The Project Gutenberg eBook of Catalogue of valuable paintings and water colors mostly of the modern Dutch school, forming the private collection of A. Augustus Healy, Esq., Brooklyn This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Catalogue of valuable paintings and water colors mostly of the modern Dutch school, forming the private collection of A. Augustus Healy, Esq., Brooklyn to be disposed of at unrestricted public sale ... February 15 [1907] at Mendelssohn Hall Creator: American Art Association Release date: April 27, 2023 [eBook #70649] Language: English Original publication: United States: American Art Association Credits: Alan and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) *** START OF THE PROJECT GUTENBERG EBOOK CATALOGUE OF VALUABLE PAINTINGS AND WATER COLORS MOSTLY OF THE MODERN DUTCH SCHOOL, FORMING THE PRIVATE COLLECTION OF A. AUGUSTUS HEALY, ESQ., BROOKLYN *** CATALOGUE OF VALUABLE PAINTINGS AND WATER COLORS MOSTLY OF THE MODERN DUTCH SCHOOL FORMING THE PRIVATE COLLECTION OF A. AUGUSTUS HEALY, ESQ. BROOKLYN TO BE DISPOSED OF AT UNRESTRICTED PUBLIC SALE ON FRIDAY EVENING, FEBRUARY 15 AT MENDELSSOHN HALL FORTIETH STREET, EAST OF BROADWAY THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY OF THE AMERICAN ART ASSOCIATION, MGRS. NEW YORK: 1907 Press of J. J. Little & Co. Astor Place, New York CONDITIONS OF SALE 1. _The highest Bidder to be the Buyer, and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold._ 2. _The Auctioneer reserves the right to reject any bid which is merely a nominal or fractional advance, and therefore, in his judgment, likely to affect the Sale injuriously._ 3. _The Purchasers to give their names and addresses, and to pay down a cash deposit, or the whole of the Purchase-money_, if required, _in default of which the Lot or Lots so purchased to be immediately put up again and re-sold_. 4. _The Lots to be taken away at the Buyer’s Expense and Risk_ within twenty-four hours from the conclusion of the Sale, _and the remainder of the Purchase-money to be absolutely paid, or otherwise settled for to the satisfaction of the Auctioneer, on or before delivery; in default of which the undersigned will not hold themselves responsible if the lots be lost, stolen, damaged, or destroyed, but they will be left at the sole risk of the Purchaser_. 5. While the undersigned will not hold themselves responsible for the correctness of the description, genuineness, or authenticity of, or any fault or defect in, any Lot, and make no Warranty whatever, they will, upon receiving previous to date of Sale trustworthy expert opinion in writing that any Painting or other Work of Art is not what it is represented to be, use every effort on their part to furnish proof to the contrary; failing in which, the object or objects in question will be sold subject to the declaration of the aforesaid expert, he being liable to the Owner or Owners thereof, for damage or injury occasioned thereby. 6. _To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can, on any account, be removed during the Sale._ 7. _Upon failure to comply with the above conditions, the money deposited in part payment shall be forfeited; all Lots uncleared within one day from conclusion of Sale shall be re-sold by public or private sale, without further notice, and the deficiency (if any) attending such re-sale shall be made good by the defaulter at this Sale, together with all charges attending the same. This Condition is without prejudice to the right of the Auctioneer to enforce the contract made at this Sale, without such re-sale, if he thinks fit._ 8. _The undersigned are in no manner connected with the business of the cartage or packing and shipping of purchases, and although they will afford to purchasers every facility for employing careful carriers and packers, they will not hold themselves responsible for the acts and charges of the parties engaged for such services._ THE AMERICAN ART ASSOCIATION, MANAGERS. THOMAS E. KIRBY, AUCTIONEER. ARTISTS REPRESENTED AND THEIR WORKS CATALOGUE NUMBERS ARTZ, DAVID ADOLPHE CONSTANT, A Fisherwoman, 20 Along the River, 22 BASTERT, NICOLAAS, Winter in Breukelen, Holland, 3 Apple Blossoms, 25 The White Sail, 69 A River View in Holland, 84 BELLONI, G., Incoming Sea, 24 An Italian Garden, 92 The Harbor at Genoa, 93 BLAKELOCK, RALPH ALBERT, Gypsy Encampment, 54 BLOMMERS, BERNARDUS JOHANNES, A Dutch Fisherman, 71 BOSBOOM, JOHANNES, Castle by the Sea, 4 The Village Canal, 8 BOUDIN, LOUIS EUGÈNE, Port de St. Valery, 58 Unloading the Catch, 61 Trouville, 65 BROWN, JOHN LEWIS, The Falconers, 30 CAZIN, JEAN CHARLES, The Artist’s Studio--Boulogne, 31 Le Dernier Quartier, 60 COROT, JEAN BAPTISTE CAMILLE, The Bather, 38 DAUBIGNY, CHARLES FRANÇOIS, Banks of the Marne, 50 A Showery Day in Spring, 57 Springtime, 83 DE BOCK, THEOPHIL H., The Pool in the Pasture, 45 Near the Dunes, 64 A Country Road, 68 Autumn, 72 DU CHATTEL, FREDERICUS JACOBUS, Canal in Holland, 19 DUPRÉ, JULES, The Edge of a Forest, 35 FISHER, J. G., A Village Road, 26 GABRIEL, PAUL JOSEPH CONSTANTINE, In the Cornfield, 89 GÉRICAULT, JEAN LOUIS ANDRÉ THÉODORE, Stable Interior, 43 HARPIGNIES, HENRI, French Landscape, 9 A Distant Village, 33 The Birches, 47 A Summer Day, 49 HASSAM, CHILDE, Fifth Avenue and Fifty-sixth Street--Spring Morning, 56 HERVIER, L., The Fishing Boat, 23 HONRATH, THEODORE, Ploughing, 63 INNESS, GEORGE, N.A., A Medfield Farm--Massachusetts, 39 ISRAËLS, JOSEF, A Pensive Sewer, 11 Old Age, 13 Waiting for His Master, 52 A Dutch Interior, 75 An Old Man Walking, 79 JACQUE, CHARLES ÉMILE, Watering the Horses, 37 KEVER, JACOB SIMON HENDRIK, In the Orchard, 62 The Little Nursemaid, 67 Amusing the Baby, 70 Playmates, 78 KNAUS, LUDWIG, A Happy Fräulein, 42 LA FARGE, JOHN, N.A., Autumn, 21 MARIS, JACOB, View of Dordrecht, 18 Scheveningen, 32 Holland Landscape, 34 MARIS, WILLEM, Cows in Pasture, 15 Under the Willows, 86 MAUVE, ANTON, The Peasant’s Home, 10 Cow in Sunlight, 28 Cows in Pasture, 29 McCORD, GEORGE HERBERT, A.N.A., Evening in the Harbor, 90 MESDAG, HENDRIK WILLEM, Early Morning, 66 The Fishing Fleet, 88 MILESI, A., A Market Scene in Venice, 94 MURPHY, J. FRANCIS, N.A., Sunset after the Storm, 48 A Hillside Pasture, 55 NAKKEN, WILLEM CAREL, Building the Rick, 76 NEUHUYS, ALBERT, Among the Flowers, 16 Sunlight, 80 OFFERMANS, TONY, The Cobbler, 2 POGGENBEEK, GEORGE, Early Evening, 1 Holland Meadow--Spring, 12 Dutch Meadows, 46 ROELOFS, WILLEM, Summer in Holland, 51 A Farm in Holland, 74 Pasture near the Dunes, 87 ROOSENBOOM, MRS. MARGARETHA VOGEL, Peonies, 5 Peonies, 6 ROUSSEAU, THÉODORE, The Plain of Barbizon at Twilight, 53 SARTORI, G., A Canal in Venice, 91 STEEN, JAN HAVICKSZ, The Merry Couple, 44 TER MEULEN, FRANÇOIS PIETER, A Shepherd and His Flock--Winter, 81 TROYON, CONSTANT, The Old Farmhouse, 36 The Ferry, 82 VOLLON, ANTON, Still Life, 59 VROLYK, JOHANNES MARTINUS, A Pasture in Holland, 7 Landscape and Cattle, 77 WATELIN, E., Cows in Pasture, 73 WEISSENBRUCH, JOHANNES HENDRIK, A Heath in Holland, 14 A Summer Day in Holland, 17 A Dutch Pasture, 41 WIJSMULLER, J. H., The Street Market, 27 The Lock in Winter, 85 WYANT, ALEXANDER H., N.A., The Mountain Road, 40 CATALOGUE SALE FRIDAY EVENING FEBRUARY 15TH, 1907 AT MENDELSSOHN HALL FORTIETH STREET, EAST OF BROADWAY BEGINNING PROMPTLY AT 8.15 O’CLOCK WATER COLORS WATER COLORS Nº 1 George Poggenbeek DUTCH: 1853-1903 _EARLY EVENING_ Water Color _Height, 15½ inches; width, 11½ inches_ A low cottage, near which stand two leafless trees, their straggling branches extending out of the picture, is the prominent object in the composition, and is silhouetted against a quiet sky. In the foreground on the left are small wooden coops and the roof of an outbuilding, and on the right is a path bordered by a row of a small bushes. The glow of lamplight in the cottage window, which is partly screened by an opaque curtain, indicates that twilight is near. _Signed at the lower left_, G. POGGENBEEK. Nº 2 Tony Offermans DUTCH: 1854- _THE COBBLER_ Water Color _Height, 18 inches; width, 13 inches_ An old Dutch cobbler, pipe in mouth, sits in a low chair near a window under which is his cobbler’s bench with various tools, engaged in repairing a shoe which he holds on the leather apron on his lap. The figure is lighted by a narrow window, the casements of which are thrown open, and a petroleum lamp with a tin shade hangs from a beam over the cobbler’s head. _Signed at the lower right_, T. OFFERMANS. Nº 3 Nicolaas Bastert DUTCH: 1854- _WINTER IN BREUKELEN--HOLLAND_ Water Color _Height, 11 inches; length, 17½ inches_ A heavy fall of snow is on the ground and the winding hedge-bordered village street, which leads from the foreground around to the right between low cottages, is broken by the single track of a cart which is seen proceeding along toward the houses. On the left a row of pollarded trees grows along what is apparently a canal, now covered with ice, and on the opposite bank stands a farm building and a row of trees in winter foliage. _Signed at the lower left_, N. BASTERT. Nº 4 Johannes Bosboom DUTCH: 1817-1891 _CASTLE BY THE SEA_ Water Color _Height, 11 inches; width, 8½ inches_ In a broad, open street or market-place in a small fishing village in Holland stands a lofty stone building with a corner tower, evidently the relics of bygone grandeur. Alongside, and contrasting strongly with it, is a low cottage with red-tiled roof, and beyond it are other cottages at the foot of a dune, over the crest of which is seen the mast of a fishing vessel. A few figures are grouped in the shade of the tower and a woman is walking toward the foreground in the sunlight. _Signed at the lower left_, BOSBOOM, ’61. Nº 5 Margaretha Vogel Roosenboom DUTCH: 1843-1898 _PEONIES_ Water Color _Height, 12 inches; length, 20 inches_ Two large white peonies in full blossom, and others in bud, have been carelessly thrown upon a stone bench in strong light from the upper left. The background is a broken tone of gray. _Signed at the lower right_, MARGT. ROOSENBOOM. Nº 6 Margaretha Vogel Roosenboom DUTCH: 1843-1898 _PEONIES_ Water Color _Height, 27½ inches; width, 19½ inches_ A great bunch of pink and yellow peonies, some in full blossom, some in bud, are arranged with their leaves in a low glass jar on a stone bench and are strongly lighted from the upper left. The background is a broken tone of gray. _Signed at the lower right_, MARGT. VOGEL ROOSENBOOM. Nº 7 Johannes Martinus Vrolyk DUTCH: 1846-1896 _A PASTURE IN HOLLAND_ Water Color _Height, 21 inches; length, 30 inches_ In the foreground a brown and white cow is browsing on the rough herbage of a broad pasture, and near her stands a peasant in a blue blouse. The pasture is bounded on the right by an irregular hedge of small trees, and on the left, in the middle distance, are seen approaching a cow and calf, and several other cattle. The view extends across the broad, irregular pasture to a distant horizon, softened by the delicate mist of summer. The sky is nearly covered by luminous clouds, and a few birds flutter above the trees. _Signed at the lower right_, JAN VROLYK. Nº 8 Johannes Bosboom DUTCH: 1817-1891 _THE VILLAGE CANAL_ Water Color _Height, 9 inches; length, 13 inches_ A quiet waterway, extending from the left foreground diagonally to the right, is bordered on either side by broad, level quays. On the left, lofty buildings with red-tiled roofs rise against the sky, and on either side of the canal grow great rank trees in full foliage, and through an opening between them is a glimpse of a sunlit building. The figures of women, in characteristic white caps, are seen here and there, one of them engaged in washing clothes on the far side of the canal. _Signed at the lower right_, J. BOSBOOM. Nº 9 Henri Harpignies FRENCH: 1819- _FRENCH LANDSCAPE_ Water Color _Height, 8½ inches; length, 12 inches_ This is a view across an open valley, broken by a roadway and irregular pools of water, to distant tree-covered slopes. On the left, irregular masses of foliage are in strong silhouette against a luminous sky, and on the right rounded trees crown the steep declivity of a low hill. Near the foreground a few slender poplars grow on a low bank between a sandy road and a pool of water which reflects the light of the sky at the zenith. _Signed at the lower left_, =h’h=ARPIGNIES, ’92. Nº 10 Anton Mauve DUTCH: 1838-1888 _THE PEASANT’S HOME_ Water Color _Height, 12 inches; width, 8½ inches_ An old Dutch peasant in rough garments, wooden shoes and with an apron tied around his waist, is engaged in sweeping the ground with a rough besom, near the corner of an old board hovel. A barrel partly filled with sticks stands near him, and beyond is suggested a grassy field bounded in the distance by a grove of slender trees. _Signed at the lower right_, A. MAUVE. Nº 11 Josef Israëls DUTCH: 1824- _A PENSIVE SEWER_ Water Color _Height, 13 inches; width, 8 inches_ A young Dutch peasant woman is seated in a low kitchen chair near a latticed window, engaged in sewing upon a white garment, and while intent upon her work, her thoughts are evidently far away. She wears a white cap, a pink jacket and a black petticoat, and the figure is strongly lighted from the window on the left. _Signed at the lower left_, JOSEF ISRAËLS. Nº 12 George Poggenbeek DUTCH: 1853-1903 _HOLLAND MEADOW--SPRING_ Water Color _Height, 10½ inches; length, 16½ inches_ From the right foreground a narrow canal, partly choked by a rank growth of reeds and rushes, crosses diagonally a broad, marshy meadow in which two spotted cows are lying on the grass and where pollarded willows grow. In the distance between the trees is a glimpse of a blue hillside far away, and a few sunlit clouds float in the summer sky. _Signed at the lower left_, G. POGGENBEEK. Nº 13 Josef Israëls DUTCH: 1824- _OLD AGE_ Water Color _Height, 13 inches; width, 10 inches_ An old peasant woman, wearing a white linen cap, an ample cloak with high collar over her shoulders and around her neck, and a black petticoat, sits in a low kitchen chair in front of a small fire on the hearth, warming her extended trembling hands, evidently enjoying the luxury of the fire. _Signed at the lower left_, JOSEF ISRAËLS. Nº 14 Johannes Hendrik Weissenbruch DUTCH: 1824-1903 _A HEATH IN HOLLAND_ Water Color _Height, 11 inches; length, 19 inches_ A great building, roughly thatched, with a door and window in its gable end, and its ridge irregular and broken, stands in an open waste. Four slender trees grow near the building, and are the only ones which break the irregular surface of the great pasture. Three cows are wandering across the field toward the building, apparently seeking shelter for the night. A few birds flutter high in the sky above, and the light of the setting sun is concentrated near the horizon and behind the rude structure. _Signed at the lower left_, J. H. WEISSENBRUCH. Nº 15 Willem Maris DUTCH: 1844- _COWS IN PASTURE_ Water Color _Height, 14½ inches; length, 21½ inches_ Two cows, one black, spotted with white, and the other dun-colored with a white face, stand near a pool in the foreground, browsing on the reeds and coarse grass which grow there. Beyond them the view extends across the broad open pasture where other cattle are feeding, and where, in the distance, the familiar forms of windmills rise against the sky. _Signed at the lower left_, WILLEM MARIS. Nº 16 Albert Neuhuys DUTCH: 1844- _AMONG THE FLOWERS_ Water Color _Height, 28 inches; width, 16½ inches_ A lady (the artist’s wife) in outdoor costume, consisting of a brown skirt and sleeveless jacket over a black bodice and petticoat, and a turban-like hat, stands in a conservatory surrounded by chrysanthemums, plucking some of the delicately colored blossoms. The figure is lighted from the upper right, and in the background is suggested the glass roof of the conservatory with a mass of flowering plants. _Signed at the lower right_, ALB. NEUHUYS. Nº 17 Johannes Hendrik Weissenbruch DUTCH: 1824-1903 _A SUMMER DAY IN HOLLAND_ Water Color _Height, 21½ inches; width, 13½ inches_ Four spotted cattle, watched by a small boy in a blue blouse, broad white trousers, black cap and wooden shoes, are resting, partly in sunlight and partly in shadow, near a sandy road which leads from the foreground to a lofty straw stack in the distance overhung by tall trees in heavy foliage. The full summer sun falls upon the landscape, casting a broken shadow upon the middle distance and illuminating the great masses of vapor which fill the sky. _Signed at the lower right_, J. H. WEISSENBRUCH. Nº 18 Jacob Maris DUTCH: 1837-1899 _VIEW OF DORDRECHT_ Water Color _Height, 17½ inches; length, 22½ inches_ This is a view across a broad canal in the populous Dutch town, showing a number of bluff-bowed vessels alongside the quay, and beyond are a number of houses alternating with clumps of trees, dominated by a lofty church tower. The sky is filled with luminous summer sunlit clouds. _Signed at the lower left_, J. MARIS. Nº 19 Fredericus Jacobus du Chattel DUTCH: 1856- _CANAL IN HOLLAND_ Water Color _Height, 29 inches; width, 19½ inches_ A narrow canal extends in rapidly diminishing perspective from the foreground to the middle distance, where it is bounded by a meadow. The low banks of the canal are fringed with water-weeds, and on the left tall trees grow on either side of a country road. The calm waters, along which two swallows skim in rapid flight, reflect the luminous tones of the quiet evening sky, together with the forms of the lofty trees that grow along the bank. _Signed at the lower left_, FRED. J. DU CHATTEL. Nº 20 David Adolphe Constant Artz DUTCH: 1837-1890 _A FISHERWOMAN_ Water Color _Height, 29½ inches; width, 20½ inches_ The life-sized head and shoulders of an old Dutch fisherwoman, her thin gray hair straggling out from underneath her neatly ironed white cap and her hands lying idly in her lap. Her face is in three-quarters view to the right, strongly lighted from the upper left, and bears a placid expression, which, however, tells the story of struggle in life. _Signed at the upper right_, ARTZ. OIL PAINTINGS OIL PAINTINGS Nº 21 John La Farge, N.A. AMERICAN: 1835- _AUTUMN_ _Height, 8½ inches; length, 11½ inches_ This is a study of an open grove of large trees, showing two great rough tree trunks rising out of the picture in the foreground, and beyond an open rank of other trees, with a glimpse of a pond and distant hillsides farther away, and a glowing autumn sky. THOMAS B. CLARKE _Collection, New York, 1899_. Nº 22 David Adolphe Constant Artz DUTCH: 1837-1900 _ALONG THE RIVER_ _Height, 10 inches; length, 15½ inches_ Beyond a quiet expanse of water which extends across the foreground is seen a broken muddy shore, gently sloping up to a fringe of low bushes, beyond which an irregular rank of poplar and other trees forms an irregular horizon line against a sky filled with rolling storm clouds touched here and there by brilliant sunlight. _Signed at the lower right_, ARTZ. Nº 23 L. Hervier FRENCH _THE FISHING BOAT_ _Height, 13¾ inches; width, 10¾ inches_ In the foreground, drawn up on the beach, is a small roughly constructed fishing boat with a single mast and lowered sail, apparently just landed after a good catch of skate, for the small cockpit is half filled with fish. A large one lies on the sand near the boat, and beyond, on the shingle-covered shore, stands a fisherwoman near a pile of fish, holding another large one in her hand. Following the line of a beach which sweeps away to the extreme distance, broken only by a single craft left high and dry by the tide, is a row of steep-roofed thatched cottages, touched here and there by a strong shaft of sunlight which breaks through the rolling storm clouds covering the sky. _Signed at the lower left_, HERVIER, ’47. Nº 24 Georgio Belloni ITALIAN Contemporary _INCOMING SEA_ _Height, 11½ inches; length, 16 inches_ This is a view across a broad expanse of water, showing in the foreground a shoal with gently breaking waves in a succession of small combers, and farther away, beyond narrow sandy banks which show in luminous lines in the water, is a line of breakers on the edge of the sea, beyond which the sails of a few fishing vessels gleam in the sunlight and break the level of the high horizon. _Signed at the lower left_, GB. Nº 25 Nicolaas Bastert DUTCH: 1854- _APPLE BLOSSOMS_ _Height, 13½ inches; length, 20 inches_ In the near foreground in a flower-grown sward are three fruit trees in full blossom, their flower-laden branches almost concealing the sky and extending out of the picture at the top. Beyond the trees, on the far side of a low wattled fence which is flecked here and there by strong sunlight, are seen a farm-house and farm buildings among trees in full foliage. _Signed at the lower left_, N. BASTERT. Nº 26 J. G. Fisher AMERICAN _A VILLAGE ROAD_ _Height, 14 inches; length, 19 inches_ A broad road, partly overgrown by grass and extending across the foreground, leads between stone cottages with thatched roofs to an opening under overhanging trees in the distance. Three cows are walking along the road in the sunlight, apparently on their way to the pasture just outside the confines of the village. _Signed at the lower right_, J. G. FISHER. Nº 27 J. H. Wijsmuller DUTCH: 1855- _THE STREET MARKET_ _Height, 17 inches; width, 12½ inches_ In a small square in a large Dutch town the usual market is being held, and crowds of people are assembled around the booths in the shadow of the houses in a narrow street, which, on the left, extends away in perspective past the corner of a large brick church which raises a lofty cupola above a steep roof against the sky. The sunlight falls upon the scene from the left, accentuating the façades and gables of the houses along the street and the front of a small public building which stands under the very eaves of the church, overhung by a clump of leafless trees. _Signed at the lower right_, J. H. WIJSMULLER. Nº 28 Anton Mauve DUTCH: 1838-1888 _COW IN SUNLIGHT_ _Height, 10½ inches; length, 16½ inches_ A dun-colored cow, spotted with white, is standing in full sunlight in a broad pasture bounded by a rank of trees in the distance. She is facing to the right, with her head somewhat lowered and her ears thrown back, and is in strong effect of full sunlight from the upper right, the face, fore legs and fore shoulders being in luminous shadow. _Signed at the lower right_, A. MAUVE. Nº 29 Anton Mauve DUTCH: 1838-1888 _COWS IN PASTURE_ _Height, 10¼ inches; length, 13½ inches_ Two cows, one red and white and the other dun-colored, are standing in the sunlight in the corner of a rich pasture which is bordered by a hedge with a row of slender trees, showing a gate leading into a field beyond. On the right is the steep roof of a farm building rising above the surrounding trees, and in the horizon against a sunlit sky is suggested a second farm-house similarly situated. _Signed at the lower right_, A. MAUVE. Nº 30 John Lewis Brown FRENCH: 1829-1890 _THE FALCONERS_ _Height, 9½ inches; width, 7 inches_ In an open glade in a great park or forest a small party of mounted falconers have been enjoying their hunt. One of them, who has been riding a white horse, has dismounted, and is conversing with a friend, apparently the host of the occasion, who, with a gesture of authority, is giving directions about the hunt. Beyond the horsemen stands an attendant in gay livery, carrying three of the hooded birds upon a perch, and behind the group a clump of trees in dense foliage rises high against a clouded sky through which the sunlight bursts and falls strongly upon the landscape. _Signed at the lower right_, JOHN LEWIS BROWN, 1875. Nº 31 Jean Charles Cazin FRENCH: 1840-1900 _THE ARTIST’S STUDIO--BOULOGNE_ _Height, 5½ inches; length, 8½ inches_ From a rounded hilltop in the foreground, which is covered with rankly growing reeds and low bushes, the vista extends across a rolling country to the horizon, where the level line of the sea meets the sky. In the distance, on the left, a coppice in autumn foliage covers the hillside, and on the right the slopes are broken by patches of cultivated land. A few low, drifting clouds contrast with a high stratum of cirri, through rifts in which is seen the soft luminous summer sky. _Signed at the lower left_, J. C. CAZIN. L. CRIST DELMONICO _Collection, New York_, 1905. Nº 32 Jacob Maris DUTCH: 1837-1899 _SCHEVENINGEN_ _Height, 7½ inches; length, 13½ inches_ It is a breezy day at this famous Dutch watering place and fishing village, and a line of breakers tumbles on the shallow beach and dashes over the hulls of fishing vessels which, with partly lowered sails, are awaiting the fall of the tide. In the foreground on the left is a group of fisher folk, with ladies and gentlemen. Great sunlit cumuli drift across the sky, which is reflected here and there in the shallow pools in the sand. _Signed at the lower right_, J. MARIS. Nº 33 Henri Harpignies FRENCH: 1819- _A DISTANT VILLAGE_ _Height, 9½ inches; length, 15 inches_ From the left foreground a deep and narrow river leads away, between grassy banks, to the middle distance, where it is crossed by a stone bridge with a single arch. Beyond the bridge, which is flanked on the right by an irregular hedge, and on the left by scattered clumps of trees and bushes, is a vista across a meadow to a distant village, dominated by a church with a lofty spire. The sky is covered with a luminous haze in which sunlit scuds are drifting, and the full light of a midday summer sun falls upon the landscape. _Signed at the lower left_, =h’h=ARPIGNIES. Nº 34 Jacob Maris DUTCH: 1837-1899 _HOLLAND LANDSCAPE_ _Height, 8½ inches; length, 14 inches_ A rolling tract of rough land extends away to the horizon, where the sky line is formed by bare hilltops, broken here and there by the branches of leafless trees which grow along a muddy road winding from the right foreground around to the left. A cart drawn by a white horse, accompanied by a peasant, approaches along the road. Large masses of sunlit vapor nearly cover the blue of the sky. _Signed at the lower left_, J. MARIS. _Collection of the late_ GEORGE I. SENEY, _New York_, 1894. Nº 35 Jules Dupré FRENCH: 1811-1889 _THE EDGE OF A FOREST_ _Height, 9½ inches; length, 14½ inches_ A few cows are seen in a small open glade in a large forest, two of them near a large ledge of rock which rises out of the coarse grass on the top of a slight elevation in the left foreground, and two others are drinking in a shallow pool under the trees on the right. A rank of densely growing trees extends across the picture in the middle distance in strong contrast against the luminous blue of the summer sky, in which small lazily floating cumuli are strongly touched by the sunlight, which accentuates the slender trunk of a tree in the middle of the composition, and glints here and there upon the animals, the rock and the grass. _Signed at the lower left_, JULES DUPRÉ. _Collection of the late_ GEORGE I. SENEY, _New York_, 1894. Nº 36 Constant Troyon FRENCH: 1810-1865 _THE OLD FARMHOUSE_ _Height, 9 inches; length, 12½ inches_ In the foreground on the left is a whitewashed roughly thatched cottage, the gable touched by the sunlight as well as the side of a lean-to hovel. To the right of the cottage a number of small fruit trees with gnarled and twisted trunks and branches grow near a straw stack, and beneath them in the sunlight stands the figure of a peasant woman who has apparently been hanging her clothes to dry upon a rough sapling fence. The cottage and the trees are in contrast against a simple, quiet, but luminous sky. The near foreground and the distance, in which is suggested a clump of trees, are in full sunlight. _Signed at the lower right_, C. T. Nº 37 Charles Émile Jacque FRENCH: 1813-1894 _WATERING THE HORSES_ _Height, 8½ inches; length, 11 inches_ In the foreground, strongly illuminated by full sunshine, three horses stand near a shallow pool of water, the nearest one white, the other two gray and brown respectively. On the latter sits a peasant wearing a blue blouse and holding a whip in his hand. In the distance the open field is bounded by an irregular hedge of trees of various sorts, extending nearly to the top of the picture. _Signed at the lower left_, CH. JACQUE. Nº 38 Jean Baptiste Camille Corot FRENCH: 1796-1875 _THE BATHER_ _Height, 10 inches; width, 8 inches_ A partly draped female figure is seated upon a rock, her head turned away and resting upon her left hand, the left elbow being supported upon her right thigh. A black mantle is draped across one knee, and contrasts strongly with the flesh and a white garment which is spread upon the rock. In the background is suggested a tree trunk and a mass of foliage, and the figure is in strong effect of light from the upper right. _Signed at the lower right_, COROT. Nº 39 George Inness, N.A. AMERICAN: 1825-1894 _A MEDFIELD FARM--MASSACHUSETTS_ _Height, 8¾ inches; length, 13¾ inches_ In the foreground three tall elm trees, growing in a stone wall, rise out of the picture, and beyond them, across an enclosed sunlit meadow where a few cows are feeding, is seen on the left the whitewashed gable of a farmhouse, which is almost entirely concealed by lofty rounded trees in rich summer foliage, and which, in strong effect of light and shade, rise high against a cloudy sky. Through an opening in the rank of great trees, which extends across the middle distance, is a vista to a distant horizon across a pleasant wooded country. _Signed at the lower right_, G. INNESS. Nº 40 Alexander H. Wyant, N.A. AMERICAN: 1836-1892 _THE MOUNTAIN ROAD_ _Height, 12 inches; length, 16 inches_ In the left foreground a well-worn country road leads along the crest of a hill in rapidly diminishing perspective to the middle distance, where it disappears among the trees, and apparently descends into a wooded vale at the foot of the hill. Beyond the vale on the right is a broad broken hillside, with here and there trees and cultivated fields, and from the summit of one of the elevations a wreath of white smoke drifts away. The sky is covered with luminous gray clouds, the sunlight struggling to break through here and there, and a few spots of blue show half way to the zenith. _Signed at the lower left_, A. H. WYANT. THOMAS B. CLARKE _Collection, New York_, 1899. Nº 41 Johannes Hendrik Weissenbruch DUTCH: 1824-1903 _A DUTCH PASTURE_ _Height, 8 inches; length, 16 inches_ A broad level pasture, in which a few black and white cattle are feeding, extends from the foreground to the distance, where the horizon line is formed by an irregular row of trees, broken by a windmill and the roofs of farm buildings. From the right foreground a narrow canal runs under a foot bridge, and, reflecting the strong sunlight from the sky, breaks the green expanse of the meadow in a diagonal line to the left. Through rifts in the low floating clouds a warm summer sunlight bursts forth and floods the landscape. _Signed at the lower left_, J. H. WEISSENBRUCH. Nº 42 Ludwig Knaus GERMAN: 1829- _A HAPPY FRÄULEIN_ _Height, 14 inches; width, 11½ inches_ The head and shoulders of a fair-haired young German maiden, the body in profile, the head in three-quarters view to the left, slightly inclined, and the eyes turned toward the spectator. Her wavy hair, tinged with auburn, is brushed back from her forehead and tied in a small knot at the top. Her left arm is bare and her hand held to her bosom, and the flesh is in contrast against a short-sleeved black velvet bodice, trimmed with lace, which falls over the upper arm. The background is a graded tone of gray green. _Signed at the lower left_, L. KNAUS, 1899. Nº 43 J. L. A. T. Géricault FRENCH: 1791-1824 _STABLE INTERIOR_ _Height, 13¼ inches; width, 10½ inches_ A study of two short-tailed iron gray horses, standing side by side in stalls, their feet buried to the fetlocks in the straw litter. The heads of the animals are not shown, and the blankets which they wear have been folded over their fore quarters. _Signed at the lower right_, GÉRICAULT. Nº 44 Jan Havicksz Steen DUTCH: 1626-1679 _THE MERRY COUPLE_ _Height, 11 inches; width, 9 inches_ In a rustic interior in Holland a peasant girl is seated, holding in her lap a pewter porringer, resting her right elbow on a barrel. Beside her sits her peasant lover, playing some prank at which both are heartily laughing. In the gloom of the interior in the background are seen a hooded chimney-place with a fire on the hearth, and a curtained bed. A square-shouldered gin bottle and a thick pancake stand on the head of the barrel beside the girl, and various articles of domestic use are hung in the fireplace and on the walls. _Signed at the upper right_, JSTEEN. _Collection of_ P. C. HANFORD, _New York_, 1902. Nº 45 Theophil H. de Bock DUTCH: 1850-1904 _THE POOL IN THE PASTURE_ _Height, 9¾ inches; length, 19¼ inches_ A shallow pool in which grow rushes and water weeds extends across the foreground to the middle distance, where it is bounded by the low, broken bank of a meadow, against which are clumps of tall reeds and where a skiff, with a single figure in a blue blouse, is moored to a stake. Beyond the meadow on the left rises a sand hill, crowned with poplars and other trees, and on the right is the corner of a large wood growing on a grass covered slope, with here and there patches of sand and outcropping ledges. The sky is covered with a mass of luminous vapor. _Signed at the lower right_, TH. DE BOCK. Nº 46 George Poggenbeek DUTCH: 1853-1903 _DUTCH MEADOWS_ _Height, 11½ inches; length, 19½ inches_ The motive for this picture was found in the broad pasture meadows of Holland, where narrow canals run through the land, and here and there trees break the monotony of the surface and the grass is dotted with feeding cattle. A narrow ditch, partly filled with growing rushes, reflects, in the foreground, the light of the sky, and near it, on the right, a few black and white Dutch cows are lying on the grass. Beyond, in the middle distance, the gleam of water shows the line of a canal, and on the right a lofty tree, dominating a row of pollarded willows, rises high against the sky, which is filled with quietly drifting cumuli. _Signed at the lower left_, G. POGGENBEEK. Nº 47 Henri Harpignies FRENCH: 1819- _THE BIRCHES_ _Height, 19 inches; width, 16 inches_ A clump of graceful, slender white birches grow on a grassy bank near a narrow path in a broken park-like country, where open glades alternate with huge trees in heavy foliage. On the right great beeches rise out of the picture and are in contrast against a quiet, cloudy summer sky. The foreground is in modified shadow, and the sunlight falls upon the middle distance, glinting on the silvery stems of the trees and accentuating the broad masses of the foliage and the grass. _Signed at the lower left_, =h’h=ARPIGNIES, 1863. _From_ ARNOLD & TRIPP, _Paris_. Nº 48 J. Francis Murphy, N.A. AMERICAN: 1853- _SUNSET AFTER THE STORM_ _Height, 12 inches; length, 19 inches_ A storm has just swept over a level tract of land, broken here and there by trees and bushes, and the sun, already near the horizon, is sending through the clouds a vivid gleam of light. In the foreground a narrow, irregular pool of water reflects the concentrated sunlight, and near it a single tree, with slender stem and dense rounded foliage, forms a strong contrast, accentuating the focus of the composition. _Signed at the lower right_, J. FRANCIS MURPHY. Nº 49 Henri Harpignies FRENCH: 1819- _A SUMMER DAY_ _Height, 15 inches; length, 22 inches_ From the right foreground a deep, placid stream leads diagonally to the left between low grass-covered meadows, and disappears in the middle distance. Overhanging the water, in the left foreground, are two sturdy old trees, one of them with lopped branches, the other with a tall columnar trunk, rising out of the picture. In the shadow, underneath the nearer tree, is seated a young lady reading a book and evidently enjoying the cool shade. Beyond, in the middle distance, is a succession of cultivated fields divided by hedges, with a single farm building, and here and there isolated trees. A range of low wooded hills forms the horizon line against a simple luminous sky. _Signed at the lower right_, =h’h=ARPIGNIES, ’90. _From_ ARNOLD & TRIPP, _Paris_. _Collection of_ A. BLUMENSTIEL, _New York_, 1906. Nº 50 Charles François Daubigny FRENCH: 1817-1878 _BANKS OF THE MARNE_ _Height, 13½ inches; length, 22½ inches_ Extending across the foreground a quiet sheet of water, its surface broken by the reflections of trees beyond and the tones of the soft summer sky, extends away to the right to the middle distance, where it is bounded by a grassy slope partly covered by low trees. On the left rises a steep bank, crowned by a rank of poplars and lilies, and water weeds and rushes grow in profusion along the shore. A skiff with two occupants floats near the point of the bank, where a fisherman stands apparently waiting to enter the boat. Beyond, the view extends over a wooded country to a distant hillside which forms the horizon, and the lofty sky is covered with a thin veil of luminous mist with scattered low-drifting clouds. _Signed at the lower left_, DAUBIGNY, 1877. _Collection of_ HENRY T. COX, 1902. Nº 51 Willem Roelofs DUTCH: 1814-1894 _SUMMER IN HOLLAND_ _Height, 12½ inches; length, 20 inches_ A peasant is driving a flock of sheep and a single cow along a broad, broken country road, which winds from the middle distance around to the foreground. On either side of the road grow tall elms and other trees, and beyond the flock of sheep, in a passage of full sunlight, stand several thatched cottages along the grass-grown road. The sky is filled with luminous summer clouds, and the haze of early morning softens the distant rank of trees which extends across the composition beyond the cottages. _Signed at the lower right_, W. ROELOFS. Nº 52 Josef Israëls DUTCH: 1824- _WAITING FOR HIS MASTER_ _Height, 17½ inches; width, 11½ inches_ In the foreground stands a rude armchair with a rush bottom, on which are piled various articles of clothing and a workman’s basket. Near the chair, on the right, lies a spotted dog asleep, and beyond, on the hearth of a hooded fireplace, gleams the ruddy flame of a small fire. _Signed at the lower left_, JOSEF ISRAËLS. Nº 53 Théodore Rousseau FRENCH: 1812-1867 _THE PLAIN OF BARBIZON AT TWILIGHT_ _Height, 14½ inches; length, 21 inches_ The sun has disappeared below the horizon and the sky is glowing with ruddy, reflected light, touching the edges of the high-floating clouds and sending a warm glow over the landscape. The motive was found in a flat country, where the horizon is almost as level as the sea, and the irregular ground is broken here and there by rocks, bushes and small pools of water, and by sparsely growing trees. In the left foreground, near a stunted oak tree which grows alongside a muddy road, are dimly suggested in the gloom of twilight figures of peasants with horses and a cart, and on the right a small pool of water reflects the glow of the sky. _Signed at the lower left_, TH. R. Nº 54 Ralph Albert Blakelock AMERICAN: 1847- _GYPSY ENCAMPMENT_ _Height, 14½ inches; length, 25 inches_ In the foreground, seated near a fire which she is attending, crouches a young girl, and on the right two companions, engaged in earnest conversation, are seated on a grassy bank under a clump of moderate-sized trees. The foreground is glowing with warm, modified sunlight, which mystifies the distance and extends over the mass of clouds which covers the sky. _Signed at the lower right_, R. A. BLAKELOCK. Nº 55 J. Francis Murphy, N.A. American: 1853- _A HILLSIDE PASTURE_ _Height, 16 inches; length, 22½ inches_ From a broad marsh in the foreground, where narrow, irregular pools of water reflect the light of the sky, the ground rises in a gentle slope to a rounded hill in the distance, which is broken by a coppice on the summit, and here and there small trees are scattered over the irregular surface. In the middle distance, on the right, a group of slender birches raise their leafless branches against the sky, which is covered with a mass of gray clouds, through which a shaft of sunlight breaks well up toward the zenith. _Signed at the lower right_, J. FRANCIS MURPHY, 1901. _Collection of_ H. WOOD SULLIVAN, _New York_, 1903. Nº 56 Childe Hassam AMERICAN: 1859- _FIFTH AVENUE AND FIFTY-SIXTH STREET--SPRING MORNING_ _Height, 22 inches; width, 20 inches_ On the right a broad sidewalk, overhung by trees, is crowded with people in spring garments, prominent among them young ladies, one of whom, in a yellow dress, leads a small pet dog. On the left, across the street, on which are seen the familiar omnibus, a number of private carriages and a white-garbed street cleaner, rise the lofty façades of residences, dominated by a church spire which extends out of the picture at the top. A flood of sunshine illuminates the sky, the spire and the upper parts of the buildings. _Signed at the lower right_, CHILDE HASSAM, 1900. _Collection of_ H. WOOD SULLIVAN, _New York_, 1903. Nº 57 Charles François Daubigny FRENCH: 1817-1878 _A SHOWERY DAY IN SPRING_ _Height, 15 inches; length, 26½ inches_ A quiet river sweeps around in a gentle curve from the foreground to the right, and along the shore, at the foot of grassy slopes which bound the river, are rows of stakes and poles, suggesting their use as fishing traps. On the left, rising above a thickly growing mass of reeds and rushes, stands a sturdy oak tree, its rounded top rising against a luminous sky filled with thin drifting clouds, catching here and there the diffused light from the sun. Farther away the horizon is formed by the irregular outline of a range of low hills, broken here and there by clumps of trees and farm buildings. The tones of the sky are repeated in the quiet surface of the water, which is broken only by the reflected light on the ripples of the current. _Signed at the lower left_, DAUBIGNY, ’76. Nº 58 Louis Eugène Boudin FRENCH: 1824-1898 _PORT DE ST. VALERY_ _Height, 18 inches; width, 14½ inches_ It is low water in a narrow estuary. In the foreground on the left various small boats are stranded at the end of a wharf, alongside of which lies a bark with furled sails, apparently discharging her cargo. From the right foreground a placid expanse of water extends to the middle distance, where it is bounded by the houses of a small port and a low grass-covered bank crowned by a row of small trees. The sky is covered with thin, rolling masses of vapor, showing here and there small spots of blue, and the landscape is in an effect of broad, diffused sunlight. _Signed at the lower left_, ST. VALERY, E. BOUDIN. Nº 59 Anton Vollon FRENCH: 1833-1890 _STILL LIFE_ _Height, 24¼ inches; width, 17 inches_ A barrel sawn in two, a large iron kettle, a long-handled iron frying-pan, and a rough cask standing on the ground in the sunlight near the corner of a whitewashed building, the door of which is seen on the right of the composition. On the left is suggested a narrow passageway in the gloom of a deep shadow. The different articles are strongly contrasted in light, shadow and texture. _Signed at the lower left_, A. VOLLON. Nº 60 Jean Charles Cazin FRENCH: 1840-1900 _LE DERNIER QUARTIER_ _Height, 25½ inches; width, 21 inches_ Beyond a grassy field, which extends across the foreground, are seen a number of cottages, with lofty tiled roofs, on either side of a large clump of trees, and in the sky the crescent of the moon is just appearing from behind a small cloud which floats near the horizon. In the upper part of the sky an irregular mass of vapor is accentuated by the glow of moonlight, and in the windows of a low cottage overhung by trees is the warm gleam of lamplight, suggesting the rapid approach of darkness. _Signed at the lower right_, J. C. CAZIN. _Collection of_ HENRY T. COX, _New York_, 1902. Nº 61 Louis Eugène Boudin FRENCH: 1824-1898 _UNLOADING THE CATCH_ _Height, 14 inches; length, 23 inches_ A number of large fishing boats have been left on the sandy beach by the receding tide, and the fisher folk are busy unloading one of them into a one-horse cart which has been backed up to her side. Three fisherwomen are seated on the beach near by, and another one, with a small child, stands near the edge of the water alongside the horse, which patiently awaits his load. A few sunlit clouds drift high in the sky and the shimmering expanse of water is flooded by sunlight, the horizon line being nearly lost in the warm glow. In the foreground shallow pools of water in the sand reflect the sky and the masts and hulls of the boats. _Signed at the lower right_, E. BOUDIN, ’86. Nº 62 Jacob Simon Hendrik Kever DUTCH: 1854- _IN THE ORCHARDS_ _Height, 15½ inches; length, 19½ inches._ A Dutch maiden, seated in strong sunlight on a wooden bench in an open orchard, is engaged in sewing on a white garment, at the same time watching a fair-haired little girl who, seated in the grass at her feet, is arranging a bunch of violets which she has just gathered. Beyond the group, in the background, is suggested an orchard filled with small trees in late spring foliage. _Signed at the lower left_, KEVER. Nº 63 Theodore Honrath DUTCH _PLOUGHING_ _Height, 18 inches; width, 13 inches_ In the foreground a peasant is stooping over a rude plough, which is drawn by a single horse, apparently engaged in adjusting the plough shaft, and beyond him a partly cultivated field, in which are seen figures here and there, extends away to the extreme distance, where a few poplars grow and a windmill localizes the scene. The sky is covered with low drifting masses of clouds threatening rain, and near the zenith the sun struggles to break through the vapor. _Signed at the lower right_, THEO. HONRATH. Nº 64 Theophil H. de Bock DUTCH: 1850-1904 _NEAR THE DUNES_ _Height, 12½ inches; length, 23 inches_ In the foreground is a rough tract of land near the edge of a wood, where trees have been felled and the bare trunks are lying on the grass. In the middle distance a single cottage, with whitewashed gable, stands near a rank of lofty trees which mark the corner of the forest, and beyond, in strong sunlight, is a row of sand dunes, forming an irregular skyline against soft summer clouds which cover the sky, the light of the brilliant sun being concentrated on a large cumulus in the middle of the composition. _Signed at the lower left_, TH. DE BOCK. Nº 65 Louis Eugène Boudin FRENCH: 1824-1898 _TROUVILLE_ _Height, 14 inches; length, 23 inches_ This is a view of the harbor of the famous watering-place on the Normandy coast, showing the broad estuary upon which the town is situated, with the lofty façades and roofs of the buildings ranged along a busy quay on the right, and on the left the curved line of a gently sloping grassy bank at the water’s edge, with various boats moored near the shore or drawn up on the beach. Beyond, across a road, on which are several figures, are seen a lofty residence, workshops and the sails of a fishing sloop in silhouette against the quiet luminous sky, which is covered with a thin stratum of summer clouds. _Signed at the lower left_, E. BOUDIN, TROUVILLE, ’97. Nº 66 Hendrik Willem Mesdag DUTCH: 1831- _EARLY MORNING_ _Height, 20 inches; width, 16 inches_ In the near foreground a Dutch fishing boat is anchored in the shallow, gently rippling water near the beach, presumably at some Dutch fishing port. Various members of the crew are standing at the stern, watching two of their companions wading toward the vessel, with the water up to their hips. The shimmering waves of the quiet sea lead the eye away to the distant horizon, the line of which is broken by a few fishing craft. Light clouds drift upward toward the zenith, tinged with the rosy light of dawn, and here and there a few sea-gulls flutter high above the water. _Signed at the lower right_, H. W. MESDAG. _Collection of the late_ GEORGE I. SENEY, _New York_, 1894. Nº 67 Jacob Simon Hendrik Kever DUTCH: 1854- _THE LITTLE NURSEMAID_ _Height, 19½ inches; width, 15½ inches_ A little peasant girl, seated in a high kitchen chair, her feet resting on a foot stove, is holding a young child in her lap, at whom she gazes tenderly, while the infant’s attention is fixed on a black and white kitten lapping milk from an earthen dish on the roughly tiled floor near the chair. To the right of the figures, in the background, is a kitchen table with an earthen pipkin on it. _Signed at the lower right_, KEVER. Nº 68 Theophil H. de Bock DUTCH: 1850-1904 _A COUNTRY ROAD_ _Height, 14½ inches; length, 22½ inches_ A sandy road in which the wagons have made deep ruts, curving away from the middle foreground, is lost between low grassy banks near a cottage in the middle distance, where a single figure is seen. On either side of the road are low, broken slopes, partly covered with grass, and on the summits of these slopes, on either side, grow large trees with heavy foliage, which are in strong contrast against a sky filled with gently floating sunlit summer clouds. Beyond the cottage is a view across a level meadow to a distant low horizon. _Signed at the lower right_, TH. DE BOCK. Nº 69 Nicolaas Bastert DUTCH: 1854- _THE WHITE SAIL_ _Height, 16 inches; length, 23½ inches_ The motive of this picture was found on a quiet waterway somewhere in the Netherlands, where a broad, placid stream flows smoothly between the low banks in a level, well-wooded country. In the middle distance is a sailing craft with a single mast, the sails bellying in the gentle breeze, and reflected, together with the sunlit clouds which drift across the sky, in the quiet waters of the stream. _Signed at the lower right_, N. BASTERT. Nº 70 Jacob Simon Hendrik Kever DUTCH: 1854- _AMUSING THE BABY_ _Height, 18 inches; length, 21 inches_ A little Dutch boy is seated on the roughly tiled floor of a cottage, clasping to his side a young child, who gazes in admiration at a tiny doll with which the boy is trying to amuse her. In the background on the left is suggested a fireplace with a few glowing embers, and on the right is a tall rush-bottomed kitchen chair. _Signed at the lower right_, KEVER. Nº 71 Bernardus Johannes Blommers DUTCH: 1844- _A DUTCH FISHERMAN_ _Height, 28 inches; width, 17½ inches_ This is the full-length figure of a young Dutch fisherman, holding under his right arm a basket, his left arm akimbo, looking down at a pile of fish which he has just thrown on the sandy beach at his bare feet. Beyond him are seen the water rippling on the shoal, and the hulls and the lower parts of sails of fishing vessels rising out of the top of the picture. Wading in water up to his arm-pits, a second fisherman struggles to the shore, carrying on his back a large basket of fish. _Signed at the lower right_, BLOMMERS. Nº 72 Theophil H. de Bock DUTCH: 1850-1904 _AUTUMN_ _Height, 16 inches; length, 23½ inches_ From the right foreground a broad muddy road, deeply rutted by the farmers’ carts, extends away in perspective to the distance, mostly in shadow from a rank of lofty trees overhanging a narrow canal on the left, but touched here and there by a shaft of sunlight which flashes between the great cumulus clouds which cover the sky. A peasant woman is driving a herd of cows along the road toward the distance, and on the right of the group a lofty tree, in autumn foliage and with straggling dead branches, grows on the edge of a broad meadow which extends away to the remote distance, where a line of low hills forms the horizon. _Signed at the lower left_, TH. DE BOCK. Nº 73 E. Watelin DUTCH _COWS IN PASTURE_ _Height, 21½ inches; length, 25½ inches_ In the foreground a white and brown cow stands hoof deep in a pool of water, just about to drink, and a second animal, farther away, is apparently anxious to join the rest of the herd, which is scattered over the rough pasture beyond. On the left a clump of birch trees rise out of the picture, and on the right the vista extends to distant wooded hilltops under a summer sky. _Signed at the lower right_, E. WATELIN. Nº 74 Willem Roelofs DUTCH: 1822-1897 _A FARM IN HOLLAND_ _Height, 18½ inches; length, 29 inches_ In the foreground a narrow foot-bridge spans a canal between two wooden piers, and near it stands a thatched hovel partly surrounded by low trees. Scattered over the meadow on the far side of the canal are several peasant women, engaged in cultivating the land, and farther away a line of low trees, with a single farm building, forms the horizon. The sky is partly covered by thin drifting clouds, touched here and there by the sunlight. _Signed at the lower left_, W. ROELOFS. _Collection of the late_ GEORGE I. SENEY, _New York_, 1894. Nº 75 Josef Israëls DUTCH: 1824- _A DUTCH INTERIOR_ _Height, 20 inches; length, 28 inches_ An old Dutch vrouw, knitting in hand, is seated in a simple cottage interior near a table under a broad window, gazing with interest at a cat which is drinking milk from a shallow earthen basin on the floor. The window is partly covered by thin lace curtains, a tray with tea things stands on the table, and the bonnet of the old woman occupies the seat of a chair on the left. A flood of diffused light from the broad window enters the room, accentuates the objects here and there and fills the shadows with warm reflections. _Signed at the lower left_, JOSEF ISRAËLS. _Collection of_ A. DISBECKER, _New York_, 1898. Nº 76 Willem Carel Nakken DUTCH: 1835- _BUILDING THE RICK_ _Height, 20½ inches; length, 30 inches_ In the left foreground is a partly constructed rick, on the top of which are two farmers, engaged in arranging the sheaves, while a third is handing them from a two-wheeled cart near by, which is drawn by three sturdy farm horses. In the shadow of the rick sits a woman with her faithful dog, and on the right in the distance is a wide field, bounded by a line of low rounded trees. The landscape is in full sunlight and the sky is nearly covered by soft luminous clouds. _Signed at the lower left_, W. C. NAKKEN. Nº 77 Jonannes Martinus Vrolyk DUTCH: 1846-1894 _LANDSCAPE AND CATTLE_ _Height, 21½ inches; length, 34 inches_ In a shallow pool which extends diagonally across the foreground to the left three spotted cows stand knee deep, two of them drinking, and beyond, scattered over a broad, level meadow, bounded in the distance on the right by a large coppice, are other cattle, attended by a single peasant. The sky is covered by luminous clouds, and the warm haze of summer extends over the distant landscape. _Signed at the lower right_, JAN VROLYK FT., ’89. Nº 78 Jacob Simon Hendrik Kever DUTCH: 1854- _PLAYMATES_ _Height, 23 inches; length, 31½ inches_ A little Dutch girl, with a young child in her charge, is seated in the sunlight upon the rich grass of an orchard, and near them stands a white goat, which a lad is fastening to a stake by a cord. The warm light of midsummer falls upon the group, touching here and there the figures of the children and the goat, flecking the blossoms and leaves of the fruit trees in the background, and making strong contrasts of light and shade on the richly growing grass under the trees. _Signed at the lower right_, KEVER. Nº 79 Josef Israëls DUTCH: 1824- _AN OLD MAN WALKING_ _Height, 33½ inches; width, 23 inches_ This is the full-length figure of an old man, dressed in rather shabby clothes and walking toward the spectator, his left hand resting on a short stick and his right hand extended as if gesticulating. His head is in three-quarters view to the left, strongly lighted from the upper left, and the background is a broken tone of gray. _Signed at the lower right_, JOSEF ISRAËLS. Nº 80 Albert Neuhuys DUTCH: 1844- SUNLIGHT _Height, 33½ inches; width, 24 inches_ In the rich grass near the doorway of a cottage a little Dutch girl is seated, plucking the petals from a bunch of flowers which she holds in her lap, while a tame goat, tethered to the tree under which the child sits, crops the herbage. In the gloom of the cottage interior is seen the mother, in characteristic costume. Strong sunlight touches the foliage of the tree, casts luminous shadows on the wall of the house, accentuates the figure of the child, and flecks here and there the grass. _Signed at the lower right_, ALBERT NEUHUYS F. Nº 81 François Pieter Ter Meulen DUTCH: 1843- _A SHEPHERD AND HIS FLOCK--WINTER_ _Height, 24 inches; length, 36½ inches_ An old shepherd, half surrounded by his sheep, is leading his flock along a snow-covered road over the brow of a hill, presumably toward a distant shelter. The animals, discouraged by the cold, keep stolidly on their way, and the sheep dog, following his master, plods along alert, but not active. On the left a rough wooden fence bounds a bit of waste ground, which forms the horizon against a wintry sky glowing with the light of the setting sun. _Signed at the lower left_, TER MEULEN. Nº 82 Constant Troyon FRENCH: 1810-1865 _THE FERRY_ _Height, 25½ inches; length, 32 inches_ In the foreground a large flat ferryboat, carrying a horse and cart, several peasants and four cows, has just reached the landing on a low muddy shore, and a horseman and two cows, which have apparently just left the boat, are seen on a sloping roadway which leads to the village on the bank farther away. On either side the placid stream are lofty poplars and other trees, partly in sunlight and partly in shadow, and a barge, with a single sail and bearing the French flag, quietly drifts down the stream. The time is early sunset, and the disk of the full moon is seen high in the simple quiet sky. _Inscribed at the lower left_, VENTE TROYON. Nº 83 Charles François Daubigny FRENCH: 1817-1878 _SPRINGTIME_ _Height, 26 inches; length, 37 inches_ In the foreground is the corner of an orchard with several apple trees in full fruit, dominated by a tall beech, which rises with rounded top high against a cloudy sky. On the right the orchard is bounded by a depression which is filled with flowering shrubs, and beyond, the view extends across a cultivated field to a hedge in which stands a poplar and another tree. The light in the sky is concentrated near the middle of the composition, and sunlight falls strongly upon the near foreground, the distant cultivated field, and gleams upon the wings of the birds soaring high above the earth. _Inscribed at the lower right_, VENTE DAUBIGNY. Nº 84 Nicolaas Bastert DUTCH: 1854- _A RIVER VIEW IN HOLLAND_ _Height, 25½ inches; length, 38½ inches_ A whitewashed farmhouse stands in a low meadow near a broad canal on the right of the composition, surrounded by pollarded willows and other trees. A small boat with a single oarsman is just leaving the shore at a rude landing near the farmhouse, and in the distance a number of peasants are seen at work in a cultivated field, their white garments gleaming in the sunlight. The quiet waters of the canal reflect the opposite shore, with its row of poplars and long farm buildings, and in the immediate foreground the trees and the cottages are mirrored in the still water. Great sunlit cumuli lazily float high up in the clear sky, and are reflected here and there in the canal. _Signed at the lower left_, N. BASTERT. Nº 85 J. H. Wijsmuller DUTCH: 1855- _THE LOCK IN WINTER_ _Height, 26½ inches; length, 40 inches_ A broad canal in the middle distance is closed by a lock with curious windlasses surmounting the piers on either side. On the left is a row of houses in perspective along a road partly covered by snow, and on the right in the foreground is a double brick farmhouse with out-buildings surrounded by tall, leafless trees growing out of the low snow-covered canal bank. The sun has already set, and the glow of evening is concentrated at the horizon, where a few clouds gather, and is, together with the houses, trees and other objects, reflected in the quiet waters of the canal. _Signed at the lower right_, J. H. WIJSMULLER. Nº 86 Willem Maris DUTCH: 1844- _UNDER THE WILLOWS_ _Height, 50 inches; width, 34 inches_ A row of pollarded willows, with several taller trees rising high against the summer sky, grow upon the low grassy bank of a shallow waterway. A herd of cows, some of them on the bank, others cooling themselves in the water, are watched by a peasant, who stands under the trees, and beyond, down the broad canal, which is half choked with bunches of reeds and water-weeds, a vista extends to a mysterious distance under a lofty summer sky with great drifting sun-tipped cumuli. _Signed at the lower right_, WILLEM MARIS. Nº 87 Willem Roelofs DUTCH: 1822-1897 _PASTURE NEAR THE DUNES_ _Height, 34 inches; length, 55 inches_ Extending across the foreground, a placid expanse of water reflects the sky, the distant dunes, the deep foliage of trees and the forms of cattle feeding on the pasture beyond. On the left a great clump of sunlit rounded trees raise their lofty crowns against the sky, and in the distance, across a broad marshy meadow, is a level line of sand dunes broken by irregular masses of verdure, terminated on the extreme right by a steep tree-clad slope, and showing beyond it a second line of dunes in the distance. Great rounded sunlit clouds float low in the sky, suggesting a quiet day in full midsummer. _Signed at the lower left_, W. ROELOFS. Nº 88 Hendrik Willem Mesdag DUTCH: 1831- _THE FISHING FLEET_ _Height, 24½ inches; length, 52 inches_ Near the foreground on the right a large fishing-boat, with sails partly lowered and the nets hoisted to the masthead, is stranded in the shallow water. The fishermen are unloading the catch, wading through the water and carrying the heavy baskets on their shoulders. To the left, and beyond, other craft are lazily drifting on the quiet water, which is broken near the shore by long lines of low breakers, and the view extends across the shimmering sea to where the horizon is lost in the summer mist, broken only by the shadows of the shapes of distant vessels. Small scuds drift across the sky, glowing with the warm light of the sun, which is far below the horizon. _Signed at the right_, H. W. MESDAG, 1874. Nº 89 Paul Joseph Constantin Gabriel DUTCH: 1828- _IN THE CORNFIELD_ _Height, 26 inches; length, 40 inches_ A broad wheat field has been reaped and the corn stacked in a long rank ready for threshing. A cart, upon which two men are loading the sheaves, forms the central object in the composition, and is in strong contrast against a turbulent sunlit sky beyond. On the right of the field is a piece of waste ground bounded by a hedge of low bushes and trees, around which flutters a flock of birds. Great masses of rolling clouds partly cover the sky, their edges touched by the sunlight, their shape and character threatening a succession of wind and rain storms. _Signed at the lower left_, GABRIEL. Nº 90 George Herbert McCord, A.N.A. AMERICAN: 1840- _EVENING IN THE HARBOR_ _Height, 22 inches; length, 27 inches_ In the foreground, on the right, a square-rigged vessel and two fore-and-aft craft are moored to a quay, and several small boats with oarsmen float nearby. On the left the estuary extends away to the distance, where the buildings of a hillside town are seen on one side, and a grassy slope with scattered cottages leads down to the water on the other. Two fishing vessels are drifting on the water in the middle distance, their sails glowing with the light of the sun, which is just disappearing behind the houses of the town. The warm sunset glow touches the edges of high drifting clouds, which nearly touch the sky, fills the shadows with luminous reflections and is re-echoed in the ripples of the water. _Signed at the lower right_, G. H. MCCORD, A.N.A. _Collection of_ GEORGE N. TYNER, _New York_, 1901. Nº 91 G. Sartori ITALIAN _A CANAL IN VENICE_ _Height, 27½ inches; length, 39½ inches_ A broad rippling canal leading from the foreground in perspective to the middle distance, passing under a lofty brick bridge with a single span, is narrowed between tall houses, and enters the broad open water beyond. A number of fishing boats with colored sails are moored to the banks on either side, and on the quay on the left, in the broad shadow of the sun, which is already low in the heavens, are numerous women with white shawls, mantilla-wise over their heads and shoulders, and numerous fishermen near the base of a tall flagstaff. _Signed at the lower left_, G. SARTORI. Nº 92 Georgio Belloni ITALIAN Contemporary _AN ITALIAN GARDEN_ _Height, 27 inches; length, 40 inches_ This is a view across a sloping, richly cultivated garden, presumably on the Riviera, to a broad wooded hillside beyond, where villas and other residences are scattered about among the trees. In the near foreground, on their way down to the shade of fruit trees on the slope below, a nursemaid is directing the steps of a small child between the rows of artichokes. The warm southern sun strikes full upon the landscape, throwing the foreground into luminous shadow, and broadly illuminating the hillside beyond and the rolling masses of cumuli which appear over its crest. _Signed at the lower right_, GBELLONI. Nº 93 Georgio Belloni ITALIAN Contemporary _THE HARBOR AT GENOA_ _Height, 29½ inches; length, 40 inches_ A broad quay with a line of railroad track crosses the composition diagonally from the foreground to the left, and beyond is a view across a wide harbor to a large and prosperous town extending over hillsides from left to right. Along the quay from the left in a wide sweep to the distance are numbers of steam vessels and sailing craft of all sorts and descriptions, and a few steam launches and other boats are scattered over the water. A peasant in a blue blouse sits patiently fishing on the edge of the quay in the foreground, watching a small boat as it approaches the landing. The sky is covered with drifting masses of gray clouds, the light on which is concentrated near the horizon on the right, where the towers and roofs of the town are in silhouette against it. _Signed at the lower left_, GBELLONI. Nº 94 A. Milesi ITALIAN Contemporary _A MARKET SCENE IN VENICE_ _Height, 30½ inches; length, 41 inches_ This is a study of a characteristic shop in a Venetian street where eatables of every kind are sold. On the left stands on a scaldino a steaming kettle, and near it salt codfish are displayed. Under a rough wooden awning stand barrels full of herring, a suspended chicken, boxes of oranges and other fruit, and standing near the fruit is a young girl, apparently examining the wares or bargaining with the grocery man. Signed at the lower right, A. MILESI, VENEZIA, 1894. AMERICAN ART ASSOCIATION, MANAGERS. THOMAS E. KIRBY, AUCTIONEER. Transcriber's Notes: A catalogue number of 81 has been added to the index entry for TER MEULEN. Italics are shown thus: _sloping_. Variations in spelling and hyphenation are retained. Perceived typographical errors have been changed. *** END OF THE PROJECT GUTENBERG EBOOK CATALOGUE OF VALUABLE PAINTINGS AND WATER COLORS MOSTLY OF THE MODERN DUTCH SCHOOL, FORMING THE PRIVATE COLLECTION OF A. AUGUSTUS HEALY, ESQ., BROOKLYN *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.