The Project Gutenberg eBook of Helen of Troy, and Other Poems, by Sara Teasdale

[Note on text: Italicized stanzas are indented 5 spaces. Italicized words or phrases are capitalized. Lines longer than 78 characters are broken, and the continuation is indented two spaces. Some obvious errors may be corrected.]

[This etext has been transcribed from the original edition, which was published in New York in 1911.]

Love Songs
   Song
   The Rose and the Bee
   The Song Maker
   Wild Asters
   When Love Goes
   The Wayfarer
   The Princess in the Tower
   When Love Was Born
   The Shrine
   The Blind
   Love Me
   The Song for Colin
   Four Winds
   Roundel
   Dew
   A Maiden
   "I Love You"
   But Not to Me
   Hidden Love
   Snow Song
   Youth and the Pilgrim
   The Wanderer
   I Would Live in Your Love
   May
   Rispetto
   Less than the Cloud to the Wind
   Buried Love
   Song
   Pierrot
   At Night
   Song
   Love in Autumn
   The Kiss
   November
   A Song of the Princess
   The Wind
   A Winter Night
   The Metropolitan Tower
   Gramercy Park
   In the Metropolitan Museum
   Coney Island
   Union Square
   Central Park at Dusk
   Young Love

Sonnets and Lyrics
   Primavera Mia
   Soul's Birth
   Love and Death
   For the Anniversary of John Keats' Death
   Silence
   The Return
   Fear
   Anadyomene
   Galahad in the Castle of the Maidens
   To an Aeolian Harp
   To Erinna
   To Cleis
   Paris in Spring
   Madeira from the Sea
   City Vignettes
   By the Sea
   On the Death of Swinburne
   Triolets
   Vox Corporis
   A Ballad of Two Knights
   Christmas Carol
   The Faery Forest
   A Fantasy
   A Minuet of Mozart's
   Twilight
   The Prayer
   Two Songs for a Child

Wild flight on flight against the fading dawn
The flames' red wings soar upward duskily.
This is the funeral pyre and Troy is dead
That sparkled so the day I saw it first,
And darkened slowly after. I am she
Who loves all beauty—yet I wither it.
Why have the high gods made me wreak their wrath—
Forever since my maidenhood to sow
Sorrow and blood about me? Lo, they keep
Their bitter care above me even now.
It was the gods who led me to this lair,
That tho' the burning winds should make me weak,
They should not snatch the life from out my lips.
Olympus let the other women die;
They shall be quiet when the day is done
And have no care to-morrow. Yet for me
There is no rest. The gods are not so kind
To her made half immortal like themselves.
It is to you I owe the cruel gift,
Leda, my mother, and the Swan, my sire,
To you the beauty and to you the bale;
For never woman born of man and maid
Had wrought such havoc on the earth as I,
Or troubled heaven with a sea of flame
That climbed to touch the silent whirling stars
And blotted out their brightness ere the dawn.
Have I not made the world to weep enough?
Give death to me. Yet life is more than death;
How could I leave the sound of singing winds,
The strong sweet scent that breathes from off the sea,
Or shut my eyes forever to the spring?
I will not give the grave my hands to hold,
My shining hair to light oblivion.
Have those who wander through the ways of death,
The still wan fields Elysian, any love
To lift their breasts with longing, any lips
To thirst against the quiver of a kiss?
Lo, I shall live to conquer Greece again,
To make the people love, who hate me now.
My dreams are over, I have ceased to cry
Against the fate that made men love my mouth
And left their spirits all too deaf to hear
The little songs that echoed through my soul.
I have no anger now. The dreams are done;
Yet since the Greeks and Trojans would not see
Aught but my body's fairness, till the end,
In all the islands set in all the seas,
And all the lands that lie beneath the sun,
Till light turn darkness, and till time shall sleep,
Men's lives shall waste with longing after me,
For I shall be the sum of their desire,
The whole of beauty, never seen again.
And they shall stretch their arms and starting, wake
With "Helen!" on their lips, and in their eyes
The vision of me. Always I shall be
Limned on the darkness like a shaft of light
That glimmers and is gone. They shall behold
Each one his dream that fashions me anew;—
With hair like lakes that glint beneath the stars
Dark as sweet midnight, or with hair aglow
Like burnished gold that still retains the fire.
Yea, I shall haunt until the dusk of time
The heavy eyelids filled with fleeting dreams.

I wait for one who comes with sword to slay—
The king I wronged who searches for me now;
And yet he shall not slay me. I shall stand
With lifted head and look within his eyes,
Baring my breast to him and to the sun.
He shall not have the power to stain with blood
That whiteness—for the thirsty sword shall fall
And he shall cry and catch me in his arms,
Bearing me back to Sparta on his breast.
Lo, I shall live to conquer Greece again!

Send out the singers—let the room be still;
They have not eased my pain nor brought me sleep.
Close out the sun, for I would have it dark
That I may feel how black the grave will be.
The sun is setting, for the light is red,
And you are outlined in a golden fire,
Like Ursula upon an altar-screen.
Come, leave the light and sit beside my bed,
For I have had enough of saints and prayers.
Strange broken thoughts are beating in my brain,
They come and vanish and again they come.
It is the fever driving out my soul,
And Death stands waiting by the arras there.

Ornella, I will speak, for soon my lips
Shall keep a silence till the end of time.
You have a mouth for loving—listen then:
Keep tryst with Love before Death comes to tryst;
For I, who die, could wish that I had lived
A little closer to the world of men,
Not watching always thro' the blazoned panes
That show the world in chilly greens and blues
And grudge the sunshine that would enter in.
I was no part of all the troubled crowd
That moved beneath the palace windows here,
And yet sometimes a knight in shining steel
Would pass and catch the gleaming of my hair,
And wave a mailed hand and smile at me,
Whereat I made no sign and turned away,
Affrighted and yet glad and full of dreams.
Ah, dreams and dreams that asked no answering!
I should have wrought to make my dreams come true,
But all my life was like an autumn day,
Full of gray quiet and a hazy peace.

What was I saying? All is gone again.
It seemed but now I was the little child
Who played within a garden long ago.
Beyond the walls the festal trumpets blared.
Perhaps they carried some Madonna by
With tossing ensigns in a sea of flowers,
A painted Virgin with a painted Child,
Who saw for once the sweetness of the sun
Before they shut her in an altar-niche
Where tapers smoke against the windy gloom.
I gathered roses redder than my gown
And played that I was Saint Elizabeth,
Whose wine had turned to roses in her hands.
And as I played, a child came thro' the gate,
A boy who looked at me without a word,
As tho' he saw stretch far behind my head
Long lines of radiant angels, row on row.
That day we spoke a little, timidly,
And after that I never heard the voice
That sang so many songs for love of me.
He was content to stand and watch me pass,
To seek for me at matins every day,
Where I could feel his eyes the while I prayed.
I think if he had stretched his hands to me,
Or moved his lips to say a single word,
I might have loved him—he had wondrous eyes.

The room is filled with lights—with waving lights—
Who are the men and women 'round the bed?
What have I said, Ornella? Have they heard?
There was no evil hidden in my life,
And yet, and yet, I would not have them know—

The twilight's inner flame grows blue and deep,
And in my Lesbos, over leagues of sea,
The temples glimmer moonwise in the trees.
Twilight has veiled the little flower face
Here on my heart, but still the night is kind
And leaves her warm sweet weight against my breast.
Am I that Sappho who would run at dusk
Along the surges creeping up the shore
When tides came in to ease the hungry beach,
And running, running, till the night was black,
Would fall forespent upon the chilly sand
And quiver with the winds from off the sea?
Ah, quietly the shingle waits the tides
Whose waves are stinging kisses, but to me
Love brought no peace, nor darkness any rest.
I crept and touched the foam with fevered hands
And cried to Love, from whom the sea is sweet,
From whom the sea is bitterer than death.
Ah, Aphrodite, if I sing no more
To thee, God's daughter, powerful as God,
It is that thou hast made my life too sweet
To hold the added sweetness of a song.
There is a quiet at the heart of love,
And I have pierced the pain and come to peace.
I hold my peace, my Cleis, on my heart;
And softer than a little wild bird's wing
Are kisses that she pours upon my mouth.
Ah, never any more when spring like fire
Will flicker in the newly opened leaves,
Shall I steal forth to seek for solitude
Beyond the lure of light Alcaeus' lyre,
Beyond the sob that stilled Erinna's voice.
Ah, never with a throat that aches with song,
Beneath the white uncaring sky of spring,
Shall I go forth to hide awhile from Love
The quiver and the crying of my heart.
Still I remember how I strove to flee
The love-note of the birds, and bowed my head
To hurry faster, but upon the ground
I saw two winged shadows side by side,
And all the world's spring passion stifled me.
Ah, Love, there is no fleeing from thy might,
No lonely place where thou hast never trod,
No desert thou hast left uncarpeted
With flowers that spring beneath thy perfect feet.
In many guises didst thou come to me;
I saw thee by the maidens while they danced,
Phaon allured me with a look of thine,
In Anactoria I knew thy grace,
I looked at Cercolas and saw thine eyes;
But never wholly, soul and body mine,
Didst thou bid any love me as I loved.
Now I have found the peace that fled from me;
Close, close, against my heart I hold my world.
Ah, Love that made my life a lyric cry,
Ah, Love that tuned my lips to lyres of thine,
I taught the world thy music, now alone
I sing for one who falls asleep to hear.

The sparrows wake beneath the convent eaves;
I think I have not slept the whole night through.
But I am old; the aged scarcely know
The times they wake and sleep, for life burns down;
They breathe the calm of death before they die.
The long night ends, the day comes creeping in,
Showing the sorrows that the darkness hid,
The bended head of Christ, the blood, the thorns,
The wall's gray stains of damp, the pallet bed
Where little Sister Marta dreams of saints,
Waking with arms outstretched imploringly
That seek to stay a vision's vanishing.
I never had a vision, yet for me
Our Lady smiled while all the convent slept
One winter midnight hushed around with snow—
I thought she might be kinder than the rest,
And so I came to kneel before her feet,
Sick with love's sorrow and love's bitterness.
But when I would have made the blessed sign,
I found the water frozen in the font,
And touched but ice within the carved stone.
The saints had hid themselves away from me,
Leaving the windows black against the night;
And when I sank upon the altar steps,
Before the Virgin Mother and her Child,
The last, pale, low-burnt taper flickered out,
But in the darkness, smooth and fathomless,
Still twinkled like a star the holy lamp
That cast a dusky glow upon her face.
Then through the numbing cold peace fell on me,
Submission and the gracious gift of tears,
For when I looked, Oh! blessed miracle,
Her lips had parted and Our Lady smiled!
And then I knew that Love is worth its pain
And that my heart was richer for his sake,
Since lack of love is bitterest of all.

The day is broad awake—the first long beam
Of level sun finds Sister Marta's face,
And trembling there it lights a timid smile
Upon the lips that say so many prayers,
And have no words for hate and none for love.
But when she passes where her prayers have gone,
Will God not smile a little sadly then,
And send her back with gentle words to earth
That she may hold a child against her breast
And feel its little hands upon her hair?
We weep before the Blessed Mother's shrine,
To think upon her sorrows, but her joys
What nun could ever know a tithing of?
The precious hours she watched above His sleep
Were worth the fearful anguish of the end.
Yea, lack of love is bitterest of all;
Yet I have felt what thing it is to know
One thought forever, sleeping or awake;
To say one name whose sweetness grows so strange
That it might work a spell on those who weep;
To feel the weight of love upon my heart
So heavy that the blood can scarcely flow.
Love comes to some unlooked-for, quietly,
As when at twilight, with a soft surprise,
We see the new-born crescent in the blue;
And unto others love is planet-like,
A cold and placid gleam that wavers not,
And there are those who wait the call of love
Expectant of his coming, as we watch
To see the east grow pallid ere the moon
Lifts up her flower-like head against the night.
Love came to me as comes a cruel sun,
That on some rain-drenched morning, when the leaves
Are bowed beneath their clinging weight of drops,
Tears through the mist, and burns with fervent heat
The tender grasses and the meadow flowers;
Then suddenly the heavy clouds close in
And through the dark the thunder's muttering
Is drowned amid the dashing of the rain.

But I have seen my day grow calm again.
The sun sets slowly on a peaceful world,
And sheds a quiet light across the fields.

I was a queen, and I have lost my crown;
A wife, and I have broken all my vows;
A lover, and I ruined him I loved:—
There is no other havoc left to do.
A little month ago I was a queen,
And mothers held their babies up to see
When I came riding out of Camelot.
The women smiled, and all the world smiled too.
And now, what woman's eyes would smile on me?
I still am beautiful, and yet what child
Would think of me as some high, heaven-sent thing,
An angel, clad in gold and miniver?
The world would run from me, and yet am I
No different from the queen they used to love.
If water, flowing silver over stones,
Is forded, and beneath the horses' feet
Grows turbid suddenly, it clears again,
And men will drink it with no thought of harm.
Yet I am branded for a single fault.

I was the flower amid a toiling world,
Where people smiled to see one happy thing,
And they were proud and glad to raise me high;
They only asked that I should be right fair,
A little kind, and gowned wondrously,
And surely it were little praise to me
If I had pleased them well throughout my life.

I was a queen, the daughter of a king.
The crown was never heavy on my head,
It was my right, and was a part of me.
The women thought me proud, the men were kind,
And bowed right gallantly to kiss my hand,
And watched me as I passed them calmly by,
Along the halls I shall not tread again.
What if, to-night, I should revisit them?
The warders at the gates, the kitchen-maids,
The very beggars would stand off from me,
And I, their queen, would climb the stairs alone,
Pass through the banquet-hall, a loathed thing,
And seek my chambers for a hiding-place,
And I should find them but a sepulchre,
The very rushes rotted on the floors,
The fire in ashes on the freezing hearth.
I was a queen, and he who loved me best
Made me a woman for a night and day,
And now I go unqueened forevermore.
A queen should never dream on summer eves,
When hovering spells are heavy in the dusk:—
I think no night was ever quite so still,
So smoothly lit with red along the west,
So deeply hushed with quiet through and through.
And strangely clear, and deeply dyed with light,
The trees stood straight against a paling sky,
With Venus burning lamp-like in the west.

I walked alone amid a thousand flowers,
That drooped their heads and drowsed beneath the dew,
And all my thoughts were quieted to sleep.
Behind me, on the walk, I heard a step—
I did not know my heart could tell his tread,
I did not know I loved him till that hour.
Within my breast I felt a wild, sick pain,
The garden reeled a little, I was weak,
And quick he came behind me, caught my arms,
That ached beneath his touch; and then I swayed,
My head fell backward and I saw his face.

All this grows bitter that was once so sweet,
And many mouths must drain the dregs of it.
But none will pity me, nor pity him
Whom Love so lashed, and with such cruel thongs.

They sent you in to say farewell to me,
No, do not shake your head; I see your eyes
That shine with tears. Sappho, you saw the sun
Just now when you came hither, and again,
When you have left me, all the shimmering
Great meadows will laugh lightly, and the sun
Put round about you warm invisible arms
As might a lover, decking you with light.
I go toward darkness tho' I lie so still.
If I could see the sun, I should look up
And drink the light until my eyes were blind;
I should kneel down and kiss the blades of grass,
And I should call the birds with such a voice,
With such a longing, tremulous and keen,
That they would fly to me and on the breast
Bear evermore to tree-tops and to fields
The kiss I gave them. Sappho, tell me this,
Was I not sometimes fair? My eyes, my mouth,
My hair that loved the wind, were they not worth
The breath of love upon them? Yet he passed,
And he will pass to-night when all the air
Is blue with twilight; but I shall not see.
I shall have gone forever. Hold my hands,
Hold fast that Death may never come between;
Swear by the gods you will not let me go;
Make songs for Death as you would sing to Love—
But you will not assuage him. He alone
Of all the gods will take no gifts from men.
I am afraid, afraid.

Sappho, lean down.
Last night the fever gave a dream to me,
It takes my life and gives a little dream.
I thought I saw him stand, the man I love,
Here in my quiet chamber, with his eyes
Fixed on me as I entered, while he drew
Silently toward me—he who night by night
Goes by my door without a thought of me—
Neared me and put his hand behind my head,
And leaning toward me, kissed me on the mouth.
That was a little dream for Death to give,
Too short to take the whole of life for, yet
I woke with lips made quiet by a kiss.
The dream is worth the dying. Do not smile
So sadly on me with your shining eyes,
You who can set your sorrow to a song
And ease your hurt by singing. But to me
My songs are less than sea-sand that the wind
Drives stinging over me and bears away.
I have no care what place the grains may fall,
Nor of my songs, if Time shall blow them back,
As land-wind breaks the lines of dying foam
Along the bright wet beaches, scattering
The flakes once more against the laboring sea,
Into oblivion. What care have I
To please Apollo since Love hearkens not?
Your words will live forever, men will say
"She was the perfect lover"—I shall die,
I loved too much to live. Go Sappho, go—
I hate your hands that beat so full of life,
Go, lest my hatred hurt you. I shall die,
But you will live to love and love again.
He might have loved some other spring than this;
I should have kept my life—I let it go.
He would not love me now tho' Cypris bound
Her girdle round me. I am Death's, not Love's.
Go from me, Sappho, back to find the sun.

You bound strong sandals on my feet,
You gave me bread and wine,
And bade me out, 'neath sun and stars,
For all the world was mine.

Oh take the sandals off my feet,
You know not what you do;
For all my world is in your arms,
My sun and stars are you.

If I were a bee and you were a rose,
Would you let me in when the gray wind blows?
Would you hold your petals wide apart,
Would you let me in to find your heart,
If you were a rose?

"If I were a rose and you were a bee,
You should never go when you came to me,
I should hold my love on my heart at last,
I should close my leaves and keep you fast,
If you were a bee."

I made a hundred little songs
That told the joy and pain of love,
And sang them blithely, tho' I knew
No whit thereof.

I was a weaver deaf and blind;
A miracle was wrought for me,
But I have lost my skill to weave
Since I can see.

For while I sang—ah swift and strange!
Love passed and touched me on the brow,
And I who made so many songs
Am silent now.

In the spring I asked the daisies
If his words were true,
And the clever little daisies
Always knew.

Now the fields are brown and barren,
Bitter autumn blows,
And of all the stupid asters
Not one knows.

O mother, I am sick of love,
I cannot laugh nor lift my head,
My bitter dreams have broken me,
I would my love were dead.

Where is the silver in the rain,
Where is the music in the sea,
Where is the bird that sang all day
To break my heart with melody?

Love entered in my heart one day,
A sad, unwelcome guest;
But when he begged that he might stay,
I let him wait and rest.

He broke my sleep with sorrowing,
And shook my dreams with tears,
And when my heart was fain to sing,
He stilled its joy with fears.

But now that he has gone his way,
I miss the old sweet pain,
And sometimes in the night I pray
That he may come again.

  I am the princess up in the tower
   And I dream the whole day thro'
  Of a knight who shall come with a silver spear
   And a waving plume of blue.

  I am the princess up in the tower,
   And I dream my dreams by day,
  But sometimes I wake, and my eyes are wet,
   When the dusk is deep and gray.

  For the peasant lovers go by beneath,
   I hear them laugh and kiss,
  And I forget my day-dream knight,
   And long for a love like this.

  I lie beside the princess' tower,
   So close she cannot see my face,
  And watch her dreaming all day long,
   And bending with a lily's grace.

  Her cheeks are paler than the moon
   That sails along a sunny sky,
  And yet her silent mouth is red
   Where tender words and kisses lie.

  I am a minstrel with a harp,
   For love of her my songs are sweet,
  And yet I dare not lift the voice
   That lies so far beneath her feet.

III

  O princess cease your dreams awhile
   And look adown your tower's gray side—
  The princess gazes far away,
   Nor hears nor heeds the words I cried.

  Perchance my heart was overbold,
   God made her dreams too pure to break,
  She sees the angels in the air
   Fly to and fro for Mary's sake.

  Farewell, I mount and go my way,
  —But oh her hair the sun sifts thro'—
  The tilts and tourneys wait my spear,
   I am the Knight of the Plume of Blue.

When Love was born I think he lay
Right warm on Venus' breast,
And whiles he smiled and whiles would play
And whiles would take his rest.

But always, folded out of sight,
The wings were growing strong
That were to bear him off in flight
Erelong, erelong.

There is no lord within my heart,
Left silent as an empty shrine
Where rose and myrtle intertwine,
Within a place apart.

No god is there of carven stone
To watch with still approving eyes
My thoughts like steady incense rise;
I dream and weep alone.

But if I keep my altar fair,
Some morning I shall lift my head
From roses deftly garlanded
To find the god is there.

The birds are all a-building,
They say the world's a-flower,
And still I linger lonely
Within a barren bower.

I weave a web of fancies
Of tears and darkness spun.
How shall I sing of sunlight
Who never saw the sun?

I hear the pipes a-blowing,
But yet I may not dance,
I know that Love is passing,
I cannot catch his glance.

And if his voice should call me
And I with groping dim
Should reach his place of calling
And stretch my arms to him,

The wind would blow between my hands
For Joy that I shall miss,
The rain would fall upon my mouth
That his will never kiss.

Brown-thrush singing all day long
In the leaves above me,
Take my love this little song,
"Love me, love me, love me!"

When he harkens what you say,
Bid him, lest he miss me,
Leave his work or leave his play,
And kiss me, kiss me, kiss me!

I sang a song at dusking time
Beneath the evening star,
And Terence left his latest rhyme
To answer from afar.

Pierrot laid down his lute to weep,
And sighed, "She sings for me,"
But Colin slept a careless sleep
Beneath an apple tree.

"Four winds blowing thro' the sky,
You have seen poor maidens die,
Tell me then what I shall do
That my lover may be true."
Said the wind from out the south,
"Lay no kiss upon his mouth,"
And the wind from out the west,
"Wound the heart within his breast,"
And the wind from out the east,
"Send him empty from the feast,"
And the wind from out the north,
"In the tempest thrust him forth,
When thou art more cruel than he,
Then will Love be kind to thee."

If he could know my songs are all for him,
At silver dawn or in the evening glow,
Would he not smile and think it but a whim,
If he could know?

Or would his heart rejoice and overflow,
As happy brooks that break their icy rim
When April's horns along the hillsides blow?

I may not speak till Eros' torch is dim,
The god is bitter and will have it so;
And yet to-night our fate would seem less grim
If he could know.

I dream that he is mine,
I dream that he is true,
And all his words I keep
As rose-leaves hold the dew.

O little thirsty rose,
O little heart beware,
Lest you should hope to hold
A hundred roses' share.

Oh if I were the velvet rose
Upon the red rose vine,
I'd climb to touch his window
And make his casement fine.

And if I were the little bird
That twitters on the tree,
All day I'd sing my love for him
Till he should harken me.

But since I am a maiden
I go with downcast eyes,
And he will never hear the songs
That he has turned to sighs.

And since I am a maiden
My love will never know
That I could kiss him with a mouth
More red than roses blow.

When April bends above me
And finds me fast asleep,
Dust need not keep the secret
A live heart died to keep.

When April tells the thrushes,
The meadow-larks will know,
And pipe the three words lightly
To all the winds that blow.

Above his roof the swallows,
In notes like far-blown rain,
Will tell the little sparrow
Beside his window-pane.

O sparrow, little sparrow,
When I am fast asleep,
Then tell my love the secret
That I have died to keep.

The April night is still and sweet
With flowers on every tree;
Peace comes to them on quiet feet,
But not to me.

My peace is hidden in his breast
Where I shall never be,
Love comes to-night to all the rest,
But not to me.

I hid the love within my heart,
And lit the laughter in my eyes,
That when we meet he may not know
My love that never dies.

But sometimes when he dreams at night
Of fragrant forests green and dim,
It may be that my love crept out
And brought the dream to him.

And sometimes when his heart is sick
And suddenly grows well again,
It may be that my love was there
To free his life of pain.

Fairy snow, fairy snow,
Blowing, blowing everywhere,
Would that I
Too, could fly
Lightly, lightly through the air.

Like a wee, crystal star
I should drift, I should blow
Near, more near,
To my dear
Where he comes through the snow.

I should fly to my love
Like a flake in the storm,
I should die,
I should die,
On his lips that are warm.

Gray pilgrim, you have journeyed far,
I pray you tell to me
Is there a land where Love is not,
By shore of any sea?

For I am weary of the god,
And I would flee from him
Tho' I must take a ship and go
Beyond the ocean's rim.

"I know a port where Love is not,
The ship is in your hand,
Then plunge your sword within your breast
And you will reach the land."

I saw the sunset-colored sands,
The Nile like flowing fire between,
Where Rameses stares forth serene,
And Ammon's heavy temple stands.

I saw the rocks where long ago,
Above the sea that cries and breaks,
Bright Perseus with Medusa's snakes
Set free the maiden white like snow.

And many skies have covered me,
And many winds have blown me forth,
And I have loved the green bright north,
And I have loved the cold sweet sea.

But what to me are north and south,
And what the lure of many lands,
Since you have leaned to catch my hands
And lay a kiss upon my mouth.

I would live in your love as the sea-grasses live in the sea,
Borne up by each wave as it passes, drawn down by each wave that recedes;
I would empty my soul of the dreams that have gathered in me,
I would beat with your heart as it beats, I would follow your soul
as it leads.

The wind is tossing the lilacs,
The new leaves laugh in the sun,
And the petals fall on the orchard wall,
But for me the spring is done.

Beneath the apple blossoms
I go a wintry way,
For love that smiled in April
Is false to me in May.

Was that his step that sounded on the stair?
Was that his knock I heard upon the door?
I grow so tired I almost cease to care,
And yet I would that he might come once more.

It was the wind I heard, that mocks at me,
The bitter wind that is more cruel than he;
It was the wind that knocked upon the door,
But he will never knock nor enter more.

Less than the cloud to the wind,
Less than the foam to the sea,
Less than the rose to the storm
Am I to thee.

More than the star to the night,
More than the rain to the lea,
More than heaven to earth
Art thou to me.

I shall bury my weary Love
Beneath a tree,
In the forest tall and black
Where none can see.

I shall put no flowers at his head,
Nor stone at his feet,
For the mouth I loved so much
Was bittersweet.

I shall go no more to his grave,
For the woods are cold.
I shall gather as much of joy
As my hands can hold.

I shall stay all day in the sun
Where the wide winds blow,
But oh, I shall weep at night
When none will know.

O woe is me, my heart is sad,
For I should never know
If Love came by like any lad,
Without his silver bow.

Or if he left his arrows sharp
And came a minstrel weary,
I'd never tell him by his harp
Nor know him for my dearie.

"O go your ways and have no fear,
For tho' Love passes by,
He'll come a hundred times, my dear,
Before your turn to die."

Pierrot stands in the garden
Beneath a waning moon,
And on his lute he fashions
A little silver tune.

Pierrot plays in the garden,
He thinks he plays for me,
But I am quite forgotten
Under the cherry tree.

Pierrot plays in the garden,
And all the roses know
That Pierrot loves his music,
But I love Pierrot.

Love said, "Wake still and think of me,"
Sleep, "Close your eyes till break of day,"
But Dreams came by and smilingly
Gave both to Love and Sleep their way.

When Love comes singing to his heart
That would not wake for me,
I think that I shall know his joy
By my own ecstasy.

And tho' the sea were all between,
The time their hands shall meet,
My heart will know his happiness,
So wildly it will beat.

And when he bends above her mouth,
Rejoicing for his sake,
My soul will sing a little song,
But oh, my heart will break.

I sought among the drifting leaves,
The golden leaves that once were green,
To see if Love were hiding there
And peeping out between.

For thro' the silver showers of May
And thro' the summer's heavy heat,
In vain I sought his golden head
And light, fast-flying feet.

Perhaps when all the world is bare
And cruel winter holds the land,
The Love that finds no place to hide
Will run and catch my hand.

I shall not care to have him then,
I shall be bitter and a-cold—
It grows too late for frolicking
When all the world is old.

Then little hiding Love, come forth,
Come forth before the autumn goes,
And let us seek thro' ruined paths
The garden's last red rose.

I hoped that he would love me,
And he has kissed my mouth,
But I am like a stricken bird
That cannot reach the south.

For tho' I know he loves me,
To-night my heart is sad;
His kiss was not so wonderful
As all the dreams I had.

The world is tired, the year is old,
The little leaves are glad to die,
The wind goes shivering with cold
Among the rushes dry.

Our love is dying like the grass,
And we who kissed grow coldly kind,
Half glad to see our poor love pass
Like leaves along the wind.

The princess has her lovers,
A score of knights has she,
And each can sing a madrigal,
And praise her gracefully.

But Love that is so bitter
Hath put within her heart
A longing for the scornful knight
Who silent stands apart.

And tho' the others praise and plead,
She maketh no reply,
Yet for a single word from him,
I ween that she would die.

A wind is blowing over my soul,
I hear it cry the whole night thro'—
Is there no peace for me on earth
Except with you?

Alas, the wind has made me wise,
Over my naked soul it blew,—
There is no peace for me on earth
Even with you.

My window-pane is starred with frost,
The world is bitter cold to-night,
The moon is cruel and the wind
Is like a two-edged sword to smite.

God pity all the homeless ones,
The beggars pacing to and fro.
God pity all the poor to-night
Who walk the lamp-lit streets of snow.

My room is like a bit of June,
Warm and close-curtained fold on fold,
But somewhere, like a homeless child,
My heart is crying in the cold.

We walked together in the dusk
To watch the tower grow dimly white,
And saw it lift against the sky
Its flower of amber light.

You talked of half a hundred things,
I kept each little word you said;
And when at last the hour was full,
I saw the light turn red.

You did not know the time had come,
You did not see the sudden flower,
Nor know that in my heart Love's birth
Was reckoned from that hour.

The little park was filled with peace,
The walks were carpeted with snow,
But every iron gate was locked.
Lest if we entered, peace would go.

We circled it a dozen times,
The wind was blowing from the sea,
I only felt your restless eyes
Whose love was like a cloak for me.

Oh heavy gates that fate has locked
To bar the joy we may not win,
Peace would go out forevermore
If we should dare to enter in.

Within the tiny Pantheon
We stood together silently,
Leaving the restless crowd awhile
As ships find shelter from the sea.

The ancient centuries came back
To cover us a moment's space,
And thro' the dome the light was glad
Because it shone upon your face.

Ah, not from Rome but farther still,
Beyond sun-smitten Salamis,
The moment took us, till you stooped
To find the present with a kiss.

Why did you bring me here?
The sand is white with snow,
Over the wooden domes
The winter sea-winds blow—
There is no shelter near,
Come, let us go.

With foam of icy lace
The sea creeps up the sand,
The wind is like a hand
That strikes us in the face.
Doors that June set a-swing
Are bolted long ago;
We try them uselessly—
Alas, there cannot be
For us a second spring;
Come, let us go.

With the man I love who loves me not,
I walked in the street-lamps' flare;
We watched the world go home that night
In a flood through Union Square.

I leaned to catch the words he said
That were light as a snowflake falling;
Ah well that he never leaned to hear
The words my heart was calling.

And on we walked and on we walked
Past the fiery lights of the picture shows—
Where the girls with thirsty eyes go by
On the errand each man knows.

And on we walked and on we walked,
At the door at last we said good-bye;
I knew by his smile he had not heard
My heart's unuttered cry.

With the man I love who loves me not
I walked in the street-lamps' flare—
But oh, the girls who can ask for love
In the lights of Union Square.

Buildings above the leafless trees
Loom high as castles in a dream,
While one by one the lamps come out
To thread the twilight with a gleam.

There is no sign of leaf or bud,
A hush is over everything—
Silent as women wait for love,
The world is waiting for the spring.

I cannot heed the words they say,
The lights grow far away and dim,
Amid the laughing men and maids
My eyes unbidden seek for him.

I hope that when he smiles at me
He does not guess my joy and pain,
For if he did, he is too kind
To ever look my way again.

I have a secret in my heart
No ears have ever heard,
And still it sings there day by day
Most like a caged bird.

And when it beats against the bars,
I do not set it free,
For I am happier to know
It only sings for me.

III

I wrote his name along the beach,
I love the letters so.
Far up it seemed and out of reach,
For still the tide was low.

But oh, the sea came creeping up,
And washed the name away,
And on the sand where it had been
A bit of sea-grass lay.

A bit of sea-grass on the sand,
Dropped from a mermaid's hair—
Ah, had she come to kiss his name
And leave a token there?

What am I that he should love me,
He who stands so far above me,
What am I?
I am like a cowslip turning
Toward the sky,
Where a planet's golden burning
Breaks the cowslip's heart with yearning,
What am I that he should love me,
What am I?

O dreams that flock about my sleep,
I pray you bring my love to me,
And let me think I hear his voice
Again ring free.

And if you care to please me well,
And live to-morrow in my mind,
Let him who was so cold before,
To-night seem kind.

I plucked a daisy in the fields,
And there beneath the sun
I let its silver petals fall
One after one.

I said, "He loves me, loves me not,"
And oh, my heart beat fast,
The flower was kind, it let me say
"He loves me," last.

I kissed the little leafless stem,
But oh, my poor heart knew
The words the flower had said to me,
They were not true.

VII

I sent my love a letter,
And if he loves me not,
He shall not find my love for him
In any line or dot.

But if he loves me truly,
He'll find it hidden deep,
As dawn gleams red thro' chilly clouds
To eyes awaked from sleep.

VIII

The world is cold and gray and wet,
And I am heavy-hearted, yet
When I am home and look to see
The place my letters wait for me,
If I should find ONE letter there,
I think I should not greatly care
If it were rainy or were fair,
For all the world would suddenly
Seem like a festival to me.

I hid three words within my heart,
That longed to fly to him,
At dawn they woke me with a start,
They sang till day was dim.

And now at last I let them fly,
As little birds should do,
And he will know the first is "I",
The others "Love" and "You".

Across the twilight's violet
His curtained window glimmers gold;
Oh happy light that round my love
Can fold.

Oh happy book within his hand,
Oh happy page he glorifies,
Oh happy little word beneath
His eyes.

But oh, thrice happy, happy I
Who love him more than songs can tell,
For in the heaven of his heart
I dwell.

As kings who see their little life-day pass,
Take off the heavy ermine and the crown,
So had the trees that autumn-time laid down
Their golden garments on the faded grass,
When I, who watched the seasons in the glass
Of mine own thoughts, saw all the autumn's brown
Leap into life and don a sunny gown
Of leafage such as happy April has.
Great spring came singing upward from the south;
For in my heart, far carried on the wind,
Your words like winged seeds took root and grew,
And all the world caught music from your mouth;
I saw the light as one who had been blind,
And knew my sun and song and spring were you.

When you were born, beloved, was your soul
New made by God to match your body's flower,
And were they both at one same precious hour
Sent forth from heaven as a perfect whole?
Or had your soul since dim creation burned,
A star in some still region of the sky,
That leaping earthward, left its place on high
And to your little new-born body yearned?
No words can tell in what celestial hour
God made your soul and gave it mortal birth,
Nor in the disarray of all the stars
Is any place so sweet that such a flower
Might linger there until thro' heaven's bars,
It heard God's voice that bade it down to earth.

Shall we, too, rise forgetful from our sleep,
And shall my soul that lies within your hand
Remember nothing, as the blowing sand
Forgets the palm where long blue shadows creep
When winds along the darkened desert sweep?
Or would it still remember, tho' it spanned
A thousand heavens, while the planets fanned
The vacant ether with their voices deep?
Soul of my soul, no word shall be forgot,
Nor yet alone, beloved, shall we see
The desolation of extinguished suns,
Nor fear the void wherethro' our planet runs,
For still together shall we go and not
Fare forth alone to front eternity.

At midnight when the moonlit cypress trees
Have woven round his grave a magic shade,
Still weeping the unfinished hymn he made,
There moves fresh Maia like a morning breeze
Blown over jonquil beds when warm rains cease.
And stooping where her poet's head is laid,
Selene weeps while all the tides are stayed
And swaying seas are darkened into peace.
But they who wake the meadows and the tides
Have hearts too kind to bid him wake from sleep
Who murmurs sometimes when his dreams are deep,
Startling the Quiet Land where he abides,
And charming still, sad-eyed Persephone
With visions of the sunny earth and sea.

We are anhungered after solitude,
Deep stillness pure of any speech or sound,
Soft quiet hovering over pools profound,
The silences that on the desert brood,
Above a windless hush of empty seas,
The broad unfurling banners of the dawn,
A faery forest where there sleeps a Faun;
Our souls are fain of solitudes like these.
O woman who divined our weariness,
And set the crown of silence on your art,
From what undreamed-of depth within your heart
Have you sent forth the hush that makes us free
To hear an instant, high above earth's stress,
The silent music of infinity?

I turned the key and opened wide the door
To enter my deserted room again,
Where thro' the long hot months the dust had lain.
Was it not lonely when across the floor
No step was heard, no sudden song that bore
My whole heart upward with a joyous pain?
Were not the pictures and the volumes fain
To have me with them always as before?
But Giorgione's Venus did not deign
To lift her lids, nor did the subtle smile
Of Mona Lisa deepen. Madeleine
Still wept against the glory of her hair,
Nor did the lovers part their lips the while,
But kissed unheeding that I watched them there.

I am afraid, oh I am so afraid!
The cold black fear is clutching me to-night
As long ago when they would take the light
And leave the little child who would have prayed,
Frozen and sleepless at the thought of death.
My heart that beats too fast will rest too soon;
I shall not know if it be night or noon,—
Yet shall I struggle in the dark for breath?
Will no one fight the Terror for my sake,
The heavy darkness that no dawn will break?
How can they leave me in that dark alone,
Who loved the joy of light and warmth so much,
And thrilled so with the sense of sound and touch,—
How can they shut me underneath a stone?

The wide, bright temple of the world I found,
And entered from the dizzy infinite
That I might kneel and worship thee in it;
Leaving the singing stars their ceaseless round
Of silver music sound on orbed sound,
For measured spaces where the shrines are lit,
And men with wisdom or with little wit
Implore the gods that mercy may abound.
Ah, Aphrodite, was it not from thee
My summons came across the endless spaces?
Mother of Love, turn not thy face from me
Now that I seek for thee in human faces;
Answer my prayer or set my spirit free
Again to drift along the starry places.

The other maidens raised their eyes to him
Who stumbled in before them when the fight
Had left him victor, with a victor's right.
I think his eyes with quick hot tears grew dim;
He scarcely saw her swaying white and slim,
And trembling slightly, dreaming of his might,
Nor knew he touched her hand, as strangely light
As a wan wraith's beside a river's rim.
The other maidens raised their eyes to see
And only she has hid her face away,
And yet I ween she loved him more than they,
And very fairly fashioned was her face.
Yet for Love's shame and sweet humility,
She dared not meet him with their queenlike grace.

The winds have grown articulate in thee,
And voiced again the wail of ancient woe
That smote upon the winds of long ago:
The cries of Trojan women as they flee,
The quivering moan of pale Andromache,
Now lifted loud with pain and now brought low.
It is the soul of sorrow that we know,
As in a shell the soul of all the sea.
So sometimes in the compass of a song,
Unknown to him who sings, thro' lips that live,
The voiceless dead of long-forgotten lands
Proclaim to us their heaviness and wrong
In sweeping sadness of the winds that give
Thy strings no rest from weariless wild hands.

Was Time not harsh to you, or was he kind,
O pale Erinna of the perfect lyre,
That he has left no word of singing fire
Whereby you waked the dreaming Lesbian wind,
And kindled night along the lyric shore?
O girl whose lips Erato stooped to kiss,
Do you go sorrowing because of this
In fields where poets sing forevermore?
Or are you glad and is it best to be
A silent music men have never heard,
A dream in all our souls that we may say:
"Her voice had all the rapture of the sea,
And all the clear cool quiver of a bird
Deep in a forest at the break of day"?

     "I have a fair daughter with a form like a golden flower,
   Cleis, the beloved."
                                        Sapphic fragment.

When the dusk was wet with dew,
Cleis, did the muses nine
Listen in a silent line
While your mother sang to you?

Did they weep or did they smile
When she crooned to still your cries,
She, a muse in human guise,
Who forsook her lyre awhile?

Did you feel her wild heart beat?
Did the warmth of all the sun
Thro' your little body run
When she kissed your hands and feet?

Did your fingers, babywise,
Touch her face and touch her hair,
Did you think your mother fair,
Could you bear her burning eyes?

Are the songs that soothed your fears
Vanished like a vanished flame,
Save the line where shines your name
Starlike down the graying years?

Cleis speaks no word to me,
For the land where she has gone
Lieth mute at dusk and dawn
Like a windless tideless sea.

The city's all a-shining
Beneath a fickle sun,
A gay young wind's a-blowing,
The little shower is done.
But the rain-drops still are clinging
And falling one by one—
Oh it's Paris, it's Paris,
And spring-time has begun.

I know the Bois is twinkling
In a sort of hazy sheen,
And down the Champs the gray old arch
Stands cold and still between.
But the walk is flecked with sunlight
Where the great acacias lean,
Oh it's Paris, it's Paris,
And the leaves are growing green.

The sun's gone in, the sparkle's dead,
There falls a dash of rain,
But who would care when such an air
Comes blowing up the Seine?
And still Ninette sits sewing
Beside her window-pane,
When it's Paris, it's Paris,
And spring-time's come again.

Out of the delicate dream of the distance an emerald emerges
Veiled in the violet folds of the air of the sea;
Softly the dream grows awakening—shimmering white of a city,
Splashes of crimson, the gay bougainvillea, the palms.
High in the infinite blue of its heaven a quiet cloud lingers,
Lost and forgotten of winds that have fallen asleep,
Fallen asleep to the tune of a Portuguese song in a garden.

The greenish sky glows up in misty reds,
The purple shadows turn to brick and stone,
The dreams wear thin, men turn upon their beds,
And hear the milk-cart jangle by alone.

The city's street, a roaring blackened stream
Walled in by granite, thro' whose thousand eyes
A thousand yellow lights begin to gleam,
And over all the pale untroubled skies.

The street-lamps shine in a yellow line
Down the splashy, gleaming street,
And the rain is heard now loud now blurred
By the tread of homing feet.

Beside an ebbing northern sea
While stars awaken one by one,
We walk together, I and he.

He woos me with an easy grace
That proves him only half sincere;
A light smile flickers on his face.

To him love-making is an art,
And as a flutist plays a flute,
So does he play upon his heart

A music varied to his whim.
He has no use for love of mine,
He would not have me answer him.

To hide my eyes within the night
I watch the changeful lighthouse gleam
Alternately with red and white.

My laughter smites upon my ears,
So one who cries and wakes from sleep
Knows not it is himself he hears.

What if my voice should let him know
The mocking words were all a sham,
And lips that laugh could tremble so?

What if I lost the power to lie,
And he should only hear his name
In one low, broken cry?

He trod the earth but yesterday,
And now he treads the stars.
He left us in the April time
He praised so often in his rhyme,
He left the singing and the lyre and went his way.

He drew new music from our tongue,
A music subtly wrought,
And moulded words to his desire,
As wind doth mould a wave of fire;
From strangely fashioned harps slow golden tones he wrung.

I think the singing understands
That he who sang is still,
And Iseult cries that he is dead,—
Does not Dolores bow her head
And Fragoletta weep and wring her little hands?

New singing now the singer hears
To lyre and lute and harp;
Catullus waits to welcome him,
And thro' the twilight sweet and dim,
Sappho's forgotten songs are falling on his ears.

Love looked back as he took his flight,
And lo, his eyes were filled with tears.
Was it for love of lost delight
Love looked back as he took his flight?
Only I know while day grew night,
Turning still to the vanished years,
Love looked back as he took his flight,
And lo, his eyes were filled with tears.

If you were Lady Beatrice
And I the Florentine,
I'd never waste my time like this—
If you were Lady Beatrice
I'd woo and then demand a kiss,
Nor weep like Dante here, I ween,
If you were Lady Beatrice
And I the Florentine.

Beyond the dim Hesperides,
The girl who sang them long ago
Could never dream that over seas,
Beyond the dim Hesperides,
The wind would blow such songs as these—
I wonder now if she can know,
Beyond the dim Hesperides,
The girl who sang them long ago?

Dead leaves upon the stream
And dead leaves on the air—
All of my lost hopes seem
Dead leaves upon the stream;
I watch them in a dream,
Going I know not where,
Dead leaves upon the stream
And dead leaves on the air.

The beast to the beast is calling,
And the soul bends down to wait;
Like the stealthy lord of the jungle,
The white man calls his mate.

The beast to the beast is calling,
They rush through the twilight sweet,
But the soul is a wary hunter,
He will not let them meet.

Two knights rode forth at early dawn
A-seeking maids to wed,
Said one, "My lady must be fair,
With gold hair on her head."

Then spake the other knight-at-arms:
"I care not for her face,
But she I love must be a dove
For purity and grace."

And each knight blew upon his horn
And went his separate way,
And each knight found a lady-love
Before the fall of day.

But she was brown who should have had
The shining yellow hair—
I ween the knights forgot their words
Or else they ceased to care.

For he who wanted purity
Brought home a wanton wild,
And when each saw the other knight
I ween that each knight smiled.

The kings they came from out the south,
All dressed in ermine fine,
They bore Him gold and chrysoprase,
And gifts of precious wine.

The shepherds came from out the north,
Their coats were brown and old,
They brought Him little new-born lambs—
They had not any gold.

The wise-men came from out the east,
And they were wrapped in white;
The star that led them all the way
Did glorify the night.

The angels came from heaven high,
And they were clad with wings;
And lo, they brought a joyful song
The host of heaven sings.

The kings they knocked upon the door,
The wise-men entered in,
The shepherds followed after them
To hear the song begin.

And Mary held the little child
And sat upon the ground;
She looked up, she looked down,
She looked all around.

The angels sang thro' all the night
Until the rising sun,
But little Jesus fell asleep
Before the song was done.

The faery forest glimmered
Beneath an ivory moon,
The silver grasses shimmered
Against a faery tune.

Beneath the silken silence
The crystal branches slept,
And dreaming thro' the dew-fall
The cold white blossoms wept.

Her voice is like clear water
That drips upon a stone
In forests far and silent
Where Quiet plays alone.

Her thoughts are like the lotus
Abloom by sacred streams
Beneath the temple arches
Where Quiet sits and dreams.

Her kisses are the roses
That glow while dusk is deep
In Persian garden closes
Where Quiet falls asleep.

Across the dimly lighted room
The violin drew wefts of sound,
Airily they wove and wound
And glimmered gold against the gloom.

I watched the music turn to light,
But at the pausing of the bow,
The web was broken and the glow
Was drowned within the wave of night.

Dreamily over the roofs
The cold spring rain is falling,
Out in the lonely tree
A bird is calling, calling.

Slowly over the earth
The wings of night are falling;
My heart like the bird in the tree
Is calling, calling, calling.

My answered prayer came up to me,
And in the silence thus spake he:
"O you who prayed for me to come,
Your greeting is but cold and dumb."

My heart made answer: "You are fair,
But I have prayed too long to care.
Why came you not when all was new,
And I had died for joy of you."

They said he sent his love to me,
They wouldn't put it in my hand,
And when I asked them where it was
They said I couldn't understand.

I thought they must have hidden it,
I hunted for it all the day,
And when I told them so at night
They smiled and turned their heads away.

They say that love is something kind,
That I can never see or touch.
I wish he'd sent me something else,
I like his cough-drops twice as much.

I think the moon is very kind
To take such trouble just for me.
He came along with me from home
To keep me company.

He went as fast as I could run;
I wonder how he crossed the sky?
I'm sure he hasn't legs and feet
Or any wings to fly.

Yet here he is above their roof;
Perhaps he thinks it isn't right
For me to go so far alone,
Tho' mother said I might.

Voices of men and women on the ground at the foot of the tower.
The voice of the Knight's Page.

     The top of a high battlemented tower of a castle. A stone ledge,
     which serves as a seat, extends part way around the parapet.
     Small clouds float by in the blue sky, and occasionally a swallow
     passes.
     Entrance R. from an unseen stairway which is supposed to extend
     around the outside of the tower.

The Lady (unseen).
Oh do not climb so fast, for I am faint
With looking down the tower to where the earth
Lies dreaming in the sun. I fear to fall.

L.
Call me not "love", call me your conquered foe,
That now, since you have battered down her gates,
Gives you the keys that lock the highest tower
And mounts with you to prove her homage true;
Oh bid me go no farther lest I fall,
My foot has slipped upon the rain-worn stones,
Why are the stairs so narrow and so steep?
Let us go back, my lord.

K.
Are you afraid,
Who were so dauntless till the walls gave way?
Courage, my sweet. I would that I could climb
A thousand times by wind-swept stairs like these,
That lead so near to heaven.

L.
Sir, you may,
You are a knight and very valorous;
I am a woman. I shall never come
This way but once.
(The Knight and the Lady appear on the top of the tower.)

L.
Oh, my sweet lord, I am too tired to kiss.
Look how the earth is like an emerald,
With rivers veined and flawed with fallow fields.

K. (Lifting her veil)
Then I kiss you, a thousand thousand kisses
For all the days ere I had won to you
Beyond the walls and gates you barred so close.
Call me at last your love, your castle's lord.

(She kisses him. Her veil blows away like a white butterfly
over the parapet. Faint cries and laughter from men and women
under the tower.)

L.
My lord, I pray you loose me from your arms
Lest that my people see how much we love.

L.
But you have been an enemy, my lord,
With walls between us and with moss-grown moats,
Now on a sudden must I kiss your mouth?
I who was taught before I learned to speak
That all my house was hostile unto yours,
Now can I put my head against your breast
Here in the sight of all who choose to come?

K.
Are we not past the caring for their eyes
And nearer to the heaven than to earth?
Look up and see.

K.
Why came we here in all the noon-day light
With only darting swallows over us
To make a speck of darkness on the sun?
Let us go down where walls will shut us round.
Your castle has a hundred quiet halls,
A hundred chambers, where the shadows lie
On things put by, forgotten long ago.
Forgotten lutes with strings that Time has slackened,
We two shall draw them close and bid them sing—
Forgotten games, forgotten books still open
Where you had laid them by at vesper-time,
And your embroidery, whereon half-worked
Weeps Amor wounded by a rose's thorn.
Shall I not see the room in which you slept,
Palpitant still and breathing of your thoughts,
Where maiden dreams adown the ways of sleep
Swept noiselessly with damosels and knights
To tourneys where the trumpet made no sound,
Blow as he might, the scarlet trumpeter,
And were the dreams not sometimes brimmed with tears
That waked you when the night was loneliest?
Will you not bring me to your oratory
Where prayers arose like little birds set free
Still upward, upward without sound of flight?
Shall I not find your turrets toward the north,
Where you defied white winter armed for war;
Your southern casements where the sun blows in
Between the leaf-bent boughs the wind has lifted?
Shall we not see the sunrise toward the east,
Watch dawn by dawn the rose of day unfolding
Its golden-hearted beauty sovereignly;
And toward the west look quietly at evening?
Shall I not see all these and all your treasures?
In carven coffers hidden in the dark
Have you not laid a sapphire lit with flame
And amethysts set round with deep-wrought gold,
Perhaps a ruby?

L.
All my gems are yours
And all my chambers curtained from the sun.
My lord shall see them all, in time, in time.

L.
How could I show you in one day, my lord,
My castle and my treasures and my tower?
Let all the days to come suffice for this
Since all the past days made them what they are.
You will not be impatient, my sweet lord.
Some of the halls have long been locked and barred,
And some have secret doors and hard to find
Till suddenly you touch them unawares,
And down a sable way runs silver light.
We two will search together for the keys,
But not to-day. Let us sit here to-day,
Since all is yours and always will be yours.

L. (Singing.)
    There was a man that loved a maid,
    (Sleep and take your rest)
    Over her lips his kiss was laid,
    Over her heart, his breast.

    All of his vows were sweet to hear,
    Sweet was his kiss to take;
    Why was her breast so quick to fear,
    Why was her heart, to break?

    Why was the man so glad to woo?
    (Sleep and take your rest)
    Why were the maiden's words so few——

(She sees that he is asleep, and slipping off her long cloak-like
outer garment, she pillows his head upon it against the parapet,
and half kneeling at his feet she sings very softly:)

    I love you, I love you, I love you,
    I am the flower at your feet,
    The birds and the stars are above you,
    My place is more sweet.

    The birds and the stars are above you,
    They envy the flower in the grass,
    For I, only I, while I love you
    Can die as you pass.

(Light clouds veil the stars, growing denser constantly.
The castle bell rings for vespers, and rising, the lady moves
to a corner of the parapet and kneels there.)

Voice of the Page (from the foot of the tower.)
My lord, my lord, they call for you at court!

There is a tourney toward; your enemy
Has challenged you. My lord, make haste to come!

(He descends. As the noise of his footfall on the stairs dies away, the lady gropes toward the stairway, then turns suddenly, and going to the ledge where they have sat, she throws herself over the parapet.)

CURTAIN.

Sara Teasdale was born in St. Louis, Missouri, where she attended a school that was founded by the grandfather of another great poet from St. Louis—T. S. Eliot. She later associated herself more with New York City. Her first book of poems was "Sonnets to Duse" (1907), but "Helen of Troy" (1911) was the true launch of her career, followed by "Rivers to the Sea" (1915), "Love Songs" (1917), "Flame and Shadow" (1920) and more. Her final volume, "Strange Victory", is considered by many to be predictive of her suicide.

It is interesting to note that in Teasdale's Collected Works, about half of the poems in this volume—some more justly than others—have been excluded, and most of the rest have been slightly changed. Most of the poems from this volume which were selected to be included in "Love Songs" also had some minor changes. This edition preserves the original readings, but they are not to be considered authoritative.

*** END OF THE PROJECT GUTENBERG EBOOK HELEN OF TROY, AND OTHER POEMS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of Helen of Troy, and Other Poems

I

II

I

II

III

I

II

III

IV

V

VI

VII

VIII

IX

X

I

IV

CURTAIN.

THE FULL PROJECT GUTENBERG LICENSE