that the sun was mounting, and making the rock on which I lay hotter and hotter every moment, and you'll have some idea of the nice predicament that I was in.
It's an awkward confession for an old soldier to make, but I must admit that I fairly lost my head. All hope of escaping went out of my mind at once; my only thought was to throw myself upon the lion, and get it over as soon as possible. But as I put my hand behind me to raise myself up, it struck against a big stone.
In a moment, as if some one had spoken it in my ear, I got the idea of a device that might save me yet. I clutched the stone, and keeping it well behind my back (for I knew that any sudden movement would bring the lion upon me at once), jerked it from me so as to let it fall among the reeds. At the crash that it made, the lion turned like lightning, and gave a spring in that direction, and I gave another, right across the rock to where my gun was lying. I had barely seized it, when the beast turned upon me.
After that it was all like a confused dream. The rush of the huge tawny body, the glare of the yellow eyes into mine, and the hot, foul breath steaming on my face, the flash and crack of my piece, the lion's hoarse, bubbling growl, and the report of my second barrel, seemed all to come together. I remember nothing distinctly until I found myself leaning upon my rifle, sick and dizzy, as if I'd fallen out of a window, with the lion dead at my feet.
Just then my comrades, startled by the shots, came running up. I was glad then that they hadn't seen me in my difficulty, although I wouldn't have thought it an intrusion, a few minutes before, if the whole French army had come up in a body. They praised me up to the skies, and[Pg 632] insisted on carrying off the skin as a trophy. But when our old Colonel heard the story, he shook his head, and looked at me in a way that made me feel rather ashamed of myself.
"M. De Launay," said he, very gravely, "to risk one's life in the cause of duty is the act of a brave man; to risk it uselessly, for the sake of a mere boast, is that of a fool. Always remember that in future."
And I have remembered it ever since.
A SCHOOL IN THE WOODS.—Drawn by A. Hoohstein.
As a matter of course all boys and girls love pets, and the number they own is probably only limited by the space which their parents are willing they should devote to such purposes.
But very many boys are too liable, after they have had their pets a few days, and the novelty has worn off, to neglect them, and the little prisoners suffer more from want of care than, when they were first brought to their new home, they did from too much attention.
If your parents have decided that you can keep pets, do not get too many, for fear that they will need more of your time than you will be willing to give; and then be careful that you care for them properly, first learning what they need.
Since rabbits are more easily cared for than almost any other kind of animals, and can be procured more easily and cheaply, repaying their owner for his care by producing a large number of young ones, it may be a favor to many to tell just how these pets can best be kept.
In England, where a great many men keep rabbits, and raise young ones in order to produce as many and as peculiar kinds as possible, one is able to buy all the fancy varieties, each of which is known by the manner in which the ears are carried. One kind is known as the "oar lop ears," another as the "horn lop," and the most expensive as the "real or perfect lop," where the ears hang straight down each side of the face. Then in these fancy varieties of rabbits the chin must be formed in a certain way, and the back must arch so that it is carried at least two inches higher than the head.
In that country very high prices are paid for what is called a perfectly formed animal; but since the habits are the same whether the ears hang down properly, or the back is sloped instead of arched, a pair of common white pink-eyed rabbits will afford quite as much pleasure as an expensive pair which do not look nearly as pretty, except to those who make a study of the animal.
Rabbits can be bought from almost any dealer in pets; but before making a selection the most important thing is to build a house for them, in order to have everything ready for their reception when they arrive.
Some boys seem to think that there is excuse enough for keeping their pets in a small box or barrel if they say that is the only place they have; but it is worse than no excuse, since they should give up the pleasure of owning animals if they can not care for them properly.
Rabbits need plenty of exercise, and that can be given in a limited amount of space provided the house, or hutch, be built in a manner to attain that object. A good one, suitable for from four to six rabbits, can be made by almost any boy who has any idea of using a hammer and saw. Build a box four feet square, three feet high at one side, and three feet six inches high at the other side, which provides for a sloping roof. Make the top nine inches larger all around, in order to have a projection which shall shelter the gimlet holes that are to be made for purposes of ventilation along the top of the sides.
Fasten the top or roof on with a pair of stout hinges[Pg 633] at the upper or higher side, which will enable you to look in at the chambers of the house, and also to clean them. Any kind of a fastening may be used to hold it down when closed, and if there is any danger of the inmates being stolen, a staple and padlock serve the double purpose of protection and safety from their various enemies.
The hutch should be divided by a flooring about half way up, in order to give a dining-room and sleeping-room story. The upper portion should be connected with the lower by a hole cut in the floor, about six inches square, with a narrow strip of board laid at as much of an angle as the width of the building will permit. The lower story is to be used as a dining and sitting room, and holes should be bored in the floor, about two inches apart, in order that the water may run off, while a door from six to eight inches square should be made in one corner of the building, to communicate with the yard, which should be built of laths firmly imbedded in the earth. The upper floor is to be divided into four rooms of equal size, each one connected with the others by openings cut through the partitions, about six inches square.
A PET RABBIT.
Such a house may be made of rough boards; and with a medium-sized yard, where the rabbits can run during the day, they will be as contented and happy as possible. But their owner may not be quite as happy regarding them, since it will be only possible to see them while they are in the yard or by raising the roof of the house. To obviate this, the entire front of the house can be formed of lattice-work made of planed laths. If this is done, a shutter made like the sides of the house must be provided, so that the building can be closed during a storm or in cold weather.
Fill the chambers half full of hay; have a neat little drinking-trough just outside the door in the yard; and then procure your pets.
If you are anxious to raise young rabbits enough to provide all your friends with pets, get two or three females and one male. It is better that you get pure white ones, since those which are spotted are neither as cleanly nor as nice-looking.
In a day or two after they have been introduced to their new house they will be perfectly at home, and whether they thrive well or not depends entirely on you.
They are by no means dainty as to what they eat, provided it is green or vegetable food. Cabbage, lettuce, or turnip leaves, clover tops, carrots with the tops on, a little barley or oatmeal, corn or hay, makes up the full bill of fare for them.
Although some people say that rabbits require no water, it is better to be on the safe side, and give them plenty. It is true that they need but little during the summer, when they are fed almost entirely on green food; but in the winter, when they are living on hay and vegetables that have been stored, they certainly need as much liquid as other pets.
When the female has young—and she will have ten litters a year—she should have plenty of oatmeal and milk. Do not trouble or handle her at such times; but let her have her own way until the young are eight weeks old, when they should be taken from her, and put into a yard or hutch by themselves.
Be sure of one thing, boys, before you decide upon keeping any kind of pets—be perfectly certain that you are willing to devote to them all the time necessary to care for them, not feeding them too much for a few days, and then neglecting them almost entirely. Once positive that you are willing to do this, get all the pets your parents are willing you should keep, and you will find no slight degree of enjoyment in attending to the wants of the little fellows who are dependent on you.
In ancient times it was the custom to place in the grave or the tomb with the dead whatever had been most prized during life, perhaps with the idea that it could be carried by the spirit of the departed on its long journey to the unknown land. Whether we open the old graves of Greeks or Phœnicians, Germans, Norse vikings, Britons, Celts, or North American Indians, we are indebted to this early custom for much knowledge and light thrown upon the life of all these ancient peoples by the implements and ornaments that we find.
All the early nations and savage tribes have had much to do with war and hunting, and in the old graves we find many remains of their weapons. The very swords and spears used by Agamemnon, King of men, that some of you no doubt are reading about now in the Iliad, were found by Dr. Schliemann in the tombs at Mycenę; and in France not long since a great tomb was opened, where long ago some fierce fighter had been buried with his armor on, his sword by his side, and with him his noble war-horse that had carried him through many a fierce battle.
You have many of you read of the Northmen, who a good many hundred years ago were the cause of so much trouble to the people of England and France, coming down from Scandinavia, and burning and stealing, and laying waste all the coasts. We know what kind of vessels these people sailed in; but it is a great deal better to actually see one for ourselves, as we can now, for it was only last year that one of these queer ships was dug out of a mound, which was the tomb of some great viking or chief. I think that Rollo and William the Conqueror and the human life of that age would seem more real to us if we could sit on one of the seats of that old vessel.
And so it is in this country. All the boys and girls have read about the Indians, and heard many stories of the life they led all over this broad land when our forefathers first came here, and many have seen the stone arrow-heads and other implements that the Indians used, and have themselves picked up these things that are scattered over the fields so abundantly in some places; but I doubt if there are any of you who have opened an old grave, and been astonished at the strange and curious treasures it contained. It is always hard to find these places in this country, where for the most part there are no monuments of any kind to mark the spot where the Indians buried their dead. If we could find them all, it would be an easy matter to fill a large museum at once, for the most finished and best preserved of these things are always found in the graves. I have found a few of these places, and they always contain relics of great interest. I once took from a single grave 189 arrow-heads, which seemed to indicate that the man was a great warrior, or perhaps one of the ancient arrow-makers.
But what I particularly want to tell you about now is the opening of some graves containing not only articles of Indian make, but also many other things that had been brought in by the white people when they first began to trade with the Indians.
This grave-yard was upon a side-hill that looked down upon the winding Mohawk and the rich intervales that line its banks. It was known to the boys of several generations as a place where they could pick up curious beads after the spring rains; and on a wet day in November I started off on a buckboard wagon, with a hoe and a spade, to see what I could dig up. As there were so many beads on the surface, I wanted to see what there was below. There was a hop-yard covering the whole hill, so I commenced by opening a trench between two rows of hops, and had dug but a few inches when I found a dozen or more red and white glass tubes about as large and long as a common slate-pencil. At a depth of three feet I came to the first grave.
Now at first thought it may not seem a proper thing to do, to disturb the bones of a man, even though he be a savage, and has lain in the earth hundreds of years; but we may want very much to know what manner of men they were, these early inhabitants of our country, and may perhaps be able to find this out, more or less, from their skulls and bones, and the things we find buried with them. So I carefully removed the earth with a knife, and found a great variety of glass beads. There had evidently been a grand necklace made of them; they were round and oval and octagonal, and of various colors—red and amber-colored and blue and green. They had no doubt been brought to America by some Dutch trader, as beads of this kind have been made at Venice for several hundred years, and are still made for trading with the savages of Africa and our Western Indians. Before the white traders came, the savages made their beads of bone and stone and sea-shells, for they were very fond of ornaments, and took great pains to secure jewels of some kind.
I took out a hundred or more of these beads, and also an oval tube of catlinite, or red pipe-stone, which is a peculiar stone much used by the natives for pipes and beads, and is only found in Minnesota. But this was only the beginning of the finds I made. To the Indian all things animate and inanimate were endowed with a spirit, and the idea seemed to be that the spirit of the ornament, or utensil, or weapon went with the spirit of the man on the long journey to the happy hunting grounds.
The next thing I found was a white clay pipe with the letters R. T. stamped on the bowl, and this was one of the things that enabled me to determine the age of the place; for as R. T. probably stood for Richard Tyler, a celebrated maker of pipes about 1650, I could pretty safely conclude that some time during the latter half of the seventeenth century these things had been brought to America. Continuing to throw out the earth toward the foot of the grave (for the man had been buried with the beads around his neck, and the pipe in his hand), I found one triangular copper arrow-head—all that remained of the bow and arrows that were buried with him. A rude iron axe and a hoe next came to light. Axes of this kind are quite common on the sites of the more recent Indian villages; they have a peculiar mark, and were probably made at Utrecht.
At the foot of the grave I found a small copper kettle, and a rude iron hook to suspend it over the fire, and also what was by far the most interesting and valuable of the relics, a salt-glazed earthen jug of the kind known to collectors of ceramics as Grčs de Flanders. It was without crack or flaw, and is an interesting specimen of this early pottery. Upon it are various devices stamped in the clay, the most prominent of which are two remarkably slim lions with enormous heads; the outlines of the designs and the lines encircling the jug are bright blue.
The kettle and jug were upside down, and in the former was the hollow shell of a small pumpkin or gourd. This, I think, is by far the oldest pumpkin to be found anywhere; it must be as old as the one that Peter, Peter, the pumpkin-eater, imprisoned his wife in.
Some other things in the grave were a rusty gun-barrel, seven copper kettles, two English pipes, an Indian clay pipe, a whetstone, about two thousand beads, fifty large[Pg 635] wampum beads, two thimbles, a jew's-harp, a bear's tooth, a long bone tube, two earthen jars of native manufacture (one of them smaller than a tea-cup), and a rosary with a brass cross—seeming to indicate that the Jesuit missionaries had reached these people before this warrior died.
With all these relics, one can form some idea as to what manner of men lived on the sunny hill-sides and by the shores of our rivers before civilization came to take possession of their hunting grounds, and drive them from their homes.
"A little bird's gone from my nest,"
Sang mournfully Robin Redbreast:
"Oh! somebody tell me, I pray,
Who carried the darling away."
"Katy did, Katy did," came quick in reply.
"And why?" Redbreast queried, "and why? and why?"
But no other word
From Katy was heard
But, "Katy did, Katy did, Katy did."
"A sweet bud I miss from my side,"
Said a red rose. "I watched it with pride,
It promised so lovely to be.
I wonder who stole it from me?"
"Katy did, Katy did," came quick in reply.
"And why?" asked the red rose, "and why? and why?"
But no other word
From Katy was heard
But, "Katy did, Katy did, Katy did."
"A kitten I've lost," mewed the cat;
"I left it upon the door-mat.
Its fur was as white as an egg.
Tell me, some one, who took it, I beg."
"Katy did, Katy did," came quick in reply.
"And why?" asked poor pussy, "and why? and why?"
But no other word
From Katy was heard
But, "Katy did, Katy did, Katy did."
Now I knew very well 'twasn't true,
For Katy such things couldn't do,
As carry off bud, bird, or kit;
For she is not larger a bit
Than her cousin the beautiful Prince Butterfly.
"And why do you fib so?" I asked her, "and why?"
But no other word
From Katy I heard
But, "Katy did, Katy did, Katy did."
When Jack and Alice Denfield's mother heard the story of this adventure of theirs, she was much annoyed at first, and thought they must have been in a good deal of danger. Afterward, when she was convinced that they came to no harm but very slight colds, she laughed at them heartily, and said it had been a good lesson, and if she had been twenty years younger she probably should have enjoyed it as much as they did.
They had all three been staying at the White Mountains; they had planned to be at the Glen House through July and early August, and then go to the sea-shore to stay until late in September. But the very first of August Mrs. Denfield found that she must go to Boston for a few days to attend to some business; and they were all sorry, for they had counted upon having a week or ten days more among the mountains. They had had a most satisfactory time, for they knew a charming set of people at the hotel, and every pleasant day there had been long drives or walks, small fishing parties or large picnics. Jack and Alice always were glad to be together; they were very near the same age, and had always been great cronies from their babyhood. They were equally fond of out-of-door life; Jack had said more than once that his sister was exactly as good company as another fellow, and she responded that she did not have such good times with anybody else in the world. I think it is seldom one sees such a friendship between a brother and sister. They both had a great many friends, but they were always delighted to have vacation come, and get back to each other.
They came in late to supper one Monday evening. They had been out all day, and it was their last chance for a long expedition, for they were to go down by the stage the next day to take the train. For a little while Jack was uncommonly silent, and did not pay much attention to the chattering of the other young people at the table; but suddenly he said to Alice, who happened to sit next him, "I have made a plan"; and she stopped to listen to it with great interest. "Suppose we ask mamma to let us stay here a little longer, and then go down to Boston by ourselves? She will have to be there for a week, she told me, and we could go up Mount Washington with the Eastfields and Dunns. You know they're going to walk up the mountain, and stay all night. It'll be great fun."
Alice was delighted at the idea, and after supper was over they went at once to propose this change of plans.
"I do not know why not," said Mrs. Denfield, slowly. "You are surely familiar enough with travelling, and almost grown up, at any rate, you tall creatures! But you must not take any longer journey" (they had all three wished to go farther up among the mountains); "you must be in Boston Saturday evening."
So next day Mrs. Denfield started off by herself, and Alice said, just after the stage had gone, "I wish we had asked mamma if we could not walk part of the way; we could send our trunks on by the stage to North Conway."
Jack's eyes began to shine with delight. "Of course she wouldn't mind," said the boy. "Don't you remember how sorry she was when you couldn't go down through the Notch with the rest of us last summer, because you had sprained your ankle? Let's do it, Alice. We can go up Mount Washington to-morrow, and come down next day. Yes, there will be just time enough to reach Boston Saturday night. Why, it's nothing to do; we have walked almost as far a dozen times."
"But not by ourselves," said Alice, "in such a wild country. I'm not a bit afraid, though—you needn't think that."
So they made their plans, and kept them great secrets, for Jack said that everybody would insist upon going with them, and making a public occasion of it, and it would be much better fun to go alone by themselves. They had often taken short excursions together, and they knew that they could get on much faster. It was settled that they were to start early Friday morning, and to say good-by to everybody the evening before, and then go away even before any one would be down to see them start by the stage.
The walking party up Mount Washington was a grand success, and the afternoon and evening of the day were just the right sort of weather, cool and fresh and bright, with a most glorious sunset, and a clear though very late moonrise. But next morning it was damp and cloudy, and most of the party thought it would be more sensible to drive back to the Glen instead of walking. They found that the clouds were only around the tops of the high mountains, and that it was really a pleasant day, after all, when they reached the valley; and after they had told the story of their expedition, the party scattered itself about the piazzas and rooms of the hotel, and Jack[Pg 636] presently went to find Alice, and asked her eagerly why it would not be a good plan to take half their journey that day, and the rest the next, and spend the night somewhere on the road. Then they would have more time in North Conway, for there were some friends there whom they both wished to see.
"We will start by the stage just after dinner, and ride a little way, and then get down," Jack told his sister; and Alice at once hurried off to finish their packing, and to say good-by to her friends.
They meant to go ten or twelve miles that afternoon. Jack was sure he remembered the road perfectly, and knew where they could find lodgings for the night. Some one found out that they were going afoot, and said that it was a capital day for it; but the long climb up the mountain the day before seemed to have tired almost everybody but themselves, and no one offered to accompany them except two or three of their cronies, who strolled along with them for half a mile or so.
Our friends were in the highest spirits, and started off at last side by side without a fear, keeping step and looking around at each other every few minutes to smile and say what fun it was. Jack had a traveller's bag slung over his shoulders with a strap, and Alice carried a little lunch-box and her light jacket, and they both had the sticks which they had carried on all their tramps about the mountains. They felt like people who were journeying in earnest, and were not merely out for a stroll.
They were both capital walkers; they had had good practice during the last few weeks at the Glen, and they went gayly down the road for the first few miles without taking much thought of anything but the mere pleasure of walking. There had been a good many rains, and the streams were full, and the foliage was as fresh and green as if it were the first of June. The mountains stood up grand and tall, and there was not a cloud to be seen.
"It is even clearer than yesterday," said Alice. "I am sorry we are not just coming to the mountains instead of just going away. Jack! there must be trout in that brook."
"I was just thinking of that," said the boy. "Here is a line in my pocket; I mean to cut a little pole and rig it, and go up the hill a little way. You could be resting."
But Alice disdained the idea of being tired, and sat down to wait in a most comfortable place under a pine-tree. "I wish there was another line," she said. "I put all my tackle in my trunk before we thought of letting mamma go on without us."
Jack was soon ready, and pushed in through the bushes, and in the silence that everything kept but the brook, his sister could hear him for a few minutes as he went on from point to point, sometimes snapping the dead branches that he stepped upon. It was growing warmer, and she was, after all, not sorry to sit still for a little while. She called to Jack once or twice to be sure he had not gone too far away, and he whistled in answer, softly, as if there might be some chance of a trout, and at last he did not answer at all.
Alice looked at the mountains, and pulled an envelope out of her pocket and began to make a little sketch of a strange old tree the other side of the road, and she did not hurry about it; so after she had finished it she said to herself that Jack had been gone long enough. There was no possible danger of his losing his way, but it was long past the middle of the afternoon already, and they must go on. So she whistled again and again the odd little call with which Jack was very familiar, but he did not answer. He had evidently gone a good way up from the road; and she shouted, but he did not shout to her, and she said to herself that it was very wrong of him, and that there was no more fishing to be done on that journey out of sight of the road. She grew very worried at last, and annoyed as well; the mosquitoes had grown troublesome, and she did not like staying there alone for so long; and the thought seized her that her brother must have fallen over the rocks and hurt himself badly, for it was over an hour since he had gone away.
She followed the brook up its bed for some distance, and at last she heard the bushes rustling, and called eagerly, and there was Jack, safe and sound, with three or four good-sized trout on a birch twig.
"There are the best trout I have caught this summer," said he, triumphantly.
And Alice forgot to scold him at first, she was so pleased. "We must have them for our supper," she told the proud fisherman; and they hurried back to the roadside.
"I haven't been gone long, have I?" asked Jack, persuasively. "I hated to turn back, you know."
And Alice said that they must hurry; it was already nearly five, and they had five or six miles further to go to the house where they were to spend the night.
But Jack was hot and tired, and said he must have some biscuits, and rest a few minutes. It was so bright a day that it would not be dark early. And who cared if it were? The road was straight and safe enough, and it would be much cooler after the sun went down a little. It was really very hot, and Alice was satisfied, now that he had come back, and she made no objection when he had finished his lunch, and had taken a drink of the cold brook water, and threw him self down to rest.
"You have been sitting still here while I have been going up the side of the hill," said he. "No wonder that you are ready to go on."
"I WISH A STAGE WOULD COME BY."
Alice wrapped the trout in some great beech leaves, and tied a bit of fish-line round them. One was unusually large, and Jack was very proud of it, and told her what a hard time he had in catching it, and how it came very near going into the brook again after he had fairly landed it. After a while they got up unwillingly and set off again. The sun was almost down behind the mountains, but the air seemed to grow hotter, and hotter, although they were in the shade. The leaves were perfectly still on the trees; there did not seem to be a breath of wind.
"I don't think this is very good fun," said Jack, angrily; and Alice laughed, but she thought that pedestrianism in hot weather was not so full of pleasure as it might be.
"I wish a stage would come by," she said, laughingly. And when they met one bound for the Glen a little later, I think they were both tempted to hail it and take passage.
Jack whistled manfully, and they both made fun of themselves, but the little knapsack which Jack carried was not the trifling weight it seemed at first. It was as heavy as lead; and he wondered what was in it, and shifted it to the other shoulder and back again with a manner as if he did not like to carry it at all. "It must have been the tramp yesterday that makes us so fagged," said he. "We have walked so very far, you know. I say! look at those clouds coming over. It's going to rain. There's going to be a tremendous shower. What had we better do?"
But Alice did not know. "Go on, I suppose," said she, "as fast as we can. Very likely some one will drive by. Somehow I never thought of its raining."
"Nor I either," answered Jack, dismally. "I wish I had not stopped for the trout: that took up so much time. But aren't they beauties?" and he held them up for consolation. The leaves about them were already wilted, and the colors of the fish looked dull. "I wish I had my little scales here," said Jack; "I took them out of my pocket only yesterday."
"GIVE US THIS DAY OUR DAILY BREAD."—Drawn by Sol Eytinge, Jun.
Clearwater, Minnesota.
My home is on a farm a mile and a half from the banks of the Mississippi. In the winter, men go out hunting deer. In spring, there are lots of geese, and there are plenty of wolves too, which come prowling around to catch our hens and chickens. We have forty little chickens. We have had a great many strawberries this summer. My kitten has four perfectly white feet. He is a fine mouser, and catches both mice and squirrels. His name is Major. School closed a week ago. I had two pieces to speak, and two to sing. I am twelve, and my sister is eight years old.
Estella.
Niagara, Ontario, Canada.
I am eleven years old. I have got three rabbits, five ring-doves, and two little white kittens. The Chicora and City of Toronto run two trips each from here to Toronto every day except Sunday.
I have an uncle out in the Rocky Mountains. He is coming home soon.
I like Jimmy Brown's stories very much.
Joseph B. S.
Clifton, Ohio.
I have a large Maltese cat, and his name is Kitty Clover. I am writing this letter with my friend Pearl. I am seven years old, and am reading in the Fourth Reader. I like "The Cruise of the 'Ghost,'" and the "Daisy Cot" was lovely.
Mary Belle B.
Here is Pearl's letter:
I am nine years old. Our school has been closed four weeks. I read in the Fourth Reader too. I have not seen my mamma for a week. I am visiting in the country. I have a little canary, and I call him Dicky. I had a kitty, but it ran away, and mamma fears it was killed. I have two brothers. My little brother cried twice when "Toby Tyler" was ended.
Eva Pearl R.
Tucson, Arizona.
I am away out in Arizona. The place would seem quite a wilderness to some of you. We live a mile out of town, but we have a fine public school to attend. I have two brothers and one sister. We all go to meet papa when he brings Young People home, and whoever gets the paper first has to sew it, after cutting the leaves. I like the "Pinafore Rhymes" best of anything, and "Kitty Kimo" especially. I have a little cunning kitty named Topsy. We went to the show June 16, and saw two large elephants. They waltzed gracefully, and kept time to the music. They looked beautiful when dancing, and when the musicians played mournfully they lay down and pretended that they were dead. There were other animals at the show, as well as a living skeleton, two little brothers only three feet high, one thirty-four and the other thirty-one years old, and a droll couple with square eyes, who came from Madagascar.
Maud F. D.
Batavia, Ohio.
I think "The Cruise of the 'Ghost'" is the best story we have had yet. I have a printing-press with which I can print cards and little papers. I am in favor of the Natural History Society, and I hope it will succeed, as I think a good deal of knowledge can be gained in that way.
P. F. J.
New York City.
This' is my first letter to Young People. I have three sisters and two brothers. My mother once had a canary-bird, but it broke its leg, and then it died, and we missed it very much. I do not go to school, but have a governess who teaches me at home. We have taken Young People from the first number. Good-by.
Grace L.
Spencer, Iowa.
I am nine years old. I attend a large school-house here, and have a very kind teacher, who knows how to draw very beautifully. We are now practicing for the closing summer exercises. A little girl and myself are to speak "Beautiful Snow." My eldest sister teaches school, and my big brother is a clerk in a store. I have St. Nicholas, Wide Awake, and Young People, and I received the latter as a prize for printing very nicely.
Lulu McP.
New London, New Hampshire.
I have a little rabbit with pink eyes. I go to school in winter, and make mud pies in summer. My sister is four years old, and my brother is three. Her name is Carrie, and his is Pagnie. I am eight years old. My grandpa fell on the stones in the brook not long ago, and hurt his leg very badly.
Alice P. Q.
What a pity for grandpa to have had such an accident! Do you ever make your pies in clam-shells or broken dishes, and trim them with parsley? They look very pretty when dressed in that way; and though not good enough to eat, they give the little baker a good appetite for real tarts and turn-overs.
Philadelphia, Pennsylvania.
I want to tell you about our cunning little dog. She is a blue Skye, and her name is Gypsy. She follows mamma all over the house. Sometimes she gets behind a table, or lies down with her head on a stool for a pillow. She begs and speaks. Sometimes she walks on her hind-legs. We play hide-and-seek together, and I tell Gypsy to go up stairs while I hide. When I call her, she runs down as fast as she can, gives a little turn at the bottom of the stairs, and then hunts till she finds me. She is very fond of ice-cream. Sometimes I put my coat on her, and mamma puts a dunce cap on her head. She then looks very funny indeed. We have a cat that is pure white. Her hind-legs are paralyzed, so she goes along like a kangaroo.
Lucy.
Poor puss! How sorry we are for her! Gypsy must be very droll; and we think Gypsy's little mistress is very kind and patient, or else she could never have taught her pet so many tricks. It is not fair to let her wear a dunce cap. She ought to have a little hat and feather.
Pittsburgh, Pennsylvania.
I am very much in favor of the Natural History plan, and think Gracie B——'s suggestion of having it in a separate department is very nice. I want to know whether single persons may send in reports. I am going away soon, and I will get a good many curious things. I have also a very nice book called The Child's Book of Nature, which is in three parts—Plants, Animals, and Light, Heat, etc. I am ten years old.
Mary B. B.
Of course individuals may send reports.
Chicago, Illinois.
I shall become a member of the first Natural History Society formed in Chicago. I think the first meeting should be devoted to games, and to letting the members become acquainted with each other.
William R. E.
The way to start a thing is to start it by setting about it at once. Many of our boys simply intend to join when societies shall be formed, and so we are afraid they will lose the benefit the society would be to them. Can you not begin by asking the boy next door to join you in looking for something interesting close by—say, for instance, in the garden, or on your first walk together? Then invite some others. We would advise you not to devote your meetings to play.
Petoskey, Michigan.
"The Cruise of the 'Ghost'" and "Toby Tyler" have been splendid. I read Our Post-office Box, and especially enjoy hearing the boys and girls tell about their pets, and the nice times they have at home and school.
I want to tell you about my dear little brother. He was a year old on the 22d of June. He was very weak, and we had to be very careful of him. The doctor said he must be out a great deal, and mamma used to let me take him out. On the 1st of July he was as well as ever, and I had him out a good while. At tea-time I placed him in his little chair at the table, but in a little while he had a spasm, and soon he died. This is the third brother I have lost in four years.
Walter M. C.
It is no doubt a comfort to you to remember that you took good care of the little one while you had him with you, and that you sometimes gave up a game with the other boys that you might assist your mother by taking the delicate baby out in the fresh air.
Greenville, Ohio.
I thought I would write and tell you that I live in Greenville, on the site where Wayne made his treaty with the Indians, November, 1812. My sister and I have four pets—two canaries, one pony, and a dog. Every time we let the canaries out of the cage, they hop over to the rocking-chair, and get on the rockers for us to rock them. I love your paper very much, and would not do without it. I am twelve years old.
Pearl L. M.
P. S.—Please tell Mr. Otis to write a sequel to "Toby Tyler," and delight hundreds and thousands of children.
In this number Mr. Otis begins "Tim and Tip," which will probably please you as well as "Toby Tyler" did.
Philadelphia, Pennsylvania.
Do you think Mrs. Richardson, of North Carolina, would like any picture cards with printing on, or back numbers of Young People? I can send them if you think she would. I have two or three books also.
That No. 4 puzzle in No. 89 is just about true. Every Tuesday night, when I come home, I shout, "Has Young People come?" and last week I had fidgets from Monday till Thursday. I always get the fidgets on Monday, and sometimes on the Thursday after it has come, I like it so much. The Post-office Box is my favorite; then comes Jimmy Brown, and then "The Cruise of the 'Ghost.'" I collect postal cards only, because they are samples of the printing done in different countries and times. I send cards I printed myself at father's office. I have sold 125 kites this month.
T. W. S.
The cards are beautifully printed, and you are quite a man of business in the kite line. But about those "fidgets," what do mother and sisters think of them? You must try to keep cool. By all means, send Mrs. Richardson some picture cards or nicely printed reward cards, with any back numbers of Young People you can spare, and the books you mention. She will find a use for them.
Marysville, Ohio.
I like all the stories in Young People so much that I can not make a choice. I have a little sister whose name is Flora. She is four years old, and I am eleven. We each have a swing. Hers is in the grape arbor, and mine is under a large apple-tree. I had a pet kitten about two years ago, and called it Daisy. Sometimes when we were eating, and I moved my head, she would jump upon my back, and pull and bite away at my hair as if she were going to pull it off; and as that was not polite, I always made her jump down. One morning when papa went out to feed Bill, the horse, he found her dead before the barn door.
Helen N. C.
Menomonee, Wisconsin.
I am afraid my last wiggle was too late for the paper, as I sent it only a few days before the paper came, but I hope I will have better luck with this one. Mamma says she is sure mine would have been published had it been in time, as it was so nearly like the artist's idea. Papa has gone back to Arizona, and I shall coax him to write for Young People a story all about centipeds and spiders and other poisonous things, as he sees them there every day.
Mamma says when the Natural History Club is formed, Young People will be perfect.
Lottie G. N.
Little correspondents must send wiggles, etc., very promptly if they wish them to appear.
Jersey City, New Jersey.
I think "The Cruise of the 'Ghost'" is splendid. I have only taken the paper a little while, but a lady gave me many of the earlier numbers. Please explain whether there is a charge for advertising exchanges.
I am going to the Catskill Mountains, and expect to see a great deal that is new and wonderful.
George T.
There is no charge for printing exchanges.
Baraboo, Wisconsin.
I have seen so many letters in Our Post-office Box, and thought them so interesting, that I have resolved to try to write one myself. I will tell you of an experiment I tried this morning. Unlike most other girls, I can never find anything very interesting to do. After awhile I remembered a picture I had seen in a magazine, and I set to work to see if I could do what a little boy in the picture was doing. I first took two or three pea pods, and began to make a boat. I first opened the side of a pod, and took out the peas, and then I stuck a pin through the end that I had split open, putting the head downward. I then took a little piece of a stick, and stuck it in the pea pod for a seat. It made a very pretty boat.
Blanche P.
We all have our lazy days, little Blanche, when it seems as if there is nothing we particularly care to do; and when such days come, it is wise to try your plan, and see whether or not there is some entertaining little experiment which we can make. You might try to solve the puzzles in this paper the next time you feel that you don't know what to do next.
Menlo Park, San Mateo County, California.
I wish some of the correspondents, or the editor himself, would inform me how to make a squirrel trap, for we are perfectly infested with squirrels, and also with rats and mice. I live on a little farm in a pretty little village called Menlo Park, and I am sure that I would not be happy at all if I were in the city of San Francisco. I am also sure that Master Robert C. W. would find that he is very much mistaken in his wish to be there, could he make the trial. I make visits once in a while to the city, and I am sure that my little brothers and sister and I enjoy it much more than if we were to live there.
Frederick H. H.
Although squirrels are cunning little fellows, and in most cases it would be a shame to kill them or to disturb them in any way, they do sometimes appear in such numbers as to become pests. In this case simple box or figure-four traps, such as every boy knows how to make, may be used with success to catch them. Better still is the small-sized steel-trap known as the Rat-Trap, arranged with bait hung above it.
Brooklyn, New York.
I am twelve years old. My brother and I take Young People, and wish it would come twice a week instead of once. I think the stories in it are very interesting. My brother likes "Toby Tyler" and[Pg 639] "Phil's Fairies" the best. I think Jimmy Brown is a very peculiar boy, and I like his stories, and wish he would relate another of his sad incidents soon. This is my first letter to Young People.
Orpha A. H.
Brooklin, Ontario, Canada.
I would like to start a Natural History Society, but there are no boys or girls around here who take any interest in such things.
I have quite a collection of stamps now. I very much like the stories Jimmy Brown writes, and wish he would write about some of the good times he has at home. My father owns quite a large farm, and he is very busy now, as harvest-time is here. We have for pets four cats and seven kittens.
I have lost the address of one of the correspondents who wished for postmarks, and can not find it. The correspondent will oblige me by sending his address to
Annie Dryden.
The boy who answered my letter, and sent me a stamp from the Cape of Good Hope, did not send me his address, and I do not know how to find him.
Willie R. Watson.
112 Smithfield St., Pittsburgh, Penn.
Little correspondents who are as careless as the boy referred to, will wonder why they receive no equivalent for what they send. You should always write your full address in every letter you send, and to every person.
The following exchanges are offered by correspondents:
Soil and sand from Cayuga Lake, Pennsylvania iron ore, petrified wood, white gypsum, and white coral, for red coral, or other than Pennsylvania and Lake Superior iron ores, or for insects and curiosities.
Please tell me if I may join the Young People's Natural History Society alone, for I can not form any society here. I am thirteen years old.
Do American cuckoos lay eggs in other birds' nests? If not, please describe nests and eggs for me.
H. L. Willard, Cayuga, Cayuga Co., N. Y.
Join it by yourself, of course, and write us a letter whenever you have anything worth telling.
The American cuckoo does not adopt the indolent and dishonest ways of the European cuckoo about its nest. It lives in thick woods, and builds a nest of sticks and grass on the branch of some low tree. Its eggs are bright green, and it lays four or five. We are sorry to say that while its food is chiefly insects, snails, and berries, it sometimes steals and sucks the eggs of other birds. There are three kinds of cuckoo in the United States. The commonest has a yellow bill about an inch long, is greenish-brown above, and grayish below. One of the world's great poets, Wordsworth, wrote some beautiful stanzas addressed to this bird, in which he asked whether it were really a bird or only a wandering voice. It is very shy and solitary, but its note is cheery in the spring and summer.
Ingersoll's patent rubber family font, price $1, for the first volume of Young People, or a three-draw spy-glass. Send postal before exchange.
Fred Williams,
Box 80, Rockland P. O., Ontonagon, Mich.
Mexican garnets, and jasper stones from York Beach, Maine, for ores, fossils, and agates; or ocean curiosities, and pressed ferns and leaves, for minerals, petrifactions, and pressed sea-weeds; also two ounces of colored sand from York Beach, Maine, for the same from other localities. Please label specimens.
S. and L., Box 62, South Berwick, Me.
Acacia or cotton seed, specimens of Texas rock or soil, for Indian relics.
C. H. Dobbs, Jun.,
Robinson, Texas.
A steel hand bracket-saw, frame in good condition, with six blades, and fifty designs, including Swiss clock design, for an international stamp album in good condition and a small collection of good stamps, or the flags, coats of arms, or rulers of the countries. Thirty different stamps, for a moss or Superior agate, any kind of ore, a perfect arrow-head, or a garnet.
T. P. Morgan,
Garnett, Kan.
One button of silver as it comes from the assayer of the Contention Mine, Tombstone, for S. W. Durbin's Stamp Catalogue of 1879 in good condition. Write before sending.
T. D. W., Jun.,
Box 550, Delaware, Ohio.
Buttons with shanks, for minerals and other curiosities. Correspondents will please write before sending.
Sara J. Coatsworth, Galena, Ill.
Lead, zinc, and copper ores, hematite iron ore, iron pyrites, serpentine volcanic rock, scorię, cannel and peacock coal, mica, cotton seed, razor-shells, crystals of tourmaline, corundum, flint, asbestos, Chinese coins, old American copper coins, tripoli, woods, also a large number of ocean shells and fossil shells and plants, any and all of which I will exchange for fossil shells, plants, and animals. A trilobite especially desired, also Indian relics and arrow-heads.
E. V. Sheerar,
Wellsville, Allegany Co., N. Y.
[For other exchanges, see third page of cover.]
Freddie W. Shelley and Ernest F. Taylor withdraw from our exchange list, their supplies being exhausted.
Louie S.—Pressing Moss, and Scents.—Mosses, like ferns and flowers, should be gathered when in fine condition. Lay them smoothly between large sheets of newspaper, and cover them with a heavy weight, changing the paper once in three or four days. Some varieties of moss may be best preserved by simply shaking out in the air and drying.
The most delicate liquid perfume for the handkerchief is cologne, which is made by distilling balm, mint, lavender, rose leaves, and other sweet things in alcohol. The best cologne is imported, and bears the name of Jean Maria Farina, but it is expensive, and very good cologne indeed is made by many of our druggists at a less cost. The nicest sachet powder for clothing, note-paper, and other uses is pulverized orris root. This smells like violets; and if you make little bags, fill them with orris powder, and keep them in your bureau drawers and boxes, you will be sure to have a faint flower-like fragrance about you wherever you go.
Minnie K.—You may write to Our Post-office Box as often as you please, and we will enjoy reading your letters, but we can print one only once in a while.
Eva G.—We do not know that stamps have anything which can be called a language, like the language of flowers. They are conveniences invented to help the correspondence of the world along. At a glance you perceive that it would not be possible for all the people who write letters to pay money for them, because that would cause a great deal of delay. We place a stamp on the corner of the letter, and that represents the money which was spent for the stamp. The money goes to the government to pay the expenses of the postal service.
As to your little verse, we could easily translate it for you, but prefer to let you do it for yourself, partly because, if you are studying French, it will be a pleasant exercise, and partly, too, because this Post-office Box is meant for young people who read English, and we have not room for any other language in its crowded columns. Now haven't we "taken notice of your little letter"?
Eddy A.—The Barometer.—About two hundred years ago an Italian named Torricelli was making some experiments to find out why fluids would rise up in tubes when the air was drawn out. He filled a glass tube thirty-three inches long, and open at one end, with mercury, and then he put his finger over it to keep the mercury in, turned it bottom upward into a bowl of mercury, and took away his finger. As mercury is very heavy, it would seem as though it would have run out of the tube into the bowl, but it did not; it fell a little way, and remained stationary in the tube. He found that it rose and fell with the changes of the weather, being affected by the pressure of the outside air. All the barometers that have been made since Torricelli have been on his plan. It may give you a hint for the one you think of making.
E. C.—Washington's Salary.—General Washington received no salary either as Commander-in-Chief or as President of the United States. But he kept a very careful account of all his expenses, and they were paid by Congress.
Inquirer.—Secretary Blaine and the other cabinet officers receive a salary of $8000 per year.
Victor Murdoch.—Send to the bicycle manufacturers who advertise in Young People for circulars that will give you the desired information.
R. Edmunds.—It is impossible to tell how large a bicycle you will require unless you state your height and the inside measure of your leg. Yes, the Mustang bicycles have rubber tires.
F. P. Benedict.—The address for which you ask is, Smith Machine Co., Smithville, Burlington Co., N.J.
C. Longstreth.—To join the L. A. W. send your application, with $1 and a 3-cent stamp, to K. N. Putnam, Cor. Secretary L. A. W., 54 Wall St., New York City.
"The Captain."
Correct answers to puzzles have been received from Frank J. Marion, C. Burr, Nellie Brainard, "School-Boy," Charles W. Fernald, Jeremiah, Belle and Alice, O. W. Simons, Mary E. Slattery, D. A. Wing, William B. Hadley, "Phil I. Pene," Augusta Low Park, Nelson Wilson, Henry Drinse, George M. Brennan, Aunty Batty, L. S. and L. S., Alice E. Thorp, Belle Babcock, Lizzie C. Carnahan, Frank Graves, "Strawberry," "North Star," Belle H., Mary E. L., L. W. and M. W., "Wm. S. Burgh," Clara Blank, E. McHugh, G. Volckhausen, Louie S. L. Shorey, Joseph B. Senior, Annie Dryden, Kate T. Wendell, G. Host, "Comet," J. H. Jenney, Jemima Beeston, "Venus."
| My 4, 2, 9 is a boy's nickname. |
| My 6, 7, 8, 3 is an animal. |
| My 1, 8, 3, 5 is a participle. |
| My 6, 5, 2, 4 is an ore. |
| My whole is a beautiful flower. |
Wm. S. Burgh.
1. A letter. 2. A tin vessel. 3. An unpleasant experience. 4. A camp. 5. A state of distress. 6. Deprived of moisture. 7. A letter.
Wm. S. Burgh.
| 1. My whole is a useful article. |
| Behead, and leave a bird. |
| Curtail, and leave part of a lady's dress. |
| 2. My whole is liked by children. |
| Behead, and leave skill. |
| Curtail, and leave the produce of a tree. |
Geo. Graphy.
1. Reverse a kitchen utensil, and get a boy's plaything. 2. Reverse a mineral, and get knocks. 3. Reverse a verb, and get an epoch. 4. Reverse to boast, and get apparel.
Cal. I. Forny.
| 1. B—r—s—f—f—a—h—r—l—c—t—g—t—e—. |
| 2. A—a—c—c—p—t—e—e—b—i—s—. |
1. I am flexible, thinner than glass, round when standing still, and oval when shaken. I burst at a touch, or when I strike anything solid. In a dead calm I slowly sink, in a little wind I float, in a strong breeze I rise.
2. My outside is hard. My inside is soft, and good to eat. My middle is neither hard nor soft, and is not good to eat.
| Now, little bright eyes, who am I? |
| My heart is hard, my cheek is round; |
| I swing beneath the earth and sky, |
| The merry sunbeams kiss me oft, |
| Till I grow big and sweet and soft, |
| And then, for your delight, am found. |
Mamie.
Dumb-bell.
Clock. Rash. In. Crick. Knight. Ebony. Trap. Whole word, Cricket.
| S | I | L | V | E | R |
| I | D | E | A | L | |
| L | E | N | T | ||
| V | A | T | |||
| E | L | ||||
| R |
Harper's Young People.
Alice.
| B | E | A | R |
| E | A | S | E |
| A | S | P | S |
| R | E | S | T |
Single Copies, 4 cents; One Subscription, one year, $1.50; Five Subscriptions, one year, $7.00—payable in advance, postage free.
The Volumes of Harper's Young People commence with the first Number in November of each year.
Subscriptions may begin with any Number. When no time is specified, it will be understood that the subscriber desires to commence with the Number issued after the receipt of the order.
Remittances should be made by Post-Office Money-Order or Draft, to avoid risk of loss.
HARPER & BROTHERS,
Franklin Square, N. Y.
Brick, bat! Brickety, bat!
A woolly dog and a little cat
Sat in the barn door, enjoying the sun,
Watching their chance to have some fun.
Rick, rous! Rickety, rous!
A good-sized rat and very small mouse
Sat on the edge of the horse's manger,
Never giving a thought to danger.
"Bow-wow! Bow-wow-wow!"
Barked Mr. Dog to Pussy Meow:
"I'm going to catch that rat, while you
Can have the mouse to make a stew."
"Meow-meow! Fiss! Scat!"
To the woolly dog replied the cat:
"Just give your tail a gentle swing
When you're quite ready to make the spring."
"Tweak, tweak! Tweakety, tweak!"
Squeaked the rat to the mouse so weak:
"That woolly dog and little cat
Will try to catch us, I'm sure of that."
"Eak, weak! Eakety, weak!"
Replied the mouse, in a fainter squeak:
"We'd better not wait for it to be tried;
Let's jump down now and run and hide."
The woolly dog gave his tail a swing,
The little cat made a terrible spring;
The mouse disappeared through a hole in the floor,
The rat scampered out through the open door.
The doggy silently scratched his ear,
The pussy sighed and dropped a tear.
"It's all your fault," said the dog, in a huff,
"You cats never move quickly enough."
"'Tis no such thing," was pussy's reply;
"I moved as quick as the flash of an eye.
Your own lazy tail is all to blame;
If it had wagged quicker, we'd have caught the game."
Fire-crackers.—Fire-crackers are made in China, where, on account of the cheapness of labor, the price is only two cents a bunch. As there are eighty in a pack, a Chinaman makes forty fire-crackers for less than a cent of our money. Most of them are made by poor people in their spare time. Merchants in Hong-Kong buy them, and place them in boxes holding forty packs each. They are so cheap that shippers could not afford to pay much for having them carried, so they are used as ballast in ships that bring silks and teas. The Chinese letters printed on the wrappers of fire-cracker packs are the advertisements of the dealers. "Fire-bangs," as they are sometimes called, are used almost all over the world. In the United States, their use in the North is on the Fourth of July; but in the South, Christmas is the great time for them. In England, they are most popular on the 5th of November, Guy Fawkes's Day; and in South America, on days of Church festivals. In China, everybody fires them on New-Year's Day; and in some of the Chinese cities they can be heard at almost all hours of every day, because the people think the noise of their explosion will frighten away evil spirits.
"Oh, mammy! mammy! he's broke loose; he's swallerin' me legs off. He's a bull-hound!"
"If a body meet a body coming through the rye,
[1] If a well-behaved cat is not procurable, Moumouth can remain in the bag.
End of Project Gutenberg's Harper's Young People, August 2, 1881, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, AUGUST 2, 1881 ***
***** This file should be named 48597-h.htm or 48597-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/4/8/5/9/48597/
Produced by Annie R. McGuire
Updated editions will replace the previous one--the old editions will
be renamed.
Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org. If you are not located in the
United States, you'll have to check the laws of the country where you
are located before using this ebook.
1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that
* You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is owed
to the owner of the Project Gutenberg-tm trademark, but he has
agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid
within 60 days following each date on which you prepare (or are
legally required to prepare) your periodic tax returns. Royalty
payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, "Information about donations to the Project Gutenberg
Literary Archive Foundation."
* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and discontinue
all use of and all access to other copies of Project Gutenberg-tm
works.
* You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.
The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.
Most people start at our Web site which has the main PG search
facility: www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.