Stories of New York

“Books that you may carry to the fire, and hold readily in your hand, are the most useful after all”

Esther discovered seated in a New York drawing-room. She has been reading and tearing old letters.

E. I am sure one might ask anyone to an afternoon tea, even if anyone were one’s old lover; and I am sure one might 12come to anyone’s afternoon tea, even if anyone were one’s quondam sweetheart. From both Harold’s stand-point and mine, it seems to me perfectly safe. Certainly the vainest man could not believe that a woman wished to rake up the leaves of a dead past because she sent him an At-home from four to six card, for a day when she is to be at home for two hundred people besides. If it were an evening party, now—in summer with the lawn, or in winter with a conservatory—or if there is not a conservatory there are always stairs; and it’s daily more and more the fashion to build them curved. Another generation may find discreet recesses at every landing. When people are really thoughtful there will be a temporary addition where people can go up and down. Oh, if it was an evening party I could not blame Harold for staying away. Or if it was private theatricals—the stage is itself one grand opportunity! 13Or a picnic—what innumerable openings for raking up the dry leaves of a dead past on a picnic! But an afternoon tea! Nothing stronger or dryer than tea-leaves to be had. Harold need not be in the least afraid. Besides, it would have been really unfriendly not to send him a card. Everybody knows he is at home again, and from a four years’ trip. Even after all that has passed I would not wish to be unfriendly. Four years, and they say that he is engaged to Mattie Montgomery—and just before he went away he was engaged to me. (A little sadly.) Perhaps he was foolish. Perhaps—I was. Undoubtedly we both were. I suppose I ought to feel flattered that he waited four years—but somehow I don’t—altogether; “flattered” does not seem to be the word. Well, it makes little difference now, and it will make less when I tell him to-morrow that I am engaged to Dr. Tennant. I thought I might as well look over his 14letters. I have burned all but the last. (Takes up letter from the table.) Here it is. (Takes up a second letter.) And here is Dr. Tennant’s first. Two models of epistolary communication—but of different orders. (Reads.)

“My Dear Miss Van Dyke: I shall give myself the pleasure of calling upon you this afternoon at five o’clock. It rests with you whether or not this pleasure is to be intensified a hundredfold, or attended with lasting pain. I remain always,

What could be better suited to the circumstances than that? Not too impassioned, but sufficiently interested. I am always affected by well-turned phrases—I think this is charming. And here is Harold’s. (Reads other letter.)

“You have made it plain enough. There is no necessity for more words. Heaven forgive you—and good-by.”

15(Thoughtfully.) He was in a pretty passion when he wrote that—and I have not seen him since. I hope he will come to-morrow. He used to think Mattie Montgomery was a doll of a thing. Perhaps he will tell her that I am a—no, he won’t. Whatever I am, I’m not a doll of a thing, and he knows it. (Looks at the two letters side by side.) How amusing one’s old flirtations look in the light of a new and serious reality—for I have made up my mind what to say to Dr. Tennant. It will be rather good fun to tell Harold of it confidentially to-morrow. I will drop it in his tea with a lump of sugar. (Glances at clock.) After four o’clock. Well, I must go and make myself fascinating and give orders that Dr. Tennant and I are not to be disturbed. We may as well begin to get used to tête-à-têtes. (Exit after putting the letters under a book, out of sight.)

H. This is certainly confoundedly odd. I expected to find fifty other people here at least, and Esther in her best gown receiving them. I can’t have mistaken the hour. It is some time after four. There is certainly a mistake somewhere, however, and under the circumstances it is likely to be a particularly awkward one. I would walk a good mile and a half to avoid a tête-à-tête with Esther Van Dyke. Because I have been fool enough after four years to remember the color of her eyes, I don’t care to have her know it and see it. I would leave now, like the historic Arab, if I hadn’t been such an ass as to give my card to the servant, and Esther has seen it by this time. I would rather face the music than give her the pleasure of laughing at me for running away. But what does it mean? I must—the blood 17curdles in my veins at the thought—I must have mistaken the day! The Fate which I have felt dogging my footsteps from the cradle has at last laid hold upon me! I have dreamed of getting to a place the day before I was asked. I have loitered irresolutely on door-mats. I have gone slowly by and watched until I saw another carriage go in, but I have never done it before. And to have come to Esther Van Dyke’s after four years, and such a parting, a day too soon! My bitterest foe would find it in his heart to pity me now. What can I do? (Walks around the room and fingers things restlessly.) I might go off with the spoons to divert suspicion. I would rather be arrested as a professional burglar, entering the house under false pretences, than witness Esther’s smile when she comes to a realizing sense of what I have done. Professional burglars probably retain their self-respect. There is no reason why they shouldn’t. The 18date of their visit is not fixed by invitation. But, confound it! there won’t be any spoons until to-morrow. Perhaps she won’t know I have come a day too soon—but she always did know things—that was the kind of person she was. (Takes up a book from the table.) I might read to compose my mind. “Familiar Quotations,”—I wish I could find an elegant and appropriate one for the occasion. I can think of several, entirely familiar to the most unlearned, but too forcible for a lady’s drawing-room. “Too late I stayed” would hardly do. I wonder what the fellow would have sung if “Too soon he’d come.” (Throws down book.) I thought I could accept an invitation to an afternoon tea, because I need only say a word to her, see if she had changed, and leave. That seemed safe enough. Besides, Miss Montgomery chaffed me about coming, and wouldn’t have hesitated to make the most of it if I had stayed away. 19(Looks about.) The room has not changed much. I wonder—here she is. Now, for all I have learned in four years, I would like to conceal myself in the scrap-basket, but it is out of the question.

H. It is very good of you to say so, Esth—Miss Van Dyke. (Aside.) I never felt so fresh in my life.

E. It was nice of you to think of coming this afternoon instead of waiting until the crush to-morrow, when I should have an opportunity for no more than a word with you.

H. (aside). She does not look satirical. Why didn’t I bring some flowers or something? (They sit. Aloud, with somewhat exaggerated ease of manner.) When one’s hostess receives all the world, one’s own reception cannot be a personal one. After 20four years I wished for something more positive. Perhaps I have been too bold, but an afternoon tea is so very impersonal, you know.

E. (a little embarrassed by his manner, aside). Can it be that he does not wish our relations to be impersonal? Of course not! (Aloud.) Yes, I know. Very impersonal indeed. I was thinking the same thing before you came.

H. (aside). Yes, and I was thinking the same thing before I came. We haven’t either of us gotten on much. (Aloud.) I was always an exacting sort of fellow, you know, so you will not be surprised at my coming to get a reception on my own account.

E. (aside). I should think I did know. (Aloud.) No, I am not surprised. (A moment’s pause—with a slight effort.) So you are an exacting sort of fellow still? I am looking for the changes of four years, you see.

21H. (significantly). You may not find many, after all (Somewhat gloomily.) The rose-color wears off one’s glasses somewhat in four years, to be sure, but I don’t think the perspective changes much.

E. Don’t you? It strikes me that time reverses the glasses—that we find ourselves suddenly looking through the other end, and things that once were so large are a long way off, and have become extremely small.

H. (aside). Which means, I suppose, that I have taken a back seat, and must keep at opera-glass distance. (Aloud.) Things have no importance of their own, then? I suppose it is a good deal a matter of which way you look at it.

E. Yes, education does everything for us—which is something of a platitude. But I am sorry about the rose-color. I’d much rather you should look at me through tinted glasses. I said the other 22day to a confidential friend that my complexion is no longer what it was.

H. (refusing to be diverted). No, I do not think one’s views of persons change—or perhaps I should say one’s attitude toward persons—as do those of abstractions. One does not expect to find truth—trust—honor—love, growing so large.

E. (soberly). In other words, truth is a hot-house, and one’s ideas are tropical. Well, it is perhaps as well to come out into the open air, even if things do seem a little—stunted—at first.

H. Undoubtedly. Yet the comfort of the human frame demands something in the way of a temperate zone between. A sudden plunge into the arctic regions is apt to convey a chill—quite a serious one sometimes.

E. (aside). I wonder if that is meant for a veiled allusion. (Aloud.) But nature generally provides a way of softening 23matters, and makes such changes not chilling, but bracing.

H. (carelessly). Yes—Nature has been much maligned in her time, but, after all she is kinder than humanity in certain of even its most attractive forms. She is impartial and she contrives to let one down easily. I am sometimes astonished that Nature should be personified as a woman.

H. (with intention). I have, perhaps, lived up to my opportunities. They have not been unfavorable to cynicism. (Laughing.) Do you know, Esther, this is very much the way we used to talk? We were continually dealing in the most artistic abstractions. How easily one drops into old fashions!

E. (aside). How can he speak so lightly of “the way we used to talk,” or is it only I that remember? (Aloud, coldly.) Possibly, but old fashions are very readily 24seen not to belong to the present day. And yet—I may be mistaken—but it seems to me that we used to talk in a way that bordered on—on the concrete.

H. (a little nonplussed). Yes—that is true—but we were not so successful there. (Aside.) Decidedly we did. On the very concrete, indeed! And that was where she always had the better of me. She is quite capable of doing it again—but she does not wish to.

E. (calmly). But where were we in our abstractions? Ah, with Nature. I always get beyond my depth when Nature is introduced into the conversation. Human nature I do not mind at all, you know, but Nature by itself frightens me. I think it is the capital N. I feel that I ought to go out-of-doors and appreciate her.

H. I remember you were always afraid of getting beyond your depth. I was less prudent, however, which was sometimes 25unfortunate. (Aside.) I shall be floundering again if I go on with this remembering. (Aloud.) So you are still cautious? I have not had the four years to myself. Have they not changed you at all, Esth—Miss Van Dyke?

H. (with attention). You are not quite the same, then? I should not have known it.

E. (after a pause). I have grown stout! Yes, I have. I have gained twenty pounds in the four years you have been away.

H. (laughing). The inference pains me deeply. But twenty pounds can be judiciously distributed without actual injury 26to the possessor. Is there anything else?

E. (sentimentally). Ah, yes, when I am introduced to a new man I no longer expect to find him a mine of entertainment. I used to. Now I am surprised if I have not to be clever for both of us.

H. Is that so new? (Thoughtfully.) I sometimes think I was stupid for both of us—or—could it have been only that you were too wise? (Aside.) Oh, this fatal tendency to reminiscence—and I know better!

E. (with a slight effort). You are carrying me too far back. I am marking my progress since I saw you. (Aside.) Certainly this is too much like burrowing in the leaves of a dead past. No wonder he did not wait until to-morrow.

28E. Sadder yet, I no longer care when a younger and a fairer girl “cuts me out,” to put it boldly. I think I shall, you know, but I don’t. I sigh—but I forget them—both!

H. This shows a callousness really alarming. You might at least reserve the guiltier party for future punishment. Perfidy merits at least remembrance. It is sometimes a man’s last hold.

E. (carelessly). A man should risk little on so commonplace a resource—if one wishes to be remembered, one should be unusual. Besides, you would imply that the man is the guiltier party?

H. Only as far as his lights are taken into consideration, of course. Man is a poor creature at his best—in comparison.

E. And sometimes a comparatively innocent one. To find another woman more attractive is blamable, but to be a more attractive woman ought to be unpardonable.

H. “To err is human—fiendish to outshine.” 29I understand. (With marked politeness.) Permit me to suggest that it is rarely——

E. (laughing). But I have said I have lost my capacity for feeling thrusts of this kind. (In a lower tone.) At least, I believed that I had.

H. (dryly). I was always a little unfortunate in my attempts to make amends—always too late, perhaps.

H. Any more than cherishing illusions is yours. But, pray, go on with your revelations. I must improve the unexpected pleasure of finding you alone.

E. (a little embarrassed). Whom, then, did you expect to find here? (Aside.) He cannot have known that Dr. Tennant is coming. (Aloud.) Who would interfere, did you think, with the personal welcome you so desired?

H. (aside). I was getting on so well. 30(Lightly.) Oh, party calls, you know, and——

E. (dryly). You will find that customs have not changed so much in four years. It is still unusual to pay party calls in advance.

H. (aside). That was a brilliant way to recoup my falling fortunes! (Boldly.) Is this an indirect way of blaming me for coming this afternoon? (Rising.) I suppose it was unwise. (Aside.) I should rather think it was. (Aloud.) I will go now—Esther.

E. (quickly). You know, Harold, I did not mean anything so rude. Do not go—unless you must.

H. (aside). I must—theoretically. But I sha’nt—not after that “Harold.” If I hadn’t prided myself for years on its being inalienable property, I should say I was losing my head. (Aloud.) Will you tell me more of your four years?

E. Are they not the same—wisdom and hardness? I have learned to believe that they are.

E. And I, too, have acquired the sense of proportion. I have seen that—that—Love is not all the world. I have learned that the comfortable is more to be desired than gold—yea, than fine gold.

H. Yes; Gold and Love must both be tried in the furnace, which is seldom a comfortable operation.

H. So long as it is not at another’s happiness that one has desired for one’s self—yes.

E. (aside). How if it be another’s unhappiness, I wonder. Poor Dr. Tennant. (Sighs.)

H. (aside). I shall make an ass of myself 32in a moment. She is not changed an atom. (Aloud.) But what leaves of wisdom have you steeped for me? I expected a cup of tea, and you have given me a decoction that should heal all disappointments.

E. (half sadly). If I had known I possessed such a secret I should have brewed some for myself before this. But (rising) if you expected a cup of tea you shall have it.

H. (eagerly). By Jove! Esther! I beg pardon—but Miss Van Dyke, I beg of you—— (Stops helplessly.)

E. I was just about to send for it for myself. (She rings. Aside.) I see it all. He has come a day too soon. And he would have had me believe that he cared to see me alone. And I was actually growing sentimental. He shall pay for it. (Enter a maid.) Tea, Mary Ann.

H. (who has been fidgeting about the room—aside). If only I had gone half an hour ago—in the flush of triumph, as it 33were! It was unnecessary, in order to avoid making a sentimental spectacle of myself, to fall back upon the larder!

E. (going back to table and taking up a letter). Do you know what I was doing when you came this afternoon?

H. Learning a new Kensington stitch? Studying a receipt-book? Putting a man out of his misery by letter? These are, I believe, some departments of “woman’s work.”

E. No, I was reading an old letter—one by which a man put himself out of misery. Your last letter, in fact.

Mary Ann brings in the tea, and as Esther moves things on the table, she hands him Dr. Tennant’s letter by mistake. Harold glances at it and looks up surprised, but Esther does not see him.

E. (coldly). Possibly. (Aside.) Oh, why did I show it to him? I would not have believed he would be so hard. (Aloud.) Rather a forcible style, I think.

E. (with suppressed feeling). Your criticisms are less pointed than usual. If you had said unnatural it might express your meaning still better.

H. (a little irritated). He is a fortunate man who is able to express himself with such justness and freedom from exaggeration.

H. (with mock admiration). Oh, how can you say so! It is positively Grandisonian—almost Chesterfieldian. (Aside.) And utterly detestable.

E. (almost with tears). I was wrong to fancy you would be interested in such a trifle. Please give it back.

H. (politely, handing it to her). Not at all. Certainly, the writer deserves the lasting happiness he refers to. (Aside.) And I wish it were nothing to me—if he gets it or not.

E. What do you mean? Is this what I gave you? Oh, dear! (Much embarrassed.) It was the wrong one! Never mind. Here is your tea.

H. (takes the cup, after a short pause). I feel as if I had forced myself into your confidence.

H. (reads it while Esther watches him). Yes; well, I might have said more. But that was enough.

E. Yes, that was, as the children say, a great plenty. Oh, I neglected your tea! One lump, or two?

H. Yes—prussic acid—anything. Thank you. You do not ask whether I have or not.

E. No. I understood you shifted the responsibility once for all. (Sipping her tea.)

E. Is it? It is better to have all—for once. It is broader. It is more liberal. It is my motto.

H. Yes. So it was then. I have heard there is safety in numbers. (Aside.) If I believed that, I should begin to repeat the multiplication-table. I shall never be in greater need of it.

H. (with an effort). Possibly Sir Charles Grand—I mean Mr. Edward Tennant—may have a narrowing influence. (Aside.) It is no use. I can’t be discreet. Confound Mr. Edward Tennant!

E. (innocently). Perhaps. (Drinks tea.) And so you are engaged to Mattie Montgomery?

E. Really! (More coolly.) That is a 38pity. I hoped we might proffer mutual congratulations. An exchange of compliments is such a promoter of good feeling.

E. No, it is not yet time—but I have betrayed his confidence inadvertently. To-morrow you must congratulate me. To-morrow I shall tell you that I am engaged. Let me give you another cup.

H. (rising). No, one is enough. Once ought always to be enough! But it seems I am fated to have it twice! I know I am incoherent—but never mind! It’s the tea!

H. I do not know that I have. But (coldly) whether I have or not is of course only a personal matter.

H. And so you are to tell me to-morrow that you are engaged? Might I ask you 39if, in taking this step, you were actuated by a wish to obtain my forgiveness?

E. (laughing). I expected you to ask mine—for being engaged to Mattie Montgomery.

H. (sits). Suppose this afternoon you tell me about the—to be colloquial—the happy man. And I will have some more tea.

E. (looking into the sugar-bowl). Well, to tell the truth this afternoon—he doesn’t happen—to be—colloquially—the happy man.

H. (aside; walking about). So that note was written to-day. I did not see the date. It is not yet five o’clock, and it is not yet too late. I shall gain nothing by getting rattled and making a fool of myself. (Aloud, coming back and holding out his cup, into which Esther drops sugar as they speak.) Have I then taken his place?

E. (gravely). No. He is (lump) conservative 40(lump) in his (lump) tastes (lump). He takes (lump) no sugar (lump) at all (lump) in his.

H. (who has been watching Esther’s face, and not her fingers, sets down his cup hastily). Seven lumps is a little radical. Then you have forgotten all in four years? (Pacing the floor.) Forgotten what I, Esther, have been fool enough to remember as if it had happened yesterday! Who is it talks about woman’s constancy?

E. (aside). Not I. But I am very much afraid I shall begin to. Has the tea gone to my head too?

H. (with much feeling). The bitterest lesson the four years have taught me, Esther, is that one’s earliest lessons are never unlearned. They have been kinder to you.

E. (in a tone). Have they? Perhaps. They have taught us both, however, that it is not necessary to unlearn 41them; one can go on as if one had never studied—old lessons.

H. Or old letters? (Coming nearer and taking up the letter.) But you did care for me enough to keep this letter—to read it over to-day—to give one thought to old happiness in the presence of new?

E. (recovering herself with an effort). I thought enough of myself to keep it. It is a mistaken theory that a woman keeps old love-letters for the sake of the sender. She keeps them because they are flattering—because they—they sound nice. I have lots more.

H. (offended). And you were only weeding them out to-day? Very well. That is enough. No further words are necessary.

E. Yes—so you said before (glancing at letter), or something very like it (Looking into the teapot.) There is no more tea for us, and the lamp has gone out. (Looking about.) And no matches—unless you have one in your pocket.

42H. (who has been thinking, moodily feels in all his pockets). I am very sorry—but I cannot supply you with even the necessaries of life.

H. (pushes the letters toward her). Make a lamplighter of one of these, and I will light it for you.

H. Oh, use mine. It has failed to rekindle a passion, but it may do for a teakettle. It may as well be reduced to ashes along with the rest of the poor little love-story.

Esther turns her head a little away and slowly twists both letters into lamp-lighters.

H. (aside). I shall let all my hopes burn in the flame with my letter. If she uses that, I give her up. I shall know she is not mine to give up. I have come to the pass where folly is my only reason. 43She is twisting Dr. Tennant’s! But now she is twisting mine. (She rises to go to the fire and he rises to do it for her.)

She returns with one burning, with which she lights the lamp, and lays the other down on the table. He takes it up eagerly.

H. So, Esther, you did not burn it, after all? (Rising and coming toward her.) You did not care that the last of it should go out in ashes?

E. (speaking lightly). It was not that so much, but I was afraid it was better suited for an—extinguisher. I think that was more what you meant it for.

Harold goes back to his seat gloomily and tastes his tea. Esther plays with the teaspoon—a pause.

E. (with feeling). I have made a great many mistakes in my life—suffered a great deal of unhappiness—because I have been afraid of being cloying. (Aside.) Am I mad, that I should tell him the foolish truth!

H. (rising). I should say it was a fault to which you were not constitutionally inclined. (Aside.) That sounds much firmer than I feel.

E. No, but on that very account people should have borne with me more than they have! (Still with feeling.) Things might have been different.

E. (hurriedly). Never mind! There is the door-bell! Things are going to be different! (With a faint smile.) I told you he did not like any sweet at all in his.

H. (impetuously). And have I not had my full allowance of bitter? It is time 45you began dispensing sweets—so let him stay away.

H. The plan is ready for your acceptance. You were going to tell me you were engaged to-morrow—tell him so to-day, instead!

H. And mine five years ago. (She hesitates.) Besides, he is late—half an hour late. What is it about a lover who is late? He has divided his time into more than “the thousandth part of a minute.”

E. Show him into the reception-room. 46I will come in a moment. (Exit maid.) It is he, Harold. I must go.

H. (taking her hands). Esther, think one moment. Forget the four years. I have come a day too soon. I have swallowed two cups of tea and eight lumps of sugar and made a general ass of myself—but—I love you.

E. But—but this is so shameless! I thought I should have to say—something like that—to him.

H. (coolly). And I am in time to save you from so unfortunate a mistake. You had much better tell it to me.

H. Give me one first! Adopt my plan, it is so simple. Send word—or tell him, if you like—that you are engaged. But come back!

E. Indeed, he shall have his answer first. His right demands precedence at least. But (opening the door) I will come back.

E. Perhaps. (Returns just as she is leaving the room.) But, Harold, Harold, I thought an afternoon tea was so safe, or I should never have asked you.

Philander Atkinson, bachelor of law and writer of light verse, sat one murky August evening in his hall-bedroom, with the gas turned low, wondering whether the night would be too hot for sleep. At a quarter before ten a loitering messenger-boy brought him a line from his friend Darnel: Come around at once. Just back. The very greatest news. Thereupon Atkinson discarded his smoking-jacket, reluctantly exchanged his slippers for shoes, and took the car down to 52Twelfth Street, remembering meanwhile that Darnel’s brief vacation from the Broadway Bank expired that day, and speculating as to the nature of the great news which the clerk had brought back from Vermont. The lawyer was a Vermonter too, and it was this fact, as well as a common literary ambition, that had drawn the young fellows together at first, long before Philander, on the strength of having two triolets paid for, had moved up to Thirty-first Street. Philander Atkinson liked Darnel, admired his feverish energy and his pluck, envied his acquaintance with books. He had always persisted in thinking that Darnel’s stories would sell, if only some magazine would print one for a starter; and he had patiently listened to most of these stories, and to some of them several times over. Yet Darnel had never had any luck; had never had even his deserts; and the sincerity of his congratulations whenever 53Atkinson’s verses saw the light always caused Philander to feel a trifle awkward. He knew that the indefatigable clerk had two or three manuscripts “out”—out in the mails—when the vacation began, and as he turned in at Darnel’s boarding-house he had almost persuaded himself that The Æon had accepted “Laki,” his friend’s Egyptian story. It was a long climb up to Darnel’s room, and the writer of light verse mounted deliberately, being fat with overmuch sitting in his office chair. On the third floor the air was heavy with orange-flowers and Bonsilene roses, and a caterer was carrying away ice-boxes. A whimsical rhyme came into Philander’s head, and he made a mental note of it. Just then Darnel appeared, leaning over the balustrade of the fourth-floor landing, his coat off, his collar visibly the worse for the railway journey, and an eager smile upon his thin, homely face.

“Hullo, D.,” said Philander. “Here 54I am. Been having a wedding here?” he added in a low voice, as he grasped Darnel’s hand.

Without answering, Darnel led the way into his tiny room. His trunk lay upon the floor, half-unpacked, the folding-bed was down, for the better accommodation of some of the trunk’s contents, and the desk in the corner, under the single jet of gas, was covered with piles of finely torn paper. Darnel’s manner, usually nervous and somewhat conscious, betrayed a certain exhilaration, but he was under perfect self-control.

“‘Laki?’” he said, seating himself in his revolving chair and whirling around to the desk, while Atkinson threw himself upon the bed, “‘Laki?’ Oh, I had forgotten. It’s probably here.” He pulled 55over the mail accumulated during his absence. “Yes.” He tore open the big envelope. “‘The editor of The Æon regrets to say,’ etc.;” and he tossed the printed slip, with the manuscript, into his waste-basket, with a laugh.

Atkinson’s heart sank. Poor Darnel; it was not a cheerful welcome home. But Darnel was busied with his letters.

“And here are the others,” he went on. “I thank the Lord none of them were accepted.”

“That’s why I sent for you,” said he. “Phil, all that I’ve been writing here for three years is stuff, and I’ve only just found it out. I can do something different now.”

Atkinson stared. Darnel had rarely talked about his own work, and then in a 56scarcely suppressed fever of excitement and anxiety. Many a time had Atkinson noticed his big hollow eyes turn darker, and his sallow face grow ashy, even in reading over with a shaking voice some of that same “stuff.”

Philander flung himself back upon the pillow, with a little laugh. “Go ahead, D.”

“I have found her, and myself. Let me turn down the gas a little; I see it hurts your eyes. I belong in the world now; I am in the heart of it—I said to myself coming down the river this afternoon—in the heart of the world.” He lingered over the words. “Phil,” he exclaimed, suddenly, “all the time I was 57trying to write I was really trying to lift myself by the boot-straps. I was laboring to imagine things and people, and to get them on paper. It was all wrong. Do you remember that French poem you read me last winter, about the idol and the Eastern princess—how she lay on her couch sleeping—the night was hot—with the bronze idol gazing at her with its porphyry eyes, while her brown bosom rose and sank in her sleep, and the porphyry eyes kept staring at her—staring—but they never saw? Well, I believe my eyes have been like that. In ‘Laki,’ now, you know I wanted to describe the exact color of the stone in the quarry, and asked the Egyptologist up at the Museum to tell me what it was? He laughed at me. Very well. It was a dull-red stone, with bright-red streaks across it; I saw the same thing in Troy this afternoon, when a hod-carrier fell five stories and they picked him up from a pile of bricks.”

58“You’re getting rather realistic,” muttered Philander. Darnel was not looking at him, and went on unheeding.

“I have but to tell what I see. I have stopped imagining; my head has ached—Phil, you don’t know how it has ached—trying to imagine things. I am past that now; if you only shut your eyes and look, it is all easy. Take that old Edda story that I tried to work up, about the fellow who fought all day long against his bride’s father, and when night came the bride stole out and raised all the dead men on both sides, by magic, so that the next day, and every day, the battle raged on as before. I used to plan about the magic she used, and tried to invent a charm. Why, all she did was to pass over the battle-field at night, where the dead lay twisted in the frost, and while the wolves snarled around her and the spray from the fiord wet her cheek, she stooped to touch the dead men’s wrists; and they 59loosed their grip upon broken sword and split linden shield, their breath came again, soft and low like a baby’s, and so they slept till the red dawn.”

“Look here,” said Atkinson, sitting up very straight, “you’ve been reading ‘The Finest Story in the World,’ and it has turned your head.”

“Oh, the London clerk who was conscious of pre-existences, and forgot them all when he fell in love? I could have told Rudyard Kipling better than that myself.” Darnel gave an impatient whirl to the revolving chair.

“As you like.” He spoke dreamily, and Atkinson dropped back on the pillow again, watching his friend as narrowly as the dim light would allow. Hard work and unearthly hours had told on Darnel; he certainly seemed light-headed.

“Sickening heat—black frost—” he was 60murmuring; “marching, stealing, fighting, toiling—joy, pain—the life of the race—is a man to grow unconscious of these things in the moment that he really enters the life of the race, that he feels himself a part of it? What do you think, Phil?”

“I think,” was the slow reply, “that whatever has happened to you in Vermont has shaken you up pretty well, old fellow. They say that when someone asked Rachel how she could play Phèdre so devilishly well, she just opened her black Jewish eyes and said, ‘I have seen her.’ And I think, in the mood you’re in now, you can see as far back as Rachel or anybody else. It’s like being opium-drunk; if you could keep so, and put on paper what you see, you could beat Kipling and all the rest of them. But you can’t keep drunk, and you can’t write prose or verse on love-delirium. It’s been tried.”

61Atkinson lifted his stout shoulders, laughing uneasily. “So much the worse. I should say, the less pre-existence of that sort the better. You might as well tell me the whole story, D. What is her name?”

“In a moment. She loves me, Phil. She is waiting for me in her little house among the hills. I left her only this morning, and soon I shall go back and leave New York forever. I can write the story up there—the story I have dreamed of writing—for I shall always have the secret of it. I have but to shut my eyes and tell what I see; and it is because she loves me. All the life of all the past—I can call that ‘A Story of the Road.’ Then there will be the future to write of—the men and women that are to come; for we shall have children, Phil, and in them——”

“——I shall know the story of the future. 62Even now I know it; I do not simply foresee it, I see it. Why not ‘A Story of the Goal!’ For I belong to it—do you not understand? Yet, after all, what is that compared with the present? It shall be ‘A Story of the March!’ Look there!”

He threw his eyes up to the ceiling, which was brightened for an instant by the headlight of an elevated train as it rushed past.

“Do you know what that engineer was really thinking of as he went by? That would be story enough. Or what was in the heart of the bride to-night, down on the third landing—you smelled the orange-flowers as you came up? To feel that your heart is in them, and theirs in you——”

But Philander Atkinson was not listening to the lover’s rhapsody. He was thinking of a certain summer when he, too, had had strange fancies in his head; 63when his thoughts played backward and forward with swift certainty; when he had grown suddenly conscious of great desires and deep affinities, and for a space of some three months he had dreamed of being something more than a mere verse-maker, a master of the file. Then—whether it was that she grew tired of him, or they both realized that some dull mistake had been made—it was all over. There was still in his drawer a package of manuscript he had written that summer; in blank verse, none too noble a form for the high thoughts which then filled him; in a queer new rhythm, too, the secret of whose beat he had caught at and then lost, for the lines read harshly to him now. He looked these things over occasionally, as a sort of awful example of himself to himself; though he had gone so far as to borrow some of their imagery, not without a certain shame, to adorn his light verse. His card-house had fallen, but some of 64the colored pasteboard was pretty enough to be used again. Curiously, he found that he could cut pasteboard into more ingenious shapes than ever since his brief experience in piling it; fancy served him better after imagination left him; his triolets were admirably turned, and his luck with the magazines began. Altogether it had been an odd experience; half those crazy ideas of Darnel had been his two years before, but he was quite over them—yes, quite—and now it was D.’s turn. He listened again to something that Darnel was murmuring.

“And she is an ordinary woman, one would say; a common woman. That is the mystery and the glory of it. I do not know that she is even beautiful. There must be thousands of women like her; I can see it plainly enough, that there must be thousands of women in the world like her.” There was a reverent hush in his voice.

Atkinson choked back an exclamation. Was D.’s head really turned? “A common woman”—“not know whether she is beautiful?” A face rose before him, unlike any face in all the world: eyes with the blue of Ascutney, when you look at it through ten miles of autumn haze; hair 66brown as the chestnut leaf in late October; mouth——

Philander trembled slightly, and rising to his feet, stood looking down at Darnel, haggardly. It was quite over, that experience of two summers before, but while it lasted he had at least never dreamed that there were thousands of women in the world like her.

“Sit down, Phil, I am almost through. A woman like other women, and the story, when I write it, a common story. It will be the commonest possible story; common as a rose, common as a child. I am going back to Vermont, where I was born, and where I have been born anew. There will be plenty of time for the story—years, and years, and years. I have only to close my eyes some day, and she will write down all I tell her, and I shall call the story hers and mine.”

But Atkinson still stood, his hands in his pockets, his heavy figure stooping, the 67lines hardening in his face, while he watched the rapt gaze of Darnel, and drearily reflected how strange it was that a woman should open all the gates of the wonder-world to one man’s imagination, and that some other woman should close those secret gates, quietly, inexorably, upon that man’s friend.

“Wait,” said Darnel. “Must you go back to your triolets? Let me show you her picture first.” He turned the gas up to its fullest height, and held out a photograph.

Dear Sir: It is with some hesitation that I venture to trespass upon your valuable time, knowing as I do that the demands of clients, of constituents, of 72friends, are so exacting. Still, as what I am about to ask relates to a matter lying very near my heart, I hope you will forgive me. A young man in whom, in spite of the usual extravagances and follies of youth, I discern some promise, and whom I hope, for his own sake and from my friendship for his excellent father, dead long ago, to see occupying a respectable position in the community, has, with the heedlessness peculiar to his age, involved himself in certain difficulties which, although at present of a sufficiently distressing nature, may, I hope, be satisfactorily overcome. Knowing so well your distinguished abilities, ripe judgment, and great experience, I can think of no one to whom I can, in this critical period of his life, more confidently send him for counsel, instruction, and aid, and I accordingly commend him to you, trusting to our old friendship to account for and excuse my somewhat unusual act. Though what I ask of you is something not usually required of a lawyer, I think you will understand my reason for thus troubling you. No one can have a more thorough knowledge 73of the world than an old practitioner like yourself, and what you may say must fall upon the ears of youth with weighty authority. Talk to him as you would to your son, if you had one, not as to a client, and I will be inexpressibly indebted to you, for I know you will lead him to appreciate the serious realities of life, which, at present, he is so disposed to disregard.

I need only add that he is a young man of some fortune, and, certainly, by birth worthy of much consideration. He will call upon you in person and himself explain his present embarrassments.

This was the letter that the Honorable Jacob Maskelyne read, reread, and read yet again. Indeed, not content with its 74repeated perusal, he turned it this way and that, looked at it upside and down, and finally, laying it upon the table, he held up its envelope in curious study, as people so often do when thus perplexed. It bore the common, dull-red two-cent stamp and was post-marked the day before. Both it and the letter were apparently as much matters of the every-day world as a jostle on the sidewalk. Nevertheless, the old lawyer was more than puzzled—more than puzzled, although he, of all men in the great, wideawake city, would in popular opinion have been thought perhaps the very last to be thus at fault. If millstones were to be worn as monocles—if there was any seeing what the future might bring forth—the chances of a project, the risks of rise or fall in a stock, the hazards of a corner in a staple, the prospects of a party or of a partisan, Jacob Maskelyne would be regarded as the man of men for the work. 75But, under the circumstances, even to him this letter was more than perplexing. Here, on this spring morning, with floods of well-authenticated sunshine pouring into every nook and corner, dissipating every mystery of shadow and, it might seem, every shadow of mystery—here, in his office, bricked in by the unimaginative octavos of the law—those hide-bound volumes, heavy literature of all things most amazingly matter of fact; here, in the eighteen hundred and eighty-seventh year of the Christian era, in the one hundred and eleventh year of the Republic, he had received a letter from his old guardian, whom, when he himself was not more than twenty, he remembered walking about a feeble old man with many an almost Revolutionary peculiarity in speech and manner, and whose funeral he, with the heads and scions of most of the first families of the town, had attended full twenty-five years ago. It certainly 76was enough to bewilder anyone. He again took up the letter. It was unquestionably in old Bevington’s best style, courtly enough, but a trifle pompous. Had it not been for its true tone he would undoubtedly have thought the thing a hoax and immediately have dismissed it from his mind. He touched a hand-bell, and in response a young man—a very prosaic young man—over whose black clothes the gray of age had begun to gather, appeared.

77“Bring me the letters received of the year eighteen sixty—letter B,” said the lawyer, sharply.

That was the year in which his father’s estate had been finally settled, and he knew that there would be many examples of his guardian’s handwriting in the correspondence of that time.

The clerk soon returned with a tin case, and laid it on the table. Mr. Maskelyne took one from among the many papers therein, and, striking it sharply against the arm of his chair, to scatter the dust 78that invests all things in the garment the outfitter Time warrants such a perfect fit, he spread it out beside the letter he had just read with such blank wonder.

“Identically the same,” he muttered. “No other man ever made an e like that.”

He glanced once more at the mysterious missive, and then, with the purposelessness of abstraction, he rose and went to the window. Nothing caught his eye but the sign-bedecked front of the opposite building and one small patch of blue sky—near, gritty, limestone fact and a faraway something without confine. Still, amazed as he was the contagious joy of the time sensibly affected him.

The sparrows, quarrelsome gamins of the air, for the time reformed by honest labor into respectable artisans, upon an opposite entablature, in garrulous amity plied their small, nest-making joinery. The sunlight falling through a haze of wires, wrought into something bright with its own glow a tuft of grass which clumped its spears in its fortalice, taken in assault, on the 80opposite frieze. Of even these small things, and of much more, Mr. Maskelyne was partially conscious. But the letter! Clear-sighted as he was, he knew but little—so forthright was his look, so fixed toward mere gain—of the wonderful country which lies beneath every man’s nose, less even of the vanishing tracts which retrospection sometimes sees over either shoulder. But the letter! It peopled his vision with things long gone. It brought into view old Bevington—“Dick Bevington,” as he was called to the last day of his life—and a nickname at fifty indicates much of character; brought up before him Dick Bevington as he was before age had stiffened his easy but dignified carriage or taught his once polished but positive utterance to veer and haul in sudden change; brought up old Bevington, as he himself, in childhood, had seen him, stately but debonair, the perfection of aristocratic exclusiveness, affable, however, 81in the genial kindliness of a kind-hearted man secure in every position—a genuine Knickerbocker in every practice and in every principle—a well-born, well-bred gentleman. And that once active and once ebullient life had long ago gone out! It almost seemed that such vitality, so held in self-contained management, so wisely put forth, so well invested, so to speak, should have lasted forever. But now there was nothing left to bring him to mind but a portrait in the rooms of the Historical Society, or a name in the list of directors when the history of some bank was given, or in the pamphlet in which the story of some charitable institution was told from the beginning—really there was nothing more than this to recall Dick Bevington, foremost among the city’s fathers, the leader of the ton. When he had last seen his guardian he had thought him of patriarchal age. And was not he himself now nearly as old? In spite of 82the blithesome aspects of the morning, Jacob Maskelyne turned away from the window with an unwonted weight at his heart and a new wrinkle on his brow. The whole world seemed to be going from him, losing charm and significance in a sort of blurring dissatisfaction, as upon a globe, when swiftly turned, lines of longitude and of latitude, and even continents and seas, vanish from sight, and all because his own life suddenly seemed but vexed nothingness. He had not even mellowed into age as had Bevington. He was as sharp and as rough-edged as an Indian’s flint arrow-head, and he knew it.

He seated himself at his table. Automatically he was about to take up the first of several bundles of law-papers, when he was startled by the entrance of the clerk. He leaned back in his chair, and his reawakened wonder grew the more when a card was placed before him upon which 83was written, in a dashing hand, “From Mr. Bevington.”

“Nobody I ever saw before,” answered the clerk; “and he seems rather strange about his clothes,” he added, in a rather doubtful, tentative manner.

The door had hardly closed upon the vanishing messenger when it again swung upon its hinges, and a new figure stood in relief against the clearer light from without. In his eagerness to see of what nature a being so introduced might be, Mr. Maskelyne turned his chair completely around, and silently gazed at the new-comer as he entered. His eyes fell upon a slim, graceful young man dressed in the mode of at least forty-five years ago—a mode not without its own good tone undoubtedly, but with a tendency toward gorgeousness which an exquisite of these days of assertive unobtrusiveness might think almost vulgar. His whole attire was touched in every detail with that nameless something which really makes the consummate result unattainable by any not born to such excellence; but in the bright intelligence shining in his dark eyes and the clear intellectual lines of his face, even 85Maskelyne could see that if he had given much thought to his dress it was only from a proper self-respect, and not because dress was the ultimate or the best expression of what he was. Few could look into the luminous countenance and not feel a glow of sudden sympathy with the high aspirations, the pure disinterestedness, the clear intellect, that lit up and strengthened his features. Even the old lawyer, disciplined as he was by years of hard experience to disregard all such misleading impulses, felt his heart warm toward the young man.

“I hope,” said the new-comer, with a smile so pleasant, so ingenuous, so confiding, that all Maskelyne’s ideas of deception—had he had time to recognize them in the moment before a strange, unquestioning acquiescence took complete possession of him—were at once dissipated, “that I do not intrude too greatly on your time.”

86Won really in spite of himself by the appearance of his visitor, the famous counsellor waved his hand toward a chair.

“I suppose,” continued the stranger, with an almost boyish sweetness, as he seated himself, “that Mr. Bevington has already told you why I am here.”

Mr. Maskelyne might very well have answered that Mr. Bevington was hardly to be looked to for any information on any subject, but he did not—the wonderful circumstances of the interview had been so driven from his mind by the potent charm of the young man’s personality.

“Mr.”—and he paused as if waiting for enlightenment as to the name of the stranger.

“I’m in a devil of a scrape,” continued the young man, apparently imagining that the letter had made all necessary explanations, and mentioning the devil as though he was an every-day acquaintance, 87a pleasant fellow whom he had just left at the door awaiting his return.

“I did not wish to see you,” continued the other, his singularly trustful smile breaking again over lip and cheek.

“Indeed,” said Maskelyne, his wits and perceptions in most confusing entanglement.

“No,” went on the unaccountable visitor. “I supposed that you would give me what the world calls good advice. But I don’t want that. I want to hear something better.”

He laughed aloud in such a joyous, cheery fashion that the old lawyer even smiled.

“The last in the world. I don’t suppose that you ever did a foolish thing in your life.”

“And therefore am perhaps less competent 88to advise others who have,” replied Maskelyne, half heedlessly, for his thoughts were slowly turning in a new direction. The more he looked the more the eager, spirited face seemed familiar. He had certainly seen the young fellow before, but where? It seemed to him that he could certainly remember in a moment, if he only had time to think.

“Pardon me,” interrupted Maskelyne, in a significant tone, “you said Mr. Bevington?”

“Certainly,” said the stranger, suddenly looking up in evident surprise. “Didn’t he write?”

He was on the point of making some further inquiries, but the impulse came to nothing. The former feeling of acquiescent but expectant apathy again possessed him; indeed, he had never 89been much in the habit of asking questions. He knew that he often learned more than was suspected even, by letting people talk on in their own way.

“In the first place,” and he paused a moment—“I am very much in debt.” The young man spoke as he might of taking a cold asleep in the open air—as if he had been exposed to debt and had caught it.

The first look of sadness rose and deepened over his face as he shook his head dejectedly.

“But I’ll get over it—‘Time and I.’ Don’t you rather like the astute old king after all, Mr. Maskelyne?”

“I write a little,” replied the impenitent, modestly. “I have even heard of people who admired some of my verses.”

Old Maskelyne was asking enough 90questions now. Indeed, under the magic of the stranger’s manner he had quite forgotten himself, his usual caution, and even the exceptional manner in which his companion had been introduced to him.

“Don’t you think,” said the older man, answering almost instinctively, “that on the whole you might find the employments of the law more remunerative than the calling of a—poet?”

“Mr. Maskelyne, I sometimes think that the world really believes in the sort of thing underlying your question—that there is wisdom in what it so complacently repeats as indisputable. And I am sent here phrase-gathering—to carry off small packages of words put up in little flat, portable sentences, alternatives ready for daily use. But there are gains you cannot invest in lands and stocks—columns with statues at the top as well as 91columns whose sums are at the bottom. Wasn’t ‘Le Barbier’ a better investment than any in Roderigue Hortales et Cie., and what could John Ballantyne & Co. show beside ‘Guy Mannering?’ If the world says what it does, it mustn’t do as it does. It’s inconsistent. Who will undertake to strike the balance between fame and fortune; what mathematician will undertake to say that x, the unknown quantity of fame, does not equal the dollar-mark?” Then he added, after a moment’s pause, “Mr. Maskelyne, don’t you think it is true that

It was hard to resist such enthusiasm, 92such unquestioning certainty. The old lawyer did not even smile as he lay back in his chair, a new life shooting through every nerve, his gaze fixed on the flushing face of the young man.

“And the consciousness of best employing the best that is in you,” he continued. “Who dare shorten the reach or blunt the nicety of man’s wit, make purblind the imagination, stiffen the cunning hand? Tell men that in some Indian sea, fathoms deep, lie hid forever Spanish galleons in which doubloons and moidores, as when honey more than fills the comb, almost drip from their sacks, and you will see in their sudden thoughtfulness how quickly they appreciate such loss; tell them, if you can, what, through poverty, erring endeavor, uncongenial occupation, the world with each year loses in intellectual riches, and they will stand heedless.”

Speaking with the incomparable confidence 93of youth, its own glorious nonsense, the young man’s voice sent old Maskelyne’s blood hastening through his veins in almost audible pulsations.

“What if I do not wish great wealth,” the speaker continued, “must I be made to have it? I want but little. Give me food, clothing, habitation, sufficient that my eyes may see the delights this world has to show, that my ears may catch the whispered harmonies of all things beautiful, gladden me with the radiance of common joy, and that’s all I want. Who is unreasonable when what he wants is all he wants? Are the worldly so insecure that, as the frightened kings sought to still beneath their tread the first throb of the French Revolution, they must stamp out the first symptom of revolt against the almighty dollar?

Mr. Maskelyne, must I eat when I am 94only thirsty, drink when I am only hungry?”

He paused, and glanced triumphantly at the old man. He felt in some secret, instinctive way that he was gaining ground. A squadron of fauns had charged from amid the vine-leaves, and the legion upon the highway was in rout. Fine sense was victorious for the moment over common sense.

“I think,” said Maskelyne, at last, and with a strange, sad, patient air, unwearied, however, by the young man’s dithyrambic, sometimes almost incoherent speech, “I think I cannot attempt to advise you. Having discarded the wisdom of ages, what heed will you give the wisdom of age?”

A cloud seemed to cast its shadow over the other’s face. Could it be that, lost in himself, he had spoken almost in presumptuous disrespect to a man so distinguished, to a man whom he honored 95and whom he felt that he could even like?

“If I speak strongly,” he said, “it is because I feel strongly. If I did not feel strongly I would not attempt to withstand the amount of testimony against me.”

“Might I ask,” said Maskelyne, gently, in his inexplicable sympathy with the young fellow, “why, if you feel such confidence in all you say, you do not, without hesitation, enter on a life in accordance with your convictions?”

At last there was hesitation in the young stranger’s manner. He turned his hat nervously in his hand, and sat silent for a moment.

“You see,” he began, paused, and began again—“You see, if I were alone it would be one thing. But I’m not—not at all alone,” he added, evidently gaining confidence.

“Ah!” exclaimed the old lawyer, a 96sudden gleam of new intelligence shining in his dull, weary old eyes.

“Not approve!” cried the young fellow, eagerly; “she has made me promise that I will give nothing up, that I will refuse all Mr. Bevington has arranged for me. You can’t tell how inspiring our misery is. And our courage,—a young Froissart must be our chronicler, sir. We take our sorrows gladly.”

“Anything, anything,” interrupted the young man, gayly. “I’m sent here to be talked out of what they may call my folly. You see I can’t be talked out of it. Don’t that prove that it is no folly?”

“You seem,” said Maskelyne, dryly, “to have settled it between you—you and she.”

97“Settled it! We did not need help about that. It’s the unsettling. There comes a time when friends are the worst enemies. You know that, Mr. Maskelyne?”

The old lawyer paused. “Indeed I do,” he said at last, and the sneer stealing over the outlines of his face slunk away before the look of regret that came swiftly on. Almost in embarrassment, with nervous hand, he shuffled the papers on his table.

Far back in the past, when his eyes were not yet dimmed by the dust blown from law-books, nor his ears deadened by the stridulent clamor of litigation, before his life had gone in attempts at

when he, too, dwelt in that other-world of the young, forgotten by everyone but 98himself, but, although hardly ever remembered, never forgotten by him—not one grain of its golden sand, not one drop of its honey-dew, not one tremor of its slightest thrill—then even he had had his romance. The freshness of the early spring morning, the airy brightness of his young visitor, himself no bad exponent of the day, the awe-footed shadow which, with almost unrecognized obtrusion, skirts the border where the ripened grain fills the field of life and nods to the ready sickle—was it something of such kind, or was it the simple story of which he had had such telling intimation, that brought it all up in memory’s half-tender glow? He, too, had once been in love. He, too, had written verses to his inamorata. He remembered it all now, with a smile of mingled pity and contempt. It needed no ransacking of the brain now to quicken into full view his own “It might have been”—to people once more the mystic world whose first 99paradise is rich in the slight garniture of glances and sighs and smiles and tears. Lost in himself, the old man forgot his visitor.

It was strange, but he, too, had been twenty-three and she eighteen when the end came in that glimmering, gleaming past. He remembered, and how strange the recollection seemed, taking her some flowers and some slight silver gift—a poor, inexpensive thing; she would let him give no more because he, too, was in debt—on her birthday. And now, with strange revulsion, he hardened almost into his habitual self, and grimly thought that it all was youthful nonsense, and that all such follies were very much alike. Had he spoken, he would have been guilty of 100one of those faults often packed with error, an apothegm—he would have said that we only become original, even in our folly, as age gives us character.

The old man started. These were his own words many, many years ago; his very words to his guardian when the final appeal was made by old Bevington to what he called his better judgment so very, very long ago, in the dark, stately house upon Second Avenue.

“So very little,” repeated the young man. “I have always said,” he continued, as pleased with the conceit as if it had never before glittered in the song of finches of his feather, “that we should have gold enough in her hair.”

“And is her hair golden?” asked Maskelyne, and, startled by the sound of such words dropped from the lips of the distinguished counsel for many a soulless corporation and many as soulless a man, he added, hurriedly, “light.” And then the old lawyer remembered that he too, had a lock of hair that he had not sent back when he returned her letters and her 102picture. How bright it was! What had become of it? Where was it? In what pigeon-hole, what secret drawer? He could not for the moment remember. He looked out of the window. How bright the sunshine was! How empty the world! It seemed to build up its vacancy around him as a wall.

He had been sure of it. He rose and went to the window. The joyful attributes of the morning were there, but they were no longer joyful to him. The light fell in the same broad flood, still promising the glory of summer, the ripened harvest, but there was no promise for him. The sparrows preluded still the full-voiced singers of the year, when leaves are heavy with the dust and brooks run dry, but he heard only a quick, petulant twitter. A sort of dull despondency suddenly settled upon 103him. He forgot his visitor, and even time and place. Amid the glimmering lights and shaking shadows of the past he sought a vision, as at twilight one seeks in some deserted corridor a statue which would seem to have so taken into its grain the last rays of the already sunken sun that the marble glows in the gathering darkness with a radiance not its own.

The young man grew impatient as the revery was prolonged. He stirred uneasily. The old lawyer turned and looked curiously at him. Of course, of course! Was a man to be changed, the bone of what he was to have its marrow drawn, the fibre of every muscle to be untwisted, by this nonsense of a boy? Of course old Bevington was right—and for the moment he did not remember that Bevington was dead—in sending the young fool to such a cool old hand as himself. But if Bevington had known what a turbulence of disappointment, discontent, and revolt 104had risen, and poured in strength-gathering torrent, even at that instant, through his heart, would he not have kept his young charge away? He would talk to him—certainly he would—pave his way for him, perhaps, as with flagstones of wisdom. Perhaps—and then he thought with grim satisfaction of what Bevington might think should he learn that he recognized that there were other paths than those edged by a curbstone.

106“You have been sent to me,” he said, very seriously, coming from the window and leaning with both hands on the table, “for advice and admonition. I will give my lesson in sternest characters. I will teach by example, but I may not teach what you were sent here to learn. When I was young as you—do not start, I was young once,” and he spoke with infinite sadness, “I loved as you love, and, as with you, love was returned. They who called themselves my friends strove, with what they called reason, to tear me from what they called my folly. My folly! It was the wisdom that it takes all that is blent into humanity, at supremest moments, to attain; their reason, the fatuous folly only enough to give habitual stir to an earth-beclotted brain! I yielded, as you have not yielded. I killed out even the natural impulses of my nature. Gradually almost new instincts came, desire for delight sank into appetite for gain, hope for the joy of higher existence was lost in the ambition for mere advancement. I wrought out in myself that fearful piece of handiwork whose every effort is but to grasp the worthless handful man can only wrest from the mere world. I lost, and I have not won. I was a man and I am only a lawyer, and to him you have been sent for advice. I can find no precedent better, no authority more weighty for your guidance than my own life. Such strength as enabled me to 107work such a change will also enable you to make yourself a new being, to accomplish self-overthrow, to bring you to what I am—a man rich, successful, courted, revered—most miserable. He who has so won, so lost, stands alone or he would not so win. Choose rather the close companionship of worldly defeat, if it must be, and I say to you in the rapture of your youth, clay plastic to the moment’s touch, hold to yourself, and believe that no fame, no power, no wealth, can compensate for a contentious life, an empty heart, a desolate old age. If I were you——”

He did not finish. Slowly the young stranger rose to his full height, every lineament of his face clear in cold light. His whole aspect was one of steadfast command.

“Stop!” he cried, in a stern tone. “I am yourself. No ghost walks save that which is what a man might have been. We throng the world. Beside everyone 108through life moves the image of a past potentiality, the thing he could have become had he held along another course. I am what you were, the promise of what you might have been. For forty years I have walked by your side. I have touched you and you have shuddered, I have chilled you and you have shrunk from me. Your nature has so grown athwart, all impulse has been so long gone, all that softens or ennobles so thrown off that, in almost final self-assertion, what you really were or might have been stands by your side and bids you measure stature with itself. Your life has entered upon its wintry days, but sunlight is sunshine even in December and in youth.”

The old lawyer, almost shuddering, stepped back with repelling gesture. He passed his hand quickly across his eyes, and then, as if his heart had beat recall, summoning back every retreating force in quick rally, compelled but not unwilling, 109he turned in combative instinct to meet the stranger face to face, nature to nature, turned—and found himself alone.

“Eleven o’clock, sir,” he said, “and you know the General Term this morning——”

“You certainly brought me a card and showed a young gentleman in a few minutes ago?”

“I, sir!” repeated the clerk. “I brought in a card and showed a young gentleman in! Aren’t you well this morning, sir?”

As soon as he was again alone he 110stepped to the table. The card and the letter were gone. And still he knew he had not been dreaming. A man swung high in the air was busy painting a sign upon a building not far away, and he was conscious that all through the strange interview he had watched him at work. He had seen him finish one letter and then another, and now if he found him adding the final consonant he would be assured that he could not have been asleep. He looked up and found that he was right. The man had just made the heavy shaded side and was busy putting the little finishing line at the bottom of the letter.

Two men—one of rotund middle age, the other younger but yet not young—came down the steps of the Union Club one day a few weeks later. They met an old man rounding the corner of the Avenue.

111“See what you would come to if you had your own way,” said the elder of the two. “There’s old Maskelyne. He’s got everything you’re making yourself wretched to get. Do you want to be like him?”

“As you look at life,” said the younger. “He has sent for that clever, improvident, gracefully graceless good-fellow of a good-for-nothing, his nephew, him and his pretty-handed, big-eyed wife—he hadn’t seen either of them since they ran away and were married—sent for them and put them in his great, old house and—didn’t you hear Maceration growling about the luck some people have just before we 112left? He says the nephew will have all the old man’s property.”

“What’s the world coming to?” said the senior, “or what is coming to the world?”

The Archibald house, on West Forty-— Street, was of the character described as a “modernized front.” A handsome arch in rough stone surmounted the front-door, which was done in polished oak and plate-glass. The stoop was on a level with the sidewalk; a richly carved bow-window jutted out from the second story. “No. 41,” in old iron open work, formed 116a pretty grating above the door. There was, in fact, nothing which would lead an ordinary person to conceive of the house as given over to boarders, except, possibly, the sign,

which was posted conspicuously below the first-story window, and at an angle which enabled him that ran to read.

Old Mr. Archibald’s death, the autumn before, had left his widow rather poorer than she anticipated. He was a great collector of pretty things. His taste was exquisite, and he had gratified it by filling his house with a variety of bric-à-brac, pictures, statuary, and old furniture, which made it a centre of attraction to many of the old gentleman’s artistic friends. Mrs. Archibald, loath to dispose of her husband’s art collections, determined 117to let the house, as it stood, “at an exorbitant figure, to a very rich tenant without children.” Under these terms, on her departure for Europe, her agent was entrusted with the house, and her son Jerome, when he saw her off on the steamer, received a parting injunction, “Be sure and see that they have no children.” Jerome Archibald saw his mother and sisters depart—in no very enviable frame of mind; but he was a good son, and he resolved to forego Newport, if it would tend to dispose of the house as his mother wished, and add to her diminished income.

His mother and sisters sailed in May. It was now July, and very warm and disagreeable. As the “heated term” set in, he began to think it too bad, you know, of mamma and the girls to remain abroad for three whole years. It was positively absurd. What was he to do? After the house was let—where was he 118to go? By Jove, he felt deuced lonely, don’t you know! It was especially trying for a sensitive man to go in and out of a house with a great placard on it, “To Let, Furnished,” but it was a deal more trying to have people come and want board. Yes, actually, two ladies came one morning and wanted to know if they could see the landlord. It was positively ridiculous! His agent was a clevah fellow, but even he gave up hope of letting the house until fall. Hadn’t he better run down to Newport? He got a letter from Dick Trellis that morning, and they really didn’t see how they were going to get on without him in the polo matches. It put him in a fuming fury. He had never stayed late in the city in summer before. How infernally hot it was—and nahsty—don’t you know! His collars were in a perpetual state of wilt—they never wilted at Newport. Then everybody was not only out of town, having a 119good time somewhere, but they had a provoking way now of ostentatiously boarding up their front-doors—yes—and their windows, too—which made it doubly disagreeable for those who had to remain. It was bad enough to see the blinds drawn down, but boxing up their stonework and planking up their front-doors caused Mr. Jerome Archibald unutterable pangs. Then they thought it was a boarding-house!

They were coming again in the afternoon, at four. There were two of them—ladies. In his rather depressing and solitary occupation of living alone in his house, with one solemn apoplectic cook and one chalk-faced maid, in order to exhibit it to that endless raft of females with “permits,” who universally condemned or “damned with faint praise” his father’s exquisite taste in rugs and furniture, Mr. Jerome Archibald had to-day admitted to himself a distinct pleasure in 120showing “Miss Perkins” and her niece (whose name did not happen at the time to be mentioned) over the house, and pointing out in his quiet way its excellences.

They saw the sign, they said, and so made bold to enter. Evidently Miss Perkins was a prim, thin, tall, spectacled, New England old maid. She had the delicate air and manner of a lady. A lady faded, perhaps, and unused to a larger social area than that surrounding her native village green. She had also the timid manner of hesitancy of New England spinsters—hesitancy concerning everything except questions of casuistry and religion—and seemed, in what she did, to be spurred on from behind by the niece, who was, on the whole, as Mr. Jerome Archibald told a friend at the club later, “quite extraordinary.”

121“She wore rawther an odd street dress,” he said, “made up in the country somewhere, by a seamstress who gathered her crude notions of the prevailing fashions from some prevaricating ladies’ journal, and her hat was something positively ridiculous—but her face!” The fastidious Mr. Jerome Archibald at once conceded to it a certain patrician quality of elegance. It denoted pure blood and pure breeding, somewhere up among Vermont hills or Maine forests. A long line of “intelligent ancestors,” perhaps. It was fine, and—beautiful. The forehead high, nose straight, the large eyes gray, the mouth and chin sweet, and yet quite determined. When he showed them a large room at the rear, on the second story, facing the north, the niece had observed, with a lofty air—mind, the room was literally crammed with the most costly bric-à-brac—“I think this will suit me very well, aunt dear, on account of the light.”

122He noticed in her unfashionable dress a certain artistic sense of freedom, a soupçon of colored ribbon here and there, and he concluded that she was all the more interesting, as an artist, in that she so quietly accepted the elegancies around her. She gave an unconscious sigh over a small glass-covered “Woodland Scene,” by Duprez. Mr. Jerome Archibald noticed it, and inwardly smiled, delighted.

Perhaps the niece captivated him the more by her silent appreciation of some things he himself admired exceedingly. It was odd that she seemed always to choose his favorites. There was nothing said as to the rent, the size of the house, the lot, the plumbing. He spent an hour showing his etchings alone, and in the afternoon, at four, they were coming again, “to decide.”

Of course Mr. Jerome Archibald must have been an extremely susceptible young man to have fallen in love at first sight with a strange young woman, who had come to look at his house with a view to renting. But he was—“rawther down and depressed.” The usual summer malaria had set in. The usual excavations in the streets were going on—they were digging with “really extraordinary energy” that summer—the pavements were up on all the Fortieth streets. Fifth Avenue presented the appearance of a huge empty canal. It was something more, this presidential year, than the perennial laying down and taking up of pipes. “He was really ripe for une grande affaire du cœur,” said one of his club friends, he was getting so lonesome. He did fall quite entirely in love, precipitately, unquestionably, 124in spite of the fact that they took the house for a boarding-place! They asked to hire but one room only.

When they arrived, at 4 P.M., they sat a few moments in the reception-room, while the chalk-faced, alert maid announced them to Archibald in the room above. Miss Perkins folded her faded, gloved hands in her lap and sat up on the sofa stiffly. They had looked at ever so many houses, and they had come back to No. 41 with instinctive preference.

“I don’t think one room would be so very expensive,” said Miss Perkins. “He could put up two beds easily in that north room, and the room we saw on Thirty-fourth Street was only twelve dollars—what do you think, Elvira?”

“I think twelve dollars is altogether too high,” said the niece, looking up from a delicate little Elzevir she was holding. “I think he wants to let the rooms very much; none of them seem 125to be taken. Remember it is midsummer, aunt dear.”

“Of course he will prefer having nice people. It will be a great help to your art, Elvira—you can study at great advantage. There are so many pictures for you to copy. I think your father would say it was a ‘lucky find.’ If you will persist in your art, why, I think we are very fortunate.”

“You are always ready to sneer at my art, Aunt Perkins.” And she gave a peculiar laugh.

“It is something that has come up since my day,” she replied, glancing about over the pictures and the rare editions on the table. “I was brought up to plain living. But I guess if we can get it all for twelve dollars we ought to be satisfied. It’s a pleasant change to see the city. It’s pleasant to see these ornaments. Yes, I don’t 126blame art so much as your father does, Elvira, and I don’t believe he would blame it if he knew we could have so much of it for twelve dollars.”

“Father secretly admires it as much as I do,” said the niece; “only he likes to talk.”

Just then Mr. Jerome Archibald entered. He was faultlessly dressed in half-mourning for his father. Indeed, he had dressed himself with exceeding care, being desirous, he frankly admitted to himself, of making an impression. He bowed graciously, and took Elvira’s extended gloved hand, which, as she offered it, he held a moment. “Have you decided?” he asked.

They had explained, when they left in the morning, that they should want only one room, and he tacitly inferred that they would require board. He received a dreadful shock, but made up his mind that the charming niece would prove the 127more charming on closer acquaintance, and he deliberately decided to keep both the gentle New Englanders under his roof for a time, if he could! The more he thought of the plan, the more interesting the situation became to him. He fairly dreaded, at last, lest they should find their way into a remote boarding-house in some cheap quarter of the city, where it would be quite impossible for him to follow them. He gravely announced to the astonished maid that he had determined to let out the rooms to the ladies, who, he pretended for her benefit, were old acquaintances. When they were announced he was scarcely able to conceal his pleasure. Mr. Jerome Archibald had fallen in love.

“We have decided to take one room,” said Elvira, “if we can agree upon the price; and we wish to know the price of board—”

128“We shan’t want much to eat,” put in Miss Perkins, with a nervous twitch.

Archibald admirably concealed a smile. His long mustache aided him a good deal in doing this. He was still standing, and he put his hand to his lips: “I think we shall agree very easily upon the price,” he said.

Miss Perkins again twitched a little. “We thought twelve dollars—room and board——” she said, leaving the sentence half finished, while Elvira looked up at him, expectantly.

“My dear ladies, I should not think of charging more than ten. You are strangers in the city, and I would not impose upon you for the world. It happens that this is the dull season——”

“So we thought,” said Miss Perkins, “and board and lodging ought to come a little cheaper.”

“Precisely. The maid will show you your sleeping-room—and, of course, the 129entire house is at your service. I hope you will find everything to your comfort. I am very anxious to please.” He laughed a little.

Elvira gave him a grateful, but at the same time a rather patronizing, glance. He felt at once that in carrying out his little ruse he had placed himself deliberately upon a questionable footing with the beautiful girl. He hoped, however, to redeem himself by impressing her with his knowledge of the pursuit which, he accurately judged, had brought the ladies to the city. Archibald had at one time done a little painting himself. He had dreamed dreams, as a young man, which indolence and the stern business atmosphere of the city had choked off prematurely. As he looked down upon the girl’s sweet gray eyes a vision of this youthful period came back to him. Twenty-two and thirty-two have this in common, that the latter age is not too 130far away to quite despise the younger enthusiasm. Archibald at thirty-two still believed in himself, don’t you know.

III.

Several days passed, during which the ladies settled themselves very readily in their new surroundings. They were very methodical, preferring to rise at an hour which, to Archibald, was something savoring of barbarism. He studied their habits, with a view to conforming to them as far as possible, but found that he could not bring himself to give up his nine-o’clock breakfasts, and so went to his club, leaving orders that the ladies should be accommodated at the earliest hour they might choose. He found that they had discovered Central Park, and came to make it a habit to stroll with them of a morning upon the Mall, and around the stagnant lakes. Central Park 131was a novelty to him, except as seen from horseback, or a four-in-hand, and it really seemed very beautiful those summer mornings—he was really surprised, don’t you know! He wondered that nice people did not use the Park more—as they did Hyde Park in London. As the days went on he filled his house with flowers, turned the second floor into an immense studio for Elvira, sat about and watched her, criticised, encouraged her. He forgot Newport, forgot his polo. He had strangely ceased to be bored. He was happy in New York in midsummer! Dick Trellis told his polo friends at Newport that Archibald was probably undergoing private treatment for softening of the brain, which theory, in fact, they deemed sufficiently complimentary.

As for his mother and sisters in Europe—why, pray, should he inform them of his little joke?

132Elvira worked away at her easel when the light was best—during the afternoon. In the evening, after dinner, the ladies became socially inclined. It was then that they allowed Archibald to smoke in the “studio” and talk Art with Elvira. Indeed he found it very difficult to talk anything else with the shy New England primrose.

About Art—with a big A—she was rapturous. There seemed to be in her soul a strange hunger for everything ornate and richly beautiful. Archibald devoted himself to studying her. He became strangely interested in East Village, Vt., where, he gathered, the Hon. Ephraim B. Price, her father, was a very distinguished Republican lawyer and politician. He drew Aunt Perkins out concerning her Congregational church, her minister, her fear of the Catholics, her fondness for cats, her secret disbelief in Art. Once in a while 133they read him a letter from the Hon. Ephraim, in which he could see reflected their own liking for him. He found that he was spoken of as “Landlord Archibald.” The Hon. Ephraim was a shrewd old fellow, however, and his counsels and advice were generally of the “trust-not-too-much-to-appearances” order. One evening Miss Perkins complained of a headache, and Archibald found himself alone for an hour with Elvira. She sat beneath the rich brazen lamp, with its pretty crimson shade, absorbing some of the red glow in her lovely face. They had been two weeks in the city, and out of delicate feeling had deposited two ten-dollar bills upon the mantelpiece in the library, where Archibald would see them. He had roared with laughter over them and intended having them framed, but ultimately he found a different use for their amusing board-money.

“Two very short weeks,” said Elvira, “and you have been so very unusually kind, Mr. Archibald. You have done so much for us. We have noticed it. Is it usual for landlords to—to do so much, in the city?”

“It depends,” he said, gravely. “Landlords do more for people who are congenial—you are congenial——”

“You are more than congenial, really,” said Archibald. “For you take an interest, Miss Price. I have secretly espied both you and your aunt dusting——”

Elvira bit her lip. “We have dusted,” she admitted, reddening a little, “but it is merely out of force of habit.”

“Really,” said Archibald, “I rawther like you the better for it, don’t you know!”

“I’m afraid,” said Elvira, her face 135lighting up with conscious pleasure, “that you have made up your mind as a landlord to like us, whatever we do. I’m afraid you would not like it at all if you knew everything that aunt has done.”

“Yes, and she declares that your cook wastes enough every day to keep four families!”

“You won’t save much out of what we pay,” said Elvira, “and we don’t want to stay if it doesn’t pay you; but——”

“I’m very sorry, I’m sure—I—” he 136really did feel a compassion which found its way into his voice, and made it tremble a little.

“Aunt says you can’t be making any money. Now, we don’t think it is right to stay another day and be burdens, do you see?”

“Isn’t that what they are talking about so much now in the novels?” he asked, at length.

“Right is right and wrong is wrong, Mr. Archibald, disguise it how we may,” and Elvira compressed her pretty lips firmly.

“Can’t you see how wrong it would be 137for us to stay here and enjoy all we have in your beautiful house, knowing that we were swindling you?” She stamped her foot. “Mercy!” she added, half to herself, “what can you be made of?”

“Oh, of course, I see how wicked it would be if you did swindle; but I’m making money! Really—I haven’t spent the twenty dollars board-money yet. Oh, pray rest assured—I shan’t lose. I will tell you when I run behind.”

“But it is all we can pay. I told father I would not ask for more. Father said he knew it would take more, but I said I would give up Art first.”

“And to-morrow I am going to begin taking lessons, but I will not call on father for another cent. He shan’t be able 138to throw it in my face that it turned out as he said, and that I was wrong. When he and I dispute it always does turn out as he says—this time it shan’t.”

Archibald laughed a little. The poor fool, don’t you know, was so captivated that every word, every action of the girl was music to him. The two weeks of observation had told on her dress. To-night she wore a white muslin, elaborated with pretty ribbons. She no longer seemed especially rustic to him. He noticed that she was doing her hair now in the prevailing style. “By Jove!” he said to himself, “I’ll see that she comes out at the Patriarchs’ next winter!”

“I am going to make money,” she went on; “I’m going to paint vases, plates, odds and ends, pot-boilers, you know, and so father shan’t know what it costs.”

140“Oh, by the way, if you do,” he pretended, lazily blowing out a ring of smoke, “I happen to know a fellow—an old friend of mine—who gives very fair prices for those sort of things. Now, I am sure he will take any gimcrack you may do.”

“My Art work has always been thought very pretty in East Village,” she said. “It would never sell, but it was thought pretty. I used to long to help father—and our family is so large, you know, four little brothers and two sisters younger than I am—and now, if I only could get on, and help father! Oh, Mr. Archibald, you don’t know how little law there is to go round in East Village!” She heaved a deep sigh.

“I know a fellow who gets a thousand dollars for a portrait, and he has only 141just commenced. You can’t help but succeed, Miss Price, really!”

“Oh, if I could!” she said, anxiously. “I taught school one winter, but the pay was so small. And I’ve tried—you will laugh, Mr. Archibald, at my telling you these things—but I’ve tried story writing. I was so hopeful about it, and it took as many as ten rejections before I became convinced; and now, if my Art fails me——”

“That amounts to the same thing. It will keep you up to your work. They used to tell me I had talent, but I had no enthusiasm, so I dropped it. I wish to encourage you,” he added; “I hope you will go on. It takes a lot of work, but you have just the right temperament. You will work. You will get on, and 142when you become celebrated, Miss Price, you won’t forget your old friends?”

He realized that it was a rather bold step forward, and he trembled for her reply.

“I shall always recommend your house,” she said, a little stiffly, making him feel more than ever her aristocratic superiority to landlords, “and I shall always remember your kindness. We went to at least six boarding-houses until we saw your sign—we saw the landladies. Really, Mr. Archibald, you have no idea how vulgar and unartistic most of the houses were. There was always a disagreeable odor, as if somebody was frying something. If I do succeed, as I wish, and make friends, and get to be known, and all, you may be certain that I shan’t forget you. I may organize an Art class, and take the whole house myself!”

He went no further. It was enough to him, as he sat opposite her in his evening 143dress, his rich opal, set with diamonds, flashing on his white shirt-front, his lawn tie, low shoes, white waistcoat—everything in the latest and most expensive style—it was enough for Mr. Jerome Archibald to sit there and smoke his delicate Havana, and reflect that he at least had her promise to do what she could to recommend his boarding-house!

The next day, at dinner, he again suggested, in an offhand way, that Miss Price should turn her attention to portrait-painting. Miss Perkins seriously objected at once.

“Your father would never give his consent,” she said. “There was old Mr. Raymond, who lived on the Poor Farm, because he found portrait-painting didn’t pay.”

“Mr. Raymond painted dreadful, hideous caricatures,” said Elvira. “He painted my mother’s portrait, and father is always throwing him in my face. But 144I don’t know. I have no one to begin on except aunt, and I have tried and tried, and I can’t get anything but the expression of her spectacles.”

“Begin on me,” ventured Archibald. “Call it the ‘Portrait of an Ideal Landlord.’”

There was a little pause. The ladies rose without replying, and Archibald followed them into the drawing-room, feeling indefinitely that he had been too forward. As he lit his cigar and sat near an open window, feeling the cool southern breeze, he reflected that it was not improbable that in East Village the only landlord known to them was the keeper of a common tavern. It amused him to think of their primitive, quaint ignorance of city ways. He pictured the small life of East Village, Vt., the narrow social horizon, the strange interest in politics, the religious intolerance, the “strong” views on the temperance question which obtained there, and which leaked out from Miss Perkins as the days went on into August. The easy sense of accommodation to their new surroundings also amused him.

146Archibald returned to the portrait. “I’d rawther like to have one for the dining-room,” he said; “I think it would interest some of my boarders when they come back next winter. I could give you no end of sittings, Miss Price——”

“Well, I might try,” she said. “But I’m not at all good at hair——”

“Shave off my mustache if you like,” said the infatuated Archibald, with a grimace.

The ladies changed the subject decorously. It was plain that Archibald’s little advances toward an intimacy, to be derived from portrait-painting, were being 147met in rather an unencouraging spirit, don’t you know! The next day he invited them, as an agreeable diversion, to visit Coney Island; but Elvira made an excuse that she had no time for “pleasuring.” They seemed, indeed, to have few pleasures. The morning walk in Central Park was given up; Miss Perkins spent the greater part of the time when Elvira was at the Art School in riding to and fro, apparently, upon street-cars. One day she came home very late to dinner, saying that she had discovered the “Belt Line.” While waiting her return for dinner, Archibald had an agreeable tête-à-tête with Elvira.

IV.

He was growing more and more in love with this self-contained, charming, young New Englander. It had come to a time when he felt that he must speak. They 148had been at No. 41 now these four weeks, aunt and niece, and yet they had managed to preserve their distance. He was no nearer than the day they arrived.

He reflected that the pleasant little daily comedy which had amused him so entirely would have to be given up the instant he made known to her his state of feeling. But at the same time he felt he could act out the equivocation no longer. He must, as a gentleman, make a clean breast of his deception. Archibald had seen a great deal of women, and he believed that he understood them pretty well. He believed he understood Miss Price well enough to reckon upon the flattery of her sudden fascination that first day, for him, as the cause of his deceit. He planned to boldly tell her this, one day, while they were waiting for Miss Perkins to revolve around the “Belt Line.” But Elvira turned the conversation against his will. She seemed to have remarkable 149intuitions, this strange creature! Perhaps she had an intuition then. At any rate, she announced their determination to return to East Village the following Saturday.

“Father writes that his ague is no better—that I must come home,” she said. “There are, besides, the preserves——”

Archibald expressed no surprise. “If you go,” he said, “I think I’ll take a run up there also. I have the greatest curiosity about East Village.”

“There is nothing—it is dreadfully—I wouldn’t have you visit East Village for all the world!”

Recognizing this as a sufficient reply, Archibald took a seat on the sofa near her. She was in one of her pretty, soft, white muslins, tied, this evening, with ribbons of the very latest shade of fashionable apple-green. He had noticed the steady growth 150of fashion in the girl’s appearance, but he was not quite prepared for the dozen silver bangles, which jingled as she raised her hand to her hair. She had a pretty arm and hand, and were it not for the bangles, which somehow altered the current of his thought, he had nerved himself up to the point of taking, or trying to take, her hand in his, and telling her in a manly way his story. The bangles, however, don’t you know, diverted him. He could not be serious. He laughed. It was as if he had happened upon a wood nymph in seven-button kid gloves! She misinterpreted his laughter, believing that he intended to ridicule the pastoral delights of East Village.

“I’m not ashamed of Vermont,” she said, drawing away a little. “I can’t bear to have it laughed at. You would laugh at East Village, Mr. Archibald—you laugh at everything. You are not sincere. You have too much of the city 151in you—too much of its glitter and—” She caught his eyes directed laughingly upon her bangles, and blushed guiltily.

“Time works its changes, don’t you know,” he said. “Even you, Miss Elvira, are a little affected.”

“I hate myself for it,” she said; “I do find myself growing to like things I never cared for before. I think of what I have on from morning to night,” she confessed, guiltily, with an imploring glance at her landlord.

“Can the dead dulness of midsummer in the city have wrought so wondrous a change?” he laughed. “How very gay, really, you will be next winter.”

“Seriously,” said Elvira, “I look forward to a visit to East Village as a complete change and rest. When I think of the white, dead walls of our meetinghouse, I am glad; when I think of the lack of color in everybody up there, it makes me glad; when I think of the plainness 152of everything, the simpleness, the truth of everything, I’m glad to go back. But don’t you—don’t come up to Vermont, Mr. Archibald. Really, please, don’t.”

Again Archibald felt impelled to seize her white, pretty hand, and tell his story. He had never come to so intimate a point before. What chance had he ever to come so near again? All that his mother and sisters could write would have no effect upon him now. All that his friends at the club would say, all that his Aunt Newbold would say—his Aunt Newbold was the formidable dragon of his family—nothing, he felt sure, would alter his mind. He had deliberated a month, he would deliberate no more. Besides, she was going away; perhaps if he did not speak his opportunity would never again occur. He paled a little as he was about to open his lips.

Mr. Jerome Archibald had very few hatreds; people whom he disliked he carefully avoided. Being fastidious to an extreme, he had few friends, but he likewise had no enemies. He had, however, a certain cousin who lived in Boston, who had in some way early offended him, and for whom he continued to have a most inexplicable dislike. Hunnewell Hollis was a Harvard man, who had been a great swell at college, and who was considered “clevah.” He was a year or two older than Archibald, and he usually presumed a little upon his age and upon his superior education. It was Hunnewell Hollis’s card which was brought up on the silver tray.

Archibald impatiently rose and went 154down to the reception-room. There he found Hollis walking up and down the room, apparently in some excitement.

“Jerry, this won’t do, old man!—heard ladies’ voices upstairs! ’Twon’t do! Lucky I ran down with the yacht. Now I’m going to carry you off with me. By the way, Somers and Billy Nahant and Jack Chadwick are here, and I took the liberty to invite them here overnight—knew you were alone—knew you would be glad to put them up.”

“By Jove, you do me great honor! Unfortunately I haven’t room for you—I’ve only just let the house—taken—by Jove! I must take in the sign.”

“Sorry, very sorry. But the ladies who have taken the house would think it very odd——”

“They asked me, in order to discuss the terms. A few details before signing the lease, don’t you know!”

“Well, it puts me in a rather awkward position; I’ve left the fellows your address; they’ll be here shortly.”

Mr. Hunnewell Hollis gave his cousin a glance of anger. “The whole thing is rather fishy,” he said, suspiciously. “I trust, Jerry, for the honor of the family——”

“There are a great many adventuresses about; they are on the lookout for rich young men like you, Jerry,” and Hunnewell Hollis, giving his cousin a rather gravely serious nod, took up his hat and cane and departed.

156Archibald went directly upstairs. He heard a rustle of a dress against the furniture. Had Elvira been listening? He hoped not.

VI.

Adventuress! How that odious word rang in his ears as he entered the room where the sweet primrose face was still in its corner of the sofa. He swore he would never write to, nor speak to, Hunnewell Hollis again. He had done with him forever. Yet, had he heard the rustle of her dress? It gave him a slightly disagreeable sensation to think that it were possible. Elvira Price apparently had not moved from her seat. She was in the same pretty attitude in which he had left her, leaning back, easily, against the corner of the sofa, her hands crossed in her lap. As he entered it seemed to him that she was studying his face.

“I was so anxious about aunt,” she 157said. “I went out to the stairs thinking I heard her come in. Do you know, it isn’t the Belt Line only; she goes to a mission—a boy’s mission. She has taken the greatest interest in it; all the teachers have gone away for the summer. It is in an out-of-the-way part of the city, and it worries me.”

“Did you hear the row with my cousin? He was very impertinent; but all Bostonians are impertinent.”

“N—yes, and I, too, found Bostonians impertinent.” She gave him an appealing glance; then she added, after a pause, “I find New York quite different.”

Miss Perkins came in shortly after, much fatigued, and Archibald after dinner went over to the club, where he fell 158in with Hunnewell Hollis again, in spite of the fact that he did his best to avoid him. Hunnewell had found his yachting friends, and they had had a very good dinner. They were all very talkative—Somers, Billy Nahant, and Jack Chadwick. They were in flannel suits and yachting caps, and each was bronzed and sunburned to a fine copper hue.

“What is the name of the people who have taken your house?” asked Hunnewell, bluntly, after he had introduced Archibald to his friends.

Instantly Billy Nahant pricked up his ears. “Why,” he said, “isn’t she an actress? Didn’t she play in Boston last winter?”

“Why, Elvira Price. She made quite a hit, I believe—her début too—at the Boston Theatre. She played to crowded 159houses exactly two weeks; at the end of that time, to everyone’s surprise, she went home to Vermont, whence she came, and she calmly gave up the stage forever!”

“Did you know you were letting your mother’s house to actresses?” asked Hollis, with a sneer.

“Miss Price is probably a different person from the one to whom Mr. Nahant has reference,” said Archibald, coldly.

“I remember the girl,” said Jack Chadwick. “She was very young and beautiful, and fitted her part admirably. She made an excellent ingénue. She held herself well—not at all gushing, don’t you know—but poetic, spirituelle. She played in ‘A Scrap of Paper’—some picked-up company with her. She carried the play very well. I have often wondered what became of her.”

“So this is the creature who has rented 160your house, and whom you dined with to-night,” sneered Hollis; “an ingénue, indeed!”

“Miss Price is a lady—not a ‘creature,’” said Archibald, haughtily. “As far as I have seen, she can only honor our house by remaining under its roof.” And Archibald bowed stiffly, and took his leave in the midst of an embarrassed silence.

VII.

He preferred not to see Elvira again before she took her departure for Vermont the next day. Her aunt remained in the city to look after her “mission work.” Archibald presented her, as the gift of a rich, unknown friend, fifty dollars—their board-money—to send some of her boys into the country. After Elvira’s departure he became very despondent. Elvira’s image was broken to him, and while she had not become in his mind 161quite an adventuress, yet she had concealed her former life from him. She had deceived him.

But as the days went by and he missed her, he found that he must speak to Miss Perkins about Elvira’s acting, or go through a serious case of nervous prostration. He said very bluntly to her, one day, at dinner:

“She has acted,” she replied. “But Elvira Price had too much conscience to act long.”

“She acted in Boston, because she was bound to try it. She wanted to try everything—everything that would keep her father out of the poor-house and educate the family. But acting, Mr. Archibald, is a dreadful business! As soon as 162Elvira saw into it a little she quit. The air wasn’t pure enough, somehow, for her. Elvira, she needs awful pure air!”

“Do you know,” he said, after a suitable pause, “I am more than half-inclined to make her angry by running up to East Village.”

Miss Perkins gave a little quinzied laugh of satisfaction. She was beginning to like Archibald very much.

“It would startle Elvira; but she’d be pleased,” ventured the thin old maid. “She’d be pleased—in spite of everything!”

A few days later Archibald, after half a day’s journey, found himself in Vermont. As the train drew near East Village the mountains grew higher and the scenery wilder. He could see the great August moon roll itself above the high crest of the mountains to the west. Though 163Archibald was far from superstitious, he was pained to observe that he saw the moon over his left shoulder.

It was late when he stumbled from the steps of the car upon the wooden platform of the station at East Village. It was dark, also, and to him, extraordinarily cold. He groped his way, shivering, past a blinding reflector, where half a dozen men in cow-hide boots were examing a list of invoices, to what he could dimly outline as the village stage. No one spoke to him, and he found that no one seemed to care whether he, the sole passenger, was carried. He had visions of an unpleasant nature of being deposited inside the coach in a shed or stable to await the morning. He felt the stage pitch and toss for twenty minutes like a bark upon an angry sea. When all was still again he found that the driver had drawn up before a white-pillared old-fashioned house, which stood a little back 164from the street. At the side of the gate a small wooden building bore the sign, which was illuminated by the stage lamp,

“Oh,” said Archibald, “this is Elvira’s house, and the driver is delivering my box of flowers.”

He leaned forward, hoping to catch sight of the fair young girl when the front-door opened to take in the box. But he was disappointed. The impatient driver had merely left it on the steps of the high, white-pillared portico, after giving the door-bell a vigorous pull.

Then followed a further few minutes of pitching and tossing, and the stage drew up before the tavern-door. A row of a dozen men, whose hats were drawn down over their eyes, and whose feet fell instantaneously from the rail to the floor as the coach drew up, came forward, and one of them betrayed a desire to grasp Archibald’s 165in his own horny hand. “Guess ye’ll stop overnight? Th’ain’t no other place. ’Sprised to see a stranger to-night, tew. Will you go in an’ sign—will you, sir?”

“So this uncouth ruffian,” thought Archibald, “is Elvira’s ideal landlord! No wonder she distrusts me!”

“We’re local temp’rance,” said the landlord. “An’ no licker’s being seen to East Village for nigh six years. Not a drop, sir, an’ it’s bustin’ my ho-tel higher’n a kite. Yes, it is!”

“As I tell’d Squar’ Price, ‘yeou high-toned, ’ristocratic temp’rance folk’ll hurt East Village when ye close the hotel!’ Why, when a gent comes up here fr’ the city, he wants to be able to call fer a glass o’ gin or a glass o’ whiskey ’s often ’s he likes.”

Archibald thought he detected the faint smell of liquor upon the landlord’s breath 166as he talked, and it occurred to him that his obtrusively free-and-easy-manner was the result of a secret violation of the prohibitory local license law. “Bein’ fr’ the city, as you be,” said the landlord, lowering his voice to a whisper, and placing his heavy hand on Archibald’s shoulder familiarly, “I calc’late you’re cold an’ ready for a tidy drink. I calc’late I’m talkin’ to a gent as is used ter lickerin’ up, even ef ’tis agin the law?” To humor him, Archibald admitted that he had no stringent prohibitory sentiments.

Archibald followed the landlord out into the hotel yard, where the latter pulled up the flaps of a cellar-door. Hearing the creaking sound, and taking it for an admonitory signal, the row of men on the hotel piazza, who had resumed their seats, again dropped their feet on the floor, rose, and came out into the yard in Indian file, 167in perfect silence. Archibald followed his landlord down into the darkness of the cellar, where, beneath the dim light of a solitary candle he perceived a cask with a wooden spigot, and near it half a dozen tin cups. The men filed down the steps behind him. “You’ve heerd o’ apple jack?” asked the landlord, in a whisper.

“Drink that, then!” and the landlord handed him a cupful of the beverage. It was enough to intoxicate him. He drank but a very little; as he saw the other men were waiting, he passed the cup on to them.

“Welcome to East Village, stranger,” said one of the men, drinking. “Be you up ’ere a-sellin’ marchandize?”

“Wa’l, this is a dead give away!” and the men laughed noisily, as rustics will. 168“Don’t mention this ’ere cider to Squar’ Price!”

The next morning was delicious, the air clear and smelling of the mountains. The mist hung above the distant river, and a line of hills showed their green wooded outline above it. As Archibald breathed the sweet country air, he stepped more briskly, felt less of his city malaria, drew into his lungs a long breath of the fresh, invigorating summer wind, which seemed to come to him across the high upland, from such a vast distance.

He came to the old colonial gate and entered. The Hon. Ephraim B. Price was just at the moment sauntering down the gravel path from his house to his law office. As he saw Archibald enter, he came forward somewhat more rapidly. He was a man of large frame, gaunt rather than spare, of prominent cheekbones, of lengthy chin-beard. His eyes 169were very keen, and his entire expression was one of patient alertness—as if there was very little to be alert over, but a deep necessity of keeping up a reputation. Archibald learned afterward how indefatigable a partisan, and how strenuous a believer in the Republican party the Hon. Ephraim was.

“Sir,” he said, after greeting Archibald, and looking with a grin of pity upon his engraved card—a grin directed chiefly to the “Mr.” before Archibald’s name—“you are Elvira’s landlord down to New York—tell me, how is your city and State going, do you think?”

Archibald felt taken aback. Politics were something of which he knew nothing. He was but barely aware that it was a presidential year. In the city he kept severely out of politics, as hardly the employment of gentlemen.

A more violent frown than before. “If 170I thought so, sir; if I imagined so; if for one instant I believed that what we fought for during the war—Eh, Elvira? Here is Mr. Archibald!”

Then the Hon. Ephraim turned abruptly and entered his office, where, it may be added, he sat for the next hour, his feet on the cold stove before him, meditating where his next fee was to come from, and breaking out with an occasional invective against the wicked democracy.

Before the old gentleman was a square window which looked out over the town. All day long he sat before this, as upon a watch-tower—a censor of village morals and deportment.

“Father is so interested in the election,” apologized Elvira. “But how strange to see you here; and I told you not to!”

She held a small gray kitten in her arms, which she stroked slowly. She was still in his favorite white muslin, and she 171had a gentle, sweet flush of pleasure in her face.

“I came, Miss Price—because—don’t you know—I—aw—missed you,” and he smiled.

“You are very good. How is Aunt Perkins? Did she bring her mission boys to your house? She has written that a friend of yours has given fifty dollars for the boys. Do tell me about it. Is she well? Have any more boarders come?”

She plied him with questions as they strolled toward the white-pillared portico. The house was old and shabby, but he did not notice it. The place was run down and impoverished, but it seemed very beautiful to him, for he noticed that she wore one of his roses in her lustrous hair.

Entering the hallway he met some of the younger brothers and sisters, and felt a sudden strange affection spring up in his heart for them. Elvira took him 172through into a gloomy parlor, lined with plain hair-cloth furniture. On the walls were several portraits. “This was my mother,” said the girl, affectionately, pointing to what Archibald felt to be a hideous daub, a red-faced woman in black, against a green background. It was the portrait by Mr. Raymond, whose abode was now the poor-house. “She died only two years ago——”

“I fancy if she had lived,” said Archibald, “you would not have tried—the stage?”

“Elvira,” he said, slowly, “as I see it—I think it was very noble of you to try.”

173“It is what I love—what I long for—to be an actress—a great actress,” she sobbed. “But I can’t—I can’t! I can’t exist with those creatures—those horrible men who hang about you! No one knows what I endured! No one knows what, too, I gave up when I left the stage and came home; but I had to.”

“You may say what you will, but there is no Art like acting, and nothing so fine as applause. Oh, that I could bring myself to do it—to be strong enough to do it—to save our fortunes—to help father. You little know how I have suffered, Mr. Archibald.”

He was on his feet at her side. Impulsively he bent down and whispered close to her ear. “Let me be your audience the rest of my life! Act for me—let me applaud everything—anything you do, my darling! always! always!”

“I don’t feel I have acted just right with you,” she said. “I should have told you that I was—or might be again—an actress.” She spoke coldly. “I don’t believe you want them in your boarding-house. They are not always desirable, I believe!” Elvira’s eyes were fastened on the floor.

Archibald paced to and fro in the parlor. “Confound her odd New England conscience!” he muttered to himself. Seizing her hands, he cried, passionately, “I, too, must confess. Elvira, I loved you that first day you came. I loved you! Therefore I let you think—it was a boarding house.”

She sat and looked at him with a horrified stare. The full truth of his imposition began to steal upon her gradually. Then her face fell and she averted it, as 175she felt that a fatal untruth had come between them. She rose quietly and left him standing near her. She went upstairs to her room and threw herself upon her bed in an agony of tears.

VIII.

But when she left him he felt rather weak for a moment, as if his city malaria had returned upon him with a double force. As Elvira showed no signs of returning, he amused himself by turning over the leaves of the family photograph album. Face by face revealed the stern, set, arid, Puritan features, the hard, determined chins, and the “firmness,” which, in the person of the Hon. Ephraim, he felt still dominated and controlled the public affairs of East Village. He threw down the album with a feeling of impotent rage against the survival of this colonial 176“narrowness,” as he liked to call it. He walked out of the house and wandered, much crestfallen and full of malaria, along the village street toward the hotel. A great many farm wagons were tied along the sidewalk, and there were numbers of fresh-cheeked country girls walking in threes and fours, and sweeping the sidewalk as they went. Upon a slight elevation stood a white wooden meetinghouse, with a white steeple, and it gave him a chill even on that warm morning to look at it—it looked so cold. Small groups of hard-featured farmers in fur caps stood on the corners of the streets discussing, presumably, the crops. He wondered if the fur caps were needed in that arid, bleak region to keep warm the natives’ sense of Right and Wrong? He made his way out, beneath some beautiful elms, into a small, old-fashioned burying-ground, where he discovered that “erring sinners” apparently comprised the only 177element of those who were requested to “Pause and Read.” Feeling himself to be now, for some reason, a distinctly immoral person, he read some of the quaint epitaphs, to which he was invited, in a spirit of humility, which presently changed to amusement. In death as in life, the hard, stern old village characters preserved on their headstones a fund of grim humor for the “sinner,” which in Archibald’s instance made him smile. “Oh,” he sighed to himself, “I long to take her away from all this sort of thing—forever!”

He took a long walk in the afternoon, and returned to the hotel to find a coldly worded note from Elvira inviting him around to tea. He removed the stains of his walk, and dressed himself with his usual care. He found Elvira waiting for him beneath the high white pillars, in an unbecoming, and as it seemed to him, forbidding dress of black. Her face seemed 178unusually stern and relentless. There were traces of tears in her red eyelids, but the tears were dried away now, and her eyes were very bright and hard.

“Don’t say anything now. Father feels very deeply about it. We have had a long talk. When he heard of the—of the unfortunate house affair—he was so angry I could hardly pacify him.”

“He said that he did not want me to lower my standard,” continued Elvira, in her clear, musical, passionless voice. “And I told him that he need have no fears. I wanted to see you first, and tell you. Let us not have any feeling about it.”

“Let us act as if we had never understood one another. I will go back to the city with you, and Aunt Perkins and I will find some other place at once.”

179“Go back with me—and expect me to show no feeling! Elvira, this is preposterous!”

“Then I will go back alone.” She compressed her lips, just as he had observed her father do.

“I beg pardon, Elvira, do you mean—can you mean that I can never—I can never hope!”

She nodded her pretty flower-like head gravely. “Come in to tea, won’t you?” she said, coolly. “I want father to hear you talk about Art.”

“Thanks, awfully,” he said. “But if I go back to the hotel now, I shall just have time to pack my valise and catch the evening train.”

He walked rapidly away, leaving her standing upon the white-pillared portico, looking with pure, sweet, upturned face, like a saint who has for all time renounced 180the world, the flesh, and the devil. Had he looked back, Mr. Jerome Archibald’s tender heart would have been touched by her attitude; he would have returned, and, against her will, clasped her in his arms and covered her pale lips with warm kisses. It might have melted her high “standard” a little. But he let a night intervene without seeing her, and the entering wedge of her high sense of duty did its work before morning. He determined to remain another day and make a further trial. When he called the next day she was obdurate. “Love cannot be built upon deceit and untruth,” she said, sententiously. “I was not frank, you were not. It is better that we should part. I could never hold up my head—I could never face the world. I know what they would call me. They would call me an adventuress! and they would hate me for being successful. Yes—your mother, your sisters—everyone.”

“I, too, was innocent. I meant no more than to have you near me, where I could learn to know you—love you—and now, really, it seems as if you had built up a mountain of ice between us, don’t you know.”

When Archibald returned to the city his malaria compelled him to go away again almost immediately to Newport. There, a few weeks later, his agent wrote him that he had succeeded in renting the house “at an exorbitant figure to a very rich tenant without children”—thus fulfilling his mother’s conditions to the letter. He went back to the city, recovered in health, to pack up a few personal effects, and found to his surprise that Miss Perkins and her niece were, at the moment he arrived, in the house. They had taken 182board on Ninth Street, and had gone up to take a last look of the charming interior where, Elvira guiltily acknowledged, life had been “so wrongly pleasant.” He found Elvira holding a fan in her hand and seated pensively in an old Venetian chair in what was formerly her studio. As he entered the room she rose, blushing a most vivid red, and as rapidly turning pale again.

“My child, you are capable of grinding 183one who loves you into powder—like—er—a millstone!”

“No,” he cried, “I will not let you go. You shall hear me! I love you! Do you hear? And you shall not leave this house until you say you will be my wife! I know you care for me—everything tells me so—but you will wear your own and my heart out with your hard, cruel conscience! What brought you here? You loved me! Why have you been sitting in this room? You love me, Elvira—I know it—I feel it!”

Gently he drew her to him and kissed her. She laid her head on his shoulder and breathed a little contented sigh. “I don’t think this—is right!” she said.

187The view from Mrs. Manstey’s window was not a striking one, but to her at least it was full of interest and beauty. Mrs. Manstey occupied the back room on the third floor of a New York boarding-house, in a street where the ash-barrels lingered late on the sidewalk and the gaps in the pavement would have staggered a Quintus Curtius. She was the widow of a clerk in a large wholesale house, and his death had left her alone, for her only daughter had married in California, and could not afford the long journey to New York to see her mother. Mrs. Manstey, perhaps, 188might have joined her daughter in the West, but they had now been so many years apart that they had ceased to feel any need of each other’s society, and their intercourse had long been limited to the exchange of a few perfunctory letters, written with indifference by the daughter, and with difficulty by Mrs. Manstey, whose right hand was growing stiff with gout. Even had she felt a stronger desire for her daughter’s companionship, Mrs. Manstey’s increasing infirmity, which caused her to dread the three flights of stairs between her room and the street, would have given her pause on the eve of undertaking so long a journey; and without, perhaps, formulating these reasons she had long since accepted as a matter of course her solitary life in New York.

She was, indeed, not quite lonely, for a few friends still toiled up now and then to her room; but their visits grew rare as the years went by. Mrs. Manstey had never 189been a sociable woman, and during her husband’s lifetime his companionship had been all-sufficient to her. For many years she had cherished a desire to live in the country, to have a hen-house and a garden; but this longing had faded with age, leaving only in the breast of the uncommunicative old woman a vague tenderness for plants and animals. It was, perhaps, this tenderness which made her cling so fervently to the view from her window, a view in which the most optimistic eye would at first have failed to discover anything admirable.

Mrs. Manstey, from her coign of vantage (a slightly projecting bow-window where she nursed an ivy and a succession of unwholesome-looking bulbs), looked out first upon the yard of her own dwelling, of which, however, she could get but a restricted glimpse. Still, her gaze took in the topmost boughs of the ailanthus below her window, and she knew how early 190each year the clump of dicentra strung its bending stalk with hearts of pink.

But of greater interest were the yards beyond. Being for the most part attached to boarding-houses they were in a state of chronic untidiness and fluttering, on certain days of the week, with miscellaneous garments and frayed table-cloths. In spite of this Mrs. Manstey found much to admire in the long vista which she commanded. Some of the yards were, indeed, but stony wastes, with grass in the cracks of the pavement and no shade in spring save that afforded by the intermittent leafage of the clothes-lines. These yards Mrs. Manstey disapproved of, but the others, the green ones, she loved. She had grown used to their disorder; the broken barrels, the empty bottles and paths unswept no longer annoyed her; hers was the happy faculty of dwelling on the pleasanter side of the prospect before her.

In the very next enclosure did not a magnolia open its hard white flowers against the watery blue of April? And was there not, a little way down the line, a fence foamed over every May by lilac waves of wistaria? Farther still, a horse-chestnut lifted its candelabra of buff and pink blossoms above broad fans of foliage; while in the opposite yard June was sweet with the breath of a neglected syringa, which persisted in growing in spite of the countless obstacles opposed to its welfare.

But if nature occupied the front rank in Mrs. Manstey’s view, there was much of a more personal character to interest her in the aspect of the houses and their inmates. 192She deeply disapproved of the mustard-colored curtains which had lately been hung in the doctor’s window opposite; but she glowed with pleasure when the house farther down had its old bricks washed with a coat of paint. The occupants of the houses did not often show themselves at the back windows, but the servants were always in sight. Noisy slatterns, Mrs. Manstey pronounced the greater number; she knew their ways and hated them. But to the quiet cook in the newly painted house, whose mistress bullied her, and who secretly fed the stray cats at nightfall, Mrs. Manstey’s warmest sympathies were given. On one occasion her feelings were racked by the neglect of a housemaid, who for two days forgot to feed the parrot committed to her care. On the third day, Mrs. Manstey, in spite of her gouty hand, had just penned a letter, beginning: “Madam, it is now 193three days since your parrot has been fed,” when the forgetful maid appeared at the window with a cup of seed in her hand.

But in Mrs. Manstey’s more meditative moods it was the narrowing perspective of far-off yards which pleased her best. She loved, at twilight, when the distant brown-stone spire seemed melting in the fluid yellow of the west, to lose herself in vague memories of a trip to Europe, made years ago, and now reduced in her mind’s eye to a pale phantasmagoria of indistinct steeples and dreamy skies. Perhaps at heart Mrs. Manstey was an artist; at all events she was sensible of many changes of color unnoticed by the average eye, and dear to her as the green of early spring was the black lattice of branches against a cold sulphur sky at the close of a snowy day. She enjoyed, also, the sunny thaws of March, when patches of earth 194showed through the snow, like ink-spots spreading on a sheet of white blotting-paper; and, better still, the haze of boughs, leafless but swollen, which replaced the clear-cut tracery of winter. She even watched with a certain interest the trail of smoke from a far-off factory chimney, and missed a detail in the landscape when the factory was closed and the smoke disappeared.

Mrs. Manstey, in the long hours which she spent at her window, was not idle. She read a little, and knitted numberless stockings; but the view surrounded and shaped her life as the sea does a lonely island. When her rare callers came it was difficult for her to detach herself from the contemplation of the opposite window-washing, or the scrutiny of certain green points in a neighboring flowerbed which might, or might not, turn into hyacinths, while she feigned an interest in her visitor’s anecdotes about 195some unknown grandchild. Mrs. Manstey’s real friends were the denizens of the yards, the hyacinths, the magnolia, the green parrot, the maid who fed the cats, the doctor who studied late behind his mustard-colored curtains; and the confidant of her tenderer musings was the church-spire floating in the sunset.

One April day, as she sat in her usual place, with knitting cast aside and eyes fixed on the blue sky mottled with round clouds, a knock at the door announced the entrance of her landlady. Mrs. Manstey did not care for her landlady, but she submitted to her visits with ladylike resignation. To-day, however, it seemed harder than usual to turn from the blue sky and the blossoming magnolia to Mrs. Sampson’s unsuggestive face, and Mrs. Manstey was conscious of a distinct effort as she did so.

“The magnolia is out earlier than usual this year, Mrs. Sampson,” she remarked, 196yielding to a rare impulse, for she seldom alluded to the absorbing interest of her life. In the first place it was a topic not likely to appeal to her visitors and, besides, she lacked the power of expression and could not have given utterance to her feelings had she wished to.

“The what, Mrs. Manstey?” inquired the landlady, glancing about the room as if to find there the explanation of Mrs. Manstey’s statement.

“The magnolia in the next yard—in Mrs. Black’s yard,” Mrs. Manstey repeated.

“Is it, indeed? I didn’t know there was a magnolia there,” said Mrs. Sampson, carelessly. Mrs. Manstey looked at her; she did not know that there was a magnolia in the next yard!

“By the way,” Mrs. Sampson continued, “speaking of Mrs. Black reminds me that the work on the extension is to begin next week.”

“The extension,” said Mrs. Sampson, nodding her head in the direction of the ignored magnolia. “You knew, of course, that Mrs. Black was going to build an extension to her house? Yes, ma’am, I hear it is to run right back to the end of the yard. How she can afford to build an extension in these hard times I don’t see; but she always was crazy about building. She used to keep a boarding-house in Seventeenth Street, and she nearly ruined herself then by sticking out bow-windows and what not; I should have thought that would have cured her of building, but I guess it’s a disease, like drink. Anyhow, the work is to begin on Monday.”

Mrs. Manstey had grown pale. She always spoke slowly, so the landlady did not heed the long pause which followed. At last Mrs. Manstey said: “Do you know how high the extension will be?”

198“That’s the most absurd part of it. The extension is to be built right up to the roof of the main building; now, did you ever?”

Mrs. Manstey paused again. “Won’t it be a great annoyance to you, Mrs. Sampson?” she asked.

“I should say it would. But there’s no help for it; if people have got a mind to build extensions there’s no law to prevent ’em, that I’m aware of.” Mrs. Manstey, knowing this, was silent. “There is no help for it,” Mrs. Sampson repeated, “but if I am a church member, I wouldn’t be so sorry if it ruined Eliza Black. Well, good-day, Mrs. Manstey; I’m glad to find you so comfortable.”

So comfortable—so comfortable! Left to herself the old woman turned once more to the window. How lovely the view was that day! The blue sky with its round clouds shed a brightness over everything; the ailanthus had put on a 199tinge of yellow-green, the hyacinths were budding, the magnolia flowers looked more than ever like rosettes carved in alabaster. Soon the wistaria would bloom, then the horse-chestnut; but not for her. Between her eyes and them a barrier of brick and mortar would swiftly rise; presently even the spire would disappear, and all her radiant world be blotted out. Mrs. Manstey sent away untouched the dinner-tray brought to her that evening. She lingered in the window until the windy sunset died in bat-colored dusk; then, going to bed, she lay sleepless all night.

Early the next day she was up and at the window. It was raining, but even through the slanting gray gauze the scene had its charm—and then the rain was so good for the trees. She had noticed the day before that the ailanthus was growing dusty.

“Of course I might move,” said Mrs. 200Manstey aloud, and turning from the window she looked about her room. She might move, of course; so might she be flayed alive; but she was not likely to survive either operation. The room, though far less important to her happiness than the view, was as much a part of her existence. She had lived in it seventeen years. She knew every stain on the wallpaper, every rent in the carpet; the light fell in a certain way on her engravings, her books had grown shabby on their shelves, her bulbs and ivy were used to their window and knew which way to lean to the sun. “We are all too old to move,” she said.

That afternoon it cleared. Wet and radiant the blue reappeared through torn rags of cloud; the ailanthus sparkled; the earth in the flower-borders looked rich and warm. It was Thursday, and on Monday the building of the extension was to begin.

On Sunday afternoon a card was 201brought to Mrs. Black, as she was engaged in gathering up the fragments of the boarders’ dinner in the basement. The card, black-edged, bore Mrs. Manstey’s name.

“One of Mrs. Sampson’s boarders; wants to move, I suppose. Well, I can give her a room next year in the extension. Dinah,” said Mrs. Black, “tell the lady I’ll be upstairs in a minute.”

Mrs. Black found Mrs. Manstey standing in the long parlor garnished with statuettes and antimacassars; in that house she could not sit down.

Stooping hurriedly to open the register, which let out a cloud of dust, Mrs. Black advanced to her visitor.

“I’m happy to meet you, Mrs. Manstey; take a seat, please,” the landlady remarked in her prosperous voice, the voice of a woman who can afford to build extensions. There was no help for it; Mrs. Manstey sat down.

202“Is there anything I can do for you, ma’am?” Mrs. Black continued. “My house is full at present, but I am going to build an extension, and——”

“It is about the extension that I wish to speak,” said Mrs. Manstey, suddenly. “I am a poor woman, Mrs. Black, and I have never been a happy one. I shall have to talk about myself first to—to make you understand.”

“I never had what I wanted,” Mrs. Manstey continued. “It was always one disappointment after another. For years I wanted to live in the country. I dreamed and dreamed about it; but we never could manage it. There was no sunny window in our house, and so all my plants died. My daughter married years ago and went away—besides, she never cared for the same things. Then my husband died and I was left alone. 203That was seventeen years ago. I went to live at Mrs. Sampson’s, and I have been there ever since. I have grown a little infirm, as you see, and I don’t get out often; only on fine days, if I am feeling very well. So you can understand my sitting a great deal in my window—the back window on the third floor——”

“Well, Mrs. Manstey,” said Mrs. Black, liberally, “I could give you a back room, I dare say; one of the new rooms in the ex——”

“But I don’t want to move; I can’t move,” said Mrs. Manstey, almost with a scream. “And I came to tell you that if you build that extension I shall have no view from my window—no view! Do you understand?”

Mrs. Black thought herself face to face with a lunatic, and she had always heard that lunatics must be humored.

“Dear me, dear me,” she remarked, pushing her chair back a little way, “that 204is too bad, isn’t it? Why, I never thought of that. To be sure, the extension will interfere with your view, Mrs. Manstey.”

“Of course I do. And I’m real sorry about it, too. But there, don’t you worry, Mrs. Manstey. I guess we can fix that all right.”

“What do you mean by fixing it? Do you mean that I can induce you to change your mind about the extension? Oh, Mrs. Black, listen to me. I have two thousand dollars in the bank and I could manage, I know I could manage, to give you a thousand if——” Mrs. Manstey paused; the tears were rolling down her cheeks.

“There, there, Mrs. Manstey, don’t you worry,” repeated Mrs. Black, soothingly. “I am sure we can settle it. I 205am sorry that I can’t stay and talk about it any longer, but this is such a busy time of day, with supper to get——”

Her hand was on the door-knob, but with sudden vigor Mrs. Manstey seized her wrist.

“You are not giving me a definite answer. Do you mean to say that you accept my proposition?”

“Why, I’ll think it over, Mrs. Manstey, certainly I will. I wouldn’t annoy you for the world——”

Mrs. Black hesitated. “It shan’t begin, I promise you that; I’ll send word to the builder this very night.” Mrs. Manstey tightened her hold.

“No—no,” stammered Mrs. Black. “How can you think such a thing of me, Mrs. Manstey?”

206Slowly Mrs. Manstey’s clutch relaxed, and she passed through the open door. “One thousand dollars,” she repeated, pausing in the hall; then she let herself out of the house and hobbled down the steps, supporting herself on the cast-iron railing.

“My goodness,” exclaimed Mrs. Black, shutting and bolting the hall-door, “I never knew the old woman was crazy! And she looks so quiet and ladylike, too.”

Mrs. Manstey slept well that night, but early the next morning she was awakened by a sound of hammering. She got to her window with what haste she might and, looking out, saw that Mrs. Black’s yard was full of workmen. Some were carrying loads of brick from the kitchen to the yard, others beginning to demolish the old-fashioned wooden balcony which adorned each story of Mrs. Black’s house. Mrs. Manstey saw that she had been deceived. 207At first she thought of confiding her trouble to Mrs. Sampson, but a settled discouragement soon took possession of her and she went back to bed, not caring to see what was going on.

Toward afternoon, however, feeling that she must know the worst, she rose and dressed herself. It was a laborious task, for her hands were stiffer than usual, and the hooks and buttons seemed to evade her.

When she seated herself in the window, she saw that the workmen had removed the upper part of the balcony, and that the bricks had multiplied since morning. One of the men, a coarse fellow with a bloated face, picked a magnolia blossom and, after smelling it, threw it to the ground; the next man, carrying a load of bricks, trod on the flower in passing.

“Look out, Jim,” called one of the men to another who was smoking a pipe, “if you throw matches around near those 208barrels of paper you’ll have the old tinder-box burning down before you know it.” And Mrs. Manstey, leaning forward, perceived that there were several barrels of paper and rubbish under the wooden balcony.

At length the work ceased and twilight fell. The sunset was perfect and a roseate light, transfiguring the distant spire, lingered late in the west. When it grew dark Mrs. Manstey drew down the shades and proceeded, in her usual methodical manner, to light her lamp. She always filled and lit it with her own hands, keeping a kettle of kerosene on a zinc-covered shelf in a closet. As the lamp-light filled the room it assumed its peaceful aspect. The books and pictures and plants seemed, like their mistress, to settle themselves down for another quiet evening, and Mrs. Manstey, as was her wont, drew up her armchair to the table and began to knit.

209That night she could not sleep. The weather had changed and a wild wind was abroad, blotting the stars with close-driven clouds. Mrs. Manstey rose once or twice and looked out of the window; but of the view nothing was discernible save a tardy light or two in the opposite windows. These lights at last went out, and Mrs. Manstey, who had watched for their extinction, began to dress herself. She was in evident haste, for she merely flung a thin dressing-gown over her night-dress and wrapped her head in a scarf; then she opened her closet and cautiously took out the kettle of kerosene. Having slipped a bundle of wooden matches into her pocket she proceeded, with increasing precautions, to unlock her door, and a few moments later she was feeling her way down the dark staircase, led by a glimmer of gas from the lower hall. At length she reached the bottom of the stairs and began the more difficult descent 210into the utter darkness of the basement. Here, however, she could move more freely, as there was less danger of being overheard; and without much delay she contrived to unlock the iron door leading into the yard. A gust of cold wind smote her as she stepped out and groped shiveringly under the clothes-lines.

That morning at three o’clock an alarm of fire brought the engines to Mrs. Black’s door, and also brought Mrs. Sampson’s startled boarders to their windows. The wooden balcony at the back of Mrs. Black’s house was ablaze, and among those who watched the progress of the flames was Mrs. Manstey, leaning in her thin dressing-gown from the open window.

The fire, however, was soon put out, and the frightened occupants of the house, who had fled in scant attire, reassembled at dawn to find that little mischief had been done beyond the cracking 211of window panes and smoking of ceilings. In fact, the chief sufferer by the fire was Mrs. Manstey, who was found in the morning gasping with pneumonia, a not unnatural result, as everyone remarked, of her having hung out of an open window at her age in a dressing-gown. It was easy to see that she was very ill, but no one had guessed how grave the doctor’s verdict would be, and the faces gathered that evening about Mrs. Sampson’s table were awe-struck and disturbed. Not that any of the boarders knew Mrs. Manstey well; she “kept to herself,” as they said, and seemed to fancy herself too good for them; but then it is always disagreeable to have anyone dying in the house, and, as one lady observed to another: “It might just as well have been you or me, my dear.”

But it was only Mrs. Manstey; and she was dying, as she had lived, lonely if not alone. The doctor had sent a trained 212nurse, and Mrs. Sampson, with muffled step, came in from time to time; but both, to Mrs. Manstey, seemed remote and unsubstantial as the figures in a dream. All day she said nothing; but when she was asked for her daughter’s address she shook her head. At times the nurse noticed that she seemed to be listening attentively for some sound which did not come; then again she dozed.

The next morning at daylight she was very low. The nurse called Mrs. Sampson, and as the two bent over the old woman they saw her lips move.

213They raised her in their arms, and with her stiff hand she pointed to the window.

“Oh, the window—she wants to sit in the window. She used to sit there all day,” Mrs. Sampson explained. “It can do her no harm, I suppose?”

They carried Mrs. Manstey to the window and placed her in her chair. The dawn was abroad, a jubilant spring dawn; the spire had already caught a golden ray, though the magnolia and horse-chestnut still slumbered in shadow. In Mrs. Black’s yard all was quiet. The charred timbers of the balcony lay where they had fallen. It was evident that since the fire the builders had not returned to their work. The magnolia had unfolded a few more sculptural flowers; the view was undisturbed.

It was hard for Mrs. Manstey to breathe. Each moment it grew more difficult. She tried to make them open the 214window, but they would not understand. If she could have tasted the air, sweet with the penetrating ailanthus savor, it would have eased her; but the view at least was there—the spire was golden now, the heavens had warmed from pearl to blue, day was alight from east to west, even the magnolia had caught the sun.

In this series of little books, issued under the general title “Stories from Scribner,” the purpose has been to gather together some of the best and most entertaining short stories written for Scribner’s Magazine during the past few years, and to preserve them in dainty volumes grouped under attractive subjects and decorated by a few illustrations to brighten the pages.

The set as arranged consists of six volumes, the first two appearing together and the other four at intervals of about a month, as follows:

The books are furnished in three bindings, the paper being the same in all. Each edition is prepared with great care, and every effort has been made to secure an example of book-making as dainty and perfect as possible.

The paper edition is enclosed in a transparent wrapper, fastened by a gold seal which should remain unbroken until the book reaches the hands of the reader. Price, 50 cents a volume.

The half calf edition is bound in the best leather and in two colors—blue and claret—gilt top. Price, $1.50 a volume.

*** END OF THE PROJECT GUTENBERG EBOOK STORIES OF NEW YORK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of Stories of New York

STORIES OF
NEW YORK