The Project Gutenberg eBook of Jackie sees a star
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Jackie sees a star

Author: Marion Zimmer Bradley

Illustrator: Alex Schomburg

Release date: July 28, 2024 [eBook #74144]

Language: English

Original publication: United States: King-Size Publications, Inc

Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK JACKIE SEES A STAR ***





                          Jackie Sees a Star

                       By Marion Zimmer Bradley

                   Jackie's star was his own secret
                  discovery at first. But then--even
                     Dr. Milliken became excited.

           [Transcriber's Note: This etext was produced from
                  Fantastic Universe September 1954.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


    _Marion Zimmer Bradley is a New Englander by speech, habits and
    tradition. Transplanted to Texas four years ago, she complains that
    she never has enough room to roam in the sand flats surrounding her
    dwelling. Could it be that, like Jackie, she much prefers the vast
    sweep of the Galactic universe--and a splendor which makes even
    Texas seem spatially minute?_


So you want to hear about the Edwards child? Oh, no, you don't get by
with _that_ one! You can just put on your hat again, and walk right
back down those stairs, Mister. We've had too many psychologists and
debunkers around here, and we don't want any more.

_Oh_--you're from the University? Excuse me, professor. I'm sorry. But
if you _knew_ what we've put up with, from reporters, and all kinds
of crackpots ... and it isn't good for Jackie, either. He's getting
awfully spoiled. If you knew how many paddlings I've had to give that
kid in just this past week.

His mother? Me? Oh, no! No, I'm just Jackie's aunt. His mother, my
sister Beth, works at the Tax Bureau. Jackie's father died when he was
only a week old. You know ... he'd been in the Big Bombings in '64, and
he never really got over it. It was pretty awful.

Anyhow, I look after Jackie while my sister works. He's a good little
kid--spoiled, but what kid isn't, these days?

It was I who heard it first, as a matter of fact. You see, I'm around
Jackie a lot more than his mother is.

I was making Jackie's bed one morning when he came up behind me, and
grabbed me round the waist, and asked, real serious, "Aunt Dorothy, are
the stars _really_ other suns like this one, and do they have planets
too?"

I said, "Why, sure, Jackie. I thought you knew that."

He gave me a hug. "Thanks, Aunt Dorothy. I thought Mig was kidding me."

"Who's Mig?" I asked. I knew most of the kids on the block, you see,
but there was a new little girl on the corner. I asked, "Is she the
little Jackson girl?"

Jackie said, "Mig isn't a _girl_!" And did he sound disgusted!
"Besides," he said, "Mig doesn't live 'round here at all. His name is
really Migardolon Domier, but I call him Mig. He doesn't really talk to
me. I mean, just inside my head."

I said, "Oh." I laughed a little bit, too, because Jackie isn't
really an imaginative kid. But I guess most kids go through the
imaginary-playmate stage. I had one when I was a kid. I called her
Bitsy--but anyway, Jackie just ran out to play, and I didn't think
about it again until one day he asked me what a spaceship looked like.

So I took him to see that movie--you know the one Paul Douglas played
in about the trip to Mars--but would you believe it, the kid just
stuck up his nose.

"I mean a real spaceship!" he said. "Mig showed me a lot better one
than _that_!"

So I spoke kind of sharp. You know, I didn't like him to be rude. And
he said, "Well, Mig's father is building a spaceship. It goes all the
way across the Gal--the gallazzy, I guess, and goes through--Aunt
Dorothy, what's hyperspace?"

"Oh, ask Mig what it is," I said, real cross with him. You know how it
is when kids act smart.

The next day was Saturday, so Beth was at home with Jackie, and I
stayed with Mother. But when I came over Monday morning, she asked me,
"Dorrie, where on earth did Jack pick up all this rocketship lingo? And
what kind of a phase is this _Mig_ business?"

I told her I'd taken him to see ROCKET MARS, and she was quite
provoked. Beth still thinks rockets are kind of comic-book stuff,
and she gave me a long talk about trashy movies, and getting him too
excited, and overstimulating his imagination, and so forth.

Then she gave me the latest developments on this Mig affair. It seemed
that Jackie had given with the details. Mig was a little fellow who
lived on a planet half-way across the "gallazzy," and his father was a
rocketship engineer.

Well, you know how kids are about spaceships. Jackie wasn't quite six,
but he's always been kind of old for his age. That afternoon he started
teasing me to take him to the Planetarium. He kept on about it until I
finally took him, that evening, after Beth got home.

It was quite late when we left. The stars had all come out, and while
we were walking home, I asked him which one of the stars Mig lived on.
And, professor, do you know what that child said? He said, "You can't
live on a _star_, dummy! You'd burn up! He lives on a _planet_ around
the star!"

He pointed off toward the north, fidgeted around for a few minutes, and
finally said, "Well, the sky kind of looks different where Mig lives.
But I think it's up there somewhere," and he pointed into the Big
Dipper.

I didn't encourage the Mig business, but, good gosh, it didn't need
encouraging. I guess it was two or three days later when Jackie told
me that Mig's sun was going to blow up, so his father was building a
spaceship, and they were coming here to live.

I kept a straight face. But I couldn't help wondering what would happen
when Jackie got his Mig, so to speak, down to earth. Probably it would
just ease the fantasy off into a more normal phase, and it would
gradually disappear.

One night in August, Beth wanted to go to a movie with some girls from
her office, so I stayed with Jackie. I was reading downstairs when I
suddenly heard him bawling upstairs--not very loud, but real unhappy
and pitiful.

I ran upstairs and took him up, thinking he'd had a bad dream, and held
him, just shaking and trembling, until he finally quieted down to a
hiccup now and then.

And then he said, in the unhappiest little voice, "Mig has to leave
his--his _erling_ on the planet, to get blowed up with the sun! It's
a little bitty thing like a puppy, but his Daddy says there isn't any
room on the spaceship for it! But he got it for his--well, I guess it
was kind of like a birthday--and he wanted to show it to me when he got
here!"

Well!

I guess the lecture I gave him about imagination had something to do
with it, because I didn't hear any more about Mig for quite some time.
He kept Beth posted, though. He even told her when the spaceship was
going to take off and when Mig's sun was going to blow up, or else
where we'd see it. I don't know which. But anyway, he made her mark it
down on the Calendar. The fifth of November, it was.

Well, in September I went back to college, and--well, I don't just talk
about things outside of the family, but my boy friend, Dave, he was
almost like one of the family, and this year he'd got a job working
with Professor Milliken at the Observatory.

You know Professor Milliken, don't you? I thought so. I told Dave about
this Mig phase of Jackie's, and one night when Dave was over at Beth's
with me, he got the kid talking about it. He humored the kid a lot.
He even took him over to the Observatory and let Jackie look through
the big telescope there. And of course Jackie gave Dave all the latest
details on Mig.

It seems that this spaceship had already taken off--that was why he
hadn't heard much from Mig lately, because--"Mig's Daddy sealed him
up in a little capsule, so he won't wake up till they are 'way out
in hyperspace. Because the spaceship will go faster and faster and
_awful_ fast, and unless he is sealed up, and asleep, it will hurt
him something _awful_!" And Dave humored Jackie, and talked about
acceleration and hyperspace and shortcuts across the Galaxy, and I
don't know what all, and Jackie just sat there and drank it all in as
if he understood every word. Dave even wrote down the day when Mig's
sun was supposed to blow up, and promised to keep an eye on it.

Jackie started to kindergarten, of course, about then, and I thought
he'd forgotten all about Mig. I didn't hear anything more for at least
six weeks. But one night--I was babysitting for Beth again--the
telephone rang, and it was Dave.

"Dorothy! Remember Jackie's little Galactic citizen whose world was
supposed to go up in smoke tonight?"

I glanced at the calendar. It was November fifth. "Now, look here,
Dave," I said firmly. "You are not going to disillusion the kid like
that. He's forgotten all about the silly business. Besides, he's in
bed."

"Well, get him up!" said Dave. "Dorrie, get a load of this. The biggest
supernova I ever saw just exploded in the North. Get Jackie over here!
I want to ask him some questions!"

He meant it. I could tell that he meant it. I ran upstairs and bundled
Jackie up in a blanket--I didn't even bother to put his clothes on,
just a blanket over his pajamas--and took him down to the Observatory
in a taxi.

I wish you could have seen the place. Jackie sitting on a table, in his
pajamas, telling Professor Milliken all about Mig and the spaceship and
the little sealed capsule and the _erling_ and all the rest of it.

I guess you can imagine what a week we went through. Scientists, and
reporters, and psychologists and parapsychologists and just plain
debunkers. And the crackpots. Oh yes, the crackpots. And then they dug
up the records about Jackie's father.

They couldn't even let the poor man rest quiet in his grave, and when
they found out about the Bombing, they talked about hard radiations and
mutations until I darn' near went crazy, and Beth had to quit her job.

They even talked about telepathy, just as if Jackie was some kind of
a freak. We had to take the poor kid out of kindergarten. He hated
that--he was getting so much good out of it. And he enjoyed it so much,
having the other children to play with, and painting, and making those
cute little baskets, and he'd learned to tell time, and everything.

And then the spaceship landed, and I tell you, we haven't had a
minute's peace since.

Oh, _that's_ all right! I was going to call them in for lunch in a few
minutes, anyway. "Jackie! _Jackie_--will you and Mig come in here for
a few minutes? A friend of your uncle Dave's wants to talk to you two
boys."





*** END OF THE PROJECT GUTENBERG EBOOK JACKIE SEES A STAR ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.