The Project Gutenberg eBook of The Lane That Had No Turning, Complete
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Lane That Had No Turning, Complete

Author: Gilbert Parker

Release date: November 18, 2004 [eBook #6241]
                Most recently updated: December 29, 2020

Language: English

Credits: Produced by David Widger


*** START OF THE PROJECT GUTENBERG EBOOK THE LANE THAT HAD NO TURNING, COMPLETE ***



Produced by David Widger





THE LANE THAT HAD NO TURNING

By Gilbert Parker



CONTENTS

     Volume 1.
     THE LANE THAT HAD NO TURNING

     Volume 2.
     THE ABSURD ROMANCE OF P'TITE LOUISON
     THE LITTLE BELL OF HONOUR
     A SON OF THE WILDERNESS
     A WORKER IN STONE

     Volume 3.
     THE TRAGIC COMEDY OF ANNETTE
     THE MARRIAGE OF THE MILLER
     MATHURIN
     THE STORY OF THE LIME-BURNER
     THE WOODSMAN'S STORY OF THE GREAT WHITE CHIEF
     UNCLE JIM
     THE HOUSE WITH THE TALL PORCH
     PARPON THE DWARF

     Volume 4.
     TIMES WERE HARD IN PONTIAC
     MEDALLION'S WHIM
     THE PRISONER
     AN UPSET PRICE
     A FRAGMENT OF LIVES
     THE MAN THAT DIED AT ALMA
     THE BARON OF BEAUGARD
     THE TUNE McGILVERAY PLAYED




The Right Hon. Sir Wilfrid Laurier G.C.M.G.

Dear Sir Wilfrid Laurier, Since I first began to write these tales in
1892, I have had it in my mind to dedicate to you the "bundle of life"
when it should be complete. It seemed to me--and it seems so still--that
to put your name upon the covering of my parcel, as one should say, "In
care of," when it went forth, was to secure its safe and considerate
delivery to that public of the Empire which is so much in your debt.

But with other feelings also do I dedicate this volume to yourself. For
many years your name has stood for a high and noble compromise between
the temperaments and the intellectual and social habits of two races;
and I am not singular in thinking that you have done more than most
other men to make the English and French of the Dominion understand each
other better. There are somewhat awkward limits to true understanding as
yet, but that sympathetic service which you render to both peoples,
with a conscientious striving for impartiality, tempers even the wind of
party warfare to the shorn lamb of political opposition.

In a sincere sympathy with French life and character, as exhibited in
the democratic yet monarchical province of Quebec, or Lower Canada
(as, historically, I still love to think of it), moved by friendly
observation, and seeking to be truthful and impartial, I have made this
book and others dealing with the life of the proud province, which a
century and a half of English governance has not Anglicised. This series
of more or less connected stories, however, has been the most cherished
of all my labours, covering, as it has done, so many years, and being
the accepted of my anxious judgment out of a much larger gathering, so
many numbers of which are retired to the seclusion of copyright, while
reserved from publication. In passing, I need hardly say that the
"Pontiac" of this book is an imaginary place, and has no association
with the real Pontiac of the Province.

I had meant to call the volume, "Born with a Golden Spoon," a title
stolen from the old phrase, "Born with a golden spoon in the mouth"; but
at the last moment I have given the book the name of the tale which is,
chronologically, the climax of the series, and the end of my narratives
of French Canadian life and character. I had chosen the former title
because of an inherent meaning in it relation to my subject. A man born
in the purple--in comfort wealth, and secure estate--is said to have the
golden spoon in his mouth. In the eyes of the world, however, the phrase
has a some what ironical suggestiveness, and to have luxury, wealth, and
place as a birthright is not thought to be the most fortunate incident
of mortality. My application of the phrase is, therefore, different.

I have, as you know, travelled far and wide during the past seventeen
years, and though I have seen people as frugal and industrious as the
French Canadians, I have never seen frugality and industry associated
with so much domestic virtue, so much education and intelligence, and so
deep and simple a religious life; nor have I ever seen a priesthood at
once so devoted and high-minded in all the concerns the home life
of their people, as in French Canada. A land without poverty and yet
without riches, French Canada stands alone, too well educated to have a
peasantry, too poor to have an aristocracy; as though in her the ancient
prayer had been answered "Give me neither poverty nor riches, but feed
me with food convenient for me." And it is of the habitant of Quebec,
before a men else, I should say, "Born with the golden spoon in his
mouth."

To you I come with this book, which contains the first thing I ever
wrote out of the life of the Province so dear to you, and the last
things also that I shall ever write about it. I beg you to receive it as
the loving recreation of one who sympathises with the people of who you
come, and honours their virtues, and who has no fear for the unity, and
no doubt as to the splendid future, of the nation, whose fibre is got of
the two great civilising races of Europe.

Lastly, you will know with what admiration and regard I place your
name on the fore page of my book, and greet in you the statesman, the
litterateur, and the personal friend.

        Believe me,
          Dear Sir Wilfrid Laurier,
             Yours very sincerely,
               GILBERT PARKER.

20 CARLTON HOUSE TERRACE,   LONDON, S. W.,
     14th August, 1900.




INTRODUCTION

The story with which this book opens, 'The Lane That Had No Turning',
gives the title to a collection which has a large share in whatever
importance my work may possess. Cotemporaneous with the Pierre
series, which deal with the Far West and the Far North, I began in
the 'Illustrated London News', at the request of the then editor, Mr.
Clement K. Shorter, a series of French Canadian sketches of which
the first was 'The Tragic Comedy of Annette'. It was followed by 'The
Marriage of the Miller, The House with the Tall Porch, The Absurd
Romance of P'tite Louison, and The Woodsman's Story of the Great White
Chief'. They were begun and finished in the autumn of 1892 in lodgings
which I had taken on Hampstead Heath. Each--for they were all very
short--was written at a sitting, and all had their origin in true
stories which had been told me in the heart of Quebec itself. They were
all beautifully illustrated in the Illustrated London News, and in their
almost monosyllabic narrative, and their almost domestic simplicity,
they were in marked contrast to the more strenuous episodes of the
Pierre series. They were indeed in keeping with the happily simple and
uncomplicated life of French Canada as I knew it then; and I had perhaps
greater joy in writing them and the purely French Canadian stories that
followed them, such as 'Parpon the Dwarf, A Worker in Stone, The Little
Bell of Honour, and The Prisoner', than in almost anything else I have
written, except perhaps 'The Right of Way and Valmond', so far as Canada
is concerned.

I think the book has harmony, although the first story in it covers
eighty-two pages, while some of the others, like 'The Marriage of the
Miller', are less than four pages in length. At the end also there are
nine fantasies or stories which I called 'Parables of Provinces'. All
of these, I think, possessed the spirit of French Canada, though all are
more or less mystical in nature. They have nothing of the simple realism
of 'The Tragic Comedy of Annette', and the earlier series. These nine
stories could not be called popular, and they were the only stories
I have ever written which did not have an immediate welcome from the
editors to whom they were sent. In the United States I offered them to
'Harper's Magazine', but the editor, Henry M. Alden, while, as I know,
caring for them personally, still hesitated to publish them. He thought
them too symbolic for the every-day reader. He had been offered four of
them at once because I declined to dispose of them separately, though
the editor of another magazine was willing to publish two of them.
Messrs. Stone & Kimball, however, who had plenty of fearlessness where
literature was concerned, immediately bought the series for The Chap
Book, long since dead, and they were published in that wonderful little
short-lived magazine, which contained some things of permanent value
to literature. They published four of the series, namely: 'The Golden
Pipes, The Guardian of the Fire, By that Place Called Peradventure,
The Singing of the Bees, and The Tent of the Purple Mat'. In England,
because I would not separate the first five, and publish them
individually, two or three of the editors who were taking the Pierre
series and other stories appearing in this volume would not publish
them. They, also, were frightened by the mystery and allusiveness of the
tales, and had an apprehension that they would not be popular.

Perhaps they were right. They were all fantasies, but I do not wish
them other than they are. One has to write according to the impulse that
seizes one and after the fashion of one's own mind. This at least can be
said of all my books, that not a page of them has ever been written to
order, and there is not a story published in all the pages bearing
my name which does not represent one or two other stories rejected by
myself. The art of rejection is the hardest art which an author has
to learn; but I have never had a doubt as to my being justified in
publishing these little symbolic things.

Eventually the whole series was published in England. W. E. Henley gave
'There Was a Little City' a home in 'The New Review', and expressed
himself as happy in having it. 'The Forge in the Valley' was published
by Sir Wemyss Reid in the weekly paper called 'The Speaker', now known
as 'The Nation', in which 'Sir Arthur Quiller-Couch' made his name and
helped the fame of others. 'There Was a Little City' was published in
'The Chap Book' in the United States, but 'The Forge in the Valley' had
(I think) no American public until it appeared within the pages of 'The
Lane That Had No Turning'. The rest of the series were published in the
'English Illustrated Magazine', which was such a good friend to my work
at the start. As was perhaps natural, there was some criticism, but very
little, in French Canada itself, upon the stories in this volume. It
soon died away, however, and almost as I write these words there has
come to me an appreciation which I value as much as anything that has
befallen me in my career, and that is, the degree of Doctor of Letters
from the French Catholic University of Laval at Quebec. It is the seal
of French Canada upon the work which I have tried to do for her and for
the whole Dominion.




THE LANE THAT HAD NO TURNING




CHAPTER I. THE RETURN OF MADELINETTE

His Excellency the Governor--the English Governor of French Canada--was
come to Pontiac, accompanied by a goodly retinue; by private secretary,
military secretary, aide-de-camp, cabinet minister, and all that. He was
making a tour of the Province, but it was obvious that he had gone out
of his way to visit Pontiac, for there were disquieting rumours in the
air concerning the loyalty of the district. Indeed, the Governor had
arrived but twenty-four hours after a meeting had been held under the
presidency of the Seigneur, at which resolutions easily translatable
into sedition were presented. The Cure and the Avocat, arriving in the
nick of time, had both spoken against these resolutions; with the result
that the new-born ardour in the minds of the simple habitants had died
down, and the Seigneur had parted from the Cure and the Avocat in anger.

Pontiac had been involved in an illegal demonstration once before.
Valmond, the bizarre but popular Napoleonic pretender, had raised his
standard there; the stones before the parish church had been stained
with his blood; and he lay in the churchyard of St. Saviour's forgiven
and unforgotten. How was it possible for Pontiac to forget him? Had
he not left his little fortune to the parish? and had he not also
left twenty thousand francs for the musical education of Madelinette
Lajeunesse, the daughter of the village forgeron, to learn singing of
the best masters in Paris? Pontiac's wrong-doings had brought it more
profit than penalty, more praise than punishment: for, after five
years in France in the care of the Little Chemist's widow, Madelinette
Lajeunesse had become the greatest singer of her day. But what had put
the severest strain upon the modesty of Pontiac was the fact that, on
the morrow of Madelinette's first triumph in Paris, she had married M.
Louis Racine, the new Seigneur of Pontiac.

What more could Pontiac wish? It had been rewarded for its mistakes; it
had not even been chastened, save that it was marked Suspicious as to
its loyalty, at the headquarters of the English Government in Quebec. It
should have worn a crown of thorns, but it flaunted a crown of roses. A
most unreasonable good fortune seemed to pursue it. It had been led to
expect that its new Seigneur would be an Englishman, one George Fournel,
to whom, as the late Seigneur had more than once declared, the property
was devised by will; but at his death no will had been found, and Louis
Racine, the direct heir in blood, had succeeded to the property and the
title.

Brilliant, enthusiastic, fanatically French, the new Seigneur had set
himself to revive certain old traditions, customs, and privileges of the
Seigneurial position. He was reactionary, seductive, generous, and at
first he captivated the hearts of Pontiac. He did more than that.
He captivated Madelinette Lajeunesse. In spite of her years in
Paris--severe, studious years, which shut out the social world and the
temptations of Bohemian life--Madelinette retained a strange simplicity
of heart and mind, a desperate love for her old home which would not
be gainsaid, a passionate loyalty to her past, which was an illusory
attempt to arrest the inevitable changes that come with growth; and,
with a sudden impulse, she had sealed herself to her past at the very
outset of her great career by marriage with Louis Racine.

On the very day of their marriage Louis Racine had made a painful
discovery. A heritage of his fathers, which had skipped two generations,
suddenly appeared in himself: he was becoming a hunchback.

Terror, despair, gloom, anxiety had settled upon him. Three months later
Madelinette had gone to Paris alone. The Seigneur had invented excuses
for not accompanying her, so she went instead in the care of the Little
Chemist's widow, as of old Louis had promised to follow within another
three months, but had not done so. The surgical operation performed upon
him was unsuccessful; the strange growth increased. Sensitive, fearful,
and morose, he would not go to Europe to be known as the hunchback
husband of Lajeunesse, the great singer. He dreaded the hour when
Madelinette and he should meet again. A thousand times he pictured her
as turning from him in loathing and contempt. He had married her because
he loved her, but he knew well enough that ten thousand other men could
love her just as well, and be something more than a deformed Seigneur of
an obscure manor in Quebec.

As his gloomy imagination pictured the future, when Madelinette should
return and see him as he was and cease to love him--to build up his
Seigneurial honour to an undue importance, to give his position a
fictitious splendour, became a mania with him. No ruler of a Grand Duchy
ever cherished his honour dearer or exacted homage more persistently
than did Louis Racine in the Seigneury of Pontiac. Coincident with the
increase of these futile extravagances was the increase of his fanatical
patriotism, which at last found vent in seditious writings, agitations,
the purchase of rifles, incitement to rebellion, and the formation of an
armed, liveried troop of dependants at the Manor. On the very eve of the
Governor's coming, despite the Cure's and the Avocat's warnings, he
had held a patriotic meeting intended to foster a stubborn, if silent,
disregard of the Governor's presence amongst them.

The speech of the Cure, who had given guarantee for the good behaviour
of his people to the Government, had been so tinged with sorrowful
appeal, had recalled to them so acutely the foolish demonstration which
had ended in the death of Valmond; that the people had turned from the
exasperated Seigneur with the fire of monomania in his eyes, and had
left him alone in the hall, passionately protesting that the souls of
Frenchmen were not in them.

Next day, upon the church, upon the Louis Quinze Hotel, and elsewhere,
the Union Jack flew--the British colours flaunted it in Pontiac with
welcome to the Governor. But upon the Seigneury was another flag--it
of the golden-lilies. Within the Manor House M. Louis Racine sat in the
great Seigneurial chair, returned from the gates of death. As he had
come home from the futile public meeting, galloping through the streets
and out upon the Seigneury road in the dusk, his horse had shied upon
a bridge, where mischievous lads waylaid travellers with ghostly heads
made of lighted candles in hollowed pumpkins, and horse and man had been
plunged into the stream beneath. His faithful servant Havel had seen the
accident and dragged his insensible master from the water.

Now the Seigneur sat in the great arm-chair glowering out upon the
cheerful day. As he brooded, shaken and weak and bitter--all his
thoughts were bitter now--a flash of scarlet, a glint of white plumes
crossed his line of vision, disappeared, then again came into view, and
horses' hoofs rang out on the hard road below. He started to his feet,
but fell back again, so feeble was he, then rang the bell at his side
with nervous insistence. A door opened quickly behind him, and his voice
said imperiously:

"Quick, Havel--to the door. The Governor and his suite have come.
Call Tardif, and have wine and cake brought at once. When the Governor
enters, let Tardif stand at the door, and you beside my chair. Have the
men-at-arms get into livery, and make a guard of honour for the Governor
when he leaves. Their new rifles too--and let old Fashode wear his
medal! See that Lucre is not filthy--ha! ha! very good. I must let the
Governor hear that. Quick--quick, Havel. They are entering the grounds.
Let the Manor bell be rung, and every one mustered. He shall see that
to be a Seigneur is not an empty honour. I am something in the state,
something by my own right." His lips moved restlessly; he frowned; his
hands nervously clasped the arms of the chair. "Madelinette too shall
see that I am to be reckoned with, that I am not a nobody. By God, then,
but she shall see it!" he added, bringing his clasped hand down hard
upon the wood.

There was a stir outside, a clanking of chains, a champing of bits,
and the murmurs of the crowd who were gathering fast in the grounds.
Presently the door was thrown open and Havel announced the Governor.
Louis Racine got to his feet, but the Governor hastened forward, and,
taking both his hands, forced him gently back into the chair.

"No, no, my dear Seigneur. You must not rise. This is no state visit,
but a friendly call to offer congratulations on your happy escape, and
to inquire how you are."

The Governor said his sentences easily, but he suddenly flushed and
was embarrassed, for Louis Racine's deformity, of which he had not
known--Pontiac kept its troubles to itself--stared him in the face; and
he felt the Seigneur's eyes fastened on him with strange intensity.

"I have to thank your Excellency," the Seigneur said in a hasty nervous
voice. "I fell on my shoulders--that saved me. If I had fallen on my
head I should have been killed, no doubt. My shoulders saved me!" he
added, with a petulant insistence in his voice, a morbid anxiety in his
face.

"Most providential," responded the Governor. "It grieves me that
it should have happened on the occasion of my visit. I missed the
Seigneur's loyal public welcome. But I am happy," he continued, with
smooth deliberation, "to have it here in this old Manor House, where
other loyal French subjects of England have done honour to their
Sovereign's representative."

"This place is sacred to hospitality and patriotism, your Excellency,"
said Louis Racine, nervousness passing from his voice and a curious hard
look coming into his face.

The Governor was determined not to see the double meaning. "It is a
privilege to hear you say so. I shall recall the fact to her Majesty's
Government in the report I shall make upon my tour of the province.
I have a feeling that the Queen's pleasure in the devotion of her
distinguished French subjects may take some concrete form."

The Governor's suite looked at each other significantly, for never
before in his journeys had his Excellency hinted so strongly that an
honour might be conferred. Veiled as it was, it was still patent as the
sun. Spots of colour shot into the Seigneur's cheeks. An honour from the
young English Queen--that would mate with Madelinette's fame. After all,
it was only his due. He suddenly found it hard to be consistent. His
mind was in a whirl. The Governor continued:

"It must have given you great pleasure to know that at Windsor her
Majesty has given tokens of honour to the famous singer, the wife of
a notable French subject, who, while passionately eager to keep alive
French sentiment, has, as we believe, a deep loyalty to England."

The Governor had said too much. He had thought to give the Seigneur an
opportunity to recede from his seditious position there and then, and
to win his future loyalty. M. Racine's situation had peril, and the
Governor had here shown him the way of escape. But he had said one thing
that drove Louis Racine mad. He had given him unknown information about
his own wife. Louis did not know that Madelinette had been received
by the Queen, or that she had received "tokens of honour." Wild with
resentment, he saw in the Governor's words a consideration for himself
based only on the fact that he was the husband of the great singer. He
trembled to his feet.

At that moment there was a cheering outside--great cheering--but he
did not heed it; he was scarcely aware of it. If it touched his
understanding at all, it only meant to him a demonstration in honour of
the Governor.

"Loyalty to the flag of England, your Excellency!" he said, in a
hoarse acrid voice--"you speak of loyalty to us whose lives for two
centuries--" He paused, for he heard a voice calling his name.

"Louis! Louis! Louis!"

The fierce words he had been about to utter died on his lips, his eyes
stared at the open window, bewildered and even frightened.

"Louis! Louis!"

Now the voice was inside the house. He stood trembling, both hands
grasping the arms of the chair. Every eye in the room was now turned
towards the door. As it opened, the Seigneur sank back in the chair, a
look of helpless misery, touched by a fierce pride, covering his face.

"Louis!"

It was Madelinette, who, disregarding the assembled company, ran forward
to him and caught both his hands in hers.

"O Louis, I have heard of your accident, and--" she stopped suddenly
short. The Governor turned away his head. Every person in the room did
the same. For as she bent over him--she saw. She saw for the first time;
for the first time knew!

A look of horrified amazement, of shrinking anguish, crossed over her
face. He felt the lightning-like silence, he knew that she had seen; he
struggled to his feet, staring fiercely at her.

That one torturing instant had taken all the colour from her face, but
there was a strange brightness in her eyes, a new power in her bearing.
She gently forced him into the seat again.

"You are not strong enough, Louis. You must be tranquil."

She turned now to the Governor. He made a sign to his suite, who,
bowing, slowly left the room. "Permit me to welcome you to your native
land again, Madame," he said. "You have won for it a distinction it
could never have earned, and the world gives you many honours."

She was smiling and still, and with one hand clasping her husband's, she
said:

"The honour I value most my native land has given me: I am lady of the
Manor here, and wife of the Seigneur Racine."

Agitated triumph came upon Louis Racine's face; a weird painful vanity
entered into him. He stood up beside his wife, as she turned and looked
at him, showing not a sign that what she saw disturbed her.

"It is no mushroom honour to be Seigneur of Pontiac, your Excellency,"
he said, in a tone that jarred. "The barony is two hundred years old. By
rights granted from the crown of France, I am Baron of Pontiac."

"I think England has not yet recognised the title," said the Governor
suggestively, for he was here to make peace, and in the presence of this
man, whose mental torture was extreme, he would not allow himself to be
irritated.

"Our baronies have never been recognised," said the Seigneur harshly.
"And yet we are asked to love the flag of England and--"

"And to show that we are too proud to ask for a right that none can
take away," interposed Madelinette graciously and eagerly, as though to
prevent Louis from saying what he intended. All at once she had had to
order her life anew, to replace old thoughts by new ones. "We honour and
obey the rulers of our land, and fly the English flag, and welcome the
English Governor gladly when he comes to us--will your Excellency have
some refreshment?" she added quickly, for she saw the cloud on the
Seigneur's brow. "Louis," she added quickly, "will you--"

"I have ordered refreshment," said the Seigneur excitedly, the storm
passing from his face, however. "Havel, Tardif--where are you, fellows!"
He stamped his foot imperiously.

Havel entered with a tray of wine and glasses, followed by Tardif loaded
with cakes and comfits, and set them on the table.

Ten minutes later the Governor took his leave. At the front door he
stopped surprised, for a guard of honour of twenty men were drawn up. He
turned to the Seigneur.

"What soldiers are these?" he asked.

"The Seigneury company, your Excellency," replied Louis.

"What uniform is it they wear?" he asked in an even tone, but with a
black look in his eye, which did not escape Madelinette.

"The livery of the Barony of Pontiac," answered the Seigneur.

The Governor looked at them a moment without speaking. "It is French
uniform of the time of Louis Quinze," he said. "Picturesque, but
informal," he added.

He went over, and taking a carbine from one of the men, examined
it. "Your carbines are not so unconventional and antique," he
said meaningly, and with a frosty smile. "The compromise of the
centuries--hein?" he added to the Cure, who, with the Avocat, was now
looking on with some trepidation. "I am wondering if it is quite
legal. It is charming to have such a guard of honour, but I am
wondering--wondering--eh, monsieur l'avocat, is it legal?"

The Avocat made no reply, but the Cure's face was greatly troubled. The
Seigneur's momentary placidity passed.

"I answer for their legality, your Excellency," he said, in a high,
assertive voice.

"Of course, of course, you will answer for it," said the Governor,
smiling enigmatically. He came forward and held out his hand to
Madelinette.

"Madame, I shall remember your kindness, and I appreciate the simple
honours done me here. Your arrival at the moment of my visit is a happy
circumstance."

There was a meaning in his eye--not in his voice--which went straight
to Madelinette's understanding. She murmured something in reply, and a
moment afterwards the Governor, his suite, and the crowd were gone; and
the men-at-arms-the fantastic body of men in their antique livery-armed
with the latest modern weapons, had gone back to civic life again.

Inside the house once more, Madelinette laid her hand upon Louis' arm
with a smile that wholly deceived him for a moment. He thought now that
she must have known of his deformity before she came--the world was so
full of tale-bearers--and no doubt had long since reconciled herself
to the painful fact. She had shown no surprise, no shrinking. There
had been only the one lightning instant in which he had felt a kind of
suspension of her breath and being, but when he had looked her in
the face, she was composed and smiling. After all his frightened
anticipation the great moment had come and gone without tragedy. With
satisfaction he looked in the mirror in the hall as they passed inside
the house. He saw no reason to quarrel with his face. Was it possible
that the deformity did not matter after all?

He felt Madelinette's hand on his arm. He turned and clasped her to his
breast.

He did not notice that she kept her hands under her chin as he drew
her to him, that she did not, as had been her wont, put them on his
shoulders. He did not feel her shrink, and no one, seeing, could have
said that she shrank from him in ever so little.

"How beautiful you are!" he said, as he looked into her face.

"How glad I am to be here again, and how tired I am, Louis!" she said.
"I've driven thirty miles since daylight." She disengaged herself. "I am
going to sleep now," she added. "I am going to turn the key in my door
till evening. Please tell Madame Marie so, Louis."

Inside her room alone she flung herself on her bed in agony and despair.

"Louis--Oh, my God!" she cried, and sobbed and sobbed her strength away.




CHAPTER II. WHEN THE RED-COATS CAME

A month later there was a sale of the household effects, the horses
and general possessions of Medallion the auctioneer, who, though a
Protestant and an Englishman, had, by his wits and goodness of heart,
endeared himself to the parish. Therefore the notables among the
habitants had gathered in his empty house for a last drink of
good-fellowship--Muroc the charcoalman, Duclosse the mealman, Benoit the
ne'er-do-weel, Gingras the one-eyed shoemaker, and a few others. They
had drunk the health of Medallion, they had drunk the health of the
Cure, and now Duclosse the mealman raised his glass. "Here's to--"

"Wait a minute, porridge-pot," cried Muroc. "The best man here should
raise the glass first and say the votre sante. 'Tis M'sieu' Medallion
should speak and sip now."

Medallion was half-sitting on the window-sill, abstractedly listening.
He had been thinking that his ships were burned behind him, and that in
middle-age he was starting out to make another camp for himself in the
world, all because of the new Seigneur of Pontiac. Time was when he had
been successful here, but Louis Racine had changed all that. His hand
was against the English, and he had brought a French auctioneer to
Pontiac. Medallion might have divided the parish as to patronage, but he
had other views.

So he was going. Madelinette had urged him to stay, but he had replied
that it was too late. The harm was not to be undone.

As Muroc spoke, every one turned towards Medallion. He came over and
filled a glass at the table, and raised it.

"I drink to Madelinette, daughter of that fine old puffing forgeron
Lajeunesse," he added, as the big blacksmith now entered the room.
Lajeunesse grinned and ducked his head. "I knew Madelinette, as did you
all, when I could take her on my knee and tell her English stories, and
listen to her sing French chansons--the best in the world. She has gone
on; we stay where we were. But she proves her love to us, by taking her
husband from Pontiac and coming back to us. May she never find a spot so
good to come to and so hard to leave as Pontiac!"

He drank, and they all did the same. Draining his glass, Medallion let
it fall on the stone floor. It broke into a score of pieces.

He came and shook hands with Lajeunesse. "Give her my love," he said.
"Tell her the highest bidder on earth could not buy one of the kisses
she gave me when she was five and I was twenty."

Then he shook hands with them all and went into the next room.

"Why did he drop his glass?" asked Gingras the shoemaker.

"That's the way of the aristocrats when it's the damnedest toast that
ever was," said Duclosse the mealman. "Eh, Lajeunesse, that's so, isn't
it?"

"What the devil do I know about aristocrats!" said Lajeunesse.

"You're among the best of the land, now that Madelinette's married to
the Seigneur. You ought to wear a collar every day."

"Bah!" answered the blacksmith. "I'm only old Lajeunesse the blacksmith,
though she's my girl, dear lads. I was Joe Lajeunesse yesterday, and
I'll be Joe Lajeunesse to-morrow, and I'll die Joe Lajeunesse the
forgeron--bagosh! So you take me as you find me. M'sieu' Racine doesn't
marry me. And Madelinette doesn't take me to Paris and lead me round the
stage and say, 'This is M'sieu' Lajeunesse, my father.' No. I'm myself,
and a damn good blacksmith and nothing else am I!"

"Tut, tut, old leather-belly," said Gingras the shoemaker, whose liquor
had mounted high, "you'll not need to work now. Madelinette's got double
fortune. She gets thousands for a song, and she's lady of the Manor
here. What's too good for you, tell me that, my forgeron?"

"Not working between meals--that's too good for me, Gingras. I'm here to
earn my bread with the hands I was born with, and to eat what they earn,
and live by it. Let a man live according to his gifts--bagosh! Till I'm
sent for, that's what I'll do; and when time's up I'll take my hand off
the bellows, and my leather apron can go to you, Gingras, for boots for
a bigger fool than me."

"There's only one," said Benolt, the ne'er-do-weel, who had been to
college as a boy.

"Who's that?" said Muroc.

"You wouldn't know his name. He's trying to find eggs in last year's
nest," answered Benolt with a leer.

"He means the Seigneur," said Muroc. "Look to your son-in-law,
Lajeunesse. He's kicking up a dust that'll choke Pontiac yet. It's as if
there was an imp in him driving him on."

"We've had enough of the devil's dust here," said Lajeunesse. "Has he
been talking to you, Muroc?"

Muroc nodded. "Treason, or thereabouts. Once, with him that's dead in
the graveyard yonder, it was France we were to save and bring back the
Napoleons--I have my sword yet. Now it's save Quebec. It's stand alone
and have our own flag, and shout, and fight, maybe, to be free of
England. Independence--that's it! One by one the English have had to go
from Pontiac. Now it's M'sieu' Medallion."

"There's Shandon the Irishman gone too. M'sieu' sold him up and shipped
him off," said Gingras the shoemaker.

"Tiens! the Seigneur gave him fifty dollars when he left, to help him
along. He smacks and then kisses, does M'sieu' Racine."

"We've to pay tribute to the Seigneur every year, as they did in the
days of Vaudreuil and Louis the Saint," said Duclosse. "I've got my
notice--a bag of meal under the big tree at the Manor door."

"I've to bring a pullet and a bag of charcoal," said Muroc. "'Tis the
rights of the Seigneur as of old."

"Tiens! it is my mind," said Benoit, "that a man that nature twists in
back, or leg, or body anywhere, gets a twist in's brain too. There's
Parpon the dwarf--God knows, Parpon is a nut to crack!"

"But Parpon isn't married to the greatest singer in the world, though
she's only the daughter of old leather-belly there," said Gingras.

"Something doesn't come of nothing, snub-nose," said Lajeunesse. "Mark
you, I was born a man of fame, walking bloody paths to glory; but, by
the grace of Heaven and my baptism, I became a forgeron. Let others ride
to glory, I'll shoe their horses for the gallop."

"You'll be in Parliament yet, Lajeunesse," said Duclosse the mealman,
who had been dozing on a pile of untired cart-wheels.

"I'll be hanged first, comrade."

"One in the family at a time," said Muroc. "There's the Seigneur. He's
going into Parliament."

"He's a magistrate--that's enough," said Duclosse. "He's started the
court under the big tree, as the Seigneurs did two hundred years ago.
He'll want a gibbet and a gallows next."

"I should think he'd stay at home and not take more on his shoulders!"
said the one-eyed shoemaker. Without a word, Lajeunesse threw a dish of
water in Gingras's face. This reference to the Seigneur's deformity was
unpalatable.

Gingras had not recovered from his discomfiture when all were startled
by the distant blare of a bugle. They rushed to the door, and were
met by Parpon the dwarf, who announced that a regiment of soldiers was
marching on the village.

"'Tis what I expected after that meeting, and the Governor's visit,
and the lily-flag of France on the Manor, and the body-guard and the
carbines," said Muroc nervously.

"We're all in trouble again-sure," said Benoit, and drained his glass to
the last drop. "Some of us will go to gaol."

The coming of the militia had been wholly unexpected by the people of
Pontiac, but the cause was not far to seek. Ever since the Governor's
visit there had been sinister rumours abroad concerning Louis Racine,
which the Cure and the Avocat and others had taken pains to contradict.
It was known that the Seigneur had been requested to disband his
so-called company of soldiers with their ancient livery and their modern
arms, and to give them up. He had disbanded the corps, but he had not
given up the arms, and, for reasons unknown, the Government had not
pressed the point, so far as the world knew. But it had decided to
hold a district drill in this far-off portion of the Province; and this
summer morning two thousand men marched 'upon the town and through
it, horse, foot, and commissariat, and Pontiac was roused out of the
last-century romance the Seigneur had sought to continue, to face the
actual presence of modern force and the machinery of war. Twice before
had British soldiers marched into the town, the last time but a few
years agone, when blood had been shed on the stones in front of the
parish church. But here were large numbers of well-armed men from the
Eastern parishes, English and French, with four hundred regulars to
leaven the mass. Lajeunesse knew only too well what this demonstration
meant.

Before the last soldier had passed through the street, he was on his way
to the Seigneury.

He found Madelinette alone in the great dining-room, mending a rent in
the British flag, which she was preparing for a flag-staff. When she
saw him, she dropped the flag, as if startled, came quickly to him, took
both his hands in hers, and kissed his cheek.

"Wonder of wonders!" she said.

"It's these soldiers," he replied shortly. "What of them?" she asked
brightly.

"Do you mean to say you don't know what their coming here means?" he
asked.

"They must drill somewhere, and they are honouring Pontiac," she replied
gaily, but her face flushed as she bent over the flag again.

He came and stood in front of her. "I don't know what's in your mind;
I don't know what you mean to do; but I do know that M'sieu' Racine is
making trouble here, and out of it you'll come more hurt than anybody."

"What has Louis done?"

"What has he done! He's been stirring up feeling against the British.
What has he done!--Look at the silly customs he's got out of old
coffins, to make us believe they're alive. Why did he ever try to marry
you? Why did you ever marry him? You are the great singer of the world.
He's a mad hunchback habitant seigneur!"

She stamped her foot indignantly, but presently she ruled herself to
composure, and said quietly: "He is my husband. He is a brave man, with
foolish dreams." Then with a sudden burst of tender feeling, she said:
"Oh, father, father, can't you see, I loved him--that is why I married
him. You ask me what I am going to do? I am going to give the rest of my
life to him. I am going to stay with him, and be to him all that he may
never have in this world, never--never. I am going to be to him what my
mother was to you, a slave to the end--a slave who loved you, and who
gave you a daughter who will do the same for her husband--"

"No matter what he does or is--eh?"

"No matter what he is."

Lajeunesse gasped. "You will give up singing! Not sing again before
kings and courts, and not earn ten thousand dollars a month--more than
I've earned in twenty years? You don't mean that, Madelinette."

He was hoarse with feeling, and he held out his hand pleadingly. To
him it seemed that his daughter was mad; that she was throwing her life
away.

"I mean that, father," she answered quietly. "There are things worth
more than money."

"You don't mean to say that you can love him as he is. It isn't natural.
But no, it isn't."

"What would you have said, if any one had asked you if you loved my
mother that last year of her life, when she was a cripple, and we
wheeled her about in a chair you made for her?"

"Don't say any more," he said slowly, and took up his hat, and kept
turning it round in his hand. "But you'll prevent him getting into
trouble with the Gover'ment?" he urged at last.

"I have done what I could," she answered. Then with a little gasp: "They
came to arrest him a fortnight ago, but I said they should not enter the
house. Havel and I prevented them--refused to let them enter. The men
did not know what to do, and so they went back. And now this--!" she
pointed to where the soldiers were pitching their tents in the valley
below. "Since then Louis has done nothing to give trouble. He only
writes and dreams. If he would but dream and no more--!" she added, half
under her breath.

"We've dreamt too much in Pontiac already," said Lajeunesse, shaking his
head.

Madelinette reached up her hand and laid it on his shaggy black hair.
"You are a good little father, big smithy-man," she said lovingly. "You
make me think of the strong men in the Niebelungen legends. It must be a
big horse that will take you to Walhalla with the heroes," she added.

"Such notions--there in your head," he laughed. "Try to frighten me with
your big names-hein?" There was a new look in the face of father and of
daughter. No mist or cloud was between them. The things they had long
wished to say were uttered at last. A new faith was established between
them. Since her return they had laughed and talked as of old when they
had met, though her own heart was aching, and he was bitter against the
Seigneur. She had kept him and the whole parish in good humour by
her unconventional ways, as though people were not beginning to make
pilgrimages to Pontiac to see her--people who stared at the name over
the blacksmith's door, and eyed her curiously, or lay in wait about
the Seigneury, that they might get a glimpse of Madame and her deformed
husband. Out in the world where she was now so important, the newspapers
told strange romantic tales of the great singer, wove wild and wonderful
legends of her life. To her it did not matter. If she knew, she did
not heed. If she heeded it--even in her heart--she showed nothing of it
before the world. She knew that soon there would be wilder tales still
when it was announced that she was bidding farewell to the great working
world, and would live on in retirement. She had made up her mind quite
how the announcement should read, and, once it was given out, nothing
would induce her to change her mind. Her life was now the life of the
Seigneur.

A struggle in her heart went on, but she fought it down. The lure of a
great temptation from that far-off outside world was before her, but
she had resolved her heart against it. In his rough but tender way her
father now understood, and that was a comfort to her. He felt what he
could not reason upon or put into adequate words. But the confidence
made him happy, and his eyes said so to her now.

"See, big smithy-man," she said gaily, "soon will be the fete of St.
Jean Baptiste, and we shall all be happy then. Louis has promised me to
make a speech that will not be against the English, but only words which
will tell how dear the old land is to us."

"Ten to one against it!" said Lajeunesse anxiously. Then he brightened
as he saw a shadow cross her face. "But you can make him do anything--as
you always made me," he added, shaking his tousled head and taking with
a droll eagerness the glass of wine she offered him.




CHAPTER III. "MAN TO MAN AND STEEL TO STEEL"

One evening a fortnight later Louis Racine and George Fournel, the
Englishman, stood face to face in the library of the Manor House. There
was antagonism and animosity in the attitude of both. Apart from the
fact that Louis had succeeded to the Seigneury promised to Fournel, and
sealed to him by a reputed will which had never been found, there
was cause for hatred on the Englishman's part. Fournel had been an
incredibly successful man. Things had come his way--wealth, and the
power that wealth brings. He had but two set-backs, and the man before
him in the Manor House of Pontiac was the cause of both. The last rebuff
had been the succession to the Seigneury, which, curious as it might
seem, had been the cherished dream of the rich man's retirement. It had
been his fancy to play the Seigneur, the lord magnificent and bountiful,
and he had determined to use wealth and all manner of influence to
have the title of Baron of Pontiac revived--it had been obsolete for a
hundred years. He leaned towards the grace of an hereditary dignity, as
other retired millionaires cultivate art and letters, vainly imagining
that they can wheedle civilisation and the humanities into giving them
what they do not possess by nature, and fool the world at the same time.

The loss of the Seigneury had therefore cut deep, but there had been
a more hateful affront still. Four years before, Louis Racine, when
spasmodically practising law in Quebec, had been approached by two poor
Frenchmen, who laid claim to thousands of acres of land which a Land
Company, whereof George Fournel was president, was publicly exploiting
for the woods and valuable minerals discovered on it. The Land Company
had been composed of Englishmen only. Louis Racine, reactionary and
imaginative, brilliant and free from sordidness, and openly hating the
English, had taken up the case, and for two years fought it tooth and
nail without pay or reward. The matter had become a cause celebre,
the Land Company engaging the greatest lawyers in both the English
and French province. In the Supreme Court the case was lost to Louis'
clients. Louis took it over to the Privy Council in London, and carried
it through triumphantly and alone, proving his clients' title. His two
poor Frenchmen regained their land. In payment he would accept nothing
save the ordinary fees, as though it were some petty case in a county
court. He had, however, made a reputation, which he had seemed not to
value, save as a means of showing hostility to the governing race, and
the Seigneury of Pontiac, when it fell to him, had more charms for him
than any celebrity to be won at the bar. His love of the history of
his country was a mania with him, and he looked forward, on arriving at
Pontiac, to being the apostle of French independence on the continent.
Madelinette had crossed his path in his most enthusiastic moment, when
his brilliant tongue and great dreams surrounded him with a kind of
glamour. He had caught her to himself out of the girl's first triumph,
when her nature, tried by the strain of her first challenge to the
judgment of the world, cried out for rest, for Pontiac and home, and all
that was of the old life among her people.

Fournel's antipathy had only been increased by the fact that Louis
Racine had married the now famous Madelinette, and his animosity
extended to her.

It was not in him to understand the nature of the Frenchman, volatile,
moody, chivalrous, unreasonable, the slave of ideas, the victim of
sentiment. Not understanding, when he began to see that he could not
attain the object of his visit, which was to secure some relics of the
late Seigneur's household, he chose to be disdainful.

"You are bound to give me these things I ask for, as a matter of
justice--if you know what justice means," he said at last.

"You should be aware of that," answered the Seigneur, with a kindling
look. He felt every glance of Fournel's eye a contemptuous comment upon
his deformity, now so egregious and humiliating. "I taught you justice
once."

Fournel was not to be moved from his phlegm. He knew he could torture
the man before him, and he was determined to do so, if he did not get
his way upon the matter of his visit.

"You can teach me justice twice and be thanked once," he answered.
"These things I ask for were much prized by my friend, the late
Seigneur. I was led to expect that this Seigneury and all in it and
on it should be mine. I know it was intended so. The law gives it you
instead. Your technical claim has overridden my rights--you have a gift
for making successful technical claims. But these old personal relics,
of no monetary value--you should waive your avaricious and indelicate
claim to them." He added the last words with a malicious smile, for the
hardening look in Racine's face told him his request was hopeless, and
he could not resist the temptation to put the matter with cutting force.
Racine rose to the bait with a jump.

"Not one single thing--not one single solitary thing--!"

"The sentiment is strong if the grammar is bad," interrupted Fournel,
meaning to wound wherever he found an opportunity, for the Seigneur's
deformity excited in him no pity; it rather incensed him against the
man, as an affront to decency and to his own just claims to the honours
the Frenchman enjoyed. It was a petty resentment, but George Fournel
had set his heart upon playing the grand-seigneur over the Frenchmen of
Pontiac, and of ultimately leaving his fortune to the parish, if they
all fell down and worshipped him and his "golden calf."

"The grammar is suitable to the case," retorted the Seigneur, his voice
rising. "Everything is mine by law, and everything I will keep. If you
think different, produce a will--produce a will!"

Truth was, Louis Racine would rather have parted with the Seigneury
itself than with these relics asked for. They were reminiscent of the
time when France and her golden-lilies brooded over his land, of the
days when Louis Quatorze was king. He cherished everything that had
association with the days of the old regime, as a miner hugs his gold,
or a woman her jewels. The request to give them up to this unsympathetic
Englishman, who valued them because they had belonged to his friend the
late Seigneur, only exasperated him.

"I am ready to pay the highest possible price for them, as I have said,"
urged the Englishman, realising as he spoke that it was futile to urge
the sale upon that basis.

"Money cannot buy the things that Frenchmen love. We are not a race of
hucksters," retorted the Seigneur.

"That accounts for your envious dispositions then. You can't buy what
you want--you love such curious things, I assume. So you play the dog
in the manger, and won't let other decent folk buy what they want." He
wilfully distorted the other's meaning, and was delighted to see the
Seigneur's fingers twitch with fury. "But since you can't buy the things
you love--and you seem to think you should--how do you get them? Do you
come by them honestly? or do you work miracles? When a spider makes love
to his lady he dances before her to infatuate her, and then in a moment
of her delighted aberration snatches at her affections. Is it the way of
the spider then?"

With a snarl as of a wild beast, Louis Racine sprang forward and struck
Fournel in the face with his clinched fist. Then, as Fournel, blinded,
staggered back upon the book-shelves, he snatched two antique swords
from the wall. Throwing one on the floor in front of the Englishman,
he ran to the door and locked it, and turned round, the sword grasped
firmly in his hand, and white with rage.

"Spider! Spider! By Heaven, you shall have the spider dance before you!"
he said hoarsely. He had mistaken Fournel's meaning. He had put the most
horrible construction upon it. He thought that Fournel referred to his
deformity, and had ruthlessly dragged in Madelinette as well.

He was like a being distraught. His long brown hair was tossed over his
blanched forehead and piercing black eyes. His head was thrown forward
even more than his deformity compelled, his white teeth showed in a
grimace of hatred; he was half-crouched, like an animal ready to spring.

"Take up the sword, or I'll run you through the heart where you stand,"
he continued, in a hoarse whisper. "I will give you till I can count
three. Then by the God in Heaven--!"

Fournel felt that he had to deal with a man demented. The blow he
had received had laid open the flesh on his cheek-bone, and blood
was flowing from the wound. Never in his life before had he been so
humiliated. And by a Frenchman--it roused every instinct of race-hatred
in him. Yet he wanted not to go at him with a sword, but with his two
honest hands, and beat him into a whining submission. But the man was
deformed, he had none of his own robust strength--he was not to be
struck, but to be tossed out of the way like an offending child.

He staunched the blood from his face and made a step forward without a
word, determined not to fight, but to take the weapon from the other's
hands. "Coward!" said the Seigneur. "You dare not fight with the sword.
With the sword we are even. I am as strong as you there--stronger, and
I will have your blood. Coward! Coward! Coward! I will give you till I
count three. One!... Two!..."

Fournel did not stir. He could not make up his mind what to do. Cry out?
No one could come in time to prevent the onslaught--and onslaught there
would be, he knew. There was a merciless hatred in the Seigneur's face,
a deadly purpose in his eyes; the wild determination of a man who did
not care whether he lived or died, ready to throw himself upon a hundred
in his hungry rage. It seemed so mad, so monstrous, that the beautiful
summer day through which came the sharp whetting of the scythe, the
song of the birds, and the smell of ripening fruit and grain, should
be invaded by this tragic absurdity, this human fury which must spend
itself in blood.

Fournel's mind was conscious of this feeling, this sense of futile,
foolish waste and disfigurement, even as the Seigneur said "Three!" and,
rushing forward, thrust.

As Fournel saw the blade spring at him, he dropped on one knee, caught
it with his left hand as it came, and wrenched it aside. The blade
lacerated his fingers and his palm, but he did not let go till he had
seized the sword at his feet with his right hand. Then, springing up
with it, he stepped back quickly and grasped his weapon fiercely enough
now.

Yet, enraged as he was, he had no wish to fight; to involve himself in
a fracas which might end in tragedy and the courts of the land. It was a
high price to pay for any satisfaction he might have in this affair.
If the Seigneur were killed in the encounter--he must defend himself
now--what a miserable notoriety and possible legal penalty and public
punishment! For who could vouch for the truth of his story? Even if he
wounded Racine only, what a wretched story to go abroad: that he had
fought with a hunchback--a hunchback who knew the use of the sword,
which he did not, but still a hunchback!

"Stop this nonsense," he said, as Louis Racine prepared to attack again.
"Don't be a fool. The game isn't worth the candle."

"One of us does not leave this room alive," said the Seigneur. "You care
for life. You love it, and you can't buy what you love from me. I don't
care for life, and I would gladly die, to see your blood flow. Look,
it's flowing down your face; it's dripping from your hand, and there
shall be more dripping soon. On guard!"

He suddenly attacked with a fierce energy, forcing Fournel back upon the
wall. He was not a first-class swordsman, but he had far more knowledge
of the weapon than his opponent, and he had no scruple about using his
knowledge. Fournel fought with desperate alertness, yet awkwardly, and
he could not attack; it was all that he could do, all that he knew how
to do, to defend himself. Twice again did the Seigneur's weapon draw
blood, once from the shoulder and once from the leg of his opponent,
and the blood was flowing from each wound. After the second injury they
stood panting for a moment. Now the outside world was shut out from
Fournel's senses as it was from Louis Racine's. The only world they knew
was this cool room, whose oak floors were browned by the slow searching
stains of Time, and darkened by the footsteps of six generations that
had come and gone through the old house. The books along the walls
seemed to cry out against the unseemly and unholy strife. But now both
men were in that atmosphere of supreme egoism where only their two
selves moved, and where the only thing that mattered on earth was the
issue of this strife. Fournel could only think of how to save his
life, and to do that he must become the aggressor, for his wounds
were bleeding hard, and he must have more wounds, if the fight went on
without harm to the Seigneur.

"You know now what it is to insult a Frenchman--On guard!" again cried
the Seigneur, in a shriller voice, for everything in him was pitched to
the highest note.

He again attacked, and the sound of the large swords meeting clashed
on the soft air. As they struggled, a voice came ringing through the
passages, singing a bar from an opera:

     "Oh eager golden day, Oh happy evening hour,
     Behold my lover cometh from fields of wrath and hate!
     Sheathed is his sword; he cometh to my bower;
     In war he findeth honour, and love within the gate."

The voice came nearer and nearer. It pierced the tragic separateness of
the scene of blood. It reached the ears of the Seigneur, and a look of
pain shot across his face. Fournel was only dimly aware of the voice,
for he was hard pressed, and it seemed to come from infinite distances.
Presently the voice stopped, and some one tried the door of the room.

It was Madelinette. Astonished at finding it locked, she stood still a
moment uncertain what to do. Then the sounds of the struggle within came
to her ears. She shook the door, leaned her shoulders against it,
and called, "Louis! Louis!" Suddenly she darted away, found Havel the
faithful servant in the passage, and brought him swiftly to the door.
The man sprang upon it, striking with his shoulder. The lock gave, the
door flew open, and Madelinette stepped swiftly into the room, in time
to see George Fournel sway and fall, his sword rattling on the hard oak
floor.

"Oh, what have you done, Louis!" she cried, then added hurriedly to
Havel: "Draw the blind there, shut the door, and tell Madame Marie to
bring some water quickly."

The silent servant vanished, and she dropped on her knees beside the
bleeding and insensible man, and lifted his head.

"He insulted you and me, and I've killed him, Madelinette," said Louis
hoarsely.

A horrified look came to her face, and she hurriedly and tremblingly
opened Fournel's waistcoat and shirt, and felt his heart.

She was freshly startled by a struggle behind her, and, turning quickly,
she saw Madame Marie holding the Seigneur's arm to prevent him from
ending his own life.

She sprang up and laid her hand upon her husband's arm. "He is not
dead--you need not do it, Louis," she said quietly. There was no alarm,
no undue excitement in her face now. She was acting with good presence
of mind. A new sense was working in her. Something had gone from her
suddenly where her husband was concerned, and something else had taken
its place. An infinite pity, a bitter sorrow, and a gentle command were
in her eyes all at once--new vistas of life opened before her, all in an
instant.

"He is not dead, and there is no need to kill yourself, Louis," she
repeated, and her voice had a command in it that was not to be gainsaid.
"Since you have vindicated your honour, you will now help me to set this
business right."

Madame Marie was on her knees beside the insensible man. "No, he is not
dead, thank God!" she murmured, and while Havel stripped the arm and
leg, she poured some water between Fournel's lips. Her long experience
as the Little Chemist's wife served her well now.

Now that the excitement was over, Louis collapsed. He swayed and would
have fallen, but Madelinette caught him, helped him to the sofa, and,
forcing him gently down on his side, adjusted a pillow for him, and
turned to the wounded man again.

An hour went busily by in the closely-curtained room, and at last
George Fournel, conscious, and with wounds well bandaged, sat in a big
arm-chair, glowering round him. At his first coming-to, Louis Racine, at
his wife's insistence, had come and offered his hand, and made apology
for assaulting him in his own house.

Fournel's reply had been that he wanted to hear no more fool's talk and
to have no more fool's doings, and that one day he hoped to take his pay
for the day's business in a satisfactory way.

Madelinette made no apology, said nothing, save that she hoped he would
remain for a few days till he was recovered enough to be moved. He
replied that he would leave as soon as his horses were ready, and
refused to take food or drink from their hands. His servant was brought
from the Louis Quinze Hotel, and through him he got what was needed for
refreshment, and requested that no one of the household should come near
him. At night, in the darkness, he took his departure, no servant of the
household in attendance. But as he got into the carriage, Madelinette
came quickly to him, and said:

"I would give ten years of my life to undo to-day's work."

"I have no quarrel with you, Madame," he said gloomily, raised his hat,
and was driven away.




CHAPTER IV. MADELINETTE MAKES A DISCOVERY

The national fete of the summer was over. The day had been successful,
more successful indeed than any within the memory of the inhabitants;
for the English and French soldiers joined in the festivities without
any intrusion of racial spirit, but in the very essence and soul of
good-fellowship. The General had called at the Manor, and paid his
respects to the Seigneur, who received him abstractedly if not coolly,
but Madelinette had captured his imagination and his sympathies. He was
fond of music for an Englishman, and with a ravishing charm she sang
for him a bergerette of the eighteenth century and then a ballad of
Shakespeare's set to her own music. She was so anxious that the great
holiday should pass off without one untoward incident, that she would
have resorted to any fair device to attain the desired end. The
General could help her by his influence and instructions, and if the
soldiers--regulars and militia--joined in the celebrations harmoniously,
and with goodwill, a long step would be made towards undoing the harm
that Louis had done, and maybe influencing him towards a saner, wiser
view of things. He had changed much since the fateful day when he had
forced George Fournel to fight him; had grown more silent, and had
turned grey. His eyes had become by turns watchful and suspicious,
gloomy and abstracted; and his speech knew the same variations; now
bitter and cynical, now sad and distant, and all the time his eyes
seemed to grow darker and his face paler. But however moody and variable
and irascible he might be with others, however unappeasable, with
Madelinette he struggled to be gentle, and his petulance gave way under
the intangible persuasiveness of her words and will, which had the
effect of command. Under this influence he had prepared the words which
he was to deliver at the Fete. They were full of veneration for past
traditions, but were not at variance with a proper loyalty to the flag
under which they lived, and if the English soldiery met the speech
with genial appreciation the day might end in a blessing--and surely
blessings were overdue in Madelinette's life in Pontiac.

It had been as she worked for and desired, thanks to herself and the
English General's sympathetic help. Perhaps his love of music made
him better understand what she wanted, made him even forgiving of the
Seigneur's strained manner; but certain it is that the day, begun with
uneasiness on the part of the people of Pontiac, who felt themselves
under surveillance, ended in great good-feeling and harmless revelry;
and it was also certain that the Seigneur's speech gained him an
applause that surprised him and momentarily appeased his vanity. The
General gave him a guard of honour of the French Militia in keeping with
his position as Seigneur; and this, with Madelinette's presence at his
elbow, restrained him in his speech when he would have broken from the
limits of propriety in the intoxication of his eager eloquence. But he
spoke with moderation, standing under the British Flag on the platform,
and at the last he said:

"A flag not our own floats over us now; guarantees us against the malice
of the world and assures us in our laws and religion; but there is
another flag which in our tearful memories is as dear to us now as it
was at Carillon and Levis. It is the flag of memory--of language and
of race, the emblem of our past upon our hearthstones; and the great
country that rules us does not deny us reverence to it. Seeing it, we
see the history of our race from Charlemagne to this day, and we have
a pride in that history which England does not rebuke, a pride which
is just and right. It is fitting that we should have a day of
commemoration. Far off in France burns the light our fathers saw and
were glad. And we in Pontiac have a link that binds us to the old home.
We have ever given her proud remembrance--we now give her art and song."

With these words, and turning to his wife, he ended, and cries of
"Madame Madelinette! Madame Madelinette!" were heard everywhere. Even
the English soldiers cheered, and Madelinette sang a la Claire Fontaine,
three verses in French and one in English, and the whole valley rang
with the refrain sung at the topmost pitch by five thousand voices:

"I'ya longtemps que je t'aime, Jamais je ne t'oublierai."

The day of pleasure done and dusk settled on Pontiac and on the
encampment of soldiers in the valley, a light still burned in the
library at the Manor House long after midnight. Madelinette had gone to
bed, but, excited by the events of the day, she could not sleep, and she
went down to the library to read. But her mind wandered still, and she
sat mechanically looking before her at a picture of the father of the
late Seigneur, which was let into the moulding of the oak wall. As she
looked abstractedly and yet with the intensity of the preoccupied mind,
her eye became aware of a little piece of wood let into the moulding of
the frame. The light of the hanging lamp was full on it.

This irregularity began to perplex her eye. Presently it intruded on her
reverie. Still busy with her thoughts, she knelt upon the table beneath
the picture and pressed the irregular piece of wood. A spring gave, the
picture came slowly away from the frame, and disclosed a small cupboard
behind. In this cupboard were a few books, an old silver-handled pistol,
and a packet. Madelinette's reverie was broken now. She was face to face
with discovery and mystery. Her heart stood still with fear. After an
instant of suspense, she took out the packet and held it to the light.
She gave a smothered cry.

It was the will of the late Seigneur.




CHAPTER V. WHAT WILL SHE DO WITH IT?

George Fournel was the heir to the Seigneury of Pontiac, not Louis
Racine. There it was in the will of Monsieur de la Riviere, duly signed
and attested.

Madelinette's heart stood still. Louis was no longer--indeed, never had
been--Seigneur of Pontiac, and they had no right there, had never had
any right there. They must leave this place which was to Louis the
fetich of his soul, the small compensation fate had made him for the
trouble nature had cynically laid upon him. He had clung to it as a
drowning man clings to a spar. To him it was the charter from which he
could appeal to the world as the husband of Madelinette Lajeunesse. To
him it was the name, the dignity, and the fortune he brought her. It
was the one thing that saved him from a dire humiliation; it was the
vantage-ground from which he appealed to her respect, the flaming
testimony of his own self-esteem. Every hour since his trouble had
come upon him, since Madelinette's great fame had come to her, he had
protested to himself that it was honour for honour; and every day he
had laboured, sometimes how fantastically, how futilely! to dignify his
position, to enhance his importance in her eyes. She had understood it
all, had read him to the last letter in the alphabet of his mind and
heart. She had realised the consternation of the people, and she knew
that, for her sake, and because the Cure had commanded, all the obsolete
claims he had made were responded to by the people. Certainly he had
affected them by his eloquence and his fiery kindness, but at the same
time they had shrewdly smelt the treason underneath his ardour. There
was a definite limit to their loyalty to him; and, deprived of the
Seigneury, he would count for nothing.

A hundred thoughts like these went through her mind as she stood by the
table under the hanging lamp, her face white as the loose robe she wore,
her eyes hot and staring, her figure rigid as stone.

To-morrow--how could she face to-morrow, and Louis! How could she tell
him this! How could she say to him, "Louis, you are no longer Seigneur.
The man you hate, he who is your inveterate enemy, who has every reason
to exact from you the last tribute of humiliation, is Seigneur here!"
How could she face the despair of the man whose life was one inward
fever, one long illusion, which was yet only half an illusion, since he
was forever tortured by suspicion; whose body was wearing itself out,
and spirit was destroying itself in the struggle of a vexed imagination!

She knew that Louis' years were numbered. She knew that this blow would
break him body and soul. He could never survive the humiliation. His
sensitiveness was a disease, his pride was the only thing that kept
him going; his love of her, strong as it was, would be drowned in an
imagined shame!

It was midnight. She was alone with this secret. She held the paper in
her hand, which was at once Louis' sentence or his charter of liberty. A
candle was at her hand, the doors were shut, the blinds drawn, the house
a frozen silence--how cold she was, though it was the deep of summer!
She shivered from head to foot, and yet all day the harvest sun had
drenched the room in its heat.

Yet her blood might run warm again, her cold cheeks might regain their
colour, her heart beat quietly, if this paper were no more! The thought
made her shrink away from herself, as it were, yet she caught up the
candle and lighted it.

For Louis. For Louis, though she would rather have died than do it for
herself. To save to Louis what was, to his imagination, the one claim
he had upon her respect and the world's. After all, how little was it in
value or in dignity! How little she cared for it! One year of her voice
could earn two such Seigneuries as this. And the honour--save that it
was Pontiac-it was naught to her. In all her life she had never done or
said a dishonourable thing. She had never lied, she had never deceived,
she had never done aught that might not have been written down and
published to all the world. Yet here, all at once, she was faced with
a vast temptation, to do a deed, the penalty of which was an indelible
shame.

What injury would it do to George Fournel! He was used now to his
disappointment; he was rich; he had no claims upon Pontiac; there was no
one but himself to whom it mattered, this little Seigneury. What he
did not know did not exist, so far as himself was concerned. How
easily could it all be made right some day! She felt as though she were
suffocating, and she opened the window a little very softly. Then she
lit the candle tremblingly, watched the flame gather strength, and
opened out the will. As she did so, however, the smell of a clover
field, which is as honey, came stealing through the room, and all at
once a strange association of ideas flashed into her brain.

She recalled one summer day long ago, when, in the church of St.
Saviour's, the smell of the clover fields came through the open doors
and windows, and her mind had kept repeating mechanically, till she
fell asleep, the text of the Curb's sermon--"As ye sow, so also shall ye
reap."

That placid hour which had no problems, no cares, no fears, no penalties
in view, which was filled with the richness of a blessed harvest and the
plenitude of innocent youth, came back on her now in the moment of her
fierce temptation.

She folded up the paper slowly, a sob came in her throat, she blew out
the candle, and put the will back in the cupboard. The faint click of
the spring as she closed the panel seemed terribly loud to her.
She started and looked timorously round. The blood came back to her
face--she flushed crimson with guilt. Then she turned out the lighted
lamp and crept away up the stairs to her room.

She paused beside Louis' bed. He was moving restlessly in his sleep; he
was murmuring her name. With a breaking sigh she crept into bed slowly
and lay like one who had been beaten, bruised, and shamed.

At last, before the dawn, she fell asleep. She dreamed that she was in
prison and that George Fournel was her jailor.

She waked to find Louis at her bedside.

"I am holding my seigneurial court to-day," he said.




CHAPTER VI. THE ONE WHO SAW

All day and every day Madelinette's mind kept fastening itself upon one
theme, kept turning to one spot. In her dreams she saw the hanging
lamp, the moving panel, the little cupboard, the fatal paper. Waking and
restlessly busy, she sometimes forgot it for a moment, but remembrance
would come back with painful force, and her will must govern her hurt
spirit into quiet resolution. She had such a sense of humiliation as
though some one dear to her had committed a crime against herself. Two
persons were in her--Madelinette Lajeunesse, the daughter of the village
blacksmith, brought up in the peaceful discipline of her religion,
shunning falsehood and dishonour with a simple proud self-respect; and
Madame Racine, the great singer, who had touched at last the heart of
things; and, with the knowledge, had thrown aside past principles and
convictions to save her stricken husband from misery and humiliation--to
save his health, his mind, his life maybe.

The struggle of conscience and expediency, of principle and
womanliness wore upon her, taking away the colour from her cheeks, but
spiritualising her face, giving the large black eyes an expression of
rare intensity, so that the Avocat in his admiration called her Madonna,
and the Cure came oftener to the Manor House with a fear in his heart
that all was not well. Yet he was met by her cheerful smile, by her
quiet sense of humour, by the touching yet not demonstrative devotion
of the wife to the husband, and a varying and impulsive adoration of
the wife by the husband. One day when the Cure was with the Seigneur,
Madelinette entered upon them. Her face was pale though composed,
yet her eyes had a look of abstraction or detachment. The Cure's face
brightened at her approach. She wore a simple white gown with a bunch of
roses at the belt, and a broad hat lined with red that shaded her face
and gave it a warmth it did not possess.

"Dear Madame!" said the Cure, rising to his feet and coming towards her.

"I have told you before that I will have nothing but 'Madelinette,' dear
Cure," she replied, with a smile, and gave him her hand. She turned to
Louis, who had risen also, and putting a hand on his arm pressed him
gently into his chair, then, with a swift, almost casual, caress of his
hair, placed on the table the basket of flowers she was carrying, and
began to arrange them.

"Dear Louis," she said presently, and as though en passant, "I have
dismissed Tardif to-day--I hope you won't mind these dull domestic
details, Cure," she added.

The Cure nodded and turned his head towards the window musingly. He was
thinking that she had done a wise thing in dismissing Tardif, for the
man had evil qualities, and he was hoping that he would leave the parish
now.

The Seigneur nodded. "Then he will go. I have dismissed him--I have a
temper--many times, but he never went. It is foolish to dismiss a man in
a temper. He thinks you do not mean it. But our Madelinette there"--he
turned towards the Cure now--"she is never in a temper, and every one
always knows she means what she says; and she says it as even as a
clock." Then the egoist in him added: "I have power and imagination and
the faculty for great things; but Madelinette has serene judgment--a
tribute to you, Cure, who taught her in the old days."

"In any case, Tardif is going," she repeated quietly. "What did he do?"
said the Seigneur. "What was your grievance, beautiful Madame?"

He was looking at her with unfeigned admiration--with just such a look
as was in his face the first day they met in the Avocat's house on his
arrival in Pontiac. She turned and saw it, and remembered. The scene
flashed before her mind. The thought of herself then, with the flush of
a sunrise love suddenly rising in her heart, roused a torrent of feeling
now, and it required every bit of strength she had to prevent her
bursting into a passion of tears. In imagination she saw him there, a
straight, slim, handsome figure, with the very vanity of proud health
upon him, and ambition and passionate purpose in every line of his
figure, every glance of his eyes. Now--there he was, bent, frail, and
thin, with restless eyes and deep discontent in voice and manner;
the curved shoulder and the head grown suddenly old; the only thing,
speaking of the past, the graceful hand, filled with the illusory
courage of a declining vitality. But for the nervous force in him, the
latent vitality which renewed with stubborn persistence the failing
forces, he was dead. The brain kept commanding the body back to life and
manhood daily.

"What did Tardif do?" the Seigneur again questioned, holding out a hand
to her.

She did not dare to take his hand lest her feelings should overcome her;
so with an assumed gaiety she put in it a rose from her basket and said:

"He has been pilfering. Also he was insolent. I suppose he could not
help remembering that I lived at the smithy once--the dear smithy," she
added softly.

"I will go at once and pay the scoundrel his wages," said the Seigneur,
rising, and with a nod to the Cure and his wife opened the door.

"Do not see him yourself, Louis," said Madelinette. "Not I. Havel shall
pay him and he shall take himself off to-morrow morning."

The door closed, and Madelinette was left alone with the Cure. She came
to him and said with a quivering in her voice:

"He mocked Louis."

"It is well that he should go. He is a bad man and a bad servant. I know
him too well."

"You see, he keeps saying"--she spoke very slowly--"that he witnessed
a will the Seigneur made in favour of Monsieur Fournel. He thinks us
interlopers, I suppose."

The Cure put a hand on hers gently. "There was a time when I felt that
Monsieur Fournel was the legal heir to the Seigneury, for Monsieur de la
Riviere had told me there was such a will; but since then I have changed
my mind. Your husband is the natural heir, and it is only just that the
Seigneury should go on in the direct line. It is best."

"Even with all Louis' mistakes?"

"Even with them. You have set them right, and you will keep him
within the bounds of wisdom and prudence. You are his guardian angel,
Madelinette."

She looked up at him with a pensive smile and a glance of gratitude.

"But suppose that will--if there is one--exists, see how false our
position!"

"Do you think it is mere accident that the will has never been found--if
it was not destroyed by the Seigneur himself before he died? No, there
is purpose behind it, with which neither you or I or Louis have anything
to do. Ah, it is good to have you here in this Seigneury, my child! What
you give us will return to you a thousandfold. Do not regret the world
and your work there. You will go back all too soon."

She was about to reply when the Seigneur again entered the room.

"I made up my mind that he should go at once, and so I've sent him
word--the rat!"

"I will leave you two to be drowned in the depths of your own
intelligence," said Madelinette; and taking her empty basket left the
room.

A strange compelling feeling drove her to the library where the fateful
panel was. With a strange sense that her wrong-doing was modified by
the fact, she had left the will where she had found it. She had a
superstition that fate would deal less harshly with her if she did. It
was not her way to temporise. She had concealed the discovery of the
will with an unswerving determination. It was for Louis, it was for his
peace, for the ease of his fading life, and she had no repentance. Yet
there it was, that curious, useless concession to old prejudices, the
little touch of hypocrisy--she left the will where she had found it. She
had never looked at it since, no matter how great the temptation, and
sometimes this was overpowering.

To-day it overpowered her. The house was very still and the blinds were
drawn to shut out the heat, but the soft din of the locusts came through
the windows. Her household were all engaged elsewhere. She shut the
doors of the little room, and kneeling on the table touched the spring.
The panel came back and disclosed the cupboard. There lay the will.
She took it up and opened it. Her eyes went dim on the instant, and she
leaned her forehead against the wall sick at heart.

As she did so a sudden gust of wind drove in the blind of the window.
She started, but saw what it was, and hastily putting the will back,
closed the panel, and with a fast-beating heart, left the room.

Late that evening she found a letter on her table addressed to herself.
It ran:

   You've shipped me off like dirt. You'll be shipped off, Madame,
   double quick. I've got what'll bring the right owner here. You'll
   soon hear from
                    Tardif.

In terror she hastened to the library and sprung the panel. The will was
gone.

Tardif was on his way with it to George Fournel.




CHAPTER VII. THE PURSUIT

There was but one thing to do. She must go straight to George Fournel at
Quebec. She knew only too well that Tardif was speeding thither as fast
as horses could carry him. He had had several hours' start, but there
was still a chance of overtaking him. And suppose she overtook him?
She could not decide definitely what she should do, but she would do
anything, sacrifice anything, to secure again that fatal document which,
in George Fournel's hands, must bring a collapse worse than death. A
dozen plans flashed before her, and now that her mind was set upon the
thing, compunction would not stay her. She had gone so far, she was
prepared to go further to save this Seigneury to Louis. She put in her
pocket the silver-handled pistol from the fatal cupboard.

In an hour from the time she found the note, the horses and coach were
at the door, and the faithful Havel, cloaked and armed, was ready for
the journey. A note to Louis, with the excuse of a sudden and important
call to Quebec, which he was to construe into business concerning her
profession; hurried yet careful arrangements for his comfort during her
absence; a letter to the Cure begging of him a daily visit to the Manor
House; and then, with the flurried Madame Marie, she entered the coach
with Havel on the box, and they were off.

The coach rattled through the village and stopped for a moment at the
smithy. A few words of cheerful good-bye to her father--she carried the
spring in her face and the summer of gaiety in her face however sore her
heart was--and they were once more upon the road.

Their first stage was twenty-five miles, and it led through the ravine
where Parpon and his comrades had once sought to frighten George
Fournel. As they passed the place Madelinette shuddered, and she
remembered Fournel's cynical face as he left the house three months
ago. She felt that it would not easily soften to mercy or look upon her
trouble with a human eye, if once the will were in his hands. It was
a silent journey, but Madame Marie asked no questions, and there was
comfort in her unspoken sympathy.

Five hours, and at midnight they arrived at the end of the first stage
of their journey, at the village tavern of St. Stanislaus. Here Madame
Marie urged Madelinette to stay and sleep, but this she refused to do,
if horses could be got to go forward. The sight of two gold pieces made
the thing possible in the landlord's eyes, and Madame Marie urged no
more, but found some refreshment, of which she gently insisted that
Madelinette should partake. In another hour from their arrival they were
on the road again, with the knowledge that Tardif had changed horses
and gone forward four hours before, boasting as he went that when the
bombshell he was carrying should burst, the country would stay awake o'
nights for a year.

Madelinette herself had made the inquiries of the landlord, whose
easily-bought obsequiousness now knew no bounds, and he gave a letter to
Havel to hand to his cousin the landlord at the next change, which, he
said, would be sure to secure them the best of accommodation and good
horses.

As the night grew to morning, Madelinette drooped a little, and Madame
Marie, who had, to her own anger and disgust, slept three hours or more,
quietly drew Madelinette towards her. With a little sob the girl--for
what was she but a girl--let her head drop on the old woman's shoulder,
and she fell into a troubled sleep, which lasted till, in the flush
of sunrise, they drew up at the solitary inn on the outskirts of the
village of Beaugard. They had come fifty miles since the evening before.

Here Madelinette took Havel into her confidence, in so far as to tell
him that Tardif had stolen a valuable paper from her, the loss of which
might bring most serious consequences.

Whatever Havel had suspected he was the last man in the world to show or
tell. But before leaving the Manor House of Pontiac he had armed himself
with pistols, in the grim hope that he might be required to use them.
Havel had been used hard in the world, Madelinette had been kind to him,
and he was ready to show his gratitude--and he little recked what form
it might take. When he found that they were following Tardif, and
for what purpose, an ugly joy filled his heart, and he determined on
revenge--so long delayed--on the scoundrel who had once tried to turn
the parish against him by evil means. He saw that his pistols were duly
primed, he learned that Tardif had passed but two hours before, boasting
again that Europe would have gossip for a year, once he reached Quebec.
Tardif too had paid liberally for his refreshment and his horses, for
here he had taken a carriage, and had swaggered like a trooper in a
conquered country.

Havel had every hope of overtaking Tardif, and so he told Madelinette,
adding that he would secure the paper for her at any cost. She did not
quite know what Havel meant, but she read purpose in his eye, and when
Havel said: "I won't say 'Stop thief' many times," she turned away
without speaking--she was choked with anxiety. Yet in her own pocket was
a little silver-handled pistol.

It was true that Tardif was a thief, but she knew that his theft would
be counted a virtue before the world. This she could not tell Havel, but
when the critical moment came--if it did come--she would then act upon
the moment's inspiration. If Tardif was a thief, what was she!--But this
she could not tell Havel or the world. Even as she thought it for this
thousandth time, her face flushed deeply, and a mist came before her
eyes. But she hardened her heart and gave orders to proceed as soon as
the horses were ready. After a hasty breakfast they were again on their
way, and reached the third stage of their journey by eleven o'clock.
Tardif had passed two hours before.

So, for two days they travelled, with no sleep save what they could
catch as the coach rolled on. They were delayed three hours at one inn
because of the trouble in getting horses, since it appeared that Tardif
had taken the only available pair in the place; but a few gold pieces
brought another pair galloping from a farm two miles away, and they were
again on the road. Fifty miles to go, and Tardif with three hours' start
of them! Unless he had an accident there was faint chance of overtaking
him, for at this stage he had taken to the saddle again. As time
had gone on, and the distance between them and Quebec had decreased,
Madelinette had grown paler and stiller. Yet she was considerate of
Madame Marie, and more than once insisted on Havel lying down for a
couple of hours, and herself made him a strengthening bowl of soup at
the kitchen fire of the inn. Meanwhile she inquired whether it might
be possible to get four horses at the next change, and she offered five
gold pieces to a man who would ride on ahead of them and secure the
team.

Some magic seemed to bring her the accomplishment of the impossible, for
even as she made the offer, and the downcast looks of the landlord were
assuring her that her request was futile, there was the rattle of hoofs
without, and a petty Government official rode up. He had come a journey
of three miles only, and his horse was fresh. Agitated, yet ruling
herself to composure, Madelinette approached him and made her proposal
to him. He was suspicious, as became a petty Government official,
and replied sullenly. She offered him money--before the landlord,
unhappily--and his refusal was now unnecessarily bitter. She turned away
sadly, but Madame Marie had been roused by the official's churlishness,
and for once the placid little body spoke in that vulgar tongue which
needs no interpretation. She asked the fellow if he knew to whom he had
been impolite, to whom he had refused a kindly act.

"You--you, a habitant road-watcher, a pound-keeper, a village
tax-collector, or something less!" she said. "You to refuse the great
singer Madelinette Lajeunesse, the wife of the Seigneur of Pontiac, the
greatest patriot in the land; to refuse her whom princes are glad to
serve--" She stopped and gasped her indignation.

A hundred speeches and a hundred pounds could not have done so much. The
habitant official stared in blank amazement, the landlord took a glass
of brandy to steady himself.

"The Lajeunesse--the Lajeunesse, the singer of all the world--ah, why
did she not say so then!" said the churl. "What would I not do for her!
Money--no, it is nothing, but the Lajeunesse, I myself would give my
horse to hear her sing."

"Tell her she can have M'sieu's horse," said the landlord, excitedly
interposing.

"Tiens, who the devil--the horse is mine! If Madame--if she will but
let me offer it to her myself!" said the agitated official. "I sing
myself--I know what singing is. I have sung in an opera--a sentinel in
armour I was. Ah, but bring me to her, and you shall see what I will do,
by grace of heaven! I will marry you if you haven't a husband," he added
with ardour to the dumfounded Madame Marie, who hurried to the adjoining
room.

An instant afterwards the official was making an oration in tangled
sentences which brought him a grateful smile and a hand-clasp from
Madelinette. She could not prevent him from kissing her hand, she could
not refrain from laughing when, outside the room, he tried to kiss
Madame Marie. She was astounded, however, an hour later, to see him
still at the inn door, marching up and down, a whip in his hand. She
looked at him reproachfully, indignantly.

"Why are you not on the way?" she asked.

"Your man, that M'sieu' Havel, has rode on; I am to drive," he said.
"Yes, Madame, it is my everlasting honour that I am to drive you. Havel
has a good horse, the horse has a good rider, you have a good servant
in me. I, Madame, have a good mistress in you--I am content. I am
overjoyed--I am proud--I am ready, I, Pierre Lapierre."

The churlish official had gone back to the natural state of an excitable
habitant, ready to give away his heart or lose his head at an instant's
notice, the temptation being sufficient. Madelinette was frightened.
She knew well why Havel had ridden on ahead without her permission, and
shaking hands with the landlord and getting into the coach, she said
hastily to her new coachman: "Lose not an instant. Drive hard."

They reached the next change by noon, and here they found four horses
awaiting them. Tardif, and Havel also, had come and gone. An hour's
rest, and they were away again upon the last stage of the journey. They
should reach Quebec soon after dusk, all being well. At first, Lapierre
the official had been inclined to babble, but at last he relieved his
mind by interjections only. He kept shaking his head wisely, as
though debating on great problems, and he drove his horses with a
master-hand--he had once been a coach driver on that long river-road,
which in summer makes a narrow ribbon of white, mile for mile with the
St. Lawrence from east to west. This was the proudest moment of his
life. He knew great things were at stake, and they had to do with the
famous singer, Lajeunesse; and what tales for his grandchildren in years
to come!

The flushed and comfortable Madame Marie sat upright in the coach,
holding the hand of her mistress, and Madelinette grew paler as the
miles diminished between her and Quebec. Yet she was quiet and unmoving,
now and then saying an encouraging word to Lapierre, who smacked his
lips for miles afterwards, and took out of his horses their strength and
paces by masterly degrees. So that when, at last, on the hill they saw
far off the spires of Quebec, the team was swinging as steadily on as
though they had not come twenty-five miles already. This was a moment of
pride for Lapierre, but of apprehension for Madelinette. At the last two
inns on the road she had got news of both Tardif and Havel. Tardif had
had the final start of half-an-hour. A half-hour's start, and fifteen
miles to go! But one thing was sure, Havel, the wiry Havel, was the
better man, with sounder nerve and a fostered strength.

Yet, as they descended the hill and plunged into the wild wooded valley,
untenanted and uncivilised, where the road wound and curved among giant
boulders and twisted through ravines and gorges, her heart fell within
her. Evening was at hand, and in the thick forest the shadows were
heavy, and night was settling upon them before its time.

They had not gone a mile, however, when, as they swung creaking round
a great boulder, Lapierre pulled up his horses with a loud exclamation,
for almost under his horses' feet lay a man apparently dead, his horse
dead beside him.

It was Havel. In an instant Madelinette and Ma dame Marie were bending
over him. The widow of the Little Chemist had skill and presence of
mind.

"He is not dead, dear mine," said she in a low voice, feeling Havel's
heart.

"Thank God," was all that Madelinette could say. "Let us lift him into
the coach."

Now Lapierre was standing beside them, the reins in his hand. "Leave
that to me," he said, and passed the reins into Madame Marie's hands,
then with muttered imprecations on persons unmentioned he lifted up
the slight form of Havel, and carried him to the coach. Meanwhile
Madelinette had stooped to a little stream at the side of the road, and
filled her silver drinking-cup with water.

As she bent over Havel and sprinkled his face, Lapierre examined the
insensible man.

"He is but stunned," he said. "He will come to in a moment."

Then he went to the spot where Havel had lain, and found a pistol
lying at the side of the road. Examining it, he found it had been
discharged-both barrels. Rustling with importance he brought it to
Madelinette, nodding and looking wise, yet half timorous too in sharing
in so remarkable a business. Madelinette glanced at the pistol, her lips
tightened, and she shuddered. Havel had evidently failed, and she
must face the worst. Yet now that it had come, she was none the less
determined to fight on.

Havel opened his eyes and looked round in a startled way. He saw
Madelinette.

"Ah, Madame, Madame, pardon! He got away. I fired twice and winged him,
but he shot my horse and I fell on my head. He has got away. What time
is it, Madame?" he suddenly asked. She told him. "Ah, it is too late,"
he added. "It happened over half-an-hour ago. Unless he is badly hurt
and has fallen by the way, he is now in the city. Madame, I have failed
you--pardon, Madame!"

She helped him to sit up, and made a cushion of her cloak for his head,
in a corner of the coach. "There is nothing to ask pardon for, Havel,"
she said; "you did your best. It was to be--that's all. Drink the brandy
now."

A moment afterwards Lapierre was on the box, Madame Marie was inside,
and Madelinette said to the coachman:

"Drive hard--the White Calvary by the church of St. Mary Magdalene."

In another hour the coach drew up by the White Calvary, where a soft
light burned in memory of some departed soul.

The three alighted. Madelinette whispered to Havel, he got up on the
box beside Lapierre, and the coach rattled away to a tavern, as the two
women disappeared swiftly into the darkness.




CHAPTER VIII. FACE TO FACE

As the two approached the mansion where George Fournel lived, they saw
the door open and a man come hurriedly out into the street. He wore his
wrist in a sling.

Madelinette caught Madame Marie's arm. She did not speak, but her heart
sank within her. The man was Tardif.

He saw them and shuffled over.

"Ha, Madame," he said, "he has the will, and I've not done with you
yet--you'll see." Then, shaking a fist in Madelinette's face, he
clattered off into the darkness.

They crossed the street, and Madame Marie knocked at Fournel's door.
It was at once opened, and Madelinette announced herself. The servant
stared stonily at first, then, as she mentioned her name and he saw
her face, he suddenly became servile, and asked them into a small
waiting-room. Monsieur Fournel was at home, and should be informed at
once of Madame's arrival.

A few moments later the servant, somewhat graver, but as courteous
still, came to say that Monsieur would receive her in his library.
Madelinette turned towards Madame Marie. The servant understood.

"I shall see that the lady has refreshment," he said. "Will Madame
perhaps care for refreshment--and a mirror, before Monsieur has the
honour?--Madame has travelled far."

In spite of the anxiety of the moment and the great matters at stake,
Madelinette could not but smile. "Thank you," she said, "I hope I'm not
so unpresentable."

"A little dust here and there perhaps, Madame," he said, with humble
courtesy.

Madelinette was not so heroical as to undervalue the suggestion. Lives
perhaps were in the balance, but she was a woman, and who could tell
what slight influences might turn the scale!

The servant saw her hesitation. "If Madame will but remain here, I will
bring what is necessary," he said, and was gone. In a moment he appeared
again with a silver basin, a mirror, and a few necessaries of the
toilet.

"I suppose, Madame," said the servant, with fluttered anxiety, to show
that he knew who she was, "I suppose you have had sometimes to make
rough shifts, even in palaces."

She gave him a gold piece. It cheered her in the moment to think that in
this forbidding house, on a forbidding mission, to a forbidding man, she
had one friend. She made a hasty toilet, and but for the great paleness
of her cheeks, no traces remained of the three days' travel with their
hardship and anxiety. Presently, as the servant ushered her into the
presence of George Fournel, even the paleness was warmed a little by the
excitement of the moment.

Fournel was standing with his back to the door, looking out into the
moonlit night. As she entered he quickly drew the curtains of the
windows and turned towards his visitor, a curious, hard, disdainful look
in his face. In his hands he held a paper which she knew only too well.

"Madame," he said, and bowed. Then he motioned her to a chair. He took
one himself and sat down beside the great oak writing-desk and waited
for her to speak--waited with a look which sent the blood from her heart
to colour her cheeks and forehead.

She did not speak, however, but looked at him fearlessly. It was
impossible for her to humble herself before the latent insolence of his
look. It seemed to degrade her out of all consideration. He felt the
courage of her defiance, and it moved him. Yet he could but speak in
cynical suggestion.

"You had a long, hard, and adventurous journey," he said. He rose
suddenly and drew a tray towards him. "Will you not have some
refreshment?" he added, in an even voice. "I fear you have not had time
to seek it at an inn. Your messenger has but just gone."

It was impossible for him to do justice to himself, or to let his
hospitality rest upon its basis of natural courtesy. It was clear that
he was moved with accumulated malice, and he could not hide it.

"Your servant has been hospitable," she said, her voice trembling a
little. She plunged at once into the business of her visit.

"Monsieur, that paper you hold--" she stopped for an instant, able to go
no further.

"Ah, this--this document you have sent me," he said, opening it with an
assumed carelessness. "Your servant had an accident--I suppose we may
call it that privately--as he came. He was fired at--was wounded. You
will share with me the hope that the highwayman who stopped him may be
brought to justice, though, indeed, your man Tardif left him behind in
the dust. Perhaps you came upon him, Madame--hein?"

She steeled herself. Too much was at stake; she could not resent his
hateful implications now.

"Tardif was not my messenger, Monsieur, as you know. Tardif was the
thief of that document in your hands."

"Yes, this--will!" he said musingly, an evil glitter in his eyes. "Its
delivery has been long delayed. Posts and messengers are slow from
Pontiac."

"Monsieur will hear what I have to say? You have the will, your rights
are in your hands. Is not that enough?"

"It is not enough," he answered, in a grating voice. "Let us be plain
then, Madame, and as simple as you please. You concealed this will. Not
Tardif but yourself is open to the law."

She shrank under the brutality of his manner, but she ruled herself to
outward composure. She was about to reply when he added, with a sneer:
"Avarice is a debasing vice--Thou shalt not covet thy neighbour's house!
Thou shalt not steal!"

"Monsieur," she said calmly, "it would have been easy to destroy the
will. Have you not thought of that?"

For a moment he was taken aback, but he said harshly: "If crime were
always intelligent, it would have fewer penalties."

She shrank again under the roughness of his words. But she was fighting
for an end that was dear to her soul, and she answered:

"It was not lack of intelligence, but a sense of honour--yes, a sense of
honour," she insisted, as he threw back his head and laughed. "What do
you think might be my reason for concealing the will--if I did conceal
it?"

"The answer seems obvious. Why does the wild ass forage with a strange
herd, or the pig put his feet in the trough? Not for his neighbour's
gain, Madame, not in a thousand years."

"Monsieur, I have never been spoken to so coarsely. I am a blacksmith's
daughter, and I have heard rough men talk in my day, but I have never
heard a man--of my own race at least--so rude to a woman. But I am here
not for my own sake; I will not go till I have said and done all I have
come to say and do. Will you listen to me, Monsieur?"

"I have made my charges--answer them. Disprove this theft"--he held up
the will--"of concealment, and enjoyment of property not your own, and
then ask of me that politeness which makes so beautiful stable and forge
at Pontiac."

"Monsieur, you cannot think that the will was concealed for profit, for
the value of the Seigneury of Pontiac. I can earn two such seigneuries
in one year, Monsieur."

"Nevertheless you do not."

"For the same reason that I did not bring or send that will to you when
I found it, Monsieur. And for that same reason I have come to ask you
not to take advantage of that will."

He was about to interpose angrily, but she continued: "Whatever the
rental may be that you in justice feel should be put upon the Seigneury,
I will pay--from the hour my husband entered on the property, its heir
as he believed. Put such rental on the property, do not disturb Monsieur
Racine in his position as it is, and I will double that rental."

"Do not think, Madame, that I am as avaricious as you."

"Is it avaricious to offer double the worth of the rental?"

"There is the title and distinction. You married a mad nobody; you wish
to retain an honour that belongs to me."

"I am asking it for my husband's sake, not my own, believe me,
Monsieur."

"And what do you expect me to do for his sake, Madame?"

"What humanity would suggest. Ah, I know what you would say: he tried to
kill you; he made you fight him. But, Monsieur, he has repented of that.
He is ill, he is--crippled, he cherishes the Seigneury beyond its worth
a thousand times."

"He cherishes it at my expense. So, you must not disturb the man who
robs you of house and land, and tries to murder you, lest he should be
disturbed and not sleep o' nights. Come, Madame, that is too thin."

"He might kill you, but he would not rob you, Monsieur. Do you think
that if he knew that will existed, he would be now at the Seigneury, or
I here? I know you hate Louis Racine."

"With ample reason."

"You hate him more because he defeated you than because he once tried to
kill you. Oh, I do not know the rights or wrongs of that great case at
law; I only know that Louis Racine was not the judge or jury, but the
avocat only, whose duty it was to do as he did. That he did it the more
gladly because he was a Frenchman and you an Englishman, is not his
fault or yours either. Louis Racine's people came here two hundred years
ago, yours not sixty years ago. You, the great business man, have had
practical power which gave you riches. You have sacrificed all for
power. Louis Racine has only genius, and no practical power."

"A dangerous fanatic and dreamer," he interjected. "A dreamer, if you
will, with no practical power, for he never thought of himself, and
'practical power' is usually all self. He dreamed--he gave his heart
and soul up for ideas. Englishmen do not understand that. Do you not
know--you do know--that, had he chosen, he might have been rich too, for
his brains would have been of great use to men of practical power like
yourself."

She paused; Fournel did not answer, but sat as though reading the will
intently.

"Was it strange that he should dream of a French sovereign state here,
where his people came and first possessed the land? Can you wonder that
this dreamer, when the Seigneury of Pontiac came to him, felt as if a
new life were opened up to him, and saw a way to some of his ambitions.
They were sad, mistaken ambitions, doomed to failure, but they were
also his very heart, which he would empty out gladly for an idea. The
Seigneury of Pontiac came to him, and I married him."

"Evidently bent upon wrecking the chances of a great career,"
interrupted Fournel over the paper.

"But no; I also cared more for ideas than for the sordid things of life.
It is in our blood, you see" she was talking with less restraint now,
for she saw he was listening, despite assumed indifference--"and Pontiac
was dearer to me than all else in the world. Louis Racine belonged
there. You--what sort of place would you, an Englishman, have occupied
at the Seigneury of Pontiac! What kind--"

He got suddenly to his feet. He was a man of strange whims and vanities,
and his resentment at his exclusion from the Seigneury of Pontiac had
become a fixed idea. He had hugged the thought of its possession before
M. de la Riviere died, as a man humbly born prides himself on the
distinguished lineage of his wife. His great schemes were completed, he
was a rich man, and he had pictured himself retiring to this Seigneury,
a peaceful and practical figure, living out his days in a refined repose
which his earlier life had never known. She had touched the raw nerves
of his secret vanity.

"What kind of Seigneur would I make, eh? What sort of figure would I cut
in Pontiac!" He laughed loudly. "By heaven, Madame, you shall see! I
did not move against his outrage and assault, but I will move to purpose
now. For you and he shall leave there in disgrace before another week
goes round. I have you both in my 'practical power,' and I will squeeze
satisfaction out of you. He is a ruffianly interloper, and you, Madame,
the law would call by another name."

She got quickly to her feet and came a step nearer to him. Leaning a
hand on the table, she bent towards him slightly. Something seemed to
possess her that transfigured her face, and gave it a sense of power and
confidence. Her eyes fixed themselves steadily on him.

"Monsieur," she said, "you may call me what you will, and I will bear
it, for you have been sorely injured. You are angry because I seemed to
think an Englishman was not fitted to be Seigneur of Pontiac. We French
are a people of sentiments and ideas; we make idols of trifles, and we
die for fancies. We dream, we have shrines for memories. These things
you despise. You would give us justice and make us rich by what you call
progress. Monsieur, that is not enough. We are not born to appreciate
you. Our hearts are higher than our heads, and, under a flag that
conquered us, they cling together. Was it strange that I should think
Louis Racine better suited to be Seigneur at Pontiac?"

She paused as though expecting him to answer, but he only looked
inquiringly at her, and she continued "My husband used you ill, but he
is no interloper. He took what the law gave him, what has been in his
family for over two hundred years. Monsieur, it has meant more to him
than a hundred times greater honour could to you. When his trouble
came, when--" she paused, as though it was difficult to speak--"when the
other--legacy--of his family descended on him, that Seigneury became to
him the one compensation of his life. By right of it only could he look
the world in the face--or me."

She stopped suddenly, for her voice choked her. "Will you please
continue?" said Fournel, opening and shutting the will in his hand, and
looking at her with a curious new consideration.

"Fame came to me as his trouble came to him. It was hard for him to go
among men, but, ah, can you think how he dreaded the day when I should
return to Pontiac!... I will tell you the whole truth, Monsieur." She
drew herself up proudly. "I loved--Louis. He came into my heart with its
first great dream, and before life--the business of life--really began.
He was one with the best part of me, the girlhood in me which is dead."

Fournel rose and in a low voice said: "Will you not sit down?" He
motioned to a chair.

She shook her head. "Ah no, please! Let me say all quickly and while I
have the courage. I loved him, and he loved and loves me. I love
that love in which I married him, and I love his love for me. It is
indestructible, because it is in the fibre of my life. It has nothing
to do with ugliness or beauty, or fortune or misfortune, or shame or
happiness, or sin or holiness. When it becomes part of us, it must go on
in one form or another, but it cannot die. It lives in breath and song
and thought and work and words. That is the wonder of it, the pity of
it, and the joy of it. Because it is so, because love would shield the
beloved from itself if need be, and from all the terrors of the world at
any cost, I have done what I have done. I did it at cost of my honour,
but it was for his sake; at the price of my peace, but to spare him.
Ah, Monsieur, the days of life are not many for him: his shame and his
futile aims are killing him. The clouds will soon close over, and his
vexed brain and body will be still. To spare him the last turn of the
wheel of torture, to give him the one bare honour left him yet a little
while, I have given up my work of life to comfort him. I concealed, I
stole, if you will, the document you hold. And, God help me! I would do
it again and yet again, if I lost my soul for ever, Monsieur. Monsieur,
I know that in his madness he would have killed you, but it was his
suffering, not a bad heart, that made him do it. Do a sorrowful woman a
great kindness and spare him, Monsieur."

She had held the man motionless and staring. When she ended, he got to
his feet and came near to her. There was a curious look in his face,
half struggle, half mysterious purpose. "The way is easy to a hundred
times as much," he said, in a low meaning voice, and his eyes boldly
held hers. "You are doing a chivalrous sort of thing that only a woman
would do--for duty; do something for another reason: for what a woman
would do--for the blood of youth that is in her." He reached out a hand
to lay it on her arm. "Ask of me what you will, if you but put your hand
in mine and--"

"Monsieur," she said, pale and gasping, "do you think so ill of me then?
Do I seem to you like--!" She turned away, her eyes dry and burning, her
body trembling with shame.

"You are here alone with me at night," he persisted. "It would not be
easy to--"

"Death would be easy, Monsieur," she said calmly and coldly. "My husband
tried to kill you. You would do--ah, but let me pass!" she said, with a
sudden fury. "You--if you were a million times richer, if you could ruin
me for ever, do you think--"

"Hush, Madame," he said, with a sudden change of voice and a manner all
reverence. "I do not think. I spoke only to hear you speak in reply:
only to know to the uttermost what you were. Madame," he added, in a
shaking voice, "I did not know that such a woman lived. Madame, I could
have sworn there was none in the world." Then in a quicker, huskier note
he added: "Eighteen years ago a woman nearly spoiled my life. She was
as beautiful as you, but her heart was tainted. Since then I have
never believed in any woman--never till now. I have said that all were
purchasable--at a price. I unsay that now. I have not believed in any
one--"

"Oh, Monsieur!" she said, with a quick impulsive gesture towards him,
and her face lighting with sympathy.

"I was struck too hard--"

She touched his arm and said gently: "Some are hurt in one way and some
in another; all are hurt some time, but--"

"You shall have your way," he interrupted, and moved apart.

"Ah, Monsieur, Monsieur, it is a noble act!--" she hurriedly rejoined,
then with a sudden cry rushed towards him, for he was lighting the will
at the flame of a candle near him.

"But no, no, no, you shall not do it," she cried. "I only asked it for
while he lives--ah!"

She collapsed with a cry of despair, for he had held the flaming paper
above her reach, and its ashes were now scattering on the floor.

"You will let me give you some wine?" he said quietly, and poured out a
glassful.




CHAPTER IX. THE BITER BITTEN

Madelinette was faint, and, sitting down, she drank the wine feebly,
then leaned her head against the back of the chair, her face turned from
Fournel.

"Forgive me, if you can," he said. "You have this to comfort you, that
if friendship is a boon in this world you have an honest friend in
George Fournel."

She made a gesture of assent with her hand, but she did not speak. Tears
were stealing quietly down her cold face. For a moment so, in silence,
and then she rose to her feet, and pulled down over her face the veil
she wore. She was about to hold out her hand to him to say good-bye,
when there was a noise without, a knocking at the door, then it was
flung open, and Tardif, intoxicated, entered followed by two constables,
with Fournel's servant vainly protesting.

"Here she is," Tardif said to the officers of the law, pointing to
Madelinette. "It was her set the fellow on to shoot me. I had the will
she stole from him," he added, pointing to Fournel.

Distressed as Madelinette was, she was composed and ready.

"The man was dismissed my employ--" she began, but Fournel interposed.

"What is this I hear about shooting and a will?" he said sternly.

"What will!" cried Tardif. "The will I brought you from Pontiac, and
Madame there followed, and her servant shot me. The will I brought you,
M'sieu'. The will leaving the Manor of Pontiac to you!"

Fournel turned as though with sudden anger to the officers. "You come
here--you enter my house to interfere with a guest of mine, on the
charge of a drunken scoundrel like this! What is this talk of wills!
The vapourings of his drunken brain. The Seigneury of Pontiac belongs
to Monsieur Racine, and but three days since Madame here dismissed this
fellow for pilfering and other misdemeanours. As for shooting--the man
is a liar, and--"

"Ah, do you deny that I came to you?--" began Tardif.

"Constables," said Fournel, "I give this fellow in charge. Take him to
gaol, and I will appear at court against him when called upon."

Tardif's rage choked him. He tried to speak once or twice, then began
to shriek an imprecation at Fournel; but the constables clapped hands on
his mouth, and dragged him out of the room and out of the house.

Fournel saw him safely out, then returned to Madelinette. "Do not fear
for the fellow. A little gaol will do him good. I will see to it that he
gives no trouble, Madame," he said. "You may trust me."

"I do trust you, Monsieur," Madelinette answered quietly. "I pray that
you may be right, and that--" "It will all come out right," he firmly
insisted. "Will you ask for Madame Marie?" she said. Then with a smile:
"We will go happier than we came."

As she and Madame Marie passed from the house, Fournel shook
Madelinette's hand warmly, and said: "'All's well that ends well.'"

"That ends well," answered Madelinette, with a sorrowful questioning in
her voice.

"We will make it so," he rejoined, and then they parted.




CHAPTER X. THE DOOR THAT WOULD NOT OPEN

The old Manor House of Pontiac was alive with light and merriment. It
was the early autumn; not cool enough for the doors and windows to be
shut, but cool enough to make dancing a pleasure, and to give spirit to
the gaiety that filled the old house. The occasion was a notable one for
Pontiac. An address of congratulation and appreciation and a splendid
gift of silver had been brought to the Manor from the capital by certain
high officials of the Government and the Army, representing the people
of the Province. At first Madelinette had shrunk from the honour to be
done her, and had so written to certain quarters whence the movement had
proceeded; but a letter had come to her which had changed her mind. This
letter was signed George Fournel. Fournel had a right to ask a favour of
her; and one that was to do her honour seemed the least that she might
grant. He had suffered much at Louis' hands; he had forborne much;
and by an act of noble forgiveness and generosity, had left Louis
undisturbed in an honour which was not his, and the enjoyment of an
estate to which he had no claim. He had given much, suffered much, and
had had nothing in return save her measureless and voiceless gratitude.
Friendship she could give him; but it was a silent friendship, an
incompanionable friendship, founded upon a secret and chivalrous act. He
was in Quebec and she in Pontiac; and since that day when he had burned
the will before her eyes she had not seen him. She had heard from him
but twice; once to tell her that she need have no fear of Tardif, and
again, when he urged her to accept the testimonial and the gift to be
offered by her grateful fellow-citizens.

The deputation, distinguished and important, had been received by the
people of Pontiac with the flaunting of flags, playing of bands, and
every demonstration of delight. The honour done to Madelinette was an
honour done to Pontiac, and Pontiac had never felt itself so important.
It realised that this kind of demonstration was less expensive, and less
dangerous, than sedition, privy conspiracy, and rebellion. The vanity of
the habitants could be better exercised in applauding Madelinette and
in show of welcome to the great men of the land, than in cultivating a
dangerous patriotism under the leadership of Louis Racine. Temptations
to conspiracy had been few since the day George Fournel, wounded and
morose, left the Manor House secretly one night, and carried back to
Quebec his resentment and his injuries. Treasonable gossip filtered no
longer from doorway to doorway; carbines were not to be had for a
song; no more nightly drills and weekly meetings gave a spice of great
expectations to their life. Their Seigneur, silent, and pale, and
stooped, lived a life apart. If he walked through the town, it was with
bitter, abstracted eyes that took little heed of their presence. If he
drove, his horses travelled like the wind. At Mass, he looked at no one,
saw no one, and, as it would seem, heard no one.

But Madelinette--she was the Madelinette of old, simple, gracious, kind,
with a smile here and a kind word there: a little child to be caressed
or an old woman to be comforted; the sick to be fed and doctored; the
poor to be helped; the idle to be rebuked with a persuasive smile; the
angry to be coaxed by a humorous word; the evil to be reproved by a
fearless friendliness; the spiteful to be hushed by a still, commanding
presence. She never seemed to remember that she was the daughter of old
Joe Lajeunesse the blacksmith, yet she never seemed to forget it. She
was the wife of the Seigneur, and she was the daughter of the smithy-man
too. She sat in the smithy-man's doorway with her hand in his; and
she sat at the Manor table with its silver glitter, and its antique
garnishings, with as real an unconsciousness.

Her influence seemed to pierce far and wide. The Cure and the Avocat
adored her; and the proudest, happiest moment of their lives was when
they sat at the Manor table, or, in the sombre drawing-room, watched
her give it light and grace and charm, and fill their hearts with the
piercing delight of her song. So her life had gone on; to the outward
world serene and happy, full of simplicity, charity, and good works.
What it was in reality no one could know, not even herself. Since
the day when Louis had tried to kill George Fournel, life had been a
different thing for them both. On her part she had been deeply hurt;
wounded beyond repair. He had failed her from every vital stand-point,
he had not fulfilled one hope she had ever had of him. But she laid the
blame not at his door; she rather shrank with inner bitterness from
the cynical cruelty of nature, which, in deforming the body, with a
merciless cruelty had deformed a noble mind. These things were between
her and her inmost soul.

To Louis she was ever the same, affectionate, gentle, and unselfish;
but her stronger soul ruled him without his knowledge, commanded his
perturbed spirit into the abstracted quiet and bitter silence wherein
he lived, and which she sought to cheer by a thousand happy devices. She
did not let him think that she was giving up anything for him; no word
or act of hers could have suggested to him the sacrifices she had
made. He knew them, still he did not know them in their fulness; he was
grateful, but his gratitude did not compass the splendid self-effacing
devotion with which she denied herself the glorious career that had lain
before her. Morbid and self-centred, he could not understand. Since her
return from Quebec she had sought to give a little touch of gaiety to
their life, and she had not the heart to interfere with his constant
insistence on the little dignities of the position of Seigneur, ironical
as they all were in her eyes. She had sacrificed everything; and since
another also had sacrificed himself to give her husband the honours and
estate he possessed, the game should be delicately played to the unseen
end.

So it had gone on until the coming of the deputation with the
testimonial and the gift. She had proposed the gaieties of the occasion
to Louis with so simple a cheerfulness, that he had no idea of the
torture it meant to her; no realisation of how she would be brought face
to face with the life that she had given up for his sake. But neither
he nor she was aware of one thing, that the beautiful embossed address
contained an appeal to her to return to the world of song which she
had renounced, to go forth once more and contribute to the happiness of
humanity.

When, therefore, in the drawing-room of the Manor, the address was read
to her, and this appeal rang upon her ears, she felt herself turn dizzy
and faint: her whole life seemed to reel backwards to all she had lost,
and the tyranny of the present bore down upon her with a cruel weight.
It needed all her courage and all her innate strength to rule herself to
composure. For an instant the people in the room were a confused mass,
floating away into a blind distance. She heard, however, the quick
breathing of the Seigneur beside her, and it called her back to an
active and necessary confidence.

With a smile she received the address, and, turning, handed it to Louis,
smiling at him too with a winning duplicity, for which she might never
have to ask forgiveness in this world or the next. Then she turned
and spoke. Eloquently, simply, she gave out her thanks for the gift of
silver and the greater gift of kind words; and said that in her quiet
life, apart from that active world of the stage, where sorrow and sordid
experience went hand in hand with song, where the delights of home were
sacrificed to the applause of the world, she would cherish their gift as
a reward that she might have earned, had she chosen the public instead
of the private way of life. They had told her of the paths of glory, but
she was walking the homeward way.

Thus deftly, and without strain, and with an air of happiness even, did
she set aside the words and the appeal which had created a storm in her
soul. A few moments afterwards, as the old house rang to the laughter of
old and young, with dancing well begun, no one would have thought that
the Manor of Pontiac was not the home of peace and joy. Even Louis
himself, who had had his moments of torture and suspicion when the
appeal was read, was now in a kind of happy reaction. He moved about
among the guests with less abstraction and more cheerfulness than he had
shown for months. He carried in his hand the address which Madelinette
had handed him. Again and again he showed it to eager guests.

Suddenly, as he was about to fold it up for the last time and carry it
to the library, he saw the name of George Fournel among the signatures.
Stunned, dumfounded, he left the room. George Fournel, whom he had tried
to kill, had signed this address of congratulation to his wife! Was it
Fournel's intention thus to show that he had forgiven and forgotten? It
was not like the man to either forgive or forget. What did it mean? He
left the house buried in morbid speculation, and involuntarily made his
way to a little hut of two rooms which he had built in the Seigneury
grounds. Here it was he read and wrote, here he had spent moody hours
alone, day after day, for months past. He was not aware that some one
left the crowd about the house and followed him. Arrived at the hut,
he entered and shut the door; lighted candles, and spread the embossed
parchment out before him upon the table. As he stood looking at it, he
heard the door open behind him. Tardif stood before him.

The face of Tardif had an evil hunted look. Before the astonished
and suspicious Seigneur had chance to challenge him, he said in a low
insolent tone:

"Good evening, M'sieu'! Fine doings at the Manor--eh?

"What are you doing at the Manor, and what are you doing here?" asked
the Seigneur, scanning the face of the man closely; for there was a look
in it he did not understand.

"I have as much right to be here as you, M'sieu'."

"You have no right at all to be here. You were dismissed your place by
the mistress of this Manor."

"There is no mistress of this Manor."

"Madame Racine dismissed you."

"And I dismissed Madame Racine," answered the man with a sneer.

"You are training for the horsewhip. You forget that, as Seigneur, I
have power to give you summary punishment."

"You haven't power to do anything at all, M'sieu'!" The Seigneur
started. He thought the remark had reference to his physical disability.
His fingers itched to take the creature by the throat, and choke the
tongue from his mouth. Before he could speak, the man continued with a
half-drunken grimace:

"You, with your tributes, and your courts, and your body-guards! Bah!
You'd have a gibbet if you could, wouldn't you? You with your rebellion
and your tinpot honours! A puling baby could conspire as well as you.
And all the world laughing at you--v'la!"

"Get out of this room and take your feet from my Manor, Tardif," said
the Seigneur with a deadly quietness, "or it will be the worse for you."

"Your Manor--pish!" The man laughed a hateful laugh. "Your Manor? You
haven't any Manor. You haven't anything but what you carry on your
back."

A flush passed swiftly over the Seigneur's face, then left it cold
and white, and the eyes shone fiery in his head. He felt some shameful
meaning in the man's words, beyond this gross reference to his
deformity.

"I am Seigneur of this Manor, and you have taken wages from me, and
eaten my bread, slept under my roof, and--"

"I've no more eaten your bread and slept under your roof than you have.
Pish! You were living then on another man's fortune, now you're living
on what your wife earns."

The Seigneur did not understand yet. But there was a strange light of
suspicion in his eyes, a nervous rage knotting his forehead.

"My land and my earnings are my own, and I have never lived on another
man's fortune. If you mean that the late Seigneur made a will--that
canard--"

"It was no canard." Tardif laughed hatefully. "There was a will right
enough."

"Where is it? I've heard that fool's gossip before."

"Where is it? Ask your wife; she knows. Ask your loving Tardif, he
knows."

"Where is the will, Tardif?" asked the Seigneur in a voice that, in his
own ears, seemed to come from an infinite distance; to Tardif's ears it
was merely tuneless and harsh.

"In M'sieu' Fournel's pocket, or Madame's. What's the difference? The
price is the same, and you keep your eyes shut and play the Seigneur,
and eat and drink what they give you just the same."

Now the Seigneur understood. His eyes went blind for a moment, and his
hands twitched convulsively on the embossed address he had been rolling
and unrolling. A terror, a shame, a dreadful cruelty entered into him,
but he was still and numb, and his tongue was thick. He spoke heavily.

"Tell me all," he said. "You shall be well paid."

"I don't want your money. I want to see you squirm. I want to see
her put where she deserves. Bah! Do you think Fournel forgave you for
putting his feet in his shoes, and for that case at law, for nothing?
Why should he? He hated you, and you hated him. His name's on that paper
in your hand among all the rest. Do you think he eats humble pie and
crawls to Madame and lets you stay here for nothing?"

The Seigneur was painfully quiet and intent, yet his brain was like some
great lens, refracting and magnifying things to monstrous proportions.

"A will was found?" he asked.

"By Madame in the library. She left it where she found it--behind the
picture over the Louis Seize table. The day you dismissed me, I saw
her at the cupboard. I found the will and started with it to M'sieu'
Fournel. She followed. You remember when she went--eh? On business--and
such business! she and Havel and the old slut Marie. You remember, eh;
Louis?" he added with unnamable insolence. The Seigneur inclined his
head. "V'la! they followed me, overtook me, and Havel shot me in the
wrist. See there!"--he held out his wrist. The Seigneur nodded. "But I
got to Fournel's first. I put the will into his hands.

"I told him Madame Madelinette was following. Then I went to bring the
constables to his house to arrest her when he had finished with her."
He laughed a brutal laugh, which deepened the strange glittering look
in Louis' eyes. "When I came an hour later, she was there. But--now you
shall see what stuff they are both made of! He laughed at me, said I had
lied; that there was no will; that I was a thief; and had me locked up
in gaol. For a month I was in gaol without trial. Then one day I was let
out without trial. His servant met me and brought me to his house. He
gave me money and told me to leave the country. If I didn't, I would be
arrested again for trying to shoot Havel, and for blackmail. They could
all swear me off my feet and into prison--what was I to do! I took the
money and went. But I came back to have my revenge. I could cut their
hearts out and eat them."

"You are drunk," said the Seigneur quietly. "You don't know what you're
saying."

"I'm not drunk. I'm always trying to get drunk now. I couldn't have come
here if I hadn't been drinking. I couldn't have told you the truth, if
I hadn't been drinking. But I'm sober enough to know that I've done for
him and for her! And I'm even with you too--bah! Did you think she cared
a fig for you? She's only waiting till you die. Then she'll go to her
lover. He's a man of life and limb. Youpish! a hunchback, that all
the world laughs at, a worm--" he turned towards the door laughing
hideously, his evil face gloating. "You've not got a stick or stone.
She"--jerking a finger towards the house--"she earns what you eat,
she--"

It was the last word he ever spoke, for, with a low terrible cry,
the Seigneur snatched up a knife from the table and sprang upon him,
catching him by the throat. Once, twice, thrice, the knife went home,
and the ruffian collapsed under it with one loud cry. Not letting go
his grasp of the dying man's collar, the Seigneur dragged him across the
floor, and, opening the door of the small inner room, pulled him inside.
For a moment he stood beside the body, panting, then he went to the
other room and, bringing a candle, looked at the dead thing in silence.
Presently he stooped, held the candle to the wide-staring eyes, then
felt the heart. "He is gone," he said in an even voice. Stooping for the
knife he had dropped on the floor, he laid it on the body. He looked at
his hands. There was one spot of blood on his fingers. He wiped it off
with his handkerchief, then blowing out the light, he calmly opened the
door of the hut, locked it, went out, and moved on slowly towards the
house.

As he left the hut he was conscious that some one was moving under the
trees by the window, but his mind was not concerned with things outside
himself and the one other thing left for him to do.

He entered the house and went in search of Madelinette. When he reached
the drawing-room, surrounded by eager listeners, she was beginning to
sing. Her bearing was eager and almost tremulous, for, with this crowd
round her and in the flush of this gaiety and excitement, there was
something of that exhilarating air that greets the singer upon
the stage. Her eyes were shining with a look, half-sorrowful,
half-triumphant. Within the past half-hour she had overcome herself;
she had fought down the blind, wild rebellion that, for one moment as
it were, had surged up in her heart. She was proud and glad, and piteous
and triumphant and deeply womanly all at once.

Going to the piano she had looked round for Louis, but he was not
visible. She smiled to herself, however, for she knew that her singing
would bring him--he worshipped it. Her heart was warm towards him,
because of that moment when she rebelled and was hard at soul. She
played her own accompaniment, and he was hidden from her by the piano
as she sang--sang more touchingly and more humanly, if not more
artistically, than she had ever done in her life. The old art was not
so perfect, perhaps, but there was in the voice all that she had learned
and loved and suffered and hoped. When she rose from the piano to a
storm of applause, and saw the shining faces and tearful eyes round her,
her own eyes filled with tears. These people--most of them--had known
and loved her since she was a child, and loved her still without envy
or any taint. Her father was standing near, and with smiling face she
caught from his hand the handkerchief with which he was mopping his
eyes, and kissed him, saying:

"I learned that from the tunes you played on your anvil, dear
smithy-man."

Then she turned again to look for Louis. Near the door she saw him, and
with so strange a face, so wild a look, that, unheeding eager requests
to sing again, she responded to the gesture he made, made her way
through the crowd to the hall-way, and followed him up the stairs, and
to the little boudoir beside her bedroom. As she entered and shut the
door, a low sound like a moan broke from him. She went quickly to lay
a hand upon his arm, but he waved her back. "What is it, Louis?" she
asked, in a bewildered voice. "Where is the will?" he said.

"Where is the will, Louis," she repeated after him mechanically, staring
at his face, ghostly in the moonlight.

"The will you found behind the picture in the library."

"O Louis!" she cried, and made a gesture of despair. "O Louis!"

"You found it, and Tardif stole it and took it to Quebec."

"Yes, Louis, but Louis--ah, what is the matter, dear! I cannot bear that
look in your face. What is the matter, Louis?"

"Tardif took it to Fournel, and you followed. And I have been living in
another man's house, on another's bread--"

"O Louis, no--no--no! Our money has paid for all."

"Your money, Madelinette!" His voice rose.

"Ah, don't speak like that! See, Louis. It can make no difference. How
you have found out I do not know, but it can make no difference. I did
not want you to know--you loved the Seigneury so. I concealed the will;
Tardif found it, as you say. But, Louis, dear, it is all right. Monsieur
Fournel would not take the place, and--and I have bought it."

She told her falsehood fearlessly. This man's trouble, this man's peace,
if she might but win it, was the purpose of her life.

"Tardif said that--he said that you--that you and Fournel--"

She read his meaning in his tone, and shrank back in terror, then with a
flush, straightened herself, and took a step towards him.

"It was natural that you should not care for a hunchback like me," he
continued, "but--"

"Louis!" she cried, in a voice of anguish and reproach.

"But I did not doubt you. I believed in you when he said it, as I
believe in you now when you stand there like that. I know what you have
done for me--"

"I pleaded with Monsieur Fournel, knowing how you loved the
Seigneury--pleaded and offered to pay three times the price--"

"Yourself would have been a hundred million times the price. Ah, I know
you, Madelinette--I know you now! I have been selfish, but I see all
now. Now when all is over--" he seemed listening to noises with out--"I
see what you have done for me. I know how you have sacrificed all for
me--all but honour--all but honour," he added, a wild fire in his eyes,
a trembling seizing him. "Your honour is yours forever. I say so. I say
so, and I have proved it. Kiss me, Madelinette--kiss me once," he added,
in a quick whisper.

"My poor, poor Louis!" she said, laid a soothing hand upon his arm, and
leaned towards him. He snatched her to his breast, and kissed her twice
in a very agony of joy, then let her go. He listened for an instant to
the growing noise without, then said in a hoarse voice:

"Now, I will tell you, Madelinette. They are coming for me--don't you
hear them? They are coming to take me; but they shall not have me.
They shall not have me--" he glanced to a little door that led into a
bath-room at his right.

"Louis-Louis!" she said in a sudden fright, for though his words seemed
mad, a strange quiet sanity was in all he did. "What have you done? Who
are coming?" she asked in agony, and caught him by the arm.

"I killed Tardif. He is there in the hut in the garden--dead! I was
seen, and they are coming to take me."

With a cry she ran to the door that led into the hall, and locked it.
She listened, then turned her face to Louis.

"You killed him!" she gasped. "Louis! Louis!" Her face was like ashes.

"I stabbed him to death. It was all I could do, and I did it. He
slandered you. I went mad, and did it. Now--"

There was a knocking at the door, and a voice calling--a peremptory
voice.

"There is only one way," he said. "They shall not take me. I will not
be dragged to gaol for crowds to jeer at. I will not be sent to the
scaffold, to your shame."

He ran to the door of the bath-room and flung it open. "If my life is to
pay the price, then--!"

She came blindly towards him, stretching out her hands.

"Louis! Louis!" was all that she could say.

He caught her hands and kissed them, then stepped swiftly back into the
little bath-room, and locked the door, as the door of the room she was
in was burst open, and two constables and a half-dozen men crowded into
the room.

She stood with her back to the bath-room door, panting, and white, and
anguished, and her ears strained to the terrible thing inside the place
behind her.

The men understood, and came towards her. "Stand back," she said. "You
shall not have him. You shall not have him. Ah, don't you hear? He
is dying--O God, O God!" she cried, with tearless eyes and upturned
face--"Ah, let it be soon! Ah, let him die soon!"

The men stood abashed before her agony. Behind the little door where
she stood there was a muffled groaning. She trembled, but her arms
were spread out before the door as though on a cross, and her lips kept
murmuring: "O God, let him die! Let him die! Oh spare him agony!"

Suddenly she stood still and listened-listened, with staring eyes that
saw nothing. In the room men shrank back, for they knew that death was
behind the little door, and that they were in the presence of a sorrow
greater than death.

Suddenly she turned upon them with a gesture of piteous triumph and
said:

"You cannot have him now."

Then she swayed and fell forward to the floor as the Cure and George
Fournel entered the room. The Cure hastened to her side and lifted up
her head.

George Fournel pushed the men back who would have entered the bath-room,
and himself, bursting the door open, entered. Louis lay dead upon the
floor. He turned to the constables.

"As she said, you cannot have him now. You have no right here. Go. I had
a warning from the man he killed. I knew there would be trouble. But I
have come too late," he added bitterly.

An hour later the house was as still as the grave. Madame Marie sat with
the doctor beside the bed of her dear mistress, and in another room,
George Fournel, with the Avocat, kept watch beside the body of the
Seigneur of Pontiac. The face of the dead man was as peaceful as that of
a little child.

       .........................

At ninety years of age, the present Seigneur of Pontiac, one Baron
Fournel, lives in the Manor House left him by Madelinette Lajeunesse the
great singer, when she died a quarter of a century ago. For thirty years
he followed her from capital to capital of Europe and America to hear
her sing; and to this day he talks of her in language more French
than English in its ardour. Perhaps that is because his heart beats in
sympathy with the Frenchmen he once disdained.




THE ABSURD ROMANCE OF P'TITE LOUISON

The five brothers lived with Louison, three miles from Pontiac, and
Medallion came to know them first through having sold them, at an
auction, a slice of an adjoining farm. He had been invited to their
home, intimacy had grown, and afterwards, stricken with a severe
illness, he had been taken into the household and kept there till he was
well again. The night of his arrival, Louison, the sister, stood with
a brother on either hand--Octave and Florian--and received him with
a courtesy more stately than usual, an expression of the reserve and
modesty of her single state. This maidenly dignity was at all times
shielded by the five brothers, who treated her with a constant and
reverential courtesy. There was something signally suggestive in their
homage, and Medallion concluded at last that it was paid not only to the
sister, but to something that gave her great importance in their eyes.

He puzzled long, and finally decided that Louison had a romance. There
was something which suggested it in the way they said "P'tite
Louison"; in the manner they avoided all gossip regarding marriages
and marriage-feasting; in the way they deferred to her on questions of
etiquette (as, for instance, Should the eldest child be given the family
name of the wife or a Christian name from her husband's family?). And
P'tite Louison's opinion was accepted instantly as final, with satisfied
nods on the part of all the brothers, and whispers of "How clever! how
adorable!"

P'tite Louison affected never to hear these remarks, but looked
complacently straight before her, stirring the spoon in her cup, or
benignly passing the bread and butter. She was quite aware of the homage
paid to her, and she gracefully accepted the fact that she was an object
of interest.

Medallion had not the heart to laugh at the adoration of the brothers,
or at the outlandish sister, for, though she was angular, and sallow,
and thin, and her hands were large and red, there was a something deep
in her eyes, a curious quality in her carriage commanding respect. She
had ruled these brothers, had been worshipped by them, for near half a
century, and the romance they had kept alive had produced a grotesque
sort of truth and beauty in the admiring "P'tite Louison"--an
affectionate name for her greatness, like "The Little Corporal" for
Napoleon. She was not little, either, but above the middle height, and
her hair was well streaked with grey.

Her manner towards Medallion was not marked by any affectation. She was
friendly in a kind, impersonal way, much as a nurse cares for a patient,
and she never relaxed a sort of old-fashioned courtesy, which might have
been trying in such close quarters, were it not for the real simplicity
of the life and the spirit and lightness of their race. One night
Florian--there were Florian and Octave and Felix and Isidore and
Emile--the eldest, drew Medallion aside from the others, and they walked
together by the river. Florian's air suggested confidence and mystery,
and soon, with a voice of hushed suggestion, he told Medallion the
romance of P'tite Louison. And each of the brothers at different times
during the next fortnight did the same, differing scarcely at all in
details, or choice of phrase or meaning, and not at all in general facts
and essentials. But each, as he ended, made a different exclamation.

"Voila, so sad, so wonderful! She keeps the ring--dear P'tite Louison!"
said Florian, the eldest.

"Alors, she gives him a legacy in her will! Sweet P'tite Louison," said
Octave.

"Mais, the governor and the archbishop admire her--P'tite Louison:" said
Felix, nodding confidently at Medallion.

"Bien, you should see the linen and the petticoats!" said Isidore, the
humorous one of the family. "He was great--she was an angel, P'tite
Louison!"

"Attends! what love--what history--what passion!--the perfect P'tite
Louison!" cried Emile, the youngest, the most sentimental. "Ah,
Moliere!" he added, as if calling on the master to rise and sing the
glories of this daughter of romance.

Isidore's tale was after this fashion:

"I ver' well remember the first of it; and the last of it--who can tell?
He was an actor--oh, so droll, that! Tall, ver' smart, and he play in
theatre at Montreal. It is in the winter. P'tite Louison visit Montreal.
She walk past the theatre and, as she go by, she slip on the snow and
fall. Out from a door with a jomp come M'sieu' Hadrian, and pick her up.
And when he see the purty face of P'tite Louison, his eyes go all fire,
and he clasp her hand to his breast.

"'Ma'm'selle, Ma'm'selle,' he say, 'we must meet again!'

"She thank him and hurry away queeck. Next day we are on the river, and
P'tite Louison try to do the Dance of the Blue Fox on the ice. While she
do it, some one come up swift, and catch her hand and say: 'Ma'm'selle,
let's do it together'--like that! It take her breath away. It is M'sieu'
Hadrian. He not seem like the other men she know; but he have a sharp
look, he is smooth in the face, and he smile kind like a woman. P'tite
Louison, she give him her hand, and they run away, and every one stop to
look. It is a gran' sight. M'sieu' Hadrian laugh, and his teeth shine,
and the ladies say things of him, and he tell P'tite Louison that she
look ver' fine, and walk like a queen. I am there that day, and I see
all, and I think it dam good. I say: 'That P'tite Louison, she beat them
all'--I am only twelve year old then. When M'sieu' Hadrian leave, he
give her two seats for the theatre, and we go. Bagosh! that is grand
thing that play, and M'sieu' Hadrian, he is a prince; and when he say to
his minister, 'But no, my lord, I will marry out of my star, and where
my heart go, not as the State wills,' he look down at P'tite Louison,
and she go all red, and some of the women look at her, and there is a
whisper all roun'.

"Nex' day he come to the house where we stay, but the Cure come also
pretty soon and tell her she must go home--he say an actor is not good
company. Never mind. And so we come out home. Well, what you think?
Nex' day M'sieu' Hadrian come, too, and we have dam good time--Florian,
Octave, Felix, Emile, they all sit and say bully-good to him all the
time. Holy, what fine stories he tell! And he talk about P'tite Louison,
and his eyes get wet, and Emile he say his prayers to him--bagosh! yes,
I think. Well, at last, what you guess? M'sieu' he come and come, and at
last one day, he say that he leave Montreal and go to New York, where he
get a good place in a big theatre--his time in Montreal is finish. So
he speak to Florian and say he want marry P'tite Louison, and he say, of
course, that he is not marry and he have money. But he is a Protestan',
and the Cure at first ver' mad, bagosh!

"But at las' when he give a hunder' dollars to the Church, the Cure
say yes. All happy that way for while. P'tite Louison, she get ready
quick-sapre, what fine things had she--and it is all to be done in a
week, while the theatre in New York wait for M'sieu'. He sit there with
us, and play on the fiddle, and sing songs, and act plays, and help
Florian in the barn, and Octave to mend the fence, and the Cure to
fix the grape-vines on his wall. He show me and Emile how to play
sword-sticks; and he pick flowers and fetch them to P'tite Louison, and
teach her how to make an omelette and a salad like the chef of the Louis
Quinze Hotel, so he say. Bagosh, what a good time we have! But first
one, then another, he get a choke-throat when he think that P'tite
Louison go to leave us, and the more we try, the more we are bagosh
fools. And that P'tite Louison, she kiss us hevery one, and say to
M'sieu' Hadrian, 'Charles, I love you, but I cannot go.' He laugh at
her, and say, 'Voila! we will take them all with us:' and P'tite Louison
she laugh. That night a thing happen. The Cure come, and he look ver'
mad, and he frown and he say to M'sieu' Hadrian before us all, 'M'sieu',
you are married.'

"Sapre! that P'tite Louison get pale like snow, and we all stan' roun'
her close and say to her quick, 'Courage, P'tite Louison!' M'sieu'
Hadrian then look at the priest and say: 'No, M'sieu', I was married ten
years ago; my wife drink and go wrong, and I get divorce. I am free like
the wind.'

"'You are not free,' the Cure say quick. 'Once married, married till
death. The Church cannot marry you again, and I command Louison to give
you up.'

"P'tite Louison stan' like stone. M'sieu' turn to her. 'What shall it
be, Louison?' he say. 'You will come with me?'

"'Kiss me, Charles,' she say, 'and tell me good-bye till--till you are
free.'

"He look like a madman. 'Kiss me once, Charles,' she say, 'and let me
go.'

"And he come to her and kiss her on the lips once, and he say, 'Louison,
come with me. I will never give you up.'

"She draw back to Florian. 'Good-bye, Charles,' she say. 'I will wait as
long as you will. Mother of God, how hard it is to do right!' she say,
and then she turn and leave the room.

"M'sieu' Hadrian, he give a long sigh. 'It was my one chance,' he say.
'Now the devil take it all!' Then he nod and say to the Cure: 'We'll
thrash this out at Judgment Day, M'sieu'. I'll meet you there--you and
the woman that spoiled me.'

"He turn to Florian and the rest of us, and shake hands, and say: 'Take
care of Louison. Thank you. Good-bye.' Then he start towards the door,
but stumble, for he look sick. 'Give me a drink,' he say, and begin to
cough a little--a queer sort of rattle. Florian give him big drink, and
he toss it off-whiff! 'Thank you,' he say, and start again, and we see
him walk away over the hill ver' slow--an' he never come back. But every
year there come from New York a box of flowers, and every year P'tite
Louison send him a 'Merci, Charles, mille fois. Dieu to garde.' It is so
every year for twenty-five year."

"Where is he now?" asked Medallion.

Isidore shook his head, then lifted his eyes religiously. "Waiting for
Judgment Day and P'tite Louison," he answered.

"Dead!" said Medallion.

"How long?"

"Twenty year."

"But the flowers--the flowers?"

"He left word for them to be sent just the same, and the money for it."

Medallion turned and took off his hat reverently, as if a soul were
passing from the world; but it was only P'tite Louison going out into
the garden.

"She thinks him living?" he asked gently as he watched Louison.

"Yes; we have no heart to tell her. And then he wish it so. And the
flowers kep' coming."

"Why did he wish it so?" Isidore mused a while.

"Who can tell? Perhaps a whim. He was a great actor--ah, yes, sublime!"
he said.

Medallion did not reply, but walked slowly down to where P'tite Louison
was picking berries. His hat was still off.

"Let me help you, Mademoiselle," he said softly. And henceforth he was
as foolish as her brothers.




THE LITTLE BELL OF HONOUR

"Sacre bapteme!"

"What did he say?" asked the Little Chemist, stepping from his doorway.

"He cursed his baptism," answered tall Medallion, the English
auctioneer, pushing his way farther into the crowd.

"Ah, the pitiful vaurien!" said the Little Chemist's wife, shudderingly;
for that was an oath not to be endured by any one who called the Church
mother.

The crowd that had gathered at the Four Corners were greatly disturbed,
for they also felt the repulsion that possessed the Little Chemist's
wife. They babbled, shook their heads, and waved their hands excitedly,
and swayed and craned their necks to see the offender.

All at once his voice, mad with rage, was heard above the rest, shouting
frenziedly a curse which was a horribly grotesque blasphemy upon the
name of God. Men who had used that oath in their insane anger had been
known to commit suicide out of remorse afterwards.

For a moment there was a painful hush. The crowd drew back involuntarily
and left a clear space, in which stood the blasphemer--a middle-sized,
athletic fellow, with black beard, thick, waving hair, and flashing
brown eyes. His white teeth were showing now in a snarl like a dog's,
his cap was on the ground, his hair was tumbled, his hands were
twitching with passion, his foot was stamping with fury, and every time
it struck the ground a little silver bell rang at his knee--a pretty
sylvan sound, in no keeping with the scene. It heightened the distress
of the fellow's blasphemy and ungovernable anger. For a man to curse
his baptism was a wicked thing; but the other oath was not fit for human
ears, and horror held the crowd moveless for a moment.

Then, as suddenly as the stillness came, a low, threatening mumble
of voices rose, and a movement to close in on the man was made; but
a figure pushed through the crowd, and, standing in front of the man,
waved the people back. It was the Cure, the beloved M. Fabre, whose life
had been spent among them, whom they obeyed as well as they could, for
they were but frail humanity, after all--crude, simple folk, touched
with imagination.

"Luc Pomfrette, why have you done this? What provocation had you?"

The Cure's voice was stern and cold, his usually gentle face had become
severe, his soft eyes were piercing and determined.

The foot of the man still beat the ground angrily, and the little bell
kept tinkling. He was gasping with passion, and he did not answer yet.

"Luc Pomfrette, what have you to say?" asked the Cure again. He motioned
back Lacasse, the constable of the parish, who had suddenly appeared
with a rusty gun and a more rusty pair of handcuffs.

Still the voyageur did not answer.

The Cure glanced at Lajeunesse the blacksmith, who stood near.

"There was no cause--no," sagely shaking his head said Lajeunesse, "Here
stand we at the door of the Louis Quinze in very good humour. Up come
the voyageurs, all laughing, and ahead of them is Luc Pomfrette, with
the little bell at his knee. Luc, he laugh the same as the rest, and
they stand in the door, and the garcon bring out the brandy--just a
little, but just enough too. I am talking to Henri Beauvin. I am telling
him Junie Gauloir have run away with Dicey the Protestant, when all very
quick Luc push between me and Henri, jump into the street, and speak
like that!"

Lajeunesse looked around, as if for corroboration; Henri and others
nodded, and some one said:

"That's true; that's true. There was no cause."

"Maybe it was the drink," said a little hunchbacked man, pushing his
way in beside the Cure. "It must have been the drink; there was nothing
else--no."

The speaker was Parpon the dwarf, the oddest, in some ways the most
foolish, in others the wisest man in Pontiac.

"That is no excuse," said the Cure.

"It is the only one he has, eh?" answered Parpon. His eyes were fixed
meaningly on those of Pomfrette.

"It is no excuse," repeated the Cure sternly. "The blasphemy is
horrible, a shame and stigma upon Pontiac for ever." He looked Pomfrette
in the face. "Foul-mouthed and wicked man, it is two years since you
took the Blessed Sacrament. Last Easter day you were in a drunken sleep
while Mass was being said; after the funeral of your own father you were
drunk again. When you went away to the woods you never left a penny for
candles, nor for Masses to be said for your father's soul; yet you sold
his horse and his little house, and spent the money in drink. Not a cent
for a candle, but--"

"It's a lie," cried Pomfrette, shaking with rage from head to foot.

A long horror-stricken "Ah!" broke from the crowd. The Cure's face
became graver and colder.

"You have a bad heart," he answered, "and you give Pontiac an evil name.
I command you to come to Mass next Sunday, to repent and to hear your
penance given from the altar. For until--"

"I'll go to no Mass till I'm carried to it," was the sullen, malevolent
interruption.

The Cure turned upon the people.

"This is a blasphemer, an evil-hearted, shameless man," he said. "Until
he repents humbly, and bows his vicious spirit to holy Church, and his
heart to the mercy of God, I command you to avoid him as you would a
plague. I command that no door be opened to him; that no one offer
him comfort or friendship; that not even a bon jour or a bon soir pass
between you. He has blasphemed against our Father in heaven; to the
Church he is a leper." He turned to Pomfrette. "I pray God that you have
no peace in mind or body till your evil life is changed, and your black
heart is broken by sorrow and repentance."

Then to the people he said again: "I have commanded you for your
souls' sake; see that you obey. Go to your homes. Let us leave the
leper--alone." He waved the awed crowd back.

"Shall we take off the little bell?" asked Lajeunesse of the Cure.

Pomfrette heard, and he drew himself together, his jaws shutting
with ferocity, and his hand flying to the belt where his voyageur's
case-knife hung. The Cure did not see this. Without turning his head
towards Pomfrette, he said:

"I have commanded you, my children. Leave the leper alone."

Again he waved the crowd to be gone, and they scattered, whispering to
each other; for nothing like this had ever occurred in Pontiac before,
nor had they ever seen the Cure with this granite look in his face, or
heard his voice so bitterly hard.

He did not move until he had seen them all started homewards from the
Four Corners. One person remained beside him--Parpon the dwarf.

"I will not obey you, M'sieu' le Cure," said he. "I'll forgive him
before he repents."

"You will share his sin," answered the Cure sternly. "No; his
punishment, M'sieu'," said the dwarf; and turning on his heel, he
trotted to where Pomfrette stood alone in the middle of the road, a
dark, morose figure, hatred and a wild trouble in his face.

Already banishment, isolation, seemed to possess Pomfrette, to surround
him with loneliness. The very effort he made to be defiant of his fate
appeared to make him still more solitary. All at once he thrust a hand
inside his red shirt, and, giving a jerk which broke a string tied round
his neck, he drew forth a little pad--a flat bag of silk, called an
Agnus Dei, worn as a protection and a blessing by the pious, and threw
it on the ground. Another little parcel he drew from his belt, and
ground it into the dirt with his heel. It contained a woman's hair.
Then, muttering, his hands still twitching with savage feeling, he
picked up his cap, covered with dirt, put it on, and passed away down
the road towards the river, the little bell tinkling as he went. Those
who heard it had a strange feeling, for already to them the man was as
if he had some baleful disease, and this little bell told of the passing
of a leper.

Yet some one man had worn just such a bell every year in Pontiac. It was
the mark of honour conferred upon a voyageur by his fellows, the token
of his prowess and his skill. This year Luc Pomfrette had won it, and
that very day it had been buckled round his leg with songs and toasts.

For hours Pomfrette walked incessantly up and down the river-bank,
muttering and gesticulating, but at last came quietly to the cottage
which he shared with Henri Beauvin. Henri had removed himself and his
belongings: already the ostracising had begun. He went to the bedroom
of old Mme. Burgoyne, his cousin; she also was gone. He went to a little
outhouse and called.

For reply there was a scratching at the door. He opened it, and a dog
leaped out and upon him. With a fierce fondness he snatched at the dog's
collar, and drew the shaggy head to his knee; then as suddenly shoved
him away with a smothered oath, and going into the house, shut the door.
He sat down in a chair in the middle of the room, and scarcely stirred
for half an-hour. At last, with a passionate jerk of the head, he got to
his feet, looking about the room in a half-distracted way. Outside, the
dog kept running round and round the house, silent, watchful, waiting
for the door to open.

As time went by, Luc became quieter, but the look of his face was more
desolate. At last he almost ran to the door, threw it open, and called.
The dog sprang into the room, went straight to the fireplace, lay
down, and with tongue lolling and body panting looked at Pomfrette with
blinking, uncomprehending eyes.

Pomfrette went to a cupboard, brought back a bone well covered with
meat, and gave it to the dog, which snatched it and began gnawing it,
now and again stopping to look up at his master, as one might look at
a mountain moving, be aware of something singular, yet not grasp the
significance of the phenomenon. At last, worn out, Pomfrette threw
himself on his bed, and fell into a sound sleep. When he awoke, it was
far into the morning. He lighted a fire in the kitchen, got a "spider,"
fried himself a piece of pork, and made some tea. There was no milk in
the cupboard; so he took a pitcher and walked down the road a few rods
to the next house, where lived the village milkman. He knocked, and the
door was opened by the milkman's wife. A frightened look came upon her
when she saw who it was.

"Non, non!" she said, and shut the door in his face. He stared blankly
at the door for a moment, then turned round and stood looking down
into the road, with the pitcher in his hand. The milkman's little boy,
Maxime, came running round the corner of the house. "Maxime," he said
involuntarily and half-eagerly, for he and the lad had been great
friends.

Maxime's face brightened, then became clouded; he stood still an
instant, and presently, turning round and looking at Pomfrette askance,
ran away behind the house, saying: "Non, non!"

Pomfrette drew his rough knuckles across his forehead in a dazed way;
then, as the significance of the thing came home to him, he broke out
with a fierce oath, and strode away down the yard and into the road.
On the way to his house he met Duclosse the mealman and Garotte the
lime-burner. He wondered what they would do. He could see the fat,
wheezy Duclosse hesitate, but the arid, alert Garotte had determination
in every motion and look. They came nearer; they were about to pass;
there was no sign.

Pomfrette stopped short. "Good-day, lime-burner; good-day, Duclosse," he
said, looking straight at them.

Garotte made no reply, but walked straight on. Pomfrette stepped swiftly
in front of the mealman. There was fury in his face-fury and danger; his
hair was disordered, his eyes afire.

"Good-day, mealman," he said, and waited. "Duclosse," called Garotte
warningly, "remember!" Duclosse's knees shook, and his face became
mottled like a piece of soap; he pushed his fingers into his shirt and
touched the Agnus Dei that he carried there. That and Garotte's words
gave him courage. He scarcely knew what he said, but it had meaning.
"Good-bye-leper," he answered.

Pomfrette's arm flew out to throw the pitcher at the mealman's head,
but Duclosse, with a grunt of terror, flung up in front of his face
the small bag of meal that he carried, the contents pouring over
his waistcoat from a loose corner. The picture was so ludicrous that
Pomfrette laughed with a devilish humour, and flinging the pitcher
at the bag, he walked away towards his own house. Duclosse, pale and
frightened, stepped from among the fragments of crockery, and with
backward glances towards Pomfrette joined his comrade.

"Lime-burner," he said, sitting down on the bag of meal, and
mechanically twisting tight the loose, leaking corner, "the devil's in
that leper."

"He was a good enough fellow once," answered Garotte, watching
Pomfrette.

"I drank with him at five o'clock yesterday," said Duclosse
philosophically. "He was fit for any company then; now he's fit for
none."

Garotte looked wise. "Mealman," said he, "it takes years to make folks
love you; you can make them hate you in an hour. La! La! it's easier to
hate than to love. Come along, m'sieu' dusty-belly."

Pomfrette's life in Pontiac went on as it began that day. Not once a
day, and sometimes not once in twenty days, did any human being speak to
him. The village baker would not sell him bread; his groceries he had to
buy from the neighbouring parishes, for the grocer's flighty wife called
for the constable when he entered the bake-shop of Pontiac. He had
to bake his own bread, and do his own cooking, washing, cleaning, and
gardening. His hair grew long and his clothes became shabbier. At last,
when he needed a new suit--so torn had his others become at woodchopping
and many kinds of work--he went to the village tailor, and was promptly
told that nothing but Luc Pomfrette's grave-clothes would be cut and
made in that house.

When he walked down to the Four Corners the street emptied at once, and
the lonely man with the tinkling bell of honour at his knee felt the
whole world falling away from sight and touch and sound of him. Once
when he went into the Louis Quinze every man present stole away in
silence, and the landlord himself, without a word, turned and left
the bar. At that, with a hoarse laugh, Pomfrette poured out a glass
of brandy, drank it off, and left a shilling on the counter. The next
morning he found the shilling, wrapped in a piece of paper, just inside
his door; it had been pushed underneath. On the paper was written: "It
is cursed." Presently his dog died, and the day afterwards he suddenly
disappeared from Pontiac, and wandered on to Ste. Gabrielle, Ribeaux,
and Ville Bambord. But his shame had gone before him, and people shunned
him everywhere, even the roughest. No one who knew him would shelter
him. He slept in barns and in the woods until the winter came and snow
lay thick upon the ground. Thin and haggard, and with nothing left of
his old self but his deep brown eyes and curling hair, and his unhappy
name and fame, he turned back again to Pontiac. His spirit was sullen
and hard, his heart closed against repentance. Had not the Church and
Pontiac and the world punished him beyond his deserts for a moment's
madness brought on by a great shock!


One bright, sunshiny day of early winter, he trudged through the
snow-banked street of Pontiac back to his home. Men he once knew well,
and had worked with, passed him in a sled on their way to the great
shanty in the backwoods. They halted in their singing for a moment when
they saw him; then, turning their heads from him, dashed off, carolling
lustily:

            "Ah, ah, Babette,
              We go away;
             But we will come
              Again, Babette,
             Again back home,
              On Easter Day,
             Back home to play
              On Easter Day,
             Babette! Babette!"

"Babette! Babette!" The words followed him, ringing in his ears long
after the men had become a mere fading point in the white horizon behind
him.

This was not the same world that he had known, not the same Pontiac.
Suddenly he stopped short in the road.

"Curse them! Curse them! Curse them all!" he cried in a cracked, strange
voice. A woman hurrying across the street heard him, and went the
faster, shutting her ears. A little boy stood still and looked at him
in wonder. Everything he saw maddened him. He turned sharp round and
hurried to the Louis Quinze. Throwing open the door, he stepped inside.
Half-a-dozen men were there with the landlord. When they saw him, they
started, confused and dismayed. He stood still for a moment, looking at
them with glowering brows.

"Good-day," he said. "How goes it?"

No one answered. A little apart from the others sat Medallion the
auctioneer. He was a Protestant, and the curse on his baptism uttered
by Pomfrette was not so heinous in his sight. For the other oath, it was
another matter. Still, he was sorry for the man. In any case, it was
not his cue to interfere; and Luc was being punished according to his
bringing up and to the standards familiar to him. Medallion had never
refused to speak to him, but he had done nothing more. There was no
reason why he should provoke the enmity of the parish unnecessarily; and
up to this-point Pomfrette had shifted for himself after a fashion, if a
hard fashion.

With a bitter laugh, Pomfrette turned to the little bar.

"Brandy," he said; "brandy, my Bourienne."

The landlord shrugged his shoulder, and looked the other way.

"Brandy," he repeated. Still there was no sign.

There was a wicked look in his face, from which the landlord shrank
back-shrank so far that he carried himself among the others, and stood
there, half frightened, half dumfounded.

Pomfrette pulled out a greasy dollar-bill from his pocket--the last he
owned in the world--and threw it on the counter. Then he reached over,
caught up a brandy-bottle from the shelf, knocked off the neck with a
knife, and, pouring a tumblerful, drank it off at a gasp.

His head came up, his shoulders straightened out, his eyes snapped fire.
He laughed aloud, a sardonic, wild, coarse laugh, and he shivered once
or twice violently, in spite of the brandy he had drunk.

"You won't speak to me, eh? Won't you? Curse you! Pass me on the other
side--so! Look at me. I am the worst man in the world, eh? Judas is
nothing--no! Ack, what are you, to turn your back on me? Listen to me!
You, there, Muroc, with your charcoal face, who was it walk thirty miles
in the dead of winter to bring a doctor to your wife, eh? She die,
but that is no matter--who was it? It was Luc Pomfrette. You, Alphonse
Durien, who was it drag you out of the bog at the Cote Chaudiere? It was
Luc Pomfrette. You, Jacques Baby, who was it that lied for you to the
Protestant girl at Faribeau? Just Luc Pomfrette. You two, Jean and
Nicolas Mariban, who was it lent you a hunderd dollars when you lose all
your money at cards? Ha, ha, ha! Only that beast Luc Pomfrette! Mother
of Heaven, such a beast is he--eh, Limon Rouge?--such a beast that used
to give your Victorine little silver things, and feed her with bread
and sugar and buttermilk pop. Ah, my dear Limon Rouge, how is it all
different now!"

He raised the bottle and drank long from the ragged neck. When he took
it away from his mouth not much more than half remained in the quart
bottle. Blood was dripping upon his beard from a cut on his lip, and
from there to the ground.

"And you, M'sieu' Bourienne," he cried hoarsely, "do I not remember that
dear M'sieu' Bourienne, when he beg me to leave Pontiac for a little
while that I not give evidence in court against him? Eh bien! you
all walk by me now, as if I was the father of smallpox, and not Luc
Pomfrette--only Luc Pomfrette, who spits at every one of you for a pack
of cowards and hypocrites."

He thrust the bottle inside his coat, went to the door, flung it open
with a bang, and strode out into the street, muttering as he went. As
the landlord came to close the door Medallion said:

"The leper has a memory, my friends." Then he also walked out, and went
to his office depressed, for the face of the man haunted him.

Pomfrette reached his deserted, cheerless house. There was not a stick
of fire-wood in the shed, not a thing to eat or drink in cellar or
cupboard. The door of the shed at the back was open, and the dog-chains
lay covered with frost and half embedded in mud. With a shiver of misery
Pomfrette raised the brandy to his mouth, drank every drop, and threw
the bottle on the floor. Then he went to the front door, opened it, and
stepped outside. His foot slipped, and he tumbled head forward into the
snow. Once or twice he half raised himself, but fell back again, and
presently lay still. The frost caught his ears and iced them; it began
to creep over his cheeks; it made his fingers white, like a leper's.

He would soon have stiffened for ever had not Parpon the dwarf, passing
along the road, seen the open door and the sprawling body, and come and
drawn Pomfrette inside the house. He rubbed the face and hands and ears
of the unconscious man with snow till the whiteness disappeared, and,
taking off the boots, did the same with the toes; after which he drew
the body to a piece of rag carpet beside the stove, threw some blankets
over it, and, hurrying out, cut up some fence rails, and soon had a fire
going in the stove.

Then he trotted out of the house and away to the Little Chemist, who
came passively with him. All that day, and for many days, they fought
to save Pomfrette's life. The Cure came also; but Pomfrette was in fever
and delirium. Yet the good M. Fabre's presence, as it ever did, gave an
air of calm and comfort to the place. Parpon's hands alone cared for the
house; he did all that was to be done; no woman had entered the place
since Pomfrette's cousin, old Mme. Burgoyne, left it on the day of his
shame.

When at last Pomfrette opened his eyes, and saw the Cure standing beside
him, he turned his face to the wall, and to the exhortation addressed
to him he answered nothing. At last the Cure left him, and came no more;
and he bade Parpon do the same as soon as Pomfrette was able to leave
his bed.

But Parpon did as he willed. He had been in Pontiac only a few days
since the painful business in front of the Louis Quinze. Where he
had been and what doing no one asked, for he was mysterious in his
movements, and always uncommunicative, and people did not care to tempt
his inhospitable tongue. When Pomfrette was so far recovered that he
might be left alone, Parpon said to him one evening:

"Pomfrette, you must go to Mass next Sunday."

"I said I wouldn't go till I was carried there, and I mean it--that's
so," was the morose reply.

"What made you curse like that--so damnable?" asked Parpon furtively.

"That's my own business. It doesn't matter to anybody but me."

"And you said the Cure lied--the good M'sieu' Fabre--him like a saint."

"I said he lied, and I'd say it again, and tell the truth."

"But if you went to Mass, and took your penance, and--"

"Yes, I know; they'd forgive me, and I'd get absolution, and they'd all
speak to me again, and it would be, 'Good-day, Luc,' and 'Very good,
Luc,' and 'What a gay heart has Luc, the good fellow!' Ah, I know. They
curse in the heart when the whole world go wrong for them; no one hears.
I curse out loud. I'm not a hypocrite, and no one thinks me fit to live.
Ack, what is the good!"

Parpon did not respond at once. At last, dropping his chin in his hand
and his elbow on his knee, as he squatted on the table, he said:

"But if the girl got sorry--"

For a time there was no sound save the whirring of the fire in the stove
and the hard breathing of the sick man. His eyes were staring hard at
Parpon. At last he said, slowly and fiercely:

"What do you know?"

"What others might know if they had eyes and sense; but they haven't.
What would you do if that Junie come back?"

"I would kill her." His look was murderous.

"Bah, you would kiss her first, just the same!"

"What of that? I would kiss her because--because there is no face like
hers in the world; and I'd kill her for her bad heart."

"What did she do?" Pomfrette's hands clinched.

"What's in my own noddle, and not for any one else," he answered
sulkily.

"Tiens, tiens, what a close mouth! What did she do? Who knows? What you
think she do, it's this. You think she pretends to love you, and you
leave all your money with her. She is to buy masses for your father's
soul; she is to pay money to the Cure for the good of the Church; she
is to buy a little here, a little there, for the house you and she are
going to live in, the wedding and the dancing over. Very well. Ah,
my Pomfrette, what is the end you think? She run away with Dicey the
Protestant, and take your money with her. Eh, is that so?"

For answer there came a sob, and then a terrible burst of weeping and
anger and passionate denunciations--against Junie Gauloir, against
Pontiac, against the world.

Parpon held his peace.

The days, weeks, and months went by; and the months stretched to three
years.

In all that time Pomfrette came and went through Pontiac, shunned and
unrepentant. His silent, gloomy endurance was almost an affront to
Pontiac; and if the wiser ones, the Cure, the Avocat, the Little
Chemist, and Medallion, were more sorry than offended, they stood aloof
till the man should in some manner redeem himself, and repent of his
horrid blasphemy. But one person persistently defied Church and people,
Cure and voyageur. Parpon openly and boldly walked with Pomfrette,
talked with him, and occasionally visited his house.

Luc made hard shifts to live. He grew everything that he ate, vegetables
and grains. Parpon showed him how to make his own flour in primitive
fashion, for no miller in any parish near would sell him flour, and he
had no money to buy it, nor would any one who knew him give him work.
And after his return to Pontiac he never asked for it. His mood was
defiant, morbid, stern. His wood he chopped from the common known as
No-Man's Land. His clothes he made himself out of the skins of deer that
he shot; when his powder and shot gave out, he killed the deer with bow
and arrow.


The end came at last. Luc was taken ill. For four days, all alone, he
lay burning with fever and inflammation, and when Parpon found him he
was almost dead. Then began a fight for life again, in which Parpon was
the only physician; for Pomfrette would not allow the Little Chemist or
a doctor near him. Parpon at last gave up hope; but one night, when he
came back from the village, he saw, to his joy, old Mme. Degardy ("Crazy
Joan" she was called) sitting by Pomfrette's bedside. He did not disturb
her, for she had no love for him, and he waited till she had gone. When
he came into the room again he found Pomfrette in a sweet sleep, and
a jug of tincture, with a little tin cup, placed by the bed. Time and
again he had sent for Mme. Degardy, but she would not come. She had
answered that the dear Luc could go to the devil for all of her; he'd
find better company down below than in Pontiac.

But for a whim, perhaps, she had come at last without asking, and as a
consequence Luc returned to the world, a mere bundle of bones.

It was still while he was only a bundle of bones that one Sunday
morning, Parpon, without a word, lifted him up in his arms and carried
him out of the house. Pomfrette did not speak at first: it seemed
scarcely worth while; he was so weak he did not care.

"Where are you going?" he said at last, as they came well into the
village. The bell in St. Saviour's had stopped ringing for Mass, and the
streets were almost empty.

"I'm taking you to Mass," said Parpon, puffing under his load, for
Pomfrette made an ungainly burden. "Hand of a little devil, no!" cried
Pomfrette, startled. "I said I'd never go to Mass again, and I never
will.

"You said you'd never go to Mass till you were carried; so it's all
right."

Once or twice Pomfrette struggled, but Parpon held him tight, saying:

"It's no use; you must come; we've had enough. Besides--"

"Besides what?" asked Pomfrette faintly. "Never mind," answered Parpon.

At a word from Parpon the shrivelled old sexton cleared a way through
the aisle, making a stir, through which the silver bell at Pomfrette's
knee tinkled, in answer, as it were, to the tinkling of the acolyte's
bell in the sanctuary. People turned at the sound, women stopped telling
their beads, some of the choir forgot their chanting. A strange feeling
passed through the church, and reached and startled the Cure as he
recited the Mass. He turned round and saw Parpon laying Pomfrette down
at the chancel steps. His voice shook a little as he intoned the ritual,
and as he raised the sacred elements tears rolled down his cheeks.

From a distant corner of the gallery a deeply veiled woman also looked
down at Pomfrette, and her hand trembled on the desk before her.

At last the Cure came forward to the chancel steps. "What is it,
Parpon?" he asked gravely.

"It is Luc Pomfrette, M'sieu' le Cure." Pomfrette's eyes were closed.

"He swore that he would never come to Mass again," answered the good
priest.

"Till he was carried, M'sieu' le Cure--and I've carried him."

"Did you come of your own free will, and with a repentant heart, Luc
Pomfrette?" asked the Cure.

"I did not know I was coming--no." Pomfrette's brown eyes met the
priest's unflinchingly.

"You have defied God, and yet He has spared your life."

"I'd rather have died," answered the sick man simply.

"Died, and been cast to perdition!"

"I'm used to that; I've had a bad time here in Pontiac."

His thin hands moved restlessly. His leg moved, and the little bell
tinkled--the bell that had been like the bell of a leper these years
past.

"But you live, and you have years yet before you, in the providence of
God. Luc Pomfrette, you blasphemed against your baptism, and horribly
against God himself. Luc"--his voice got softer--"I knew your mother,
and she was almost too weak to hold you when you were baptised, for you
made a great to-do about coming into the world. She had a face like a
saint--so sweet, so patient. You were her only child, and your baptism
was more to her than her marriage even, or any other thing in this
world. The day after your baptism she died. What do you think were her
last words?"

There was a hectic flush on Pomfrette's face, and his eyes were intense
and burning as they looked up fixedly at the Cure.

"I can't think any more," answered Pomfrette slowly. "I've no head."

"What she said is for your heart, not for your head, Luc," rejoined
the Cure gently. "She wandered in her mind, and at the last she raised
herself up in her bed, and lifting her finger like this"--he made the
gesture of benediction--"she said, 'Luc Michele, I baptise you in the
name of the Father, and of the Son, and of the Holy Ghost. Amen.' Then
she whispered softly: 'God bless my dear Luc Michee! Holy Mother pray
for him!' These were her last words, and I took you from her arms. What
have you to say, Luc Michee?"

The woman in the gallery was weeping silently behind her thick veil, and
her worn hand clutched the desk in front of her convulsively. Presently
she arose and made her way down the stair, almost unnoticed. Two or
three times Luc tried to speak, but could not. "Lift me up," he said
brokenly, at last.

Parpon and the Little Chemist raised him to his feet, and held him, his
shaking hands resting on their shoulders, his lank body tottering above
and between them.

Looking at the congregation, he said slowly: "I'll suffer till I die for
cursing my baptism, and God will twist my neck in purgatory for--"

"Luc," the Cure interrupted, "say that you repent."

"I'm sorry, and I ask you all to forgive me, and I'll confess to the
Cure, and take my penance, and--" he paused, for breathing hurt him.

At that moment the woman in black who had been in the gallery came
quickly forward. Parpon saw her, frowned, and waved her back; but she
came on. At the chancel steps she raised her veil, and a murmur of
recognition and wonder ran through the church. Pomfrette's face was
pitiful to see--drawn, staring.

"Junie!" he said hoarsely.

Her eyes were red with weeping, her face was very pale. "M'sieu' le
Cure" she said, "you must listen to me"--the Cure's face had become
forbidding--"sinner though I am. You want to be just, don't you?
Ah, listen! I was to be married to Luc Pomfrette, but I did not love
him--then. He had loved me for years, and his father and my father
wished it--as you know, M'sieu' le Cure. So after a while I said I
would; but I begged him that he wouldn't say anything about it till
he come back from his next journey on the river. I did not love him
enough--then. He left all his money with me: some to pay for Masses for
his father's soul, some to buy things for--for our home; and the rest to
keep till he came back."

"Yes, yes," said Pomfrette, his eyes fixed painfully on her face--"yes,
yes."

"The day after Luc went away John Dicey the Protestant come to me. I'd
always liked him; he could talk as Luc couldn't, and it sounded nice.
I listened and listened. He knew about Luc and about the money and all.
Then he talked to me. I was all wild in the head, and things went round
and round, and oh, how I hated to marry Luc--then! So after he had
talked a long while I said yes, I would go with him and marry him--a
Protestant--for I loved him. I don't know why or how."

Pomfrette trembled so that Parpon and the Little Chemist made him sit
down, and he leaned against their shoulders, while Junie went on:

"I gave him Luc's money to go and give to Parpon here, for I was too
ashamed to go myself. And I wrote a little note to Luc, and sent it with
the money. I believed in John Dicey, of course. He came back, and said
that he had seen Parpon and had done it all right; then we went away to
Montreal and got married. The very first day at Montreal, I found out
that he had Luc's money. It was awful. I went mad, and he got angry and
left me alone, and didn't come back. A week afterwards he was killed,
and I didn't know it for a long time. But I began to work, for I wanted
to pay back Luc's money. It was very slow, and I worked hard. Will
it never be finished, I say. At last Parpon find me, and I tell him
all--all except that John Dicey was dead; and I did not know that. I
made him promise to tell nobody; but he knows all about my life since
then. Then I find out one day that John Dicey is dead, and I get from
the gover'ment a hundred dollars of the money he stole. It was found
on him when he was killed. I work for six months longer, and now I come
back--with Luc's money."

She drew from her pocket a packet of notes, and put it in Luc's hands.
He took it dazedly, then dropped it, and the Little Chemist picked it
up; he had no prescription like that in his pharmacopoeia.

"That's how I've lived," she said, and she handed a letter to the Cure.

It was from a priest in Montreal, setting forth the history of her
career in that city, her repentance for her elopement and the sin of
marrying a Protestant, and her good life. She had wished to do her
penance in Pontiac, and it remained to M'sieu' le Cure; to set it.

The Cure's face relaxed, and a rare gentleness came into it.

He read the letter aloud. Luc once more struggled to his feet, eagerly
listening.

"You did not love Luc?" the Cure asked Junie, meaningly.

"I did not love Luc--then," she answered, a flush going over her face.

"You loved Junie?" the Cure said to Pomfrette. "I could have killed
her, but I've always loved her," answered Luc. Then he raised his voice
excitedly: "I love her, love her, love her--but what's the good! She'd
never 've been happy with me. Look what my love drove her to! What's the
good, at all!"

"She said she did not love you then, Luc Michee," said Parpon,
interrupting. "Luc Michee, you're a fool as well as a sinner. Speak up,
Junie."

"I used to tell him that I didn't love him; I only liked him. I was
honest. Well, I am honest still. I love him now."

A sound of joy broke from Luc's lips, and he stretched out his arms to
her, but the Cure; stopped that. "Not here," he said. "Your sins must
first be considered. For penance--" He paused, looking at the two sad
yet happy beings before him. The deep knowledge of life that was in him
impelled him to continue gently:

"For penance you shall bear the remembrance of each other's sins. And
now to God the Father--" He turned towards the altar, and raised his
hands in the ascription.

As he knelt to pray before he entered the pulpit, he heard the tinkling
of the little bell of honour at the knee of Luc, as Junie and Parpon
helped him from the church.




A SON OF THE WILDERNESS

Rachette told the story to Medallion and the Little Chemist's wife on
Sunday after Mass, and because he was vain of his English he forsook his
own tongue and paid tribute to the Anglo-Saxon.

"Ah, she was so purty, that Norinne, when she drive through the parishes
all twelve days, after the wedding, a dance every night, and her eyes
and cheeks on fire all the time. And Bargon, bagosh! that Bargon, he
have a pair of shoulders like a wall, and five hunder' dollars and a
horse and wagon. Bagosh, I say that time: 'Bargon he have put a belt
round the world and buckle it tight to him--all right, ver' good.' I say
to him: 'Bargon, what you do when you get ver' rich out on the Souris
River in the prairie west?' He laugh and throw up his hands, for he have
not many words any kind. And the dam little dwarf Parpon, he say: 'He
will have flowers on the table and ice on the butter, and a wheel in his
head.'

"And Bargon laugh and say: 'I will have plenty for my friends to eat and
drink and a ver' fine time.' "'Good,' we all say-'Bagosh!' So they make
the trip through twelve parish, and the fiddles go all the time, and I
am what you say 'best man' with Bargon. I go all the time, and Lucette
Dargois, she go with me and her brother--holy, what an eye had she in
her head, that Lucette! As we go we sing a song all right, and there is
no one sing so better as Norinne:

            "'C'est la belle Francoise,
             Allons gai!
             C'est la belle Francoise,
             Qui veut se marier,
             Ma luron lurette!
             Qui veut se marier,
             Ma luron lure!'

"Ver' good, bagosh! Norinne and Bargon they go out to the Souris, and
Bargon have a hunder' acre, and he put up a house and a shed not ver'
big, and he carry his head high and his shoulders like a wall; yes, yes.
First year it is pretty good time, and Norinne's cheeks--ah, like an
apple they. Bimeby a baby laugh up at Bargon from Norinne's lap. I am
on the Souris at a saw-mill then, and on Sunday sometime I go up to see
Bargon and Norinne. I t'ink that baby is so dam funny; I laugh and pinch
his nose. His name is Marie, and I say I marry him pretty quick
some day. We have plenty hot cake, and beans and pork, and a little
how-you-are from a jar behin' the door.

"Next year it is not so good. There is a bad crop and hard time, and
Bargon he owe two hunder' dollar, and he pay int'rest. Norinne, she
do all the work, and that little Marie, there is dam funny in him, and
Norinne, she keep go, go, all the time, early and late, and she get
ver' thin and quiet. So I go up from the mill more times, and I bring
fol-lols for that Marie, for you know I said I go to marry him some
day. And when I see how Bargon shoulders stoop and his eye get dull, and
there is nothing in the jar behin' the door, I fetch a horn with me, and
my fiddle, and, bagosh! there is happy sit-you-down. I make Bargon sing
'La Belle Francoise,' and then just before I go I make them laugh, for I
stand by the cradle and I sing to that Marie:

         "'Adieu, belle Francoise;
          Allons gai!
          Adieu, belle Francoise!
          Moi, je to marierai,
          Ma luron lurette! Moi,
          je to marierai,
          Ma luron lure!'

"So; and another year it go along, and Bargon he know that if there come
bad crop it is good-bye-my lover with himselves. He owe two hunder'
and fifty dollar. It is the spring at Easter, and I go up to him and
Norinne, for there is no Mass, and Pontiac is too far away off. We stan'
at the door and look out, and all the prairie is green, and the sun
stan' up high like a light on a pole, and the birds fly by ver' busy
looking for the summer and the prairie-flower.

"'Bargon,' I say--and I give him a horn of old rye--'here's to le bon
Dieu!'

"'Le bon Dieu, and a good harvest!' he say.

"I hear some one give a long breath behin', and I look round; but, no,
it is Norinne with a smile--for she never grumble--bagosh! What purty
eyes she have in her head! She have that Marie in her arms, and I say to
Bargon it is like the Madonne in the Notre Dame at Montreal. He nod his
head. 'C'est le bon Dieu--it is the good God,' he say.

"Before I go I take a piece of palm--it come from the Notre Dame; it
is all bless by the Pope--and I nail it to the door of the house. 'For
luck,' I say. Then I laugh, and I speak out to the prairie: 'Come along,
good summer; come along, good crop; come two hunder' and fifty dollars
for Gal Bargon.' Ver' quiet I give Norinne twenty dollar, but she will
not take him. 'For Marie,' then I say: 'I go to marry him, bimeby.' But
she say: 'Keep it and give it to Marie yourself some day.'

"She smile at me, then she have a little tear in her eye, and she nod to
where Bargon stare' houtside, and she say: 'If this summer go wrong, it
will kill him. He work and work and fret and worry for me and Marie, and
sometimes he just sit and look at me and say not a word.'

"I say to her that there will be good crop, and next year we will be
ver' happy. So, the time go on, and I send up a leetla snack of pork
and molass' and tabac, and sugar and tea, and I get a letter from Bargon
bimeby, and he say that heverything go right, he t'ink, this summer.
He say I must come up. It is not dam easy to go in the summer, when the
mill run night and day; but I say I will go.

"When I get up to Bargon's I laugh, for all the hunder' acre is ver'
fine, and Bargon stan' hin the door, and stretch out his hand, and say:
'Rachette, there is six hunder' dollar for me.' I nod my head, and fetch
out a horn, and he have one, his eyes all bright like a lime-kiln. He is
thin and square, and his beard grow ver' thick and rough and long, and
his hands are like planks. Norinne, she is ver' happy, too, and Marie
bite on my finger, and I give him sugar-stick to suck.

"Bimeby Norinne say to me, ver' soft: 'If a hailstorm or a hot wind
come, that is the end of it all, and of my poor Gal.'

"What I do? I laugh and ketch Marie under the arms, and I sit down, and
I put him on my foot, and I sing that dam funny English song--'Here
We Go to Banbury Cross.' An' I say: 'It will be all as happy as Marie
pretty quick. Bargon he will have six hunder' dollar, and you a new
dress and a hired girl to help you.'

"But all the time that day I think about a hail-storm or a hot wind
whenever I look out on that hunder' acre farm. It is so beautiful,
as you can guess--the wheat, the barley, the corn, the potatoes, the
turnip, all green like sea-water, and pigeons and wild ducks flying up
and down, and the horse and the ox standing in a field ver' comfer'ble.

"We have good time that day, and go to bed all happy that night. I get
up at five o'clock, an' I go hout. Bargon stan' there looking hout on
his field with the horse-bridle in his hand. 'The air not feel right,'
he say to me. I t'ink the same, but I say to him: 'Your head not feel
right--him too sof'.' He shake his head and go down to the field for his
horse and ox, and hitch them up together, and go to work making a road.

"It is about ten o'clock when the dam thing come. Piff! go a hot splash
of air in my face, and then I know that it is all up with Gal Bargon. A
month after it is no matter, for the grain is ripe then, but now, when
it is green, it is sure death to it all. I turn sick in my stomich, and
I turn round and see Norinne stan' hin the door, all white, and she make
her hand go as that, like she push back that hot wind.

"'Where is Gal?' she say. 'I must go to him.' 'No,' I say, 'I will fetch
him. You stay with Marie.' Then I go ver' quick for Gal, and I find him,
his hands all shut like that! and he shake them at the sky, and he say
not a word, but his face, it go wild, and his eyes spin round in his
head. I put my hand on his arm and say: 'Come home, Gal. Come home, and
speak kind to Norinne and Marie.'

"I can see that hot wind lean down and twist the grain about--a dam
devil thing from the Arzone desert down South. I take Gal back home, and
we sit there all day, and all the nex' day, and a leetla more, and when
we have look enough, there is no grain on that hunder' acre farm--only a
dry-up prairie, all grey and limp. My skin is bake and rough, but when
I look at Gal Bargon I know that his heart is dry like a bone, and, as
Parpon say that back time, he have a wheel in his head. Norinne she is
quiet, and she sit with her hand on his shoulder, and give him Marie to
hold.

"But it is no good; it is all over. So I say: 'Let us go back to
Pontiac. What is the good for to be rich? Let us be poor and happy once
more.'

"And Norinne she look glad, and get up and say: 'Yes, let us go back.'
But all at once she sit down with Marie in her arms, and cry--bagosh, I
never see a woman cry like that!

"So we start back for Pontiac with the horse and the ox and some pork
and bread and molass'. But Gal Bargon never hold up his head, but go
silent, silent, and he not sleep at night. One night he walk away on the
prairie, and when he come back he have a great pain. So he lie down, and
we sit by him, an' he die. But once he whisper to me, and Norinne not
hear: 'You say you will marry him, Rachette?' and I say, 'I will.'

"'C'est le bon Dieu!' he say at the last, but he say it with a little
laugh. I think he have a wheel in his head. But bimeby, yiste'day,
Norinne and Marie and I come to Pontiac."

The Little Chemist's wife dried her eyes, and Medallion said in French:
"Poor Norinne! Poor Norinne! And so, Rachette, you are going to marry
Marie, by-and-bye?" There was a quizzical look in Medallion's eyes.

Rachette threw up his chin a little. "I'm going to marry Norinne on New
Year's Day," he said. "Bagosh, poor Norinne!" said Medallion, in a queer
sort of tone. "It is the way of the world," he added. "I'll wait for
Marie myself."

It looks as if he meant to, for she has no better friend. He talks to
her much of Gal Bargon; of which her mother is glad.




A WORKER IN STONE

At the beginning he was only a tombstone-cutter. His name was Francois
Lagarre. He was but twenty years old when he stepped into the shop where
the old tombstone-cutter had worked for forty years. Picking up the
hammer and chisel which the old man had dropped when he fell dead at the
end of a long hot day's labour, he finished the half-carved tombstone,
and gave the price of it to the widow. Then, going to the Seigneur and
Cure, he asked them to buy the shop and tools for him, and let him pay
rent until he could take the place off their hands.

They did as he asked, and in two years he had bought and paid for the
place, and had a few dollars to the good. During one of the two years a
small-pox epidemic passed over Pontiac, and he was busy night and day.
It was during this time that some good Catholics came to him with an
heretical Protestant suggestion to carve a couplet or verse of poetry on
the tombstones they ordered. They themselves, in most cases, knew none,
and they asked Francois to supply them--as though he kept them in stock
like marble and sand-paper. He had no collection of suitable epitaphs,
and, besides, he did not know whether it was right to use them. Like all
his race in New France he was jealous of any inroads of Protestantism,
or what the Little Chemist called "Englishness." The good M. Fabre,
the Cure, saw no harm in it, but said he could not speak for any one's
grief. What the bereaved folk felt they themselves must put in words
upon the stone. But still Francois might bring all the epitaphs to him
before they were carved, and he would approve or disapprove, correct or
reject, as the case might be.

At first he rejected many, for they were mostly conventional couplets,
taken unknowingly from Protestant sources by mourning Catholics. But
presently all that was changed, and the Cure one day had laid before him
three epitaphs, each of which left his hand unrevised and untouched; and
when he passed them back to Francois his eyes were moist, for he was a
man truly after God's own heart, and full of humanity.

"Will you read them to me, Francois?" he said, as the worker in stone
was about to put the paper back in his pocket. "Give the names of the
dead at the same time."

So Francois read:

"Gustave Narrois, aged seventy-two years-"

"Yes, yes," interrupted the Cure, "the unhappy yet happy Gustave, hung
by the English, and cut down just in time to save him--an innocent man.
For thirty years my sexton. God rest his soul! Well now, the epitaph."

Francois read it:

          "Poor as a sparrow was I,
          Yet I was saved like a king;
          I heard the death-bells ring,
          Yet I saw a light in the sky:
          And now to my Father I wing."

The Cure nodded his head. "Go on; the next," he said.

"Annette John, aged twenty years--"

"So. The daughter of Chief John. When Queen Anne of England was on
the throne she sent Chief John's grandfather a gold cup and a hundred
pounds. The girl loved, but would not marry, that she might keep Chief
John from drinking. A saint, Francois! What have they said of her?"

Francois smoothed out the paper and read:

          "A little while I saw the world go by
          A little doorway that I called my own,
          A loaf, a cup of water, and a bed had I,
          A shrine of Jesus, where I knelt alone:
          And now alone I bid the world good-bye."

The Cure turned his head away. "Go on," he said sadly. "Chief John has
lost his right hand. Go on."

"Henri Rouget"

"Aged thirty years," again interrupted the Cure. "Henri Rouget, idiot;
as young as the morning. For man grows old only by what he suffers,
and what he forgives, and what he sins. What have you to say for Henri
Rouget, my Francois?"

And Francois read:

       "I was a fool; nothing had I to know
        Of men, and naught to men had I to give.
        God gave me nothing; now to God I go,
        Now ask for pain, for bread,
        Life for my brain: dead,
        By God's love I shall then begin to live."

The priest rose to his feet and put a hand on the young man's shoulder.

"Do you know, Francois," he said, half sadly, "do you know, you have
the true thing in you. Come often to me, my son, and bring all these
things--all you write."

While the Cure troubled himself about his future, Francois began to work
upon a monument for the grave of a dozen soldiers of Pontiac who were
killed in the War of the Patriots. They had died for a mistaken cause,
and had been buried on the field of battle. Long ago something
would have been done to commemorate them but that three of them were
Protestants, and difficulties had been raised by the bigoted. But
Francois thought only of the young men in their common grave at St.
Eustache. He remembered when they went away one bright morning, full of
the joy of an erring patriotism, of the ardour of a weak but fascinating
cause: race against race, the conquered against the conquerors, the
usurped against the usurpers.

In the space before the parish church it stands--a broken shaft, with an
unwound wreath straying down its sides; a monument of fine proportions,
a white figure of beaten valour and erring ardour of youth and beautiful
bad ambition. One Saturday night it was not there, and when next morning
the people came to Mass it was there. All night had Francois and his men
worked, and the first rays of the morning sun fell on the tall shivered
shaft set firmly in its place. Francois was a happy man. All else that
he had done had been wholly after a crude, staring convention, after
rule and measure--an artisan's, a tombstone-cutter's labour. This was
the work of a man with the heart and mind of an artist. When the people
came to Mass they gazed and gazed, and now and then the weeping of a
woman was heard, for among them were those whose sons and brothers were
made memorable by this stone.

That day at the close of his sermon the Cure spoke of it, and said
at the last: "That white shaft, dear brethren, is for us a sign of
remembrance and a warning to our souls. In the name of race and for
their love they sinned. But yet they sinned; and this monument, the gift
and work of one young like them, ardent and desiring like them, is for
ever in our eyes the crucifixion of our wrong ambitions and our selfish
aims.

"Nay, let us be wise and let us be good. They who rule us speak with
foreign tongue, but their hearts desire our peace and a mutual regard.
Pray that this be. And pray for the young and the daring and the
foolish. And pray also that he who has given us here a good gift may
find his thanks in our better-ordered lives, and that he may consecrate
his parts and talents to the redeeming actions of this world."

And so began the awakening of Francois Lagarre; and so began his
ambition and his peril.

For, as he passed from the church, the Seigneur touched him on the
shoulder and introduced him to his English grandniece, come on a visit
for the summer, the daughter of a London baronet. She had but just
arrived, and she was feeling that first homesickness which succeeds
transplanting. The face of the young worker in stone interested her; the
idea of it all was romantic; the possibilities of the young man's life
opened out before her. Why should not she give him his real start,
win his gratitude, help him to his fame, and then, when it was won, be
pointed out as a discoverer and a patron?

All these things flashed through her mind as they were introduced. The
young man did not read the look in her eyes, but there was one other
person in the crowd about the church steps who did read it, whose heart
beat furiously, whose foot tapped the ground angrily--a black-haired,
brown-eyed farmer's daughter, who instantly hated the yellow hair and
rosy and golden face of the blue-eyed London lady; who could, that
instant, have torn the silk gown from her graceful figure.

She was not disturbed without reason. And for the moment, even when she
heard impertinent and incredulous fellows pooh-poohing the monument, and
sharpening their rather dull wits upon its corners, she did not open her
lips, when otherwise she would have spoken her mind with a vengeance;
for Jeanne Marchand had a reputation for spirit and temper, and she
spared no one when her blood was up. She had a touch of the vixen--an
impetuous, loving, forceful mademoiselle, in marked contrast to the
rather ascetic Francois, whose ways were more refined than his origin
might seem to warrant.

"Sapre!" said Duclosse the mealman of the monument; "it's like a timber
of cheese stuck up. What's that to make a fuss about?"

"Fig of Eden," muttered Jules Marmotte, with one eye on Jeanne, "any
fool could saw a better-looking thing out of ice!"

"Fish," said fat Caroche the butcher, "that Francois has a rattle in his
capote. He'd spend his time better chipping bones on my meat-block."

But Jeanne could not bear this--the greasy whopping butcher-man!

"What, what, the messy stupid Caroche, who can't write his name," she
said in a fury; "the sausage-potted Caroche, who doesn't remember that
Francois Lagarre made his brother's tombstone, and charged him nothing
for the verses he wrote for it, nor for the Agnus Dei he carved on it!
No, Caroche does not remember his brother Ba'tiste the fighter, as brave
as Caroche is a coward! He doesn't remember the verse on Ba'tiste's
tombstone, does he?"

Francois heard this speech, and his eyes lighted tenderly as he looked
at Jeanne: he loved this fury of defence and championship. Some one in
the crowd turned to him and asked him to say the verses. At first he
would not; but when Caroche said that it was only his fun, that he meant
nothing against Francois, the young man recited the words slowly--an
epitaph on one who was little better than a prize-fighter, a splendid
bully.

Leaning a hand against the white shaft of the Patriot's Memory, he said:

       "Blows I have struck, and blows a-many taken,
        Wrestling I've fallen, and I've rose up again;
          Mostly I've stood--
          I've had good bone and blood;
        Others went down, though fighting might and main.
          Now death steps in--
          Death the price of sin.
        The fall it will be his; and though I strive and strain,
        One blow will close my eyes, and I shall never waken."

"Good enough for Ba'tiste," said Duclosse the mealman.

The wave of feeling was now altogether with Francois, and presently
he walked away with Jeanne Marchand and her mother, and the crowd
dispersed. Jeanne was very happy for a few hours, but in the evening
she was unhappy, for she saw Francois going towards the house of the
Seigneur; and during many weeks she was still more unhappy, for every
three or four days she saw the same thing.

Meanwhile Francois worked as he had never before worked in his life.
Night and day he was shut in his shop, and for two months he came with
no epitaphs for the Cure, and no new tombstones were set up in the
graveyard. The influence of the lady at the Seigneury was upon him, and
he himself believed it was for his salvation. She had told him of great
pieces of sculpture she had seen, had sent and got from Quebec City,
where he had never been, pictures of some of the world's masterpieces
in sculpture, and he had lost himself in the study of them and in the
depths of the girl's eyes. She meant no harm; the man interested her
beyond what was reasonable in one of his station in life. That was all,
and all there ever was.

Presently people began to gossip, and a story crept round that, in a new
shed which he had built behind his shop, Francois was chiselling out of
stone the nude figure of a woman. There were one or two who professed
they had seen it. The wildest gossip said that the figure was that
of the young lady at the Seigneury. Francois saw no more of Jeanne
Marchand; he thought of her sometimes, but that was all. A fever of work
was on him. Twice she came to the shed where he laboured, and knocked at
the door. The first time, he asked who was there. When she told him he
opened the door just a little way, smiled at her, caught her hand and
pressed it, and, when she would have entered, said: "No, no, another
day, Jeanne," and shut the door in her face.

She almost hated him because he had looked so happy. Still another day
she came knocking. She called to him, and this time he opened the door
and admitted her. That very hour she had heard again the story of the
nude stone woman in the shed, and her heart was full of jealousy, fury,
and suspicion. He was very quiet, he seemed tired. She did not notice
that. Her heart had throbbed wildly as she stepped inside the shed. She
looked round, all delirious eagerness for the nude figure.

There it was, covered up with a great canvas! Yes, there were the
outlines of the figure. How shapely it seemed, even inside the canvas!

She stepped forward without a word, and snatched at the covering. He
swiftly interposed and stopped her hand.

"I will see it," she said.

"Not to-day," he answered.

"I tell you I will." She wrenched her hand free and caught at the
canvas. A naked foot and ankle showed. He pinioned her wrists with one
hand and drew her towards the door, determination and anger in his face.

"You beast, you liar!" she said.

"You beast! beast! beast!"

Then, with a burst of angry laughter, she opened the door herself. "You
ain't fit to know," she said; "they told the truth about you. Now you
can take the canvas off her. Good-bye!" With that she was gone. The
following day was Sunday. Francois did not attend Mass, and such strange
scandalous reports had reached the Cure that he was both disturbed
and indignant. That afternoon, after vespers (which Francois did not
attend), the Cure made his way to the sculptor's workshop, followed by a
number of parishioners.

The crowd increased, and when the Cure knocked at the door it seemed as
if half the village was there. The chief witness against Francois had
been Jeanne Marchand. That very afternoon she had told the Cure, with
indignation and bitterness, that there was no doubt about it; all that
had been said was true.

Francois, with wonder and some confusion, admitted the Cure. When M.
Fabre demanded that he be taken to the new workshop, Francois led the
way. The crowd pushed after, and presently the place was full. A hundred
eyes were fastened upon the canvas-covered statue, which had been the
means of the young man's undoing.

Terrible things had been said--terrible things of Francois, and of
the girl at the Seigneury. They knew the girl for a Protestant and an
Englishwoman, and that in itself was a sort of sin. And now every ear
was alert to hear what the Cure should say, what denunciation should
come from his lips when the covering was removed. For that it should be
removed was the determination of every man present. Virtue was at its
supreme height in Pontiac that day. Lajeunesse the blacksmith, Muroc the
charcoal-man, and twenty others were as intent upon preserving a high
standard of morality, by force of arms, as if another Tarquin were
harbouring shame and crime in this cedar shed.

The whole thing came home to Francois with a choking, smothering force.
Art, now in its very birth in his heart and life, was to be garroted.
He had been unconscious of all the wicked things said about him: now he
knew all!

"Remove the canvas from the figure," said the Cure sternly. Stubbornness
and resentment filled Francois's breast. He did not stir.

"Do you oppose the command of the Church?" said the Cure, still more
severely. "Remove the canvas."

"It is my work--my own: my idea, my stone, and the labour of my hands,"
said Francois doggedly.

The Cure turned to Lajeunesse and made a motion towards the statue.
Lajeunesse, with a burning righteous joy, snatched off the canvas. There
was one instant of confusion in the faces of all-of absolute silence.

Then the crowd gasped. The Cure's hat came off, and every other hat
followed. The Cure made the sign of the cross upon his breast and
forehead, and every other man, woman, and child present did the same.
Then all knelt, save Francois and the Cure himself.

What they saw was a statue of Christ, a beautiful benign figure;
barefooted, with a girdle about his waist: the very truth and semblance
of a man. The type was strong and yet delicate; vigorous and yet
refined; crude and yet noble; a leader of men--the God-man, not the
man-God.

After a moment's silence the Cure spoke. "Francois, my son," said he,
"we have erred. 'All we like sheep have gone astray; we have followed
each after his own way, but God hath laid on Him'--he looked towards the
statue--'the iniquity of us all.'"

Francois stood still a moment gazing at the Cure, doggedly, bitterly;
then he turned and looked scornfully at the crowd, now risen to their
feet again. Among them was a girl crying as if her heart would break. It
was Jeanne Marchand. He regarded her coldly.

"You were so ready to suspect," he said.

Then he turned once more to the Cure. "I meant it as my gift to the
Church, monsieur le Cure--to Pontiac, where I was born again. I waked up
here to what I might do in sculpture, and you--you all were so ready to
suspect! Take it, it is my last gift."

He went to the statue, touched the hands of it lovingly, and stooped and
kissed the feet. Then, without more words, he turned and left the shed
and the house.

Pouring out into the street the people watched him cross the bridge
that led into another parish--and into another world: for from that hour
Francois Lagarre was never seen in Pontiac.

The statue that he made stands upon a little hill above the valley where
the beaters of flax come in the autumn, through which the woodsmen pass
in winter and in spring. But Francois Lagarre, under another name, works
in another land.

While the Cure lived he heard of him and of his fame now and then, and
to the day of his death he always prayed for him. He was wont to say to
the little Avocat whenever Francois's name was mentioned:

"The spirit of a man will support him, but a wounded spirit who can
bear?"




THE TRAGIC COMEDY OF ANNETTE

The chest of drawers, the bed, the bedding, the pieces of linen, and the
pile of yarn had been ready for many months. Annette had made inventory
of them every day since the dot was complete--at first with a great deal
of pride, after a time more shyly and wistfully: Benoit did not come.
He had said he would be down with the first drive of logs in the summer,
and at the little church of St. Saviour's they would settle everything
and get the Cure's blessing. Almost anybody would have believed in
Benoit. He had the brightest scarf, the merriest laugh, the quickest
eyes, and the blackest head in Pontiac; and no one among the river
drivers could sing like him. That was, he said gaily, because his
earrings were gold, and not brass like those of his comrades. Thus
Benoit was a little vain, and something more; but old ladies such as the
Little Chemist's wife said he was galant. Probably only Medallion
the auctioneer and the Cure did not lose themselves in the general
admiration; they thought he was to Annette like a farthing dip to a holy
candle.

Annette was the youngest of twelve, and one of a family of thirty-for
some of her married brothers and sisters and their children lived in her
father's long white house' by the river. When Benoit failed to come in
the spring, they showed their pity for her by abusing him; and when
she pleaded for him they said things which had an edge. They ended by
offering to marry her to Farette, the old miller, to whom they owed
money for flour. They brought Farette to the house at last, and she was
patient while he ogled her, and smoked his strong tabac, and tried to
sing. She was kind to him, and said nothing until, one day, urged by her
brother Solime, he mumbled the childish chanson Benoit sang the day he
left, as he passed their house going up the river:

       "High in a nest of the tam'rac tree,
        Swing under, so free, and swing over;
        Swing under the sun and swing over the world,
        My snow-bird, my gay little lover
        My gay little lover, don, don!... don, don!

       "When the winter is done I will come back home,
        To the nest swinging under and over,
        Swinging under and over and waiting for me,
        Your rover, my snow-bird, your rover--
        Your lover and rover, don, don!... don, don!"

It was all very well in the mouth of the sprightly, sentimental Benoit;
it was hateful foolishness in Farette. Annette now came to her feet
suddenly, her pale face showing defiance, and her big brown eyes
flicking anger. She walked up to the miller and said: "You are old and
ugly and a fool. But I do not hate you; I hate Solime, my brother, for
bringing you here. There is the bill for the flour? Well, I will pay it
myself--and you can go as soon as you like."

Then she put on her coat and capote and mittens, and went to the door.
"Where are you going, Ma'm'selle?" cried Solime, in high rage.

"I am going to M'sieu' Medallion," she said.

Hard profane words followed her, but she ran, and never stopped till she
came to Medallion's house. He was not there. She found him at the
Little Chemist's. That night a pony and cart took away from the house of
Annette's father the chest of drawers, the bed, the bedding, the pieces
of linen, and the pile of yarn which had been made ready so long against
Benoit's coming. Medallion had said he could sell them at once, and he
gave her the money that night; but this was after he had had a talk with
the Cure, to whom Annette had told all. Medallion said he had been
able to sell the things at once; but he did not tell her that they were
stored in a loft of the Little Chemist's house, and that the Little
Chemist's wife had wept over them and carried the case to the shrine of
the Blessed Virgin.

It did not matter that the father and brothers stormed. Annette was
firm; the dot was hers, and she would do as she wished. She carried the
money to the miller. He took it grimly and gave her a receipt, grossly
mis-spelled, and, as she was about to go, brought his fist heavily
down on his leg and said: "Mon Dieu, it is brave--it is grand--it is an
angel." Then he chuckled: "So, so! It was true. I am old, ugly, and a
fool. Eh, well, I have my money!" Then he took to counting it over in
his hand, forgetting her, and she left him growling gleefully over it.

She had not a happy life, but her people left her alone, for the Cure
had said stern things to them. All during the winter she went out
fishing every day at a great hole in the ice--bitter cold work, and
fit only for a man; but she caught many fish, and little by little laid
aside pennies to buy things to replace what she had sold. It had been a
hard trial to her to sell them. But for the kind-hearted Cure she would
have repined. The worst thing happened, however, when the ring Benoit
had given her dropped from her thin finger into the water where she was
fishing. Then a shadow descended on her, and she grew almost unearthly
in the anxious patience of her face. The Little Chemist's wife declared
that the look was death. Perhaps it would have been if Medallion had not
sent a lad down to the bottom of the river and got the ring. He gave it
to the Cure, who put it on her finger one day after confession. Then she
brightened, and waited on and on patiently.

She waited for seven years. Then the deceitful Benoit came pensively
back to her, a cripple from a timber accident. She believed what he told
her; and that was where her comedy ended and her tragedy began.




THE MARRIAGE OF THE MILLER

Medallion put it into his head on the day that Benoit and Annette were
married. "See," said Medallion, "Annette wouldn't have you--and quite
right--and she took what was left of that Benoit, who'll laugh at you
over his mush-and-milk."

"Benoit will want flour some day, with no money." The old man chuckled
and rubbed his hands. "That's nothing; he has the girl--an angel!" "Good
enough, that is what I said of her--an angel!"

"Get married yourself, Farette."

For reply Farette thrust a bag of native tabac into Medallion's hands.
Then they went over the names of the girls in the village. Medallion
objected to those for whom he wished a better future, but they decided
at last on Julie Lachance, who, Medallion thought, would in time
profoundly increase Farette's respect for the memory of his first wife;
for Julie was not an angel. Then the details were ponderously thought
out by the miller, and ponderously acted upon, with the dry approval of
Medallion, who dared not tell the Cure of his complicity, though he was
without compunction. He had a sense of humour, and knew there could be
no tragedy in the thing--for Julie. But the miller was a careful man and
original in his methods. He still possessed the wardrobe of the first
wife, thoughtfully preserved by his sister, even to the wonderful grey
watered-poplin which had been her wedding-dress. These he had taken out,
shaken free of cayenne, camphor, and lavender, and sent upon the back of
Parpon, the dwarf, to the house where Julie lodged (she was an orphan),
following himself with a statement on brown paper, showing the extent of
his wealth, and a parcel of very fine flour from the new stones in his
mill. All was spread out, and then he made a speech, describing his
virtues, and condoning his one offence of age by assuring her that
every tooth in his head was sound. This was merely the concession of
politeness, for he thought his offer handsome.

Julie slyly eyed the wardrobe and as slyly smiled, and then, imitating
Farette's manner--though Farette could not see it, and Parpon spluttered
with laughter--said:

"M'sieu', you are a great man. The grey poplin is noble, also the flour,
and the writing on the brown paper. M'sieu', you go to Mass, and all
your teeth are sound; you have a dog-churn, also three feather-beds, and
five rag carpets; you have sat on the grand jury.

"M'sieu', I have a dot; I accept you. M'sieu', I will keep the brown
paper, and the grey poplin, and the flour." Then with a grave elaborate
bow, "M'sieu'!"

That was the beginning and end of the courtship. For though Farette came
every Sunday evening and smoked by the fire, and looked at Julie as she
arranged the details of her dowry, he only chuckled, and now and again
struck his thigh and said:

"Mon Dieu, the ankle, the eye, the good child, Julie, there!"

Then he would fall to thinking and chuckling again. One day he asked her
to make him some potato-cakes of the flour he had given her. Her
answer was a catastrophe. She could not cook; she was even ignorant of
buttermilk-pudding. He went away overwhelmed, but came back some
days afterwards and made another speech. He had laid his plans before
Medallion, who approved of them. He prefaced the speech by placing the
blank marriage certificate on the table. Then he said that his first
wife was such a cook, that when she died he paid for an extra Mass and
twelve very fine candles. He called upon Parpon to endorse his words,
and Parpon nodded to all he said, but, catching Julie's eye, went off
into gurgles of laughter, which he pretended were tears, by smothering
his face in his capote. "Ma'm'selle," said the miller, "I have thought.
Some men go to the Avocat or the Cure with great things; but I have
been a pilgrimage, I have sat on the grand jury. There, Ma'm'selle!"
His chest swelled, he blew out his cheeks, he pulled Parpon's ear as
Napoleon pulled Murat's. "Ma'm'selle, allons! Babette, the sister of my
first wife-ah! she is a great cook also--well, she was pouring into my
plate the soup--there is nothing like pea-soup with a fine lump of pork,
and thick molasses for the buckwheat cakes. Ma'm'selle, allons! Just
then I thought. It is very good; you shall see; you shall learn how to
cook. Babette will teach you. Babette said many things. I got mad and
spilt the soup. Ma'm'selle--eh, holy, what a turn has your waist!"

At length he made it clear to her what his plans were, and to each and
all she consented; but when he had gone she sat and laughed till she
cried, and for the hundredth time took out the brown paper and studied
the list of Farette's worldly possessions.

The wedding-day came. Julie performed her last real act of renunciation
when, in spite of the protests of her friends, she wore the grey
watered-poplin, made modern by her own hands. The wedding-day was the
anniversary of Farette's first marriage, and the Cure faltered in the
exhortation when he saw that Farette was dressed in complete mourning,
even to the crape hat-streamers, as he said, out of respect for the
memory of his first wife, and as a kind of tribute to his second. At the
wedding-breakfast, where Medallion and Parpon were in high glee, Farette
announced that he would take the honeymoon himself, and leave his wife
to learn cooking from old Babette.

So he went away alone cheerfully, with hymeneal rice falling in showers
on his mourning garments; and his new wife was as cheerful as he, and
threw rice also.

She learned how to cook, and in time Farette learned that he had his one
true inspiration when he wore mourning at his second marriage.




MATHURIN

The tale was told to me in the little valley beneath Dalgrothe Mountain
one September morning. Far and near one could see the swinging of the
flail, and the laughter of a ripe summer was upon the land. There was a
little Calvary down by the riverside, where the flax-beaters used to
say their prayers in the intervals of their work; and it was just at the
foot of this that Angele Rouvier, having finished her prayer, put her
rosary in her pocket, wiped her eyes with the hem of her petticoat, and
said to me:

"Ah, dat poor Mathurin, I wipe my tears for him!"

"Tell me all about him, won't you, Madame Angele? I want to hear you
tell it," I added hastily, for I saw that she would despise me if I
showed ignorance of Mathurin's story. Her sympathy with Mathurin's
memory was real, but her pleasure at the compliment I paid her was also
real.

"Ah! It was ver' longtime ago--yes. My gran'mudder she remember dat
Mathurin ver' well. He is not ver' big man. He has a face-oh, not ver'
handsome, not so more handsome as yours--non. His clothes, dey hang
on him all loose; his hair, it is all some grey, and it blow about him
head. He is clean to de face, no beard--no, nosing like dat. But his
eye--la, M'sieu', his eye! It is like a coal which you blow in your
hand, whew!--all bright. My gran'mudder, she say, 'Voila, you can light
your pipe with de eyes of dat Mathurin!' She know. She say dat M'sieu'
Mathurin's eyes dey shine in de dark. My gran'fadder he say he not need
any lights on his cariole when Mathurin ride with him in de night.

"Ah, sure! it is ver' true what I tell you all de time. If you cut off
Mathurin at de chin, all de way up, you will say de top of him it is
a priest. All de way down from his neck, oh, he is just no better as
yoursel' or my Jean--non. He is a ver' good man. Only one bad ting he
do. Dat is why I pray for him; dat is why everybody pray for him--only
one bad ting. Sapristi!--if I have only one ting to say God-have-mercy
for, I tink dat ver' good; I do my penance happy. Well, dat Mathurin
him use to teach de school. De Cure he ver' fond of him. All de leetla
children, boys and girls, dey all say: 'C'est bon Mathurin!' He is not
ver' cross--non. He have no wife, no child; jes live by himself all
alone. But he is ver' good friends with everybody in Pontiac. When he
go 'long de street, everybody say, 'Ah, dere go de good Mathurin!' He
laugh, he tell story, he smoke leetla tabac, he take leetla white wine
behin' de door; dat is nosing--non.

"He have in de parish five, ten, twenty children all call Mathurin;
he is godfadder with dem--yes. So he go about with plenty of sugar and
sticks of candy in his pocket. He never forget once de age of every
leetla child dat call him godfadder. He have a brain dat work like a
clock. My gran'fadder he say dat Mathurin have a machine in his head. It
make de words, make de thoughts, make de fine speech like de Cure, make
de gran' poetry--oh, yes!

"When de King of Englan' go to sit on de throne, Mathurin write ver'
nice verse to him. And by-and-by dere come to Mathurin a letter--voila,
dat is a letter! It have one, two, three, twenty seals; and de King he
say to Mathurin: 'Merci mille fois, m'sieu'; you are ver' polite. I tank
you. I will keep your verses to tell me dat my French subjects are
all loyal like M. Mathurin.' Dat is ver' nice, but Mathurin is not
proud--non. He write six verses for my granmudder--hein? Dat is
something. He write two verses for de King of Englan' and he write six
verses for my granmudder--you see! He go on so, dis week, dat week, dis
year, dat year, all de time.

"Well, by-and-by dere is trouble on Pontiac. It is ver' great trouble.
You see dere is a fight 'gainst de King of Englan', and dat is too bad.
It is not his fault; he is ver' nice man; it is de bad men who make de
laws for de King in Quebec. Well, one day all over de country everybody
take him gun, and de leetla bullets, and say, I will fight de soldier of
de King of Englan'--like dat. Ver' well, dere was twenty men in Pontiac,
ver' nice men--you will find de names cut in a stone on de church; and
den, three times as big, you will find Mathurin's name. Ah, dat is de
ting! You see, dat rebellion you English call it, we call it de War of
de Patriot--de first War of de Patriot, not de second-well, call it what
you like, quelle difference? The King of Englan' smash him Patriot War
all to pieces. Den dere is ten men of de twenty come back to Pontiac
ver' sorry. Dey are not happy, nobody are happy. All de wives, dey cry;
all de children, dey are afraid. Some people say, What fools you are;
others say, You are no good; but everybody in him heart is ver' sorry
all de time.

"Ver' well, by-and-by dere come to Pontiac what you call a colonel with
a dozen men--what for, you tink? To try de patriots. He will stan' dem
against de wall and shoot dem to death--kill dem dead. When dey come,
de Cure he is not in Pontiac--non, not dat day; he is gone to anudder
village. De English soldier he has de ten men drew up before de church.
All de children and all de wives dey cry and cry, and dey feel so bad.
Certainlee, it is a pity. But de English soldier he say he will march
dem off to Quebec, and everybody know dat is de end of de patriots.

"All at once de colonel's horse it grow ver' wild, it rise up high, and
dance on him hind feet, and--voila! he topple him over backwards, and de
horse fall on de colonel and smaish him--smaish him till he go to die.
Ver' well; de colonel, what does he do? Dey lay him on de steps of de
church. Den he say: 'Bring me a priest, quick, for I go to die.' Nobody
answer. De colonel he say: 'I have a hunder sins all on my mind; dey
are on my heart like a hill. Bring to me de priest,'--he groan like dat.
Nobody speak at first; den somebody say de priest is not here. 'Find
me a priest,' say de colonel; 'find me a priest.' For he tink de priest
will not come, becos' he go to kill de patriots. 'Bring me a priest,' he
say again, 'and all de ten shall go free.' He say it over and over. He
is smaish to pieces, but his head is all right. All at once de doors
of de church open behin' him--what you tink! Everybody's heart it stan'
still, for dere is Mathurin dress as de priest, with a leetla boy to
swing de censer. Everybody say to himself, What is dis? Mathurin is
dress as de priest-ah! dat is a sin. It is what you call blaspheme.

"The English soldier he look up at Mathurin and say: 'Ah, a priest at
last--ah, M'sieu' le Cure, comfort me!' Mathurin look down on him and
say: 'M'sieu', it is for you to confess your sins, and to have de office
of de Church. But first, as you have promise just now, you must give up
dese poor men, who have fight for what dey tink is right. You will let
dem go free dis women?' 'Yes, yes,' say de English colonel; 'dey shall
go free. Only give me de help of de Church at my last.' Mathurin turn to
de other soldiers and say: 'Unloose de men.'

"De colonel nod his head and say: 'Unloose de men.' Den de men are
unloose, and dey all go away, for Mathurin tell dem to go quick.

"Everybody is ver' 'fraid becos' of what Mathurin do. Mathurin he say to
de soldiers: 'Lift him up and bring him in de church.' Dey bring him
up to de steps of de altar. Mathurin look at de man for a while, and it
seem as if he cannot speak to him; but de colonel say: 'I have give you
my word. Give me comfort of de Church before I die.' He is in ver' great
pain, so Mathurin he turn roun' to everybody dat stan' by, and tell dem
to say de prayers for de sick. Everybody get him down on his knees
and say de prayer. Everybody say: 'Lord have mercy. Spare him, O Lord;
deliver him, O Lord, from Thy wrath!' And Mathurin he pray all de same
as a priest, ver' soft and gentle. He pray on and on, and de face of de
English soldier it get ver; quiet and still, and de tear drop down his
cheek. And just as Mathurin say at de last his sins dey are forgive,
he die. Den Mathurin, as he go away to take off his robes, he say to
himself: 'Miserere mei Deus! miserere mei Deus!'

"So dat is de ting dat Mathurin do to save de patriots from de bullets.
Ver' well, de men dey go free, and when de Governor at Quebec he hear de
truth, he say it is all right. Also de English soldier die in peace and
happy, becos' he tink his sins are forgive. But den--dere is Mathurin
and his sin to pretend he is a priest! The Cure he come back, and dere
is a great trouble.

"Mathurin he is ver' quiet and still. Nobody come near him in him house;
nobody go near to de school. But he sit alone all day in de school, and
he work on de blackboar' and he write on de slate; but dere is no child
come, becos' de Cure has forbid any one to speak to Mathurin. Not till
de next Sunday, den de Cure send for Mathurin to come to de church.
Mathurin come to de steps of de altar; den de Cure say to him:

"'Mathurin, you have sin a great sin. If it was two hunderd years ago
you would be put to death for dat.'

"Mathurin he say ver' soft: 'Dat is no matter. I am ready to die now. I
did it to save de fadders of de children and de husbands of de wives.
I do it to make a poor sinner happy as he go from de world. De sin is
mine.'

"Den de Cure he say: 'De men are free, dat is good; de wives have dere
husbands and de children dere fadders. Also de man who confess his
sins--de English soldier--to whom you say de words of a priest of God,
he is forgive. De Spirit of God it was upon him when he die, becos' you
speak in de name of de Church. But for you, blasphemer, who take upon
you de holy ting, you shall suffer! For penance, all your life you shall
teach a chile no more.'

"Voila, M'sieu' le Cure he know dat is de greatest penance for de poor
Mathurin! Den he set him other tings to do; and every month for a whole
year Mathurin come on his knees all de way to de church, but de Cure
say: 'Not yet are you forgive.' At de end of de year Mathurin he look so
thin, so white, you can blow through him. Every day he go to him school
and write on de blackboar', and mark on de slate, and call de roll of de
school. But dere is no answer, for dere is no children. But all de time
de wives of de men dat he have save, and de children, dey pray for him.
And by-and-by all de village pray for him, so sorry.

"It is so for two years; and den dey say dat Mathurin he go to die. He
cannot come on his knees to de church; and de men whose life he save,
dey come to de Cure and ask him to take de penance from Mathurin. De
Cure say: 'Wait till nex' Sunday.' So nex' Sunday Mathurin is carry to
de church--he is too weak to walk on his knees. De Cure he stan' at de
altar, and he read a letter from de Pope, which say dat Mathurin
his penance is over, and he is forgive; dat de Pope himself pray for
Mathurin, to save his soul. So Mathurin, all at once he stan' up, and
his face it smile and smile, and he stretch out his arms as if dey are
on a cross, and he say, 'Lord, I am ready to go,' and he fall down. But
de Cure catch him as he fall, and Mathurin say: 'De children--let dem
come to me dat I teach dem before I die.' And all de children in de
church dey come close to him, and he sit up and smile at dem, and he
say:

"'It is de class in 'rithmetic. How much is three times four?' And dem
all answer: 'T'ree times four is twelve.' And he say: 'May de Twelve
Apostles pray for me!' Den he ask: 'Class in geography--how far is it
roun' de world?' And dey answer: 'Twenty-four t'ousand miles.' He say:
'Good; it is not so far to God! De school is over all de time,' he say.
And dat is only everything of poor Mathurin. He is dead.

"When de Cure lay him down, after he make de Sign upon him, he kiss his
face and say: 'Mathurin, now you are a priest unto God.'"

That was Angele Rouvier's story of Mathurin, the Master of the School,
for whom the women and the children pray in the parish of Pontiac,
though the school has been dismissed these hundred years and more.




THE STORY OF THE LIME-BURNER

For a man in whose life there had been tragedy he was cheerful. He had
a habit of humming vague notes in the silence of conversation, as if
to put you at your ease. His body and face were lean and arid, his eyes
oblique and small, his hair straight and dry and straw-coloured; and it
flew out crackling with electricity, to meet his cap as he put it on.
He lived alone in a little but near his lime-kiln by the river, with no
near neighbours, and few companions save his four dogs; and these he fed
sometimes at expense of his own stomach. He had just enough crude poetry
in his nature to enjoy his surroundings. For he was well placed. Behind
the lime-kiln rose knoll on knoll, and beyond these the verdant hills,
all converging to Dalgrothe Mountain. In front of it was the river, with
its banks dropping forty feet, and below, the rapids, always troubled
and sportive. On the farther side of the river lay peaceful areas of
meadow and corn land, and low-roofed, hovering farm-houses, with one
larger than the rest, having a wind-mill and a flag-staff. This building
was almost large enough for a manor, and indeed it was said that it had
been built for one just before the conquest in 1759, but the war had
destroyed the ambitious owner, and it had become a farm-house. Paradis
always knew the time of the day by the way the light fell on the
wind-mill. He had owned this farm once, he and his brother Fabian, and
he had loved it as he loved Fabian, and he loved it now as he loved
Fabian's memory. In spite of all, they were cheerful memories, both of
brother and house.

At twenty-three they had become orphans, with two hundred acres of land,
some cash, horses and cattle, and plenty of credit in the parish, or
in the county, for that matter. Both were of hearty dispositions, but
Fabian had a taste for liquor, and Henri for pretty faces and shapely
ankles. Yet no one thought the worse of them for that, especially at
first. An old servant kept house for them and cared for them in her
honest way, both physically and morally. She lectured them when at first
there was little to lecture about. It is no wonder that when there came
a vast deal to reprove, the bonne desisted altogether, overwhelmed by
the weight of it.

Henri got a shock the day before their father died when he saw Fabian
lift the brandy used to mix with the milk of the dying man, and pouring
out the third of a tumbler, drink it off, smacking his lips as he did
so, as though it were a cordial. That gave him a cue to his future and
to Fabian's. After their father died Fabian gave way to the vice. He
drank in the taverns, he was at once the despair and the joy of the
parish; for, wild as he was, he had a gay temper, a humorous mind,
a strong arm, and was the universal lover. The Cure, who did not, of
course, know one-fourth of his wildness, had a warm spot for him in his
heart. But there was a vicious strain in him somewhere, and it came out
one day in a perilous fashion.

There was in the hotel of the Louis Quinze an English servant from the
west, called Nell Barraway. She had been in a hotel in Montreal, and
it was there Fabian had seen her as she waited at table. She was a
splendid-looking creature--all life and energy, tall, fair-haired, and
with a charm above her kind. She was also an excellent servant, could
do as much as any two women in any house, and was capable of more airy
diablerie than any ten of her sex in Pontiac. When Fabian had said to
her in Montreal that he would come to see her again, he told her where
he lived. She came to see him instead, for she wrote to the landlord of
the Louis Quinze, enclosed fine testimonials, and was at once engaged.
Fabian was stunned when he entered the Louis Quinze and saw her waiting
at table, alert, busy, good to behold. She nodded at him with a quick
smile as he stood bewildered just inside the door, then said in English:
"This way, m'sieu'."

As he sat down he said in English also, with a laugh and with snapping
eyes: "Good Lord, what brings you here, lady-bird?"

As she pushed a chair under him she whispered through his hair: "You!"
and then was gone away to fetch pea-soup for six hungry men.

The Louis Quinze did more business now in three months than it had done
before in six. But it became known among a few in Pontiac that Nell was
notorious. How it had crept up from Montreal no one guessed, and, when
it did come, her name was very intimately associated with Fabian's. No
one could say that she was not the most perfect of servants, and also no
one could say that her life in Pontiac had not been exemplary. Yet wise
people had made up their minds that she was determined to marry
Fabian, and the wisest declared that she would do so in spite of
everything--religion (she was a Protestant), character, race. She was
clever, as the young Seigneur found, as the little Avocat was forced to
admit, as the Cure allowed with a sigh, and she had no airs of badness
at all and very little of usual coquetry. Fabian was enamoured, and it
was clear that he intended to bring the woman to the Manor one way or
another.

Henri admitted the fascination of the woman, felt it, despaired, went
to Montreal, got proof of her career, came back, and made his final and
only effort to turn his brother from the girl.

He had waited an hour outside the hotel for his brother, and when Fabian
got in, he drove on without a word. After a while, Fabian, who was in
high spirits, said:

"Open your mouth, Henri. Come along, sleepyhead."

Straightway he began to sing a rollicking song, and Henri joined in with
him heartily, for the spirit of Fabian's humour was contagious:

            "There was a little man,
             The foolish Guilleri
             Carabi.
             He went unto the chase,
             Of partridges the chase.
             Carabi.
             Titi Carabi,
             Toto Carabo,
             You're going to break your neck,
             My lovely Guilleri!"

He was about to begin another verse when Henri stopped him, saying:

"You're going to break your neck, Fabian."

"What's up, Henri?" was the reply.

"You're drinking hard, and you don't keep good company."

Fabian laughed. "Can't get the company I want, so what I can get I have,
Henri, my lad."

"Don't drink." Henri laid his freehand on Fabian's knee.

"Whiskey-wine is meat and drink to me--I was born on New Year's Day, old
coffin-face. Whiskey-wine day, they ought to call it. Holy! the empty
jars that day." Henri sighed. "That's the drink, Fabian," he said
patiently. "Give up the company. I'll be better company for you than
that girl, Fabian."

"Girl? What the devil do you mean!"

"She, Nell Barraway, was the company I meant, Fabian."

"Nell Barraway--you mean her? Bosh! I'm going to marry her, Henri."

"You mustn't, Fabian," said Henri, eagerly clutching Fabian's sleeve.

"But I must, my Henri. She's the best-looking, wittiest girl I ever
saw--splendid. Never lonely with her."

"Looks and brains isn't everything, Fabian."

"Isn't it, though? Isn't it? Tiens, you try it!"

"Not without goodness." Henri's voice weakened.

"That's bosh. Of course it is, Henri, my dear. If you love a woman, if
she gets hold of you, gets into your blood, loves you so that the touch
of her fingers sets your pulses going pom-pom, you don't care a sou
whether she is good or not."

"You mean whether she was good or not?"

"No, I don't. I mean is good or not. For if she loves you she'll travel
straight for your sake. Pshaw, you don't know anything about it!"

"I know all about it."

"Know all about it! You're in love--you?"

"Yes."

Fabian sat open-mouthed for a minute. "Godam!" he said. It was his one
English oath.

"Is she good company?" he asked after a minute.

"She's the same as you keep--voila, the same."

"You mean Nell--Nell?" asked Fabian, in a dry, choking voice.

"Yes, Nell. From the first time I saw her. But I'd cut my hand off
first. I'd think of you; of our people that have been here for two
hundred years; of the rooms in the old house where mother used to be."

Fabian laughed nervously. "Holy heaven, and you've got her in your
blood, too!"

"Yes, but I'd never marry her. Fabian, at Montreal I found out all about
her. She was as bad--"

"That's nothing to me, Henri," said Fabian, "but something else is.
Here you are now. I'll make a bargain." His face showed pale in the
moonlight. "If you'll drink with me, do as I do, go where I go, play the
devil when I play it, and never squeal, never hang back, I'll give her
up. But I've got to have you--got to have you all the time, everywhere,
hunting, drinking, or letting alone. You'll see me out, for you're
stronger, had less of it. I'm soon for the little low house in the
grass. Stop the horses."

Henri stopped them and they got out. They were just opposite the
lime-kiln, and they had to go a few hundred yards before they came to
the bridge to cross the river to their home. The light of the fire shone
in their faces as Fabian handed the flask to Henri, and said: "Let's
drink to it, Henri. You half, and me half." He was deadly pale.

Henri drank to the finger-mark set, and then Fabian lifted the flask to
his lips.

"Good-bye, Nell!" he said. "Here's to the good times we've had!" He
emptied the flask, and threw it over the bank into the burning lime, and
Garotte, the old lime-burner, being half asleep, did not see or hear.

The next day the two went on a long hunting expedition, and the
following month Nell Barraway left for Montreal.

Henri kept to his compact, drink for drink, sport for sport. One year
the crops were sold before they were reaped, horses and cattle went
little by little, then came mortgage, and still Henri never wavered,
never weakened, in spite of the Cure and all others. The brothers were
always together, and never from first to last did Henri lose his temper,
or openly lament that ruin was coming surely on them. What money Fabian
wanted he got. The Cure's admonitions availed nothing, for Fabian would
go his gait. The end came on the very spot where the compact had been
made; for, passing the lime-kiln one dark night, as the two rode home
together, Fabian's horse shied, the bank of the river gave way, and with
a startled "Ah, Henri!" the profligate and his horse were gone into the
river below.

Next month the farm and all were sold, Henri Paradis succeeded the old
lime-burner at his post, drank no more ever, and lived his life in sight
of the old home.




THE WOODSMAN'S STORY OF THE GREAT WHITE CHIEF

The old woodsman shifted the knife with which he was mending his
fishing-rod from one hand to the other, and looked at it musingly,
before he replied to Medallion. "Yes, m'sieu', I knew the White
Chief, as they called him: this was his"--holding up the knife; "and
this"--taking a watch from his pocket. "He gave them to me; I was with
him in the Circle on the great journey."

"Tell us about him, then," Medallion urged; "for there are many tales,
and who knows which is the right one?"

"The right one is mine. Holy, he was to me like a father then! I know
more of the truth than any one." He paused a moment, looking out on the
river where the hot sun was playing with all its might, then took off
his cap with deliberation, laid it beside him, and speaking as it were
into the distance, began:

"He once was a trader of the Hudson's Bay Company. Of his birth some
said one thing, some another; I know he was beaucoup gentil, and
his heart, it was a lion's! Once, when there was trouble with the
Chipp'ways, he went alone to their camp, and say he will fight their
strongest man, to stop the trouble. He twist the neck of the great
fighting man of the tribe, so that it go with a snap, and that ends it,
and he was made a chief, for, you see, in their hearts they all hated
their strong man. Well, one winter there come down to Fort o' God
two Esquimaux, and they say that three white men are wintering by the
Coppermine River; they had travel down from the frozen seas when their
ship was lock in the ice, but can get no farther. They were sick with
the evil skin, and starving. The White Chief say to me: 'Galloir, will
you go to rescue them?' I would have gone with him to the ends of the
world--and this was near one end."

The old man laughed to himself, tossed his jet-black hair from his
wrinkled face, and after a moment, went on: "There never was such a
winter as that. The air was so still by times that you can hear the
rustle of the stars and the shifting of the northern lights; but the
cold at night caught you by the heart and clamp it--Mon Dieu, how it
clamp! We crawl under the snow and lay in our bags of fur and wool, and
the dogs hug close to us. We were sorry for the dogs; and one died, and
then another, and there is nothing so dreadful as to hear the dogs
howl in the long night--it is like ghosts crying in an empty world. The
circle of the sun get smaller and smaller, till he only tramp along the
high edge of the north-west. We got to the river at last and found
the camp. There is one man dead--only one; but there were bones--ah,
m'sieu', you not guess what a thing it is to look upon the bones of men,
and know that--!"

Medallion put his hand on the old man's arm. "Wait a minute," he said.
Then he poured out coffee for both, and they drank before the rest was
told.

"It's a creepy story," said Medallion, "but go on."

"Well, the White Chief look at the dead man as he sit there in the snow,
with a book and a piece of paper beside him, and the pencil in the book.
The face is bent forward to the knees. The White Chief pick up the book
and pencil, and then kneel down and gaze up in the dead man's face, all
hard like stone and crusted with frost. I thought he would never stir
again, he look so long. I think he was puzzle. Then he turn and say to
me: 'So quiet, so awful, Galloir!' and got up. Well, but it was cold
then, and my head seemed big and running about like a ball of air. But
I light a spirit-lamp, and make some coffee, and he open the dead man's
book--it is what they call a diary--and begin to read. All at once I
hear a cry, and I see him drop the book on the ground, and go to the
dead man, and jerk his fist as if to strike him in the face. But he did
not strike."

Galloir stopped, and lighted his pipe, and was so long silent that
Medallion had to jog him into speaking. He puffed the smoke so that his
face was in the cloud, and he said through it: "No, he did not strike.
He get to his feet and spoke: 'God forgive her!' like that, and come and
take up the book again, and read. He eat and drunk, and read the book
again, and I know by his face that something more than cold was clamp
his heart.

"'Shall we bury him in the snow?' I say. 'No,' he spoke, 'let him sit
there till the Judgmen'. This is a wonderful book, Galloir,' he went
on. 'He was a brave man, but the rest--the rest!'--then under his breath
almost: 'She was so young--but a child.' I not understand that. We start
away soon, leaving the thing there. For four days, and then I see that
the White Chief will never get back to Fort Pentecost; but he read the
dead man's book much...."

"I cannot forget that one day. He lies down looking at the
world--nothing but the waves of snow, shining blue and white, on and on.
The sun lift an eye of blood in the north, winking like a devil as I try
to drive Death away by calling in his ear. He wake all at once; but
his eyes seem asleep. He tell me to take the book to a great man
in Montreal--he give me the name. Then he take out his watch--it is
stop--and this knife, and put them into my hands, and then he pat my
shoulder. He motion to have the bag drawn over his head. I do it.... Of
course that was the end!"

"But what about the book?" Medallion asked.

"That book? It is strange. I took it to the man in Montreal--tonnerre,
what a fine house and good wine had he!--and told him all. He whip out a
scarf, and blow his nose loud, and say very angry: 'So, she's lost
both now! What a scoundrel he was!...' Which one did he mean? I not
understan' ever since."




UNCLE JIM

He was no uncle of mine, but it pleased me that he let me call him Uncle
Jim.

It seems only yesterday that, for the first time, on a farm "over the
border," from the French province, I saw him standing by a log outside
the wood-house door, splitting maple knots. He was all bent by years and
hard work, with muscles of iron, hands gnarled and lumpy, but clinching
like a vise; grey head thrust forward on shoulders which had carried
forkfuls of hay and grain, and leaned to the cradle and the scythe,
and been heaped with cordwood till they were like hide and metal; white
straggling beard and red watery eyes, which, to me, were always hung
with an intangible veil of mystery--though that, maybe, was my boyish
fancy. Added to all this he was so very deaf that you had to speak clear
and loud into his ear; and many people he could not hear at all, if
their words were not sharp-cut, no matter how loud. A silent, withdrawn
man he was, living close to Mother Earth, twin-brother of Labour, to
whom Morning and Daytime were sounding-boards for his axe, scythe, saw,
flail, and milking-pail, and Night a round hollow of darkness into which
he crept, shutting the doors called Silence behind him, till the impish
page of Toil came tapping again, and he stepped awkwardly into the
working world once more. Winter and summer saw him putting the kettle
on the fire a few minutes after four o'clock, in winter issuing with
lantern from the kitchen door to the stable and barn to feed the stock;
in summer sniffing the grey dawn and looking out on his fields of rye
and barley, before he went to gather the cows for milking and take the
horses to water.

For forty years he and his worn-faced wife bowed themselves beneath the
yoke, first to pay for the hundred-acre farm, and then to bring up
and educate their seven children. Something noble in them gave them
ambitions for their boys and girls which they had never had for
themselves; but when had gone the forty years, in which the little farm
had twice been mortgaged to put the eldest son through college as a
doctor, they faced the bitter fact that the farm had passed from them to
Rodney, the second son, who had come at last to keep a hotel in a
town fifty miles away. Generous-hearted people would think that these
grown-up sons and daughters should have returned the old people's long
toil and care by buying up the farm and handing it back to them, their
rightful refuge in the decline of life. But it was not so. They were
tenants where they had been owners, dependants where they had been
givers, slaves where once they were, masters. The old mother toiled
without a servant, the old man without a helper, save in harvest time.

But the great blow came when Rodney married the designing milliner who
flaunted her wares opposite his bar-room; and, somehow, from the date of
that marriage, Rodney's good fortune and the hotel declined. When he
and his wife first visited the little farm after their marriage the
old mother shrank away from the young woman's painted face, and ever
afterwards an added sadness showed in her bearing and in her patient
smile. But she took Rodney's wife through the house, showing her all
there was to show, though that was not much. There was the little
parlour with its hair-cloth chairs, rag carpet, centre table, and iron
stove with black pipes, all gaily varnished. There was the parlour
bedroom off it, with the one feather-bed of the house bountifully piled
up with coarse home-made blankets, topped by a silk patchwork quilt, the
artistic labour of the old wife's evening hours while Uncle Jim peeled
apples and strung them to dry from the rafters. There was a room,
dining-room in summer, and kitchen dining-room in winter, as clean as
aged hands could scrub and dust it, hung about with stray pictures from
illustrated papers, and a good old clock in the corner "ticking" life,
and youth, and hope away. There was the buttery off that, with its
meagre china and crockery, its window looking out on the field of rye,
the little orchard of winter apples, and the hedge of cranberry bushes.
Upstairs were rooms with no ceilings, where, lying on a corn-husk bed,
you reached up and touched the sloping roof, with windows at the end
only, facing the buckwheat field, and looking down two miles towards
the main road--for the farm was on a concession or side-road, dusty in
summer, and in winter sometimes impassable for weeks together. It was
not much of a home, as any one with the mind's eye can see, but four
stalwart men and three fine women had been born, raised, and quartered
there, until, with good clothes, and speaking decent English and
tolerable French, and with money in their pockets, hardly got by the old
people, one by one they issued forth into the world.

The old mother showed Rodney's wife what there was for eyes to see,
not forgetting the three hives of bees on the south side, beneath the
parlour window. She showed it with a kind of pride, for it all seemed
good to her, and every dish, and every chair, and every corner in the
little house had to her a glory of its own, because of those who had
come and gone--the firstlings of her flock, the roses of her little
garden of love, blooming now in a rougher air than ranged over the
little house on the hill. She had looked out upon the pine woods to
the east and the meadow-land to the north, the sweet valley between the
rye-field and the orchard, and the good honest air that had blown there
for forty years, bracing her heart and body for the battle of love and
life, and she had said through all, Behold it is very good.

But the pert milliner saw nothing of all this; she did not stand abashed
in the sacred precincts of a home where seven times the Angel of Death
had hovered over a birth-bed. She looked into the face which Time's
finger had anointed, and motherhood had etched with trouble, and said:

"'Tisn't much, is it? Only a clap-board house, and no ceilings upstairs,
and rag carpets-pshaw!"

And when she came to wash her hands for dinner, she threw aside the
unscented, common bar-soap, and, shrugging her narrow shoulders at the
coarse towel, wiped her fingers on her cambric handkerchief. Any other
kind of a woman, when she saw the old mother going about with her
twisted wrist--a doctor's bad work with a fracture--would have tucked
up her dress, and tied on an apron to help. But no, she sat and preened
herself with the tissue-paper sort of pride of a vain milliner,
or nervously shifted about, lifting up this and that, curiously
supercilious, her tongue rattling on to her husband and to his mother
in a shallow, foolish way. She couldn't say, however, that any thing
was out of order or ill-kept about the place. The old woman's rheumatic
fingers made corners clean, and wood as white as snow, the stove was
polished, the tins were bright, and her own dress, no matter what her
work, neat as a girl's, although the old graceful poise of the body had
twisted out of drawing.

But the real crisis came when Rodney, having stood at the wood-house
door and blown the dinner-horn as he used to do when a boy, the sound
floating and crying away across the rye-field, the old man came--for,
strange to say, that was the one sound he could hear easily, though, as
he said to himself, it seemed as small as a pin, coming from ever so far
away. He came heavily up from the barn-yard, mopping his red face
and forehead, and now and again raising his hand to shade his eyes,
concerned to see the unknown visitors, whose horse and buggy were in the
stable-yard. He and Rodney greeted outside warmly enough, but there was
some trepidation too in Uncle Jim's face--he felt trouble brewing; and
there is no trouble like that which comes between parent and child.
Silent as he was, however, he had a large and cheerful heart, and
nodding his head he laughed the deep, quaint laugh which Rodney himself
of all his sons had--and he was fonder of Rodney than any. He washed his
hands in the little basin outside the wood-house door, combed out his
white beard, rubbed his red, watery eyes, tied a clean handkerchief
round his neck, put on a rusty but clean old coat, and a minute
afterwards was shaking hands for the first time with Rodney's wife. He
had lived much apart from his kind, but he had a mind that fastened upon
a thought and worked it down until it was an axiom. He felt how shallow
was this thin, flaunting woman of flounces and cheap rouge; he saw her
sniff at the brown sugar-she had always had white at the hotel; and he
noted that she let Rodney's mother clear away and wash the dinner things
herself. He felt the little crack of doom before it came.

It came about three o'clock. He did not return to the rye-field after
dinner, but stayed and waited to hear what Rodney had to say. Rodney did
not tell his little story well, for he foresaw trouble in the old home;
but he had to face this and all coming dilemmas as best he might. With
a kind of shamefacedness, yet with an attempt to carry the thing off
lightly, he told Uncle Jim, while, inside, his wife told the old mother,
that the business of the hotel had gone to pot (he did not say who was
the cause of that), and they were selling out to his partner and coming
to live on the farm.

"I'm tired anyway of the hotel job," said Rodney. "Farming's a better
life. Don't you think so, dad?"

"It's better for me, Rod," answered Uncle Jim, "it's better for me."

Rodney was a little uneasy. "But won't it be better for me?" he asked.

"Mebbe," was the slow answer, "mebbe, mebbe so."

"And then there's mother, she's getting too old for the work, ain't
she?"

"She's done it straight along," answered the old man, "straight along
till now."

"But Millie can help her, and we'll have a hired girl, eh?"

"I dunno, I dunno," was the brooding answer; "the place ain't going to
stand it."

"We'll get more out of it," answered Rodney. "I'll stock it up, I'll put
more under barley. All the thing wants is working, dad. Put more in, get
more out. Now ain't that right?"

The other was looking off towards the rye-field, where, for forty years,
up and down the hillside, he had travelled with the cradle and the
scythe, putting all there was in him into it, and he answered, blinking
along the avenue of the past:

"Mebbe, mebbe!"

Rodney fretted under the old man's vague replies, and said: "But darn it
all, can't you tell us what you think?"

His father did not take his eyes off the rye-field. "I'm thinking," he
answered, in the same old-fashioned way, "that I've been working here
since you were born, Rod. I've blundered along, somehow, just boggling
my way through. I ain't got anything more to say. The farm ain't mine
any more, but I'll keep my scythe sharp and my axe ground just as I
always did, and I'm for workin' as I've always worked as long as I'm let
to stay."

"Good Lord, dad, don't talk that way! Things ain't going to be any
different for you and mother than they are now. Only, of course--" He
paused.

The old man pieced out the sentence: "Only, of course, there can't be
two women rulin' one house, Rod, and you know it as well as I do."

Exactly how Rodney's wife told the old mother of the great change Rodney
never knew; but when he went back to the house the grey look in his
mother's face told him more than her words ever told. Before they left
that night the pink milliner had already planned the changes which were
to celebrate her coming and her ruling.

So Rodney and his wife came, all the old man prophesied in a few brief
sentences to his wife proving true. There was no great struggle on the
mother's part; she stepped aside from governing, and became as like a
servant as could be. An insolent servant-girl came, and she and Rodney's
wife started a little drama of incompetency, which should end as the
hotel-keeping ended. Wastefulness, cheap luxury, tawdry living, took the
place of the old, frugal, simple life. But the mother went about with
that unchanging sweetness of face, and a body withering about a fretted
soul. She had no bitterness, only a miserable distress. But every slight
that was put upon her, every change, every new-fangled idea, from the
white sugar to the scented soap and the yellow buggy, rankled in the old
man's heart. He had resentment both for the old wife and himself, and
he hated the pink milliner for the humiliation that she heaped upon them
both. Rodney did not see one-fifth of it, and what he did see lost
its force, because, strangely enough, he loved the gaudy wife who
wore gloves on her bloodless hands as she did the house-work and spent
numberless afternoons in trimming her own bonnets. Her peevishness grew
apace as the newness of the experience wore off. Uncle Jim seldom spoke
to her, as he seldom spoke to anybody, but she had an inkling of the
rancour in his heart, and many a time she put blame upon his shoulders
to her husband, when some unavoidable friction came.

A year, two years, passed, which were as ten upon the shoulders of
the old people, and then, in the dead of winter, an important thing
happened. About the month of March Rodney's first child was expected.
At the end of January Rodney had to go away, expecting to return in less
than a month. But, in the middle of February, the woman's sacred trouble
came before its time. And on that day there fell such a storm as had not
been seen for many a year. The concession road was blocked before day
had well set in; no horse could go ten yards in it. The nearest doctor
was miles away at Pontiac, and for any man to face the journey was to
connive with death. The old mother came to Uncle Jim, and, as she looked
out of a little unfrosted spot on the window at the blinding storm, told
him that the pink milliner would die. There seemed to be no other end
to it, for the chances were a hundred to one against the strongest man
making a journey for the doctor, and another hundred to one against the
doctor's coming.

No one knows whether Uncle Jim could hear the cries from the
torture-chamber, but, after standing for a time mumbling to himself, he
wrapped himself in a heavy coat, tied a muffler about his face, and went
out. If they missed him they must have thought him gone to the barn, or
in the drive-shed sharpening his axe. But the day went on and the old
mother forgot all the wrongs that she had suffered, and yearned over
the trivial woman who was hurrying out into the Great Space. Her
hours seemed numbered at noon, her moments measured as it came towards
sundown, but with the passing of the sun the storm stopped, and a
beautiful white peace fell on the world of snow, and suddenly out of
that peace came six men; and the first that opened the door was the
doctor. After him came Uncle Jim, supported between two others.

Uncle Jim had made the terrible journey, falling at last in the streets
of the county town with frozen hands and feet, not a dozen rods from
the doctor's door. They brought him to, he told his story, and, with
the abating of the storm, the doctor and the villagers drove down to the
concession road, and then made their way slowly up across the fields,
carrying the old man with them, for he would not be left behind.

An hour after the doctor entered the parlour bedroom the old mother came
out to where the old man sat, bundled up beside the fire with bandaged
hands and feet.

"She's safe, Jim, and the child too," she said softly. The old man
twisted in his chair, and blinked into the fire. "Dang my soul!" he
said.

The old woman stooped and kissed his grey tangled hair. She did not
speak, and she did not ask him what he meant; but there and then they
took up their lives again and lived them out.




THE HOUSE WITH THE TALL PORCH

No one ever visited the House except the Little Chemist, the Avocat,
and Medallion; and Medallion, though merely an auctioneer, was the only
person on terms of intimacy with its owner, the old Seigneur, who for
many years had never stirred beyond the limits of his little garden. At
rare intervals he might be seen sitting in the large stone porch which
gave overweighted dignity to the house, itself not very large.

An air of mystery surrounded the place: in summer the grass was rank,
the trees seemed huddled together in gloom about the houses, the vines
appeared to ooze on the walls, and at one end, where the window-shutters
were always closed and barred, a great willow drooped and shivered; in
winter the stone walls showed naked and grim among the gaunt trees and
furtive shrubs.

None who ever saw the Seigneur could forget him--a tall figure with
stooping shoulders; a pale, deeply lined, clean-shaven face, and a
forehead painfully white, with blue veins showing; the eyes handsome,
penetrative, brooding, and made indescribably sorrowful by the dark
skin around them. There were those in Pontiac, such as the Cure, who
remembered when the Seigneur was constantly to be seen in the village;
and then another person was with him always, a tall, handsome youth, his
son. They were fond and proud of each other, and were religious and good
citizens in a highbred, punctilious way.

At that time the Seigneur was all health and stalwart strength. But one
day a rumour went abroad that he had quarrelled with his son because
of the wife of Farette the miller. No one outside knew if the thing was
true, but Julie, the miller's wife, seemed rather to plume herself that
she had made a stir in her little world. Yet the curious habitants came
to know that the young man had gone, and after a few years his having
once lived there had become a mere memory. But whenever the Little
Chemist set foot inside the tall porch he remembered; the Avocat was
kept in mind by papers which he was called upon to read and alter from
time to time; the Cure never forgot, because when the young man went he
lost not one of his flock but two; and Medallion, knowing something
of the story, had wormed a deal of truth out of the miller's wife.
Medallion knew that the closed, barred rooms were the young man's; and
he knew also that the old man was waiting, waiting, in a hope which he
never even named to himself.

One day the silent old housekeeper came rapping at Medallion's door, and
simply said to him: "Come--the Seigneur!"

Medallion went, and for hours sat beside the Seigneur's chair, while
the Little Chemist watched and sighed softly in a corner, now and
again rising to feel the sick man's pulse or to prepare a cordial. The
housekeeper hovered behind the high-backed chair, and when the Seigneur
dropped his handkerchief--now, as always, of the exquisite fashion of a
past century--she put it gently in his hand.

Once when the Little Chemist touched his wrist, his dark eyes rested on
him with inquiry, and he said: "Soon?"

It was useless trying to shirk the persistency of that look. "Eight
hours, perhaps, sir," the Little Chemist answered, with painful shyness.

The Seigneur seemed to draw himself up a little, and his hand grasped
his handkerchief tightly for an instant; then he said: "Soon. Thank
you."

After a little, his eyes turned to Medallion and he seemed about to
speak, but still kept silent. His chin dropped on his breast, and for
a time he was motionless and shrunken; but still there was a strange
little curl of pride--or disdain--on his lips. At last he drew up his
head, his shoulders came erect, heavily, to the carved back of the
chair, where, strange to say, the Stations of the Cross were figured,
and he said, in a cold, ironical voice: "The Angel of Patience has
lied!"

The evening wore on, and there was no sound, save the ticking of the
clock, the beat of rain upon the windows, and the deep breathing of the
Seigneur. Presently he started, his eyes opened wide, and his whole body
seemed to listen.

"I heard a voice," he said.

"No one spoke, my master," said the housekeeper.

"It was a voice without," he said.

"Monsieur," said the Little Chemist, "it was the wind in the eaves."

His face was almost painfully eager and sensitively alert.

"Hush!" he said; "I hear a voice in the tall porch."

"Sir," said Medallion, laying a hand respectfully on his arm, "it is
nothing."

With a light on his face and a proud, trembling energy, he got to his
feet. "It is the voice of my son," he said. "Go--go, and bring him in."

No one moved. But he was not to be disobeyed.

His ears had been growing keener as he neared the subtle atmosphere of
that Brink where man strips himself to the soul for a lonely voyaging,
and he waved the woman to the door.

"Wait," he said, as her hand fluttered at the handle. "Take him to
another room. Prepare a supper such as we used to have. When it is ready
I will come. But, listen, and obey. Tell him not that I have but four
hours of life. Go, good woman, and bring him in."

It was as he said. They found the son weak and fainting, fallen within
the porch--a worn, bearded man, returned from failure and suffering and
the husks of evil. They clothed him and cared for him, and strengthened
him with wine, while the woman wept over him and at last set him at the
loaded, well-lighted table. Then the Seigneur came in, leaning his
arm very lightly on that of Medallion with a kind of kingly air; and,
greeting his son before them all, as if they had parted yesterday, sat
down. For an hour they sat there, and the Seigneur talked gaily with a
colour to his face, and his great eyes glowing. At last he rose, lifted
his glass, and said: "The Angel of Patience is wise. I drink to my son!"

He was about to say something more, but a sudden whiteness passed over
his face. He drank off the wine, and as he put the glass down, shivered,
and fell back in his chair.

"Two hours short, Chemist!" he said, and smiled, and was Still.




PARPON THE DWARF

Parpon perched in a room at the top of the mill. He could see every
house in the village, and he knew people a long distance off. He was a
droll dwarf, and, in his way, had good times in the world. He turned the
misery of the world into a game, and grinned at it from his high little
eyrie with the dormer window. He had lived with Farette the miller for
some years, serving him with a kind of humble insolence.

It was not a joyful day for Farette when he married Julie. She led him a
pretty travel. He had started as her master; he ended by being her slave
and victim.

She was a wilful wife. She had made the Seigneur de la Riviere, of
the House with the Tall Porch, to quarrel with his son Armand, so that
Armand disappeared from Pontiac for years.

When that happened she had already stopped confessing to the good Cure;
so it may be guessed there were things she did not care to tell, and
for which she had no repentance. But Parpon knew, and Medallion the
auctioneer guessed; and the Little Chemist's wife hoped that it was not
so. When Julie looked at Parpon, as he perched on a chest of drawers,
with his head cocked and his eyes blinking, she knew that he read the
truth. But she did not know all that was in his head; so she said sharp
things to him, as she did to everybody, for she had a very poor opinion
of the world, and thought all as flippant as herself. She took nothing
seriously; she was too vain. Except that she was sorry Armand was gone,
she rather plumed herself on having separated the Seigneur and his
son--it was something to have been the pivot in a tragedy. There came
others to the village, as, for instance, a series of clerks to the
Avocat; but she would not decline from Armand upon them. She merely made
them miserable.

But she did not grow prettier as time went on. Even Annette, the sad
wife of the drunken Benoit, kept her fine looks; but then, Annette's
life was a thing for a book, and she had a beautiful child. You cannot
keep this from the face of a woman. Nor can you keep the other: when the
heart rusts the rust shows.

After a good many years, Armand de la Riviere came back in time to see
his father die. Then Julie picked out her smartest ribbons, capered at
the mirror, and dusted her face with oatmeal, because she thought that
he would ask her to meet him at the Bois Noir, as he had done long
ago. The days passed, and he did not come. When she saw Armand at the
funeral--a tall man with a dark beard and a grave face, not like the
Armand she had known, he seemed a great distance from her, though she
could almost have touched him once as he turned from the grave. She
would have liked to throw herself into his arms, and cry before them
all: "Mon Armand!" and go away with him to the House with the Tall
Porch. She did not care about Farette, the mumbling old man who hungered
for money, having ceased to hunger for anything else--even for Julie,
who laughed and shut her door in his face, and cowed him.

After the funeral Julie had a strange feeling. She had not much brains,
but she had some shrewdness, and she felt her romance askew. She stood
before the mirror, rubbing her face with oatmeal and frowning hard.
Presently a voice behind her said: "Madame Julie, shall I bring another
bag of meal?"

She turned quickly, and saw Parpon on a table in the corner, his legs
drawn up to his chin, his black eyes twinkling.

"Idiot!" she cried, and threw the meal at him. He had a very long, quick
arm. He caught the basin as it came, but the meal covered him. He
blew it from his beard, laughing softly, and twirled the basin on a
finger-point.

"Like that, there will need two bags!" he said.

"Imbecile!" she cried, standing angry in the centre of the room.

"Ho, ho, what a big word! See what it is to have the tongue of fashion!"

She looked helplessly round the room. "I will kill you!"

"Let us die together," answered Parpon; "we are both sad."

She snatched the poker from the fire, and ran at him. He caught her
wrists with his great hands, big enough for tall Medallion, and held
her.

"I said 'together,"' he chuckled; "not one before the other. We might
jump into the flume at the mill, or go over the dam at the Bois Noir;
or, there is Farette's musket which he is cleaning--gracious, but it
will kick when it fires, it is so old!"

She sank to the floor. "Why does he clean the musket?" she asked;
fear, and something wicked too, in her eye. Her fingers ran forgetfully
through the hair on her forehead, pushing it back, and the marks of
small-pox showed. The contrast with her smooth cheeks gave her a weird
look. Parpon got quickly on the table again and sat like a Turk, with
a furtive eye on her. "Who can tell!" he said at last. "That musket
has not been fired for years. It would not kill a bird; the shot would
scatter: but it might kill a man--a man is bigger."

"Kill a man!" She showed her white teeth with a savage little smile.

"Of course it is all guess. I asked Farette what he would shoot, and he
said, 'Nothing good to eat.' I said I would eat what he killed. Then
he got pretty mad, and said I couldn't eat my own head. Holy! that was
funny for Farette. Then I told him there was no good going to the Bois
Noir, for there would be nothing to shoot. Well, did I speak true,
Madame Julie?"

She was conscious of something new in Parpon. She could not define it.
Presently she got to her feet and said: "I don't believe you--you're a
monkey."

"A monkey can climb a tree quick; a man has to take the shot as it
comes." He stretched up his powerful arms, with a swift motion as of
climbing, laughed, and added: "Madame Julie, Farette has poor eyes; he
could not see a hole in a ladder. But he has a kink in his head about
the Bois Noir. People have talked--"

"Pshaw!" Julie said, crumpling her apron and throwing it out; "he is a
child and a coward. He should not play with a gun; it might go off and
hit him."

Parpon hopped down and trotted to the door. Then he turned and said,
with a sly gurgle: "Farette keeps at that gun. What is the good! There
will be nobody at the Bois Noir any more. I will go and tell him."

She rushed at him with fury, but seeing Annette Benoit in the road, she
stood still and beat her foot angrily on the doorstep. She was ripe for
a quarrel, and she would say something hateful to Annette; for she never
forgot that Farette had asked Annette to be his wife before herself was
considered. She smoothed out her wrinkled apron and waited.

"Good day, Annette," she said loftily.

"Good day, Julie," was the quiet reply.

"Will you come in?"

"I am going to the mill for flax-seed. Benoit has rheumatism."

"Poor Benoit!" said Julie, with a meaning toss of her head.

"Poor Benoit," responded Annette gently. Her voice was always sweet. One
would never have known that Benoit was a drunken idler.

"Come in. I will give you the meal from my own. Then it will cost you
nothing," said Julie, with an air.

"Thank you, Julie, but I would rather pay."

"I do not sell my meal," answered Julie. "What's a few pounds of meal to
the wife of Farette? I will get it for you. Come in, Annette."

She turned towards the door, then stopped all at once. There was the
oatmeal which she had thrown at Parpon, the basin, and the poker. She
wished she had not asked Annette in. But in some things she had a quick
wit, and she hurried to say: "It was that yellow cat of Parpon's. It
spilt the meal, and I went at it with the poker."

Perhaps Annette believed her. She did not think about it one way or the
other; her mind was with the sick Benoit. She nodded and said nothing,
hoping that the flax-seed would be got at once. But when she saw that
Julie expected an answer, she said: "Cecilia, my little girl, has a
black cat-so handsome. It came from the house of the poor Seigneur de la
Riviere a year ago. We took it back, but it would not stay."

Annette spoke simply and frankly, but her words cut like a knife.

Julie responded, with a click of malice: "Look out that the black cat
doesn't kill the dear Cecilia." Annette started, but she did not believe
that cats sucked the life from children's lungs, and she replied calmly:
"I am not afraid; the good God keeps my child." She then got up and came
to Julie, and said: "It is a pity, Julie, that you have not a child. A
child makes all right."

Julie was wild to say a fierce thing, for it seemed that Annette was
setting off Benoit against Farette; but the next moment she grew hot,
her eyes smarted, and there was a hint of trouble at her throat. She had
lived very fast in the last few hours, and it was telling on her. She
could not rule herself--she could not play a part so well as she wished.
She had not before felt the thing that gave a new pulse to her body and
a joyful pain at her breasts. Her eyes got thickly blurred so that she
could not see Annette, and, without a word, she hurried to get the
meal. She was silent when she came back. She put the meal into Annette's
hands. She felt that she would like to talk of Armand. She knew now
there was no evil thought in Annette. She did not like her more for
that, but she felt she must talk, and Annette was safe. So she took her
arm. "Sit down, Annette," she said. "You come so seldom."

"But there is Benoit, and the child--"

"The child has the black cat from the House!" There was again a sly ring
to Julie's voice, and she almost pressed Annette into a chair.

"Well, it must only be a minute."

"Were you at the funeral to-day?" Julie began.

"No; I was nursing Benoit. But the poor Seigneur! They say he died
without confession. No one was there except M'sieu' Medallion, the
Little Chemist, Old Sylvie, and M'sieu' Armand. But, of course, you have
heard everything."

"Is that all you know?" queried Julie.

"Not much more. I go out little, and no one comes to me except the
Little Chemist's wife--she is a good woman."

"What did she say?"

"Only something of the night the Seigneur died. He was sitting in his
chair, not afraid, but very sad, we can guess. By-and-by he raised his
head quickly. 'I hear a voice in the Tall Porch,' he said. They thought
he was dreaming. But he said other things, and cried again that he heard
his son's voice in the Porch. They went and found M'sieu' Armand. Then
a great supper was got ready, and he sat very grand at the head of the
table, but died quickly, when making a grand speech. It was strange he
was so happy, for he did not confess-he hadn't absolution."

This was more than Julie had heard. She showed excitement.

"The Seigneur and M'sieu' Armand were good friends when he died?" she
asked.

"Quite."

All at once Annette remembered the old talk about Armand and Julie. She
was confused. She wished she could get up and run away; but haste would
look strange.

"You were at the funeral?" she added, after a minute.

"Everybody was there."

"I suppose M'sieu' Armand looks very fine and strange after his long
travel," said Annette shyly, rising to go.

"He was always the grandest gentleman in the province," answered Julie,
in her old vain manner. "You should have seen the women look at him
to-day! But they are nothing to him--he is not easy to please."

"Good day," said Annette, shocked and sad, moving from the door.
Suddenly she turned, and laid a hand on Julie's arm. "Come and see my
sweet Cecilia," she said. "She is gay; she will amuse you."

She was thinking again what a pity it was that Julie had no child.

"To see Cecilia and the black cat? Very well--some day."

You could not have told what she meant. But, as Annette turned away
again, she glanced at the mill; and there, high up in the dormer window,
sat Parpon, his yellow cat on his shoulder, grinning down at her. She
wheeled and went into the house.



II. Parpon sat in the dormer window for a long time, the cat purring
against his head, and not seeming the least afraid of falling, though
its master was well out on the window-ledge. He kept mumbling to
himself:

"Ho, ho, Farette is below there with the gun, rubbing and rubbing at the
rust! Holy mother, how it will kick! But he will only meddle. If she
set her eye at him and come up bold and said: 'Farette, go and have your
whiskey-wine, and then to bed,' he would sneak away. But he has heard
something. Some fool, perhaps that Benoit--no, he is sick--perhaps the
herb-woman has been talking, and he thinks he will make a fuss. But it
will be nothing. And M'sieu' Armand, will he look at her?" He chuckled
at the cat, which set its head back and hissed in reply. Then he sang
something to himself.

Parpon was a poor little dwarf with a big head, but he had one thing
which made up for all, though no one knew it--or, at least, he thought
so. The Cure himself did not know. He had a beautiful voice. Even in
speaking it was pleasant to hear, though he roughened it in a way. It
pleased him that he had something of which the finest man or woman
would be glad. He had said to himself many times that even Armand de la
Riviere would envy him.

Sometimes Parpon went off away into the Bois Noir, and, perched there in
a tree, sang away--a man, shaped something like an animal, with a voice
like a muffled silver bell.

Some of his songs he had made himself: wild things, broken thoughts, not
altogether human; the language of a world between man and the spirits.
But it was all pleasant to hear, even when, at times, there ran a weird,
dark thread through the woof. No one in the valley had ever heard the
thing he sang softly as he sat looking down at Julie:

     "The little white smoke blows there, blows here,
      The little blue wolf comes down--
          C'est la!
     And the hill-dwarf laughs in the young wife's ear,
      When the devil comes back to town--
          C'est la!"

It was crooned quietly, but it was distinct and melodious, and the cat
purred an accompaniment, its head thrust into his thick black hair. From
where Parpon sat he could see the House with the Tall Porch, and, as he
sang, his eyes ran from the miller's doorway to it.

Off in the grounds of the dead Seigneur's manor he could see a man push
the pebbles with his foot, or twist the branch of a shrub thoughtfully
as he walked. At last another man entered the garden. The two greeted
warmly, and passed up and down together.



III. "My good friend," said the Cure, "it is too late to mourn for those
lost years. Nothing can give them back. As Parpon the dwarf said--you
remember him, a wise little man, that Parpon--as he said one day,
'For everything you lose you get something, if only how to laugh at
yourself."'

Armand nodded thoughtfully and answered: "You are right--you and Parpon.
But I cannot forgive myself; he was so fine a man: tall, with a grand
look, and a tongue like a book. Yes, yes, I can laugh at myself--for a
fool."

He thrust his hands into his pockets, and tapped the ground nervously
with his foot, shrugging his shoulders a little. The priest took off his
hat and made the sacred gesture, his lips moving. Armand caught off his
hat also, and said: "You pray--for him?"

"For the peace of a good man's soul."

"He did not confess; he had no rites of the Church; he had refused you
many years."

"My son, he had a confessor."

Armand raised his eyebrows. "They told me of no one."

"It was the Angel of Patience."

They walked on again for a time without a word. At last the Cure said:
"You will remain here?"

"I cannot tell. This 'here' is a small world, and the little life may
fret me. Nor do I know what I have of this,"--he waved his hands towards
the house,--"or of my father's property. I may need to be a wanderer
again."

"God forbid! Have you not seen the will?"

"I have got no farther than his grave," was the sombre reply.

The priest sighed. They paced the walk again in silence. At last the
Cure said: "You will make the place cheerful, as it once was."

"You are persistent," replied the young man, smiling. "Whoever lives
here should make it less gloomy."

"We shall soon know who is to live here. See, there is Monsieur Garon,
and Monsieur Medallion also."

"The Avocat to tell secrets, the auctioneer to sell them--eh?"
Armand went forward to the gate. Like most people, he found Medallion
interesting, and the Avocat and he were old friends.

"You did not send for me, monsieur," said the Avocat timidly, "but
I thought it well to come, that you might know how things are; and
Monsieur Medallion came because he is a witness to the will, and, in
a case"--here the little man coughed nervously--"joint executor with
Monsieur le Cure."

They entered the house. In a business-like way Armand motioned them
to chairs, opened the curtains, and rang the bell. The old housekeeper
appeared, a sorrowful joy in her face, and Armand said: "Give us a
bottle of the white-top, Sylvie, if there is any left."

"There is plenty, monsieur," she said; "none has been drunk these twelve
years."

The Avocat coughed, and said hesitatingly to Armand: "I asked Parpon the
dwarf to come, monsieur. There is a reason."

Armand raised his eyebrows in surprise. "Very good," he said. "When will
he be here?"

"He is waiting at the Louis Quinze hotel."

"I will send for him," said Armand, and gave the message to Sylvie, who
was entering the room.

After they had drunk the wine placed before them, there was silence for
a moment, for all were wondering why Parpon should be remembered in the
Seigneur's Will.

"Well," said Medallion at last, "a strange little dog is Parpon. I could
surprise you about him--and there isn't any reason why I should keep the
thing to myself. One day I was up among the rocks, looking for a
strayed horse. I got tired, and lay down in the shade of the Rock of Red
Pigeons--you know it. I fell asleep. Something waked me. I got up and
heard the finest singing you can guess: not like any I ever heard; a
wild, beautiful, shivery sort of thing. I listened for a long time. At
last it stopped. Then something slid down the rock. I peeped out, and
saw Parpon toddling away."

The Cure stared incredulously, the Avocat took off his glasses and
tapped his lips musingly, Armand whistled softly.

"So," said Armand at last, "we have the jewel in the toad's head. The
clever imp hid it all these years--even from you, Monsieur le Cure."

"Even from me," said the Cure, smiling. Then, gravely: "It is strange,
the angel in the stunted body."

"Are you sure it's an angel?" said Armand.

"Who ever knew Parpon do any harm?" queried the Cure.

"He has always been kind to the poor," put in the Avocat.

"With the miller's flour," laughed Medallion: "a pardonable sin."
He sent a quizzical look at the Cure. "Do you remember the words of
Parpon's song?" asked Armand.

"Only a few lines; and those not easy to understand, unless one had an
inkling."

"Had you the inkling?"

"Perhaps, monsieur," replied Medallion seriously. They eyed each other.

"We will have Parpon in after the will is read," said Armand suddenly,
looking at the Avocat. The Avocat drew the deed from his pocket. He
looked up hesitatingly, and then said to Armand: "You insist on it being
read now?"

Armand nodded coolly, after a quick glance at Medallion. Then the Avocat
began, and read to that point where the Seigneur bequeathed all his
property to his son, should he return--on a condition. When the Avocat
came to the condition Armand stopped him.

"I do not know in the least what it may be," he said, "but there is
only one by which I could feel bound. I will tell you. My father and I
quarrelled"--here he paused for a moment, clinching his hands before him
on the table--"about a woman; and years of misery came. I was to blame
in not obeying him. I ought not to have given any cause for gossip.
Whatever the condition as to that matter may be, I will fulfil it. My
father is more to me than any woman in the world; his love of me was
greater than that of any woman. I know the world--and women."

There was a silence. He waved his hand to the Avocat to go on, and as he
did so the Cure caught his arm with a quick, affectionate gesture. Then
Monsieur Garon read the conditions: "That Farette the miller should
have a deed of the land on which his mill was built, with the dam of
the mill--provided that Armand should never so much as by a word again
address Julie, the miller's wife. If he agreed to the condition, with
solemn oath before the Cure, his blessing would rest upon his dear son,
whom he still hoped to see before he died."

When the reading ceased there was silence for a moment, then Armand
stood up, and took the will from the Avocat; but instantly, without
looking at it, handed it back. "The reading is not finished," he said.
"And if I do not accept the condition, what then?"

Again Monsieur Garon read, his voice trembling a little. The words of
the will ran: "But if this condition be not satisfied, I bequeath to
my son Armand the house known as the House with the Tall Porch, and
the land, according to the deed thereof; and the residue of my
property--with the exception of two thousand dollars, which I leave to
the Cure of the parish, the good Monsieur Fabre--I bequeath to Parpon
the dwarf."

Then followed a clause providing that, in any case, Parpon should have
in fee simple the land known as the Bois Noir, and the hut thereon.

Armand sprang to his feet in surprise, blurting out something, then sat
down, quietly took the will, and read it through carefully. When he had
finished he looked inquiringly, first at Monsieur Garon, then at the
Cure. "Why Parpon?" he said searchingly.

The Cure, amazed, spread out his hands in a helpless way. At that moment
Sylvie announced Parpon. Armand asked that he should be sent in. "We'll
talk of the will afterwards," he added.

Parpon trotted in, the door closed, and he stood blinking at them.
Armand put a stool on the table. "Sit here, Parpon," he said. Medallion
caught the dwarf under the arms and lifted him on the table.

Parpon looked at Armand furtively. "The wild hawk comes back to its
nest," he said. "Well, well, what is it you want with the poor Parpon?"

He sat down and dropped his chin in his hands, looking round keenly.
Armand nodded to Medallion, and Medallion to the priest, but the priest
nodded back again. Then Medallion said: "You and I know the Rock of
Red Pigeons, Parpon. It is a good place to perch. One's voice is all
to one's self there, as you know. Well, sing us the song of the little
brown diver."

Parpon's hands twitched in his beard. He looked fixedly at Medallion.
Presently he turned towards the Cure, and shrank so that he looked
smaller still.

"It's all right, little son," said the Cure kindly. Turning sharply on
Medallion, Parpon said: "When was it you heard?"

Medallion told him. He nodded, then sat very still. They said nothing,
but watched him. They saw his eyes grow distant and absorbed, and his
face took on a shining look, so that its ugliness was almost beautiful.
All at once he slid from the stool and crouched on his knees. Then he
sent out a low long note, like the toll of the bell-bird. From that time
no one stirred as he sang, but sat and watched him. They did not even
hear Sylvie steal in gently and stand in the curtains at the door.

The song was weird, with a strange thrilling charm; it had the slow
dignity of a chant, the roll of an epic, the delight of wild beauty.
It told of the little good Folk of the Scarlet Hills, in vague allusive
phrases: their noiseless wanderings; their sojourning with the eagle,
the wolf, and the deer; their triumph over the winds, the whirlpools,
and the spirits of evil fame. It filled the room with the cry of the
west wind; it called out of the frozen seas ghosts of forgotten worlds;
it coaxed the soft breezes out of the South; it made them all to be at
the whistle of the Scarlet Hunter who ruled the North.

Then, passing through veil after veil of mystery, it told of a grand
Seigneur whose boat was overturned in a whirlpool, and was saved by a
little brown diver. And the end of it all, and the heart of it all, was
in the last few lines, clear of allegory:

"And the wheel goes round in the village mill, And the little brown
diver he tells the grain... And the grand Seigneur he has gone to meet
The little good Folk of the Scarlet Hills!"

At first, all were so impressed by the strange power of Parpon's voice,
that they were hardly conscious of the story he was telling. But when
he sang of the Seigneur they began to read his parable. Their hearts
throbbed painfully.

As the last notes died away Armand got up, and standing by the table,
said: "Parpon, you saved my father's life once?"

Parpon did not answer.

"Will you not tell him, my son?" said the Cure, rising. Still Parpon was
silent.

"The son of your grand Seigneur asks you a question, Parpon," said
Medallion soothingly.

"Oh, my grand Seigneur!" said Parpon, throwing up his hands. "Once he
said to me, 'Come, my brown diver, and live with me.' But I said, 'No,
I am not fit. I will never go to you at the House with the Tall Porch.'
And I made him promise that he would never tell of it. And so I have
lived sometimes with old Farette." Then he laughed strangely again, and
sent a furtive look at Armand.

"Parpon," said Armand gently, "our grand Seigneur has left you the Bois
Noir for your own. So the hills and the Rock of Red Pigeons are for
you--and the little good people, if you like."

Parpon, with fiery eyes, gathered himself up with a quick movement, then
broke out: "Oh, my grand Seigneur--my grand Seigneur!" and fell forward,
his head in his arms, laughing and sobbing together.

Armand touched his shoulder. "Parpon!" But Parpon shrank away.

Armand turned to the rest. "I do not understand it, gentlemen. Parpon
does not like the young Seigneur as he liked the old."

Medallion, sitting in the shadow, smiled. He understood. Armand
continued: "As for this 'testament, gentlemen, I will fulfil its
conditions; though I swear, were I otherwise minded regarding the
woman"--here Parpon raised his head swiftly--"I would not hang my hat
for an hour in the Tall Porch."

They rose and shook hands, then the wine was poured out, and they drank
it off in silence. Parpon, however, sat with his head in his hands.

"Come, little comrade, drink," said Medallion, offering him a glass.

Parpon made no reply, but caught up the will, kissed it, put it into
Armand's hand, and then, jumping down from the table, ran to the door
and disappeared through it.



IV. The next afternoon the Avocat visited old Farette. Farette was
polishing a gun, mumbling the while. Sitting on some bags of meal was
Parpon, with a fierce twinkle in his eye. Monsieur Garon told Farette
briefly what the Seigneur had left him. With a quick, greedy chuckle
Farette threw the gun away.

"Man alive!" said he; "tell me all about it. Ah, the good news!"

"There is nothing to tell: he left it; that is all."

"Oh, the good Seigneur," cried Farette, "the grand Seigneur!"

Some one laughed scornfully in the doorway. It was Julie.

"Look there," she cried; "he gets the land, and throws away the gun!
Brag and coward, miller! It is for me to say 'the grand Seigneur!'"

She tossed her head: she thought the old Seigneur had relented towards
her. She turned away to the house with a flaunting air, and got her hat.
At first she thought she would go to the House with the Tall Porch, but
she changed her mind, and went to the Bois Noir instead. Parpon followed
her a distance off. Behind, in the mill, Farette was chuckling and
rubbing his hands.

Meanwhile, Armand was making his way towards the Bois Noir. All at
once, in the shade of a great pine, he stopped. He looked about him
astonished.

"This is the old place. What a fool I was, then!" he said.

At that moment Julie came quickly, and lifted her hands towards him.
"Armand--beloved Armand!" she said.

Armand looked at her sternly, from her feet to her pitted forehead, then
wheeled, and left her without a word.

She sank in a heap on the ground. There was a sudden burst of tears, and
then she clinched her hands with fury.

Some one laughed in the trees above her--a shrill, wild laugh. She
looked up frightened. Parpon presently dropped down beside her.

"It was as I said," whispered the dwarf, and he touched her shoulder.
This was the full cup of shame. She was silent.

"There are others," he whispered again. She could not see his strange
smile; but she noticed that his voice was not as usual. "Listen," he
urged, and he sang softly over her shoulder for quite a minute. She was
amazed.

"Sing again," she said.

"I have wanted to sing to you like that for many years," he replied; and
he sang a little more. "He cannot sing like that," he wheedled, and he
stretched his arm around her shoulder.

She hung her head, then flung it back again as she thought of Armand.

"I hate him!" she cried; "I hate him!"

"You will not throw meal on me any more, or call me idiot?" he pleaded.

"No, Parpon," she said.

He kissed her on the cheek. She did not resent it. But now he drew away,
smiled wickedly at her, and said: "See, we are even now, poor Julie!"
Then he laughed, holding his little sides with huge hands. "Imbecile!"
he added, and, turning, trotted away towards the Rock of Red Pigeons.

She threw herself, face forward, in the dusty needles of the pines.

When she rose from her humiliation, her face was as one who has seen the
rags of harlequinade stripped from that mummer Life, leaving only naked
being. She had touched the limits of the endurable; her sordid little
hopes had split into fragments. But when a human soul faces upon its
past, and sees a gargoyle at every milestone where an angel should be,
and in one flash of illumination--the touch of genius to the smallest
mind--understands the pitiless comedy, there comes the still stoic
outlook.

Julie was transformed. All the possible years of her life were gathered
into the force of one dreadful moment--dreadful and wonderful. Her mean
vanity was lost behind the pale sincerity of her face--she was sincere
at last. The trivial commonness was gone from her coquetting shoulders
and drooping eyelids; and from her body had passed its flexuous
softness. She was a woman; suffering, human, paying the price.

She walked slowly the way that Parpon had gone. Looking neither to right
nor left, she climbed the long hillside, and at last reached the summit,
where, bundled in a steep corner, was the Rock of Red Pigeons. As
she emerged from the pines, she stood for a moment, and leaned with
outstretched hand against a tree, looking into the sunlight. Slowly her
eyes shifted from the Rock to the great ravine, to whose farther side
the sun was giving bastions of gold. She was quiet. Presently she
stepped into the light and came softly to the Rock. She walked slowly
round it as though looking for some one. At the lowest side of the Rock,
rude narrow hollows were cut for the feet. With a singular ease she
climbed to the top of it. It had a kind of hollow, in which was a rude
seat, carved out of the stone. Seeing this, a set look came to her face:
she was thinking of Parpon, the master of this place. Her business was
with him.

She got down slowly, and came over to the edge of the precipice.
Steadying herself against a sapling, she looked over. Down below was a
whirlpool, rising and falling-a hungry funnel of death. She drew back.
Presently she peered again, and once more withdrew. She gazed round,
and then made another tour of the hill, searching. She returned to the
precipice. As she did so she heard a voice. She looked and saw Parpon
seated upon a ledge of rock not far below. A mocking laugh floated up to
her. But there was trouble in the laugh too--a bitter sickness. She did
not notice that. She looked about her. Not far away was a stone, too
heavy to carry but perhaps not too heavy to roll!

Foot by foot she rolled it over. She looked. He was still there. She
stepped back. As she did so a few pebbles crumbled away from her feet
and fell where Parpon perched. She did not see or hear them fall. He
looked up, and saw the stone creeping upon the edge. Like a flash he
was on his feet, and, springing into the air to the right, caught a tree
steadfast in the rock. The stone fell upon the ledge, and bounded off
again. The look of the woman did not follow the stone. She ran to the
spot above the whirlpool, and sprang out and down.

From Parpon there came a wail such as the hills of the north never heard
before. Dropping upon a ledge beneath, and from that to a jutting tree,
which gave way, he shot down into the whirlpool. He caught Julie's body
as it was churned from life to death: and then he fought. There was
a demon in the whirlpool, but God and demon were working in the man.
Nothing on earth could have unloosed that long, brown arm from Julie's
drenched body. The sun lifted an eyelid over the yellow bastions of
rock, and saw the fight. Once, twice, the shaggy head was caught beneath
the surface--but at last the man conquered.

Inch by inch, foot by foot, Parpon, with the lifeless Julie clamped in
one arm, climbed the rough wall, on, on, up to the Rock of Red Pigeons.
He bore her to the top of it. Then he laid her down, and pillowed her
head on his wet coat.

The huge hands came slowly down Julie's soaked hair, along her blanched
cheek and shoulders, caught her arms and held them. He peered into her
face. The eyes had the film which veils Here from Hereafter. On the lips
was a mocking smile. He stooped as if to kiss her. The smile stopped
him. He drew back for a time, then he leaned forward, shut his eyes, and
her cold lips were his.

Twilight-dusk-night came upon Parpon and his dead--the woman whom an
impish fate had put into his heart with mockery and futile pain.




TIMES WERE HARD IN PONTIAC

It was soon after the Rebellion, and there was little food to be had
and less money, and winter was at hand. Pontiac, ever most loyal to old
France, though obedient to the English, had herself sent few recruits to
be shot down by Colborne; but she had emptied her pockets in sending to
the front the fulness of her barns and the best cattle of her fields.
She gave her all; she was frank in giving, hid nothing; and when her own
trouble came there was no voice calling on her behalf. And Pontiac
would rather starve than beg. So, as the winter went on, she starved in
silence, and no one had more than sour milk and bread and a potato now
and then. The Cure, the Avocat, and the Little Chemist fared no better
than the habitants; for they gave all they had right and left, and
themselves often went hungry to bed. And the truth is that few outside
Pontiac knew of her suffering; she kept the secret of it close.

It seemed at last, however, to the Cure that he must, after all, write
to the world outside for help. That was when he saw the faces of the
children get pale and drawn. There never was a time when there were so
few fish in the river and so little game in the woods. At last, from
the altar steps one Sunday, the Cure, with a calm, sad voice, told the
people that, for "the dear children's sake," they must sink their pride
and ask help from without. He would write first to the Bishop of Quebec;
"for," said he, "Mother Church will help us; she will give us food, and
money to buy seed in the spring; and, please God, we will pay all back
in a year or two!" He paused a minute, then continued: "Some one
must go, to speak plainly and wisely of our trouble, that there be no
mistake--we are not beggars, we are only borrowers. Who will go? I may
not myself, for who would give the Blessed Sacrament, and speak to the
sick, or say Mass and comfort you?"

There was silence in the church for a moment, and many faces meanwhile
turned instinctively to M. Garon the Avocat, and some to the Little
Chemist.

"Who will go?" asked the Cure again. "It is a bitter journey, but our
pride must not be our shame in the end. Who will go?"

Every one expected that the Avocat or the Little Chemist would rise; but
while they looked at each other, waiting and sorrowful, and the Avocat's
fingers fluttered to the seat in front of him, to draw himself up, a
voice came from the corner opposite, saying: "M'sieu' le Cure, I will
go."

A strange, painful silence fell on the people for a moment, and then
went round an almost incredulous whisper: "Parpon the dwarf!"

Parpon's deep eyes were fixed on the Cure, his hunched body leaning on
the railing in front of him, his long, strong arms stretched out as
if he were begging for some good thing. The murmur among the people
increased, but the Cure raised his hand to command silence, and his eyes
gazed steadily at the dwarf. It might seem that he was noting the huge
head, the shaggy hair, the overhanging brows, the weird face of this
distortion of a thing made in God's own image. But he was thinking
instead of how the angel and the devil may live side by side in a man,
and neither be entirely driven out--and the angel conquer in great times
and seasons.

He beckoned to Parpon to come over, and the dwarf trotted with a
sidelong motion to the chancel steps. Every face in the congregation was
eager, and some were mystified, even anxious. They all knew the singular
power of the little man--his knowledge, his deep wit, his judgment,
his occasional fierceness, his infrequent malice; but he was kind to
children and the sick, and the Cure and the Avocat and their little
coterie respected him. Once everybody had worshipped him: that was when
he had sung in the Mass, the day of the funeral of the wife of Farette
the miller, for whom he worked. It had been rumoured that in his hut
by the Rock of Red Pigeons, up at Dalgrothe Mountain, a voice of most
wonderful power and sweetness had been heard singing; but this was only
rumour. Yet when the body of the miller's wife lay in the church, he had
sung so that men and women wept and held each other's hands for joy. He
had never sung since, however; his voice of silver was locked away in
the cabinet of secret purposes which every man has somewhere in his own
soul.

"What will you say to the Bishop, Parpon?" asked the Cure.

The congregation stirred in their seats, for they saw that the Cure
intended Parpon to go.

Parpon went up two steps of the chancel quietly and caught the arm of
the Cure, drawing him down to whisper in his ear.

A flush and then a peculiar soft light passed over the Cure's face, and
he raised his hand over Parpon's head in benediction and said: "Go, my
son, and the blessing of God and of His dear Son be with you."

Then suddenly he turned to the altar, and, raising his hands, he tried
to speak, but only said: "O Lord, Thou knowest our pride and our vanity,
hear us, and--"

Soon afterwards, with tearful eyes, he preached from the text:

"And the Light shineth in darkness, and the darkness comprehendeth it
not."

       .......................

Five days later a little, uncouth man took off his hat in the chief
street of Quebec, and began to sing a song of Picardy to an air which no
man in French Canada had ever heard. Little farmers on their way to
the market by the Place de Cathedral stopped, listening, though
every moment's delay lessened their chances of getting a stand in the
market-place. Butchers and milkmen loitered, regardless of waiting
customers; a little company of soldiers caught up the chorus, and, to
avoid involuntary revolt, their sergeant halted them, that they might
listen. Gentlemen strolling by--doctor, lawyer, officer, idler--paused
and forgot the raw climate, for this marvellous voice in the unshapely
body warmed them, and they pushed in among the fast-gathering crowd.
Ladies hurrying by in their sleighs lost their hearts to the thrilling
notes of:

          "Little grey fisherman,
          Where is your daughter?
          Where is your daughter so sweet?
          Little grey man who comes Over the water,
          I have knelt down at her feet,
          Knelt at your Gabrielle's feet---ci ci!"

Presently the wife of the governor stepped out from her sleigh, and,
coming over, quickly took Parpon's cap from his hand and went round
among the crowd with it, gathering money.

"He is hungry, he is poor," she said, with tears in her eyes. She had
known the song in her childhood, and he who used to sing it to her was
in her sight no more. In vain the gentlemen would have taken the cap
from her; she gathered the money herself, and others followed, and
Parpon sang on.

A night later a crowd gathered in the great hall of the city, filling it
to the doors, to hear the dwarf sing. He came on the platform dressed
as he had entered the city, with heavy, home-made coat and trousers,
and moccasins, and a red woollen comforter about his neck--but this
comforter he took off when he began to sing. Old France and New France,
and the loves and hates and joys and sorrows of all lands, met that
night in the soul of this dwarf with the divine voice, who did not give
them his name, so that they called him, for want of a better title,
the Provencal. And again two nights afterwards it was the same, and yet
again a third night and a fourth, and the simple folk, and wise folk
also, went mad after Parpon the dwarf.

Then, suddenly, he disappeared from Quebec City, and the next Sunday
morning, while the Cure was saying the last words of the Mass, he
entered the Church of St. Saviour's at Pontiac. Going up to the chancel
steps he waited. The murmuring of the people drew the Cure's attention,
and then, seeing Parpon, he came forward.

Parpon drew from his breast a bag, and put it in his hands, and
beckoning down the Cure's head, he whispered.

The Cure turned to the altar and raised the bag towards it in ascription
and thanksgiving, then he turned to Parpon again, but the dwarf was
trotting away down the aisle and from the church.

"Dear children," said the Cure, "we are saved, and we are not shamed."
He held up the bag. "Parpon has brought us two thousand dollars: we
shall have food to eat, and there shall be more money against seed-time.
The giver of this good gift demands that his name be not known. Such is
all true charity. Let us pray."

So hard times passed from Pontiac as the months went on; but none save
the Cure and the Avocat knew who had helped her in her hour of need.




MEDALLION'S WHIM

When the Avocat began to lose his health and spirits, and there crept
through his shrewd gravity and kindliness a petulance and dejection,
Medallion was the only person who had an inspiriting effect upon him.
The Little Chemist had decided that the change in him was due to bad
circulation and failing powers: which was only partially true.

Medallion made a deeper guess. "Want to know what's the matter with
him?" he said. "Ha, I'll tell you! Woman."

"Woman--God bless me!" said the Little Chemist, in a frightened way.

"Woman, little man; I mean the want of a woman," said Medallion.

The Cure, who was present, shrugged his shoulders. "He has an excellent
cook, and his bed and jackets are well aired; I see them constantly at
the windows."

A laugh gurgled in Medallion's throat. He loved these innocent folk; but
himself went twice a year to Quebec City and had more expanded views.

"Woman, Padre"--nodding to the priest, and rubbing his chin so that it
rasped like sand-paper--"Woman, my druggist"--throwing a sly look at the
Chemist----"woman, neither as cook nor bottle-washer, is what he needs.
Every man-out of holy orders"--this in deference to his good friend the
Cure--"arrives at the time when his youth must be renewed or he becomes
as dry bones--like an empty house--furniture sold off. Can only be
renewed one way--Woman. Well, here's our Avocat, and there's his remedy.
He's got the cooking and the clean fresh linen; he must have a wife, the
very best."

"Ah, my friend, you are droll," said the Cure, arching his long fingers
at his lips and blowing gently through them, but not smiling in the
least; rather serious, almost reproving.

"It is such a whim, such a whim!" said the Little Chemist, shaking his
head and looking through his glasses sideways like a wise bird.

"Ha--you shall see! The man must be saved; our Cure shall have his fees;
our druggist shall provide the finest essences for the feast--no more
pills. And we shall dine with our Avocat once a week--with asparagus in
season for the Cure, and a little good wine for all. Ha!"

His Ha! was never a laugh; it was unctuous, abrupt, an ejaculation of
satisfaction, knowledge, solid enjoyment, final solution.

The Cure shook his head doubtfully; he did not see the need; he did not
believe in Medallion's whim; still he knew that the man's judgment was
shrewd in most things, and he would be silent and wait. But he shrank
from any new phase of life likely to alter the conditions of that old
companionship, which included themselves, the Avocat, and the young
Doctor, who, like the Little Chemist, was married.

The Chemist sharply said: "Well, well, perhaps. I hope. There is a
poetry (his English was not perfect, and at times he mixed it with
French in an amusing manner), a little chanson, which runs:

       "'Sorrowful is the little house,
        The little house by the winding stream;
        All the laughter has died away
          Out of the little house.
        But down there come from the lofty hills
        Footsteps and eyes agleam,
        Bringing the laughter of yesterday
          Into the little house,
        By the winding stream and the hills.
        Di ron, di ron, di ron, di ron-don!'"

The Little Chemist blushed faintly at the silence that followed his
timid, quaint recital. The Cure looked calm and kind, and drawn away
as if in thought; but Medallion presently got up, stooped, and laid his
long fingers on the shoulder of the apothecary.

"Exactly, little man," he said; "we've both got the same idea in our
heads. I've put it hard fact, you've put it soft sentiment; and it's
God's truth either way."

Presently the Cure asked, as if from a great distance, so meditative was
his voice: "Who will be the woman, Medallion?"

"I've got one in my eye--the very right one for our Avocat; not here,
not out of Pontiac, but from St. Jean in the hills--fulfilling your
verses, gentle apothecary. She must bring what is fresh--he must feel
that the hills have come to him, she that the valley is hers for the
first time. A new world for them both. Ha!"

"Regardez Ca! you are a great man," said the Little Chemist.

There was a strange, inscrutable look in the kind priest's eyes. The
Avocat had confessed to him in his time.

Medallion took up his hat.

"Where are you going?" said the Little Chemist. "To our Avocat, and then
to St. Jean."

He opened the door and vanished. The two that were left shook their
heads and wondered.

Chuckling softly to himself, Medallion strode away through the lane of
white-board houses and the smoke of strong tabac from these houses,
now and then pulling suddenly up to avoid stumbling over a child, where
children are numbered by the dozen to every house. He came at last to a
house unlike the others, in that it was of stone and larger. He leaned
for a moment over the gate, and looked through a window into a room
where the Avocat sat propped up with cushions in a great chair, staring
gloomily at two candles burning on the table before him. Medallion
watched him for a long time. The Avocat never changed his position; he
only stared at the candle, and once or twice his lips moved. A woman
came in and put a steaming bowl before him, and laid a pipe and matches
beside the bowl. She was a very little, thin old woman, quick and quiet
and watchful--his housekeeper. The Avocat took no notice of her. She
looked at him several times anxiously, and passed backwards and forwards
behind him as a hen moves upon the flank of her brood. All at once she
stopped. Her small, white fingers, with their large rheumatic knuckles,
lay flat on her lips as she stood for an instant musing; then she
trotted lightly to a bureau, got pen and paper and ink, reached down a
bunch of keys from the mantel, and came and put them all beside the bowl
and the pipe. Still the Avocat did not stir, or show that he recognised
her. She went to the door, turned, and looked back, her fingers again
at her lips, then slowly sidled out of the room. It was long before
the Avocat moved. His eyes had not wavered from the space between the
candles. At last, however, he glanced down. His eye caught the bowl,
then the pipe. He reached out a slow hand for the pipe, and was taking
it up, when his glance fell on the keys and the writing material. He put
the pipe down, looked up at the door through which the little old woman
had gone, gazed round the room, took up the keys, but soon put them
down again with a sigh, and settled back in his chair. Now his gaze
alternated between that long lane, sloping into shadow between the
candles, and the keys.

Medallion threw a leg over the fence and came in a few steps to the
door. He opened it quietly and entered. In the dark he felt his way
along the wall to the door of the Avocat's room, opened it, and thrust
in his ungainly, whimsical face.

"Ha!" he laughed with quick-winking eyes. "Evening, Garon. Live the Code
Napoleon! Pipes for two." A change came slowly over the Avocat. His eyes
drew away from that vista between the candles, and the strange distant
look faded out of them.

"Great is the Code Napoleon!" he said mechanically. Then, presently:
"Ah, my friend, Medallion!"

His first words were the answer to a formula which always passed between
them on meeting. As soon as Garon had said them, Medallion's lanky body
followed his face, and in a moment he had the Avocat's hand in his,
swallowing it, of purpose crushing it, so that Monsieur Garon waked
up smartly and gave his visitor a pensive smile. Medallion's cheerful
nervous vitality seldom failed to inspire whom he chose to inspire with
Something of his own life and cheerfulness. In a few moments both the
Avocat and himself were smoking, and the contents of the steaming bowl
were divided between them. Medallion talked on many things. The little
old housekeeper came in, chirped a soft good-evening, flashed a small
thankful smile at Medallion, and, after renewing the bowl and lighting
two more tall candles, disappeared. Medallion began with the parish,
passed to the law, from the law to Napoleon, from Napoleon to France,
and from France to the world, drawing out from the Avocat something of
his old vivacity and fire. At last Medallion, seeing that the time was
ripe, turned his glass round musingly in his fingers before him and
said:

"Benoit, Annette's husband, died to-day, Garon. You knew him. He went
singing--gone in the head, but singing as he used to do before he
married--or got drunk! Perhaps his youth came back to him when he was
going to die, just for a minute."

The Avocat's eye gazed at Medallion earnestly now, and Medallion went
on:

"As good singing as you want to hear. You've heard the words of the
song--the river drivers sing it:

       "'What is there like to the cry of the bird
         That sings in its nest in the lilac tree?
        A voice the sweetest you ever have heard;
         It is there, it is here, ci ci!
        It is there, it is here, it must roam and roam,
         And wander from shore to shore,
        Till I go forth and bring it home,
         And enter and close my door
        Row along, row along home, ci ci!'"

When Medallion had finished saying the first verse he waited, but the
Avocat said nothing; his eyes were now fastened again on that avenue
between the candles leading out into the immortal part of him--his
past; he was busy with a life that had once been spent in the fields of
Fontainebleau and in the shadow of the Pantheon.

Medallion went on:

       "'What is there like to the laughing star,
        Far up from the lilac tree?
        A face that's brighter and finer far;
        It laughs and it shines, ci, ci!
        It laughs and it shines, it must roam and roam,
        And travel from shore to shore,
        Till I go forth and bring it home,
        And house it within my door
        Row along, row along home, ci, ci!'"

When Medallion had finished he raised his glass and said: "Garon, I
drink to home and woman!"

He waited. The Avocat's eyes drew away from the candles again, and he
came to his feet suddenly, swaying slightly as he did so. He caught up a
glass and, lifting it, said: "I drink to home and--" a little cold burst
of laughter came from him, he threw his head back with something like
disdain--"and the Code Napoleon!" he added abruptly.

Then he put the glass down without drinking, wheeled back, and dropped
into his chair. Presently he got up, took his keys, went over, opened
the bureau, and brought back a well-worn note-book which looked like a
diary. He seemed to have forgotten Medallion's presence, but it was not
so; he had reached the moment of disclosure which comes to every man, no
matter how secretive, when he must tell what is on his mind or die. He
opened the book with trembling fingers, took a pen and wrote, at first
slowly, while Medallion smoked:

"September 13th.--It is five-and-twenty years ago to-day--Mon Dieu, how
we danced that night on the flags before the Sorbonne! How gay we were
in the Maison Bleu! We were gay and happy--Lulie and I--two rooms and
a few francs ahead every week. That night we danced and poured out the
light wine, because we were to be married to-morrow. Perhaps there would
be a child, if the priest blessed us, she whispered to me as we watched
the soft-travelling moon in the gardens of the Luxembourg. Well, we
danced. There was an artist with us. I saw him catch Lulie about the
waist, and kiss her on the neck. She was angry, but I did not think
of that; I was mad with wine. I quarrelled with her, and said to her a
shameful thing. Then I rushed away. We were not married the next day;
I could not find her. One night, soon after, there was a revolution of
students at Mont Parnasse. I was hurt. I remember that she came to me
then and nursed me, but when I got well she was gone. Then came the
secret word from the Government that I must leave the country or go
to prison. I came here. Alas! it is long since we danced before the
Sorbonne, and supped at the Maison Bleu. I shall never see again the
gardens of the Luxembourg. Well, that was a mad night five-and-twenty
years ago!"

His pen went faster and faster. His eyes lighted up, he seemed quite
forgetful of Medallion's presence. When he finished, a fresh change came
over him. He gathered his thin fingers in a bunch at his lips, and made
an airy salute to the warm space between the candles. He drew himself
together with a youthful air, and held his grey head gallantly. Youth
and age in him seemed almost grotesquely mingled. Sprightly notes from
the song of a cafe chantant hovered on his thin, dry lips. Medallion,
amused, yet with a hushed kind of feeling through all his nerves, pushed
the Avocat's tumbler till it touched his fingers. The thin fingers
twined round it, and once more he came to his feet. He raised the glass.
"To--" for a minute he got no further--"To the wedding-eve!" he said,
and sipped the hot wine. Presently he pushed the little well-worn book
over to Medallion. "I have known you fifteen years--read!" he said. He
gave Medallion a meaning look out of his now flashing eyes. Medallion's
bony face responded cordially. "Of course," he answered, picked up the
book, and read what the Avocat had written. It was on the last page.
When he had finished reading, he held the book musingly. His whim had
suddenly taken on a new colour. The Avocat, who had been walking up and
down the room, with the quick step of a young man, stopped before him,
took the book from him, turned to the first page, and handed it back
silently. Medallion read:

Quebec, September 13th, 18-. It is one year since. I shall learn to
laugh some day.

Medallion looked up at him. The old man threw back his head, spread out
the last page in the book which he had just written, and said defiantly,
as though expecting contradiction to his self-deception--"I have
learned."

Then he laughed, but the laugh was dry and hollow and painful. It
suddenly passed from his wrinkled lips, and he sat down again; but now
with an air as of shy ness and shame. "Let us talk," he said, "of--of
the Code Napoleon."

The next morning Medallion visited St. Jean in the hills. Five years
before he had sold to a new-comer at St. Jean-Madame Lecyr--the
furniture of a little house, and there had sprung up between them a
quiet friendship, not the less admiring on Medallion's part because
Madame Lecyr was a good friend to the poor and sick. She never tired,
when they met, of hearing him talk of the Cure, the Little Chemist,
and the Avocat; and in the Avocat she seemed to take the most
interest, making countless inquiries--countless when spread over many
conversations--upon his life during the time Medallion had known him.
He knew also that she came to Pontiac, occasionally, but only in the
evening; and once of a moonlight night he had seen her standing before
the window of the Avocat's house. Once also he had seen her veiled in
the little crowded court-room of Pontiac when an interesting case was
being tried, and noticed how she watched Monsieur Garon, standing so
very still that she seemed lifeless; and how she stole out as soon as he
had done speaking.

Medallion had acute instincts, and was supremely a man of self-counsel.
What he thought he kept to him self until there seemed necessity to
speak. A few days before the momentous one herebefore described he had
called at Madame Lecyr's house, and, in course of conversation, told her
that the Avocat's health was breaking; that the day before he had got
completely fogged in court over the simplest business, and was quite
unlike his old, shrewd, kindly self. By this time he was almost prepared
to see her turn pale and her fingers flutter at the knitting-needles she
held. She made an excuse to leave the room for a moment. He saw a little
book lying near the chair from which she had risen. Perhaps it had
dropped from her pocket. He picked it up. It was a book of French
songs--Beranger's and others less notable. On the fly-leaf was written:
"From Victor to Lulie, September 13th, 18-." Presently she came back to
him quite recovered and calm, inquired how the Avocat was cared for,
and hoped he would have every comfort and care. Medallion grew on the
instant bold. He was now certain that Victor was the Avocat, and Lulie
was Madame Lecyr. He said abruptly to her: "Why not come and cheer him
up--such old friends as you are?"

At that she rose with a little cry, and stared anxiously at him. He
pointed to the book of songs. "Don't be angry--I looked," he said.

She breathed quick and hard, and said nothing, but her fingers laced and
interlaced nervously in her lap. "If you were friends why don't you go
to him?" he said.

She shook her head mournfully. "We were more than friends, and that is
different."

"You were his wife?" said Medallion gently.

"It was different," she replied, flushing. "France is not the same as
here. We were to be married, but on the eve of our wedding-day there was
an end to it all. Only five years ago I found out he was here."

Then she became silent, and would, or could, speak no more; only, she
said at last before he went: "You will not tell him, or any one?"

She need not have asked Medallion. He knew many secrets and kept them;
which is not the usual way of good-humoured people.

But now, with the story told by the Avocat himself in his mind, he saw
the end of the long romance. He came once more to the house of Madame
Lecyr, and being admitted, said to her: "You must come at once with me."

She trembled towards him. "He is worse--he is dying!"

He smiled. "Not dying at all. He needs you; come along. I'll tell you as
we go."

But she hung back. Then he told her all he had seen and heard the
evening before. Without a word further she prepared to go. On the way he
turned to her and said: "You are Madame Lecyr?"

"I am as he left me," she replied timidly, but with a kind of pride,
too.

"Don't mistake me," he said. "I thought perhaps you had been married
since."

The Avocat sat in his little office, feebly fumbling among his papers,
as Medallion entered on him and called to him cheerily: "We are coming
to see you to-night, Garon--the Cure, our Little Chemist, and the
Seigneur; coming to supper."

The Avocat put out his hand courteously; but he said in a shrinking,
pained voice: "No, no, not to-night, Medallion. I would wish no visitors
this night--of all."

Medallion stooped over him, and caught him by both arms gently. "We
shall see," he said. "It is the anniversary," he whispered.

"Ah, pardon!" said the Avocat, with a reproving pride, and shrank back
as if all his nerves had been laid bare. But Medallion turned, opened
the door, went out, and let in a woman, who came forward and timidly
raised her veil.

"Victor!" Medallion heard, then "Lulie!" and then he shut the door, and,
with supper in his mind, went into the kitchen to see the housekeeper,
who, in this new joy, had her own tragedy--humming to himself:

       "But down there come from the lofty hills
        Footsteps and eyes agleam,
        Bringing the laughter of yesterday
        Into the little house."




THE PRISONER

His chief occupation in the daytime was to stand on the bench by the
small barred window and watch the pigeons on the roof and in the eaves
of the house opposite. For five years he had done this. In the summer a
great fire seemed to burn beneath the tin of the roof, for a quivering
hot air rose from them, and the pigeons never alighted on them, save in
the early morning or in the evening. Just over the peak could be seen
the topmost branch of a maple, too slight to bear the weight of the
pigeons, but the eaves were dark and cool, and there his eyes rested
when he tired of the hard blue sky and the glare of the slates.

In winter the roof was covered for weeks and months by a blanket of snow
which looked like a shawl of impacted wool, white and restful, and the
windows of the house were spread with frost. But the pigeons were always
gay, walking on the ledges or crowding on the shelves of the lead pipes.
He studied them much, but he loved them more. His prison was less
a prison because of them, and during those long five years he found
himself more in touch with them than with the wardens of the prison or
with any of his fellow-prisoners. To the former he was respectful,
and he gave them no trouble at all; with the latter he had nothing in
common, for they were criminals, and he--so wild and mad with drink and
anger was he at the time, that he had no remembrance, absolutely none,
of how Jean Gamache lost his life.

He remembered that they had played cards far into the night; that they
had quarrelled, then made their peace; that the others had left; that
they had begun gaming and drinking and quarrelling again--and then
everything was blurred, save for a vague recollection that he had won
all Gamache's money and had pocketed it. Afterwards came a blank.

He waked to find two officers of the law beside him, and the body of
Jean Gamache, stark and dreadful, a few feet away.

When the officers put their hands upon him he shook them off; when they
did it again he would have fought them to the death, had it not been for
his friend, tall Medallion the auctioneer, who laid a strong hand on his
arm and said, "Steady, Turgeon, steady!" and he had yielded to the firm
friendly pressure.

Medallion had left no stone unturned to clear him at the trial, had
himself played detective unceasingly. But the hard facts remained, and
on a chain of circumstantial evidence Blaze Turgeon was convicted of
manslaughter and sent to prison for ten years. Blaze himself had said
that he did not remember, but he could not believe that he had committed
the crime. Robbery? He shrugged his shoulders at that, he insisted that
his lawyer should not reply to the foolish and insulting suggestion.
But the evidence went to show that Gamache had all the winnings when the
other members of the party retired, and this very money had been found
in Blaze's pocket. There was only Blaze's word that they had played
cards again. Anger? Possibly. Blaze could not recall, though he knew
they had quarrelled. The judge himself, charging the jury, said that he
never before had seen a prisoner so frank, so outwardly honest, but
he warned them that they must not lose sight of the crime itself, the
taking of a human life, whereby a woman was made a widow and a child
fatherless. The jury found him guilty.

With few remarks the judge delivered his sentence, and then himself,
shaken and pale, left the court-room hurriedly, for Blaze Turgeon's
father had been his friend from boyhood.

Blaze took his sentence calmly, looking the jury squarely in the eyes,
and when the judge stopped, he bowed to him, and then turned to the jury
and said:

"Gentlemen, you have ruined my life. You don't know, and I don't know,
who killed the man. You have guessed, and I take the penalty. Suppose
I'm innocent--how will you feel when the truth comes out? You've known
me more or less these twenty years, and you've said, with evidently no
more knowledge than I've got, that I did this horrible thing. I don't
know but that one of you did it. But you are safe, and I take my ten
years!"

He turned from them, and, as he did so, he saw a woman looking at him
from a corner of the court-room, with a strange, wild expression. At the
moment he saw no more than an excited, bewildered face, but afterwards
this face came and went before him, flashing in and out of dark places
in a kind of mockery.

As he went from the court-room another woman made her way to him in
spite of the guards. It was the Little Chemist's wife, who, years
before, had been his father's housekeeper, who knew him when his eyes
first opened on the world.

"My poor Blaze! my poor Blaze!" she said, clasping his manacled hands.

In prison he refused to see all visitors, even Medallion, the Little
Chemist's wife, and the good Father Fabre. Letters, too, he refused to
accept and read. He had no contact, wished no contact with the outer
world, but lived his hard, lonely life by himself, silent, studious--for
now books were a pleasure to him. He had entered his prison a wild,
excitable, dissipated youth, and he had become a mature brooding man.
Five years had done the work of twenty.

The face of the woman who looked at him so strangely in the court-room
haunted him so that at last it became a part of his real life, lived
largely at the window where he looked out at the pigeons on the roof of
the hospital.

"She was sorry for me," he said many a time to himself. He was shaken
with misery often, so that he rocked to and fro as he sat on his
bed, and a warder heard him cry out even in the last days of his
imprisonment:

"O God, canst Thou do everything but speak!" And again: "That hour--the
memory of that hour, in exchange for my ruined life!"

One day the gaoler came to him and said: "Monsieur Turgeon, you are
free. The Governor has cut off five years from your sentence."

Then he was told that people were waiting without--Medallion, the Little
Chemist and his wife, and others more important. But he would not go
to meet them, and he stepped into the open world alone at dawn the next
morning, and looked out upon a still sleeping village. Suddenly there
stood before him a woman, who had watched by the prison gates all night;
and she put out her hand in entreaty, and said with a breaking voice:
"You are free at last!"

He remembered her--the woman who had looked at him so anxiously and
sorrowfully in the court-room. "Why did you come to meet me?" he asked.

"I was sorry for you."

"But that is no reason."

"I once committed a crime," she whispered, with shrinking bitterness.

"That's bad," he said. "Were you punished?" He looked at her keenly,
almost fiercely, for a curious suspicion shot into his mind.

She shook her head and answered no.

"That's worse!"

"I let some one else take my crime upon him and be punished for it," she
said, an agony in her eyes. "Why was that?"

"I had a little child," was her reply.

"And the man who was punished instead?"

"He was alone in the world," she said.

A bitter smile crept to his lips, and his face was afire. He shut his
eyes, and when they opened again discovery was in them.

"I remember you now," he said. "I remember now.

"I waked and saw you looking at me that night! Who was the father of
your child?"

"Jean Gamache," she replied. "He ruined me and left me to starve."

"I am innocent of his death!" he said quietly and gladly.

She nodded. He was silent for a moment. "The child still lives?" he
asked. She nodded again. "Well, let it be so," he said. "But you owe me
five years--and a good name."

"I wish to God I could give them back!" she cried, tears streaming down
her cheeks. "It was for my child; he was so young."

"It can't be helped now," he said sighing, and he turned away from her.

"Won't you forgive me?" she asked bitterly.

"Won't you give me back those five years?"

"If the child did not need me I would give my life," she answered. "I
owe it to you."

Her haggard, hunted face made him sorry; he, too, had suffered.

"It's all right," he answered gently. "Take care of your child."

Again he moved away from her, and went down the little hill, with a
cloud gone from his face that had rested there five years. Once he
turned to look back. The woman was gone, but over the prison a flock of
pigeons were flying. He took off his hat to them.

Then he went through the town, looking neither to right nor left, and
came to his own house, where the summer morning was already entering the
open windows, though he had thought to find the place closed and dark.

The Little Chemist's wife met him in the doorway. She could not speak,
nor could he, but he kissed her as he had done when he went condemned to
prison. Then he passed on to his own room, and entering, sat down before
the open window, and peacefully drank in the glory of a new world. But
more than once he choked down a sob rising in his throat.




AN UPSET PRICE

Once Secord was as fine a man to look at as you would care to see: with
a large intelligent eye, a clear, healthy skin, and a full, brown beard.
He walked with a spring, had a gift of conversation, and took life as he
found it, never too seriously, yet never carelessly. That was before he
left the village of Pontiac in Quebec to offer himself as a surgeon to
the American Army. When he came back there was a change in him. He was
still handsome, but something of the spring had gone from his walk, the
quick light of his eyes had given place to a dark, dreamy expression,
his skin became a little dulled, and his talk slower, though not less
musical or pleasant. Indeed, his conversation had distinctly improved.
Previously there was an undercurrent of self-consciousness; it was
all gone now. He talked as one knowing his audience. His office became
again, as it had been before, a rendezvous for the few interesting men
of the place, including the Avocat, the Cure, the Little Chemist, and
Medallion. They played chess and ecarte for certain hours of certain
evenings in the week at Secord's house. Medallion was the first to
notice that the wife--whom Secord had married soon after he came back
from the war--occasionally put down her work and looked with a curious
inquiring expression at her husband as he talked. It struck Medallion
that she was puzzled by some change in Secord.

Secord was a brilliant surgeon and physician. With the knife or beside
a sick-bed, he was admirable. His intuitive perception, so necessary in
his work, was very fine: he appeared to get at the core of a patient's
trouble, and to decide upon necessary action with instant and absolute
confidence. Some delicate operation performed by him was recorded
and praised in the Lancet; and he was offered a responsible post in
a medical college, and, at the same time, the good-will of a valuable
practice. He declined both, to the lasting astonishment, yet personal
joy, of the Cure and the Avocat; but, as time went on, not so much to
the surprise of the Little Chemist and Medallion. After three years, the
sleepy Little Chemist waked up suddenly in his chair one day, and said:
"Parbleu, God bless me!" (he loved to mix his native language with
English) got up and went over to Secord's office, adjusted his glasses,
looked at Secord closely, caught his hand with both of his own, shook
it with shy abruptness, came back to his shop, sat down, and said: "God
bless my soul! Regardez ca!"

Medallion made his discovery sooner. Watching closely he had seen
a pronounced deliberation infused through all Secord's indolence of
manner, and noticed that often, before doing anything, the big eyes
debated steadfastly, and the long, slender fingers ran down the beard
softly. At times there was a deep meditativeness in the eye, again a
dusky fire. But there was a certain charm through it all--a languid
precision, a slumbering look in the face, a vague undercurrent in the
voice, a fantastical flavour to the thought. The change had come so
gradually that only Medallion and the wife had a real conception of how
great it was. Medallion had studied Secord from every stand-point. At
the very first he wondered if there was a woman in it. Much thinking
on a woman, whose influence on his life was evil or disturbing, might
account somewhat for the change in Secord. But, seeing how fond the man
was of his wife, Medallion gave up that idea. It was not liquor, for
Secord never touched it. One day, however, when Medallion was selling
the furniture of a house, he put up a feather bed, and, as was his
custom--for he was a whimsical fellow--let his humour have play. He
used many metaphors as to the virtue of the bed, crowning them with the
statement that you slept in it dreaming as delicious dreams as though
you had eaten poppy, or mandragora, or--He stopped short, said, "By
jingo, that's it!" knocked the bed down instantly, and was an utter
failure for the rest of the day.

The wife was longer in discovering the truth, but a certain morning, as
her husband lay sleeping after an all-night sitting with a patient, she
saw lying beside him--it had dropped from his waistcoat pocket--a
little bottle full of a dark liquid. She knew that he always carried his
medicine-phials in a pocket-case. She got the case, and saw that none
was missing. She noticed that the cork of the phial was well worn. She
took it out and smelled the liquid. Then she understood. She waited and
watched. She saw him after he waked look watchfully round, quietly take
a wine-glass, and let the liquid come drop by drop into it from the
point of his forefinger. Henceforth she read with understanding the
changes in his manner, and saw behind the mingled abstraction and
fanciful meditation of his talk.

She had not yet made up her mind what to do. She saw that he hid it from
her assiduously. He did so more because he wished not to pain her than
from furtiveness. By nature he was open and brave, and had always had a
reputation for plainness and sincerity. She was in no sense his equal in
intelligence or judgment, nor even in instinct. She was a woman of more
impulse and constitutional good-nature than depth. It is probable that
he knew that, and refrained from letting her into the knowledge of this
vice, contracted in the war when, seriously ill, he was able to drag
himself about from patient to patient only by the help of opium. He
was alive to his position and its consequences, and faced it. He had no
children, and he was glad of this for one reason. He could do nothing
now without the drug; it was as necessary as light to him. The little
bottle had been his friend so long, that, with his finger on its
smooth-edged cork, it was as though he held the tap of life.

The Little Chemist and Medallion kept the thing to themselves, but they
understood each other in the matter, and wondered what they could do
to cure him. The Little Chemist only shrank back, and said, "No, no,
pardon, my friend!" when Medallion suggested that he should speak to
Secord. But the Little Chemist was greatly concerned--for had not Secord
saved his beloved wife by a clever operation? and was it not her custom
to devote a certain hour every week to the welfare of Secord's soul and
body, before the shrine of the Virgin? Her husband told her now that
Secord was in trouble, and though he was far from being devout himself,
he had a shy faith in the great sincerity of his wife. She did her
best, and increased her offerings of flowers to the shrine; also, in her
simplicity, she sent Secord's wife little jars of jam to comfort him.

One evening the little coterie met by arrangement at the doctor's house.
After waiting an hour or two for Secord, who had been called away to
a critical case, the Avocat and the Cure went home, leaving polite
old-fashioned messages for their absent host; but the Little Chemist
and Medallion remained. For a time Mrs. Secord remained with them, then
retired, begging them to await her husband, who, she knew, would be
grateful if they stayed. The Little Chemist, with timid courtesy, showed
her out of the room, then came back and sat down. They were very silent.
The Little Chemist took off his glasses a half-dozen times, wiped them,
and put them back. Then suddenly turned on Medallion. "You mean to speak
to-night?"

"Yes, that's it."

"Regardez ca--well, well!"

Medallion never smoked harder than he did then. The Little Chemist
looked at him nervously again and again, listened towards the
door, fingered with his tumbler, and at last hearing the sound of
sleigh-bells, suddenly came to his feet, and said: "Voila, I will go
to my wife." And catching up his cap, and forgetting his overcoat, he
trotted away home in a fright.

What Medallion did or said to Secord that night neither ever told. But
it must have been a singular scene, for when the humourist pleads or
prays there is no pathos like it; and certainly Medallion's eyes were
red when he rapped up the Little Chemist at dawn, caught him by the
shoulders, turned him round several times, thumped him on the back, and
called him a bully old boy; and then, seeing the old wife in her quaint
padded night-gown, suddenly hugged her, threw himself into a chair, and
almost shouted for a cup of coffee.

At the same time Mrs. Secord was alternately crying and laughing in her
husband's arms, and he was saying to her: "I'll make a fight for it,
Lesley, a big fight; but you must be patient, for I expect I'll be a
devil sometimes without it. Why, I've eaten a drachm a day of the stuff,
or drunk its equivalent in the tincture. No, never mind praying; be a
brick and fight with me that's the game, my girl."

He did make a fight for it, such an one as few men have made and come
out safely. For those who dwell in the Pit never suffer as do they who
struggle with this appetite. He was too wise to give it up all at once.
He diminished the dose gradually, but still very perceptibly. As it was,
it made a marked change in him. The necessary effort of the will gave
a kind of hard coldness to his face, and he used to walk his garden for
hours at night in conflict with his enemy. His nerves were uncertain,
but, strange to say, when (it was not often) any serious case of illness
came under his hands, he was somehow able to pull himself together and
do his task gallantly enough. But he had had no important surgical case
since he began his cure. In his heart he lived in fear of one; for he
was not quite sure of himself. In spite of effort to the contrary he
became irritable, and his old pleasant fantasies changed to gloomy and
bizarre imaginings.

The wife never knew what it cost her husband thus, day by day, to take a
foe by the throat and hold him in check. She did not guess that he knew
if he dropped back even once he could not regain himself: this was his
idiosyncrasy. He did not find her a great help to him in his trouble.
She was affectionate, but she had not much penetration even where he
was concerned, and she did not grasp how much was at stake. She thought
indeed that he should be able to give it up all at once. He was tender
with her, but he wished often that she could understand him without
explanation on his part. Many a time he took out the little bottle with
a reckless hand, but conquered himself. He got most help, perhaps,
from the honest, cheerful eye of Medallion and the stumbling timorous
affection of the Little Chemist. They were perfectly disinterested
friends--his wife at times made him aware that he had done her a wrong,
for he had married her with thus appetite on him. He did not defend
himself, but he wished she would--even if she had to act it--make him
believe in himself more. One morning against his will he was irritable
with her, and she said something that burnt like caustic. He smiled
ironically, and pushed his newspaper over to her, pointing to a
paragraph. It was the announcement that an old admirer of hers whom she
had passed by for her husband, had come into a fortune. "Perhaps you've
made a mistake," he said.

She answered nothing, but the look she gave was unfortunate for both. He
muffled his mouth in his long silken beard as if to smother what he felt
impelled to say, then suddenly rose and left the table.

At this time he had reduced his dose of the drug to eight drops twice a
day. With a grim courage he resolved to make it five all at once. He
did so, and held to it. Medallion was much with him in these days. One
morning in the spring he got up, went out in his garden, drew in the
fresh, sweet air with a great gulp, picked some lovely crab-apple
blossoms, and, with a strange glowing look in his eyes, came in to his
wife, put them into her hands, and kissed her. It was the anniversary
of their wedding-day. Then, without a word, he took from his pocket the
little phial that he had carried so long, rolled it for an instant in
his palm, felt its worn, discoloured cork musingly, and threw it out of
the window.

"Now, my dear," he whispered, "we will be happy again."

He held to his determination with a stern anxiety. He took a month's
vacation, and came back better. He was not so happy as he hoped to
be; yet he would not whisper to himself the reason why. He felt that
something had failed him somewhere.

One day a man came riding swiftly up to his door to say that his wife's
father had met with a bad accident in his great mill. Secord told
his wife. A peculiar troubled look came into his face as he glanced
carefully over his instruments and through his medicine case. "God, I
must do it alone!" he said.

The old man's injury was a dangerous one: a skilful operation was
necessary. As Secord stood beside the sufferer, he felt his nerves
suddenly go--just as they did in the war before he first took the drug.
His wife was in the next room--he could hear her; he wished she would
make no sound at all. Unless this operation was performed successfully
the sufferer would die--he might die anyhow. Secord tried to gather
himself up to his task, but he felt it was of no use. A month later
when he was more recovered physically he would be able to perform the
operation, but the old man was dying now, while he stood helplessly
stroking his big brown beard. He took up his pocket medicine-case, and
went out where his wife was.

Excited and tearful, she started up to meet him, painfully inquiring.
"Can you save him?" she said. "Oh, James, what is the matter? You are
trembling."

"It's just this way, Lesley: my nerve is broken; I can't perform the
operation as I am, and he will die in an hour if I don't."

She caught him by the arm. "Can you not be strong? You have a will. Will
you not try to save my father, James? Is there no way?"

"Yes, there is one way," he said. He opened the pocket-case and took out
a phial of laudanum. "This is the way. I can pull myself together with
it. It will save his life." There was a dogged look in his face.

"Well? well?" she said. "Oh, my dear father, will you not keep him
here?"

A peculiar cold smile hovered about his lips. "But there is danger to me
in this... and remember, he is very old!"

"Oh," she cried, "how can you be so shocking, so cruel!" She rocked
herself to and fro. "If it will save him--and you need not take it
again, ever!"

"But, I tell you--"

"Do you not hear him--he is dying!" She was mad with grief; she hardly
knew what she said.

Without a word he dropped the tincture swiftly in a wine-glass of water,
drank it off, shivered, drew himself up with a start, gave a sigh as if
some huge struggle was over, and went in to where the old man was. Three
hours after he told his wife that her father was safe.

When, after a hasty kiss, she left him and went into the room of
sickness, and the door closed after her, standing where she had left him
he laughed a hard crackling laugh, and said between his teeth:

"An upset price!"

Then he poured out another portion of the dark tincture--the largest he
had ever taken--and tossed it off. That night he might have been seen
feeling about the grass in a moon-lit garden. At last he put something
in his pocket with a quick, harsh chuckle of satisfaction. It was a
little black bottle with a well-worn cork.




A FRAGMENT OF LIVES

They met at last, Dubarre, and Villiard, the man who had stolen from him
the woman he loved. Both had wronged the woman, but Villiard most, for
he had let her die because of jealousy.

They were now in a room alone in the forest of St. Sebastian. Both were
quiet, and both knew that the end of their feud was near.

Going to a cupboard Dubarre brought out four glasses and put them on the
table. Then from two bottles he poured out what looked like red wine,
two glasses from each bottle. Putting the bottles back he returned to
the table.

"Do you dare to drink with me?" Dubarre asked, nodding towards the
glasses. "Two of the glasses have poison in them, two have good red wine
only. We will move them about and then drink. Both may die, or only one
of us."

Villiard looked at the other with contracting, questioning eyes.

"You would play that game with me?" he asked, in a mechanical voice.

"It would give me great pleasure." The voice had a strange, ironical
tone. "It is a grand sport--as one would take a run at a crevasse and
clear it, or fall. If we both fall, we are in good company; if you fall,
I have the greater joy of escape; if I fall, you have the same joy."

"I am ready," was the answer. "But let us eat first."

A great fire burned in the chimney, for the night was cool. It filled
the room with a gracious heat and with huge, comfortable shadows. Here
and there on the wall a tin cup flashed back the radiance of the fire,
the barrel of a gun glistened soberly along a rafter, and the long, wiry
hair of an otter-skin in the corner sent out little needles of light.
Upon the fire a pot was simmering, and a good savour came from it. A
wind went lilting by outside the but in tune with the singing of the
kettle. The ticking of a huge, old-fashioned repeating-watch on the wall
was in unison with these.

Dubarre rose from the table, threw himself upon the little pile of
otter-skins, and lay watching Villiard and mechanically studying the
little room.

Villiard took the four glasses filled with the wine and laid them on a
shelf against the wall, then began to put the table in order for their
supper, and to take the pot from the fire.

Dubarre noticed that just above where the glasses stood on the shelf
a crucifix was hanging, and that red crystal sparkled in the hands and
feet where the nails should be driven in. There was a painful humour in
the association. He smiled, then turned his head away, for old memories
flashed through his brain--he had been an acolyte once; he had served at
the altar.

Suddenly Dubarre rose, took the glasses from the shelf and placed them
in the middle of the table--the death's head for the feast.

As they sat down to eat, the eyes of both men unconsciously wandered
to the crucifix, attracted by the red sparkle of the rubies. They drank
water with the well-cooked meat of the wapiti, though red wine faced
them on the table. Each ate heartily; as though a long day were before
them and not the shadow of the Long Night. There was no speech save that
of the usual courtesies of the table. The fire, and the wind, and the
watch seemed the only living things besides themselves, perched there
between heaven and earth.

At length the meal was finished, and the two turned in their chairs
towards the fire. There was no other light in the room, and on the faces
of the two, still and cold, the flame played idly.

"When?" said Dubarre at last. "Not yet," was the quiet reply.

"I was thinking of my first theft--an apple from my brother's plate,"
said Dubarre, with a dry smile. "You?"

"I, of my first lie."

"That apple was the sweetest fruit I ever tasted."

"And I took the penalty of the lie, but I had no sorrow."

Again there was silence.

"Now?" asked Villiard, after an hour had passed. "I am ready."

They came to the table.

"Shall we bind our eyes?" asked Dubarre. "I do not know the glasses that
hold the poison."

"Nor I the bottle that held it. I will turn my back, and do you change
about the glasses."

Villiard turned his face towards the timepiece on the wall. As he did so
it began to strike--a clear, silvery chime: "One! two! three--!"

Before it had finished striking both men were facing the glasses again.

"Take one," said Dubarre.

Villiard took the one nearest himself. Dubarre took one also. Without a
word they lifted the glasses and drank.

"Again," said Dubarre.

"You choose," responded Villiard.

Dubarre lifted the one nearest himself, and Villiard picked up the
other. Raising their glasses again, they bowed to each other and drank.

The watch struck twelve, and stopped its silvery chiming.

They both sat down, looking at each other, the light of an enormous
chance in their eyes, the tragedy of a great stake in their clinched
hands; but the deeper, intenser power was in the face of Dubarre, the
explorer.

There was more than power; malice drew down the brows and curled the
sensitive upper lip. Each man watched the other for knowledge of his own
fate. The glasses lay straggling along the table, emptied of death and
life.

All at once a horrible pallor spread over the face of Villiard, and his
head jerked forward. He grasped the table with both hands, twitching and
trembling. His eyes stared wildly at Dubarre, to whose face the flush of
wine had come, whose look was now maliciously triumphant.

Villiard had drunk both glasses of the poison!

"I win!" Dubarre stood up. Then, leaning over the table towards the
dying man, he added: "You let her die-well! Would you know the truth?
She loved you--always."

Villiard gasped, and his look wandered vaguely along the opposite wall.

Dubarre went on. "I played the game with you honestly, because--because
it was the greatest man could play. And I, too, sinned against her. Now
die! She loved you--murderer!"

The man's look still wandered distractedly along the wall. The sweat of
death was on his face; his lips were moving spasmodically.

Suddenly his look became fixed; he found voice. "Pardon--Jesu!" he
said, and stiffened where he sat. His eyes were fixed on the jewelled
crucifix. Dubarre snatched it from the wall, and hastening to him held
it to his lips: but the warm sparkle of the rubies fell on eyes that
were cold as frosted glass. Dubarre saw that he was dead.

"Because the woman loved him!" he said, gazing curiously at the dead
man.

He turned, went to the door and opened it, for his breath choked him.

All was still on the wooded heights and in the wide valley.

"Because the woman loved him he repented," said Dubarre again with a
half-cynical gentleness as he placed the crucifix on the dead man's
breast.




THE MAN THAT DIED AT ALMA

The man who died at Alma had a Kilkenny brogue that you could not
cut with a knife, but he was called Kilquhanity, a name as Scotch as
McGregor. Kilquhanity was a retired soldier, on pension, and Pontiac was
a place of peace and poverty. The only gentry were the Cure, the Avocat,
and the young Seigneur, but of the three the only one with a private
income was the young Seigneur.

What should such a common man as Kilquhanity do with a private income!
It seemed almost suspicious, instead of creditable, to the minds of the
simple folk at Pontiac; for they were French, and poor, and laborious,
and Kilquhanity drew his pension from the headquarters of the English
Government, which they only knew by legends wafted to them over great
tracts of country from the city of Quebec.

When Kilquhanity first came with his wife, it was without introductions
from anywhere--unlike everybody else in Pontiac, whose family history
could be instantly reduced to an exact record by the Cure. He had a
smattering of French, which he turned off with oily brusqueness; he was
not close-mouthed, he talked freely of events in his past life; and he
told some really wonderful tales of his experiences in the British army.
He was no braggart, however, and his one great story which gave him
the nickname by which he was called at Pontiac, was told far more in
a spirit of laughter at himself than in praise of his own part in the
incident.

The first time he told the story was in the house of Medallion the
auctioneer.

"Aw the night it was," said Kilquhanity, after a pause, blowing a cloud
of tobacco smoke into the air, "the night it was, me darlin's! Bitther
cowld in that Roosian counthry, though but late summer, and nothin' to
ate but a lump of bread, no bigger than a dickybird's skull; nothin' to
drink but wather. Turrible, turrible, and for clothes to wear--Mother of
Moses! that was a bad day for clothes! We got betune no barrick quilts
that night. No stockin' had I insoide me boots, no shirt had I but a
harse's quilt sewed an to me; no heart I had insoide me body; nothin' at
all but duty an' shtandin' to orders, me b'ys!

"Says Sergeant-Major Kilpatrick to me, 'Kilquhanity,' says he, 'there's
betther places than River Alma to live by,' says he. 'Faith, an' by the
Liffey I wish I was this moment'--Liffey's in ould Ireland, Frenchies!
'But, Kilquhanity,' says he, 'faith, an' it's the Liffey we'll never see
again, an' put that in yer pipe an' smoke it!' And thrue for him.

"But that night, aw that night! Ivery bone in me body was achin', and
shure me heart was achin' too, for the poor b'ys that were fightin' hard
an' gettin' little for it. Bitther cowld it was, aw, bitther cowld, and
the b'ys droppin' down, droppin', droppin', droppin', wid the Roosian
bullets in thim!

"'Kilquhanity,' says Sergeant-Major Kilpatrick to me, 'it's this
shtandin' still, while we do be droppin', droppin', that girds the
soul av yer.' Aw, the sight it was, the sight it was! The b'ys of the
rigimint shtandin' shoulder to shoulder, an' the faces av 'm blue wid
powder, an' red wid blood, an' the bits o' b'ys droppin' round me loike
twigs of an' ould tree in a shtorm. Just a cry an' a bit av a gurgle
tru the teeth, an' divil the wan o' thim would see the Liffey side anny
more. "'The Roosians are chargin'!' shouts Sergeant-Major Kilpatrick.
'The Roosians are chargin'--here they come!' Shtandin' besoide me was a
bit of a lump of a b'y, as foine a lad as ever shtood in the boots of
me rigimint--aw! the look of his face was the look o' the dead. 'The
Roosians are comin'--they're chargin'!' says Sergeant-Major Kilpatrick,
and the bit av a b'y, that had nothin' to eat all day, throws down
his gun and turns round to run. Eighteen years old he was, only
eighteen--just a straight slip of a lad from Malahide. 'Hould on!
Teddie,' says I, 'hould on! How'll yer face yer mother if yer turn yer
back on the inimy of yer counthry?' The b'y looks me in the eyes long
enough to wink three times, picks up his gun, an' shtood loike a rock,
he did, till the Roosians charged us, roared on us, an' I saw me slip of
a b'y go down under the sabre of a damned Cossack. 'Mother!' I heard him
say, 'Mother!' an' that's all I heard him say--and the mother waitin'
away aff there by the Liffey soide. Aw, wurra, wurra, the b'ys go down
to battle and the mothers wait at home! Some of the b'ys come back, but
the most of thim shtay where the battle laves 'em. Wurra, wurra, many's
the b'y wint down that day by Alma River, an' niver come back! "There
I was shtandin', when hell broke loose on the b'ys of me rigimint, and
divil the wan o' me knows if I killed a Roosian that day or not. But
Sergeant-Major Kilpatrick--a bit of a liar was the Sergeant-Major--says
he: 'It was tin ye killed, Kilquhanity.' He says that to me the noight
that I left the rigimint for ever, and all the b'ys shtandin' round and
liftin' lasses an' saying, 'Kilquhanity! Kilquhanity! Kilquhanity!'
as if it was sugar and honey in their mouths. Aw, the sound of it!
'Kilquhanity,' says he, 'it was tin ye killed;' but aw, b'ys, the
Sergeant-Major was an awful liar. If he could be doin' annybody anny
good by lyin', shure he would be lyin' all the time.

"But it's little I know how many I killed, for I was killed meself that
day. A Roosian sabre claved the shoulder and neck of me, an' down I
wint, and over me trampled a squadron of Roosian harses, an' I stopped
thinkin'. Aw, so aisy, so aisy, I slipped away out av the fight! The
shriekin' and roarin' kept dwindlin' and dwindlin', and I dropped all
into a foine shlape, so quiet, so aisy. An' I thought that slip av a lad
from the Liffey soide was houlding me hand, and sayin' 'Mother! Mother!'
and we both wint ashlape; an' the b'ys of the rigimint when Alma was
over, they said to each other, the b'ys they said: 'Kilquhanity's dead.'
An' the trinches was dug, an' all we foine dead b'ys was laid in long
rows loike candles in the trinches. An' I was laid in among thim, and
Sergeant-Major Kilpatrick shtandin' there an' looking at me an' sayin':
'Poor b'y--poor b'y!'

"But when they threw another man on tap of me, I waked up out o' that
beautiful shlape, and give him a kick. 'Yer not polite,' says I to
mesilf. Shure, I couldn't shpake--there was no strength in me. An' they
threw another man on, an' I kicked again, and the Sergeant-Major he sees
it, an' shouts out. 'Kilquhan ity's leg is kickin'!' says he. An' they
pulled aff the two poor divils that had been thrown o' tap o' me,
and the Sergeant-Major lifts me head, an' he says 'Yer not killed,
Kilquhanity?' says he.

"Divil a word could I shpake, but I winked at him, and Captain Masham
shtandin' by whips out a flask.

"'Put that betune his teeth,' says he. Whin I got it there, trust me fur
not lettin' it go. An' the Sergeant-Major says to me: 'I have hopes of
you, Kilquhanity, when you do be drinkin' loike that.'

"'A foine healthy corpse I am; an' a foine thirsty, healthy corpse I
am,' says I."

A dozen hands stretched out to give Kilquhanity a drink, for even the
best story-teller of Pontiac could not have told his tale so well.

Yet the success achieved by Kilquhanity at such moments was discounted
through long months of mingled suspicion and doubtful tolerance.
Although both he and his wife were Catholics (so they said, and so
it seemed), Kilquhanity never went to Confession or took the Blessed
Sacrament. The Cure spoke to Kilquhanity's wife about it, and she said
she could do nothing with her husband. Her tongue once loosed, she spoke
freely, and what she said was little to the credit of Kilquhanity. Not
that she could urge any horrible things against him; but she railed
at minor faults till the Cure dismissed her with some good advice upon
wives rehearsing their husband's faults, even to the parish priest.

Mrs. Kilquhanity could not get the Cure to listen to her, but she
was more successful elsewhere. One day she came to get Kilquhanity's
pension, which was sent every three months through M. Garon, the
Avocat. After she had handed over the receipt prepared beforehand by
Kilquhanity, she replied to M. Garon's inquiry concerning her husband in
these words: "Misther Garon, sir, such a man it is--enough to break the
heart of anny woman. And the timper of him--Misther Garon, the timper of
him's that awful, awful! No conshideration, and that ugly-hearted, got
whin a soldier b'y! The things he does--my, my, the things he does!" She
threw up her hands with an air of distraction.

"Well, and what does he do, Madame?" asked the Avocat simply.

"An' what he says, too--the awful of it! Ah, the bad sour heart in him!
What's he lyin' in his bed for now--an' the New Year comin' on, whin
we ought to be praisin' God an' enjoyin' each other's company in this
blessed wurruld? What's he lying betune the quilts now fur, but by token
of the bad heart in him! It's a wicked could he has, an' how did he come
by it? I'll tell ye, Misther Garon. So wild was he, yesterday it was
a week, so black mad wid somethin' I'd said to him and somethin' that
shlipped from me hand at his head, that he turns his back on me, throws
opin the dure, shteps out into the shnow, and shtandin' there alone,
he curses the wide wurruld--oh, dear Misther Garon, he cursed the wide
wurruld, shtandin' there in the snow! God forgive the black heart of
him, shtandin' out there cursin' the wide wurruld!"

The Avocat looked at the Sergeant's wife musingly, the fingers of his
hands tapping together, but he did not speak: he was becoming wiser all
in a moment as to the ways of women.

"An' now he's in bed, the shtrappin' blasphemer, fur the could he got
shtandin' there in the snow cursin' the wide wurruld. Ah, Misther Garon,
pity a poor woman that has to live wid the loikes o' that!"

The Avocat still did not speak. He turned his face away and looked out
of the window, where his eyes could see the little house on the hill,
which to-day had the Union Jack flying in honour of some battle or
victory, dear to Kilquhanity's heart. It looked peaceful enough, the
little house lying there in the waste of snow, banked up with earth, and
sheltered on the northwest by a little grove of pines. At last M. Garon
rose, and lifting himself up and down on his toes as if about to deliver
a legal opinion, he coughed slightly, and then said in a dry little
voice:

"Madame, I shall have pleasure in calling on your husband. You have not
seen the matter in the true light. Madame, I bid you good-day."

That night the Avocat, true to his promise, called on Sergeant
Kilquhanity. Kilquhanity was alone in the house. His wife had gone to
the village for the Little Chemist. She had been roused at last to the
serious nature of Kilquhanity's illness.

M. Garon knocked. There was no answer. He knocked again more loudly,
and still no answer. He opened the door and entered into a clean, warm
living-room, so hot that the heat came to him in waves, buffeting his
face. Dining, sitting, and drawing-room, it was also a sort of winter
kitchen; and side by side with relics of Kilquhanity's soldier-life
were clean, bright tins, black saucepans, strings of dried fruit, and
well-cured hams. Certainly the place had the air of home; it spoke for
the absent termagant.

M. Garon looked round and saw a half-opened door, through which
presently came a voice speaking in a laboured whisper. The Avocat
knocked gently at the door. "May I come in, Sergeant?" he asked, and
entered. There was no light in the room, but the fire in the kitchen
stove threw a glow over the bed where the sick man lay. The big hands of
the soldier moved restlessly on the quilt.

"Aw, it's the koind av ye!" said Kilquhanity, with difficulty, out of
the half shadows.

The Avocat took one burning hand in both of his, held it for a moment,
and pressed it two or three times. He did not know what to say.

"We must have a light," said he at last, and taking a candle from the
shelf he lighted it at the stove and came into the bedroom again. This
time he was startled. Even in this short illness, Kilquhanity's flesh
had dropped away from him, leaving him but a bundle of bones, on which
the skin quivered with fever. Every word the sick man tried to speak cut
his chest like a knife, and his eyes half started from his head with the
agony of it. The Avocat's heart sank within him, for he saw that a life
was hanging in the balance. Not knowing what to do, he tucked in the
bedclothes gently.

"I do be thinkin'," said the strained, whispering voice--"I do be
thinkin' I could shmoke."

The Avocat looked round the room, saw the pipe on the window, and
cutting some tobacco from a "plug," he tenderly filled the old black
corn-cob. Then he put the stem in Kilquhanity's mouth and held the
candle to the bowl. Kilquhanity smiled, drew a long breath, and blew out
a cloud of thick smoke. For a moment he puffed vigorously, then, all
at once, the pleasure of it seemed to die away, and presently the bowl
dropped down on his chin. M. Garon lifted it away. Kilquhanity did not
speak, but kept saying something over and over again to himself, looking
beyond M. Garon abstractedly.

At that moment the front door of the house opened, and presently
a shrill voice came through the door: "Shmokin', shmokin', are ye,
Kilquhanity? As soon as me back's turned, it's playin' the fool--" She
stopped short, seeing the Avocat.

"Beggin' yer pardon, Misther Garon," she said, "I thought it was only
Kilquhanity here, an' he wid no more sense than a babby."

Kilquhanity's eyes closed, and he buried one side of his head in the
pillow, that her shrill voice should not pierce his ears.

"The Little Chemist 'll be comin' in a minit, dear Misther Garon," said
the wife presently, and she began to fuss with the bedclothes and to be
nervously and uselessly busy.

"Aw, lave thim alone, darlin'," whispered Kilquhanity, tossing. Her
officiousness seemed to hurt him more than the pain in his chest.

M. Garon did not wait for the Little Chemist to arrive, but after
pressing the Sergeant's hand he left the house and went straight to the
house of the Cure, and told him in what condition was the black sheep of
his flock.

When M. Garon returned to his own home he found a visitor in his
library. It was a woman, between forty and fifty years of age, who rose
slowly to her feet as the Avocat entered, and, without preliminary, put
into his hands a document.

"That is who I am," she said. "Mary Muddock that was, Mary Kilquhanity
that is."

The Avocat held in his hands the marriage lines of Matthew Kilquhanity
of the parish of Malahide and Mary Muddock of the parish of St. Giles,
London. The Avocat was completely taken aback. He blew nervously through
his pale fingers, raised himself up and down on his toes, and grew pale
through suppressed excitement. He examined the certificate carefully,
though from the first he had no doubt of its accuracy and correctness.

"Well?" said the woman, with a hard look in her face and a hard note in
her voice. "Well?"

The Avocat looked at her musingly for a moment. All at once there
had been unfolded to him Kilquhanity's story. In his younger days
Kilquhanity had married this woman with a face of tin and a heart of
leather. It needed no confession from Kilquhanity's own lips to explain
by what hard paths he had come to the reckless hour when, at Blackpool,
he had left her for ever, as he thought. In the flush of his criminal
freedom he had married again--with the woman who shared his home on the
little hillside, behind the Parish Church, she believing him a widower.
Mary Muddock, with the stupidity of her class, had never gone to the
right quarters to discover his whereabouts until a year before this day
when she stood in the Avocat's library. At last, through the War Office,
she had found the whereabouts of her missing Matthew. She had gathered
her little savings together, and, after due preparation, had sailed away
to Canada to find the soldier boy whom she had never given anything but
bad hours in all the days of his life with her.

"Well," said the woman, "you're a lawyer--have you nothing to say? You
pay his pension--next time you'll pay it to me. I'll teach him to leave
me and my kid and go off with an Irish cook!"

The Avocat looked her steadily in the eyes, and then delivered the
strongest blow that was possible from the opposite side of the case.
"Madame," said he, "Madame, I regret to inform you that Matthew
Kilquhanity is dying."

"Dying, is he?" said the woman, with a sudden change of voice and
manner, but her whine did not ring true. "The poor darlin', and only
that Irish hag to care for him! Has he made a will?" she added eagerly.

Kilquhanity had made no will, and the little house on the hillside, and
all that he had, belonged to this woman who had spoiled the first part
of his life, and had come now to spoil the last part.

An hour later the Avocat, the Cure, and the two women stood in the chief
room of the little house on the hillside. The door was shut between the
two rooms, and the Little Chemist was with Kilquhanity. The Cure's hand
was on the arm of the first wife and the Avocat's upon the arm of the
second. The two women were glaring eye to eye, having just finished
as fine a torrent of abuse of each other and of Kilquhanity as can be
imagined. Kilquhanity himself, with the sorrow of death upon him, though
he knew it not, had listened to the brawl, his chickens come home to
roost at last. The first Mrs. Kilquhanity had sworn, with an oath that
took no account of the Cure's presence, that not a stick nor a stone
nor a rag nor a penny should that Irish slattern have of Matthew
Kilquhanity's!

The Cure and the Avocat had quieted them at last, and the Cure spoke
sternly now to both women.

"In the presence of death," said he, "have done with your sinful
clatter. Stop quarrelling over a dying man. Let him go in peace--let him
go in peace! If I hear one word more," he added sternly, "I will turn
you both out of the house into the night. I will have the man die in
peace."

Opening the door of the bedroom, the Cure went in and shut the door,
bolting it quietly behind him. The Little Chemist sat by the bedside,
and Kilquhanity lay as still as a babe upon the bed. His eyes were half
closed, for the Little Chemist had given him an opiate to quiet the
terrible pain.

The Cure saw that the end was near. He touched Kilquhanity's arm: "My
son," said he, "look up. You have sinned; you must confess your sins,
and repent."

Kilquhanity looked up at him with dazed but half smiling eyes. "Are they
gone? Are the women gone?" The Cure nodded his head. Kilquhanity's eyes
closed and opened again. "They're gone, thin! Oh, the foine of it, the
foine of it!" he whispered. "So quiet, so aisy, so quiet! Faith, I'll
just be shlaping! I'll be shlaping now."

His eyes closed, but the Cure touched his arm again. "My son," said he,
"look up. Do you thoroughly and earnestly repent you of your sins?"

His eyes opened again. "Yis, father, oh yis! There's been a dale o'
noise--there's been a dale o' noise in the wurruld, father," said he.
"Oh, so quiet, so quiet now! I do be shlaping."

A smile came upon his face. "Oh, the foine of it! I do be
shlaping-shlaping."

And he fell into a noiseless Sleep.




THE BARON OF BEAUGARD

"The Manor House at Beaugard, monsieur? Ah, certainlee, I mind it very
well. It was the first in Quebec, and there are many tales. It had a
chapel and a gallows. Its baron, he had the power of life and death, and
the right of the seigneur--you understand?--which he used only once; and
then what trouble it made for him and the woman, and the barony, and the
parish, and all the country!"

"What is the whole story, Larue?" said Medallion, who had spent months
in the seigneur's company, stalking game, and tales, and legends of the
St. Lawrence.

Larue spoke English very well--his mother was English.

"Mais, I do not know for sure; but the Abbe Frontone, he and I were
snowed up together in that same house which now belongs to the Church,
and in the big fireplace, where we sat on a bench, toasting our knees
and our bacon, he told me the tale as he knew it. He was a great
scholar--there is none greater. He had found papers in the wall of the
house, and from the Gover'ment chest he got more. Then there were the
tales handed down, and the records of the Church--for she knows the true
story of every man that has come to New France from first to last. So,
because I have a taste for tales, and gave him some, he told me of the
Baron of Beaugard, and that time he took the right of the seigneur, and
the end of it all.

"Of course it was a hundred and fifty years ago, when Bigot was
Intendant-ah, what a rascal was that Bigot, robber and deceiver! He
never stood by a friend, and never fought fair a foe--so the Abbe said.
Well, Beaugard was no longer young. He had built the Manor House, he had
put up his gallows, he had his vassals, he had been made a lord. He had
quarrelled with Bigot, and had conquered, but at great cost; for Bigot
had such power, and the Governor had trouble enough to care for himself
against Bigot, though he was Beaugard's friend.

"Well, there was a good lump of a fellow who had been a soldier, and he
picked out a girl in the Seigneury of Beaugard to make his wife. It
is said the girl herself was not set for the man, for she was of finer
stuff than the peasants about her, and showed it. But her father and
mother had a dozen other children, and what was this girl, this Falise,
to do? She said yes to the man, the time was fixed for the marriage, and
it came along.

"So. At the very hour of the wedding Beaugard came by, for, the church
was in mending, and he had given leave it should be in his own chapel.
Well, he rode by just as the bride was coming out with the man--Garoche.
When Beaugard saw Falise, he gave a whistle, then spoke in his throat,
reined up his horse, and got down. He fastened his eyes on the girl's. A
strange look passed between them--he had never seen her before, but she
had seen him often, and when he was gone had helped the housekeeper with
his rooms. She had carried away with her a stray glove of his. Of course
it sounds droll, and they said of her when all came out that it was
wicked; but evil is according to a man's own heart, and the girl had
hid this glove as she hid whatever was in her soul--hid it even from the
priest.

"Well, the Baron looked and she looked, and he took off his hat, stepped
forward, and kissed her on the cheek. She turned pale as a ghost, and
her eyes took the colour that her cheeks lost. When he stepped back he
looked close at the husband. 'What is your name?' he said. 'Garoche,
M'sieu' le Baron,' was the reply. 'Garoche, Garoche,' he said, eyeing
him up and down. 'You have been a soldier?' 'Yes, M'sieu' le Baron.'
'You have served with me?' 'Against you, M'sieu' le Baron... when
Bigot came fighting.' 'Better against me than for me,' said the Baron,
speaking to himself, though he had so strong a voice that what he said
could be heard by those near him-that is, those who were tall, for he
was six and a half feet, with legs and shoulders like a bull.

"He stooped and stroked the head of his hound for a moment, and all the
people stood and watched him, wondering what next. At last he said: 'And
what part played you in that siege, Garoche?' Garoche looked troubled,
but answered: 'It was in the way of duty, M'sieu' le Baron--I with five
others captured the relief-party sent from your cousin the Seigneur of
Vadrome.' 'Oh,' said the Baron, looking sharp, 'you were in that,
were you? Then you know what happened to the young Marmette?' Garoche
trembled a little, but drew himself up and said: 'M'sieu' le Baron, he
tried to kill the Intendant--there was no other way.' 'What part played
you in that, Garoche?' Some trembled, for they knew the truth, and they
feared the mad will of the Baron. 'I ordered the firing-party, M'sieu'
le Baron,' he answered.

"The Baron's eyes got fierce and his face hardened, but he stooped and
drew the ears of the hound through his hand softly. 'Marmette was my
cousin's son, and had lived with me,' he said. 'A brave lad, and he had
a nice hatred of vileness--else he had not died.' A strange smile played
on his lips for a moment, then he looked at Falise steadily. Who can
tell what was working in his mind! 'War is war,' he went on, 'and Bigot
was your master, Garoche; but the man pays for his master's sins this
way or that. Yet I would not have it different, no, not a jot.' Then he
turned round to the crowd, raised his hat to the Cure, who stood on the
chapel steps, once more looked steadily at Falise, and said: 'You shall
all come to the Manor House, and have your feastings there, and we will
drink to the home-coming of the fairest woman in my barony.' With that
he turned round, bowed to Falise, put on his hat, caught the bridle
through his arm, and led his horse to the Manor House.

"This was in the afternoon. Of course, whether they wished or not,
Garoche and Falise could not refuse, and the people were glad enough,
for they would have a free hand at meat and wine, the Baron being
liberal of table. And it was as they guessed, for though the time was
so short, the people at Beaugard soon had the tables heavy with food and
drink. It was just at the time of candle-lighting the Baron came in and
gave a toast. 'To the dwellers in Eden to-night,' he said--'Eden against
the time of the Angel and the Sword.' I do not think that any except
the Cure and the woman understood, and she, maybe, only because a woman
feels the truth about a thing, even when her brain does not. After they
had done shouting to his toast, he said a good-night to all, and they
began to leave, the Cure among the first to go, with a troubled look in
his face.

"As the people left, the Baron said to Garoche and Falise: 'A moment
with me before you go.' The woman started, for she thought of one thing,
and Garoche started, for he thought of another--the siege of Beaugard
and the killing of young Marmette. But they followed the Baron to his
chamber. Coming in, he shut the door on them. Then he turned to Garoche.
'You will accept the roof and bed of Beaugard to-night, my man,' he
said, 'and come to me here at nine tomorrow morning.' Garoche stared
hard for an instant. 'Stay here!' said Garoche, 'Falise and me stay
here in the Manor, M'sieu' le Baron!' 'Here, even here, Garoche; so
good-night to you,' said the Baron. Garoche turned towards the girl.
'Then come, Falise,' he said, and reached out his hand. 'Your room,
Garoche, shall be shown you at once,' the Baron added softly, 'the
lady's at her pleasure.'

"Then a cry burst from Garoche, and he sprang forward, but the Baron
waved him back. 'Stand off,' he said, 'and let the lady choose between
us.' 'She is my wife,' said Garoche. 'I am your Seigneur,' said the
other. 'And there is more than that,' he went on; 'for, damn me, she
is too fine stuff for you, and the Church shall untie what she has tied
to-day!' At that Falise fainted, and the Baron caught her as she fell.
He laid her on a couch, keeping an eye on Garoche the while. 'Loose
her gown,' he said, 'while I get brandy.' Then he turned to a cupboard,
poured liquor, and came over. Garoche had her dress open at the neck and
bosom, and was staring at something on her breast. The Baron saw also,
stooped with a strange sound in his throat, and picked it up. 'My
glove!' he said. 'And on her wedding-day!' He pointed. 'There on the
table is its mate, fished this morning from my hunting-coat--a pair the
Governor gave me. You see, man, you see her choice!'

"At that he stooped and put some brandy to her lips. Garoche drew back
sick and numb, and did nothing, only stared. Falise came to herself
soon, and when she felt her dress open, gave a cry. Garoche could have
killed her then, when he saw her shudder from him, as if afraid, over
towards the Baron, who held the glove in his hand, and said: 'See,
Garoche, you had better go. In the next room they will tell you where to
sleep. To-morrow, as I said, you will meet me here. We shall have things
to say, you and I.' Ah, that Baron, he had a queer mind, but in truth he
loved the woman, as you shall see!

"Garoche got up without a word, went to the door and opened it, the look
of the Baron and the woman following him, for there was a devil in his
eye. In the other room there were men waiting, and he was taken to a
chamber and locked in. You can guess what that night must have been to
him!"

"What was it to the Baron and Falise?" asked Medallion.

"M'sieu', what do you think? Beaugard had never had an eye for women;
loving his hounds, fighting, quarrelling, doing wild, strong things. So,
all at once, he was face to face with a woman who has the look of love
in her face, who was young, and fine of body--so the Abbe said--and was
walking to marriage at her father's will and against her own, carrying
the Baron's glove in her bosom. What should Beaugard do? But no, ah no,
m'sieu', not as you think, not quite! Wild, with the bit in his teeth,
yes; but at heart-well, here was the one woman for him. He knew it all
in a minute, and he would have her once and for all, and till death
should come their way. And so he said to her, as he raised her, she
drawing back afraid, her heart hungering for him, yet fear in her eyes,
and her fingers trembling as she softly pushed him from her. You see,
she did not know quite what was in his heart. She was the daughter of
a tenant vassal, who had lived in the family of a grand seigneur in her
youth, the friend of his child--that was all, and that was where she got
her manners and her mind.

"She got on her feet and said: 'M'sieu' le Baron, you will let me go--to
my husband. I cannot stay here. Oh, you are great, you are noble, you
would not make me sorry, make me to hate myself--and you! I have only
one thing in the world of any price--you would not steal my happiness?'
He looked at her steadily in the eyes, and said: 'Will it make you happy
to go to Garoche?' She raised her hands and wrung them. 'God knows, God
knows, I am his wife,' she said helplessly, 'and he loves me.' 'And God
knows, God knows,' said the Baron, 'it is all a question of whether one
shall feed and two go hungry, or two gather and one have the stubble!
Shall not he stand in the stubble? What has he done to merit you?

"What would he do? You are for the master, not the man; for love, not
the feeding on; for the Manor House and the hunt, not the cottage and
the loom.'

"She broke into tears, her heart thumping in her throat. 'I am for what
the Church did for me this day,' she said. 'O sir, I pray you, forgive
me and let me go. Do not punish me, but forgive me--and let me go. I was
wicked to wear your glove-wicked, wicked.' 'But no,' was his reply, 'I
shall not forgive you so good a deed, and you shall not go. And what
the Church did for you this day she shall undo--by all the saints, she
shall! You came sailing into my heart this hour past on a strong wind,
and you shall not slide out on an ebb-tide. I have you here, as your
Seigneur, but I have you here as a man who will--'

"He sat down by her at that point, and whispered softly in her ear; at
which she gave a cry which had both gladness and pain. 'Surely, even
that,' he said, catching her to his breast. 'And the Baron of Beaugard
never broke his word.' What should be her reply? Does not a woman when
she truly loves always believe? That is the great sign. She slid to
her knees and dropped her head into the hollow of his arm. 'I do not
understand these things,' she said, 'but I know that the other was
death, and this is life. And yet I know, too, for my heart says so, that
the end--the end, will be death.'

"'Tut, tut, my flower, my wild-rose!' he said. 'Of course the end of all
is death, but we will go a-Maying first, come October, and let the world
break over us when it must. We are for Maying now, my rose of all the
world!' It was as if he meant more than he said, as if he saw what would
come in that October which all New France never forgot, when, as he
said, the world broke over them.

"The next morning the Baron called Garoche to him. The man was like some
mad buck harried by the hounds, and he gnashed his teeth behind his shut
lips. The Baron eyed him curiously, yet kindly, too, as well he might,
for when was ever man to hear such a speech as came to Garoche the
morning after his marriage? 'Garoche,' the Baron said, having waved his
men away, 'as you see, the lady made her choice--and for ever. You and
she have said your last farewell in this world--for the wife of the
Baron of Beaugard can have nothing to say to Garoche the soldier.' At
that Garoche snarled out, 'The wife of the Baron of Beaugard, that is a
lie to shame all hell.' The Baron wound the lash of a riding-whip round
and round his fingers quietly and said: 'It is no lie, my man, but the
truth.' Garoche eyed him savagely, and growled: 'The Church made her my
wife yesterday; and you--you--you--ah, you who had all--you with your
money and place, which could get all easy, you take the one thing I
have! You, the grand seigneur, are only a common robber! Ah, Jesu--if
you would but fight me!'

"The Baron, very calm, said: 'First, Garoche, the lady was only your
wife by a form which the Church shall set aside--it could never have
been a true marriage. Second, it is no stealing to take from you what
you did not have. I took what was mine--remember the glove! For the
rest--to fight you? No, my churl, you know that's impossible. You may
shoot me from behind a tree or a rock, but swording with you--come,
come, a pretty gossip for the Court! Then, why wish a fight? Where would
you be, as you stood before me--you!' The Baron stretched himself up,
and smiled down at Garoche. 'You have your life, man; take it and go--to
the farthest corner of New France, and show not your face here again. If
I find you ever again in Beaugard I will have you whipped from parish to
parish. Here is money for you--good gold coins. Take them, and go.'

"Garoche got still and cold as stone. He said in a low, harsh voice:
'M'sieu' le Baron, you are a common thief, a wolf, a snake. Such men as
you come lower than Judas. As God has an eye to see, you shall pay all
one day. I do not fear you nor your men nor your gallows. You are a
jackal, and the woman has a filthy heart--a ditch of shame.'

"The Baron drew up his arm like lightning, and the lash of his whip came
singing across Garoche's pale face. Where it passed, a red welt rose,
but the man never stirred. The arm came up again, but a voice' behind
the Baron said: 'Ah no, no, not again!' There stood Falise. Both men
looked at her. 'I have heard Garoche,' she said. 'He does not judge me
right. My heart is no filthy ditch of shame; but it was breaking when
I came from the altar with him yesterday. Yet I would have been a true
wife to him after all. A ditch of shame--ah, Garoche--Garoche! And you
said you loved me, and that nothing could change you!'

"The Baron said to her: 'Why have you come, Falise? I forbade you.' 'Oh,
my lord,' she answered, 'I feared--for you both! When men go mad because
of women a devil enters into them.' The Baron, taking her by the hand,
said: 'Permit me,' and he led her to the door for her to pass out. She
looked back sadly at Garoche, standing for a minute very still. Then
Garoche said: 'I command you, come with me; you are my wife.' She did
not reply, but shook her head at him. Then he spoke out high and fierce:
'May no child be born to you. May a curse fall on you. May your fields
be barren, and your horses and cattle die. May you never see nor hear
good things. May the waters leave their courses to drown you, and the
hills their bases to bury you, and no hand lay you in decent graves!'

"The woman put her hands to her ears and gave a little cry, and the
Baron pushed her gently on, and closed the door after her. Then he
turned on Garoche. 'Have you said all you wish?' he asked. 'For, if not,
say on, and then go; and go so far you cannot see the sky that covers
Beaugard. We are even now--we can cry quits. But that I have a little
injured you, you should be done for instantly. But hear me: if I ever
see you again, my gallows shall end you straight. Your tongue has been
gross before the mistress of this Manor; I will have it torn out if it
so much as syllables her name to me or to the world again. She is dead
to you. Go, and go for ever!'

"He put a bag of money on the table, but Garoche turned away from it,
and without a word left the room, and the house, and the parish, and
said nothing to any man of the evil that had come to him.

"But what talk was there, and what dreadful things were said at
first-that Garoche had sold his wife to the Baron; that he had been
killed and his wife taken; that the Baron kept him a prisoner in a
cellar under the Manor House! And all the time there was Falise with the
Baron--very quiet and sweet and fine to see, and going to Chapel every
day, and to Mass on Sundays--which no one could understand, any more
than they could see why she should be called the Baroness of Beaugard;
for had they all not seen her married to Garoche? And there were many
people who thought her vile. Yet truly, at heart, she was not so--not
at all. Then it was said that there was to be a new marriage; that the
Church would let it be so, doing and undoing, and doing again. But the
weeks and the months went by, and it was never done. For, powerful as
the Baron was, Bigot the Intendant was powerful also, and fought the
thing with all his might. The Baron went to Quebec to see the Bishop and
the Governor, and though promises were made, nothing was done. It must
go to the King and then to the Pope, and from the Pope to the King
again, and so on. And the months and the years went by as they waited,
and with them came no child to the Manor House of Beaugard. That was the
only sad thing--that and the waiting, so far as man could see. For never
were man and woman truer to each other than these, and never was a lady
of the Manor kinder to the poor, or a lord freer of hand to his vassals.
He would bluster sometimes, and string a peasant up by the heels, but
his gallows was never used; and, what was much in the minds of the
people, the Cure did not refuse the woman the sacrament.

"At last the Baron, fierce because he knew that Bigot was the cause of
the great delay, so that he might not call Falise his wife, seized a
transport on the river, which had been sent to brutally levy upon a poor
gentleman, and when Bigot's men resisted, shot them down. Then Bigot
sent against Beaugard a company of artillery and some soldiers of the
line. The guns were placed on a hill looking down on the Manor House
across the little river. In the evening the cannons arrived, and in the
morning the fight was to begin. The guns were loaded and everything
was ready. At the Manor all was making ready also, and the Baron had no
fear.

"But Falise's heart was heavy, she knew not why. 'Eugene,' she said,
'if anything should happen!' 'Nonsense, my Falise,' he answered;
'what should happen?' 'If--if you were taken--were killed!' she said.
'Nonsense, my rose,' he said again, 'I shall not be killed. But if I
were, you should be at peace here.' 'Ah, no, no!' said she. 'Never. Life
to me is only possible with you. I have had nothing but you--none of
those things which give peace to other women--none. But I have been
happy-yes, very happy. And, God forgive me, Eugene, I cannot regret, and
I never have! But it has been always and always my prayer that, when you
die, I may die with you--at the same moment. For I cannot live without
you, and, besides, I would like to go to the good God with you to speak
for us both; for oh, I loved you, I loved you, and I love you still, my
husband, my adored!'

"He stooped--he was so big, and she but of middle height--kissed her,
and said: 'See, my Falise, I am of the same mind. We have been happy in
life, and we could well be happy in death together.' So they sat long,
long into the night and talked to each other--of the days they had
passed together, of cheerful things, she trying to comfort herself, and
he trying to bring smiles to her lips. At last they said good-night,
and he lay down in his clothes; and after a few moments she was sleeping
like a child. But he could not sleep, for he lay thinking of her and
of her life--how she had come from humble things and fitted in with the
highest. At last, at break of day, he arose and went outside. He looked
up at the hill where Bigot's two guns were. Men were already stirring
there. One man was standing beside the gun, and another not far behind.
Of course the Baron could not know that the man behind the gunner said:
'Yes, you may open the dance with an early salute;' and he smiled up
boldly at the hill and went into the house, and stole to the bed of his
wife to kiss her before he began the day's fighting. He looked at her a
moment, standing over her, and then stooped and softly put his lips to
hers.

"At that moment the gunner up on the hill used the match, and an awful
thing happened. With the loud roar the whole hillside of rock and
gravel and sand split down, not ten feet in front of the gun, moved with
horrible swiftness upon the river, filled its bed, turned it from its
course, and, sweeping on, swallowed the Manor House of Beaugard. There
had been a crack in the hill, the water of the river had sapped its
foundations, and it needed only this shock to send it down.

"And so, as the woman wished: the same hour for herself and the man! And
when at last their prison was opened by the hands of Bigot's men, they
were found cheek by cheek, bound in the sacred marriage of Death.

"But another had gone the same road, for, at the awful moment, beside
the bursted gun, the dying gunner, Garoche, lifted up his head, saw the
loose travelling hill, and said with his last breath: 'The waters drown
them, and the hills bury them, and--'

"He had his way with them, and after that perhaps the great God had His
way with him perhaps."




THE TUNE McGILVERAY PLAYED

McGilveray has been dead for over a hundred years, but there is a parish
in Quebec where his tawny-haired descendants still live. They have
the same sort of freckles on their faces as had their ancestor, the
bandmaster of Anstruther's regiment, and some of them have his taste for
music, yet none of them speak his language or with his brogue, and the
name of McGilveray has been gallicised to Magille.

In Pontiac, one of the Magilles, the fiddler of the parish, made the
following verse in English as a tribute of admiration for an heroic deed
of his ancestor, of which the Cure of the parish, the good M. Santonge,
had told him:

       "Piff! poem! ka-zoon, ka-zoon!
        That is the way of the organ tune--
        And the ships are safe that day!
        Piff! poum! kazoon, kazoon!
        And the Admiral light his pipe and say:
        'Bully for us, we are not kill!
        Who is to make the organ play
        Make it say zoon-kazoon?
        You with the corunet come this way--
        You are the man, Magillel
        Piff! poum! kazoon, kazoon!'"

Now, this is the story of McGilveray the bandmaster of Anstruther's
regiment:

It was at the time of the taking of Quebec, the summer of 1759. The
English army had lain at Montmorenci, at the Island of Orleans, and at
Point Levis; the English fleet in the basin opposite the town, since
June of that great year, attacking and retreating, bombarding and
besieging, to no great purpose. For within the walls of the city, and on
the shore of Beauport, protected by its mud flats--a splendid moat--the
French more than held their own.

In all the hot months of that summer, when parishes were ravaged with
fire and sword, and the heat was an excuse for almost any lapse of
virtue, McGilveray had not been drunk once--not once. It was almost
unnatural. Previous to that, McGilveray's career had been chequered. No
man had received so many punishments in the whole army, none had risen
so superior to them as had he, none had ever been shielded from wrath
present and to come as had this bandmaster of Anstruther's regiment.
He had no rivals for promotion in the regiment--perhaps that was one
reason; he had a good temper and an overwhelming spirit of fun--perhaps
that was another.

He was not remarkable to the vision--scarcely more than five feet four;
with an eye like a gimlet, red hair tied in a queue, a big mouth, and a
chest thrown out like the breast of a partridge--as fine a figure of a
man in miniature as you should see. When intoxicated, his tongue rapped
out fun and fury like a triphammer. Alert-minded drunk or sober, drunk,
he was lightning-tongued, and he could play as well drunk as sober,
too; but more than once a sympathetic officer altered the tactics that
McGilveray might not be compelled to march, and so expose his condition.
Standing still he was quite fit for duty. He never got really drunk "at
the top." His brain was always clear, no matter how useless were his
legs.

But the wonderful thing was that for six months McGilveray's legs were
as steady as his head was right. At first the regiment was unbelieving,
and his resolution to drink no more was scoffed at in the non-com mess.
He stuck to it, however, and then the cause was searched for--and not
found. He had not turned religious, he was not fanatical, he was of
sound mind--what was it? When the sergeant-major suggested a woman, they
howled him down, for they said McGilveray had not made love to women
since the day of his weaning, and had drunk consistently all the time.

Yet it was a woman.

A fortnight or so after Wolfe's army and Saunders's fleet had sat down
before Quebec, McGilveray, having been told by a sentry at Montmorenci
where Anstruther's regiment was camped, that a French girl on the
other side of the stream had kissed her hand to him and sung across in
laughing insolence:

        "Malbrouk s'en va t'en guerre,"

he had forthwith set out to hail this daughter of Gaul, if perchance she
might be seen again.

At more than ordinary peril he crossed the river on a couple of logs,
lashed together, some distance above the spot where the picket had seen
Mademoiselle. It was a moonlight night, and he might easily have been
picked off by a bullet, if a wary sentry had been alert and malicious.
But the truth was that many of these pickets on both sides were in no
wise unfriendly to each other, and more than once exchanged tobacco
and liquor across the stream. As it chanced, however, no sentry saw
McGilveray, and presently, safely landed, he made his way down the
stream. Even at the distance he was from the falls, the rumble of them
came up the long walls of firs and maples with a strange, half-moaning
sound--all else was still. He came down until he was opposite the spot
where his English picket was posted, and then he halted and surveyed his
ground.

Nothing human in sight, no sound of life, no sign of habitation. At
this moment, however, his stupidity in thus rushing into danger, the
foolishness of pursuing a woman whom he had never seen, and a French
woman at that, the punishment that would be meted out to him if his
adventure was discovered--all these came to him.

They stunned him for a moment, and then presently, as if in defiance of
his own thoughts, he began to sing softly:

"Malbrouk s'en va t'en guerre."

Suddenly, in one confused moment, he was seized, and a hand was clapped
over his mouth. Three French soldiers had him in their grip-stalwart
fellows they were, of the Regiment of Bearn. He had no strength to cope
with them, he at once saw the futility of crying out, so he played the
eel, and tried to slip from the grasp of his captors. But though he gave
the trio an awkward five minutes he was at last entirely overcome,
and was carried away in triumph through the woods. More than once they
passed a sentry, and more than once campfires round which soldiers slept
or dozed. Now and again one would raise his head, and with a laugh, or a
"Sapristi!" or a "Sacre bleu!" drop back into comfort again.

After about ten minutes' walk he was brought to a small wooden house,
the door was thrown open, he was tossed inside, and the soldiers entered
after. The room was empty save for a bench, some shelves, a table, on
which a lantern burned, and a rude crucifix on the wall. McGilveray sat
down on the bench, and in five minutes his feet were shackled, while a
chain fastened to a staple in the wall held him in secure captivity.

"How you like yourself now?" asked a huge French corporal who had
learned English from an English girl at St. Malo years before.

"If you'd tie a bit o' pink ribbon round me neck, I'd die wid pride,"
said McGilveray, spitting on the ground in defiance at the same time.

The big soldier laughed, and told his comrades what the bandmaster had
said. One of them grinned, but the other frowned sullenly, and said:

"Avez vous tabac?"

"Havey you to-ba-co?" said the big soldier instantly--interpreting.

"Not for a Johnny Crapaud like you, and put that in your pipe and shmoke
it!" said McGilveray, winking at the big fellow, and spitting on the
ground before the surly one, who made a motion as if he would bayonet
McGilveray where he sat.

"He shall die--the cursed English soldier," said Johnny Crapaud.

"Some other day will do," said McGilveray. "What does he say?" asked
Johnny Crapaud.

"He says he'll give each of us three pounds of tobacco, if we let him
go," answered the corporal. McGilveray knew by the corporal's voice that
he was lying, and he also knew that, somehow, he had made a friend.

"Y'are lyin', me darlin', me bloody beauty!" interposed McGilveray.

"If we don't take him to headquarters now he'll send across and get the
tobacco," interpreted the corporal to Johnny Crapaud.

"If he doesn't get the tobacco he'll be hung for a spy," said Johnny
Crapaud, turning on his heel. "Do we all agree?" said the corporal.

The others nodded their heads, and, as they went out, McGilveray said
after them:

"I'll dance a jig on yer sepulchrees, ye swobs!" he roared, and he spat
on the ground again in defiance. Johnny Crapaud turned to the corporal.

"I'll kill him very dead," said he, "if that tobacco doesn't come. You
tell him so," he added, jerking a thumb towards McGilveray. "You tell
him so."

The corporal stayed when the others went out, and, in broken English,
told McGilveray so.

"I'll play a hornpipe, an' his gory shroud is round him," said
McGilveray.

The corporal grinned from ear to ear. "You like a chew tabac?" said he,
pulling out a dirty knob of a black plug.

McGilveray had found a man after his own heart. "Sing a song
a-sixpence," said he, "what sort's that for a gintleman an' a corporal,
too? Feel in me trousies pocket," said he, "which is fur me frinds for
iver." McGilveray had now hopes of getting free, but if he had not taken
a fancy to "me baby corporal," as he called the Frenchman, he would have
made escape or release impossible, by insulting him and every one of
them as quick as winking.

After the corporal had emptied one pocket, "Now the other,
man-o-wee-wee!" said McGilveray, and presently the two were drinking
what the flask from the "trousies pocket" contained. So well did
McGilveray work upon the Frenchman's bonhomie that the corporal promised
he should escape. He explained how McGilveray should be freed--that at
midnight some one would come and release him, while he, the corporal,
was with his companions, so avoiding suspicion as to his own complicity.
McGilveray and the corporal were to meet again and exchange courtesies
after the manner of brothers--if the fortunes of war permitted.

McGilveray was left alone. To while away the time he began to whistle to
himself, and what with whistling, and what with winking and talking to
the lantern on the table, and calling himself painful names, he endured
his captivity well enough.

It was near midnight when the lock turned in the door and presently
stepped inside--a girl.

"Malbrouk s'en va t'en guerre," said she, and nodded her head to him
humorously.

By this McGilveray knew that this was the maid that had got him into all
this trouble. At first he was inclined to say so, but she came nearer,
and one look of her black eyes changed all that.

"You've a way wid you, me darlin'," said McGilveray, not thinking that
she might understand.

"A leetla way of my own," she answered in broken English.

McGilveray started. "Where did you learn it?" he asked, for he had had
two surprises that night.

"Of my mother--at St. Malo," she replied. "She was half English--of
Jersey. You are a naughty boy," she added, with a little gurgle of
laughter in her throat. "You are not a good soldier to go a-chase of the
French girls 'cross of the river."

"Shure I am not a good soldier thin. Music's me game. An' the band of
Anstruther's rigimint's mine."

"You can play tunes on a drum?" she asked, mischievously.

"There's wan I'd play to the voice av you," he said, in his softest
brogue. "You'll be unloosin' me, darlin'?" he added.

She stooped to undo the shackles on his ankles. As she did so he leaned
over as if to kiss her. She threw back her head in disgust.

"You have been drink," she said, and she stopped her work of freeing
him.

"What'd wet your eye--no more," he answered. She stood up. "I will not,"
she said, pointing to the shackles, "if you drink some more--nevare some
more--nevare!"

"Divil a drop thin, darlin', till we fly our flag yander," pointing
towards where he supposed the town to be.

"Not till then?" she asked, with a merry little sneer. "Ver' well, it is
comme ca!" She held out her hand. Then she burst into a soft laugh, for
his hands were tied. "Let me kiss it," he said, bending forward.

"No, no, no," she said. "We will shake our hands after," and she
stooped, took off the shackles, and freed his arms.

"Now if you like," she said, and they shook hands as McGilveray stood up
and threw out his chest. But, try as he would to look important, she was
still an inch taller than he.

A few moments later they were hurrying quietly through the woods, to the
river. There was no speaking. There was only the escaping prisoner and
the gay-hearted girl speeding along in the night, the mumbling of the
quiet cascade in their ears, the shifting moon playing hide-and-seek
with the clouds. They came out on the bank a distance above where
McGilveray had landed, and the girl paused and spoke in a whisper. "It
is more hard now," she said. "Here is a boat, and I must paddle--you
would go to splash. Sit still and be good."

She loosed the boat into the current gently, and, holding it, motioned
to him to enter.

"You're goin' to row me over?" he asked, incredulously.

"'Sh! get in," she said.

"Shtrike me crazy, no!" said McGilveray. "Divil a step will I go. Let me
that sowed the storm take the whirlwind." He threw out his chest.

"What is it you came here for?" she asked, with meaning.

"Yourself an' the mockin' bird in yer voice," he answered.

"Then that is enough," she said. "You come for me, I go for you. Get
in."

A moment afterwards, taking advantage of the obscured moon, they were
carried out on the current diagonally down the stream, and came quickly
to that point on the shore where an English picket was placed. They had
scarcely touched the shore when the click of a musket was heard, and a
"Qui-va-la?" came from the thicket.

McGilveray gave the pass-word, and presently he was on the bank saluting
the sentry he had left three hours before.

"Malbrouk s'en va t'en guerre!" said the girl again with a gay
insolence, and pushed the boat out into the stream.

"A minnit, a minnit, me darlin'," said McGilveray.

"Keep your promise," came back, softly.

"Ah, come back wan minnit!"

"A flirt!" said the sentry.

"You will pay for that," said the girl to the sentry, with quick anger.

"Do you love me, Irishman?" she added, to McGilveray.

"I do--aw, wurra, wurra, I do!" said McGilveray. "Then you come and get
me by ze front door of ze city," said she, and a couple of quick strokes
sent her canoe out into the dusky middle of the stream; and she was soon
lost to view.

"Aw, the loike o' that! Aw, the foine av her-the tip-top lass o' the
wide world!" said he.

"You're a fool, an' there'll be trouble from this," said the sentry.

There was trouble, for two hours later the sentry was found dead; picked
off by a bullet from the other shore when he showed himself in the
moonlight; and from that hour all friendliness between the pickets of
the English and the French ceased on the Montmorenci.

But the one witness to McGilveray's adventure was dead, and that was why
no man knew wherefore it was that McGilveray took an oath to drink no
more till they captured Quebec.

From May to September McGilveray kept to his resolution. But for all
that time he never saw "the tip-top lass o' the wide world." A time
came, however, when McGilveray's last state was worse than his first,
and that was the evening before the day Quebec was taken. A dozen
prisoners had been captured in a sortie from the Isle of Orleans to the
mouth of the St. Charles River. Among these prisoners was the grinning
corporal who had captured McGilveray and then released him.

Two strange things happened. The big, grinning corporal escaped from
captivity the same night, and McGilveray, as a non-com said, "Got
shameful drunk." This is one explanation of the two things. McGilveray
had assisted the grinning corporal to escape. The other explanation
belongs to the end of the story. In any case, McGilveray "got shameful
drunk," and "was going large" through the camp. The end of it was
his arrest for assisting a prisoner to escape and for being drunk and
disorderly. The band of Anstruther's regiment boarded H.M.S. Leostaf
without him, to proceed up the river stealthily with the rest of the
fleet to Cap Rouge, from whence the last great effort of the heroic
Wolfe to effect a landing was to be made. McGilveray, still intoxicated
but intelligent, watched them go in silence.

As General Wolfe was about to enter the boat which was to convey him
to the flag-ship, he saw McGilveray, who was waiting under guard to be
taken to Major Hardy's post at Point Levis. The General knew him well,
and looked at him half sadly, half sternly.

"I knew you were free with drink, McGilveray," he said, "but I did not
think you were a traitor to your country too."

McGilveray saluted, and did not answer.

"You might have waited till after to-morrow, man," said the General, his
eyes flashing. "My soldiers should have good music to-morrow."

McGilveray saluted again, but made no answer.

As if with a sudden thought the General waved off the officers and men
near him, and betkcned McGilveray to him.

"I can understand the drink in a bad soldier," he said, "but you helped
a prisoner to escape. Come, man, we may both be dead to-morrow, and
I'd like to feel that no soldier in my army is wilfully a foe of his
country."

"He did the same for me, whin I was taken prisoner, yer Excillincy,
an'--an', yer Excillincy, 'twas a matter of a woman, too."

The General's face relaxed a little. "Tell me the whole truth," said
he; and McGilveray told him all. "Ah, yer Excillincy," he burst out,
at last, "I was no traitor at heart, but a fool I always was! Yer
Excillincy, court-martial and death's no matter to me; but I'd like to
play wan toon agin, to lead the byes tomorrow. Wan toon, Gineral, an'
I'll be dacintly shot before the day's over-ah, yer Excillincy, wan toon
more, and to be wid the byes followin' the Gineral!"

The General's face relaxed still more.

"I take you at your word," said he. He gave orders that McGilveray
should proceed at once aboard the flag-ship, from whence he should join
Anstruther's regiment at Cap Rouge.

The General entered the boat, and McGilveray followed with some non-com.
officers in another. It was now quite dark, and their motions, or
the motions of the vessels of war, could not be seen from the French
encampment or the citadel. They neared the flag-ship, and the General,
followed by his officers, climbed up. Then the men in McGilveray's boat
climbed up also, until only himself and another were left.

At that moment the General, looking down from the side of the ship, said
sharply to an officer beside him: "What's that?"

He pointed to a dark object floating near the ship, from which presently
came a small light with a hissing sound.

"It's a fire-organ, sir," was the reply.

A fire-organ was a raft, carrying long tubes like the pipes of an organ,
and filled with explosives. They were used by the French to send among
the vessels of the British fleet to disorganise and destroy them. The
little light which the General saw was the burning fuse. The raft had
been brought out into the current by French sailors, the fuse had been
lighted, and it was headed to drift towards the British ships. The
fleet was now in motion, and apart from the havoc which the bursting
fire-organ might make, the light from the explosion would reveal the
fact that the English men-o'-war were now moving towards Cap Rouge. This
knowledge would enable Montcalm to detect Wolfe's purpose, and he would
at once move his army in that direction. The west side of the town had
meagre military defenses, the great cliffs being thought impregnable.
But at this point Wolfe had discovered a narrow path up a steep cliff.

McGilveray had seen the fire-organ at the same moment as the General.
"Get up the side," he said to the remaining soldier in his boat. The
soldier began climbing, and McGilveray caught the oars and was instantly
away towards the raft. The General, looking over the ship's side,
understood his daring purpose. In the shadow, they saw him near it, they
saw him throw a boat-hook and catch it, and then attach a rope; they saw
him sit down, and, taking the oars, laboriously row up-stream toward the
opposite shore, the fuse burning softly, somewhere among the great pipes
of explosives. McGilveray knew that it might be impossible to reach
the fuse--there was no time to spare, and he had set about to row the
devilish machine out of range of the vessels which were carrying Wolfe's
army to a forlorn hope.

For minutes those on board the man-o'-war watched and listened.
Presently nothing could be seen, not even the small glimmer from the
burning fuse.

Then, all at once, there was a terrible report, and the organ pipes
belched their hellish music upon the sea. Within the circle of light
that the explosion made, there was no sign of any ship; but, strangely
tall in the red glare, stood McGilveray in his boat. An instant he stood
so, then he fell, and presently darkness covered the scene. The furious
music of death and war was over. There was silence on the ship for
a time as all watched and waited. Presently an officer said to the
General: "I'm afraid he's gone, sir."

"Send a boat to search," was the reply. "If he is dead"--the General
took off his hat "we will, please God, bury him within the French
citadel to-morrow."

But McGilveray was alive, and in half-an-hour he was brought aboard the
flag-ship, safe and sober. The General praised him for his courage, and
told him that the charge against him should be withdrawn.

"You've wiped all out, McGilveray," said Wolfe. "We see you are no
traitor."

"Only a fool of a bandmaster who wanted wan toon more, yer Excillincy,"
said McGilveray.

"Beware drink, beware women," answered the General.

But advice of that sort is thrown away on such as McGilveray. The next
evening after Quebec was taken, and McGilveray went in at the head of
his men playing "The Men of Harlech," he met in the streets the woman
that had nearly been the cause of his undoing. Indignation threw out his
chest.

"It's you, thin," he said, and he tried to look scornfully at her.

"Have you keep your promise?" she said, hardly above her breath.

"What's that to you?" he asked, his eyes firing up. "I got drunk last
night--afther I set your husband free--afther he tould me you was his
wife. We're aven now, decaver! I saved him, and the divil give you joy
of that salvation--and that husband, say I."

"Hoosban'--" she exclaimed, "who was my hoosban'?"

"The big grinning corporal," he answered.

"He is shot this morning," she said, her face darkening, "and, besides,
he was--nevare--my hoosban'."

"He said he was," replied McGilveray, eagerly.

"He was alway a liar," she answered.

"He decaved you too, thin?" asked McGilveray, his face growing red.

She did not answer, but all at once a change came over her, the
half-mocking smile left her lips, tears suddenly ran down her cheeks,
and without a word she turned and hurried into a little alley, and was
lost to view, leaving McGilveray amazed and confounded.

It was days before he found her again, and three things only that
they said are of any moment here. "We'll lave the past behind us," he
said-"an' the pit below for me, if I'm not a good husband t' ye!"

"You will not drink no more?" she asked, putting a hand on his shoulder.

"Not till the Frenchies take Quebec again," he answered.


     ETEXT EDITOR'S BOOKMARKS:

     Ah, let it be soon! Ah, let him die soon!
     All are hurt some time
     But a wounded spirit who can bear
     Did not let him think that she was giving up anything for him
     Duplicity, for which she might never have to ask forgiveness
     Frenchman, slave of ideas, the victim of sentiment
     Frenchman, volatile, moody, chivalrous, unreasonable
     Her stronger soul ruled him without his knowledge
     I love that love in which I married him
     Let others ride to glory, I'll shoe their horses for the gallop
     Lighted candles in hollowed pumpkins
     Love has nothing to do with ugliness or beauty, or fortune
     Man grows old only by what he suffers, and what he forgives
     Nature twists in back, or anywhere, gets a twist in's brain too
     Rewarded for its mistakes
     Some are hurt in one way and some in another
     Struggle of conscience and expediency
     The furious music of death and war was over
     We'll lave the past behind us
     You--you all were so ready to suspect








*** END OF THE PROJECT GUTENBERG EBOOK THE LANE THAT HAD NO TURNING, COMPLETE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.