The Project Gutenberg eBook of Australia—Fortune land This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Australia—Fortune land Author: Roderick O'Hargan Release date: January 15, 2023 [eBook #69803] Language: English Original publication: United States: Doubleday, Page & Co Credits: Roger Frank and Sue Clark *** START OF THE PROJECT GUTENBERG EBOOK AUSTRALIA—FORTUNE LAND *** AUSTRALIA--FORTUNE LAND By Roderick O’Hargan Author of “The Forty-Niners,” “The Comstock Lode,” etc. Though the Government officials hushed up the discovery, fearing that it might lead to an “utter disorganization of society,” gold will out--and when it came out Australia experienced a stampede of the wildest sort, with nuggets of wondrous size and fortunes picked up overnight. There was a celebration at the Stag’s Head saloon, Downieville, Sierra County, California. A dozen or more gold-seekers from the nearby bars on the Yuba River were on hand to say good-by to “Sailor” Hargraves. The great California gold rush of 1849 was approaching its crest. “The City,” as San Francisco was known throughout the diggings, was overflowing with wealth. Crowds of red-shirted miners from the creeks, anxious to exchange their dust for something--anything--anything that caught their eye--met and mingled with the vast horde of adventurers drawn from all parts of the world. From the over-taxed saloons came the droning cry, “Money on the bar,” indicating a lucky man inviting the world to celebrate with him. Even Downieville, born only a few months before, was bubbling with excitement. The guest of the evening, Edward Hargraves, was returning to Australia with the avowed intention of discovering a goldfield even greater than that of California. Like many others, he had come hotfoot to the California diggings one year before. He had not been successful as a miner, this soldier, sailor and bushman. Perhaps he was more of a talker than a worker. He certainly had a flair for the theatrical and was given to boasting of Australia. Half a century before this little farewell celebration took place, England’s political heads were puzzling over what to do with a huge island in the Southern Seas. A penal colony! Good idea! So for fifty years she had dumped her convicts there--some cut-throats of the lowest type, others misguided idealists who had queer political views. As a result about one-half of the population of Australia were either convicts or “emancipists”--the latter, convicts who had served their terms but were not permitted to return to the motherland. “Even if you did discover a goldfield in Australia, Hargraves, that old queen of yours wouldn’t let you have the gold,” an emancipist from Australia sneered, while Hargraves boasted. “Queen Victoria, God bless her, will be informed that I have discovered a great goldfield and will make me one of her Gold Commissioners and perhaps afterward a peer of the realm,” Hargraves replied, striking an attitude. Curiously enough a large part of this childish boast was destined to come true! Arrived in Sydney, New South Wales, Hargraves tried to induce old friends and acquaintances to put up funds for him to make an expedition into the “back-blocks” to discover a goldfield. He pointed out that he had just come from California and was an expert at both discovering and washing gold. His friends refused to put their money into such a wild speculation. Nothing daunted, he invested the few dollars that represented all his capital in a saddle horse. He then rode across the Blue Mountains, through Bathurst, to Guyong, where he picked up a native guide and plunged into the wilderness. About fifteen miles from the settlement, at a point on Lewis Pond’s Creek, a tributary of the McQuarie River, the two men prepared their first meal. Having eaten, Hargraves, probably regretting that he had no larger audience, informed the native of the object of their expedition. The eyes of the “blackfellow” bulged with excitement. This slight encouragement was sufficient to cause Hargraves to get to his feet. “Right where we are now resting is a goldfield,” he announced. “It is all about us. I will prove it to you.” He took a dishpan and washed a pan of dirt. It showed a few grains of gold! In all he washed five pans in rapid succession and four of them showed colors. Later he admitted that his talk had been bluff; he had only hoped that gold was there! A few weeks later, Hargraves walked into the office of the Honorable Deas-Thompson, Colonial Secretary, at Sydney, and opened a mysterious paper package. The official was in a cheerful frame of mind. He listened to his visitor with patience and good humor. “By Jove, my man, it is gold!” he finally exclaimed, adjusting his eyeglasses. “I believe your story. I will have it investigated.” * * * * * Hargraves’ dramatic discovery was not the first time gold had been talked of in Australia. Nearly thirty years before, one of the convicts at Botany Bay showed a specimen of gold-splashed quartz he claimed he had found. When asked to show the place of discovery, he was unable to find it again and was awarded one hundred and fifty lashes for his “deception.” A few years later a gang of convicts building a road through the Blue Mountains found a number of gold specimens, but the news was promptly suppressed because it was feared that the convicts would get out of hand. In 1841, ten years before Hargraves returned from California, a bushman named Adam Forres found a good size nugget and showed it to W. B. Clarke, a geologist. Clarke took it to Governor Gipps, who dismissed the matter by saying, “Put it away, Mr. Clarke, put it away, or we shall all have our throats cut.” Clarke thereupon advised his friends, who were excited about the find, that he would not make it public as he feared it might lead to the “utter disorganization of society.” The investigation of Hargraves’ discovery promised by Secretary Deas-Thompson took place. Again the official mind was stubborn! “I can see no evidence whatever of the precious metal in the district indicated,” Mr. Stutchburg, the Government geologist, reported. But Hargraves was so earnest and so insistent that the geologist made a second visit and watched Hargraves wash out a dozen pans of dirt, several of which showed a string of colors. Moreover, half a dozen men who had caught the trick from “the forty-niner” were panning on the creek and showing colors in pan after pan. The geologist was forced to admit the gold was there. The news was reported in the press. The stampede was on! What a Government geologist said or thought did not matter now; he was brushed aside like a chip in the wind. Within a few days four hundred amateur miners were milling around the spot where Hargraves had washed his historic pan of dirt. Before Hargraves’ find was fully accepted, two new fields were discovered, one on the Turon River and another on the Abercrombie, and these were followed almost immediately by the “Kerr strike.” At a little sheep station on the banks of the Merro River, a “blackboy” horsebreaker, idly chipping at a quartz boulder, struck harder than he had intended and split the rock, revealing to his astonished gaze a core of solid gold bigger than his fist. Two other similar boulders were promptly broken up, bringing to light even larger chunks of solid gold. One of these, had it remained unbroken, probably would have been the biggest sample of native gold in the world. The news ran through Australia like wildfire. Within a few weeks from almost every point of the compass reports of new discoveries were coming in, one on the heels of the other. There were: Clunes on July 8th Buninyong on August 8th Anderson’s Creek on August 11th Ballarat on September 8th Mount Alexander on September 10th Broken River on September 29th Four of these discoveries became great producers. Mount Alexander, for instance, produced more than ten thousand ounces of gold in the first fifteen days of existence. Any man with a spade and tin dish could be a successful miner. Indeed, few knew anything of mining, shown by the fact that many claims were abandoned and re-abandoned only to yield fortunes to second and third comers. One such abandoned claim, the “Poor Boy” at Eureka, yielded a nugget of pure gold weighing over six hundred ounces. In another instance, a pillar of earth, left as a support in a deserted claim at Bendigo, calved a nugget weighing more than five hundred ounces. The effect of these discoveries was two-fold; to the officials, it was a calamity; to the masses, it was a windfall. The officials saw in it only a possible uprising of the convicts and demoralization of the laboring classes. The Commissioner of Lands at Bathurst, hearing of Hargraves’ activities, sent a special message to the governor advising “that steps be taken to prevent the working classes from deserting their regular employment for the goldfields.” Gold, to the masses, spelled quick fortunes and trade revival. Australia had been passing through a period of great commercial depression. People were drifting away, especially to California. The gold strike was a lifesaver. First timidly, then boldly, committees of wealthy citizens offered cash rewards for gold discoveries. Men, women and children gave part or all of their time to the search, often looking in the most unlikely places, yet sometimes not without results. A stagecoach driver in his spare time found the Ding-Dong deposits and realized a fortune. * * * * * It was as if some electric shock ran through every town, village and house in Australia. Almost the entire male population poured along the roads that led to the goldfields. Men forsook their ordinary vocations. The shearer left the sheep station; the driver his team; lawyers and even judges forsook their courts; the merchant his counting-house, and the clerks their desks. Geelong, Melbourne and Sydney became almost empty towns. In Hobson’s Bay on January 6th, 1852, there lay forty-seven merchant ships abandoned by their crews, who had set out for the goldfields to wash a fortune out of a tin dish. The police resigned in scores; even warders in lunatic asylums left their patients. Business reached a standstill. Schools were closed. In some places not a man was left. At Melbourne, out of forty-four constables, only two remained on duty. The governor issued a circular to department heads in Sydney, asking how they were affected by the gold “disturbance.” The police chief reported, “Although a great increase of pay has been offered, fifty of my fifty-five constables have gone to the goldfields.” The postmaster, “An entire disruption has taken place in this department and immediate measures must be taken.” The harbor master reported, “I have only one man left.” Society was cast into the melting pot; all disappeared over the rim of the horizon in a breathless race to where they had been told gold nuggets were being dug up like potatoes. Thus had the whisper of gold risen to a shout of gold, and it ran round the world and turned the stems of ships on every sea toward Australia. It was the day of the clipper ships of New England, and their skippers went after this new trade with Yankee keenness. During this time passenger traffic between Australia and San Francisco was greater than it has ever been since--Australians stampeding to California and Californians rushing to Australia. In five months eleven thousand immigrants passed through the principal Australian ports. In the next four years over four hundred thousand immigrants arrived, almost all drawn there by the lure of gold. After the first rush to the diggings had subsided the cities began to fill up again. Supplies for the new mining camps became a commercial factor, and this, together with the handling of the horde of overseas stampeders, caused a big expansion in business. Then when the miners began to take their vacations from the diggings, these Australian cities, formerly quiet sheep towns, experienced their first period of rushing business and wild extravagance. The lucky diggers became the outstanding figures of local society. Their wagerings at the race track or gaming table put former plungers into the shade. They imported the world’s best race-horses, the world’s largest diamonds, and built fine homes. Until that time the wealthy in Australia were almost exclusively the “official” class, aristocrats from England, but with the coming of gold men rose from poverty to wealth almost overnight and the old social lines were thrust aside. The forceful and hard-fisted bosses of the mining camps became the leaders and dominators of commerce, finance and society. As in American get-rich-quick communities, a plague of human parasites began to infest these easy-money centers. Bands of bushrangers sprang into existence and preyed upon the traffic between the goldfields and the cities, but the authorities, if slow, were sure. They stamped out crime with a deadly thoroughness that cowed the rough element. Hold-up--“robbery under arms” it was called--was a crime punishable by death. Australia’s period of lawlessness, in many ways romantic and interesting, was of short duration. The citizens formed no Vigilance Committees. Putting down crime was left to the Mounted Police, and they made a good job of it. * * * * * The returns in the first few months after gold was discovered made a dazzling record. The first dolly set rocking at Golden Point yielded four and one-half pounds of gold in two hours. At Canadian Valley, in the same district, the wash and rubble yielded an average of about thirty-five pounds weight of gold per claim. At Blacksmith’s Hole, on the Canadian River, one party of mates in one day obtained over fifteen hundred dollars per man, the average of the claim being one ounce of gold to every bucket of earth. This claim was worked twice after being abandoned and in all yielded more than one ton in weight of the precious metal. From one fraction, only twelve feet by twelve feet, at Gravel Bend, one hundred and twenty-five pounds weight of gold was taken out in less than thirty days. Another syndicate of eight men, working nearby, pocketed one hundred and seventy-five thousand dollars. The Prince claim was leased for one week and yielded about eighty thousand dollars; then, for a two-week period, yielding forty-five thousand dollars. Before the end of the year 1851 over thirty thousand miners were working in the Victoria goldfields. In the following year this province alone yielded gold to the value of forty-eight million dollars, and in the succeeding year one hundred and five million dollars, and this golden flood spelled prosperity to the whole of Australia. Australia too, startled the imagination of the world by the large size of the chunks of gold occasionally found. For several years the industry of mining was mostly a matter of luck. It was a tenderfoot’s paradise. Barbers had equal chance with geologists, and jockeys with experienced miners. There is no other example in the history of mining such a succession of great nuggets. One expert has made a calculation of the world’s famous nuggets, one hundred and fifty in number. Of these one hundred and nineteen were found in Australia, the United States trailing along a poor second with only nine. The “Welcome Stranger” nugget, found at Dunolly, only a few inches below the surface, was a block of gold twenty-four inches long and ten inches thick and yielded two thousand, two hundred and forty-eight ounces of pure gold, valued at just under forty-nine thousand dollars. The “Welcome” nugget, found at Ballarat, weighed two thousand, two hundred and seventeen ounces and was sold for forty-six thousand dollars. The “Blanche Barkly,” picked up at Kingower, at a depth of only fifteen feet, yielded seventeen hundred and forty-three ounces and was worth thirty-four thousand dollars. Another, weighing sixteen hundred and nineteen ounces, was part of a small rock slide that rolled into Canadian Gully. This nugget was picked up by a widow just out from England and forthwith sold for twenty-six thousand dollars. This fortunate woman was of the stuff that make real pioneers. She had a family to support and, hearing of the Australian goldfields, she stowed her family aboard a sailing ship and came--and in the fifties a voyage more than half way around the world was no picnic. It could be said of her in truth, “She came; she saw; she conquered”--for the finding of this nugget was only the beginning. “What any man can do, I can do,” she said, and she did, both in Australia and in England, where, for thirty years after, she was a power in financial and social circles. And what of the original stampeders? Few of the world’s adventurers have been more suitably rewarded than was Edward Hammond Hargraves, officially recognized as the discoverer of gold in Australia. He gained wealth, a good position and a title, wore showy uniforms and became a public functionary, surrounded by an army of satellites. He received the appointment of Commissioner of Crown Lands. The British Government bestowed upon him a gift of fifty thousand dollars. The Government of Victoria a gift of twenty-five thousand dollars. New South Wales gave him a life pension of two thousand five hundred dollars per annum. Hargraves became a great man. Of the others, Thomas Hiscock, who discovered Ballarat, died before he enjoyed much material reward. Harry Frenchman, discoverer of Golden Gully at Bendigo, became a wealthy woolman. Fortescue, the brilliant emancipist attorney, tossed away a fortune in the cause of his oppressed brethren in Ireland, but died poor. Marshal owned race-horses, envied alike by English peers and South African magnates. Nat Bayley and Charles Ford, the pair who later found gold in Western Australia, retired with great wealth. The Australian gold rush must be reckoned among the world’s great stampedes, one which yielded huge prizes to the few and good prizes for nearly all who had the high courage and cool foresight to take a chance. [Transcriber’s Note: This story appeared in the June 5, 1921 issue of The Frontier magazine.] *** END OF THE PROJECT GUTENBERG EBOOK AUSTRALIA—FORTUNE LAND *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.