The Project Gutenberg eBook of Vassi
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Vassi

Author: Art Lewis

Illustrator: Bob Ritter

Release date: December 14, 2019 [eBook #60921]

Language: English

Credits: Produced by Greg Weeks, Mary Meehan and the Online
        Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK VASSI ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net









                                 VASSI

                             By ART LEWIS

                      The apartment was empty. So
                      was she. But not for long.

           [Transcriber's Note: This etext was produced from
              Worlds of If Science Fiction, January 1961.
         Extensive research did not uncover any evidence that
         the U.S. copyright on this publication was renewed.]


The apartment is called a single. It contains a Murphy bed, a chest of
drawers, an overstuffed chair, a sofa, a coffee table, a seventeen-inch
television set, a bookcase partially filled with the volumes A through
F of an encyclopedia from the supermarket, assorted paperback books,
and a radio that doesn't work. In the ceiling is a fixture with two
twenty-five-watt bulbs. A short hallway leads to the bathroom and the
kitchen.

Julia Fenway stood outside her apartment, fumbling in her bag for her
keys. She had never had any trouble finding her keys before. Her purse
was always neat and orderly. And she was breathing hard. Breathing
hard from the short walk from the bus at the corner and down the long
corridor to the private, the lonesome apartment door.

Those keys! Where are those keys! I'm becoming a regular pack rat
lately. Look at that bag! Did you ever see so much junk? She thrust
her hand deep inside and felt around. A crumpled kleenex, worn-out
lipstick, change purse, pencils, movie stubs ... a coldness, the keys.
Her heart was pounding. She pressed the hand with the keys to her
bosom. It _was_ pounding. At least it was working.

She managed to get the door open just as the landlady's door down the
hall gushed forth cooked cabbage odor and Mrs. Shultz stuck her head
out. Julia closed her door behind her until she heard the lock click.
Of all the people in the world, why was it the Mrs. Shultzes she
attracted?

At the sound of the lock, the cat, Belle, poked her head out of the
kitchen. She walked lazily into the room, rubbing her side along the
wall to scratch off the sleep. Then she leaped to the top of the
dresser and started to wash herself.

       *       *       *       *       *

Julia stood with her back against the door. Her arms, tired of reaching
out, hung limply against her sides. A ray of sunlight streamed through
the partly open window and a little pool of it snuggled on her pillow.
It had been such a long ride in from Beverly Hills and on two buses.
She had sat in the back where it wasn't so crowded and the smell of
exhaust was still in her nostrils.

She walked over to the dresser and put her purse down beside the cat
and ran her fingers caressingly through the soft fur. Belle took a
swipe with a hind paw. Julia rested her head on the dresser.

"I'm going to die, Belle."

The cat sat up and lifted a front paw. She washed it with little
delicate strokes from her tongue.

Julia moved over to the bed and sat down on the edge of it. She slipped
her shoes off. Her feet hurt. They always hurt in heels. Why does one
get dressed up to see the doctor? He could have told her she had six
months to live while she was wearing flats.

He didn't actually blurt it out as I walked in the door. He fooled
around under that sheet for a long time. And then he said it. No, not
then either. He just looked pained and hurt and a little white around
the lips and he told me to get dressed and come into his office. He had
the lab reports on his desk and he pounded on them and he said you're
as good as dead now!

I wish he had! Then I could hate him. I could hate instead of feeling
numb all over. He didn't want to tell me anything. Just get ready for
an operation. No, there really wasn't any rush. But soon. And then I
dragged it out of him. I insisted I had a right to know. It was my
life. No, I don't have any family here. No one ... no one! A brother in
New York. Don't call him! The doctor stammered like a schoolboy who's
unprepared in class.

Julia fell back on the bed. She stared at the unlighted ceiling
fixture. She should cry, but she'd cried in the doctor's office and
there was nothing left to cry. Six months to live. Maybe only five
months. Certainly no more than seven with the operation.

A spring in the bed got her in the back. She ought to tell Mrs. Shultz
to fix that. She certainly didn't want to spend her last six months
sleeping on a loose spring. Spend her last six months!

She turned over on her stomach and pressed her face into the blanket.
Her body was rigid. She tried to contemplate her own death. She should
call her brother. No, she would die first.

"Hello, excuse me, my name is Vassi."

Julia raised her head and looked around the room. It was empty.

"Would you say this is a typical prior dwelling?"

Julia sat up. There was no one.

"Oh, I hadn't thought of that possibility. I suppose we don't have a
similar frame of reference. You'll never understand my thoughts."

       *       *       *       *       *

She got off the bed. She walked around the room and her stocking feet
made little padded sounds on the cotton carpet. Then she crossed to the
door of the apartment and pressed her ear against it.

"Are you a ventriloquist?" she said.

"A ventriloquist? Oh, my, no. I'm an historian." The voice was in her
head.

"I'm insane." It had to happen. She touched her finger-tips to her
mouth.

"Is that so? That's too bad. We're over and done with that sort of
thing."

"I'll wash my face with cold water. It must be the strain. I shouldn't
have forced the doctor...."

"You _are_ alone, aren't you? I looked around rather carefully.
I didn't see anyone except that ... that thing on that piece of
furniture."

Julia looked at Belle. The cat was asleep on the dresser. She started
to walk to the bathroom but stopped in front of the bed and sat down.
Her head was going to burst.

"Please" she said. "Please stop."

"I really don't want to intrude. But I have my recorder right here.
It won't take long and then I must move on. Now I notice you're fully
dressed. Most remarkable. We always thought you prior people indulged
in sex orgies almost continuously."

"My God!"

"Your thoughts are confused. Is it because you're insane? You haven't
had much experience in thought projection, have you?"

Julia jumped from the bed and ran into the bathroom. She locked the
door behind her and turned on the cold water full force. She cupped her
hands under the faucet and plunged her face into the cascading coldness.

My name is Julia Fenway. I'm a file clerk at Continental Insurance. I'm
going to die and I'm not preoccupied with sex.

She turned off the faucet and stared into the sink. The water gathered
into a little whirlpool and disappeared down the drain. There was a
knock on the bathroom door.

The voice was in her head. "I wonder if I could see that. We have some
rather indistinct writings on running water. I'd like to bring them up
to date."

The cold water didn't help. If anything, it was worse now. The knocking
came from the door. She was sure of it. But the voice ... the voice was
inside her.

"May I come in?"

Julia sat down on the edge of the tub. She squeezed her head between
her hands. I don't deserve this. What did I do to deserve this?

"Please. I'm on a tight schedule."

"So am I! Go away!" She was talking to it. She was talking to the voice
in her head.

Then it was very quiet. Julia watched the door, waiting for someone to
walk through its solidness. Nothing happened. She lowered her head and
started to count the tiny tiles in the floor.

If I count one row very carefully, it will take me five minutes, two
rows ten minutes, three rows....

She started to count.

       *       *       *       *       *

As she was midway through the fourth row, the voice said, "I don't
think you realize the importance of my visit. We recognize your right
of privacy, but don't you feel in this case...?"

Julia jumped up and pulled open the door. "Let me die in peace!"

She ran into the other room and stood in the middle of it, looking all
around, breathing hard. Belle leaped down from the dresser, her doze
finished, and rubbed against Julia's leg.

The water in the bathroom was running.

She hadn't shut it off. But she had. She had.

The water started again. It stopped. It started. It stopped.

"How quaint."

There is someone here!

"Who are you?"

"Vassi."

"Vassi?"

"I'm chief historian, research division. It's my first trip in time.
The scientists have been playing around with this thing for years and
they've only just let us take it over."

A time traveler! Julia stood very still. Her eyes searched the room
slowly once again. The window was open about three inches. Too small
for anyone to squeeze through. The door was locked from the inside.
There was absolutely no one in the room. In her desperate state, she
was hunting for an out. She was involved in a fairy story. Her body
started to relax.

"I can't see you, Mr. Vassi."

I can't accept death. I'm looking for escape.

"You can't see me? I'm standing right in front of you."

"I can't see you."

"I don't understand. I can see you. Here, take my hand."

For a moment, Julia hoped. There was nothing.

"Why, I can't touch you!"

Not even a breath of wind.

Julia walked over to the dresser and took a package of cigarettes out
of her handbag. She carried it over to the sofa and sat down.

"You walked through me!"

She lit the cigarette, inhaled deeply and blew out the smoke in a long
steady stream. When she was a little girl and she had a sharp pain in
her side, her mother would say it's only gas, hold on, it'll pass.

She would hold on.... Mother, help me!

The voice in her head. "I wish I had paid more attention to those
scientists. What was it they said? I had so much to do before I left.
Something about transporting living matter.... Are you _sure_ I'm
invisible?"

"I can't see you."

"Do you people have trouble with your eyes? No, that's not it. I can't
touch you. And I'd expected to bring back some artifacts. I am terribly
disappointed."

"I'm sorry."

"And well you might be. It's going to be extremely difficult going
around asking people a lot of questions when they can't see me. You
must have had quite a start."

"Stop it! Stop it! My head. Oh, dear God, my head!" Julia got up. "I'm
going out!"

"You are having trouble with the thought projection. I'll sit down and
be quiet for a moment."

       *       *       *       *       *

The voice stopped. Julia paused at the door. The room was quiet.
Breathing! She heard breathing. Her own? She held her breath. It was
there in the room. She was sure of it.

It was a whisper in her throat. "You are real."

The faucet, the water, the knock on the door. "You are real!"

If she held on, it would pass like gas. "You are real!"

She moved trancelike back into the room.

"You see me now."

"No. I heard you breathe."

"Can you touch me?"

"No."

She heard her own blood in her ears. Her own breath forced itself
between her lips. His breathing was gone. It was a dream.

She said, "You're gone."

"Over here on the arm of the couch."

She turned. She fought to silence herself. She heard the soft breathing
from the direction of the couch.

"Who are you, Mr. Vassi?"

"It's just Vassi, no mister. I already told you who and what I am."

"A time traveler from some distant future," she said.

"Most of your records disappeared in the final war. We want to pick up
the traces. Best way to do that is to travel back in time."

"It sounds like such a long way. How long?"

If it was true, it was a miracle. If it wasn't ... Julia, you're a
realist!

"It would be a meaningless term for you. It's an age, an eon away."

Julia sat down on the edge of the overstuffed chair. She noticed a
faint layer of dust on the coffee table. The apartment looked messy
with the bed out of the wall. Ever since the first visit to the doctor
three weeks ago, she hadn't thought of cleaning.

"I'm afraid the apartment doesn't look very presentable."

"Aren't you comforted to know that the world has survived?"

"But I won't survive." She looked at the dust again. "You see, I don't
do much entertaining."

"Is that so? I wouldn't know. Do you mind if I record our conversation?"

"I don't mind. It's nice to have someone to talk to, even if I can't
see you." Julia, you're a realist!

"Yes. Well, that is a bother. Now would you mind telling me a few
pertinent facts about civilization as you know it?"

"I don't think I know too much about that sort of thing," said Julia.

       *       *       *       *       *

"I'd hoped to land in the middle of a library of some sort...." His
voice broke off. "You don't seem to have much of a collection of books
here."

Julia said, "Are you near the bookcase?"

"No wonder the records didn't last, if this is the way they were kept."

"Vassi, can you touch the books?" She got up and went to the bookcase.

"Yes."

"Pick one up."

"They're no use to me. This isn't history."

"Pick one up!"

"I haven't got the time. I have to move on."

"Vassi, you touched the faucet, didn't you? And you knocked on the
door."

"Yes.... That _does_ mean I can bring back artifacts!"

"Why can't you touch me?"

"Now I have to get to a place that will do me some good. A library, a
store, isn't that what you call them? A museum.... Are any of these
things nearby?"

"Let me go with you. I'll be your guide. I'll--I'll show you my time."

"But won't you be uncomfortable? I'm invisible."

"I don't care! No one can steal you from me this way."

"Steal me?"

"Vassi, why can't you touch me!"

"I'm not too sure. I think it's because you're alive. You see, life is
a transient thing. Matter is continuous in one form or another. Matter
existing today always existed and will always exist, or something like
that. I didn't listen too carefully. Anyhow, it's possible for someone
to travel back in time but not ahead. Do I make myself clear? It's out
of my line, you know."

Julia reached down and scooped up Belle. "Can you touch her?"

"What is that?"

"My cat. Can you touch her?"

"A cat? My, the anatomists would love to see that! But it's the same as
with you. My hand passes right through her."

Julia put Belle back on the floor. Her mind was racing.

Vassi said, "She's sitting right where I'm standing."

"I've got to believe it's not a nightmare. I've got to believe you're
real and that you can help me."

"If I can do it quickly. I have so much else to do. Others are waiting
to use the machine."

"Are people well where you come from?"

"Very well, thank you."

"Are there any incurable diseases?" She tried to listen for his
breathing.

"Incurable? You mean sickness that doesn't respond to treatment? No, of
course not."

"Then take me with you!" she cried.

"You just said you wanted to guide me here."

"Take me with you to your time."

"I can't do that. I can't even touch you."

"There must be a way. You have got to think of something."

"Even if I could take you, I'm not supposed to."

"Why?"

"It would mix up history to remove persons from their time. It might
even be dangerous with artifacts. I suppose we couldn't hold onto them
very long."

"History? I have no history. I'm going to die very soon. No one depends
on me. I have no one. Please take me, Vassi."

"I feel very strange."

"Are you all right?"

"Yes. I just feel--odd."

"How...."

"First you want to guide me, then you want to come with me, you don't
care about mankind's survival. You sound so terrified and confused."

       *       *       *       *       *

Julia sank down on the couch. If only she could see him. "Don't leave
me to die."

"How strange to talk about dying," said Vassi. "We all live so long we
never think about it."

"You will take me with you, Vassi?"

"If people in your time have such short lives, then why does dying
trouble you? It would seem a matter of course."

"Vassi, I haven't lived yet."

"This is out of my line. I'll tell you what. When I return, I'll talk
to one of the scientists. If they're interested in the project, they'll
send someone back."

"How long will that be?"

"Now let's see if I can figure in your time. Hmm.... I'd say about a
year...."

Julia closed her eyes. She felt dampness under the lids. Her voice was
hollow as she spoke to the empty room. "I'll be dead in six months."

And the voice in her head echoed, "Six months...."

"Vassi, isn't there someone you can talk to now?"

He didn't answer her.

Julia looked around the room. "Vassi, are you still here? Vassi?
Vassi, if you don't talk, I can't tell if you're still here! Vassi,
please answer me. Did I talk too much? I didn't mean to run on about
my problems. I know you have a job to do. Maybe you can squeeze me
in. I don't want to keep you from your work. Vassi, you didn't go, did
you? You didn't leave me! Don't leave. I believe in you. I believe in
you...."

And now she had the aloneness she had longed for. He was gone and she
would be left with the Mrs. Shultzes and the doctor.

She went from the living room to the kitchen to the bathroom and back
into the living room, listening, hoping to catch the small sound of his
breathing. But her body would not be quiet and she heard nothing except
herself.

She stood for a long while looking down at the bed. The sunlight
drifted from the pillow onto the covers and finally spilled off the
foot of the bed onto the floor and the room was a shade darker. She was
a stone, but a stone whose blood gurgled and stomach rumbled and heart
beat and pulse pounded, so loudly she could hear nothing else.

Her legs gave way and she crumpled to the bed and she was silent at
last.

The breathing came from the direction of the window.

She spoke into the covers. "Vassi, why didn't you answer me?"

"You tempt me and I have so much to do, so much ground to cover."

"You can come back."

"We haven't got enough of these time centers. There's quite a lineup
to use them. If I go now, there's no telling how long it'll take me to
get back."

Julia got up and went to the window. "Am I facing you?"

"Yes."

"You're my only hope, wild as it seems. Vassi, wouldn't it be helpful
to your research to have a real live person from my time to study?"

       *       *       *       *       *

Vassi spoke slowly. "You mean you would be willing to have us--study
you?"

"Within limits.... No, not within limits."

"They'll be very angry if I come back without my research project."

"Are people that cold in your time?" asked Julia.

"Cold?" Vassi repeated in bewilderment.

"Heartless?"

"Heartless? I hardly think so."

"I mean callous, without pity, without compassion."

"I've been very busy. I haven't thought about it."

"Do men and women marry in your time?"

"Yes, they do."

"Are you married?"

"No, you see, I'm not very--presentable. Besides, I have my research."

"To me you're the most beautiful man in the world."

"You can't see me. If you saw me, you wouldn't think so."

"I can hear you. That's all I need."

Julia turned from the window and walked back to the couch. When she sat
down she could feel herself trembling. Never, never in her life had she
spoken to a man like that. Maybe, if she could see him, his eyes would
be mocking her.

She said, "If you take me back with you, then later when I'm well I
could come back with you and show you everything you would want to see.
Then I could be your guide."

He was standing in front of her. She could hear him breathing again.
There was excitement in his breathing; she was sure of it.

He said, "I wish I could touch you. You're very beautiful."

"Vassi, in my own time I'm ugly. Perhaps I belong in your time."

Then the excitement that was in his breathing was in his voice. "All
right. All right. I'll see what I can do. You wait right here. It may
take me several years to get back. But I'll do it if I can...."

"Several years! Vassi, I can't wait that long!" She was very near
despair.

"No, no, you don't understand. In your time it'll only be a matter of
minutes. The controls would be set to right now, however long it may
take to have the project approved in my time."

The room was quiet. A slight breeze drifted in through the open window.
Julia sat very still on the couch for a few moments. Belle rubbed
herself against the coffee table and then climbed into Julia's lap.

She had to hold on. She had to believe. A world with no illness. A
world where people live practically forever. A world with Vassi.

She scratched the cat behind the ears. Belle started to purr softly.

"Belle," Julia said, "what am I going to do with you? Vassi will think
of something. He's coming back, Belle. He's coming back and he'll take
both of us with him."

She picked up the cat and put it on the couch. Then she got up and went
to the mirror over the dresser. She pushed her hair back from her face.

He said I was beautiful. Not even my mother ever said I was beautiful.
What will they think at the office when I don't come in tomorrow or
even phone? They won't think anything. They'll get Sheila with the
black hair and the big bust to do my work and they won't think about me
at all.

Even _that_ one didn't say I was beautiful. Not even right after I
moved in here and he was a little drunk, and he could have said it
then. Then, of all times, but he didn't. He just looked a little
ashamed, maybe disgusted afterward, and he talked about being late for
a dinner appointment.

       *       *       *       *       *

There was a knock on the door. Julia whirled from the mirror. Vassi
must have gotten a little off course. She hadn't thought of that
possibility. She walked quickly to the door.

"Vassi?" she asked.

"It's me, Mrs. Shultz."

"What do you want?"

"You went to the doctor today. I expected you'd come by. Tell me, how
are you?"

"Go away."

"Julia, open up. Maybe I can do something for you."

"Go away. Please go away."

"You're not feeling so well?"

"No."

"Bad news, maybe?"

"I don't want to see anyone, Mrs. Shultz."

"I understand. I'll come back later."

Footsteps went down the hallway. A door opened. The sound of a
television set. A door closed.

Vassi, hurry! I don't know whether or not it really happened. I'm not
sure now, Vassi. I am going out of my mind. I am clutching at straws.
Come back, Vassi. Come back. Reassure me.

"They said it would work."

"Vassi!"

"They said it would work, but it sounds like a terrible risk. We'll do
it with the cat first."

"Vassi, where are you?"

"Right in front of you. Now listen carefully."

"Are you going to take me with you?"

"We'll try the cat first. If it works with the cat, then we'll try you."

Julia was trembling. "What do I do?"

"The first thing we have to do is kill the cat."

"What are you talking about!"

"When the cat is dead, it will become as inanimate an object as any of
those books over there. In that state I should be able to transport it
to my time. There the doctors will revive it. Everything is ready."

"I can't kill my cat!"

"If it works, it's only temporary."

"And if it doesn't work?" she whispered.

"I'd rather it be the cat than you."

"I never dreamed...."

"We'll have to hurry. They are waiting."

"I can't kill Belle."

"You're not killing her. You're transporting her."

The tears were in Julia's eyes again. "It's crazy. I'm crazy."

"Look, I'd do it, but I can't physically touch the cat."

"I know. I know."

"They said suffocation was best. It leaves fewer complications."

       *       *       *       *       *

Julia bent down and picked up the cat. Her tears fell on the animal's
fur. She held it close to her. The cat was quiet, unknowing.

Julia said, "Do me first."

"Even if I could, I would not," said Vassi. "The cat first."

"I've had her since she was a kitten, a little round ball with a button
for a nose. I can't do this to her. If it does not work.... This is my
madness, not hers!"

"What were you going to do with her six months from now?"

"Six months.... Alone, she would be left alone.... Belle has never
been alone except for the hours when I'm at work. Who would take care
of her? She's such a fussy eater. I have to feed her liver from my
hand...."

"You'll be together."

"Together...."

"Take one of the pillows on the bed. Don't think about it! Do it!"

Julia carried Belle over to the bed. As she tried to put it down, one
of its claws became entangled in her dress. The cat started to struggle
as if finally awakened. Julia reached over for a pillow. Sweat stood
out on her forehead. Her tears blinded her. She saw the mass of fur.
She saw the softness. The claws were freed. She brought the pillow
down over Belle.

Julia blacked out, sprawled across the pillow.

She couldn't have been out long. She pulled herself from the bed. The
pillow was on the floor. Belle was gone.

Vassi's voice was in her head. "It worked! The anatomists are wild!
I've never seen so much excitement!"

"Belle is all right?"

"Wonderful. It took them no time at all to revive her. The laboratory
is a bedlam. Everyone wants to examine her."

"How should I do it? I'll never be able to suffocate myself." She
laughed a little. "I can't even turn on the gas range. Mine is
electric."

She looked around the apartment. If she slashed her wrists there would
be too much blood. She hated blood. The thought of poison repelled her.
Wait--she had it.

She pulled one of the sheets off the bed and twisted it. She pushed the
overstuffed chair into the center of the room and stood on one of the
arms to attach an end of the sheet to the ceiling fixture. At the other
end she made a noose.

There was a knock on the door again.

"Julia, if you're not well, it's no good you should be alone," Mrs.
Shultz said.

Julia slipped the noose over her head.

"Vassi, do you love me?"

"Of course. I just hope you'll love me."

Mrs. Shultz knocked hard. "Julia, I hear you talking. I know you're
home. Let me in. I have some soup for you."

"Vassi, do you think I'm beautiful?"

"The most beautiful woman I have ever seen."

Mrs. Shultz pounded on the door. "Julia, why don't you answer me?"

As Julia stepped off the arm of the chair, she saw the open window. A
thought crossed her mind before the noose tightened. Belle could have
jumped out of the window when I passed out. _Julia, you're a realist!_

       *       *       *       *       *

Mrs. Shultz put down the pot of soup and opened the door.

The apartment is called a single. It consists of a Murphy bed, a
chest of drawers, an overstuffed chair, a sofa, a coffee table, a
seventeen-inch television set, a bookcase partially filled with the
volumes A through F of an encyclopedia from the supermarket, and
assorted paperback books, and a radio that doesn't work. In the ceiling
is a fixture with two twenty-five-watt bulbs. From the fixture hangs
a twisted sheet with a hangman's knot in the end of it. The noose is
quite empty. So is the apartment.







*** END OF THE PROJECT GUTENBERG EBOOK VASSI ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.