The Project Gutenberg eBook of The Return of the Dead, Edited by Thomas J.
Wise, Translated by George Borrow
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Return of the Dead
and Other Ballads
Editor: Thomas J. Wise
Release Date: December 4, 2008 [eBook #27407]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK THE RETURN OF THE DEAD***
Transcribed from the 1913 Thomas J. Wise pamphlet by David Price, email ccx074@pglaf.org. Many thanks to Norfolk and Norwich Millennium Library, UK, for kindly supplying the images from which this transcription was made.
by
GEORGE BORROW
London:
printed for private circulation
1913
Swayne Dyring o’er to the island strayed;
And were I only young again!
He wedded there a lovely maid—
To honied words we list so fain.
Together they lived seven years and more;
And were I only young again!
And seven fair babes to him she bore—
To honied words we list so fain.
Then death arrived in luckless hour;
And were I only young again!
Then died the lovely lily flower—
To honied words we list so fain.
p.
6The Swayne he has crossed the salt sea way,
And were I only young again!
And he has wedded another may—
To honied words we list so fain.
And he that may to his home has brought;
And were I only young again!
But peevish was she, and with malice fraught—
To honied words we list so fain.
And when she came to the castle gate,
And were I only young again!
The seven children beside it wait—
To honied words we list so fain.
The children stood in sorrowful mood,
And were I only young again!
She spurned them away with her foot so rude—
To honied words we list so fain.
Nor bread nor meat will she bestow;
And were I only young again!
Said “Hate ye shall have and the hunger
throe”—
To honied words we list so fain.
p.
7She took away the bolsters blue;
And were I only young again!
“Bare straw will serve for the like of you”—
To honied words we list so fain.
Away she’s ta’en the big wax light;
And were I only young again!
Said she “Ye shall lie in the murky night”—
To honied words we list so fain.
The babies at night with hunger weep;
And were I only young again!
The woman heard that in the grave so deep—
To honied words we list so fain.
To God’s high throne such haste she made;
And were I only young again!
“O I must go to my babies’ aid”—
To honied words we list so fain.
She begged so loud, and she begged so long,
And were I only young again!
That at length consent from her God she wrung—
To honied words we list so fain.
p.
8“But thou must return when the cock shall crow,
And were I only young again!
“No longer tarry must thou below”—
To honied words we list so fain.
Then up she struck with her stark thigh bone,
And were I only young again!
And burst through wall and marble stone—
To honied words we list so fain.
And when to the dwelling she drew nigh,
And were I only young again!
The hounds they yelled to the clouds so high—
To honied words we list so fain.
And when to the castle gate she won,
And were I only young again!
Her eldest daughter stood there alone—
To honied words we list so fain.
“Hail daughter mine, what dost thou here?
And were I only young again!
How fare thy brothers and sisters dear?”—
To honied words we list so fain.
p.
9“O dame thou art no mother of mine,
And were I only young again!
For she was a lady fair and fine—
To honied words we list so fain.
“A lady fine with cheeks so red,
And were I only young again!
But thou art pale as the sheeted dead”—
To honied words we list so fain.
“O how should I be fine and sleek?
And were I only young again!
How else than pale should be my cheek?—
To honied words we list so fain.
“And how should I be white and red?
And were I only young again!
Beneath the mould I’ve long been dead”—
To honied words we list so fain.
And when she entered the high, high hall,
And were I only young again!
Drowned with tears stood the babies all—
To honied words we list so fain.
p.
10The one she combed, the other she brushed,
And were I only young again!
The third she dandled, the fourth she hushed—
To honied words we list so fain.
The fifth upon her breast she plac’d,
And were I only young again!
And allowed the babe of the breast to taste—
To honied words we list so fain.
To her eldest daughter she turned her eye;
And were I only young again!
“Go call Swayne Dyring instantly”—
To honied words we list so fain.
And when Swayne Dyring before her stood,
And were I only young again!
She spake to him thus in wrathful mood—
To honied words we list so fain.
“I left behind both ale and bread;
And were I only young again!
My children with hunger are nearly dead—
To honied words we list so fain.
p.
11“I left behind me bolsters blue;
And were I only young again!
Upon bare straw my babes I view—
To honied words we list so fain.
“I left behind the big wax light;
And were I only young again!
My children lie in the murk at night—
To honied words we list so fain.
“If again I’m forced to seek thee here,
And were I only young again!
Befall thee shall a fate so drear—
To honied words we list so fain.
“But hark! the ruddy cock has crow’d,
And were I only young again!
The dead must return to their abode—
To honied words we list so fain.
“I hear, I hear the black cock crow;
And were I only young again!
The gates of heaven are opening now—
To honied words we list so fain.
p.
12The white cock claps his wings so wide,
And were I only young again!
No longer here I dare to bide”—
To honied words we list so fain.
Each time the dogs began to yell,
And were I only young again!
They gave the children bread and ale—
To honied words we list so fain.
As soon as they heard of the hounds the cry,
And were I only young again!
They feared the ghost was drawing nigh—
To honied words we list so fain.
Whene’er the dogs were heard to rave,
And were I only young again!
They feared the woman had left her grave—
To honied words we list so fain.
I take my axe upon my back,
To fell the tree I mean;
Then came the man the wood who owned,
And thrust his heft between.
“If thou hew down my father’s grove,
And me this damage do,
If I but see thee fell the tree
Thou dearly that shalt rue.”
“O let me hew this single tree,
Nor to resist me seek;
Unless I yonder bird obtain
With grief my heart will break.”
p.
14“Now list thou fair and gallant swain,
To me incline thine ear!
Thou ne’er wilt yonder bird obtain
Unless some bait thou bear.”
From off my breast the bait I cut,
And hung it on the bough:
The breast it bled, the bait it reeked,
Mine is the birdie now.
Down flew the lovely little bird,
Fluttering its wings o’erjoyed;
It seemed to smile as if the guile
It knew that I employed.
It clawed and picked so hastily,
So well did smack the bait;
And still the more it seemed to please
The more the birdie ate.
Down flew the lovely little bird,
Alighting on the sand;
The loveliest damsel she became,
And gave the youth her hand.
Within her own fair castelaye
There goes a damsel bright;
A whole year’s tide for her has sighed
A young and handsome knight.
“Now do thou hear, thou beauteous maid,
Could I thy troth obtain,
Then thou shouldst tread on silk outspread,
And ne’er on the earth again.
And do thou hear, my lovely maid,
My wedded lady be,
And the slightest care thou shalt not bear
If I can save it thee.”
p.
16“I’ve vowed an oath to Mary maid,
And to keep it is my plan;
Ne’er live will I beneath the sky
With any sinful man.
“Here with my seven brothers bold
To-morrow I will come;
Yourself array in costly way,
For you must follow us home.”
It was the young and handsome knight,
He out of the doorway springs;
And he in haste the Runes has traced,
And them on her lap she flings.
And so he cast the magic Rune
The maiden’s dress below;
Then beat her heart, and blood did start
From her finger nails I trow.
“If thou with thy seven brothers bold
To-morrow here wilt come,
Myself I’ll array in costly way
And follow ye to your home.”
p.
17The very next morn, the very next morn,
When rose the sun in gold,
Full three times ten bold knightly men
Were waiting on the wold.
Full three times ten bold knightly men,
On a bonny grey steed each one;
With silk so white was the courser dight
Which the maid should ride upon.
But what think ye that maiden did
Ere mounting on her horse?
A draught she drank of poison rank,
Thought death her wisest course.
Through the shallow streams they dashed their steeds,
Through the deep their steeds they swam;
And ever and anon the maid would groan,
“How dreadfully ill I am.”
And when they came to the house of the knight,
Where the bridal kept should be;
Spread out on the earth was silk of worth,
And gold so red of blee.
p.
18“Now thou may’st see, my lady love,
That I my promise hold;
Now thou dost tread on silk outspread,
And not on the earth so cold.”
“There’s spread enough of the silken stuff,
And plenty of gold is strown;
But better I ween in heaven sheen
With our Father God to wone.”
Then they led her to the high, high hall,
And in scarlet her array’d;
But their joy was brief, soon came their grief,
She died alack a maid!
Thanks be to him the youthful knight,
No truer e’er was seen;
He built her a grave in the church, and gave
The churchmen farms fifteen.
Then as he stood by the maiden’s grave,
The gallant young noble cried:
“O would to God beneath the sod
I were lying by her side!”
Such handsome court clothes the proud Ingeborg buys,
Says she “I’ll myself as a courtier
disguise.”
Proud Ingeborg hastens her steed to bestride,
Says she “I’ll away with the King to
reside.”
“Thou gallant young King to my speech lend an ear,
Hast thou any need of my services here?”
“O yes, my sweet lad, of a horseboy I’ve need,
If there were but stable room here for his steed.
“But thy steed in the stall with my own can be tied,
And thou ’neath the linen shalt sleep by my
side.”
p.
20Three years in the palace good service she wrought,
That she was a woman no one ever thought.
She filled for three years of a horse-boy the place,
And the steeds of the monarch she drove out to graze.
She led for three years the King’s steeds to the
brook,
For else than a youth no one Ingeborg took.
Proud Ingeborg knows how to make the dames gay,
She also can sing in such ravishing way.
The hair on her head is like yellow spun gold,
To her beauty the heart of the prince was not cold.
But at length up and down in the palace she strayed,
Her colour and hair began swiftly to fade.
What eye has seen ever so wondrous a case?
The boy his own spurs to his heel cannot brace.
p.
21The horse-boy is brought to so wondrous a plight,
To draw his own weapon he has not the might.
The son of the King to five damsels now sends,
And Ingeborg fair to their care he commends.
Proud Ingeborg took they and wrapped in their weed,
And to the stone chamber with her they proceed.
Upon the blue cushions they Ingeborg laid,
Where light of two beautiful sons she is made.
Then in came the prince, smiled the babies to view:
“’Tis not every horse-boy can bear such a
two.”
He patted her soft on her cheek sleek and fair:
“Forget my heart’s dearest all sorrow and
care.”
He placed the gold crown on her temples I ween:
“With me shalt thou live as my wife and my
Queen.”
I’ve pleasure not a little
A dancing youth to see,
Nor less—one single tittle—
An old man full of glee.
To dance I ever glory
With those of youthful mien;
It shows, although I’m hoary
In hair, my mind is green.
* * * * *
p. 23London:
Printed for THOMAS J. WISE, Hampstead, N.W.
Edition limited to Thirty copies.
***END OF THE PROJECT GUTENBERG EBOOK THE RETURN OF THE DEAD***
***** This file should be named 27407-h.htm or 27407-h.zip******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/dirs/2/7/4/0/27407
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://www.gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://www.gutenberg.org/fundraising/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
http://www.gutenberg.org/fundraising/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.