The Project Gutenberg EBook of The Two Story Mittens
and the Little Play Mittens, by Frances Elizabeth Barrow

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Two Mittens and the Little Play Mittens
       Being the Fourth Book of the Series

Author: Frances Elizabeth Barrow

Release Date: August 26, 2009 [EBook #29811]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK TWO STORY MITTENS ***




Produced by David Edwards and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)

The good-natured Giant

THE

TWO STORY MITTENS

AND THE

LITTLE PLAY MITTENS:

BEING

THE FOURTH BOOK OF THE SERIES.

BY

AUNT FANNY,

CONTENTS.

[7]

MORE ABOUT THE MITTENS.

The mittens were coming bravely on. Some evenings, Aunt Fanny could not send a story; and then the little mother read an entertaining book, or chatted pleasantly with her children.

There had been twelve pairs finished, during the reading of the third book, and several more were on the way. George had written the most delightful letters, each of which was read to his eagerly-listening sisters and brothers several times, for they were never tired of hearing about life in camp.

This evening, the mother drew another letter, received that day, out of her pocket. The very sight of the envelope, with the[8] precious flag in the corner, caused their eyes to sparkle, and their fingers to fly at their patriotic and loving work.

"Attention!" said the mother in a severe, military tone. Everybody burst out laughing, choked it off, immediately straightened themselves up as stiff as ramrods, and she began:

The children screamed with laughter at this, and wanted to have some salt pork cooked immediately to try the "pointing" flavor. Their mother promised to have some for breakfast, and went on reading:

[10]

"Ah!" sighed the children, as the mother folded up the letter. Then they were silent, thinking of the dear brother[11] who wanted so much to be in the dreadful battle; and the little mother was looking very mournful when there came a ring at the bell.

The servant handed in a package, which proved to be a story from "Aunt Fanny." It came very fortunately; and the mittens grew fast, as the little mother read the interesting history of—

[12]

THE PARTY LILLIE GAVE FOR
MISS FLORENCE.

"Oh, mamma, please do buy me a new doll," said Lillie, one day in June.

"Why, how you talk!" answered her mother. "What has become of your large family?"

"Oh, mamma! Minnie, the china doll, has only one leg, and my three wax dolls are no better. Fanny has only one arm; both Julia's eyes are out; and the kitten scratched off Maria's wig the other day, and she has the most dreadful-looking, bald pate you ever saw! Instead of its being made of nice white wax, it is nothing but old brown paper! I think it is[13] very mean not to make dolls' bald heads like other people's! Then I could have dressed Maria up in pantaloons, and made a grandfather of her. But now she is fit for nothing but to be put in a cornfield to scare away the crows."

Lillie's mother laughed, and kissed her lovely daughter, who had not met with any of the terrible misfortunes that had befallen her wax and china family. She had both her round and chubby white arms; and two pretty and active legs, that made themselves very useful in skipping and jumping from morning till night; and just the prettiest golden brown wig you ever saw. It was fastened on so tight, that the kitten, with all her scratchings, could never twitch it off; in fact, every single hair was fastened by a root in her dear little head, and fell in soft, natural curls over her dimpled cheeks.

That very afternoon, her mother went[14] out shopping; and looking in at a toy shop window, she saw a splendid wax doll nearly three feet long. It was dressed up in all manner of furbelows, but the dress did not look half so fresh and lovely as the doll. The arms and hands were all wax, round, pinky-white, and beautifully shaped, with two cunning dimples in the elbows, and four little dimples in the back of each hand. She had dark curling hair, large blue eyes, and very small feet.

"Well," said the loving mother to herself, "I really must try to get this splendid doll for my darling Lillie." Her own gentle blue eyes quite sparkled at the thought of the happiness such a present would bring with it. So she walked quickly in, and asked the price.

Oh dear! It was twenty dollars!

This was more than the mother thought right to give for the doll; and she told[15] the man so, very politely. He was a very wise man, and what is more and better, kept a toy shop, because he loved children dearly; so he put his head on one side, and thought; then he looked out of the corner of his eye at the lady, and saw what a pleasant, sweet expression was on her face; then he thought again—this time, how disappointed the sweet little girl at home would be, if she knew her mother was out looking for a doll for her, and came home without one; and then he said, "What do you think the doll is worth?"

Lillie's mother told him what she considered a fair price, and the darling, good toyman spoke up as quick as a flash, "You shall have it, ma'am! Here, John, put this doll in paper, and take it to 'No. 13 Clinton Place.'"

Helen's Return Home.

Lillie's sister Helen was going to spend the summer with her dear grandmamma in[16] Middletown. A splendid idea came into the kind mother's head. Taking Helen into a room alone, she said, "My dear, you will want some sewing to do, while you are away; suppose you take the beautiful doll and make up several suits of clothes for her, just as neatly as possible. I am sure your grandmamma will help you; and when you return, we will have a delightful surprise for Lillie." The darling, good sister, was just as pleased as possible with this plan: indeed, she had not got past liking to play with dolls herself; and she was very different from some elder sisters, who take an unamiable pleasure in teasing the younger ones, instead of joining in their plays, and doing everything to add to their happiness. So the doll and all sorts of pretty muslins and silks, and materials for under garments, were mysteriously packed away in Helen's trunk, and she[17] went off to her grandmother's pleasant country house, without Lillie's having the slightest suspicion of what she was going to do. She was very busy all summer making the clothes, with her grandmamma's help. Many of the pleasant mornings she sat on the steps of the door, listening to the singing of the birds as she sewed.

And now this is a very good place to tell you about Lillie and her sisters; for she had three dear sisters—Helen, Mary,[18] and sweet little Maggie; and no brother at all. The only one she ever had, went to live with Jesus in heaven, after staying only fifteen months here in this world.

You know already what a kind mother the children had; and I am very certain their papa loved them just as much. When he is with them, his dark, bright, and piercing eyes droop and soften into an expression of so much affection, that one day, when I was visiting at his house, I caught myself repeating the words of a perfect little poem, which seemed to have been written expressly for him. It is so beautiful, and describes the children so well, with the change of one or two words, that I have ventured to copy it here for you. It was written by Gerald Massey.

The summer was passed by our dear little Lillie in playing and frolicking, and sometimes tearing her frocks; which last, her mother minded not the least bit, as long as it was an accident. I don't, either. Children had better tear their frocks a little, jumping, climbing over fences, and getting fat and healthy, than to sit in the house, looking pale and miserable. My Alice often comes in, a perfect object to behold! I sometimes wonder the ragman,[20] who drives the old cart with a row of jingling bells strung over the top, don't mistake her for a bundle of rags gone out for a walk. I don't feel worried about it; for if he should happen to make this mistake, and pop her in his cart some day, Alice would make one of her celebrated Indian "yoops," as she calls it, and I rather think he would pop her out, quicker than she went in.

When September had come, Helen returned home; and soon after, the mother said, "Lillie, there is a young lady in town, who wishes to make your acquaintance. She is quite grand and fashionable in her ideas, so we must make a little flourish for her. What do you think of having a party to receive her?"

"A party!" screamed Lillie, clapping her hands with delight; "I would like that very much; and oh! please have candy, and oranges, and oh! mottoes—lots[21] of snapping mottoes for the party! That would be most delightful! And please ask Nattie, and Kittie, and Lina, and Emily, and oh! everybody."

"You must ask them yourself. See, here is a quantity of pretty buff and pink note paper, and here is a nice new pen: sit down and write your invitations."

This was a tremendous business! and Lillie, spreading herself in great grandeur, with her head on one side, took the pen and wrote very nicely, for her, all the notes, in this way:

Then she doubled them up into little squares, and put them into the envelopes;[22] and Margery, the maid, who loved Lillie dearly, and would have rode off with the notes on a broomstick to Jerusalem, if her little lady had wanted her to—trotted about all the morning, leaving them at the children's houses, telling the waiters who answered the doors, on no account to stop a single moment, but rush right up stairs with them, as they were of the greatest importance.

The next morning, Lillie got all the answers. I should think there were about twenty little notes, all directed to her. Was ever anything known to equal it? A lady getting so many letters at once! It was almost too much happiness. They did not all come at once, which was very lucky; for I do believe Lillie would have gone crazy with delight. She opened the first with trembling eagerness, dancing up and down the whole time, and read these enchanting words:[23]

"Oh, mamma," she cried, laughing, "Nattie thinks the young lady's name is 'Miss Don't Know Yet!' How funny! But really, what is her name, mamma?"

"She will tell you that herself, when she comes. She wants to surprise you."

"Oh!" said Lillie; and just then another note was handed to her, and she read this:

[24]

"Oh, mamma"—Lillie was just going to ask her mother to let her have a party every week—when Maggie brought another note. This was from a young gentleman, and was as follows:

Lillie thought this was a splendid idea! It would be such an honor to the young lady to receive her with popping a pack of crackers at her, just as they fire off cannon at the President when he comes to town.

"Oh, how enchanting it is!" she cried, and she jumped up on a chair and jumped down again three times running, she was so happy.[25]

Everybody was coming, and all wrote notes very like those I have told you. The weather was beautiful, and, for a wonder, everything went just right.

Long before seven o'clock, Lillie was dressed and in the parlor waiting for her little friends. She got very impatient, and was just beginning to think they never meant to come; or had all been naughty, and were sent to bed instead of going to a party, when the door bell rang—then again—then again—and a moment after a little troop of laughing, lovely children skipped into the room, all talking together, and all running to kiss Lillie at once; so that not a quarter of them could find a place on her sweet, happy face, and had to wait for their turn.

Then some nice little boys came in, with their faces scrubbed so clean they fairly shone, and their hair parted down the middle behind so very even that the[26] seam looked like a streak of white chalk. They went up to Lillie very bashfully, and shook hands; and then all got together in a corner, because you see they were afraid of the girls, and imagined that they were making fun of them.

But after a little while this fear seemed to fly up the chimney, for boys and girls were playing "turn the platter," and "hunt the ring," and the larger ones were dancing; and everybody was having the most delightful time possible.

Dear little rosebud Maggie was the happiest of any, for she was to sit up until every scrap of the party was over; so everybody kissed her, and played with her, and showed her how to turn the platter, and she skipped and danced; and that dear little chuckling, singing laugh of hers was heard in every corner of the room. The fact is, Little Maggie is one[27] of my particular darlings. Don't tell anybody.

But where was the young lady all this time?

Lillie had scarcely thought of her, she was so happy with the dear little friends she knew and loved. Of course a stranger could not expect to have the same place in her loving heart, especially as she had not yet had even the first peep at her.

Her sister Mary had gone out of the room a little while before, and Lillie was wondering why she did not return, when there came a tremendous ringing at the bell.

"She's coming!" whispered Lillie to herself, and her heart beat fast as the door opened; and there marched gravely in—not a young lady—but a little old gentleman, whose hair was perfectly white, though he seemed to have a great deal of it, for his head was about the size of a half peck[28] measure. He wore a very long-tailed coat, buttoned up very tight; his pantaloons only reached down to his knees; but to make up for that his stockings came up to meet them, and were fastened with perfectly beautiful garters, with a big silver buckle shining in the very middle; shoes, also flourishing large silver buckles, adorned his feet. So you see he was quite an old dandy.

Leaning on his arm was a little old lady. Her hair was also as white as snow; and she too had so much, and it was so fuzzy, that it looked for all the world like a pound of cotton batting. She was dressed in the most gorgeous array, perfectly elegant to behold! white satin, and flowers, and furbelows; and was so very dignified and stiff in her manners that Lillie thought she must have fallen into a kettle of starch.

Another tremendous ring at the bell![29] and the servant who answered it came into the parlor and said the little old gentleman and lady were wanted out in the hall immediately.

They made each a low bow and marched out of the room, while the children's bright eyes grew larger and larger, and they asked each other, with a little hop and skip apiece, what in the world was coming next.

As to Lillie, the lovely pink roses deepened on her cheeks; her eyes shone like diamonds, and two dimples kept playing hide and seek with the smiles that were chasing them every instant.

It was a breathless moment! All were waiting—their eyes fastened on the door. The knob turned—it slowly opened—and in marched the little old lady and gentleman, holding between them by the hands, the most perfectly beautiful young[30] lady that was ever seen in the whole world!!

She had on a white tarleton dress, with two skirts trimmed with cherry-colored blond lace. The waist was gathered in at the belt, and finished round the neck with a beautiful lace berthe. She wore a sash of cherry-colored satin ribbon, and in her belt was an elegant chatelaine, from which hung a tiny gold watch exactly the size of a five cent piece. A necklace was round her neck, and a wreath of flowers upon her head. She had fine open-worked stockings and morocco shoes. In her right hand was the cunningest little fan that ever was seen! and altogether she was quite the belle of the evening.

All the children drew a long breath! and gazed with admiration as the three strangers marched all round the room. Then they stopped in the very middle, and Lillie's mother, stepping up beside[31] them, gracefully waved her hand and said:

"Ladies and gentlemen, let me present to you Mr. and Mrs. Grey, and Miss Florence Grey."

The little old gentleman put his hand on his heart, and made such a low bow to the company that they saw the back of his bushy white head, and his long coat tails stuck out behind like a pennon in a high breeze; and the little old lady put her hand on her heart, and dropped such a low courtesy that the children thought she meant to sit down on the carpet; but Miss Florence looked straight before her, and never took the slightest notice of anybody.

Just then a queer little laugh was heard; a kind of a smothered, bursting laugh. The children stared! and there was the little old gentleman stuffing his pocket handkerchief into his mouth, and[32] perfectly shaking with laughter!! What conduct in an aged person!! But worse was coming! The little old lady began to laugh; then she screamed with laughter, and shook so that a most dreadful thing happened! She laughed all the hair off her head! It first tumbled over sideways, and then fell on the carpet all in a bunch!

"Sister Mary!! sister Mary!!" cried Lillie, running up to the little old lady, who, strange to tell! had another crop of beautiful golden brown hair under the other, smoothed down very close to her head.

"Why, it's a wig!" screamed the children, all laughing and running up. Was there ever anything so funny: "It's nothing but Miss Mary in a wig."

At this very moment Master Sam Russell stepped slyly behind the little old gentleman, and twitched at his bushy[33] white hair. It all came off in his hand amid roars of laughter; and underneath was the brown head of Harry, one of the greatest fellows for fun you ever saw, and a dear cousin of Lillie's.

But Miss Florence stared at it all with a simpering smile on her face; till Lillie, looking close at her, caught her up in her arms, and hugging her to her breast screamed joyfully out—"It's a new doll! a new doll!! Miss Florence is a new doll!!" and began running round the whole length of the two rooms, all the children scampering after her, laughing and shouting, till they threw themselves down on the sofas and chairs, perfectly breathless.

Yes, Miss Florence was a splendid wax doll; and the children gathered round Lillie, after just one second of rest, for they could not possibly be expected to sit still longer than that; and admired[34] and kissed the stranger; and "Oh, what a darling! what lovely eyes! what pretty boots! how big she is! and so on," was heard on all sides.

A tremendous ring at the bell! Why! were wonders never to cease? In came Margery saying there was a trunk in the hall left by the expressman, who said Miss Florence Grey must pay him twenty-five cents, and he would not stir a step till she did.

Here was a difficulty! Lillie's money never had a chance to burn a hole in her pocket, because she spent it the very moment her mamma or papa gave her any; and she did not know where twenty-five cents were to come from.

"Suppose you feel in Miss Florence's pocket," said her mother.

"Ah! let's see!" cried Lillie; so she poked two of her little fingers in the pocket, and sure enough! there was a[35] bright, new quarter of a dollar. She rushed out and gave it to the expressman, who hardly waited to say, "thank you," but was on his wagon with a bound, and round the corner like a flash of lightning.

Well, there in the hall was a beautiful new trunk! two of the boys brought it in very politely. But it was locked. What was to be done now?

"Feel in Miss Florence's pocket," advised the good mother again.

Lillie poked in two little fingers as before, and said that way down in the bottom there was certainly something. She caught it at last, and when it was fished out, it proved to be a small key.

All the children crowded round as the trunk was unlocked; and then you would have given a hundred dollars, only to see their faces, and hear them clap their hands, and exclaim with delight as dress after dress, and petticoats all tucked up,[36] pantalettes with the most beautiful embroidery round the legs, and a round straw hat, and two French bonnets, and all sorts of things; and everything else besides, was taken out. Oh, it was almost too good to believe!

Down sat the darlings on the carpet, and spread all the articles out. The boys looking on very much pleased.

"Let's try all the dresses on," said one of the little girls.

No sooner said, than done! and before Miss Florence could say "Jack Robinson," off came the dress she was wearing.

Did you ever! To be trying on a lady's dress at a party!! Who ever heard of such a thing? I never did! But the best of it was, that Miss Florence did not seem to care a button; she smiled and simpered, and allowed herself to be tumbled over on her nose, and never squealed an atom when pins were run into her[37] back. But no doubt she came to the conclusion that it was the custom of the country. At any rate, she could not help loving Lillie; and for my part, I don't know who could.

In the middle of the dressing, supper was announced! which was joyful news, as all the romping and playing had made the children as hungry as hunters; and, at the sight of a great table perfectly loaded down with cakes, oranges, and mottoes, instead of gravely marching in, looking as solemn as owls—as grown people do—they skipped and danced with delight: and such a little, laughing, joyous party was worth all the grum old grown-up balls from now to never. I wish all the children would invite me to their parties; I think it is such fun! The sight of so many happy little faces takes nearly all the sad look out of my face, and quite all the sad thoughts out of my heart.[38]

They all ate just as much as they wanted of the nice things, and the little boys pulled the snapping mottoes with the girls; and very politely gave the motto papers, all crammed full of "love and dove," and "bliss and kiss," to those they liked best.

Then they played games and danced, and were so perfectly happy, that when the servants came to take them home, they one and all declared that they would not go, as their mammas had said they might stay till ten o'clock; when, would you believe it? Lillie's mother said it was ten minutes after ten then!

Where in the world had all the time gone to, this evening? Just the very evening, of all others, when they wanted it to last three times longer than usual! It really was too bad; and was very unkind in the hands of the clock to scrabble over such delightful hours so fast. But[39] there was no help for it now; and they put on their coats, cloaks, caps, and hats, and, after kissing Lillie and Miss Florence, who was going to live there, they all went home.

And that was the end of Miss Florence's party. I mean the party that was given in her honor. If you should like to see her, just come to me, and I will whisper in your ear were she lives now; for they have moved away from Clinton Place. She and Lillie have become great friends, and have never been separated since that celebrated evening, at the party, when the children tried on all her dresses.

Oh! I forgot one thing. The white wigs, you know. Well, the boys picked them up to examine them; and, what do you think the queer old things were made of? Why, nothing but a sheet of white wadding.

Portrait of Miss Florence.

How they did laugh! and how surprised[40] they were! for they looked so respectable! just like the bushy horse hair wigs you see hanging in Mr. Isabeau the hair dresser's windows; and I, for one, the very next time I go to a fancy party, mean to make a wig of white wadding, for three cents, for that was all Henry's and Mary's cost.

Won't Lillie be surprised when she sees this story in print! I'm quite certain she will laugh and kiss me, and say, Why, Aunt Fanny! You were not at the party; how did you hear? Then I shall look very mischievous and say, "Ah! that's telling!"

But there's one thing I must tell, though I am very nearly certain you have guessed it already. Miss Florence was the very doll Lillie's mother had bought in the summer time, and Helen, the kind sister, had made every one of the beautiful things in the little trunk. To show you[41] how handsome they all were, I have had Miss Florence's portrait taken in an everyday dress, and begged the printer to put it in this book. Don't it make a flourish? And was not Helen a perfect darling of a sister? Don't you wish she was yours? I do.

"There! what do you think of that story?" said the little mother, as she rolled up the manuscript.

"Oh, it is the best of all! They are all the best stories!" cried the children. "How we wish we knew Lillie and her beautiful doll!"

They gathered round their mother, and admired her picture, which Aunt Fanny had sent with the MS.; and counted the flounces, and thought her feet were "such darlings!" and then exclaimed again, "Oh, I wish we knew her!"

"Wouldn't you rather know Harry,[42] the little old gentleman in the wig?" asked a voice at the door.

The children turned quickly round, and saw Aunt Fanny standing at the door laughing at them.

They fell upon her with screams of delight, and, without meaning to, immediately upset her upon the carpet; for she is a little woman, with not a grain of bodily strength; all her strength is in her heart. So there she sat, so weak from laughing, that she could not help herself; while the children cried, "Oh, Aunt Fanny, we beg your pardon! did we hurt you? we only meant to love you."

Then they all got hold of her, and began to pull her up different ways; in consequence of which, down she came again, and half a dozen of the children with her.

"Oh!" she cried, "if you don't stop, you will push me through the carpet and floor, and make me fall plump on top of[43] the cook's head in the kitchen. Come, let's all sit here, while I tell you something, and recover my breath."

This invitation suited them exactly. Down they all dropped, with Aunt Fanny in the middle. The little ones tumbled over themselves, and lighted on their heads at first; but after a good deal of laughing and nestling up close together, they were tolerably quiet.

"Well," said Aunt Fanny, "I always knew you were perfect monkeys for cutting capers; but I did not know till now, that you were also a family of crabs."

"Crabs!" cried the children laughing.

"Yes, pulling me up, and trying to make me walk two ways at once, like a crab: very good fun for a crab, but it brought me flat, as you see, and has nearly frightened out of my head a fine story I have heard, about the consequences of an odd speech your friend Harry, the little old gentleman[44] in the story of Lillie, made to a poor little boy."

"Oh dear, do tell it!" they cried; "try to get it back in your head again; we want to hear it so much."

"Well, will you get up and sit in chairs, and work like beavers at your mittens, if I do?"

"Oh, yes! yes!" They sprang up, and in a surprisingly short time the crochet needles were glancing in the gas light; while the mittens grew wonderfully.

It was a new pleasure to hear a story directly from her lips, especially as she had brought two or three pictures to illustrate it, which added greatly to their enjoyment.

It was rather late to begin one, but the little mother for once consented to let the small ones of the family sit up; and Aunt Fanny began the wonderful story of

[45]

THE FAIRY BENEVOLENCE.

There never was a more loving son than little Mark. He was only seven years old. Yet already he was of great use to his mother, who was a very poor widow, as poor as could be, and she had to work, without ever resting, from morning till night, to get food and clothes for herself and her dear child.

Oh, that terrible stitch, stitch, stitching! It must never stop; for all she got for making a whole shirt was ten cents, and with her utmost efforts she could only finish two in a day.

At last, what with crying and sitting up half the nights in the cold to finish her sewing, the poor widow fell very ill. What[46] was to be done? There was no money to pay a physician, the rent was coming due, and little Mark was almost crazy with grief. He sat by his mother's bedside and bathed her head, and did all he knew how to do.

They lived in a small hut, far away from the village, to which the poor widow had to take her work every week, from which it was conveyed to the great city of New York. There the shirts were sold for so much money, that the man who got them made for the shamefully small price of ten cents, rode in his carriage and lived in splendor. Ah! how I wish this wicked man, who was starving many a poor woman in the same way, could have been made to feel cold, and hunger, and thirst, till he nearly died. I think, after that he would begin to have a conscience—don't you?

"Why, what is the matter, little fellow?"

One afternoon, while his mother was[47] in a troubled slumber, little Mark went and sat down outside the cottage. A kind farmer had been felling trees, and one of these he had given to Mark's mother, promising to send one of the farm lads that evening to saw and split it for her. Mark sat down on the log and leaned sadly upon his hand, and every little while he wiped away a tear that rolled down his cheek.

Presently a tall, handsome boy walked past. It was Harry, the one who personated the little old gentleman in the true story of "The Party Lillie gave to Miss Florence." His father had a country seat in the neighborhood, and Harry often took long walks in search of adventures.

"Why, what is the matter, little fellow?" he asked.

Mark raised his tearful eyes, and seeing a kind face, told his pitiful story.

"Oh, don't be down-hearted," cried[48] Harry. "Why, don't you know the fairies are not all dead yet? Now, there's the fairy Benevolence; just you ask her, good and loud, to help you, and see if she won't do it;" and he patted the little boy encouragingly on the head, slipped a quarter of a dollar—all the money he had with him—in his hand, and walked quickly away.

Harry's father was a skilful physician, with one of the largest and most loving hearts I ever knew; and when Harry told Mark to call upon the fairy for assistance, his idea was that the fairy this time would come in the shape of a rather stout gentleman, with the pleasantest smile and finest set of snow-white teeth that ever were seen. He had a kind, delicate way of doing a service, which made it better to take, and did more good than all the medicine in Mr. Hegeman's apothecary shop.

Very soon little Mark got up and went into the cottage. His mother was still[49] sleeping. It was now sunset, and the shadows began to deepen and darken in the room. Mark sat down by the bedside, and commenced thinking of what Harry had told him. He was a little bit of a fellow, you know, and of course would believe what such a great boy would say. So he concluded it must be true that the fairies were still to be found; and at last his longing grew so intense that he cried aloud, "Oh, Fairy Benevolence! come quickly, and make my poor mother well."

A sweet strain of music seemed to float in the air; the poor, whitewashed wall of the cottage opened in the middle, through which a beautiful lady entered, with a wreath of flowers round her head, and a wand of ivory in her hand.

"Well, my little friend," said she in a soft voice, "what do you want of me?"

Mark was almost speechless with astonishment[50] and admiration; but he managed to say, "Oh, lady, if you are the fairy Benevolence, save my poor mother."

"It is not in my power, my good child. You must do it yourself. You can, if you have the courage to go where I tell you, and hunt for a certain plant. It grows on the top of a mountain, and is called 'The Plant of Life.' The juice of that plant will cure your mother the moment she tastes of it."

"I will go this instant," he cried; "but who will take care of my mother?"

"Trust her to me, my dear boy, while you are absent. She shall have everything she wants."

"Oh, thank you," said Mark; "now I will go."

"But you must have great courage and perseverance: there is nothing of importance ever gained in this world without them."[51]

"Oh, I have lots of courage!—only tell me where I shall find the plant."

"Well—when you get to the top of the mountain, you must call the doctor who has charge of the plant; tell him that I sent you, and he will give you a sprig."

Mark thanked the kind fairy, and kissed her hand; he then leaned over and softly kissed his mother, and then departed.

He walked quickly, but found the mountain further off than he expected. He had hardly got a third of the way when he saw a crow caught in a trap.

"Oh, poor crow!" exclaimed the kind little fellow, and he pressed down the spring and released him. The crow flew off with a "caw, caw," and then spoke like a human being, saying, "Thank you; I will repay you."

Mark was surprised to hear a bird talk;[52] but he hurried on, and soon after he saw a rooster chased by a fox. Mark caught the rooster up in his arms, and concealed him under his coat; and the fox, staring, surprised, in every direction, ran off disappointed. As soon as he was out of sight Mark let the rooster go, who turned and said, with a grateful and very long crow, "Thank you, Mark; I will repay you."

"Why, they can all talk!" exclaimed Mark; "they must be fairy people, turned into birds!"

He walked on a long way, and jumped quickly on one side as he came up to a great ugly bullfrog, who, charmed by a snake, was too terrified to move. The snake was just about to swallow it whole, when Mark seized a large stone and threw it with all his strength into the reptile's wide-open mouth. Down went the stone into his throat, and choked him directly.

The frog hopped joyfully into the[53] ditch at the side of the road, croaking out, "Thank you, Mark; I will repay you!"

"I declare the frog said the same thing," said Mark; "it is very strange! But no doubt they are all fairies."

By this time he had arrived at the foot of the mountain; but, alas! between it and him flowed a deep river, and so broad you could scarcely see the other side.

"Oh dear," cried Mark, "what shall I do? I can't walk on water, and there is neither boat or bridge." He sat down on the bank, covered his face with his hands, and cried aloud, "Oh, Fairy Benevolence, come and help me! Why did you tell me about the wonderful plant which would save my dear mother's life, when you knew very well I could never get to the mountain!"

At this instant, the rooster he had saved from the fox appeared, and said,[54] "Listen to me, Mark; the fairy Benevolence cannot help you here. This mountain is beyond her dominions. But you have saved my life, and I am not ungrateful: get on my back, and I promise you, on the faith of an honorable rooster, I will carry you to the other side of the river."

Little Mark was overjoyed to hear this. He gave a spring, and was in a moment astride of his comical steed, holding on by two feathers. The rooster carried him as smoothly and easily as a steamboat; but not quite so fast, for it took twenty-one days' paddling to accomplish the journey; but at last he was landed high and dry on the opposite bank of the river.

Mark now travelled for a long time, but the mountain seemed to recede; and when at last he arrived at its foot, and began to climb, he thought it was growing up in the air, like Jack's beanstalk. He journeyed twenty-one days up and up,[55] but did not get the least bit discouraged: his great love for his mother gave him both patience and perseverance. "If I have to walk for twenty-one years," he said aloud, "I will never stop till I get to the top."

"Twenty-one years," echoed a malicious, sneering voice. "You are a very conceited little chap! Pray, what do you want?" and out came, from a cave in the mountain, a little man with one eye in the middle of his face, and two noses side by side.

"I wish to find the plant of life, sir," answered Mark, with a bow.

"Oh, you do! Pray, whom for?"

"For my dear mother, who is lying very ill at home."

"Oh, well you look like a tolerably good boy, and I believe I will permit you to go, under certain conditions. I am a génie; so, you see, I could cook and eat[56] you, if I liked. You must reap all my wheat, thrash out the grains, grind them into flour, and knead the flour into loaves, and bake them. You will find all the tools you want in the cave. When all is done, you can call me; but till you have finished, you shall not stir a step." So saying, he disappeared in a streak of blue smoke.

Mark had listened in terror, and, when the génie was out of sight, he looked all round him. On every side were immense fields of wheat. He raised his arms, then dropped them in despair, and, covering his face with his hands, cried out, "Oh, fairy Benevolence, come and help me!"

"Go to work, Mark," said a soft voice close to his ear.

Mark, upon this, took up a scythe and began to cut the wheat. This took five times twenty-one days; four times twenty-one days were spent in thrashing the[57] grain; three times twenty-one days in grinding it into flour; and twice twenty-one days in making it into loaves, and baking them.

As fast as the loaves were taken out of the oven, they arranged themselves in even rows, like books on the shelves.

When all was done, Mark called the génie, saying, "Here they are, sir, smoking hot."

The little man appeared immediately, and counted them—five hundred thousand loaves. He tasted a bit from the first and last loaf, smacked his lips, and said they were "prime." Then he took a snuff box from his pocket, and said to Mark, "Here, take this, and when you return home, you will find it filled with a new kind of snuff."

Mark thanked the génie, who immediately disappeared in a streak of brown smoke.[58]

He went on climbing the mountain, but had not got far, when he came suddenly upon a giant sitting at the mouth of a cave. He seemed a jolly, good-natured old fellow, with a pipe, and a bundle of cigars, and a bag of money on a sort of table before him.

Mark was not very much afraid of him, and, making a low bow, said, "Please, sir, tell me if I am near the place where the plant of life grows."

"It is not very far off, youngster; but you don't stir a step farther, until you gather all my grapes, and make wine of them. So be in a hurry."

Poor little Mark! He looked round and saw grape vines, with the fruit weighing them down in every direction. It took three times twenty-one days to gather them, and twice the same time to make the wine and put it into casks.[59]

When all was done, he called out, "It's all done, Mr. Giant."

The giant tasted the wine, from the first and last cask, smacked his lips, and said, "That's what I call good! Here, monkey, take this thistle; when you reach home you will find in it everything you wish." In an instant, giant, casks, and all had disappeared.

But little Mark, holding fast to his thistle, journeyed on. Soon he came to a wide ravine. It was impossible to jump across, and so deep that the bottom could not be seen. He walked along the edge for a long time, but it grew wider and more precipitous. "Oh!" cried Mark in despair, "no sooner do I overcome one obstacle, than another rises in its place. How shall I ever get past this dreadful ravine? He covered his face with his hands, and murmured, "Oh, fairy Benevolence, must my mother die!"[60]

Hardly was the last word spoken, when a wolf appeared, and asked in a rough voice what he wanted in his domains.

"Oh, Mr. Wolf," said Mark trembling, "I seek the plant of life for my mother."

"Well," growled the wolf, "you must first kill all the game in my forests, and make them into game pies. Here are a bow and arrows, and here is a fire in this hole; not a step shall you stir till you have finished."

Mark took the bow and arrows, and tried to shoot the birds, but he could not hit a single one. Just then the crow appeared, and, with a polite "caw, caw," said, "You have saved my life: now I will show you my gratitude." So saying, she killed all the game for him. It took four times twenty-one days, and he killed five hundred thousand, of all sorts and sizes, woodcocks, partridges, quails, chip birds,[61] robins, and cat birds, for a wolf likes all varieties. As fast as the crow killed, Mark cooked, and when it was all done, he called out, "Mr. Wolf, here are your pies with plenty of pepper and salt."

The wolf tasted the first and last, smacked his lips, and exclaimed, "My! how nice!" He then gave Mark a stick, saying, "When you have found the plant of life, and want to go home, get astride of this stick; but now get on my back."

Mark obeyed, somewhat frightened, and holding fast to his steed's ears; the wolf went to the edge of the ravine, gave a prodigious jump; and, lo and behold! Mark was safely over.

And now, at last, the high wall of the garden appeared, in which grew the plant of life. In the distance was a tall tower, from the window of which a pretty little girl was watching him.

Mark uttered a thankful exclamation,[62] but alas! before he could get inside the garden, there was a deep moat to cross. He walked along the edge, hoping to come to a bridge; but found none. Still the brave, determined boy was not in the least discouraged, but said aloud, "I won't stir from this place until I find some way of getting across."

Hardly had he uttered these words before he saw an enormous cat, who, giving a loud "mew," by way of clearing her voice, asked him what he wanted there.

Mark repeated his story, and the cat, with another mew, said, "You cannot go across without you catch all the fish in the moat, and fry them with parsley and catsup. You will find a fishing rod and bait on the sand. Come! begin! while I set the table."

"Oh!" said little Mark, "how can I catch all these fish! Oh, fairy Benevolence! come to me."

The Cat shot up in the air.

[63]

"I will help you," said a sweet voice. He turned, and there stood beside him the very little girl he saw looking out of the window in the tower. How she got there nobody knows; and what Mr. Nobody knows he never tells; but the dear little maiden said, "I am called 'Little Goody.' The old cat shall have the fish, and you shall have the plant of life; but she shan't stay here to tease you."

So she clapped her hands and cried, scat!! so suddenly, that the cat, catching up the table cloth, shot up in the air like a sky rocket, screaming like forty steam whistles.

Then Goody stamped her little foot on the ground, and up started a bull frog, who said right away, "How do you do, Mr. Mark? I don't forget that you have saved my life, and I am not an ungrateful frog. I will catch the fish for you."

It took three times twenty-one days[64] to catch all the fish, and twice twenty-one days to cook them. Then Mark called the cat, saying, "Come, Mrs. Cat, come and look at your dinner." Down came the cat, with the table cloth still on her shoulders, tasted the first and last fish, smacked her lips, flourished her whiskers and tail, and cried, "Catipal! How many kinds you have caught! I must make a catalogue of them;" and then, to Mark's great amazement, she took the carving knife and cut off one of her paws, and handed it to him, saying, "Take this cat's paw: when you feel ill, weary, or are growing old, touch this paw to the end of your nose with the claws spread out, and all illness and weariness will disappear over your left shoulder."

Mark took it, and thanked the cat heartily. He thought he would try it then, and sure enough, he felt the fatigue walking over his left shoulder, just as he[65] had been told. The little girl stood looking on with an amiable expression, and then the cat said, "Get on my tail."

Mark did not like to step on the cat's tail. He knew by experience that a cat is apt to claw anybody well who ventures on such a caper; but the little Goody laughed out, and stepping on it herself, invited Mark to her side.

Thus encouraged, the boy got on; and then the tail began to grow, till the top of it reached the garden gate, to which it fastened itself; and Mark and his pretty companion walked merrily over this new-fashioned bridge.

At the entrance, Goody took an affectionate leave of him, first pointing to a little clump of bushes with emerald green leaves, saying, "Never mind asking my father, the doctor. There is the plant of life, Mark; pluck it quickly, and off for home and your mother."[66]

Oh, what joy he felt! He gathered several sprigs of the precious talisman, mounted the stick which the wolf had given him, and presto! in an instant was at the door of his mother's cottage.

Quickly he entered, and running up to her, pressed the plant to her lips. She brightened up immediately, hugged him to her heart, and exclaimed, "Oh, how rejoiced I am to have you again! You have been gone two years, seven months, and twenty-one days! How you have grown, and how rejoiced I am, my darling! my own boy!"

At this moment, the wall of the room opened, and the beautiful fairy Benevolence entered. She related to the happy mother all Mark's adventures, and the courage, patience, and goodness which he had shown. Then she told the brave boy that he might make use of the presents[67] given to him by the little old man and the giant.

Mark opened the snuff box, and out sprang a number of workmen about the size of bees, who set to work with such good will and diligence, that in an hour they had built a pretty little house, and furnished it completely, not forgetting a book case filled with excellent books, some fine engravings, and a few paintings on the walls. Mark was especially delighted at this, for he wanted of all things to learn to read and write; and the pictures charmed him even more, for he had a natural taste for such things.

Then he opened the thistle. Dear me! It was crammed full of clothes for himself and his mother, with sheets, tablecloths, and napkins, all of fine linen. Was there ever anything known like it!

While they were admiring these wonders, the busy-bee-men, who had popped[68] out of the snuff box, had prepared an excellent dinner of roast beef and pumpkin pie; and while Mark and his mother were eating it, what should march past the pretty bay window, which opened to the floor, but two fine cows, one fine horse, a great rooster, and twenty hens; turkeys, geese, and ducks; all lowing and neighing, and crowing, and cackling, and gobbling, and hissing, and quacking, enough to take your head off; but Mark and his mother and the fairy seemed to like it, for they clapped their hands and laughed so loud that—

"Why, Mark!" cried a cheery, laughing voice, "do you mean to sleep a week?"

Mark started up wildly and looked about him. What did it mean? He was in his own little bed, in his own little room![69]

"Where is the fairy Benevolence?" he said, looking perfectly bewildered.

Harry shouted with laughter. "Why, Mark, are you cracked? What has made you sleep so soundly? Father and I came here last evening, about an hour after dark, and found you fast asleep, sitting at your mother's bedside.

"'Poor, tired little chap, he has watched with his mother, till he is worn out,' said father; and he took you gently in his arms and laid you down here. Then he sat by your mother's bedside some time, to watch the effect of some famous medicine he gave her; and when she was in a pleasant sleep, he and I went home.

"But we came here this morning early, and found your mother much better, and you, you little monkey, still as sound as a top.

"I've been making your mother's room more comfortable; and Betty, mamma's[70] maid, has brought a great basket full of all sorts of nice things for her. Come and see her; she looks real bright! she is getting well already."

Little Mark had listened, with his senses getting clearer every minute, and at last he understood, with a sigh of disappointment, that his wonderful adventures and the fairy Benevolence were only a dream. He was almost crying as he said, "Oh, Mr. Harry, if you knew what I had been dreaming, you would be sorry for me. I was so sure it was all true about the fairy Benevolence."

"So it is," laughed Harry; "only the fairy has got whiskers. Come along."

Mark suffered Harry to lead him into the other room; and then, forgetting everything and everybody, he rushed up to his mother, and bursting into tears on her neck, sobbed out, "Oh, mother! if it only could have been true, you would have been[71] cured, and we should have been living in such a nice house! with cows, and hens, and turkeys, and all—oh! oh—!"

His mother was sitting up in the bed, and Harry's father was mixing a pleasant drink for her. Mark looked up as Harry said: "Come, Mark, don't cry so: here is a fairy who will help you, and your mother too." When the little boy saw the genial, kindly smile of the doctor, he felt comforted; and sitting down on the side of the bed, he told his wonderful dream.

It was listened to with the deepest interest; and when he had finished, the doctor patted him on the head, and said, "Never mind, my fine little fellow! if we can't give you a grand house and a snuff box full of servants, and a thistle which drops out of it all the clothes you want, I think we can cure your mother; and when she is well, we will find her something better[72] to do than making shirts at ten cents apiece; and you shall go to school, and learn to be a great scholar; and I don't see the first thing to prevent your having a good chance to become, one of these days, the President of the United States. So hurrah!"

The kind doctor was as good as his word. The poor widow recovered rapidly under his excellent care, which did her heart more good than her body, for it was both sweet and strange to receive so much kindness. Good Samaritans are very scarce nowadays.

When she was well enough to go out, she found that her rent was paid, a load of wood was piled away in the wood shed, half a barrel of flour was in the pantry, and some nice hams were hanging up. Plenty of work at good prices soon poured in. Little Mark was sent to the district school, for now he had comfortable clothes[73] and shoes on his poor little feet; and really, as he told his mother one happy evening—"After all, dear mother, I like my waking fairy Benevolence best—whiskers and all!"

A few evenings after the last story had been read, the little mother drew from her pocket quite a thick roll of paper, saying: "Here is something from Aunt Fanny, with a proposal that will surprise you."

"What can it be?" cried the children with eagerness.

"She wants you to act a play."

"We act a play! Who ever heard of such a thing?"

"Yes; she has partly written, partly translated a little play, and here is her letter with it."[74]

A long pause took place when the letter was finished; the children were so astonished, as well as delighted, at the new work prepared for them.

"Well!" cried Harry at last, "what would George say, if he knew the monkeys and crabs would turn actors next?"

"He would think it splendid," answered Anna. "You know the poor soldiers, who were made prisoners at that dreadful Bull Run battle, acted plays in their prisons, to keep themselves from dying of home-sickness."[76]

"I want to act," said Willie.

"I want to act," echoed Bennie.

"Well," said the Little Mother, "let us see how many characters there are."

They all crowded round while she unrolled the paper. "Here is the mother, Mrs. Langdon. You must take that, Anna; and Harry will be Edward, your son."

"If he is the bad boy," said Anna, laughing, "I'll give him a thrashing every morning before breakfast."

"That will give you an excellent appetite," returned Harry; "for I shall run away, and you will have to catch me, first."

"Clara must be Mary Brown, Edward's nurse."

"Oh, dear little fellow," said Clara, patting Harry, "old nursey will buy you a stick of candy."

"Ago-o-o," said Harry, like a little baby, which set them all laughing.[77]

"Johnny shall be Mr. Sherwood, the tutor, because he is naturally such a sober little fellow," said the mother; "and we will invite Gus Averill, Harry's friend, to be Morris, because he and Harry are of the same age and height, and that will be excellent. Minnie can do Jane, the maid, very nicely; and Willie and Bennie can be Patrick and Andrew, the waiter and gardener."

So it was all settled; and the next morning the children began to study their parts—the larger ones assisting the little ones—so that they learned as quickly as the best. In the evening they repeated what they knew to their mother, working at the same time on their mittens, and were just as busy and happy as good and industrious children always are.

It was really surprising how soon they became perfect, and the rehearsal went off with complete success. Harry and Anna[78] kept their faces very well; and only Bennie and Willie grinned a little when they first came on the stage, which was the back parlor.

The company were to sit in the front parlor, and some curtains were hung up between that and the back room, and made to draw quickly aside, and drop just as quickly.

The invitations had been sent out, and were every one accepted. This is one of them:

The great evening came; and the children, ready dressed for their parts, were in a tremendous flutter. Even the little wee ones were to do something. They[79] were stationed at the parlor door with baskets, and charged not to let a soul come in, unless the pair of mittens were paid into one of the baskets. I warrant you they took very good care of that, for their eyes were as sharp as needles; and the moment the door was opened they would all cry "Mitten money! mitten money! pay your mitten money!" which made the company laugh so they could hardly get the "mitten money" out of their pockets.

After they had all arrived, and were comfortably seated, each with a beautifully written play bill, with the names of the actors upon it, the entertainment began.

[80]

MASTER EDWARD'S TRIAL;

OR, DO AS YOU WOULD BE DONE BY.

A LITTLE PLAY.

Scene—A fine House in the Country. A Parlor opening into the Garden.[81]

Mr. Sherwood. No, madam; I have come to bid you adieu. It is impossible. I cannot, I will not stay here another day.

Mrs. Langdon. But, Mr. Sherwood, listen a moment!

Mr. S. No! I have made up my mind! I am tired of losing my time and pains with Edward!

Mrs. L. Please have a little patience. Try him once more.

Mr. S. He has already abused my patience beyond all bounds. He is wilful, ungrateful, idle, and stupid; and all the[82] blame will fall on me, whom you have employed to educate him.

Mrs. L. Can you believe that I would blame you, who have been so kind to my son? Remember, that when my husband died, you promised me to devote yourself to my fatherless boy. Will you leave your work undone? He has talents, a good heart—

Mr. S. No, madam; you deceive yourself. His heart is bad; his character unamiable; he is proud, vain, selfish, wicked.

Mrs. L. What! wicked!

Mr. S. Yes, madam. Does he not treat your servants as if they were slaves? Does not everybody hate him?

Mrs. L. Oh, how severe you are! My dear son is young: he has pride, to be sure; and that very pride once caused you to say that you would make a great and good man of him.[83]

Mr. S. Yes, I said so; and perhaps I might have succeeded without you—

Mrs. L. Without me! Why, what can you mean?

Mr. S. Do you wish me to be frank with you?

Mrs. L. Certainly. I shall feel obliged to you.

Mr. S. Well; it is you who spoil the effect of all my lessons. It is you who spoil Edward. Excuse me, but I must say it.

Mrs. L. I, Mr. Sherwood! I confess I love him above all other earthly possessions; but that is surely excusable. He is the image of a husband taken away from me in the first year of our marriage. You remember my grief was so excessive that I could not nourish my poor child; and by the advice and entreaties of my relatives and physician, I consented that he should be taken into the country by my[84] humble, faithful friend, Mary Brown, who nursed him for eighteen months with her own child, while I was sent to the West Indies, and afterward to Europe, to recover my health. Edward is all I have.

Mr. S. If you love him so much, send him to boarding school.

Mrs. L. Impossible! I cannot part with him. But I will put him entirely under your control. Only stay, and you shall govern him just as you like.

Mrs. L. Patrick, where is my son?

Patrick. I don't know, ma'am.

Mrs. L. What? You don't know?

Patrick. No, ma'am. After taking his lessons this morning, he made me dress him three times. Yes, ma'am, three times! and by way of paying me for my trouble, he hit me a blow on the side of my head,[85] and crying, "Take that, old bog-trotter"—he ran off laughing; and five minutes after that, when I was talking with Andrew on the edge of the hill at the back of the house, he came suddenly up behind and upset us both. My back is all but cracked.

Mr. S. You see how he treats your servants!

Mrs. L. Well! but he did it laughing. It was only his fun, dear little fellow! Patrick, go find him, and bring him here.

Patrick. And suppose, ma'am, he won't come?

Mrs. L. Tell him his mother wants him.

Patrick (going out, to Andrew). Where am I to find him? Have you seen him?

Andrew. Seen who?[86]

Patrick. Master Ned.

Andrew. Yes, I have seen him; I see a great deal too much of him; he has just chased me out of the garden with a hay fork.

Patrick. Is he there now?

Andrew. Oh yes; he tied an old hen fast by the leg to the fence, and is shooting at her with his bow and arrows.

Mrs. L. What a boy! how thoughtless! Patrick, go and get him.

Andrew (twisting his hat about, and standing first on one leg, then on the other). Mrs. Langdon—

Mrs. L. Well, Andrew, what is it?

Andrew. I am your gardener, ma'am; am I not?

Mrs. L. Yes, Andrew.[87]

Andrew. I have always tried to give you satisfaction?

Mrs. L. Certainly. You have been very faithful.

Andrew. You have fed me well, paid me well, and, what is far better, you are good and kind to me, which I like more than money, because the one you owe me, and the other you give me of your own free will.

Mrs. L. Well, Andrew—

Andrew. Well, Mrs. Langdon, I am going to leave you against my own desire. You are an excellent mistress, and I don't want to leave you, but it must be—

Mrs. L. Andrew, I am surprised! Why do you wish to leave me? Have you anything to complain of? Have I done you any injustice?

Andrew. Oh no, ma'am! You are all kindness and goodness; neither proud,[88] scolding, nor brutal; but everybody is not like you.

Mrs. L. Do the other servants impose upon you?

Andrew. Oh dear, no, ma'am! they are good and honest.

Mrs. L. What do you complain of, then?

Andrew. Why, ma'am, since I have begun, I will go on. Every man who respects himself, takes a pride in his work. If he is a gardener, he likes to hear people say, "There is a capital garden! Those vegetable beds are very nicely kept!" Well, it makes me mad to see your money and my work all wasted and destroyed.

Mrs. L. But how?

Andrew. That's just it. I know how, and you don't.

Mrs. L. Will you tell me?

Andrew. Well, it's Master Ned.

Mrs. L. Master Ned?[89]

Andrew. Yes, ma'am. He is a perfect little Satan; he keeps me running after him, till I am out of breath, and perfectly hoarse with talking.

Mrs. L. Why! What has he done?

Andrew. The same he does every day: ten ground moles, fifteen chickens, twenty pigs, would do less injury in a year than he does in one day. He upsets the planks, tears up the walks, breaks the windows of the hot beds, tramples on the flowers, breaks down the pear trees, plays the mischief in the vegetable garden, and runs off with my tools. I can't stop him; and when I say, "Master Ned, you must not hinder me so in my work; if you want to turn double somersets, go and do it in your dear mamma's parlor; go and plague Mr. Sherwood, or Patrick, or, still better, torment Jane, and leave me to plant my cabbages." Do you know how he answers? By cracking me over the shoulders[90] with his switch, and crying out, "Look out, old potato top, or I'll tumble you into the pond." I might as well ask the river to run up hill. And look here, ma'am, see this picture (shows picture) he drew of me, watering the garden in a thunder storm, as if I ever did such a thing! or looked like that, either!

Mr. S. In a short time, no one will be able to live with him.

Mrs. L. Dear me! It is nothing but his high spirits and love of mischief! But I own you are not unreasonable, Andrew. I don't want my son to tease you, much less ill-treat you. I will forbid him, before you, from going in the garden.

Andrew. Good! Only do that, and I will give him my finest flowers, and my best fruits, if he will only keep away.

Mrs. L. (sighing). I seem to have made twenty excuses for my son in ten minutes; but you shall be satisfied.

The Caricature Edward drew of the Gardener.

[91]

Jane. Mrs. Langdon, I must also speak to you about Master Ned.

Mrs. L. Well.

Jane. This morning he opened the cage door and let your canary fly away, and twisted poor Poll's neck because she said, "Bad boy!"

Mrs. L. Oh! oh! my parrot's neck!

Jane. Yes, ma'am.

Mr. S. Now, madam, this is not thoughtlessness: it is a case of actual badness.

Jane. Yes, and he does something as bad every day.

Andrew. Why, he is worse than Lucifer!

Jane. Every morning, ma'am, he overturns your toilet table, spills the cologne water, upsets your work box, makes your finest letter paper into boats, and puts the kitten to sleep in the crown of your best bonnet; and then, when I beg[92] him to behave, he calls me an old cat, and a buzzard, and a red-headed crab.

Mrs. L. Why have you not told me this before?

Jane. Why, ma'am, I have; but it has always ended by his being excused and I scolded.

Mrs. L. Stay here. You shall see if I excuse him! He might change his clothes ten times, pull up a plant or two, pick a few flowers, or even trouble you at your work. I don't see anything so very dreadful in all that. But to twist my parrot's neck! Oh!—

Mrs. L. Well, Patrick—

Patrick (rubbing his legs and making wry faces). He is coming, ma'am—

Mrs. L. What's the matter?

Patrick. Master Ned has been breaking a stick over my legs.[93]

Mrs. L. (very angry). The child's a demon! I am outrageous! I am furious!

Mr. S. Control yourself, madam! do not fly so suddenly from extreme indulgence to severity; do not correct a child when you are in a passion.

Mrs. L. You may be right, sir, but I shall punish him as he deserves.

Andrew. Please don't beat him, ma'am. Here he comes.

Edward. Were you asking for me, mamma? dear, pretty mamma!

Mrs. L. Stand back, sir! I don't kiss a bad boy!

Edward. A bad boy! Why, mamma, what have I done?

Mrs. L. Do you dare to pretend that you do not know? Look at Andrew, Patrick, and Jane![94]

Edward. I see them. Have they been complaining of me?

Mrs. L. Yes, and I am astonished at what they tell me.

Edward. The mean things! Mamma, they—

Mrs. L. Take care, sir! Don't add lying to your other crimes.

Edward (looking angry). But what do they say I have done? You scamp of a turnip top, Andrew! is it you who are trying to rob me of my mother's love? Such a good boy as I am, too!

Andrew. You a good boy! about as much as the old gray donkey is a robin redbreast. No! you are a nuisance, and ought to live up in the air in a balloon by yourself. You have ruined my garden; and whenever I beg you to stop, you answer me with your switch over my legs.

Edward. Oh, mamma, that is too cruel! I only wish to make you a bouquet,[95] when Andrew comes up, yelling like a tiger, "Don't touch those violets! Let that pansy alone! Stop! you shan't take a rose!" Well, what can I do? So I dug up a little plot, pulling out a few vegetables, so as to raise some flowers for you myself. Then Andrew screams out, "What have you done? You have pulled out all my onions!" Then I take another place, and old Sourcrout bawls, "The beets are planted there." I declare it's too bad! I wish to cultivate the earth, because Mr. Sherwood says the most respectable men in the world are farmers; and Andrew, mad as fury, comes and drives me away. Suppose I do spoil some of his stupid cabbages; if I could present you with a flower raised by my own hand, it would be worth all his cabbage heads, and his own too.

Mrs. L. The darling! How he loves me! Andrew, you are a brute![96]

Andrew. Thank you, ma'am. That's what I call justice.

Mrs. L. My dear son was only seeking to gratify me, and you did very wrong to hinder him. Dear child! he was willing to work like a farmer to please me.

Andrew. I'm dumb! If you wish it, he may scratch up the whole garden, and empty it into the duck pond; he may break down fifty trees a day; he may have a mass meeting of the dogs, pigs, chickens, ducks, turkeys, and the old gray donkey, in the best flower beds; and end by inviting Farmer Green's bull Sampson to dance a hornpipe through the glass into the conservatory. Nothing now will astonish me.

Mrs. L. That will do. My son, I forgive your capers in the garden, but I have a more serious charge against you. How can you excuse yourself for letting my[97] canary fly away? and above all, why did you twist my poor Poll's neck?

Edward. Well, mamma, you would have done the same. I did open the door of the canary's cage. He was poking his poor little bill through the bars, and I was so sorry for him! I thought he wanted to go to his mother, who, perhaps, might be perched up in the tree opposite, and so I gave him his liberty. Mr. Sherwood has often told me that kindness to animals is one of the finest virtues.

Mrs. L. Oh! was twisting my parrot's neck another proof of your kindness? What had the poor bird done to you?

Edward. Nothing to me, mamma; but the wicked little squinting thing had bitten Jane's finger, when she was kindly giving him some sugar; and she cried, and seeing the tears rolling down her cheeks, I got very angry, quite in a rage. I am very sorry, but I did not think that[98] Jane would have been the one to accuse me.

Mrs. L. There, Jane! you are an ungrateful creature! You have tried to poison my mind against my son!

Jane. But, Mrs. Langdon—

Mrs. L. Be silent! Your affair is settled. But, Edward, when Patrick came to call you, why did you break a stick over his legs?

Edward. It was very wrong in me, mamma; but I had just gathered some splendid roses for you: they were on the ground, and the clumsy fellow trampled upon them without seeing them. It put me in such a passion, I did whack him once or twice. I beg his pardon, mamma.

Mrs. L. He should ask yours, you dear boy! I order you all to apologize to my son, or I shall discharge you. You first, Jane. My son would not for twenty gardens, or poll parrots, do a mean thing[99] or tell a lie; he shall be respected and obeyed as I am; and those who don't like it can leave.

Andrew (ironically). I beg your pardon, Master Edward, for the good switching you so kindly gave me; I beg your pardon for the damage you did to the garden; you will oblige me by continuing to tumble everything topsy-turvy, and break all the rest.

Patrick. Forgive me, Master Edward, for all the pretty little capers you cut up.

Edward. Oh, certainly. Mamma, they are good sort of people, after all; and I hope you will excuse their coming to complain of me.

Mrs. L. To oblige you, my dear son, I will. You see, all of you, how amiable he is. And now remember, the very first complaint he makes of you, I will discharge you. Leave the room.

Andrew to Patrick (going out).[100] Here's a pretty how-d'ye-do! He has made his mother believe that black is white.

Mrs. L. You see, my son, though I do not wish the servants to be disrespectful to you, I require you to treat them with kindness. They are human beings like you.

Edward (contemptuously). Like me! I should think not.

Mr. S. Yes, sir! They are not rich, to be sure, or born of a high family, nor is it likely that their heads will ever burst with the knowledge a fine, thorough education gives; but they are capable of every good and noble quality of the heart. Do you understand?

Edward. Yes, Mr. Sherwood.

Mrs. L. Try to make everybody love you.

Edward. Dear mamma, I don't care for any love but yours.[101]

Mr. S. But you must care for the respect and friendship of others; which, as Addison says, "improves happiness and abates misery, by doubling our joys and dividing our griefs."

Edward (sneeringly). He talks like a book, don't he, mamma?

Mrs. L. He does, indeed; and if you love me, you will profit by his advice and lessons. Perhaps you owe more to him than to me. Love him, and be grateful to him, for his constant endeavor to cultivate your virtues and talents.

Edward. Love him—I cannot promise that.

Mrs. L. Why not, my son?

Edward. Because I have given all my love to my dear mamma (kissing her).

Mrs. L. You darling! kiss me again! Ah, Mr. Sherwood! can you blame me if I almost adore him?

[102]

Mr. Sherwood. You are ungrateful, to vex and grieve a mother who loves you so dearly. If you loved her as much, you would obey her if she only held up her little finger; but it seems to me a cat-o'nine-tails flourished before you might have a very good effect.

Edward. I am sorry that—

Mr. S. Did you take your writing lesson to-day?

Edward. No, sir. I don't like writing lessons. They are a perfect plague. They give me the cramp in my thumb, and kinks in my fingers.

Mr. S. Essence of switch on the fingers is good for taking out kinks. Has your dancing master been here?

Edward. Oh yes! I love him dearly, he is so funny! He tells me comical stories, and can imitate everybody in the[103] house. Andrew's lumbering, poking walk, Jane's prinking ways, and even you, with your long dismal face, your eyes staring at a book like a cat looking at a fish, and your solemn walk, oh, it would make you die a-laughing! His lessons always seem too short.

Mr. S. What is that sticking out of your pocket?

Edward (pulling it out and looking at it). Oh! ha, ha! It's a portrait I drew of you, as you look when I don't know my lessons.

Mr. S. Give it to me. (He takes the caricature and looks at it, but shows no anger.) So you prefer to spend your time in an unamiable, contemptible occupation like this, to acquiring useful lessons.[104]

Edward (looking a little ashamed). Well, I like to be amused. It was only a little fun. It was not meant for you to see.

Mr. S. Will you give me an account of your reading to-day?

Edward. I—I—have not been reading, sir.

Mr. S. Not reading? Why?

Edward. Because the book you gave me had so many long, stupid words, that I couldn't understand what it was all about, so I just pitched it out of the window.

Mr. S. You call a book stupid which has such a thrilling account of the bombardment of Vera Cruz, with a fine engraving showing you the great General Scott and his brave soldiers? I wonder at you! You have a head, and so has a drum; both empty.

Bombardment of Vera Cruz.

[105]

Mrs. L. See, my son, I bring you one of your best friends—your dear old nurse Mary, and her son, who is almost your brother.

Mary (running up to kiss him). How do you do, dear, dear child! how handsome you are! Here's your old play-fellow, Morris; don't you remember him?

Edward. No!

Morris (who has a nice little cream cheese wrapped up in a napkin). I remember you. You're my dear brother Edward. See—I have brought you this cream cheese; my mother made it on purpose for you—take it—don't you know me now?

Edward (who recoils, and takes twenty-five cents out of his pocket). Here, take this, Morris.[106]

Morris (coloring indignantly). I did not ask you for money; I don't want it; I am not a beggar.

Edward. But I ought to pay you for the cheese.

Morris (with emotion). Do you think I brought it to you for money? I would rather have thrown it out of the window.

Mrs. L. Never mind, Morris, take the cheese home to your father; it will do him good to eat it.

Morris (taking it and giving it to his mother, and saying, in a disappointed tone), Well, take it, mother.

Mary (looking lovingly at Edward). How handsome he is! how he has grown! My heart warms to him.

Mrs. L. Well, Edward, your kind nurse must have some lunch—go and order some.

Edward (scornfully). Isn't Patrick here?[107]

Mary. No, my son. I asked him to give my old pony some water.

Mrs. L. Go, my son, go; it will gratify me.

Edward. Oh! then I will fly. What shall I order?

Mrs. L. The very best in the house.

Morris (running after him). Wait, Edward, I will go with you, and help you give the order. I know what my mother likes.

Mrs. L. Well, dear nurse, how do you get on since you have moved into your new cottage?

Mary. Oh! capitally, ma'am.

Mrs. L. And your husband, big Peter—is he pleased and contented?

Mary. He is so, ma'am, as happy as a king! Daisy—that's our cow, ma'am—has just given us a beautiful calf; we have[108] fifty chickens, twenty geese, and a good old pony who carries our vegetables to the railroad station for the New York market. I thank God, and you who have been so good to us.

Mrs. L. Is big Peter industrious, and does he bring up Morris in the right way?

Mary. Oh! thank God again for all his mercies. I am not proud; but my boy is the best boy in the whole neighborhood, and so smart! he reads in the biggest books; he does the most terrible long sums, almost like a flash of lightning—his schoolmaster is astonished at his quickness; his head is just as full as it can hold of learning, and his heart is just as full of love for his father and mother. (She falters, and the tears rush into her eyes).

Mrs. L. (very kindly). I am delighted to hear this; he will always be a comfort to you if he is so good now. But here he comes—he looks distressed.[109]

Morris (crying and rubbing his eyes). Oh, dear!

Mary. What's the matter, my son? Have you had a tumble?

Morris. No, mother; never mind.

Mary. But tell me, what has happened?

Morris (trying to lead her away). Come, mother, let us go away.

Mrs. L. Where Is Edward?

Morris. In the garden, ma'am. Come, mother, come; I want to go home. I don't like this place.

Mrs. L. No doubt Edward is picking a basket of fruit for you.

Morris. I rather think not. Mother, I beg you to let us leave at once. I have my reasons.

Mr. S. And I can guess them. Edward[110] has been beating you—has he not?

Mrs. L. Impossible!!!

Morris. Very possible, indeed. In fact, quite certain.

Mrs. L. Dear me! did he hurt you much?

Morris. It is not the pain. I could have beaten him twice as hard if I wanted to. What hurts me most is what he said.

Mrs. L. And, pray, what did he say?

Morris. Well, ma'am, when I wanted to hug old Beppo, he told me to take my paws from the dog's neck; that I was a country bumpkin, and a big clumsy booby, and no brother of his; and the sooner I skedaddled home the better he should be pleased.

Mary. Oh! the unnatural, wicked boy! You are right, my son; we will go home, where we are not despised. Good bye, Mrs. Langdon; Master Edward is your[111] son; but I no longer think of him as the child I fed at my breast, and loved nearly as my own. He has struck his brother! Come, my son, you are not his equal; therefore you cannot be his friend.

Mrs. L. But listen one moment, Mary.

Mary. No, ma'am; we will not stay where we have been so humbled; we are plain country folks, but we have hearts and feelings, and your son has neither. God will never bless him. Such pride has no place in heaven.

Mrs. L. You are right, Mary; but perhaps Morris offended him. You have not heard both sides.

Morris. Yes, I offended him. I put my arms round his neck to hug him, when he threw me off; and when I said that that was not the way to treat a brother, he struck me!—more than once, too!—and said those mean, cruel things.

Mary. Oh, the little villain![112]

Mr. S. Are your eyes still blinded, Mrs. Langdon? Can you still find excuses? Will you praise his good heart when he dares to ill-treat and strike his nurse's son?

Mrs. L. (weeping). No, I cannot excuse him; his ingratitude and wicked conduct have nearly broken my heart. What shall I do?

Mr. S. I have just thought of a plan, madam. It is a desperate remedy; but I know of nothing else in the wide world that will cure him.

Mrs. L. Tell me—what is it?

Mr. S. (aside). Nurse, send away your son for a few moments; he must not know what I am about to say.

Mary. I understand, sir. Morris, go to the stable, and see if old Whitenose has eaten all he wants.

Morris (jumping up with animation). I am to put him to the wagon, am I not?[113] and then we are to go home. Oh, I am so very glad.

Mrs. L. We are alone now, Mr. Sherwood. Ah, if you knew how much I loved my son, and how unhappy I am!

Mary. I love him, too, in spite of his bad heart.

Mrs. L. Well, what are you going to propose? To have him beaten black and blue? I am ready for anything.

Mr. S. Don't be alarmed, madam. It is his heart that is to be put to the trial; reverses and adversity often soften the heart; when one has suffered, he knows better how to pity the deprivations and sufferings of others. Your son has never been contradicted; he may be unkind and cruel sometimes from thoughtlessness and ignorance. Now, let us put his heart to a severe trial. Let us pretend that he is[114] Mary's son, and Morris is really your son. Push the experiment so far as to send him to live with her, until he is thoroughly humbled, and his faults disappear.

Mary (starting up). Oh, no! no! Your trial may all be very fine, but I will not lend myself to it. No, sir. We are not rich, but we have always been honest, and I will not have anybody suppose for a moment that I could have committed such a dishonorable, such an unnatural act. Say that Morris is not my son? If I should join in such a trick, my husband would hate and despise me, and rightly too.

Mr. S. But, nurse, you forget. It is only supposing.

Mary. Suppose as much as you please, sir; even the suspicion of such a plot would blacken my name forever. Oh! would any woman deny her own child?

Mrs. L. Listen to me, Mary. I love[115] Edward as much as you do Morris. Do you think I would abandon my child or disgrace you? Far from despising you, I shall take care to let everybody know the sacrifice you are making for my son's sake; and every one will praise you for helping me, and believe that love for Edward has alone induced you to consent to this plan. If he should grow up to be a man with such selfish, cruel ways, it will break my heart. I should be in my grave before many years, killed by the misconduct of my only child. I have but one objection to what we are about to do. We shall practise a deception.

Mary (weeping). Oh, ma'am, and my son, my poor little Morris, he too must be deceived; he cannot be in the secret.

Mrs. L. I will try to make him happy. I will treat him like my own child. Remember it is only for a week or two, perhaps only for a day or two.[116]

Mary. Oh yes, ma'am, I know you will be kind; but suppose in that week, your fine house, your gay clothes, your grand dinners and suppers should turn his head, and ruin his loving heart for his parents. If he should return to us, despising our humble life,—oh! I can't bear it! My child would be worse than lost to me!

Mrs. L. Fear nothing, Mary. Morris is an excellent boy, and not so easily spoiled. I promise you, that I will so arrange matters, that he shall be only too glad to come back to you, and be Morris again.

Mary (coming to Mrs. L. and taking her hand). Are you sure? will you solemnly promise this?

Mrs. L. (raising her hand). I solemnly promise.

Mary (still weeping). Well, then, try your trick; but, oh! do not let it last too long.[117]

Mrs. L. (rings the bell; the servant appears). Call Master Edward and Morris here.

Edward. Dear mamma, do you want me?

Mrs. L. I told you to order some luncheon for your nurse, and your brother.

Edward. Well, I thought when they were ready, they could go into the kitchen.

Mrs. L. (covering her face). Oh! Edward—

Edward. What is the matter, dear mamma?

Mrs. L. (aside). Oh! how shall I say it! (Aloud.) Do not give me that sweet title any more.

Edward. What? Mamma, what do you mean?

Mrs. L. Edward, I am about to tell[118] you something that will pierce your heart; turn your dear face away from me. You—you are not my child.

Edward (turning deadly pale). Not your child?

Mr. S. No, sir; and perhaps what seems to be so great a misfortune now coming upon you, may prove a blessing in disguise.

Edward (clasping his hands convulsively together). Not your child?

Mr. S. Yes; through love and ambition for their own son, Mary and her husband were weak enough to change you for the son of Mr. Langdon; to change the name and dress of the two infants, was all that was necessary.

Mrs. L. And now, Mary, repenting of this, has made me a confession. Morris is my son and you are hers.

Edward. You are not my mother?

Mrs. L. No, Edward; but take heart.[119] I shall still love you and take care of you. Come, Morris; come, my real son, do not cry; come to me.

Morris (rushing into Mary's arms). Oh, no! no! Mr. Edward has been your son for so long; keep him, keep him. I cannot leave my mother, I must go home with her (bursting into tears).

Mary. But, Morris, he is my son.

Morris. Oh no, dear mother, he will never love you as I do! do not drive me from you! do not turn your face away! kiss me, mother, and tell me you will take me away with you. Oh, I see! I must believe it (wringing his hands with grief).

Mrs. L. Morris, you are ungrateful! Do you not see what a splendid change this is for you?

Morris. Please excuse me, ma'am; I honor and respect you; but my mother, who nursed me, and has taken care of[120] me all these years, I love her. Edward is much handsomer, and far more genteel than I. Oh! keep him and let me go with my mother!—(clasps his hands and kneels, while large tears roll down his cheeks).

Mrs. L. I order you to come with me. I will have it!

Mr. S. Remember, she is your mother.

Morris (weeping bitterly). Oh, how miserable I am!

Edward (who now thinks himself Morris, remains).

Mary. Well, Morris; that's your name now, you know—what's the matter? are you sorry to have me for a mother? I shall have to sleep with one eye open, to keep you out of mischief; but if you are good and work hard, though I can't give you such fine clothes, I will love you as much as Mrs. Langdon did.

Edward (his lips quivering). Oh! she is no longer my mother![121]

Mary. Well, am I not as good? I don't live in such a fine house, crammed full of gimcracks; but I've got a dictionary that you can study in, and big Peter, your father, shall hang a great switch over the mantelpiece, to remind you that he won't stand any nonsense, or idleness, from you. Dear me! how glad he will be to see you! Come, run with a hop, skip, and jump, to the stable, and harness up old Whitenose: it's high time we were off.

Edward (sighing). Yes, mother.

Mary. But first bid Mr. Sherwood good-by, and the rest. Thank them all for their kindness to you; wait here a moment, till I come back.

Mr. S. Well, Edward, or Morris I should say, you see that nothing is sure in this world: and I cannot but think that this reverse will do you good. You treated every one except your mother—as[122] you supposed Mrs. Langdon was—with harshness, insult, and insolence: perhaps now you will learn, in the very strongest manner, the exact meaning and intention of the Golden Rule.

Edward. Oh, how unhappy I am! The very servants are more fortunate! They at least can live with Mrs. Langdon.

Mr. S. You despised and insulted your own mother; you struck your brother; suppose he in return should—

Edward (weeping). Oh stop, I beg, Mr. Sherwood!

Mr. S. You weep because you are only the son of Mary and big Peter, a poor country farmer.

Edward. Oh no, sir! if they are my father and mother, I will try to respect them, but to leave Mrs. Langdon—to be no longer her son—that is what is driving me to despair. Oh, I shall die! I shall die![123]

Mr. S. Do not be so distressed. Mrs. Langdon will still be very kind to you. She will love you still.

Edward. If she will only think of me sometimes. Will you speak, sir, of me to her, after I am gone? Will you tell her that my greatest grief, is leaving her; that I shall never, never, never forget her? Will you do this, dear Mr. Sherwood?

Mr. S. (with agitation). Yes, my dear boy, I will.

Edward. And will you forgive me for having profited so little by your lessons; and being so often disrespectful? Please forgive me, sir.

Mr. S. Willingly, my child. This is a great change of fortune. An hour ago, you were rich and well born, now you are the son of a poor farmer. Try to do your part well in this altered sphere; be gentle and good, and God will not desert you. Good-by.

[124]

Jane (ironically). How do you do, Mr. Morris?

Patrick. (ditto). Your humble servant, Mr. Morris.

Jane. Will Mr. Morris allow me to show him his new dress?

Patrick. Will Mr. Morris give me leave to help him on with his jacket?

Jane. Dear me! it fits him to a hair! and the cap too! My! I'm a thinking you won't be so proud after this; you can't treat me any more as a servant.

Patrick. Nor me! You won't beat a double tattoo about my shins again in a hurry!

Jane. I shan't be snubbed all day long, and told that my nose is as red as my hair, and my eyes as green as my understanding. What a comfort![125]

Patrick (cutting a caper in the air, and singing). Hi fol-de-rol! how happy we shall all be! tide-o riddle rol-de-da!

Jane. What are you crying for, Master Morris?

Edward. Oh, how you treat me!

Jane. Why! Is not that the way to read the proverb? "As you have done to others, they shall do to you."

Patrick. You don't seem to see it. We are only giving tit for tat.

Edward. You are right, I deserve it all! Jane, Patrick, forgive me! I beg your pardon.

Jane (looking very sorry). Poor child! poor little fellow!

Patrick. After all, he has not a bad heart!

Edward. Please forget all the injuries I have done to you, and try not to hate me when I am gone. Will you, dear Jane? will you Patrick?[126]

Jane (bursting out crying). Oh! oh! what a pity, what a pity!

Patrick. It is dreadful!

Jane. He will have to plough and hoe in the ground!

Patrick. And kill pigs, and drive the cow!

Jane. Why couldn't that stupid Mary hold her tongue after keeping the secret thirteen years, and settle down for life with that clumsy Edward. I hate the sight of him! I don't believe, but what it is all a trick she is trying to play off.

Patrick. I'll bet my head, it is!

Edward. Don't insult my mother. She is poor, but honest. I cannot hear you accusing her.

Andrew (whistles). Wheugh! Is it true then, that Master Edward is not Mrs. Langdon's son?[127]

Jane. Yes, indeed! Just look at the poor boy; we are so sorry for him! and though he has teazed us a great deal, we feel for him with all our hearts.

Andrew. Just so with me. He has put me in a rage no end of times, and when I was scolded before you all, this morning, I was as mad as a wasp with the toothache. But since I have heard of his great misfortune, I am sure, I would not bear him malice for the world; so I have come to make friends with him, before he goes away.

Edward. Dear Andrew! (He weeps again.)

Andrew. Here! I have brought you a basket and some tools; they will be useful to you in your new situation; and here is my silver watch, it goes splendidly! but you must not wear it every day, you must save it for Sundays. I give it to you, that you may remember me, and[128] say, "My friend Andrew gave me this watch, because he loved me."

Edward. How kind you are to me, who have deserved it so little! Pray forgive me, and forget my bad conduct.

Andrew. I forgive you with all my heart! and now that you are in trouble, I remember nothing. I will come to see you next Sunday evening, and bring you some nice little present. Keep up a stout heart, and a stiff upper lip; you are not used to work, and at first it will come very hard; ploughing is not quite so easy as playing cat's cradle, and backgammon in the parlor. You will have no dancing, unless a mad bull gallops after you, when, no doubt, you will practise double quickstep to perfection. All the gay pleasures you have now, will be lost to you; but there is one happiness, worth all the rest, which you can keep if you please; and that is a clear conscience. Serve God, love[129] your parents, and work faithfully, and you will be sure to possess this great blessing, and consequently be happy.

Edward. Thank you, Andrew, for such good advice; but will you all love me when I am gone?

All three at once. Yes, indeed! Always!

Edward. Will you then promise, sometimes to speak kindly of me to Mrs. Langdon?

Andrew. We promise.

Jane (crying bitterly). Oh! oh! this is too much. I can't bear it. Good-by, dear Master Morris.

Edward. Won't you kiss me, Jane?

Jane. Oh, yes, with all my heart. (Kisses him.)

Patrick. Please shake hands with me, Master Morris.

Andrew. And me too.[130]

Edward. Good-by, good-by; all my dear friends!

Edward (who has turned away and don't see him). And this is the dress I am always to wear. I am Morris, son of Mary and big Peter! Oh, I can bear that; but to leave Mrs. Langdon—to be no longer her son—to have no right to her love—oh! oh! I shall die!

Morris. Good morning, brother.

Edward (without turning round). Good morning, Master Edward.

Morris. You seem angry with me; but you are wrong. If I have injured you, it is not my fault. I did not do it of my own will; and yet I have come to beg your pardon.

Edward. It is not your fault.

Morris. But—don't you love me?

Edward. Why do you ask, sir?[131]

Morris. I call you "brother," and you call me "sir."

Edward (with effort). Well, if you wish it, I will call you brother.

Morris. And love me like one?

Edward. Yes.

Morris. Well, now, I'm going to try you. Here, do you see these things? I found them in your pockets. This gold watch, this pocket book full of money, this yellow pin, with a little ball in the middle of it, which looks like glass—I really thought it was glass, and the pin copper, but they say it is a diamond set in gold, and worth more than all the rest. Then I asked Mrs. Langdon if she had given me all these grand things to do just as I pleased with. She said, "Certainly"—and I have come as fast as ever I could with them to you!—take them!

Edward. Thank you. I'd rather you kept them.[132]

Morris. Do you refuse your brother?

Edward. What could I do with such finery—they do not suit my humble station?

Morris. But it is not for yourself that I give them.

Edward. I don't understand you.

Morris. They are for your poor mother; for your father who works so hard, and is so patient and good. To scrape together money enough to pay his rent troubles him dreadfully; and so the very first time the landlord comes, give him all these gimcracks, on condition that he leaves him alone for the rest of the year.

Edward. Yes, I will do this; give them to me.

Morris. Here they are. Will you promise me one thing more?

Edward. What is it?

Morris. It is that you will love your father and mother dearly.[133]

Edward. Yes, Morris; I will try.

Morris. And tell them every day that I shall never forget them; and when I am a man, and you are too, you shall all come and live with me, and you and I will have everything together, just like two brothers—will you?

Edward. Yes, brother—(Morris clasps him in his arms, and says)—"Oh, how happy you have made me!"

Mrs. L. Ah! that is a pleasant sight. I am delighted to see you such good friends. I wish you to love each other always.

Morris. I promise you we will, ma'am—I mean, mother. We are friends and brothers from this day.

Mrs. L. (to Edward). All is ready for your departure, Morris. I would like[134] to have kept you for some days; but Mary says she must take you with her. Be a good boy; respect and love your father and mother, and help them in their work all you can. Remember me; and, be sure, I shall never forget you.

Edward(throwing himself at her feet, and weeping convulsively). Mamma—madam, grant me one favor, I implore. Oh! my heart is breaking.

Mrs. L. (with emotion). What is it?

Edward. I cannot leave you. Keep me here, for pity's sake! I will be your servant. I will wait on your son. I will obey him. I will obey every one in the house. Let me stay!—oh! let me stay!

Morris (kneeling by him). Oh! since you are my mother, be his mother, too! do not send him away. See! we ask it on our knees! You will have two sons, and he shall be the best.

Mrs. L. (aside to Mr. Sherwood). This[135] is killing me. I cannot bear it! I must speak! (She covers her face, sobbing).

Andrew. Mrs. Langdon, we come to make you an offer, which we beg you to agree to, or else we shall all three feel obliged to quit your service.

Mrs. L. Well—what is it, Andrew?

Andrew. Well, ma'am, it is that you will keep this poor little fellow, Morris, with you, and give us leave to treat him the same as Master Edward; and as we do not want any one to lose by this, we offer to have a third of our wages taken off, which you will please give to Mary and big Peter every month, to make up to them for the loss of their son's services.

Edward. Oh, my kind, generous friends! never will I forget this proof of your love!

Mrs. L. But only this morning you[136] all three made terrible complaints about him.

Andrew. But we don't bear malice, and he is so unhappy! We have forgotten all he did to annoy us. Please, ma'am, to keep him.

Edward. No, Andrew; you have taught me what is my duty. I belong to my father and mother, and I am ashamed that in my misery I forgot it. The poorer they are, the less I ought to leave them. Good-by, all my friends: love and protect Mrs. Langdon and my brother, and forget my many faults if you can. Good-by, Edward. Come, mother, let us go.

Mrs. L. (weeping). Mr. Sherwood!

Mr. S. Yes, it is enough. Embrace your son! he has proved himself worthy of you!

Mrs. L. (throwing her arms around him). My son, my darling!

Edward (amazed). You, my mother! You!![137]

Mrs. L. Yes, my son. This was only a plot to try you. Your heart has proved good and noble! and I am the happiest of mothers.

Morris (rushing to Mary's arms). And I—am I your son still?

Mary (kissing him). Yes, my boy; my own boy!

Morris. Oh, be joyful! how happy I am!

Edward. But, Morris, don't you want to stay with me?

Morris. No! no! I have been too much afraid already that I should never see my dear father again. What a good hug I mean to give him!

Edward (giving Morris the watch, &c.) Here, take all these things—now I give them to you.

Morris. Oh no, you must keep them.

Edward. But what about that cross old landlord?[138]

Morris (laughing). You are right. Give them to me.

Mary. Is it for the rent? Why, big Peter will dance a jig on the kitchen table for joy.

Mr. Sherwood. Good mothers, love your children with all your hearts, but do not spoil them. Remember, it is education and pious training which develop in their hearts the seeds of good or evil; and you, Edward, do not forget the lesson you have received, of "Doing unto others as you would that others should do unto you."

[139]

THE LITTLE PLAY MITTENS.

The play was finished amidst a tremendous clapping of hands, and the curtain fell.

Then the company began to talk just as fast as they could. They were astonished at seeing the play so well acted, and laughed over and over again when they recalled the comical little gardener and waiter, who wore such funny dresses, and knew their parts so perfectly, and acted with such serious faces. Minnie came in, too, for her share of praise,—indeed, every one was excellent; and when the children made their appearance a few minutes afterward—still dressed as they were in the play—they were received with more clapping[140] of hands, and this time with plenty of kisses too.

After that, some ice cream and cake were handed round; and then the company went home perfectly delighted, resolving in their own minds to get up something themselves in behalf of the soldiers. So certain is it, that one good action will prompt another.

The Little Mother hastily counted over the nice warm mittens with their thumbs and fingers sticking out in every direction, while the children looked on with breathless interest.

"Fifty-seven pairs," said the Little Mother.

"Fifty-seven pairs!" echoed the children, with a shout that made the windows rattle. "Oh, goody! goody! goody! how glad we are!" and they danced round the pile which lay on the floor in perfect ecstasies.[141]

"How glad brother George will be!" said Willie.

"Oh, if he could only have been here to-night," said Clara, and her loving eyes filled with tears.

The Little Mother's lip trembled. She knew that her soldier boy, sooner or later, must know what a battle was; and a prayer rose in her heart that a Protecting Power would guard him from harm, and return him safe to her loving arms.

The children kissed her softly, and tenderly, and went quietly off to bed, almost forgetting that Santa Claus was to come that very night, and fill their stockings. But he did not forget; for when the bright morning sun of the clear, cold Christmas day, peeped in at the nursery windows, he certainly must have thought that Santa Claus had considered these children as pinks and patterns of perfection; for there were no less than three[142] new dolls; a grocery store for them to shop at; two elegant workboxes with "Anna" engraved on the lid of one, and "Clara" on the other; a beautiful writing desk, filled with nice pens, ink, and paper, for Johnny; a mahogany tool chest, completely filled, for Harry; an entire set of Cousin Alice's excellent and interesting books, for Bennie and Willie; a most charming little book, called "Our Little Girls," for Lillie; and two others by the same author, who is a minister's daughter, as good as she is lovely, for Minnie. These were called "A Little Leaven," and "Two Little Heaps;" and, let me tell you, Minnie considers them the best books that ever were written; while little Fanny's favorite was, and is, the "R. R. B's." It is the history of a dear little Robin Redbreast and his family; and Fanny says it is a "darling book."

The dear absent soldier brother was[143] not forgotten. On the table were two packages directed to him. One of these contained a dozen fine hem-stitched pocket handkerchiefs, with the initials of his name beautifully worked in a corner of each. This had been done by Anna, who was very skilful in such dainty arts. The other package consisted of a complete set of Dickens's works, in strong, plain, but very neat bindings.

"Oh," cried Harry. "George will stand on his head for joy, when he gets these; he will be so tickled! The very books he was longing to own!"

"How can he stand on his head?" asked Bennie.

"This way," answered Harry, and going up to the side of the room, he suddenly lifted his feet in the air, resting them against the wall, and stared at Bennie with his face upside down, and the top of his head on the carpet.[144]

The children laughed heartily, and as a matter of course, all the little brothers began to practise standing on their heads, till they nearly got fits of apoplexy, with the blood rushing the wrong way.

After they had returned from church that morning, every one of them wrote to George a company letter, wishing him a merry Christmas, telling him all the wonderful news about the little play; and informing him of the quantity of mittens which were coming. They had now finished eighteen pairs, to add to their fifty-seven, which their friends had given them. These seventy-five pairs, were to be sent away the next morning; but George's presents were to be carefully kept until his happy return home; for he could not put all those precious books in his knapsack; and as he might move from one place to another very often, the less he had to carry in marching, the better.[145]

The smaller children felt an almost reverential affection for their soldier brother, who had gone away to fight for his country. They regarded his letters as perfect wonders, with Camp Ellsworth printed on the outside of them, and such superb capital D's and G's inside. The little ones did not know how he could make such splendid letters, sitting in a tent, with the paper on his knee, ready to drop it at a moment's warning, and flash fire and shot out of his gun, at the enemy. They were quite sure he would be a General in a very short time, and Johnny had serious thoughts of writing to the good President Lincoln, and asking him to make George one without waiting any longer. Indeed, he did write: but his mother thought it best not to send it: though I was sure the President would have liked it very much; for he is such a great-hearted, good man, such a pure[146] patriot; and I happen to know that he loves children dearly. Here is Johnny's letter. It is a simple, funny little epistle, full of trust and faith.

I should not be in the least surprised, if the good President should answer this letter after he sees it here; and send his[148] answer to Mr. Appleton for Johnny. If he does, I will tell you all about it, as sure as my name is Aunt Fanny. Meanwhile, you must know that the fifty-seven "little play mittens," as the children called them, and the eighteen pairs, which they had made this time, and which they called their "two story mittens," have gone to the brave soldiers. Do tell me, my little darlings, how many have been sent altogether; now that we have come to the

END OF THE FOURTH BOOK.

[3]

D. Appleton & Company's Juvenile Works.

^*_*^* The success of this very beautiful and interesting toy book is likely to exceed even that of the "Little Builder," and the effect produced, when carefully put together, is charming in the extreme.

End of the Project Gutenberg EBook of The Two Story Mittens
and the Little Play Mittens, by Frances Elizabeth Barrow

*** END OF THIS PROJECT GUTENBERG EBOOK TWO STORY MITTENS ***

***** This file should be named 29811-h.htm or 29811-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/9/8/1/29811/

Produced by David Edwards and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.