The Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Idyllic Monologues
       Old and New World Verses

Author: Madison J. Cawein

Release Date: April 6, 2010 [EBook #31896]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***




Produced by David Garcia, Carla Foust and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)





Transcriber's note


Minor punctuation errors have been changed without notice. Printer
errors have been changed and are listed at the end. All other
inconsistencies are as in the original.



   IDYLLIC MONOLOGUES

   Poems by Madison Cawein


   OLD AND NEW WORLD VERSES

   BY THE AUTHOR OF

   "Undertones" "Garden of Dreams"


   JOHN P. MORTON AND COMPANY

   Publishers--Louisville, Kentucky




   Copyrighted 1898

   BY MADISON CAWEIN




   TO
   MY FRIEND:

   R. E. LEE GIBSON




This collection of poems is entirely new with the exception of three or
four which appeared in two earlier volumes, published some ten years
ago. The reprinted poems have been carefully re-written, and so changed
throughout as to hardly bear any resemblance, except that of subject, to
the original.




CONTENTS

                                              PAGE

   The Brothers                                  1

   Geraldine                                    15

   The Moated Manse                             20

   The Forester                                 35

   My Lady of Verne                             48

   An Old Tale Re-told                          55

   The Water Witch                              65

   At Nineveh                                   70

   How They Brought Aid to Bryan's Station      72

   On the Jellico Spur of the Cumberlands       77

   A Confession                                 83

   Lilith                                       84

   Content                                      86

   Berrying                                     88

   To a Pansy-Violet                            90

   Heart of my Heart                            93

   Witnesses                                    94

   Wherefore                                    95

   Pagan                                        96

   "The Fathers of our Fathers"                 97

   "Mene, Mene, Tekel, Upharsin"                99

   Her Vivien Eyes                             101

   There was a Rose                            102

   The Artist                                  103

   Poetry and Philosophy                       103

   "Quo Vadis"                                 104

   To a Critic                                 105




FOREWORD.


   _And one, perchance, will read and sigh:
   "What aimless songs! Why will he sing
   Of nature that drags out her woe
   Through wind and rain, and sun, and snow,
   From miserable spring to spring?"
          Then put me by._

   _And one, perhaps, will read and say:
   "Why write of things across the sea;
   Of men and women, far and near,
   When we of things at home would hear--
   Well, who would call this poetry?"
          Then toss away._

   _A hopeless task have we, meseems,
   At this late day; whom fate hath made
   Sad, bankrupt heirs of song; who, filled
   With kindred yearnings, try to build
   A tower like theirs, that will not fade,
          Out of our dreams._




   Only One Hundred and Fifty Copies Printed for Private Distribution.
   A Few Copies For Sale.




IDYLLIC MONOLOGUES




The Brothers


   Not far from here, it lies beyond
   That low-hilled belt of woods. We'll take
   This unused lane where brambles make
   A wall of twilight, and the blond
   Brier-roses pelt the path and flake
   The margin waters of a pond.

   This is its fence--or that which was
   Its fence once--now, rock rolled from rock,
   One tangle of the vine and dock,
   Where bloom the wild petunias;
   And this its gate, the iron-weeds block,
   Hot with the insects' dusty buzz.

   Two wooden posts, wherefrom has peeled
   The weather-crumbled paint, still rise;
   Gaunt things--that groan when someone tries
   The gate whose hinges, rust-congealed,
   Snarl open:--on each post still lies
   Its carven lion with a shield.

   We enter; and between great rows
   Of locusts winds a grass-grown road;
   And at its glimmering end,--o'erflowed
   With quiet light,--the white front shows
   Of an old mansion, grand and broad,
   With grave Colonial porticoes.

   Grown thick around it, dark and deep,
   The locust trees make one vast hush;
   Their brawny branches crowd and crush
   Its very casements, and o'ersweep
   Its rotting roofs; their tranquil rush
   Haunts all its spacious rooms with sleep.

   Still is it called The Locusts; though
   None lives here now. A tale's to tell
   Of some dark thing that here befell;
   A crime that happened years ago,
   When by its walls, with shot and shell,
   The war swept on and left it so.

   For one black night, within it, shame
   Made revel, while, all here about,
   With prayer or curse or battle-shout,
   Men died and homesteads leapt in flame:
   Then passed the conquering Northern rout,
   And left it silent and the same.

   Why should I speak of what has been?
   Or what dark part I played in all?
   Why ruin sits in porch and hall
   Where pride and gladness once were seen;
   And why beneath this lichened wall
   The grave of Margaret is green.

   Heart-broken Margaret! whose fate
   Was sadder yet than his who won
   Her hand--my brother Hamilton--
   Or mine, who learned to know too late;
   Who learned to know, when all was done,
   And nothing could exonerate.

   To expiate is still my lot,--
   And, like the Ancient Mariner,
   To show to others how things are
   And what I am, still helps me blot
   A little from that crime's red scar,
   That on my soul is branded hot.

   He was my only brother. She
   A sister of my brother's friend.
   They met, and married in the end.
   And I remember well when he
   Brought her rejoicing home, the trend
   Of war moved towards us sullenly.

   And scarce a year of wedlock when
   Its red arms took him from his bride.
   With lips by hers thrice sanctified
   He left to ride with Morgan's men.
   And I--I never could decide--
   Remained at home. It happened then.

   For days went by. And, oft delayed,
   A letter came of loving word
   Scrawled by some camp-fire, sabre-stirred,
   Or by a pine-knot's fitful aid,
   When in the saddle, armed and spurred
   And booted for some hurried raid.

   Then weeks went by. I do not know
   How long it was before there came,
   Blown from the North, the clarion fame
   Of Morgan, who, with blow on blow,
   Had drawn a line of blood and flame
   From Tennessee to Ohio.

   Then letters ceased; and days went on.
   No word from him. The war rolled back,
   And in its turgid crimson track
   A rumor grew, like some wild dawn,
   All ominous and red and black,
   With news of our lost Hamilton,

   That hinted death or capture. Yet
   No thing was sure; till one day,--fed
   By us,--some men rode up who said
   They'd been with Morgan and had met
   Disaster, and that he was dead,
   My brother.--I and Margaret

   Believed them. Grief was ours too:
   But mine was more for her than him;
   Grief, that her eyes with tears were dim;
   Grief, that became the avenue
   For love, who crowned the sombre brim
   Of death's dark cup with rose-red hue.

   In sympathy,--unconsciously
   Though it be given--I hold, doth dwell
   The germ of love that time shall swell
   To blossom. Sooner then in me--
   When close relations so befell--
   That love should spring from sympathy.

   Our similar tastes and mutual bents
   Combined to make us intimates
   From our first meeting. Different states
   Of interest then our temperaments
   Begot. Then friendship, that abates
   No love, whose self it represents.

   These led to talks and dreams: how oft
   We sat at some wide window while
   The sun sank o'er the hills' far file,
   Serene; and of the cloud aloft
   Made one vast rose; and mile on mile
   Of firmament grew sad and soft.

   And all in harmony with these
   Dim clemencies of dusk, afar
   Our talks and dreams went; while the star
   Of evening brightened o'er the trees:
   We spoke of home; the end of war:
   We dreamed of life and love and peace.

   How on our walks in listening lanes
   Or confidences of the wood,
   We paused to hear the dove that cooed;
   Or gathered wild-flowers, taking pains
   To find the fairest; or her hood
   Filled with wild fruit that left deep stains.

   No echo of the drum or fife,
   No hint of conflict entered in
   Our thoughts then. Will you call it sin--
   Indifference to a nation's strife?
   What side might lose, what side might win,
   Both immaterial to our life.

   Into the past we did not look;
   Beyond what was we did not dream;
   While onward rushed the thunderous stream
   Of war, that, in its torrent, took
   One of our own. No crimson gleam
   Of its wild course around us shook.

   At last we knew. And when we learned
   How he had fallen, Margaret
   Wept; and, albeit my eyes were wet,
   Within my soul I half discerned
   A joy that mingled with regret,
   A grief that to relief was turned.

   As time went on and confidence
   Drew us more strongly each to each,
   Why did no intimation reach
   Its warning hand into the dense
   Soul-silence, and confuse the speech
   Of love's unbroken eloquence!

   But, no! no hint to turn the poise,
   Or check the impulse of our youth;
   To chill it with the living truth
   As with the awe of God's own voice;
   No hint, to make our hope uncouth;
   No word, to warn us from our choice.

   To me a wall seemed overthrown
   That social law had raised between;
   And o'er its ruin, broad and green
   A path went, I possessed alone;
   The sky above seemed all serene;
   The land around seemed all my own.

   What shall I say of Margaret
   To justify her part in this?
   That her young heart was never his?
   But had been mine since first we met?
   So would you say!--Enough it is
   That when he left she loved him yet.

   So passed the Spring, and Summer sped;
   And early Autumn brought the day
   When she her hand in mine should lay,
   And I should take her hand and wed.
   And still no hint that might gainsay,
   No warning word of quick or dead.

   The day arrived; and, with it born,
   A battle, sullying the East
   With boom of cannon, that increased,
   And throb of musket and of horn:
   Until at last, towards dusk, it ceased;
   And men with faces wild and worn,

   In fierce retreat swept past; now groups;
   Now one by one; now sternly white,
   Or blood-stained; now with looks whose fright
   Said all was lost. Then sullen troops
   That, beaten, still kept up the fight.
   Then came the victors; shadowy loops

   Of men and horse, that left a crowd
   Of officers in hall and porch....
   While through the land around the torch
   Circled, and many a fiery cloud
   Marked out the army's iron march
   In furrows red, that pillage plowed,

   Here we were wedded.--Ask the years
   How such could be, while over us
   A sword of wrath swung ominous,
   And on our cheeks its breath was fierce!
   All I remember is--'twas thus,
   And Margaret's eyes were wet with tears.

   No other cause my memory sees
   Save this, _that night was set_; and when
   I found my home filled with armed men
   With whom were all my sympathies
   Of Union--why postpone it then?
   So argued conscience into peace.

   And then it was, when night had passed
   There came to me an orderly
   With word of a confederate spy
   Late taken, who, with head downcast,
   Had asked one favor, this: "That I
   Would see him ere he breathed his last."

   I stand alone here. Heavily
   My thoughts go back. Had I not gone,
   The dead had still been dead!--for none
   Had yet believed his story--he,
   My dead-deemed brother, Hamilton,
   Who in the spy confronted me.

   O you who never have been tried,
   How can you judge me!--in my place
   I saw him standing--who can trace
   My heart thoughts then!--I turned aside,
   A thing of some unnatural race,
   And did not speak; and so he died.

   In hospital or prison, when
   It was he lay; what had forbid
   His home return so long: amid
   What hardships he had suffered, then
   I dared not ask; and when I did,
   Long afterwards, inquire of men,

   No thing I learned. But this I feel--
   He who had so returned to life
   Was not a spy. Through stress and strife,--
   This makes my conscience hard to heal!--
   He had escaped; he sought his wife;
   He sought his home that should conceal.

   And Margaret! Oh, pity her!
   A criminal I sought her side,
   Still thinking love was justified
   In all for her--whatever were
   The price, a brother thrice denied,
   Or thrice a brother's murderer.

   Since then long years have passed away.
   And through those years, perhaps, you'll ask
   How to the world I wore my mask
   Of honesty?--I can but say
   Beyond my powers it was a task;
   Before my time it turned me gray.

   And when at last the ceaseless hiss
   Of conscience drove, and I betrayed
   All to her, she knelt down and prayed,
   Then rose; and 'twixt us an abyss
   Was opened; and she seemed to fade
   Out of my life: I came to miss

   The sweet attentions of a bride:
   For each appealing heart's caress
   In me, her heart assumed a dress
   Of dull indifference; till denied
   To me was all responsiveness;
   And then I knew her love had died.

   Ah, had she loaded me, perchance,
   With wild reproach or even hate,
   Such would have helped a hope to wait
   Forgiveness and returned romance;
   But 'twixt our souls, instead, a gate
   She closed of silent tolerance.

   Yet, 't was for love of her I lent
   My soul to crime ... I question me
   Often, if less entirely
   I'd loved her, then, in that event,
   She had been justified to see
   The deed alone stand prominent.

   The deed alone! But love records
   In his own heart, I will aver,
   No depth I did not feel for her
   Beyond the plummet-reach of words:
   And though there may be worthier,
   No truer love this world affords

   Than mine was, though it could not rise
   Above itself. And so 't was best,
   Perhaps, that she saw manifest
   Its crime, that I, as saw her eyes,
   Might see; and so, in soul confessed,
   Some life atonement might devise.

   Sadly my heart one comfort keeps,
   That, towards the end, she took my hands
   And said, as one who understands,
   "Had I but seen! But love that weeps,
   Sees only as its loss commands,"
   And sighed. Beneath this stone she sleeps.

   Yes; I have suffered for that sin;
   Yet in no instance would I shun
   What I should suffer. Many a one,
   Who heard my tale, has tried to win
   Me to believe that Hamilton
   It was not; and, though proven kin,

   This had not saved him. Still the stain
   Of the intention--had I erred
   And 't was not he--had writ the word
   Red on my soul that branded Cain;
   For still my error had incurred
   The fact of guilt that would remain.

   Ah, love at best is insecure,
   And lives with doubt and vain regret;
   And hope and faith, with faces set
   Upon the past, are never sure;
   And through their fever, grief, and fret
   The heart may fail that should endure.

   For in ourselves, however blend
   The passions that make heaven and hell,
   Is evil not accountable
   For most the good we comprehend?
   And through these two, or ill, or well,
   Man must evolve his spiritual end.

   It is with deeds that we must ask
   Forgiveness; for upon this earth,
   Life walks alone from very birth
   With death, hope tells us is a mask
   For life beyond of vaster worth,
   Where sin no more sets love a task.




Geraldine


   Ah, Geraldine, lost Geraldine,
   That night of love, when first we met,
   You have forgotten, Geraldine--
   I never dreamed you would forget.

   Ah, Geraldine, sweet Geraldine,
   More lovely than that Asian queen,
   Scheherazade, the beautiful,
   Who in her orient palace cool
   Of India, for a thousand nights
   And one, beside her monarch lay,
   Telling--while sandal-scented lights
   And music stole the soul away--
   Love tales of old Arabia,
   Full of enchantments and emprise--
   But no enchantments like your eyes.

   Ah, Geraldine, loved Geraldine,
   More lovely than those maids, I ween,
   Pampinea and Lauretta, who,
   In gardens old of dusk and dew,
   Sat with their lovers, maid and man,
   In stately days Italian,
   And in quaint stories, that we know
   Through grace of good Boccaccio,
   Told of fond loves, some false, some true,--
   But, Geraldine, none false as you.

   Ah, Geraldine, lost Geraldine,
   That night of love, when first we met,
   You have forgotten, Geraldine--
   I never dreamed you would forget.

   'T was summer, and the moon swam high,
   A great pale pearl within the sky:
   And down that purple night of love
   The stars, concurrent spark on spark,
   Seemed fiery moths that swarmed above:
   And through the roses, o'er the park,
   Star-like the fire-flies filled the dark:
   A mocking-bird in some deep tree,
   Drowsy with dreams and melody,
   Like a magnolia bud, that, dim,
   Opens and pours its soul in musk,
   Gave to the moonlight and the dusk
   Its heart's pure song, its evening hymn.
   Oh, night of love! when in the dance
   Your heart thrilled rapture into mine,
   As in a state of necromance
   A mortal hears a voice divine.
   Oh, night of love! when from your glance
   I drank sweet death as men drink wine.

   You wearied of the waltz at last.
   I led you out into the night.
   Warm in my hand I held yours fast.

   Your face was flushed; your eyes were bright.
   The moon hung like a shell of light
   Above the lake, above the trees:
   And borne to us with fragrances
   Of roses that were ripe to fall,
   The soul of music from the hall
   Beat in the moonlight and the breeze,
   As youth's wild heart grown weary of
   Desire and its dream of love.

   I held your arm and, for awhile,
   We walked along the balmy aisle
   Of flowers that, like velvet, dips
   Unto the lake which lilies tile
   Like stars; and hyacinths, like strips
   Of heaven: and beside a fall,
   That, down a ferned and mossy wall,
   Fell in the lake,--deep, woodbine-wound,
   A latticed summer-house we found;
   A green kiosk,--through which the sound
   Of waters and of breezes swayed,
   And honeysuckle bugles played
   Soft serenades of perfume sweet,--
   Around which ran a rustic seat.
   And seated in that haunted nook,--
   I know not how it was,--a word,
   A touch, perhaps, a sigh, a look,
   Was father to the kiss I took;

   Great things grow out of small I've heard.
   And then it was I took between
   My hands your face, loved Geraldine,
   And gazed into your eyes, and told
   The story ever new though old.
   You did not look away, but met
   My eyes with eyes whose lids were wet
   With tears of truth; and you did lean
   Your cheek to mine, sweet Geraldine,--
   I never dreamed you would forget.

   The night-wind and the water sighed:
   And through the leaves, that stirred above,
   The moonbeams swooned with music of
   The dance--soft things in league with love:
   I never dreamed that you had lied.

   How all comes back now, Geraldine!
   The melody; the glimmering scene;
   Your angel face; and ev'n, between
   Your lawny breasts, the heart-shaped jewel,--
   To which your breath gave fluctuant fuel,--
   A rosy star of stormy fire;
   The snowy drift of your attire,
   Lace-deep and fragrant: and your hair,
   Disordered in the dance, held back
   By one gemmed pin,--a moonbeam there,
   Half-drowned within its night-like black.
   And I who sat beside you then,
   Seemed blessed above all mortal men.

   I loved you for the way you sighed;
   The way you said, "I love but you;"
   The smile with which your lips replied;
   Your lips, that from my bosom drew
   The soul; your looks, like undenied
   Caresses, that seemed naught but true:
   I loved you for the violet scent
   That clung about you as a flower;
   Your moods, where shine and shadow blent,
   An April-tide of sun and shower;
   You were my creed, my testament,
   Wherein I read of God's high power.

   Was it because the loving see
   Only what they desire shall be
   There in the well-belovéd's soul,
   Affection and affinity,
   That I beheld in you the whole
   Of my love's image? and believed
   You loved as I did? nor perceived
   'T was but a mask, a mockery!

   Ah, Geraldine, lost Geraldine,
   That night of love, when first we met,
   You have forgotten, Geraldine--
   I never dreamed you would forget.




The Moated Manse


   I.

   And now once more we stood within the walls
   Of her old manor near the riverside;
   Dead leaves lay rotting in its empty halls,
   And here and there the ivy could not hide
   The year-old scars, made by the Royalists' balls,
   Around the doorway, where so many died
   In that last effort to defend the stair,
   When Rupert, like a demon, entered there.


   II.

   The basest Cavalier who yet wore spurs
   Or drew a sword, I count him; with his grave
   Eyes 'neath his plumed hat like a wolf's whom curs
   Rouse, to their harm, within a forest cave;
   And hair like harvest; and a voice like verse
   For smoothness. Ay, a handsome man and brave!--
   Brave?--who would question it! although 't is true
   He warred with one weak woman and her few.


   III.

   Lady Isolda of the Moated Manse,
   Whom here, that very noon, it happened me
   To meet near her old home. A single glance
   Told me 't was she. I marveled much to see
   How lovely still she was! as fair, perchance,
   As when Red Rupert thrust her brutally,--
   Her long hair loosened,--down the shattered stair,
   And cast her, shrieking, 'mid his followers there.


   IV.

   "She is for you! Take her! I promised it!
   She is for you!"--he shouted, as he flung
   Her in their midst. Then, on her poor hands (split,
   And beaten by his dagger when she clung
   Resisting him) and knees, she crept a bit
   Nearer his feet and begged for death. No tongue
   Can tell the way he turned from her and cursed,
   Then bade his men draw lots for which were first.


   V.

   I saw it all from that low parapet,
   Where, bullet-wounded in the hip and head,
   I lay face-upward in the whispering wet,
   Exhausted 'mid the dead and left for dead.
   We had held out two days without a let
   Against these bandits. You could trace with red,
   From room to room, how we resisted hard
   Since the great door crashed in to their petard.


   VI.

   The rain revived me, and I leaned with pain
   And saw her lying there, all soiled and splashed
   And miserable; on her cheek a stain,
   A dull red bruise, made when his hand had dashed
   Her down upon the stones; the wretched rain
   Dripped from her dark hair; and her hands were gashed.--
   Oh, for a musket or a petronel
   With which to send his devil's soul to hell!


   VII.

   But helpless there I lay, no weapon near,
   Only the useless sword I could not reach
   His traitor's heart with, while I chafed to hear
   The laugh, the insult and the villain speech
   Of him to her. Oh, God! could I but clear
   The height between and, hanging like a leech,
   My fingers at his throat, there tear his base
   Vile tongue out, yea, and lash it in his face!


   VIII.

   But, badly wounded, what could I but weep
   With rage and pity of my helplessness
   And her misfortune! Could I only creep
   A little nearer so that she might guess
   I was not dead; that I my life would keep
   But to avenge her!--Oh, the wild distress
   Of that last moment when, half-dead, I saw
   Them mount and bear her swooning through the shaw.


   IX.

   Long time I lay unconscious. It befell
   Some woodsmen found me, having heard the sound
   Of fighting cease that, for two days, made dell
   And dingle echo; ventured on the ground
   For plunder; and it had not then gone well
   With me, I fear, had not their leader found
   That in some way I would repay his care;
   So bore me to his hut and nursed me there.


   X.

   How roughly kind he was. For weeks I hung
   'Twixt life and death; health, like a varying, sick,
   And fluttering pendulum, now this way swung,
   Now that, until at last its querulous tick
   Beat out life's usual time, and slowly rung
   The long loud hours that exclaimed, "Be quick!--
   Arise--Go forth!--Hear how her black wrongs call!--
   Make them the salve to cure thy wounds withal!"


   XI.

   They were my balsam: for, ere autumn came,
   Weak still, but over eager to be gone,
   I took my leave of him. A little lame
   From that hip-wound, and somewhat thin and wan,
   I sought the village. Here I heard her name
   And shame's made one. How Rupert passed one dawn,
   And she among his troopers rode--astride
   Like any man--pale-faced and feverish-eyed.

   XII.

   Which way these took they pointed, and I went
   Like fire after. Oh, the thought was good
   That they were on before! And much it meant
   To know she lived still; she, whose image stood
   Ever before me, making turbulent
   Each heart-beat with her wrongs, that were fierce food
   Unto my hate that, "Courage!" cried, "Rest not!
   Think of her there, and let thy haste be hot!"

   XIII.

   But months passed by and still I had not found:
   Yet here and there, as wearily I sought,
   I caught some news: how he had held his ground
   Against the Roundhead troops; or how he'd fought
   Then fled, returned and conquered. Like a hound,
   Questing a boar, I followed; but was brought
   Never to see my quarry. Day by day
   It seemed that Satan kept him from my way.


   XIV.

   A woman rode beside him, so they said,
   A fair-faced wanton, mounted like a man--
   Isolda!--my Isolda!--better dead,
   Yea, dead and damned! than thus the courtesan,
   Bold, unreluctant, of such men! A dread,
   That such should be, unmanned me. Doubt began
   To whisper at my heart.--But I was mad,
   To insult her with such thoughts, whose love I had.


   XV.

   At last one day I rested in a glade
   Near that same woodland which I lay in when
   Sore wounded; and, while sitting in the shade
   Of an old beech--what! did I dream, or men
   Like Rupert's own ride near me? and a maid--
   Isolda or her spirit!--Wildly then
   I rose and, shouting, leapt upon my horse;
   Unsheathed my sword and rode across their course.


   XVI.

   Mainly I looked for Rupert, and by name
   Challenged him forth:--"Dog! dost thou hide behind?--
   Insulter of women! Coward! save where shame
   And rapine call thee! God at last is kind,
   And my sword waits!"--Like an upbeating flame,
   My voice rose to a windy shout; and blind
   I seemed to sit, till, with an outstretched hand,
   Isolda rode before me from that band.


   XVII.

   "Gerald!" she cried; not as a heart surprised
   With gladness that the loved, deemed dead, still lives;
   But like the heart that long hath realized
   Only misfortune and to fortune gives
   No confidence, though it be recognized
   As good. She spoke: "Lo, we are fugitives.
   Rupert is slain. And I am going home."
   Then like a child asked simply, "Wilt thou come?...


   XVIII.

   "Oh, I have suffered, Gerald, oh, my God!
   What shame, what vileness! Once my soul was clean--
   Stained and defiled behold it!--I have trod
   Sad ways of hell and horror. I have seen
   And lived all depths of lust. Yet, oh, my God!
   Blameless I hold myself of what hath been,
   Though through it all, yea, this thou too must know,
   I loved him! my betrayer and thy foe!"


   XIX.

   Sobbing she spoke as if but half awake,
   Her eyes far-fixed beyond me, far beyond
   All hope of mine.--So it was for his sake,
   His love, that she had suffered!... blind and fond,
   For what return!... And I to nurse a snake,
   And never dream its nature would respond
   With some such fang of venom! 'T was for this
   That I had ventured all, to find her his!


   XX.

   At first half-stunned I stood; then blood and brain,
   Like two stern judges, who had slept, awoke,
   Rose up and thundered, "Slay her!" Every vein
   And nerve responded, "Slay her at a stroke!"--
   And I had done it, but my heart again,
   Like a strong captain in a tumult, spoke,
   And the fierce discord fell. And quietly
   I sheathed my sword and said, "I'll go with thee."


   XXI.

   But this was my reward for all I'd borne,
   My loyalty and love! To see her eyes
   Hollow from tears for him; her pale cheeks worn
   With grief for him; to know them all for lies,
   Her vows of faith to me; to come forlorn,
   Where I had hoped to come on Paradise,
   On Hell's black gulf; and, as if not enough,
   Soiled as she was and outcast, still to love!


   XXII.

   Then rode one ruffian from the rest, clay-flecked
   From spur to plume with hurry; seized my rein,
   And--"What art thou," demanded, "who hast checked
   Our way, and challenged?"--Then, with some disdain,
   Isolda, "Sir, my kinsman did expect
   Your captain here. What honor may remain
   To me I pledge for him. Hold off thy hands!
   He but attends me to the Moated Manse."


   XXIII.

   We rode in silence. And at twilight came
   Into the Moated Manse.--Great clouds had grown
   Up in the West, on which the sunset's flame
   Lay like the hand of slaughter.--Very lone
   Its rooms and halls: a splintered door that, lame,
   Swung on one hinge; a cabinet o'erthrown;
   Or arras torn; or blood-stain turning wan,
   Showed us the way the battle once had gone.


   XXIV.

   We reached the tower-chamber towards the West,
   In which on that dark day she thought to hide
   From Rupert when, at last, 't was manifest
   We could not hold the Manse. There was no pride
   In her deep eyes now; nor did scorn invest
   Her with such dignity as once defied
   Him bursting in to find her standing here
   Prepared to die like some dog-hunted deer.


   XXV.

   She took my hand, and, as if naught of love
   Had ever been between us, said,--"All know
   The madness of that day when with his glove
   He struck then slew my brother, and brought woe
   On all our house; and thou, incensed above
   The rest, came here, and made my foe thy foe.
   But he had left. 'T was then I promised thee
   My hand, but, ah! my heart was gone from me.


   XXVI.

   "Yea, he had won me, this same Rupert, when
   He was our guest.--Thou know'st how gallantry
   And beauty can make heroes of all men
   To us weak women!--And so secretly
   I vowed to be his wife. It happened then
   My brother found him in some villainy;
   The insult followed; he was killed ... and thou
   Dost still remember how I made a vow.


   XXVII.

   "But still this man pursued me, and I held
   Firm to my vow, albeit I loved him still,
   Unknown to all, with all the love unquelled
   Of first impressions, and against my will.
   At last despair of winning me compelled
   Him to the oath he swore: He would not kill,
   But take me living and would make my life
   A living death. No man should make me wife.


   XXVIII.

   The war, that now consumes us, did, indeed,
   Give him occasion.--I had not been warned,
   When down he came against me in the lead
   Of his marauders. With thy help I scorned
   His mad attacks two days. I would not plead
   Nor parley with him, who came hoofed and horned,
   Like Satan's self in soul, and, with his aid,
   Took this strong house and kept the oath he made.


   XXIX.

   "Months passed. Alas! it needs not here to tell
   What often thou hast heard--Of how he led
   His troopers here now there; nor what befell
   Me of dishonor. Oft I wished me dead,
   Loathing my life, than which the nether hell
   Hath less of horror ... So we fought or fled
   From place to place until a year had passed,
   And Parliament forces hemmed us in at last.


   XXX.

   "Yea, I had only lived for this--to right
   With death my wrongs sometime. And love and hate
   Contended in my bosom when, that night
   Before the fight that should decide our fate,
   I entered where he slept. There was no light
   Save of the stars to see by. Long and late
   I leaned above him there, yet could not kill--
   Hate raised the dagger but love held it still.


   XXXI.

   "The woman in me conquered. What a slave
   To our emotions are we! To relent
   At this long-waited moment!--Wave on wave
   Of pitying weakness swept me, and I bent
   And kissed his face. Then prayed to God; and gave
   My trust to God; and left to God th' event.--
   I never looked on Rupert's face again,
   For in that morning's combat--he was slain.


   XXXII.

   "Out of defeat escaped some scant three score
   Of all his followers. And night and day
   They fled; and while the Roundheads pressed them sore,
   And in their road, good as a fortress, lay
   The Moated Manse, where their three score or more
   Might well hold out, I pointed them the way.
   And they are come, amid its wrecks to end
   The crime begun here.--Thou must go, my friend!


   XXXIII.

   "Go quickly! For the time approaches when
   Destruction must arrive.--Oh, well I know
   All thou wouldst say to me.--What boots it then?--
   I tell thee thou must go, that thou must go!--
   Yea, dost thou think I'd have thee die 'mid men
   Like these, for such an one as I!--No! no!--
   Thy life is clean. Thou shalt not cast away
   Thy clean life for my soiled one. Go, I pray!"


   XXXIV.

   She ceased. I spoke--I know not what it was.
   Then took her hand and kissed it and so said--
   "Thou art my promised wife. Thou hast no cause
   That is not mine. I love thee. We will wed.
   I love thee. Come!"--A moment did she pause,
   Then shook her head and sighed, "My heart is dead.
   This can not be. Behold, that way is thine.
   I will not let thee share this way that's mine."


   XXXV.

   Then turning from me ere I could prevent
   Passed like a shadow from the shadowy room,
   Leaving my soul in shadow ... Naught was meant
   By my sweet flower of love then! bloom by bloom
   I'd watched it wither; then its fragrance went,
   And naught was left now.--It was dark as doom,
   And bells were tolling far off through the rain,
   When from that house I turned my face again.


   XXXVI.

   Then in the night a trumpet; and the dull
   Close thud of horse and clash of Puritan arms;
   And glimmering helms swept by me. Sorrowful
   I stood and waited till upon the storm's
   Black breast, the Manse, a burning carbuncle,
   Blazed like a battle-beacon, and alarms
   Of onslaught clanged around it; then, like one
   Who bears with him God's curse, I galloped on.




The Forester


   I met him here at Ammendorf one Spring.
   It was the end of April and the Harz,
   Veined to their ruin-crested summits, seemed
   One pulse of tender green and delicate gold,
   Beneath a heaven that was like the face
   Of girlhood waking into motherhood.
   Along the furrowed meadow, freshly ploughed,
   The patient oxen, loamy to the knees,
   Plodded or lowed or snuffed the fragrant soil;
   And in each thorntree hedge the wild bird sang
   A song to Spring, made of its own wild heart
   And soul, that heard the dairy-maiden May's
   Heart beating like a star at break of day,
   As, kissing ripe the blossoms, she drew near,
   Her mouth's sweet rose all dew-drops and perfume.
   Here at this inn and underneath this tree
   We took our wine, the morning prismed in its
   Flame-angled gold.--A goodly vintage that!
   Tang with the ripeness of full twenty years.
   Rare! I remember!--wine that spurred the blood,
   That brought the heart glad to the limbered lip,
   And made the eyes unlatticed casements where
   A man's true soul you could not help but see.
   As royal a Rhenish, I will vouch to say,
   As that, old legends tell, which Necromance
   And Magic keep, gnome-guarded, in huge casks
   Of antique make deep in the Kyffhäuser,
   The Cellar of the Knights near Sittendorf.--
       So solaced of that wine we sat an hour.
   He told me his intent in coming here.
   His name was Rudolf; and his native home,
   Franconia; but no word of parentage:
   Only his mind to don the buff and green
   And live a forester with us and be
   Enfellowed in the Duke of Brunswick's train,
   And for the Duke's estate even now was bound.
       Tall was he for his age and strong and brown,
   And lithe of limb; and with a face that seemed
   Hope's counterpart--but with the eyes of doubt;
   Deep restless disks, instinct with gleaming night,
   That seemed to say, "We're sure of earth, at least
   For some short space, my friend; but afterward--
   Nay! ransack not to-morrow till to-day,
   Lest it engulf thy joy before it is!"--
   And when he spoke, the fire in his eyes
   Worked stealthy as a hunted animal's;
   Or like the Count von Hackelnburg's that turn,
   Feeling the unseen presence of a fiend.
       Then, as it chanced, old Kurt had come that morn
   With some six of his jerkined foresters
   From the Thuringian forest; wet with dew,
   And fresh as morn with early travel; bound
   For Brunswick, Dummburg and the Hakel passed.
   Chief huntsman he then to our lord the Duke,
   And father of the loveliest maiden here
   In Ammendorf, the sunny Ilsabe:
   Her mother dead, the gray-haired father prized
   His daughter more than all that men hold dear;
   His only happiness, who was beloved
   Of all as Lora of Thuringia was,
   For gentle ways that spoke a noble soul,
   Winning all hearts to love her and to praise,
   As might a great and beautiful thought that holds
   Us by the simplest words.--Her eyes were blue
   As the high influence of a summer day.
   Her hair,--serene and braided over brows
   White as a Harz dove's wing,--was auburn brown,
   And deep as mists the sun has drenched with gold.
   And her young presence--well, 't was like a song,
   A far Tyrolean melody of love,
   Heard on an Alpine path at close of day
   When shepherds homeward lead their tinkling flocks.
   And when she left, being with you awhile,--
   How shall I say it?--'t was as when one hath
   Beheld an Undine by the moonlit Rhine,
   Who, ere the mind adjusts a thought, is gone,
   And in your soul you wonder if a dream.
       Some thirty years ago it was;--and I,
   Commissioner of the Duke--(no sinecure
   I can assure you)--had scarce reached the age
   Of thirty,--that we sat here at our wine;
   And 't was through me that Rudolf,--whom at first,
   From some rash words dropped then in argument,
   The foresterhood was like to be denied,--
   Was then enfellowed. "Yes," said I, "he's young.
   Kurt, he is young; but see, a wiry frame;
   A chamois footing and a face for deeds;
   An eye that likes me not; too quick to turn;
   But that may be the restless soul within;
   A soul perhaps with virtues that have been
   Severely tried and could not stand the test;
   These be thy care, Kurt; and if not too deep
   In vices of the flesh, discover them,
   As divers bring lost riches up from ooze.
   Thou hast a daughter; let him be thy son."
       A year thereafter was it that I heard
   Of Rudolf's passion for Kurt's Ilsabe;
   Then their betrothal. And it was from this,--
   Good Mother Mary! how she haunts me still!
   Sweet Ilsabe! whose higher womanhood,
   True as the touchstone which philosophers feign
   Transmutes to gold base metals it may touch,
   Had turned to good all evil in this man,--
   Surmised I of the excellency which
   Refinement of her purer company,
   And contact with her innocence, had resolved
   His fiery nature to, conditioning slave.
   And so I came from Brunswick--as, you know,
   Is custom of the Duke or, by his seal
   Commissioned proxy, his commissioner--
   To test the marksmanship of Rudolf, who
   Succeeded Kurt with marriage of his child,
   An heir of Kuno.--He?--Greatgrandfather
   Of Kurt; and of this forestkeepership
   The first possessor; thus established here--
   Or this the tale they tell on winter nights:
       Kuno, once in the Knight of Wippach's train,
   Rode on a grand hunt with the Duke, who came,--
   Grandfather of the father of our Duke,--
   With much magnificence of knights and squires,
   Great velvet-vestured nobles, cloaked and plumed,
   To hunt Thuringian deer. Then morn,--too quick
   To bid good-morrow,--was too slow for these,
   And on the wind-trod hills recumbent yawned
   Disturbed an hour too soon; all sleepy-eyed,
   Like some young milkmaid whom the cock hath roused,
   Who sits and rubs stiff eyes that still will close.
   Horns sang and deer-hounds tugged a whimpering leash,
   Or, loosened, bounded through the baying glens:
   And ere the mountain mists, compact of white,
   Broke wild before the azure spears of day,
   The far-off hunt, that woke the woods to life,
   Seemed but the heart-beat of the ancient hills.
       And then, near noon, within a forest brake,
   The ban-dogs roused a red gigantic stag,
   Lashed to whose back with gnarly-knotted cords,
   And borne along like some pale parasite,
   A man shrieked: tangle-bearded, and wild hair
   A mane of forest-burs. The man himself,
   Emaciated and half-naked from
   The stag's mad flight through headlong rocks and trees,
   One bleeding bruise, with eyes like holes of fire.
   For such the law then: when the peasant chased
   Or slew the dun deer of his tyrant lords,
   If seized, as punishment the withes and spine
   Of some strong stag, a gift to him of game,
   Enough till death--death in the antlered herd,
   Or slow starvation in the haggard hills.
   Then was the great Duke glad, and forthwith cried
   To all his hunting train a rich reward
   For him who slew the stag and saved the man,
   But death for him who slew both man and stag.
   So plunged the hunt after the hurrying slot,
   A shout and glimmer through the sounding woods,--
   Like some mad torrent that the hills have loosed
   With death for goal.--'T was late; and none had risked
   That shot as yet,--too desperate the risk
   Beside the poor life and a little gold,--
   When this young Kuno, with fierce eyes, wherein
   Hunt and impatience kindled reckless flame,
   Cried, "Has the dew then made our powder wet?
   Or have we left our marksmanship at home?
   Here's for its heart! the Fiend direct my ball!"--
   And fired into a covert deeply packed,
   An intertangled wall of matted night,
   Wherein the eye might vainly strive and strive
   To pierce one fathom, earn one foot beyond.
   But, ha! the huge stag staggered from the brake
   Hit full i' the heart. And that wan wretch, unbound,
   Was ta'en and cared for. Then his grace, the Duke,
   Charmed with the eagle aim, called Kuno up,
   And there to him and his forever gave
   The forestkeepership.
                        But envious tongues
   Were soon at wag; and whispered went the tale
   Of how the shot was free, and how the balls
   Used by young Kuno were free bullets--which
   To say is: Lead by magic moulded, in
   The influence and directed, of the Fiend.
   Of some effect these tales, and had some force
   Even with the Duke, who lent an ear so far
   As to ordain Kuno's descendants all
   To proof of skill ere their succession to
   The father's office. Kurt himself hath shot
   The silver ring out o' the popinjay's beak--
   A good shot he, you see, who would succeed.
       Of these enchanted bullets let me speak:
   There may be such; our Earth has things as strange,
   Perhaps, and stranger, that we doubt not of,
   While we behold, not only 'neath the thatch
   Of Ignorance's hovel, but within
   The pictured halls of Wisdom's palaces,
   How Superstition sits an honored guest.
       A cross-way let it be among the hills;
   A cross-way in a solitude of pines;
   And on the lonely cross-way you must draw
   A blood-red circle with a bloody sword;
   And round the circle, runic characters,
   Gaunt and satanic; here a skull, and there
   A scythe and cross-bones, and an hour-glass here;
   And in the centre, fed with coffin-wood,
   Stol'n from the grave of one, a murderer,
   A smouldering fire. Eleven of the clock
   The first ball leaves the mold--the sullen lead
   Mixed with three bullets that have hit their mark,
   And blood, the wounded Sacramental Host
   Stolen, and hence unhallowed, oozed, when shot
   Fixed to a riven pine. Ere twelve o'clock
   With never a word until that hour sound,
   Must all the balls be cast; and these must be
   In number three and sixty; three of which
   The Fiend's dark agent, demon Sammael,
   Claims for his master and stamps for his own
   To hit aside their mark, askew for harm.
   The other sixty shall not miss their mark.
       No cry, no word, no whisper, even though
   Vague, gesturing shapes, that loom like moonlit mists,
   Their faces human but with animal forms,
   Rise thick around and threaten to destroy.
   No cry, no word, no whisper should there come,
   Weeping, a wandering shadow like the girl
   You love, or loved, now lost to you, her eyes
   Hollow with tears; all palely beckoning
   With beautiful arms, or censuring; her face
   Sad with a desolate love; who, if you speak
   Or waver from that circle--hideous change!--
   Shrinks to a wrinkled hag, whose harpy hands
   Shall tear you limb from limb with horrible mirth.
   Nor be deceived if some far midnight bell
   Strike that anticipated hour; nor leave
   By one short inch the circle, for, unseen
   Though now they be, Hell's minions still are there,
   Watching with flaming eyes to seize your soul.
   But when the hour of midnight sounds, be sure
   You have your bullets, neither more nor less;
   For if through fear one more or less you have,
   Your soul is forfeit to Hell's majesty.--
   Then while the hour of midnight strikes, will come
   A noise of galloping hoofs and outriders,
   Shouting; six midnight steeds,--their nostrils, pits
   Of burning blood,--postilioned, roll a stage,
   Black and with groaning wheels of spinning fire:
   "Room there!--ho! ho!--who bars the mountain-way?
   On over him!"--But fear not, nor fare forth;
   'T is but the last trick of your bounden slave.
   And ere the red moon rushes through the clouds
   And dives again, high the huge leaders leap,
   Their fore-hoofs fire, and their eye-balls flame,
   And, spun a spiral spark into the night,
   Whistling the phantom flies and fades away.
   Some say there comes no stage; that Hackelnburg,
   Wild-huntsman of the Harz, comes dark as storm,
   With rain and wind and demon dogs of Hell,
   The terror of his hunting-horn, an owl,
   And the dim deer he hunts, rush on before;
   The forests crash, and whirlwinds are the leaves,
   And all the skies a-thunder, as he hurls
   Straight on the circle, horse and hounds and stag.
   And at the last, plutonian-cloaked, there comes,
   Upon a stallion gaunt and lurid black,
   The minister of Satan, Sammael,
   Who greets you, and informs you, and assures.
       Enough! these wives'-tales told, to what I've seen:
   To Ammendorf I came; and Rudolf here
   With Kurt and his assembled men, I met.
   The abundant year,--like some sweet wife,--a-smile
   At her brown baby, Autumn, in her arms,
   Stood 'mid the garnered harvests of her fields
   Dreaming of days that pass like almoners
   Scattering their alms in minted gold of flowers;
   Of nights, that forest all the skies with stars,
   Wherethrough the moon--bare-bosomed huntress--rides,
   One cloud before her like a flying fawn.
   Then I proposed the season's hunt; till eve
   The test of Rudolf's skill postponed, at which
   He seemed impatient. And 't was then I heard
   How he an execrable marksman was;
   And tales that told of near, incredible shots,
   That missed their mark; or how his flint-lock oft
   Flashed harmless powder, while the curious deer
   Stood staring; as in pity of such aim
   Bidding him try his marksmanship again.
   Howbeit, he that day acquitted him
   Of all this gossip; in that day's long hunt
   Missing no shot, however rashly made
   Or distant through the intercepting trees.
   And the piled, various game brought down of all
   Good marksmen of Kurt's train had not sufficed,
   Doubled, nay, trebled, there to match his heap.
   And marvelling the hunters saw, nor knew
   How to excuse them. My indulgence giv'n,
   Some told me that but yesterday old Kurt
   Had made his daughter weep and Rudolf frown,
   By vowing end to their betrothéd love,
   Unless that love developed better aim
   Against the morrow's test; his ancestors'
   High fame should not be tarnished. So he railed;
   And bowed his gray head and sat moodily;
   But looking up, forgave all when he saw
   Tears in his daughter's eyes and Rudolf gone
   Out in the night black with approaching storm.
       Before this inn, yonder and here, they stood,
   The holiday village come to view the trial:
   Fair maidens and their comely mothers with
   Their sweethearts and their husbands. And I marked
   Kurt and his daughter here; his florid face
   All jubilant at Rudolf's great success;
   Hers, radiant with happiness; for this
   Her marriage eve--so had her father said--
   Should Rudolf come successful from the hunt.
       So pleased was I with what I'd seen him do,
   The trial of skill superfluous seemed, and so
   Was on the bare brink of announcing, when
   Out of the western heaven's deepening red,--
   Like a white message dropped by rosy lips,--
   A wild dove clove the luminous winds and there,
   Upon that limb, a peaceful moment sat.
   Then I, "Thy rifle, Rudolf! pierce its head!"
   Cried pointing, "and chief-forester art thou!"--
   Why did he falter with a face as strange
   As a dark omen? did his soul foresee
   What was to be with tragic prescience?--
   What a bad dream it all seems now!--Again
   I see him aim. Again I hear the cry,
   "My dove! O Rudolf, do not kill my dove!"
   And from the crowd, like some sweet dove herself,
   A fluttering whiteness, came our Ilsabe--
   Too late! the rifle cracked ... The unhurt dove
   Rose, beating frightened wings--but Ilsabe!...
   The sight! the sight!... lay smitten; a red stain,
   Sullying the pureness of her bridal bodice,
   Showed where the ball had pierced her through the heart.
       And Rudolf?--Ah, of him you still would know?--
   When he beheld this thing that he had done,
   Why he went mad--I say--but others not.
   An hour he raved of how her life had paid
   For the unholy bullets he had used,
   And how his soul was three times lost and damned.
   I say that he went mad and fled forthwith
   Into the haunted Harz.--Some say, to die
   The prey of demons of the Dummburg ruin.
   I, one of those less superstitious, say,
   He in the Bodé--from that blackened rock,--
   Whereon were found his hunting-cap and gun,--
   The Devil's Dancing Place, did leap and die.




My Lady of Verne


   It all comes back as the end draws near;
   All comes back like a tale of old!
   Shall I tell you all? Will you lend an ear?
   You, with your face so stern and cold;
   You, who have found me dying here ...

   Lady Leona's villa at Verne--
   You have walked its terraces, where the fount
   And statue gleam and the fluted urn;
   Its world-old elms, that are avenues gaunt
   Of shadow and flame when the West is a-burn.

   'T is a lonely region of tarns and trees,
   And hollow hills that circle the West;
   Haunted of rooks and the far-off sea's
   Immemorial vague unrest;
   A land of sorrowful memories.

   A gray sad land, where the wind has its will,
   And the sun its way with the fruits and flowers;
   Where ever the one all night is shrill,
   And ever the other all day brings hours
   Of glimmering silence that dead days fill.

   A gray sad land, where her girlhood grew
   To womanhood proud, that the hill-winds seemed
   To give their heart, like melody, to;
   And the stars, their soul, like a dream undreamed--
   The only glad thing that the sad land knew.

   My Lady, you know, how nobly born!
   Haughty of form, with a head that rose
   Like a dream of empire; love and scorn
   Made haunts of her eyes; and her lips were bows
   Whence pride imperious flashed flower and thorn.

   And I--oh, I was nobody: one
   Her worshiper only; who chose to be
   Silent, seeing that love alone
   Was his only badge of nobility,
   Set in his heart's escutcheon.

   How long ago does the springtime look,
   When we wandered away to the hills! the hills,--
   Like the land in the tale in the fairy-book,--
   Covered with gold of the daffodils,
   And gemmed with the crocus by brae and brook!

   When I gathered a branch from a hawthorn tree,
   For her hair or bosom, from boughs that hung
   Odorous of heaven and purity;
   And she thanked me smiling; then merrily sung,
   Laughingly sung, while she looked at me:--

   "There dwelt a princess over the sea--
       Right fair was she, right fair was she--
   Who loved a squire of low degree,
   But married a king of Brittany--
       Ah, woe is me!

   "And it came to pass on the wedding-day--
       So people say, so people say--
   That they found her dead in her bridal array,
   Dead, and her lover beside her lay--
       Ah, well-away!

   "A sour stave for your sweets," she said,
   Pressing the blossoms against her lips:
   Then petal by petal the branch she shred,
   Snowing the blooms from her finger-tips,
   Tossing them down for her feet to tread.

   What to her was the look I gave
   Of love despised! though she seemed to start,
   Seeing, and said, with a quick hand-wave,
   "Why, one would think that _that_ was your heart,"
   While her face with a sudden thought grew grave.

   But I answered nothing. And so to her home
   We came in the twilight; falling clear,
   With a few first stars and a moon's curved foam,
   Over the hush of meadow and mere,
   Whence the boom of the bittern would often come.

   Would you think that she loved me?--Who can say?--
   What a riddle unread was she to me!--
   When I kissed her fingers and turned away
   I wanted to speak, but--what cared she,
   Though her eyes looked soft and she begged me stay!

   Though she lingered to watch me--that might be
   A slim moon-beam or the evening haze,--
   But never my Lady's drapery
   Or wistful face!--in the ivy maze....
   Leona of Verne--why, what cared she!

   So the days went by, and the Summer wore
   Her hot heart out; and, a mighty slayer,
   The Autumn harried the land and shore,
   And the world was red with his wrecks; but grayer
   That land with the ghosts of the nevermore.

   The sheaves of the Summer had long been bound;
   The harvests of Autumn had long been past;
   And the snows of the Winter lay deep around,
   When the dark news came and I knew at last;
   And the reigning woe of my heart was crowned.

   So I sought her here, the young Earl's bride;
   In the ancient room at the oriel dreaming,
   Pale as the blooms in her hair; and, wide,
   Her robe's rich satin, flung stormily, gleaming,
   Like shimmering silver, twilight-dyed.

   I marked as I stole to her side that tears
   Were vaguely large in her beautiful eyes;
   That the loops of pearls on her throat, and years
   Old lace on her bosom were heaved with sighs;
   So I spoke what I thought--"Then, it appears"--

   And stopped with, it seemed, my soul in my gaze--
   "That you are not happy, Leona of Verne?
   There is that at your heart which--well, betrays
   These mocking mummeries.--Live and learn!--
   And this is the truth that the poet says:--

   "'I went to my love and I told with my heart,
   In words of the soul, that are silent in speech,
   All of my passion, too sacred for art;
   But she heard me not--for I could not reach
   Her in that world of which she is part.'--

   "That world, where I saw you as one afar
   Sees palms and waters, and knows that sands,
   Pitiless sands, before him are;
   Yet follows ever with helpless hands
   Till he sinks at last.--You were my star,

   "My hope, my heaven!--I loved you!... Life
   Is less than nothing to me!"... She turned,
   With a wild look, saying--"Now I am his wife
   You come and tell me!--Indeed you are learn'd
   In the language of hearts that's unheard!"... A Knife,

   As she ceased and leaned on a cabinet,--
   A curve of scintillant steel, keen, cold,--
   Fell icily clashing; some curio met
   Among Asian antiques, bronze and gold,
   Mystical, curiously graven and set.

   A Bactrian dagger, whose slightest prick
   Through its ancient poison was death, I knew;
   If true that she loved me--then!--And quick
   To the unspoken thought she replied, "'T is true!
   I have loved you long, and my soul was sick,

   "Sick for the love that has made me weak,
   Weak to your will even now!"--And more
   She said, in my arms, that I shall not speak--
   And the dagger there on the polished floor
   Ever her eyes, while she spoke, would seek.

   "'And it came to pass on the wedding-day'"--
   Then my lips for a moment were crushed to hers--
   "'That they found her dead in her bridal array,'"
   She sang; then said, "You finish the verse!
   Finish the song, for you know the way."

   And I whispered "yes," for my mind had thought
   Her own thought through--that life were a hell
   To her as to me,--So the blade I caught
   With a sudden hand; and she leaned, and--well,
   What a little wound, and the blood it brought

   To crimson her bosom!--I set her there
   In that carven chair; then turned the blade,--
   With its glittering haft one savage glare
   Of gold and jewels, wildly inlaid,--
   To my breast, for the poisonous point rent bare.

   A stain of blood on her bosom, and one
   Black red o'er my heart.--You see, 't is good
   To die so for love!... Does the sinking sun,
   Through the dull vast west burst banked with blood?--
   Or is it that life will at last have done?...

   So you are her husband? and--well, you see,
   You see she is dead ... But your face, how white!
   --Is it with hate or with misery?--
   What matters it now!--For, at last, the night
   Falls and the silence covers me.




An Old Tale Re-told


   From the terrace here, where the hills indent,
   You can see the uttermost battlement
   Of the castle there; the Cliffords' home;
   Where the seasons go and the seasons come
   And never a footstep else doth fall
   Save the prowling fox's; the ancient hall
   Echoes no voice save the owlet's call:
   Its turret chambers are homes for the bat;
   And its courts are tangled and wild to see;
   And where in the cellar was once the rat,
   The viper and toad move stealthily.
   Long years have passed since the place was burned,
   And he sailed to the wars in France and earned
   The name that he bears of the bold and true
   On his tomb. Long years, since my lord, Sir Hugh,
   Lived; and I was his favorite page,
   And the thing then happened; and he of an age
   When a man will love and be loved again,
   Or hie to the wars or a monastery,
   Or toil till he conquer his heart's sore pain,
   Or drink and forget it and finally bury.

   I was his page. And often we fared
   Through the Clare demesnes, in autumn, hawking;
   If the Baron had known, how they would have glared
   'Neath their bushy brows, those eyes of mocking!--
   That last of the Strongbows, Richard, I mean--
   And growling some six of his henchmen lean
   To mount and after this Clifford and hang
   With his crop-eared page to the nearest oak,
   How he would have cursed us while he spoke!
   For Clare and Clifford had ever a fang
   In the other's side ... And I hear the clang
   Of his rage in the hall when the hawker told--
   If he told!--how we met on the autumn wold
   His daughter, sweet Clara of Clare, the day
   Her hooded tiercel its brails did burst,
   And trailing its jesses, came flying our way--
   An untrained haggard the falconer cursed
   While he tried to secure:--as the eyas flew
   Slant, low and heavily over us, Hugh,--
   Who saw it coming, and had just then cast
   His peregrine hawk at a heron quarry,--
   In his saddle rising, so, as it passed,
   By the jesses caught, and to her did carry,
   Where she stood near the wood. Her face flushed rose
   With the glad of the meeting. No two foes
   Her eyes and my Lord's, I swear, who saw
   'Twas love from the start. And I heard him speak
   Some words; then he knelt; and the sombre shaw,
   With the rust of the autumn waste and bleak,
   Grew spring with her smile, as the hawk she took
   On her lily wrist, where it pruned and shook
   Its ragged wings. Then I saw him seize
   The hand, that she reached to him, long and white,
   As she smilingly bade him rise from his knees--

   When he kissed its fingers, her eyes grew bright.
   But her cheeks grew pallid when, lashing through
   The woodland there, with a face a-flare
   With the sting of the wind, and his gipsy hair
   Flying, the falconer came, and two
   Or three of the people of Castle Clare.
   And the leaves of the autumn made a frame
   For the picture there in the morning's flame.

   What was said in that moment, I do not know,
   That moment of meeting, between those lovers;
   But whatever it was, 't was whispered low,
   And soft as a leaf that swings and hovers,
   A twinkling gold, when the leaves are yellow.
   And her face with the joy was still aglow,
   When down through the wood that burly fellow
   Came with his frown, and made a pause
   In the pulse of their words. My lord, Sir Hugh,
   Stood with the soil on his knee. No cause
   Had he, but his hanger he partly drew,
   Then clapped it sharp in its sheath again,
   And bowed to my Lady, and strode away;
   And mounting his horse, with a swinging rein
   Rode with a song in his heart all day.

   He loved and was loved, I knew; for, look!
   All other sports for the chase he forsook.
   And strange that he never went to hawk,
   Or hunt, but Clara would meet him there
   In the Strongbow forest! I know the rock,
   With its fern-filled moss, by the bramble lair,
   Were oft and again he met--by chance,
   Shall I say?--the daughter of Clare; as fair
   Of face as a queen in an old romance,
   Who waits with her sweet face pale; her hair
   Night-deep; and eyes dove-gray with dreams;--
   By the fountain-side where the statue gleams
   And the moonbeam lolls in the lily white,--
   For the knightly lover who comes at night.

   Heigho! they ceased, those meetings; I wot,
   Betrayed to the Baron by some of his crew
   Of menials who followed and saw and knew.
   For she loved too well to have once forgot
   The time and the place of their trysting true.
   "Why and when?" would ask Sir Hugh
   In the labored letters he used to lock--
   The lovers' post--in a coigne of that rock.
   She used to answer, but now did not.
   But nearing Yule, love got them again
   A twilight tryst--through frowardness sure!--
   They met. And that day was gray with rain,
   Or snow: and the wind did ever endure
   A long bleak moaning thorough the wood,
   That chapped i' the cheek and smarted the blood;
   And a brook in the forest went throb and throb,
   And over it all was the wild-beast sob
   Of the rushing boughs like a thing pursued.
   And then it was that he learned how she,
   (God's blood! how it makes my old limbs quiver
   To think what a miserable tyrant he--
   The Baron Richard--aye and ever
   To his daughter was!) forsooth! must wed
   With an eastern earl, a Lovell: to whom
   (Would God o' his mercy had struck him dead!)
   Clara of Clare when only a child,--
   With a face like a flower, that blooms in the wild
   Of the hills, and a soul like its soft perfume,--
   Was given; to seal, or strengthen, some ties
   Of power and wealth--say bartered, then,
   Like the merest chattel. With tearful eyes
   And trembling lips she spoke; and when
   Her lover, the Clifford, had learned and heard,--
   He'd have had her flee with him then, 'sdeath!
   In spite of them all! Let her speak the word,
   They would fly together; the Baron's men
   Might follow, and if ... and he touched his sword,
   It should answer! But she, while she seemed to stay,
   With a hand on her bosom, her heart's quick breath,
   Replied to his heat, "They would take and slay
   Thee who art life of me!--No! not thus
   Shall we fly! there's another way for us;
   A way that is sure; an only way;
   I have thought it out this many a day."--
   The words that she spoke, how well I remember!
   As well as the mood o' that day of December,
   That bullied and blustered and seemed in league,
   Like a spiteful shrew, with the wind and snow,
   To drown the words of their sweet intrigue,
   With the boom of the boughs tossed to and fro.
   Her last words these, "By curfew sure,
   On Christmas eve, at the postern door."

   And we were there; with a led horse too;
   Armed for a journey I hardly knew
   Whither, but why, you well can guess.
   For often he whispered a certain name,
   The talisman of his happiness,
   That warmed his blood like a yule-log's flame.
   While we waited there, till its owner came,
   We saw how the castle's baronial girth,
   Like a giant's, loosed for reveling more,
   Shone; and we heard the wassail and mirth
   Where the mistletoe hung in the hearth's red roar,
   And the holly brightened the weaponed wall
   Of ancient oak in the banqueting hall.
   And the spits, I trow, by the scullions turned
   O'er the snoring logs, rich steamed and burned,
   While the whole wild-boar and the deer were roasted,
   And the half of an ox and the roe-buck haunches;
   While tuns of ale, that the cellars boasted,
   And casks of sack, were broached for paunches
   Of vassals who reveled in stable and hall.
   The song of the minstrel; the yeomen's quarrel
   O'er the dice and the drink; and the huntsman's bawl
   In the baying kennels, its hounds a-snarl
   O'er the bones of the banquet; now loud, now low,
   We could hear where we crouched in the drifting snow.

   Was she long? did she come?... By the postern we
   Like shadows waited. My lord, Sir Hugh,
   Spoke, pointing a tower, "That casement, see?
   When a stealthy light in its slit burns blue
   And signals thrice slowly, thus--'t is she."
   And close to his breast his gaberdine drew,
   For the wind it whipped and the snow beat through.
   Did she come?--We had waited an hour or twain,
   When the taper flashed in the central pane,
   And flourished three times and vanished so.
   And under the arch of the postern's portal,
   Holding the horses, we stood in the snow,
   Stiff with the cold. Ah, me! immortal
   Minutes we waited, breath-bated, and listened
   Shivering there in the hiss of the gale:
   The parapets whistled, the angles glistened,
   And the night around seemed one black wail
   Of death, whose ominous presence over
   The stormy battlements seemed to hover.
   Said my lord, Sir Hugh,--to himself he spoke,--
   "She feels for the spring in the sliding panel
   'Neath the arras, hid in the carven oak.
   It opens. The stair, like a well's dark channel,
   Yawns; and the draught makes her taper slope.
   Wrapped deep in her mantle she stoops, now puts
   One foot on the stair; now a listening pause
   As nearer and nearer the mad search draws
   Of the thwarted castle. No smallest hope
   That they find her now that the panel shuts!...
   If the wind, that howls like a tortured thing,
   Would throttle itself with itself, then I
   Might hear how her hurrying footsteps ring
   Down the hollow ... there! 't is her fingers try
   The postern's bolts that the rust makes cling."--
   But ever some whim of the storm that shook
   A clanging ring or a creaking hook
   In buttress or wall. And we waited, numb
   With the cold, till dawn--but she did not come.

   I must tell you why and have done: 'T is said,
   On the brink of the marriage she fled the side
   Of the guests and the bridegroom there; she fled
   With a mischievous laugh,--"I'll hide! I'll hide!
   Seek! and be sure that you find!"--so led
   A long search after her; but defied
   All search for--a score and ten long years....

   Well, the laughter of Yule was turned to tears
   For them and for us. We saw the glare
   Of torches that hurried from chamber to stair;
   And we heard the castle re-echo her name,
   But neither to them nor to us she came.
   And that was the last of Clara of Clare.

   That winter it was, a month thereafter,
   That the home of the Cliffords, roof and rafter,
   Burned.--I could swear 't was the Strongbow's doing,
   Were I sure that he knew of the Clifford's wooing
   His daughter; and so, by the Rood and Cross!
   Had burned Hugh's home to avenge his loss.--
   So over the channel to France with his King,
   The Black Prince, sailed to the wars--to deaden
   The ache of the mystery--Hugh that spring,
   And fell at Poitiers; for his loss made leaden
   His heart; and his life was a weary sadness,
   So he flung it away in a moment's madness.
   And the Baron died. And the bridegroom?--well,
   Unlucky was he in truth!--to tell
   Of him there is nothing. The Baron died,
   The last of the Strongbows he--gramercy!
   And the Clare estate with its wealth and pride
   Devolved to the Bloets, Walter and Percy.

   And years went by. And it happened that they
   Ransacked the old castle; and so, one day,
   In a lonesome tower uprummaged a chest,
   From Flanders; of ebon, and wildly carved
   All over with things: a sinister crest,
   And evil faces, distorted and starved;
   Fast-locked with a spring, which they forced and, lo!
   When they opened it--Death, like a lady dressed,
   Grinned up at their terror!--but no, not so!
   A skeleton, jeweled and laced, and wreathed
   With flowers of dust; and a miniver
   Around it clasped, that the ruin sheathed
   Of a once rich raiment of silk and fur.

   I'd have given my life to hear him tell,
   The courtly Clifford, how this befell!
   He'd have known how it was: For, you see, in groping
   For the secret spring of that panel, hoping
   And fearing as nearer and nearer drew
   The search of retainers, why, out she blew
   The tell-tale taper; and, seeing this chest,
   Would hide her a minute in it, mayhap,
   Till the hurry had passed; but the death-lock, pressed
   By the lid's great weight, closed fast with a snap,
   Ere her heart was aware of the fiendish trap.




The Water Witch


   See! the milk-white doe is wounded.
     He will follow as it bounds
   Through the woods. His horn has sounded.
     Echoing, for his men and hounds.
   But no answering bugle blew.
   He has lost his retinue
   For the shapely deer that bounded
   Past him when his bow he drew.

   Not one hound or huntsman follows.
     Through the underbrush and moss
   Goes the slot; and in the hollows
     Of the hills, that he must cross,
   He has lost it. He must fare
   Over rocks where she-wolves lair;
   Wood-pools where the wild-boar wallows;
   So he leaves his good steed there.

   Through his mind then flashed an olden
     Legend told him by the monks:--
   Of a girl, whose hair is golden,
     Haunting fountains and the trunks
   Of the woodland; who, they say,
   Is a white doe all the day;
   But when woods are night-enfolden
   Turns into an evil fay.

   Then the story oft his teacher
     Told him; of a mountain lake
   Demons dwell in; vague of feature,
     Human-like, but each a snake,
   She is queen of.--Did he hear
   Laughter at his startled ear?
   Or a bird? And now, what creature
   Is it, or the wind, stirs near?

   Fever of the hunt. This water,
     Murmuring here, will cool his head.
   Through the forest, fierce as slaughter,
     Slants the sunset; ruby red
   Are the drops that slip between
   His cupped hands, while on the green,--
   Like the couch of some wild daughter
   Of the forest,--he doth lean.

   But the runnel, bubbling, dripping,
     Seems to bid him to be gone;
   As with crystal words, and tripping
     Steps of sparkle luring on.
   Now a spirit in the rocks
   Calls him; now a face that mocks,
   From behind some bowlder slipping,
   Laughs at him with lilied locks.

   So he follows through the flowers,
     Blue and gold, that blossom there;
   Thridding twilight-haunted bowers
     Where each ripple seems the bare
   Beauty of white limbs that gleam
   Rosy through the running stream;
   Or bright-shaken hair, that showers
   Starlight in the sunset's beam.

   Till, far in the forest, sleeping
     Like a luminous darkness, lay
   A deep water, wherein, leaping,
     Fell the Fountain of the Fay,
   With a singing, sighing sound,
   As of spirit things around,
   Musically laughing, weeping
   In the air and underground.

   Not a ripple o'er it merried:
     Like the round moon 'neath a cloud,
   In its rocks the lake lay buried:
     And strange creatures seemed to crowd
   Its dark depths; vague limbs and eyes
   To the surface seemed to rise
   Spawn-like and, as formless, ferried
   Through the water, shadow-wise.

   Foliage things with human faces,
     Demon-dreadful, pale and wild
   As the forms the lightning traces
     On the clouds the storm has piled,
   Seeming now to draw to land,
   Now away--Then up the strand
   Comes a woman; and she places
   On his arm a spray-white hand.

   Ah! an untold world of sorrow
     Were her eyes; her hair, a place
   Whence the moon its gold might borrow;
     And a dream of ice her face:
   'Round her hair and throat in rims
   Pearls of foam hung; and through whims
   Of her robe, as breaks the morrow,
   Shone the rose-light of her limbs.

   Who could help but look with gladness
     On such beauty? though within,
   Deep within the beryl sadness
     Of those eyes, the serpent sin
   Coil?--When she hath placed her cheek
   Chilly upon his, and weak,
   With love longing and its madness,
   Is his will grown, then she'll speak:

   "Dost thou love me?"--"If surrender
     Is to love thee, then I love."--
   "Hast no fear then?"--"In the splendor
     Of thy gaze who knows thereof?
   Yet I fear--I fear to lose
   Thee, thy love!"--"And thou dost choose
   Aye to be my heart's defender?"--
   "Take me. I am thine to use."

   "Follow then. Ah, love, no lowly
     Home I give thee."--With fixed eyes,
   To the water's edge she slowly
     Drew him.... And he did surmise
   'Twas her lips on his, until
   O'er his face the foam closed chill,
   Whisp'ring, and the lake unholy
   Rippled, rippled and was still.




At Nineveh

Written for my friend Walter S. Mathews.


   There was a princess once, who loved the slave
     Of an Assyrian king, her father; known
   At Nineveh as Hadria; o'er whose grave
     The sands of centuries have long been blown;
   Yet sooner shall the night forget its stars
     Than love her story:--How, unto his throne,
   One day she came, where, with his warriors,
     The king sat in the hall of audience,
   'Mid pillared trophies of barbaric wars,
     And, kneeling to him, asked, "O father, whence
   Comes love and why?"--He, smiling on her, said,--
     "O Hadria, love is of the gods, and hence
   Divine, is only soul-interpreted.
     But why love is, ah, child, we do not know,
   Unless 'tis love that gives us life when dead."--
     And then his daughter, with a face aglow
   With all the love that clamored in her blood
     Its sweet avowal, lifted arms of snow,
   And, like Aurora's rose, before him stood,
     Saying,--"Since love is of the powers above,
   I love a slave, O Asshur! Let the good
     The gods have giv'n be sanctioned. Speak not of
   Dishonor and our line's ancestral dead!
     They are imperial dust. I live and love."--
   Black as black storm then rose the king and said,--
     A lightning gesture at her standing there,--
   "Enough! ho, Rhana, strike me off her head!"
     And at the mandate, with his limbs half bare
   A slave strode forth. Majestic was his form
     As some young god's. He, gathering up her hair,
   Wound it three times around his sinewy arm.
     Then drew his sword. It for one moment shone
   A semicircling light, and, dripping warm,
     Lifting the head he stood before the throne.
   Then cried the despot, "By the horn of Bel!
     This was no child of mine!"--Like chiselled stone
   Still stood the slave, a son of Israel.
     Then striding towards the monarch, in his eye
   The wrath of heaven and the hate of hell,
     Shrieked, "Lust! I loved her! look on us and die!"
   Swifter than fire clove him to the brain.
     Then kissed the dead fair face of her held high,
   And crying, "Judge, O God, between us twain!"
     A thousand daggers in his heart, fell slain.




How They Brought Aid to Bryan's Station

During the siege of Bryan's Station, Kentucky, August 16, 1782, Nicholas
Tomlinson and Thomas Bell, two inhabitants of the Fort, undertook to
ride through the besieging Indian and Tory lines to Lexington, Ky., for
aid. It happened also during this siege that the pioneer women of the
Fort, when the water supply was exhausted, heroically carried water from
a spring, at a considerable distance outside the palisades of the
Station, to its inmates, under the very guns of the enemy.


   With saddles girt and reins held fast,
   Our rifles well in front, at last
     Tom Bell and I were mounted.
   The gate swung wide. We said, "Good-bye."
   No time for talk had Bell and I.
   One said, "God speed!" another, "Fly!"
   Then out we galloped. Live or die,
     We felt each moment counted.

   The trace, the buffaloes had worn,
   Stretched broad before us; and the corn
     And cane through which it wended,
   We knew for acres from the gate
   Hid Indian guile and Tory hate.
   We rode with hearts that seemed to wait
   For instant death; and on our fate
     The Station's fate depended.

   No rifle cracked. No creature stirred,
   As on towards Lexington we spurred
     Unflinchingly together.
   We reached the woods: no savage shout
   Of all the wild Wyandotte rout
   And Shawanese had yet rung out:
   But now and then an Indian scout
     Showed here a face and feather.

   We rode expecting death each stride
   From thicket depth or tree-trunk side,
     Where some red foe might huddle--
   For well we knew that renegade,
   The blood-stained Girty, had not stayed
   His fiends from us, who rode for aid,--
   The dastard he who had betrayed
     The pioneers of Ruddle.

   And when an arrow grazed my hair
   I did not turn, I did not spare
     To spur as men spur warward:
   A war-whoop rang this side a rock:
   Then painted faces swarmed, to block
   Our way, with brandished tomahawk
   And rifle: then a shout, a shock--
     And we again rode forward.

   They followed; but 'twas no great while
   Before from them by some long mile
     Of forest we were sundered.
   We galloped on. I'd lost my gun;
   And Bell, whose girth had come undone,
   Rode saddleless. The summer sun
   Was up when into Lexington
     Side unto side we thundered.

   Too late. For Todd had left that day
   With many men. Decoyed away
     To Hoy's by some false story.
   And we must after. Bryan's needs
   Said, "On!" although our gallant steeds
   Were blown--Enough! we must do deeds!
   Must follow where our duty leads,
     Be it to death or glory.

   The way was wild and often barred
   By trees and rocks; and it was hard
     To keep our hearts from sinking;
   But thoughts of those we'd left behind
   Gave strength to muscle and to mind
   To help us onward through the blind
   Deep woods. And often we would find
     Ourselves of loved ones thinking.

   The hot stockade. No water left.
   The fierce attack. All hope bereft
     The powder-grimed defender.
   The war-cry and the groan of pain.
   All day the slanting arrow-rain
   Of fire from the corn and cane.
   The stern defence, but all in vain.
     And then at last--surrender.

   But not for Bryan's!--no! too well
   Must they remember what befell
     At Ruddle's and take warning.
   So thought we as, all dust and sweat,
   We rode with faces forward set,
   And came to Station Boone while yet
   An hour from noon ... We had not let
     Our horses rest since morning.

   Here Ellis met us with his men.
   They did not stop nor tarry then.
     That little band of lions;
   But setting out at once with aid,
   Right well you know how unafraid
   They charged the Indian ambuscade,
   And through a storm of bullets made
     Their entrance into Bryan's.

   And that is all I have to tell.
   No more the Huron's hideous yell
     Sounds to assault and slaughter.--
   Perhaps to us some praise is due;
   But we are men, accustomed to
   Such dangers, which we often woo.
   Much more is due our women who
     Brought to the Station--water.




On the Jellico Spur of the Cumberlands

TO J. FOX, JR.


   You remember how the mist,
     When we climbed to Devil's Den,
     Pearly in the mountain glen,
   And above us, amethyst,
   Throbbed or circled? then away,
     Through the wildwoods opposite,
     Torn and scattered, morning-lit,
   Vanished into dewy gray?--
   Vague as in romance we saw,
     From the fog, one riven trunk,
     Talon-like with branches shrunk,
   Thrust a monster dragon claw.
   And we climbed for hours through
     The dawn-dripping Jellicoes,
     To a wooded rock that shows
   Undulating leagues of blue
   Summits; mountain-chains that lie
     Dark with forests; bar on bar,
     Ranging their irregular
   Purple peaks beneath a sky
   Soft as slumber. Range on range
     Billow their enormous spines,
     Where the rocks and priestly pines
   Sit eternal, without change.
   We were sons of Nature then:
     She had taken us to her,
     Signalized by brier and burr,
   Something more to her than men:
   Pupils of her lofty moods,
     From her bloom-anointed looks,
     Wisdom of no man-made books
   Learned we in those solitudes:
   How the seed supplied the flower;
     How the sapling held the oak;
     How within the vine awoke
   The wild impulse still to tower;
   How in fantasy or mirth,
     Springing from her footsteps there,
     Curious fungi everywhere
   Bulged, exuded from the earth;
   Coral vegetable things,
     That the underworld exhaled,
     Bulbous, crystal-ribbed and scaled,
   Many colored and in rings,
   Like the Indian-Pipe that grew
     Pink and white in loamy cracks,
     Flowers of a natural wax,
   She had turned her fancy to.--
   On that laureled precipice,
     Where the chestnuts dropped their burrs,
     Sweet with balsam of the firs,
   First we felt her mother kiss
   Full of heaven and the wind;
     While the forests, wood on wood,
     Murmured like a multitude
   Giving praise where none hath sinned.--
   Freedom met us there; we saw
     Freedom giving audience;
     In her face the eloquence,
   Lightning-like, of love and law:
   Round her, with majestic hips,
     Lay the giant mountains; there
     Near her, cataracts tossed their hair,
   God and thunder on their lips.--
   Oft an eagle, or a hawk,
     Or a scavenger, we knew
     Winged through altitudes of blue,
   By its shadow on the rock.
   Or a cloud of templed white
     Moved, a lazy berg of pearl,
     Through the sky's pacific swirl,
   Shot with cool cerulean light.
   So we dreamed an hour upon
     That warm rock the lichens mossed,
     While around us foliage tossed
   Coins, gold-minted of the sun:
   Then arose; and a ravine,
     Which a torrent once had worn,
     Made our roadway to the corn,
   In the valley, deep and green;
   And the farm house with its bees,
     Where old-fashioned flowers spun
     Gay rag-carpets in the sun,
   Hid among the apple trees.
   Here we watched the twilight fall;
     O'er Wolf-Mountain sunset made
     A huge rhododendron rayed
   Round the sun's cloud-centered ball.
   Then through scents of herb and soil,
     To the mining-camp we turned,
     In the twinkling dusk discerned
   With its white-washed homes of toil.
   Ah, those nights!--We wandered forth
     On some haunted mountain path,
     When the moon was late, and rathe
   The large stars, sowed south and north,
   Splashed with gold the purple skies;
     And the milky zodiac,
     Rolled athwart the belted black,
   Seemed a path to Paradise.
   And we walked or lingered till,
     In the valley-land beneath,
     Like the vapor of a breath
   Breathed in frost, arose the still
   Architecture of the mist:
     And the moon-dawn's necromance
     Touched the mist and made it glance
   Like a town of amethyst.
   Then around us, sharp and brusque,
     Night's shrill insects strident strung
     Instruments that buzzed and sung
   Pixy music of the dusk.
   And we seemed to hear soft sighs,
     And hushed steps of ghostly things,
     Fluttered feet or rustled wings,
   Moved before us. Fire-flies,
   Gleaming in the tangled glade,
     Seemed the eyes of warriors
     Stealing under watching stars
   To some midnight ambuscade;
   To the Indian village there,
     Wigwamed with the mist, that slept
     By the woodland side, whence crept
   Shadowy Shawnees of the air.
   When the moon rose, like a cup
     Lay the valley, brimmed with wine
     Of mesmeric shade and shine,
   To the moon's pale face held up.
   As she rose from out the mines
     Of the eastern darkness, night
     Met her, clad in dewy light
   'Mid Pine Mountain's sachem pines.
   As from clouds in pearly parts
     Her serene circumference grew,
     Home we turned. And all night through
   Dreamed the dreams of happy hearts.




A Confession


   These are the facts:--I was to blame:
   I brought her here and wrought her shame:
   She came with me all trustingly.
   Lovely and innocent her face:
   And in her perfect form, the grace
   Of purity and modesty.

   I think I loved her then: 'would dote
   On her ambrosial breast and throat,
   Young as a blossom's tenderness:
   Her eyes, that were both glad and sad:
   Her cheeks and chin, that dimples had:
   Her mouth, red-ripe to kiss and kiss.

   Three months passed by; three moons of fire;
   When in me sickened all desire:
   And in its place a devil,--who
   Filled all my soul with deep disgust,
   And on the victim of my lust
   Turned eyes of loathing,--swiftly grew.

   One night, when by my side she slept,
   I rose: and leaning, while I kept
   The dagger hid, I kissed her hair
   And throat: and, when she smiled asleep,
   Into her heart I drove it deep:
   And left her dead, still smiling there.




Lilith


   Yea, there are some who always seek
   The love that lasts an hour;
   And some who in love's language speak,
   Yet never know his power.

   Of such was I, who knew not what
   Sweet mysteries may rise
   Within the heart when 't is its lot
   To love and realize.

   Of such was I, ah me! till, lo,
   Your face on mine did gleam,
   And changed that world, I used to know,
   Into an evil dream.

   That world wherein, on hill and plain,
   Great blood-red poppies bloomed,
   Their hot hearts thirsty for the rain,
   And sleepily perfumed.

   Above, below, on every part
   A crimson shadow lay,
   As if the red sun streamed athwart
   And sunset was alway.

   I know not how, I know not when,
   I only know that there
   She met me in the haunted glen,
   A poppy in her hair.

   Her face seemed fair as Mary's is,
   That knows no sin or wrong;
   Her presence filled the silences
   As music fills a song.

   And she was clad like the Mother of God,
   As 't were for Christ's sweet sake,
   But when she moved and where she trod
   A hiss went of a snake.

   Though seeming sinless, till I die
   I shall not know for sure
   Why to my soul she seemed a lie
   And otherwise than pure.

   Nor why I kissed her soon and late
   And for her felt desire,
   While loathing of her passion ate
   Into my soul like fire.

   Was it because my soul could tell
   That, like the poppy-flower,
   She had no soul? a thing of Hell,
   That o'er it had no power.

   Or was it that your love at last
   My soul so long had craved,
   From the sweet sin that held me fast
   At that last moment saved?




Content


   When I behold how some pursue
   Fame, that is care's embodiment,
   Or fortune, whose false face looks true,--
   A humble home with sweet content
   Is all I ask for me and you.

   A humble home, where pigeons coo,
   Whose path leads under breezy lines
   Of frosty-berried cedars to
   A gate, one mass of trumpet-vines,
   Is all I ask for me and you.

   A garden, which, all summer through,
   The roses old make redolent,
   And morning-glories, gay of hue,
   And tansy, with its homely scent,
   Is all I ask for me and you.

   An orchard, that the pippins strew,
   From whose bruised gold the juices spring;
   A vineyard, where the grapes hang blue,
   Wine-big and ripe for vintaging,
   Is all I ask for me and you.

   A lane, that leads to some far view
   Of forest and of fallow-land,
   Bloomed o'er with rose and meadow-rue,
   Each with a bee in its hot hand,
   Is all I ask for me and you.

   At morn, a pathway deep with dew,
   And birds to vary time and tune;
   At eve, a sunset avenue,
   And whippoorwills that haunt the moon,
   Is all I ask for me and you.

   Dear heart, with wants so small and few,
   And faith, that's better far than gold,
   A lowly friend, a child or two,
   To care for us when we are old,
   Is all I ask for me and you.




Berrying


   I.

   My love went berrying
   Where brooks were merrying
   And wild wings ferrying
       Heaven's amethyst;
   The wildflowers blessed her,
   My dearest Hester,
   The winds caressed her,
       The sunbeams kissed.


   II.

   I followed, carrying
   Her basket; varying
   Fond hopes of marrying
       With hopes denied;
   Both late and early
   She deemed me surly,
   And bowed her curly
       Fair head and sighed:


   III.

   "The skies look lowery;
   It will he showery;
   No longer flowery
       The way I find.
   No use in going.
   'T will soon be snowing
   If you keep growing
       Much more unkind."


   IV.

   Then looked up tearfully.
   And I, all fearfully,
   Replied, "My dear, fully
       Will I explain:
   I love you dearly,
   But look not cheerly
   Since all says clearly
       I love in vain."


   V.

   Then smiled she airily;
   And answered merrily
   With words that--verily
       Made me decide:
   And drawing tow'rd her,
   I there implored her--
   I who adored her--
       To be my bride.


   VI.

   O sweet simplicity
   Of young rusticity,
   Without duplicity,
       Whom love made know,
   That hearts in meter
   Make earth completer;
   And kisses, sweeter
       Than--berries grow.




To a Pansy-Violet

Found Solitary Among the Hills.


   I.

   O pansy-violet,
   With early April wet,
   How frail and pure you look
   Lost in this glow-worm nook
   Of heaven-holding hills:
   Down which the hurrying rills
   Fling scrolls of melodies:
   O'er which the birds and bees
   Weave gossamers of song,
   Invisible, but strong:
   Sweet music webs they spin
   To snare the spirit in.


   II.

   O pansy-violet,
   Unto your face I set
   My lips, and--do you speak?
   Or is it but some freak
   Of fancy, love imparts
   Through you unto the heart's
   Desire? whispering low
   A secret none may know,
   But such as sit and dream
   By forest-side and stream.


   III.

   O pansy-violet,
   O darling floweret,
   Hued like the timid gem
   That stars the diadem
   Of Fay or Sylvan Sprite,
   Who, in the woods, all night
   Is busy with the blooms,
   Young leaves and wild perfumes,
   Through you I seem t' have seen
   All that such dreams may mean.


   IV.

   O pansy-violet,
   Long, long ago we met--
   'T was in a Fairy-tale:
   Two children in a vale
   Sat underneath glad stars,
   Far from the world of wars;
   Each loved the other well:
   Her eyes were like the spell
   Of dusk and dawning skies--
   The purple dark that dyes
   The midnight: his were blue
   As heaven the day shines through.


   V.

   O pansy-violet,
   What is this vague regret,
   This yearning, so like tears,
   That touches through the years
   Long past, when Myth and Fable
   In all strange things were able
   To beautify the Earth,
   Things of immortal worth?--
   This longing, that to me
   Is like a memory
   Lived long ago, of those
   Fair children who, it knows,
   Loved with no mortal love;
   Whom smiling heaven above
   Fostered, and when they died
   Laid side by loving side.


   VI.

   O pansy-violet,
   I dream, remembering yet
   A wood-god-guarded tomb,
   Out of whose moss a bloom
   Sprang, with three petals wan
   As are the eyes of dawn;
   And two as darkly deep
   As are the eyes of sleep.--
   O flower,--that seems to hold
   Some memory of old,
   A hope, a happiness,
   At which I can but guess,--
   You are a sign to me
   Of immortality:
   Through you my spirit sees
   The deathless purposes
   Of death, that still evolves
   The beauty it resolves;
   The change that aye fulfills
   Life's meaning as God wills.




Heart of my Heart


   Here where the season turns the land to gold,
   Among the fields our feet have known of old,--
   When we were children who would laugh and run,
   Glad little playmates of the wind and sun,--
   Before came toil and care and years went ill,
   And one forgot and one remembered still,
   Heart of my heart, among the old fields here,
   Give me your hands and let me draw you near.
       Heart of my heart.

   Stars are not truer than your soul is true--
   What need I more of heaven then than you?
   Flowers are not sweeter than your face is sweet--
   What need I more to make my world complete?
   O woman nature, love that still endures,
   What strength hath ours that is not born of yours?
   Heart of my heart, to you, whatever come,
   To you the lead, whose love hath led me home.
       Heart of my heart.




Witnesses


   I.

   You say I do not love you!--Tell me why,
       When I have gazed a little on your face,
   And then gone forth into the world of men,
       A beauty, neither of the Earth or Sky,
   A glamour, that transforms each common place,
           Attends my spirit then?


   II.

   You say I do not love you!--Yet I know
       When I have heard you speak and dwelt upon
   Your words awhile, my heart has gone away
       Filled with strange music, very soft and low,
   A dim companion, touching with sweet tone
           The discords of the day.


   III.

   You say I do not love you!--Yet it seems,
       When I have kissed your hand and said farewell,
   A fragrance, sweeter than did flower yet bloom,
       Accompanies my soul and fills, with dreams,
   The sad and sordid streets, where people dwell,
           Dreams of spring's wild perfume.




Wherefore


   I would not see, yet must behold
   The truth they preach in church and hall;
   And question so,--Is death then all,
   And life an idle tale that's told?

   The myriad wonders art hath wrought
   I deemed eternal as God's love:
   No more than shadows these shall prove,
   And insubstantial as a thought.

   And love and labor, who have gone,
   Hand in close hand, and civilized
   The wilderness, these shall be prized
   No more than if they had not done.

   Then wherefore strive? Why strain and bend
   Beneath a burden so unjust?
   Our works are builded out of dust,
   And dust their universal end.




Pagan


   The gods, who could loose and bind
       In the long ago,
   The gods, who were stern and kind
       To men below,
   Where shall we seek and find,
       Or, finding, know?

   Where Greece, with king on king,
       Dreamed in her halls;
   Where Rome kneeled worshiping,
       The owl now calls,
   And whispering ivies cling
       To mouldering walls.

   They have served, and have passed away
       From the earth and sky,
   And their Creed is a record gray,
       Where the passer-by
   Reads, "Live and be glad to-day,
       For to-morrow ye die."

   And shall it be so, indeed,
       When we are no more,
   That nations to be shall read,--
       As we have before,--
   In the dust of a Christian Creed,
       But pagan lore?




"The Fathers of our Fathers"

Written February 24, 1898, on reading the latest news concerning the
battleship Maine, blown up in Havana harbor, February 15th.


   I.

             The fathers of our fathers they were men!--
   What are we who now stand idle while we see our seamen slain?
       Who behold our flag dishonored, and still pause!
   Are we blind to her duplicity, the treachery of Spain?
       To the rights, she scorns, of nations and their laws?
   Let us rise, a mighty people, let us wipe away the stain!
       Must we wait till she insult us for a cause?--
             The fathers of our fathers they were men!


   II.

             The fathers of our fathers they were men!--
   Had they nursed delay as we do? had they sat thus deaf and dumb,
       With these cowards compromising year by year?
   Never hearing what they should hear, never saying what should come,
       While the courteous mask of Spain still hid a sneer!
   No! such news had roused their natures like a rolling battle-drum--
       God of earth! and God of heaven! do we fear?--
             The fathers of our fathers they were men!


   III.

             The fathers of our fathers they were men!--
   What are we who are so cautious, never venturing too far!
       Shall we, at the cost of honor, still keep peace?
   While we see the thousands starving and the struggling Cuban star,
       And the outraged form of Freedom on her knees!
   Let our long, steel ocean-bloodhounds, adamantine dogs of war,
       Sweep the yellow Spanish panther from the seas!--
             The fathers of our fathers they were men!




"Mene, Mene, Tekel, Upharsin"


   I.

   Behold! we have gathered together our battleships near and afar;
   Their decks they are cleared for action, their guns they are shotted
     for war:
   From the East to the West there is hurry, in the North and the South
     a peal
   Of hammers in fort and shipyard, and the clamor and clang of steel;
   And the roar and the rush of engines, and clanking of derrick and
     crane--
   Thou art weighed in the Scales and found wanting, the balance of God,
     O Spain!


   II.

   Behold! I have stood on the mountains, and this was writ in the
     sky:--
   "She is weighed in the Scales and found wanting, the balance God
     holds on high!"
   The balance He once weighed Babylon, the Mother of Harlots, in:
   One scale holds thy pride and thy power and empire, begotten of sin;
   Heavy with woe and torture, the crimes of a thousand years,
   Mortared and welded together with fire and blood and tears;
   In the other, for justice and mercy, a blade with never a stain,
   Is laid the Sword of Liberty, and the balance dips, O Spain!


   III.

   Summon thy vessels together! great is thy need for these!--
   Cristobal Colon, Vizcaya, Oquendo, and Maria Terese--
   Let them be strong and many, for a vision I had by night,
   That the ancient wrongs thou hast done the world came howling to the
     fight;
   From the New-World shores they gathered, Inca and Aztec slain,
   To the Cuban shot but yesterday, and our own dead seamen, Spain!


   IV.

   Summon thy ships together, gather a mighty fleet!
   For a strong young Nation is arming, that never hath known defeat.
   Summon thy ships together, there on thy blood-stained sands!
   For a shadowy army gathers with manacled feet and hands,
   A shadowy host of sorrows and shames, too black to tell,
   That reach, with their horrible wounds, for thee to drag thee down to
     Hell;
   A myriad phantoms and spectres, thou warrest against in vain--
   Thou art weighed in the Scales and found wanting, the balance of God,
     O Spain!




Her Vivien Eyes


   Her Vivien eyes,--beware! beware!--
   Though they be stars, a deadly snare
   They set beneath her night of hair.
   Regard them not! lest, drawing near--
   As sages once in old Chaldee--
   Thou shouldst become a worshiper,
   And they thy evil destiny.

   Her Vivien eyes,--away! away!--
   Though they be springs, remorseless they
   Gleam underneath her brow's bright day.
   Turn, turn aside, whate'er the cost!
   Lest in their deeps thou lures behold,
   Through which thy captive soul were lost,
   As was young Hylas once of old.

   Her Vivien eyes,--take heed! take heed!--
   Though they be bibles, none may read
   Therein of God or Holy Creed.
   Look, look away! lest thou be cursed,--
   As Merlin was, romances tell,--
   And in their sorcerous spells immersed,
   Hoping for Heaven thou chance on Hell.




There Was a Rose


   There was a rose in Eden once: it grows
   On Earth now, sweeter for its rare perfume:
   And Paradise is poorer by one bloom,
   And Earth is richer. In this blossom glows
   More loveliness than old seraglios
   Or courts of kings did ever yet illume:
   More purity, than ever yet had room
   In soul of nun or saint.--O human rose,--
   Who art initial and sweet period of
   My heart's divinest sentence, where I read
   Love, first and last, and in the pauses love;
   Who art the dear ideal of each deed
   My life aspires by to some high goal,--
   Set in the haunted garden of my soul!




The Artist


   In story books, when I was very young,
   I knew you first, one of the Fairy Race;
   And then it was your picture took its place,
   Framed in with love's deep gold, and draped and hung
   High in my heart's red room: no song was sung,
   No tale of passion told, I did not grace
   With your associated form and face,
   And intimated charm of touch and tongue.
   As years went on you grew to more and more,
   Until each thing, symbolic to my heart
   Of beauty,--such as honor, truth, and fame,--
   Within the studio of my soul's thought wore
   Your lineaments, whom I, with all my art,
   Strove to embody and to give a name.




Poetry and Philosophy


   Out of the past the dim leaves spoke to me
   The thoughts of Pindar with a voice so sweet
   Hyblæan bees seemed swarming my retreat
   Around the reedy well of Poesy.
   I closed the book. Then, knee to neighbor knee,
   Sat with the soul of Plato, to repeat
   Doctrines, till mine seemed some Socratic seat
   High on the summit of Philosophy.
   Around the wave of one Religion taught
   Her first rude children. From the stars that burned
   Above the mountained other, Science learned
   The first vague lessons of the work she wrought.
   Daughters of God, in whom we still behold
   The Age of Iron and the Age of Gold.




"Quo Vadis"


   It is as if imperial trumpets broke
   Again the silence on War's iron height;
   And Cæsar's armored legions marched to fight,
   While Rome, blood-red upon her mountain-yoke,
   Blazed like an awful sunset. At a stroke,
   Again I see the living torches light
   The horrible revels, and the bloated, white,
   Bayed brow of Nero smiling through the smoke:
   And here and there a little band of slaves
   Among dark ruins; and the form of Paul,
   Bearded and gaunt, expounding still the Word:
   And towards the North the tottering architraves
   Of empire; and, wild-waving over all,
   The flaming figure of a Gothic sword.




To a Critic


   Song hath a catalogue of lovely things
   Thy kind hath oft defiled,--whose spite misleads
   The world too often!--where the poet reads,
   As in a fable, of old envyings,
   Crows, such as thou, which hush the bird that sings,
   Or kill it with their cawings; thorns and weeds,
   Such as thyself, 'midst which the wind sows seeds
   Of flow'rs, these crush before one blossom swings.
   But here and there the wisdom of a School
   Unknown to these hath often written down
   "Fame" in white ink the future hath turned brown;
   When every beauty, heaped with ridicule,
   In their ignoble prose, proved their renown,
   Making each famous--as an ass or fool.




_AFTERWORD._


   _The old enthusiasms
   Are dead, quite dead, in me;
   Dead the aspiring spasms
   Of art and poesy,
   That opened magic chasms,
   Once, of wild mystery,
   In youth's rich Araby.
   That opened magic chasms._

   _The longing and the care
   Are mine; and, helplessly,
   The heartache and despair
   For what can never be.
   More than my mortal share
   Of sad mortality,
   It seems, God gives to me,
   More than my mortal share._

   _O world! O time! O fate!
   Remorseless trinity!
   Let not your wheel abate
   Its iron rotary!--
   Turn round! nor make me wait,
   Bound to it neck and knee,
   Hope's final agony!--
   Turn round! nor make me wait._

       *       *       *       *       *


Transcriber's note


The following changes have been made to the text:

Page 25: "beach" changed to "beech".

Page 46: "marrige" changed to "marriage".

Page 53: "slighest" changed to "slightest".







End of the Project Gutenberg EBook of Idyllic Monologues, by Madison J. Cawein

*** END OF THIS PROJECT GUTENBERG EBOOK IDYLLIC MONOLOGUES ***

***** This file should be named 31896-8.txt or 31896-8.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/1/8/9/31896/

Produced by David Garcia, Carla Foust and the Online
Distributed Proofreading Team at https://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.