The Project Gutenberg eBook of The Green Casket, and other stories
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Green Casket, and other stories

Author: Mrs. Molesworth

Release date: July 26, 2011 [eBook #36861]
                Most recently updated: January 7, 2021

Language: English

Credits: Produced by Delphine Lettau, David Garcia and the Online
        Distributed Proofreading Team at https://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK THE GREEN CASKET, AND OTHER STORIES ***




Produced by Delphine Lettau, David Garcia and the Online
Distributed Proofreading Team at https://www.pgdp.net






[Illustration: FLOSSIE'S CONFESSION. Page 44.]






THE GREEN CASKET

AND OTHER STORIES

BY Mrs. MOLESWORTH

AUTHOR OF 'THE CUCKOO CLOCK,' 'US,' 'CARROTS,' 'THE RECTORY CHILDREN,'
'NESTA,' ETC.


  W. & R. CHAMBERS
  LONDON AND EDINBURGH
  1890


  Edinburgh:
  Printed by W. & R. Chambers.


[Illustration]




CONTENTS.


                                             PAGE

  THE GREEN CASKET                              9
  LEO'S POST-OFFICE                            55
  BRAVE LITTLE DENIS                           77


[Illustration]


[Illustration]

The Green Casket.




CHAPTER I.--RUTH'S START IN LIFE.


'Then good morning, Mrs. Perry. It all promises very nicely, I think.
You may depend upon our taking good care of Ruth, and doing our best to
train her well. Naylor takes great pride in her training. You will tell
Ruth what I say, and impress upon her those two or three broad rules,
and if she attends to those, it will be all right.'

Mrs. Perry courtesied--her best courtesy, you may be sure; for it was not
every day she was honoured with an interview by so grand a personage as
old Lady Melicent Bourne of the Tower House, at Hopley. She had known
Lady Melicent all her life, for before she married, Mrs. Perry's own home
had been at Hopley; but I hardly think this in any way lessened her awe
of the great old lady--rather the opposite. And there had been no small
excitement in the neat cottage beside the forge at Wharton, five miles
from Hopley, when the postman brought a letter from my lady's own maid,
own cousin to Mrs. Perry, the blacksmith's wife, to say that the place of
under-housemaid was vacant at last, and Ruth was to be sent over to be
seen by Lady Melicent herself. Ruth went, and was approved of, and came
home with a message desiring her mother to go in her turn to the Tower
House for a talk with her daughter's future mistress. For Lady Melicent
was old-fashioned enough to take personal interest in her servants; even
the younger ones were safe to be 'known all about' by her.

'And she said it that nicely, mother,' Ruth added eagerly, for she had
returned full of admiration and enthusiasm about the sweet old lady.
'You are not to ill-convenience yourself; any morning saving Friday
would do, she said, from eleven to twelve, and Cousin Ellen is to see
that you stay to dinner. Her ladyship remembers you as well as can be;
she thinks I favour you a bit, and she hopes as I'll favour you in my
ways too. And so do I, I'm sure, dear mother.'

And on the child chattered, for a child she was--not yet sixteen--and
the only sister among several brothers who had joined with their parents
in taking 'choice care' of little Ruth. Yet she was not spoilt; her
mother was too sensible to have allowed anything of that kind. Ruth was
unselfish, well-meaning, and straightforward, though with some weak
points which her sheltered life at home had scarcely yet tested fairly.

She was standing at the cottage door--'father' allowed no hanging about
the forge or gossip with the neighbours--scarcely in sight herself, but
eagerly looking out for her mother, when Mrs. Perry appeared, walking
rather slowly up the hill which led from the little railway station. In
a moment Ruth's hat was on, and she had flown to meet her mother.

'Yes, love,' said Mrs. Perry, in answer to the girl's breathless,
half-unspoken inquiry. 'It's all right. You're to go on Thursday week.
And a very lucky girl you are, take it all together. Eight pounds wages,
to be raised to ten in a year if you stop on and do well, church and
Sunday-school every Sunday, and now and then an evening service if
Cousin Ellen can take you; pleasant work and not too much of it, and
best of all, a real good kind lady for your mistress.'

'I don't see as how it could be nicer, and not so far from home
neither,' said Ruth. 'Why do you say "take it all together," mother?
I see no wrong side at all.'

Mrs. Perry smiled.

'There's that to most things in this world, I misdoubt me, Ruthie. But
I'm rather tired, child. We'll have a talk when I've got my things off,
and have rested a little. It's hot to-day, and I've been on my feet a
good bit. Cousin Ellen, she would have me to see all there was to be
seen--she took me round the fields and showed me the cows and the dairy
and the poultry-yard and the gardens. It's a sweet place, though not
large of course.'

'Lady Melicent's been there a good many years, hasn't she?' asked Ruth,
as they slowly ascended the hill.

'Nigh upon twenty-five. Ever since her husband's death, when she had
to leave Bourne Park. She had no son, only Miss Rosalind, who's now Mrs.
Vyner; so the Park went to a cousin, and my lady took the Tower House,
not caring to stay as a widow too near to where she had been so happy as
a wife. I remember her coming--her and Miss Rosalind--as if it had been
yesterday. I was a girl of fifteen. Well, here we are, and I shall be
glad to sit me down, I can tell you, Ruth.'

'And there'll be a cup of tea for you in half a minute, mother. It's all
ready. I set the kettle on when I heard the train whistling--and it's
just on the boil now. There's some hot toast too. Father and the boys'll
not be in for over an hour; we'll have nice time for our talk.'

She took her mother's shawl and bonnet and ran off with them, returning
with the good woman's slippers. Then she drew close to Mrs. Perry's
arm-chair the little table on which she had already set out the
tea-things, and stooped for the crisp slice of toast, which she began to
butter. It was all done neatly and carefully--with even more care than
usual, for Ruth was touched and grateful for all her mother was doing
for her, and the coming event of her leaving home for the first time was
casting a tender shadow over these little duties and services--a shadow
which the girl hardly herself as yet understood.

'Now then, mother,' she went on, when Mrs. Perry's first cup of tea had
somewhat refreshed her, 'tell me the rest. What is it you're not so sure
I'll like at the Tower House?'

'Nay, child. I didn't say that. It's nothing to mind. My lady spoke most
kind and sensible. There's just two or three rules she's strict about,
I was to tell you, and talkin' of them'll explain other things. She will
have those about her to speak the truth, first and foremost, and to be
civil and respectful when they're found fault with; and if you meet with
any accident, Ruth--breaking or spoiling anything in your charge, you're
to up and tell it, straight away. These rules she will have attended to.
Others, like about being up in time in the morning, and never going out
without the housekeeper's leave, you'd find in every house. But I can
see that my lady's very keen about truth-speaking and no underhand
ways.'

'_Of course_,' said Ruth, with a little surprise. 'But so would any
right-thinking lady be, mother.'

'I don't know as to that--there's many as don't care much so long as the
work's well done, about how things go on that don't come under their own
notice. But of course no lady likes things broke and not told of.'

'I'd never think of not telling, never, mother,' said Ruth, proudly.
'I'd be only too anxious to make it good too, out of my own money.'

'There's many times that's impossible,' said Mrs. Perry. 'But here
comes in the difficulty you may find yourself in. You'll not be under
Cousin Ellen, you see, child--Mrs. Mossop, as they call her at the
Tower House--being as she's the lady's-maid, but it's Naylor, the
head-housemaid, you must look to. She's a good-principled woman, so my
lady says, and so Ellen says; but she's inclined to be jealous, and she
has a very queer temper. You must try and not put her out, and if so be
as you should do so ever--for nobody's perfect--you must bear it patient,
and not go complaining to Ellen. Ellen couldn't stand it, she says so
herself: it'd make such trouble, and my lady couldn't have it neither.
So it won't be all roses, Ruthie, but still nothing so very bad after
all. A little patience, and taking care to be quite straightforward, and
you'll make your way.'

Ruth looked grave.

'Do you mean, mother, that if I broke anything by accident I must tell
Naylor and no one else? I'm sure I hope I shan't break anything; but if
I did, I'd much rather tell Cousin Ellen, or even my lady herself. She
seems that kind.'

'Well, but that's just what you mustn't do, my dear. It'd make ever such
a deal of trouble. If there was anything very serious--but that I hope
there never would be--you might better tell her ladyship than Ellen. It
would never do to vex her, so kind as she is, and speakin' for you for
the place and all--and it would never do to trouble Lady Melicent if
you could possibly make shift without. You must just try and be very
careful, Ruth, and don't go and get afraid of Naylor; she's a good woman
at heart.'

'Yes,' said the girl, 'I'll do my best;' but she gave a little sigh
nevertheless. There is no such thing as perfect happiness in this world,
Ruth was beginning to find.

The next few days were full of bustle, rather pleasant bustle than
otherwise. There were her 'things' to see to, one or two new dresses to
get made, the choosing of which had been deferred till her prospects
were certain, though Mrs. Perry was far too neat and methodical not to
have the rest of her daughter's modest wardrobe in good order. There was
the purchase of her box, and the presenting of different little gifts
by her brothers and some of her school-fellows; there was the bidding
goodbye to the neighbours, and the farewell tea-drinking in the vicarage
nursery, where Ruth was a great favourite, and had sometimes spent a few
days when extra help had been needed. Altogether the little maiden felt
herself something of a heroine in her way, and though the tears were not
_very_ far off when the eventful Thursday came, she managed to keep them
from falling, and to wave back a last goodbye to mother, with a smiling
face, from the window of the third-class railway carriage as the train
whizzed out of Wharton station.

She had hardly time to realise she was off before it pulled up again at
Hopley. Ruth could almost have found it in her heart to wish she had
been going a _little_ farther away; it would have seemed rather grander!
But here she was; and there was Cousin Ellen on the platform looking out
for her, a vision which Ruth was by no means sorry to see, in spite of
her valour.

'How good of you to come to meet me, Cousin Ellen!' said the girl
gratefully, as she kissed her.

'I thought you'd be glad to have me,' said Mossop, as we must call her.
She glanced round a little nervously as she spoke. The Tower House
dog-cart was standing at the gate, and a young groom was directing the
porter to lift up the box. He was scarcely within earshot, but Mossop
lowered her voice. 'I just wanted to tell you, Ruth, love,' she said,
'you must call me Mrs. Mossop now as the others do. And I must not seem
to favour you, you know--mother explained, didn't she?'

'Yes,' said Ruth, 'yes, cou----, Mrs. Mossop I mean. I'll be particular,'
but her heart sank a little--it seemed so formal and strange. Mossop saw
the look on her face.

'Don't look so frightened, dear,' she said. 'You'll get used to it all,
soon. Only I wanted you to understand, so that you won't feel hurt if
I treat you just as I would another in your place. Now jump in--that's
right. Yes, thank you, Joseph, that's all,' and off they drove.

It was not quite strange to Ruth. She had been several times at Hopley,
and once, as we have seen, to the Tower House. But places wear a
different air when we know we have come to them 'for good,' and though
all looked bright and pleasant that still summer afternoon, Ruth caught
herself wondering if she would ever think Hopley as pretty as Wharton,
or the newly-restored church, of which she caught a glimpse through the
trees, as beautiful as the old, ivy-covered one 'at home.'

There was no question of seeing Lady Melicent that evening, but to Ruth
the making acquaintance with her seven or eight fellow-servants was even
more formidable. Naylor, a thin, grave-faced, middle-aged woman, shook
hands with her civilly enough, and told Betsy the kitchenmaid to take
her up to the bedroom they were to share together. Then came tea in the
servants' hall, at which Mrs. Mossop was not present. But the others were
kindly, and after it was over Naylor took her up-stairs and showed her
what there was to do in the evening, adding that she had better get her
box unpacked, so as to be ready to begin work regularly the next morning.

'And if there's anything you don't understand,' the upper-housemaid went
on, 'be sure you ask me. Don't go on muddling for want of a word or two.'

'Thank you,' said Ruth. But she felt rather confused. The house seemed
very large to her, and compared with the vicarage at Wharton, which had
been hitherto her model of elegance and spaciousness, it was so. And
being rambling and old-fashioned, it appeared to a stranger larger than
it really was.

'The first thing you have to do of a morning is to sweep and dust my
lady's "boudore,"' said Naylor, 'and the book-room at the end of the
passage opening from it. Then you'll come to me in the drawing-room,
and I'll show you what to do. But there's no need for you to touch
the ornaments, neither in the "boudore" nor the book-room. I do those
myself, the last thing when the rooms are finished.'

'Yes, thank you,' said Ruth again.

'My lady is very particular about her china. She has some very rare,
though the best is behind glass and under lock and key, I'm glad to say.'

Then she sent the girl off to her unpacking, which would not have taken
her long had she not lost her way by wandering up a wrong stair, and
having to come down again to the kitchen to ask for Betsy's guidance,
which made all the servants laugh except Naylor, who looked rather sour.
But she smoothed down again when Ruth reappeared in a quarter of an
hour, armed with her little work-box, to announce that her things were
all arranged, and she was ready to do any sewing required. Naylor soon
found her some pillowcases in want of repair, and Ruth sat quietly at
work till supper, for her, soon followed by bedtime.

And so her first evening passed, and if some tears fell on her Testament
as she read her verses, they were not very many nor bitter.

'I'll do my best,' she thought, 'and it'll be nice to write home in a
few days and tell dear mother and all, that I'm getting on well.'




CHAPTER II.--AN ACCIDENT AND A SCOLDING.


The Tower House, as I have said, was rambling and old-fashioned. Lady
Melicent's boudoir was a pretty, simply-furnished room on the first
floor; a long passage with windows at one side led from this to what
most people would have called the library, but for which my lady
preferred the less imposing name of book-room. This book-room was in
the square tower which gave its name to the house; it had a window on
every side, and all the wall-space that was not window was covered with
well-filled bookshelves. It had a second door besides the one out of
the passage; this second door led on to another and narrower lobby from
which a stair ran down to the back part of the house. So that when Ruth
had finished her morning sweeping and dusting of these rooms, she did
not need to pass through them again, but withdrew with her brushes and
dusters down the back-stairs.

The ornaments of which Naylor had spoken were some delicate old china
cups and saucers and teapots on the boudoir mantelpiece, and on one or
two brackets in the corners. In the book-room there were fewer; only
a handsome old timepiece above the fireplace and some punch-bowls and
Indian vases on a side-table. It was all very interesting and wonderful
to Ruth when she found herself installed in the boudoir for her cleaning
the next morning. She took the greatest pains to do it thoroughly and
neatly, and was careful to put back everything, even to my lady's
paper-knife on her little table, exactly as she had found it.

Then, looking round with satisfaction, she turned to the passage leading
to the book-room. The morning sun was streaming in brightly, for the
windows were to the east, and as Ruth stepped along, her eyes fell with
admiration on an old carved cabinet standing against the wall. It had
glass doors, and was filled with delicate and costly china, principally
figures, which Ruth admired more than cups and saucers. On the top of
the cabinet, outside, were also some beautiful things. A box, or casket,
especially attracted her; it was of bright green--malachite was the name
of the stone, but that Ruth did not know--set in gold, and it gleamed
brilliantly in the sunshine.

'My goodness!' thought the little housemaid, 'it is splendid. I never
saw such a colour. But how dusty the top of the cabinet is! How I would
like to lift all the things off--there's not so many--and dust it well;
but I mustn't, I suppose. Naylor said none of the ornaments.'

So she only gave another admiring glance and hastened to the book-room,
just finishing her work there in time to tidy herself a little for
prayers.

Lady Melicent read these herself, and when they were over, she called
back Naylor, who led Ruth forward.

'I am glad to see you, Ruth,' said the old lady with the smile that had
so won her young handmaiden's heart. 'You will feel a little strange at
first, but that will soon go off. Pay great attention to what Naylor
tells you, and I have no doubt you will get on nicely.'

Then with a word or two of inquiry after her mother, she dismissed the
eager blushing girl.

'A sweet girl and a good one, or I am much mistaken,' thought Lady
Melicent, as she poured out her coffee. 'I am sure I shall be able to
trust Flossie with her, and there will be some time before that for her
to get used to the place, and for Naylor to judge of her.'

The next few days passed quickly. Ruth was fully occupied in learning
her work, of which, though not too much, there was enough. It was only
at night sometimes, if she happened to be lying awake after placid,
good-natured Betsy was asleep, not to say snoring, that Ruth felt a
little, 'a very little,' she said to herself, homesick. But it always
passed off again by the next morning, and she wrote cheerfully to her
mother. Of Cousin Ellen she saw little, but this she was prepared for.
On Sundays, however, Mossop generally managed to have a little walk and
talk with her young relative, and often got leave for Ruth to go with
her to the evening service.

Ruth had been about three weeks at the Tower House when the first cloud
appeared on her fair horizon. It happened thus. At eleven o'clock every
morning a small basin of beef-tea was carried up to Lady Melicent in her
boudoir. Mrs. Mossop always saw to this herself, and herself as a rule
carried down the pretty china bowl with a cover and stand in which the
soup was served. For this bowl was a favourite of the old lady's; it had
been a present from her daughter. Now one day Lady Melicent had a slight
cold, and as it was chilly and rainy, a fire was lighted by Naylor at
her desire in the boudoir, early in the morning. It so happened that
Mossop was unusually busy, and after having carried up the beef-tea, she
did not return to the boudoir to fetch the empty basin. Later in the day
Ruth met Naylor on the back-stairs.

'Oh dear,' said the housemaid, whose arms were filled with linen from
the laundry, 'I do hope my lady's fire's all right. Run in, Ruth,
there's a good girl, and see to it. My lady's down at luncheon in the
dining-room.'

Off flew willing Ruth. Doubly willing on account of Naylor's
graciousness. For it was not often the upper-housemaid was so amiable.
She was only just in time to rescue the fire, but with a little skill
and patience she got it to burn brightly, and getting up from her knees
she turned to leave the room. As she did so, she caught sight of the
china basin.

'Cousin Ellen has forgotten it,' she said to herself; 'I'll take it
down.'

She reached forward to lift it, but she was a little embarrassed by
the wood and coals she was carrying, and somehow--who ever can say
exactly how such things happen?--her hand slipped, or the bowl slipped,
or her foot slipped--anyway the china fell to the ground, and darting
forward to pick it up, Ruth saw to her horror that the basin was broken
into several pieces. The poor girl was sadly distressed. Still she did
not think it so _very_ bad, for she knew nothing of the history of the
china. She gathered it together, and went slowly down-stairs in search
of Naylor. She met her just at the kitchen door.

'O Naylor,' she said anxiously, 'I am so sorry. I've had an accident,
and my lady's soup-bowl is broke.'

She held it out as she spoke; she was not afraid; she was just simply,
as she said 'so sorry,' but quite unprepared for the storm that burst
upon her. How Naylor did scold! Every sharp word she could think of was
hurled at Ruth; strangest of all she was almost the _most_ blamed for
having done as she had been told, in at once and straight-forwardly
telling what had occurred.

'Bold, impudent, and impertinent girl that you are, to come like that,
as cool as a cucumber. "O Naylor, I've broke my lady's bowl,"' and here
she imitated the girl's tone and voice in a very insulting way, 'as if
you'd something pleasant to tell.'

Pale and trembling, Ruth stood endeavouring to keep back her tears. 'If
I could match it,' she said, 'I'd do anything.'

'Match it!' said Naylor contemptuously. 'Why, Mrs. Vyner brought it
herself from Paris, or somewhere farther off still. It's china as you
never sees the likes of in a shop. _Match_ it, indeed!'

'I didn't know'---- began the girl, but it was no use; her sobs and tears
burst out, and she rushed away--up to her own room, nearly knocking down
Mossop on the stair.

'Why, child, whatever's the?'---- she began; but Ruth only shook her head
and flew on. She had been warned not to complain to Cousin Ellen, and
she wasn't going to do so. She cried till her eyes were 'like boiled
gooseberries,' and then, suddenly remembering where she was, and that
she had her work to do, she tried to cure them by plunging her face into
cold water, and with aching head and still more sorely aching heart,
crept down-stairs with her needlework to the corner of the servants'
hall where she sat of an afternoon.

'If only I could run away! oh, if only I could run home!' she said to
herself.

Betsy consoled her in her own way, which was not a very wise one, though
kindly meant, when the two girls were alone in their room at night.

'_I_ wouldn't take on like that for all the chinay bowls in the world,'
she said. 'Things must get broken sometimes. Not but what you brought it
on yourself by telling. I'd have left it there where it fell, and let
them think the cat did it.'

'But, Betsy, I promised my lady and mother too, as I'd always tell if I
had any accident,' wept Ruth.

'And what did my lady promise?' said Betsy. 'Leastways _I_ was promised
as I'd never be scolded if I up and told if I broke anything. Catch me!
I'll not risk it. And if you'd any sense, you'd not trust their fine
words no more than I do.'

'It wasn't my lady. I don't believe she'd scold. But Naylor is really
_dreadful_ when she loses her temper,' and Ruth shivered at the mere
recollection.

'Then take my advice, and don't you tell on yourself never again, whatever
happens.'

Ruth did not answer. She was tired out, and did not feel as if she could
argue with Betsy. The next day things had calmed down again. Naylor was
quiet and rather subdued, and nothing more, rather to Ruth's surprise,
was said about the bowl. But the girl felt nervous and upset. It seemed
to her as if it would be long before she got back the happy bright
confidence she had been so full of.

But Ruth was very young; at her age troubles _do_ melt away, however
terrible they seem at the time. She had felt inclined at first to write
off a long letter to her mother, telling her how miserable she was, and
how she didn't think she _could_ bear it. But a little reflection showed
her that this would only make Mrs. Perry very dull and uneasy about her,
and still more that if 'father or the boys' got hold of the letter--and
it would, she knew, be rather hard for mother to keep it from them--they
might insist on her being fetched home again, and there would be a nice
ending to her first start in life! How everyone would laugh at her,
and besides--would she not _deserve_ to be laughed at, if she showed so
little courage and patience? On the whole she decided to wait a bit,
and in this I think she was right. It is a very different thing when a
girl away from home conceals from her parents anything really _wrong_:
Ruth had not done wrong; and indeed no one was much to blame for the
trouble, except Naylor for losing her temper. And--and--after all, Ruth
asked herself, would it be _quite_ nice for her to write off a long
description of the housemaid's infirmity, for a real infirmity it was?
She did not want to lower Lady Melicent's household, and perhaps have
Naylor gossiped about in the neighbourhood through her. For there was no
saying how her indignant brothers might chatter. Anyway she would wait
till she could have a talk with Cousin Ellen.

This came on Sunday. As Ruth was starting for the children's service in
the afternoon, which she had been told she might always attend, as it
only came once a month, she heard some one calling her, and standing
still to see who it was, in another moment Mrs. Mossop appeared.

'O Cousin Ellen,' said Ruth joyfully, 'are you coming to church? I am
so glad.'

'I thought maybe you'd like a walk and a talk with me,' said the
lady's-maid. 'I've not seen you to speak to since Wednesday, and I
thought it best not to seem to be seeking you. But I _was_ sorry, child;
sorry both for you and for the accident. You must be very careful, Ruth.'

'I was as sorry as sorry could be,' said the girl. 'Indeed I'd have
done _anything_ if I could have got another bowl. But--did you know how
Naylor spoke to me, Cousin Ellen?' and Ruth hesitated a little. 'It was
just awful.'

'I know how she is,' said Mossop, 'but it's no use thinking about it.
I was just glad of one thing, and that was that you told at once.'

Ruth hardly seemed to feel this cheering.

'I could almost have wished I hadn't told,' she said. 'I don't know
_what_ I'll do if ever I have to tell anything again.'

'Don't say that, my dear,' said Mossop, eagerly. 'After all, Naylor
isn't my lady, and it's her temper. You'll find it much worse in the end
if you hid anything, believe me. Have you written to your mother about
it?'

'No,' said Ruth, 'I thought I'd wait,' and she went on to explain her
reasons. Mossop approved of them.

'Yes,' she said, 'wait a bit. Writing makes things seem so much worse.
Telling is different. Maybe I'll be going over to Wharton some day, and
I could tell your mother. You'll feel all right again soon, and it's to
be hoped you'll have no more bad luck. I can't say but what I was very
put out myself about that basin--real "Severs" it was. I suppose, to go
to the roots of things, it was my fault for having left it about. I said
so to my lady.'

'Oh dear, Cousin Ellen, I'm sure no one could ever think _you_ to blame,'
said Ruth. 'Indeed, indeed, I will try to be careful.'

Her tone was rather melancholy still. Mossop looked at her with a little
smile.

'I'm much mistaken if you won't be hearing something in a day or two
that'll cheer you up. But I mustn't tell you about it.'

And Ruth could not persuade her to say more.

[Illustration]




CHAPTER III.--THE OLD CABINET IN THE PASSAGE.


The very day that Ruth was crying about the broken basin, a conversation
which concerned her, though she little knew it, was going on a good many
miles away.

In a pretty room in a large country-house--a much larger and 'grander'
house than the Towers, a lady, sweet and young, was lying on a sofa.
In front of her stood a little girl--a pretty little creature of eight
or nine. She had a bright expression usually, but just now she seemed
uncomfortable and ill at ease. She fidgeted from one foot to the other,
and frowned as she looked down, and her face was flushed.

'Tell me, Flossie,' said the lady. 'You're quite old enough to explain.
Why don't you want to go to grandmamma's? I should feel so happy about
you with her while I am away, and then papa and I will come to fetch you
when I am quite strong again.'

'Mayn't I go with you, mamma?' said the child.

Mrs. Vyner shook her head.

'No, dear, it is impossible. You must either go to grandmamma's or stay
here with Miss Kelly. And if you don't go to the Towers, I must tell
grandmamma that you don't want to go.'

'No, no,' said Flossie, 'don't do that, mamma; I'll go, but please don't
be long away. And please tell grandmamma that I'm too little to be always
in her room. Mayn't I have a nursery, like at home?'

'I thought you loved being a great deal with grandmamma,' said Mrs. Vyner
in a disappointed tone. 'I don't understand you, Flossie. However, you
are to have a sort of nursery, and there is a very nice young servant
there who is to take you out and amuse you. For I should be sorry to
disappoint Miss Kelly of her holiday when she has had none for so long.'

Florentia's face brightened a little.

'I'll go into the boudoir as seldom as I can, and _never_ along the
passage to the book-room,' she murmured to herself, but her mother did
not catch the words.

It was a week or so after this--fully a week, it may have been ten days,
after Ruth's accident--that Lady Melicent sent for her one morning to
speak to her. Ruth felt just a little frightened; surely nothing was
going to be said about the basin _now_, so long after?

But the old lady's kind face reassured her.

'I sent for you, Ruth,' she said, 'to tell you that for a few weeks your
work is going to be a little changed. Not disagreeably so, I hope. My
little grand-daughter, Miss Vyner--Miss Flossie they generally call
her--is coming to stay with me while her parents are abroad. Her nursery
governess is to have a holiday, so we must take care of her ourselves.
Mossop will superintend, but you, Ruth, will be with her altogether. You
will dress her, and take her out and amuse her. I feel that I may have
confidence in you, for you have been carefully brought up, and you have
shown that you are obedient and straightforward. I was sorry for my bowl
to be broken, and I hope in future you will be more careful, but I was
very glad you told about it.'

Ruth flushed a little; partly with shame, for she did feel she had been
careless, but more with pleasure. She was glad to have pleased Lady
Melicent, and she was delighted to hear the news. To be under Cousin
Ellen instead of Naylor was nice of itself, and to have the care of
little Miss Flossie _would_ be a treat!

'Thank you very much, my lady,' she said timidly. 'I will do my best,
and indeed I will try to be more careful.'

She felt in such good spirits the next day or two, that she did not mind
the _rather_ grim looks she got from Naylor. Not that Naylor minded a
little extra work to oblige my lady, but she felt sure Ruth would have
her head turned once she was removed from _her_ authority, even for a
time.

A week, then a fortnight, passed. All was ready for the little visitor.
Two days before her arrival Ruth was sweeping the passage leading to the
book-room early one morning, when her glance again fell on the cabinet
and its contents. It was a very sunny day, and the bright rays showed
off as before the green casket, and revealed at the same time that the
cabinet was very dusty indeed. Ruth drew near. To a very tidy, expert
housemaid there is a sort of fascination in dust. Her fingers quivered.

'I'm _sure_ Naylor often forgets that cabinet,' she said. 'She'd much
better let me do it. And what's more, I will, just for this once.'

She lifted off carefully some of the ornaments, and placed them safely
on the floor. Then she raised the green casket, admiring it as she did
so, when, oh horror! The lid seemed in some extraordinary way to detach
itself, and fell to the ground with a sharp sound; and when the girl,
trembling with fear, stooped to pick it up, she saw it was in two pieces;
a corner, a good-sized corner, was broken off! For a moment or two, Ruth
was really too appalled to move; then she looked at it closely. It was
a neat fracture, by replacing it on the box, and 'standing' the whole
on the cabinet again, the breakage did not show. Just then Ruth heard
Naylor's voice; quick as thought she put back the two or three uninjured
ornaments beside the casket as usual, and flew down the passage to the
book-room, and there Naylor found her a few minutes later, quietly
dusting. The temptation to conceal this new misfortune was too great,
and Ruth yielded to it.

At first she only said to herself she would wait till the evening--Naylor
was in a fussy humour, she could see. But evening came, and then next
morning, and her courage grew ever fainter, till at last came the
day Miss Flossie was expected, and _then_ Ruth felt it was too late.
She could not tell _now_, and have a scene like the last time, just
as the little lady arrived. And evidently Naylor had not discovered
the breakage, though the cabinet and the ornaments were carefully
dusted. This puzzled Ruth a little; she could only suppose that the
upper-housemaid dusted with her feather brush without moving the things
about. And she tried to put the matter altogether out of her mind,
though there were times--when she knelt to say her prayers, morning and
evening, was the worst time--that she could not succeed in doing so, and
more than one night she cried herself to sleep, crying more bitter tears
than even the day Naylor had been so harsh and unkind. For _then_ Ruth's
conscience was clear. Ah, the difference that makes!

Florentia proved to be a quiet, easily-managed child. Indeed she was
rather too quiet in the opinion of her grandmother and the old servants,
who had known her much more lively.

'Are you quite well, darling?' asked Lady Melicent one day. 'I never
hear you racing about and laughing as you did in the winter. Wouldn't
you like a nice game of ball in the long passage? You could play with
Ruth at the end near the book-room where there is no furniture.'

'No, thank you, Granny,' the little girl replied. 'I'd rather go out
a walk with Ruth. I like best playing in the garden.'

'And you like Ruth, dear? She is kind to you, I am sure?'

'Yes, thank you, grandmamma. I like Ruth, and she likes playing in the
garden best too.'

A sudden thought struck Lady Melicent. 'Flossie,' she said, 'will you
run and fetch me the atlas which you will see lying on the side-table in
the book-room. Your mother wants me to show you where they are now, on
the map.'

Flossie hesitated. Lady Melicent and she were in the boudoir.

'In the book-room?' she repeated.

'Yes,' said her grandmother decidedly, 'in the book-room. Be quick,
dear.'

Flossie went. But she was not quick, and when after some minutes she
returned, she seemed rather out of breath.

'Why have you been so long? It doesn't take a minute to run down the
passage,' said the old lady.

Flossie grew red.

'I went the other way,' she said. 'I don't like the passage. I went
down-stairs, and up the back-stairs.'

Her grandmother looked at her keenly.

'What a strange idea!' she said. 'Do you think there is an ogre in the
passage?'

But Flossie did not laugh or even smile. And just then Ruth came to
fetch her. Lady Melicent sighed when she was left alone. 'I wonder,' she
thought, 'if I took Ruth into my confidence, if perhaps she might help
to make Flossie tell. I can see the child will not be happy till she
does, and I do not want to ask her. I should be so afraid of making her
deny it. Ruth behaved so well about my beef-tea bowl, I am sure she has
nothing underhand about her.'

And the old lady looked quite anxious and depressed.

Ruth and her little charge meanwhile were sauntering slowly up and down
the garden. In spite of Flossie's saying that it amused her to 'play'
in the garden, it did not look very like it. She seemed spiritless and
dull, and Ruth too appeared to have lost her usual bright happy eagerness.
Neither spoke for some time; at last Ruth half started, as it suddenly
struck her that she was scarcely fulfilling her duty.

'Miss Flossie, dear,' she said, 'wouldn't you like a game? It's not warm
to-day, and we're walking along so slowly. Shall I fetch your ball or
your hoop? Or would you like to run races?'

'No, thank you; I'd rather just walk along,' said the child. Then after
a moment's silence she went on. 'I don't like much being at the Tower
House now. Do you like it, Ruth? Would you not rather be at your own
home?'

Ruth hesitated.

'Yes, for some things I would,' she said. 'But I was very pleased to
come here.'

'_Were_ you?' said Flossie, rather incredulously. 'You don't look very
happy. I thought so the first day. I wrote to mother that you had a kind
face, but not a happy one.'

'_Did_ you, Miss Flossie?' exclaimed Ruth, rather taken aback. 'Well, at
home I was called the merriest of everybody, and, and--I've been merry
here sometimes.'

'But you're not now, Ruth,' said Flossie gravely. Then she peered up
into the little maid's face with her big gray eyes. 'I'll tell you what,
Ruth,' she said, 'I believe you've something on your mind. It's very bad
to have something on your mind. _I know about it_,' she went on
mysteriously.

Ruth grew scarlet.

'You know about me having something on my mind, Miss Flossie,' she said.
'What do you mean?'

Flossie did not at once answer.

'I hate passing that way,' she murmured to herself. 'I shut my eyes
tight not to see the cabi----. What are you staring at me like that for,
Ruth?' she broke off suddenly, finding the girl's eyes fixed upon her.
'I only said it's very bad to have something on your mind, and so it
is.'

Ruth by this time was as pale as she had been red.

'But what do you mean--how do you know, Miss Flossie? How do you know
I have anything on my mind, and what were you saying about the old
cabinet?'

'I was speaking to myself. You shouldn't listen,' said Flossie crossly.
'_I've_ something on my mind, but you needn't ask about it. You may be
sorry for me, just as I'm sorry for you, but you needn't ask questions
about what it is.'

'I--I wasn't asking questions,' said Ruth, more and more bewildered. 'I
was only wondering why--what--what made you speak of the old cabinet in
the passage? Did anyone--Naylor or anyone--say anything about it since
you came, Miss Flossie?'

It was Flossie's turn to start.

'No,' she said, 'of course not. Nobody knows--oh, I wish I hadn't come
here!' she suddenly broke off, 'and I wish you wouldn't speak of horrid
things, Ruth. You weren't here in the winter; you couldn't know. And oh,
I _am_ so unhappy,' and throwing herself into Ruth's arms, the little
girl burst into loud weeping.

[Illustration]




CHAPTER IV.--A DOUBLE CONFESSION.


This was what was on little Flossie's mind, and on her grandmother's
mind too, for that matter! It had happened several months ago, during
the child's last visit to the Tower House.

One day Flossie had a cold. Not a very bad one, but enough to make her
cross and uncomfortable. She was tired of reading, tired of her dolls,
tired of everything, and it was a very woebegone-looking little girl
that came to say good-night to grandmamma.

'I wish I'd something to amuse me,' she said dolefully. 'If my cold
isn't better to-morrow and I can't go out, I don't know what to do all
day.'

Lady Melicent considered.

'I'll tell you what, Flossie,' she said. 'You might make some bead-mats.
That would amuse you. I have some very pretty beads in the green casket
that stands on the old cabinet in the passage--at least I think they're
there. I'll see to-morrow.'

Flossie jumped with pleasure.

'Oh, that would be nice, granny. Can't you look for them to-night? I
might make a mat for mamma's birthday. Mayn't I go and look for them?'

'No, dear. The passage is cold, and besides that, the cabinet is too
high for you to reach up to. You might pull over some of the heavy
ornaments and hurt yourself. Wait till to-morrow, and I will find the
beads for you. I won't forget.'

Flossie was sitting reading in the boudoir the next morning, when Lady
Melicent came in with two or three little cardboard boxes in her hand.
She looked at the child.

'Flossie,' she said quietly, 'here are the beads. I found them up-stairs
in my work-box. They were not in the green casket.'

'Thank you, grandmamma,' said Flossie. But she scarcely looked up.

'Don't you care about making the mats now, Flossie?' said Lady Melicent.
'You seemed so pleased with the idea last night.'

'I would like to make a mat for mother very much,' said Flossie, getting
up and coming round to her grandmother.

But that was all she said, and two days after, the little girl left
rather suddenly, as her father came over to fetch her and her cold was
better. And ever since then there had been a little ache in grandmother's
heart about Flossie. For that morning, when she went to look for the
beads in the malachite casket, she had found it broken, and speaking of
it to Naylor, the housemaid had thought it right to tell her that it was
Miss Flossie's doing.

'I saw her climbing up on a chair, when I was in the book-room,' said
Naylor. 'And I heard something fall. It was the green box. She put it
back again in its place, but the lid was broke off the hinges, and one
corner off. I'm very sorry, and I'm sure Miss Flossie was, for I heard
her crying.' Flossie was a great favourite of Naylor's.

'I wish she had told me about it herself,' said the old lady with a
sigh. 'But don't say anything about it, Naylor. She will forget about it
probably for the time, but when she comes back again, I hope she will
tell me.'

Flossie did not forget about it, though she tried to do so. But the
broken casket was the mysterious 'something on her mind,' of which she
had spoken to Ruth. And the remembrance of it was what had prevented her
enjoying as usual the thought of a visit to the Tower House, and given
her such a dislike to the long passage which had once been her favourite
play-room.

You can now understand with what a strange mixture of feelings Ruth
listened to Flossie's story. She soothed the poor little girl as well
as she could, though feeling dreadfully ashamed when Flossie went on to
blame herself bitterly.

'It was so naughty and mean of me not to tell granny,' she sobbed,
'for she's always so kind. And sometimes I've been afraid she'd think
somebody else had broken it. Do you think granny has never found it out,
Ruth?'

'I can't say, I'm sure, Miss Flossie,' said Ruth sadly. 'But it's clear
there's only one thing to be done now, and that's for you to tell my
lady yourself all about it.'

'I'll tell her when I go to have my good-night talk with her,' said
Flossie. 'O Ruth, I'll _never_ hide anything again.'

Her words were fervently echoed in Ruth's heart. She was on the point of
confessing her own secret to the little girl, but a moment's reflection
made her hesitate. No, she too must tell all to Lady Melicent herself,
and it must be for her to judge if Flossie should be told.

'And if my lady thinks me not fit to be trusted any more, and I have to
go home in disgrace, I must just bear it. It's my own fault,' thought
Ruth.

It was a tearful but a happy little girl who came trotting up to be
undressed and put to bed at the Tower House that evening.

'Granny has been so kind,' she said, 'and I am so glad I've told her.
It was dreadful to have it on my mind, Ruth dear. And granny has been
telling me how good you were about the basin, and I said to her it was
you that said I must tell. And do you know, she _did_ know I'd broken
it, only she waited for me to tell myself. It's never been mended, but
now she's going to send it to be done.'

Ruth sympathised in Flossie's joy, and the child was too happy to notice
the girl's sadness. All Florentia said only made her own confession the
more difficult.

'There is no real need for it,' said the tempter. 'No one can be blamed
now. Indeed, it was not you who broke it after all.'

But Ruth had a conscience.

Late that evening there came a timid knock at my lady's door, and in
answer to her 'come in,' a pale and trembling girl appeared.

'Ruth!' exclaimed the old lady in surprise. 'Is there anything wrong?'

'Oh no, my lady. Miss Flossie's in bed and asleep, quite happy. It's not
about her. It's--it's--oh, my lady, it's about me. I--I broke, at least
I didn't, but I thought I did, and that's just as bad. I thought I broke
the green casket, and--and--I couldn't bear to tell--just as there'd
been such trouble about the bowl, and--if I must go home, I'll not
complain, my lady. I'--but here she broke down into sobs.

Lady Melicent stared at her in concern.

'You broke or thought you broke the green casket,' she said. 'Why,
Flossie has just been telling me, what indeed I knew already--that _she_
broke it,' and she looked at Ruth as if she half feared that the girl
was dreaming.

'That was how I came to tell myself,' said Ruth. 'Miss Flossie has been
so unhappy about it that at last she could bear it no longer, and this
afternoon in the garden she told me. And then I felt that ashamed to
think that I, more than twice her age, and knowing how wrong it was,
had been hiding what I thought I'd done. It was last week--I knew
I shouldn't touch the cabinet, but it looked so dusty one morning I
felt somehow tempted to do it, and the green box, leastways the lid,
slipped--of course I see now how it was. The hinges were loose, and it
was broke already. But I _thought_ I'd done it, and I couldn't bear to
tell for fear your ladyship should think me really too bad, and just as
Miss Flossie was coming and all. So I waited, and then I got so as I
couldn't tell. I wondered Naylor never noticed it. I wouldn't have let
another be blamed for it. But when she didn't seem to have found it was
broke, I thought I needn't. And now I'm quite ready to go home; it's
only what I deserve.'

'No, Ruth, I should be very sorry for you to go home. I am very glad you
have told me now. You did not tell Miss Flossie?'

'No, my lady. I thought it best to tell you first.'

'That was wise. I think there is no need for Miss Flossie to be told of
it. She has had a lesson herself, and she respects you, Ruth. It may make
you feel ashamed, but that you must bear. I should not like her to lose
her feeling of looking up to you. And I am sure you will be even more
anxious than before to teach her to be perfectly open and straightforward.'

Ruth could scarcely speak; her tears, though they were tears of relief
and gratitude, nearly choked her.

'And,' continued my lady, going on speaking partly for the sake of
giving the girl time to recover her composure, 'I do not think it will
be necessary to tell Naylor, either.'

'Oh, thank you, my lady,' said Ruth fervently. And she could not help
smiling a little, as she caught sight of Lady Melicent's face.

'As for Mossop,' added Lady Melicent, 'I will leave it to you. I daresay
you will like to tell her when you have an opportunity, as you are away
from your mother.'

'Yes, thank you, my lady,' said Ruth again. 'And indeed--I don't think
you will ever have reason to regret your kindness.'

She could scarcely speak yet: the tears were still so near. But little
Flossie was not the only person in the Tower House who fell asleep that
night with a lightened heart and warm gratitude to the dear old lady.

The rest of Flossie's visit passed most cheerily, and Lady Melicent had
not reason to complain that she no longer heard her little visitor's
merry voice and laugh about the house. And a very unexpected event came
to pass before the end of the summer, which greatly added to Ruth's
happiness at Tower House. Naylor got married! Her husband was the
gardener at a neighbouring house; a very meek and mild little man who
gave in to her in everything, so it is to be hoped her temper improved.
The new upper-housemaid was quite as good at 'training' as Naylor, and
by no means so great at scolding, which, I think, no one regretted. And
Lady Melicent lived long enough for Ruth herself in time to be promoted
to what had once been Naylor's post, which she filled with honourable
faithfulness till her dear mistress's death.

In the old lady's will she left 'to her faithful servant Ruth Perry, a
casket of green malachite.' That was many years ago. The green casket
has for long been the most valued ornament of the best room in Ruth's
comfortable farmhouse, and her children, and grandchildren too, have
all heard its story.

[Illustration]




LEO'S POST-OFFICE.


'Oh dear!' said Leo's mother, 'there, I have run out of stamps again.
And I don't like getting them from the servants. It is so apt to cause
mistakes. It is really very stupid of me. Have you any, Marion?'

Marion was Leo's big sister. She was fifteen.

'I have one or two--yes, three,' Marion answered. 'Will that do, mamma?'

'It must do; oh yes, I think there are only three letters that really
matter. I can't send for any so late. The servants are all busy; these
letters can be put in the pillar-box just opposite. But I really must
not let myself run out of stamps in this way.'

'Some days you have so many more letters than others. It must be
difficult to know how many stamps you need,' said Marion, who thought
mamma so perfect that she did not even like to hear her calling herself
'stupid' for running short of stamps.

'I wish we had a post-office in the house,' said Cynthia, the next
sister. 'I did so want a postcard to send to Fletcher's to order my new
piece of music, and when I was out I forgot to get any, though mamma
said I might buy a whole packet. It's cheaper--for you get twelve for
eightpence, and if you buy one at a time it's a penny each.'

'Or two for three-halfpence,' said Leo. 'That would make ninepence for
twelve, not eightpence.'

'That's just like Leo,' said Cynthia; 'he's always counting about money
and things like that. You're a regular little merchant, Leo.'

'Don't laugh at him,' said his mother. 'He is very careful and exact,
and being careful and exact doesn't need to make anyone selfish or
miserly. Leo has always money ready for birthdays and Christmas
presents.'

Leo looked pleased, but he did not say anything; he was always rather
a silent little boy. But later that same evening, when he knew that his
mother would be alone, he came up to her quietly.

'Mamma,' he said, 'I want to ask you something. Would you mind letting
me have a little money out of my packet?'

'What for, dear?' she asked.

Leo grew rather red.

'It was what you were saying about running out of stamps that put it
in my head,' he said. 'And what Cynthia said too about my being like a
merchant--I would like to be a merchant, mamma, if that means selling
things. I'd awfully like to have a shop, but of course I can't--at least
not a proper shop. But oh, mamma, I've been thinking if I might have a
post-office,' and Leo's eyes gleamed with eagerness.

'A post-office, my dear boy!' said his mother, 'how _could_ you have a
post-office?'

'Oh, of course I don't mean a regular post-office. I couldn't have
telegraphs, nor get people to post their letters in our letter-box. You
wouldn't like it, would you, mamma?' he said gravely. 'But I just mean
a post-office for selling stamps, and postcards, and perhaps newspaper
wrappers. And wouldn't it be nice for you, mamma, always to be able to
get stamps in a minute, however late it was--you'd never have to say
you'd run out of them, then?'

[Illustration: THE LARGE ORDER]

Mamma smiled.

'Yes, that would be very nice, certainly,' she said. 'But it wouldn't
be much good to _you_, Leo, if you gave your trouble and lent your
money for nothing? You should make some profit, even if it were only
a halfpenny on a dozen stamps.'

'Or a penny on twelve postcards,' said Leo consideringly. 'I might buy a
whole packet and sell them in ones or twos. That would be very nice. But
even without that, I would so like to have a post-office, mamma. It
would really be a help to you.'

So it was settled. Mamma gave Leo five shillings out of his 'packet,'
which was a private savings-bank she kept for him, and Leo, as happy as
a king, set off to the chemist's shop round the corner, which was the
nearest post-office in the neighbourhood, and laid out the whole five
shillings in penny stamps, halfpenny stamps, a packet of postcards,
another of newspaper wrappers, a few twopence-halfpenny stamps, and two
or three foreign postcards, just in case mamma were writing to France,
or Germany, as she sometimes did. The chemist did look rather astonished
at such extensive purchases, but he was very civil and obliging; and as
he was a nice man, Leo felt glad he had gone to him instead of to the
big post-office a quarter of a mile off.

'For he must gain something on as much as five shillings,' thought Leo.

Then he came home and began to make his arrangements. He had to
consult his sisters about them, but they were very kind and very much
interested, and were quite pleased that the post-office should be in the
schoolroom, which of course was as much their room as Leo's.

There was a little old-fashioned cupboard or bookcase in the schoolroom,
in which, above the enclosed part which had glass doors, were two little
drawers not used for anything in particular. On these drawers Leo had
set his heart. 'They would be just the thing,' he thought. And luckily
Marion and Cynthia thought the same. So the drawers were cleared of such
contents as they had, and Leo set to work.

In one drawer he arranged all his wares, as neatly as possible--using
the lids of some old cardboard boxes as divisions. There were the penny
stamps in one, the halfpenny ones in another, the wrappers and post-cards
behind. And as of course Leo could not stand all day long at the
post-office to wait for people coming to buy, he made the second drawer
into his 'till.' In this he made divisions too, one for the money paid
for stamps, another for that for postcards, and so on. Each division was
marked accordingly, so that every morning or evening he could count up
his sales, and see that all was right. Besides all this, he wrote out
in his neatest, roundest writing a set of _rules_ for 'Hertford Square
Post-office,' as he called it, and to the card on which these rules were
written he fastened a pencil by a long string, as he had seen done in
real post-offices for telegrams, and a number of tiny little papers on
which everybody who bought stamps was to mark down the number they had
had, and to drop the little paper into the drawer.

And then with great triumph he summoned mamma and his sisters, and Miss
Nesbitt, and nurse, and the butler, and in short everybody he could get
hold of, to come and admire.

'It is really very neat and nice,' said mamma; and by way of 'handsel'
or 'good-luck' to the new post-office, she immediately bought six stamps,
for which she gave a whole penny extra, though Leo explained that of
course he did not expect that _usually_.

'I hope your rules will be kept,' said Marion who had been reading them
over. 'The principal one is about paying at once. Well, of course,
that's a very good rule. It is so easy to forget to pay for such little
things, if one doesn't do it at once. And then about the time of closing
every evening.'

'At eight o'clock--when I go to bed,' Leo said. 'I shall come round then
for the last time and shut up.'

'But,' said Cynthia, '_supposing_ mamma wanted a stamp quite late at
night. It might happen, you know, and that was to be the good of having
a post-office in the house. And if you had locked them all up'----

'I can't lock them up,' said Leo; 'there's no key.'

'Well then,' said Marion, 'I think you should make a rule that if mamma
wants anything after eight, she should be allowed to have it, or if
any one else does, they might too, if they got her to sign one of the
papers. Of course it wouldn't often happen, but just in case.'

'Very well,' Leo agreed; 'I'll add on that new rule,' and so he did.

All went well for some time. The stock, of stamps especially, was sold
out several times in the course of the first week or two, and everybody
paid regularly. Once or twice, it must be owned, Cynthia forgot to pay,
and more than once or twice people forgot to mark down what they had
taken. But Cynthia was always ready with her pennies as soon as Leo
asked her, and except for this the money was all right. More than
all right indeed, for one day a friend of his mother's made such big
purchases that he was quite cleared out, and had to set off to the
chemist's at once, and thanks to this and to other smaller profits, by
the end of the first week he had gained threepence, and by the end of
the second, twopence-halfpenny more.

So Leo began to think his post-office a great success.

But one morning he had a start.

He had left all quite correct the evening before; the money was right,
and he knew exactly how many stamps he had left, when he had made his
last round, as he called it, at bedtime; but this morning, though the
money was the same, the stamps were not; three penny ones were gone.

[Illustration: One morning he had a start.]

Leo counted them all over and over again, 'to be quite sure,' even
though in his heart he had been quite sure from the first. Then he ran
up-stairs to ask his mother if possibly she had taken them after he was
in bed, and forgotten to mark them down. No, mamma had not had any. Leo
began to look quite distressed.

'Don't worry about it,' said his mother. 'It's the first time anything
has gone wrong. I will pay the threepence, dear. It has just been some
mistake.'

Leo thanked her and ran off, determining to count more carefully than
ever. And for two or three days all was right. Then again, one morning,
it happened again that stamps were missing. Two penny and one halfpenny
this time!

'Dear, dear,' thought Leo, 'I don't like this at all,' and again mamma
was consulted. 'If this goes on,' he said, 'I must give it up.'

But mamma advised him to wait a little; perhaps some one would remember
having taken them.

So Leo waited, though far from easy in his mind. Only one thing consoled
him.

'If it was a robber,' he thought, 'they'd have been _more_ likely to
take the pennies than the stamps.'

[Illustration: "IT REALLY IS VERY QUEER"]

For some days poor Leo was in great trouble about the strange
disappearance of his stamps. He asked everybody, but nobody had had any
they had not paid for. And he was sure nobody in the house would say
what was not true. He began to think of robbers and burglars, only, as
Benjamin the footman reminded him, 'It wasn't common-sense to suppose
burglars'd steal postage-stamps and nought else; not that there was much
chance of silver plate about. Mr. Trev, the butler, and he--Benjamin
himself--was a deal too sharp.'

Benjamin seemed a little cross about the stamps, and so did Trev, Leo
thought. And mamma advised him to say no more about it. If it happened
again--well, she began to be afraid he would have to give up his
post-office, and for some evenings, to make quite sure, she counted them
over herself with him at bedtime, and as they each time proved right the
next morning, she almost thought Leo must have miscounted.

But alas! Two mornings after that, and again stamps were missing, two
this time, and, by way of variety this time, a newspaper wrapper!

'It really is very queer,' said Leo's mother when he flew to tell her
of the new troubles. 'I really do feel as if I would like to find out
who takes them. I've a great mind to sit up late one evening and watch.'

'Oh no, mamma, please don't,' said poor Leo, looking quite frightened;
'at least if you do, you must let me sit up too. Just think if it was
real robbers,' for he could not quite get the idea out of his head that
burglars after all might have to do with it.

Mamma laughed, but still she promised him that she would choose a night
when his father was at home.

'I don't think I should care to sit up late all alone,' she said, 'even
though I don't think it likely that burglars are stealing your stamps,
Leo.'

Now I must explain that Leo's father was a _very_ busy man. Some
evenings he did not get home till long after not only Leo, but his big
sisters and even his mother, were in bed, and sometimes he had to go off
so early in the morning that for several days together, now and then,
they scarcely saw him. This was a great trouble to them all, for they
were very fond indeed of their father, and he was very fond of them. But
it could not be helped for the present, though Leo was already looking
forward to the time when he should 'be a man,' and able to help papa.

Lately, since Leo had started his post-office, his father had been even
extra busy, and if he had heard about the matter at all, he had not paid
much attention, or else he had quite forgotten it. The schoolroom in
these children's house was at the end of the hall, and between it and
the dining-room was a tiny little book-room or study, where their father
kept all his own papers, and where he used to write when he _was_ at
home. Sometimes when he came home very late and let himself in with his
latchkey, he would go straight to this little room, where a good fire
was kept up, and there he would write answers to any letters he found
waiting for him, and leave them on the hall-table all ready to be posted
the _very_ first thing in the morning by whichever of the servants was
the earliest about; but I don't think any of the children or their
mother knew of this custom of his, as it had never happened to come in
their way.

The very evening of the day on which Leo and his mother had been talking
so seriously about the missing stamps, papa, for a wonder, came home
quite early. It was really a great treat to them all. He had dinner quite
comfortably with mamma, and after dinner, when Marion and Cynthia and
Leo were all in the drawing-room as usual, they kept saying to each
other _how_ nice it was to have papa with them.

'If only you could come home every day as early as this,' said Cynthia
to him.

'But perhaps if I could, you wouldn't think so much of me,' said her
father laughing.

'And I'm afraid mamma wouldn't let me sit up till nine _every_ night,'
said Leo, who had got an hour's grace this evening. 'Mamma,' he went on,
coming close to her and whispering, 'do you think you'll sit up to-night
and _watch_? I wouldn't mind you doing it with papa, you know.'

'I'll see about it,' said his mother, smiling, while his father looked
up and asked what they were whispering about--it was a shame to have
secrets from him when he was so seldom at home!

And as he spoke, he got up slowly from his comfortable chair by the
fire.

'I'm afraid I must go down-stairs to the study,' he said. 'I have some
letters to write, though I do feel very lazy about it.'

But immediately a cry was set up.

'O papa, do wait till we've gone to bed,' said the three voices. 'We
shall be going in half an hour.'

So of course papa gave in.

Mamma had an interesting book to read after the children had gone to
bed, and their father had left her to write his letters. She read on for
some time, and then she began to feel chilly, and looking up she saw
that the fire was getting low.

'I'll go down to the study,' she thought. 'There's sure to be a good
fire there.'

As she went down-stairs it struck her that she would take a look into
the schoolroom, and just notice if the 'post-office' drawers were shut,
and all looking as usual.

'I might even,' she said to herself, 'count the stamps and compare my
counting with Leo's to-morrow.'

But it was dark in the schoolroom. The fire, however, was not quite out;
she turned to look for a match or a spill to light one of the candles.
Her back was turned to the door, but as she stood there she heard it
creak a little as some one pushed it open and came into the room. And
this some one, much to her surprise, marched straight up to the stamp
drawer, not to the money one, as if well acquainted with the arrangements,
and by the light which came in from the hall stood quietly helping himself
to some stamps. And who do you think it was? Why no one in the world but
Leo's father himself!

Mamma all but burst out laughing, but she managed to stay quite still
for a moment. Then she called out: 'What _are_ you doing in that drawer?'

It was papa's turn to jump then! But he soon got over his start.

'What are you doing there all by yourself in the dark?' he said. 'And
what should I be doing but taking a stamp or two, of course,' he went
on, coolly. 'I've always forgotten to say what a good idea it is to have
stamps and wrappers and things so handy here. I never knew you kept them
here till a few nights ago, when I came in here to see if there was any
coal, as my fire was nearly out, and the drawer was open.'

'Ah,' thought Mamma, 'Leo did say he had asked Cynthia to shut it the
night he had a headache, and no doubt she forgot.'

'And,' papa went on, 'I was so glad to see where the stamps were, as I
sometimes run short. Since then I've helped myself to whatever I wanted,
two or three times.'

[Illustration: The Culprit]

'So _you_ are the culprit,' Leo's mother exclaimed, laughing. And then
she told the whole story.

       *       *       *       *       *

His father was very much interested, and very sorry to have caused any
anxiety. He put a whole shilling into the 'till,' which more than put
Leo's accounts straight. And the next day he did something still nicer.
He brought Leo home the neatest little letter-weigher you ever saw, and
told him to add a new rule, to say that letters should be weighed at a
charge of a farthing each, in case anyone was in doubt how many stamps
to put on. And he also gave Leo a present of a packet of big envelopes
of different sizes, which he told him he might sell for a halfpenny
each, as they were thick and strong. So Leo's business is flourishing
and increasing very much, and he has even thoughts of adding luggage
labels and registered-letter envelopes to his stock in trade.

And since the night that mamma watched for the burglars, not a single
stamp or postcard or anything has ever been missing.

[Illustration]


[Illustration: DENIS IS FRIGHTENED. Page 121.]




BRAVE LITTLE DENIS.

  The brave man is not he who feels no fear,
  For that were stupid and irrational;
  But he whose noble soul its fear subdues,
  And bravely dares the danger nature shrinks from.

                                    JOANNA BAILLIE.




CHAPTER I.--WHAT IS 'BRAVE?'


The news had come up to the nursery, and there was great excitement and
rejoicing. Linda and Nettie chattered so fast, and had so many questions
to ask, that the 'big' boys, Alex and Lambert, when they came in to tea
could not at first find out what it was all about, or get anyone to
explain. And when at last baby--Miss Baby, who was two years old and
quite understood that, when nurse wanted to speak, it was not the time
to pull her shoes off and complain that 'hers toes was told'--condescended
to be quiet and let poor nurse answer, the noise did not grow any less,
I can assure you.

'Going to Baronscourt for Christmas. Hurrah!' shouted Alex. 'Three
cheers for Granny, Lambert,' which Lambert was only too ready to join in.

'Do you think Granny will make us a Christmas-tree, nurse?' asked Nettie.

'She _should_,' said Linda, 'because of missing last year, you know.'

'Me kismas-tee, too,' said Baby.

'Silly little girl, everybody can't have a Christmas-tree for themselves,'
said Linda; at which snub Baby began her preparations for a scream, which
was only averted by Alex good-naturedly picking up his little sister and
instructing her to give three cheers for Granny.

'Now join too, Denis,' said Linda. 'Why don't you cheer too?'

Denis raised his grave little face.

'I want to finish this story,' he said, dropping his eyes again on the
book in his hands.

'What a fancy he's taken for reading, all of a sudden,' said Linda in
a lower voice to nurse. 'I don't believe he understands it. He reads
awfully slowly when he's at his lessons.'

'Well, Miss Linda, he's only five,' said nurse. 'It's nice for him to
find something to keep him quiet sometimes. But he is rather strange
this afternoon. I don't know what he's got in his head, sitting there
by himself, though to be sure he's always a good bit quieter than his
brothers.'

'He's such a baby for his age,' said Linda, rather contemptuously. 'When
Alex was seven--that's only two years older than Denis is now--he could
do all sorts of things--jump his pony and play cricket, and'----

'I don't think you can remember much about it, Linda,' said Alex, who
had overheard her. 'When I was seven you were only five, and that's
three years ago, and when Lam was five he couldn't do any better than
Den.'

'Because Lambert was delicate, and Denis is not a bit delicate; he's
just very babyish,' said Linda, turning away, as if that settled the
question.

Denis looked up and opened his lips as if going to speak, but then shut
them again and said nothing.

'Aren't you glad to go to Baronscourt, Den?' said gentle little Nettie,
the sister who came next him in age. She was sitting beside him at the
tea-table, and spoke in rather a low voice. 'Don't you remember how
pretty it is there? It's only six months since we were there last. You
can't have forgotten it.'

'No,' said Denis; 'I've not forgotten it.'

'Then, aren't you glad to go?'

'I'm glad to see Granny and Prince,' said Denis; but that was all Nettie
could get out of him.

He was always a quiet little boy, but during the next few days, if
anyone had noticed him closely, it would have been seen that he was even
quieter than usual. But these next few days were very busy ones, for the
Christmas visit to Baronscourt had been decided on hurriedly, and the
nursery arrangements were rather upset. Only once, when the children's
mother had come up to see them, she noticed Denis sitting silently in a
corner with a very grave look on his little face.

'Is he not well?' she asked nurse, and nurse, after a glance in the
child's direction, replied 'that she did not think he was ill; he was
often very quiet--it would pass off again.'

'The change to Baronscourt will brighten him up,' said his mother. And
then she went on to tell nurse some of the arrangements.

'I had a letter this morning,' she said. 'The house will be very full,
but they can take us all in. The girls will have the little room next to
mine, and the boys will have the turret room at the end of the picture
gallery.'

A movement beside her made her stop and look round. Denis had left his
corner and was standing beside her, listening with all his ears, and
gazing up in her face with his large soft blue eyes.

'And where will nurse, and 'Liza, and baby, and me sleep,' he asked.

His mother laughed.

'You won't be forgotten,' she said. 'Nurse and baby will have the old
nursery, and you will have a little cot beside them, I daresay.'

A look of satisfaction crept over his face.

'And 'Liza?' he asked.

'Oh, poor 'Liza won't be forgotten either,' said his mother.

Denis grew brighter after this conversation, and at tea that afternoon,
when all the children were talking, he joined in as usual.

'Mother told me where you'se all to sleep at Granny's house,' he announced,
impatiently. 'I'm to sleep with nurse and baby.'

'Yes, of course, because you're such a baby yourself,' said Linda.
'Nettie and I are to have a room to ourselves like we have at home.
I hope it'll be the turret room at the end of the gallery. I do so
love the gallery--at night, you know, when the moon comes in through
the coloured glass and makes all the faces of the pictures look so
queer--red and purple, and blue and green. The red ones look quite
jolly, but the green and blue ones look dreadful.'

'Like ghosts,' suggested Lambert.

'Yes, something like that, I suppose,' said Linda, as if she was in the
habit of seeing ghosts, and knew quite what they were like.

'Or like us when we play snapdragon--at the end, you know, when they
throw salt in among the brandy,' suggested Nettie.

'Don't talk about that, please, Nettie,' whispered Denis, tugging softly
at his sister's arm.

Nettie looked surprised, but she understood Den better than did any of
the others, so she said no more; but later in the evening, when they
were alone, she asked him what he meant.

'I don't know,' said Denis; 'don't ask me; I want to forget about it,'
and he gave a little shiver.

And question as Nettie would, he could not be got to explain further.

There was only one Sunday at home before the day came for going. It was
a cold and snowy day; too cold, it was decided, for the children to go
to church, so in the afternoon their mother sent for them all to read
with her. The stormy weather led to their talking about adventures in
winter--about poor travellers being lost in the snow, and the brave
things that had been done to rescue them sometimes, and the children's
mother told them some stories which they thought very interesting.

'What is "brave?"' asked Denis suddenly. He was sitting beside his
mother, and was holding her hand.

Mother looked round.

'Suppose you each answer Denis's question?' she said. 'I'll begin with
you, Alex, as you're the oldest. What does true bravery mean?'

'Den didn't say "true" bravery, mother,' objected Linda, who had already
shrugged her plump shoulders contemptuously at her little brother's
question, with a muttered 'So silly--anybody could tell that.'--'He only
said, "what does 'brave' mean?" If you say "true bravery," it gets more
puzzling.'

Mother looked at Linda with a rather amused expression.

'That is why I added the word you object to, my dear Linda. I _want_ you
all to think about it a little, not just to answer what "anybody can
tell," without reflecting at all.' Linda blushed. _Sometimes_ it was
annoying that mother had such quick ears. But she said nothing. 'Come,
Alex,' continued mother, 'what is true bravery?'

'Oh, I don't know. _I_ don't see anything puzzling,' said Alex, looking
puzzled, nevertheless. 'It just means not being afraid of anything.
It's just the way people are made. Some are afraid, and some aren't.
I'm never afraid, but it's just that I'm made that way,' he went on.

'But if that's it, it has nothing to do with being good,' said Lambert,
who was more thoughtful than Alex. 'I mean, it's no use thinking about
a thing that comes of itself like that, mother. And yet being brave is
always counted as if it was something good, something to be praised for.'

He raised his face to his mother's, questioningly.

'Well, try and put your feeling about it into words,' she said.

Lambert hesitated.

'I know,' said Linda, confidently. 'Mother means that true bravery is
when there's no pretending about it. Some people who are really afraid
_pretend_ they're not--boastingly, you know.'

'And that is _one_ sort of cowardice,' said her mother. 'They don't own
the truth, because they're afraid of being thought afraid. You're right
so far, Linda; but you do not go quite far enough.'

A little eager sound from Nettie caught her attention.

'Well, Nettie, have you something to say?' she asked.

'I don't quite know,' Nettie began. 'I thought I could see it, but I'm
not sure. But isn't it a little like this, mother--that whether one's
afraid or not, one should try to do anything that's right to do?'

Her mother smiled.

'Yes, that is something like it,' she said. 'That's what I have been
wanting you to get to see. The _mastering the fear_--that is the truest
bravery of all. Not for what others may or may not think of us, but
because it is right. When a duty comes in the way, something right or
good or kind to do, a really brave person, man, woman, or child, will
do it even if it is something which they fear to do.'

'But still,' Lambert objected, 'there are some people praised for being
brave who don't feel fear--like what Alex said. Should they not be
praised, mother?'

'Certainly they should be praised for doing right at risk to
themselves,' said his mother. 'It is a great blessing to be naturally
brave--what is called physically brave. But I doubt if even the
naturally bravest men have never known fear. It is the determination to
do their duty at all costs that keeps them brave and gives strength and
courage. And this even the most timid by nature can learn; so this is
what I call true bravery. Not the unreasoning courage of a lion or a
bulldog, but the courage of a man who knows his duty and will do it.'

The children sat silent--each in his or her own way thinking over their
mother's words. One only had said nothing, but he was pondering deeply,
and his mother, glancing round, saw Denis gazing before him with a curious
look in his innocent blue eyes.

'Do you understand a little, Denis, my boy?' she asked, with a smile.

'I fink so,' he answered softly, and she felt him squeeze the hand he
held. But that was all he said.

[Illustration]




CHAPTER II.--GRANNY AND THE CHILDREN.


Two days later, in the dusk of a mid-winter afternoon, they were all
arriving at Baronscourt. The ground was white with snow.

'What a storm there must have been here,' said the children's father.
'The snow is quite deep, much deeper than with us.' For their home was
at some hours' distance, and farther south.

'Do you fink anybody will be lost in the snow, Nettie?' whispered Denis
to his sister.

They two were seated opposite their father and mother in their
grandmother's brougham, which had been sent to the station to meet them,
with a large covered wagonette for the rest of the party.

Nettie smiled at Denis.

'Not here, Den,' she said. 'It's very seldom people are lost in the snow
in England. It's in far-away hilly countries like Switzerland.'

'Was it there that mother was reading about?' asked Denis, only half
satisfied.

'Yes,' said Nettie. 'It's there that they have the great big dogs that
are so good, going looking for the poor people in the snow.'

'I shouldn't like to live in that country, though I _would_ love the
dogs,' said Denis. And then jumping up in his seat with a scream of
delight, 'O Nettie, O Nettie,' he cried, 'look, look! There's dear
little Prin coming to meet us all in the snow; dear little Prin; oh,
I hope he won't get covered up. Mayn't we stop to take him in?'

'We're quite close to the house, dear,' said his mother, smiling at his
pleasure. 'Prin will be all right. Granny will not let him go far alone,
you may be sure.'

And as she said so, Prince, whose little smooth, jet-black body looked
very funny in the snow, turned round after two or three sharp barks of
welcome, and made for the house again.

'He's gone to tell them we're come,' said Denis; 'isn't he a _sensible_
dog, Nettie? I don't think I love _anybody_ better than Prin,' he said,
ecstatically.

They were at the front door by this time, and there, a little way back
in the shelter of the hall, for it was very cold, and she was no longer
a young lady, stood dear Granny waiting to welcome them.

Granny, I must tell you, was not the children's grandmother, but
the great-aunt of their mother. She seemed, therefore, a kind of
great-grandmother to Denis and his brothers and sisters, and to have
called her 'Aunt,' or anything else but 'Granny,' would have been
impossible. She was old; very old, I daresay she seemed to the children,
but yet there was a delightful sort of youngness about her, which made
them feel as if they could tell her anything, with a certainty of being
understood. And of all the children she loved and who loved her, I don't
think any felt this beautiful sort of sympathy more than quiet little
Denis. It was a long time--in child life a very long time--since he had
seen her, six months ago, a tenth part of the whole time which Denis
had spent in this world--but when he saw dear Granny standing there in
the doorway, her sweet gentle old face all over smiles of pleasure, it
seemed to him that he had never been away from her at all.

'Dear Granny,' he said softly, when his turn came to be kissed, 'dear
Granny, I do 'amember you so well--you and Prin;' and he was not at
all offended when the others laughed at his funny little speech--a long
speech for Den; he thought they were only laughing because they all felt
so pleased to be back with Granny and Prin again.

'My dear little boy,' Granny said, as she kissed him, 'this is very
sweet of you. And you may be sure Granny and Prin haven't forgotten
you.'

And Denis, looking up, thought that Granny was the prettiest lady in the
world, 'next to mother.' She _was_ very pretty, at least in the sight of
those who do not think beauty is only to be found in the bright eyes and
fresh roses of youth. And, indeed, Granny's eyes were bright still, and
when she was very pleased, or sometimes when she was very vexed--for
Granny could be vexed when it was right she should be--her cheeks, soft
and withered as they were, would grow rosy as when she was a girl. They
were rosy just now, with pleasure, of course, and perhaps with a little
tiredness; for there were a great many people staying in the house, and
large as Granny's heart was, it was rather tiring to so old a lady to
attend to so many guests.

'I am so glad you have come, my dear,' she whispered to Denis's mother.
'You will help me better than anyone. It was right I think to fill the
old house again this Christmas, but my heart fails me sometimes when
I think of those who are no longer among us. And yet they _are_ among
us--just at these times, my dear, all the old faces seem to be smiling
back at me, the last of the generation. The house seems filled with
their presence to me as much as with the living friends who are about me.'

The children's mother pressed Granny's arm.

'Dear Granny,' she said, 'don't talk like that. We couldn't do without
you yet awhile. You are tired, dear Granny. Now it will be all right.
I shall do all, and you must rest.'

Denis had been standing close beside them. He heard what Granny said
without understanding thoroughly what she meant, and a very grave,
awe-struck look came over his face.

'Does Granny mean that they come out really?' he said to himself with a
little shiver. 'Granny doesn't seem frightened,' he added. 'I mustn't be
frightened, but I'm so glad I'm to sleep in nurse's room.'

Poor little man. There was disappointment in store for him. His mother
would not let Granny go up-stairs to show them their rooms as she wished
to do.

'No, no, Granny,' she said, 'I know them all quite well. Take Granny
back to the library, Edith,' she added to one of the young ladies
staying in the house. 'I'll come down in five minutes when I have
settled the children in the nursery.'

Granny's maid met them at the top of the first stair, and went with them
to their rooms.

'Yes,' said the children's mother, 'that will all do beautifully. Linda
and Nettie in the room beside me, nurse and baby in the old nursery, the
boys in one of the turret rooms, and Denis--let me see--isn't there to
be a little bed for him in the nursery?'

They were on their way from the nursery to the boys' room when she said
this; Denis beside his mother still, holding her hand.

'No, ma'am,' said Tanner, the maid, 'my lady thought Master Denis would
be better in the little room beside his brothers'. It's a very little
room, but big enough, I daresay, for such a little gentleman. It would
not have been easy to put another bed in the nursery, without filling it
up so. And my lady thought Master Denis would be proud to have a room of
his own.'

'Yes, indeed,' said his mother; 'how kind of her.'

They were passing along the picture gallery. All of them together,
except nurse and baby, who had stayed behind by the nursery fire. Linda,
Alex, Lambert, and Nettie in front; mother and Denis and Tanner behind.
Denis tightened his hold of his mother's hand, but said nothing.

'I wish _we_ had one of the turret rooms,' said Linda; 'this gallery is
_so_ lovely to run along every time one goes to one's room. I like this
gallery the best of anything in the house.'

'And best of all in the moonlight,' said Alex. 'Don't you remember,
Linda? For my part I prefer it in the day-time, or well lit up, like
just now.'

'What a goose you are!' said Linda. 'Do you mean to say you'd be
_afraid_ to come here in the moonlight?'

'Hush, children, don't talk so foolishly,' said their mother, for she
never liked that silly kind of talk, especially before the little ones.
'I quite agree with you, Linda, about this gallery being charming.'

They all stood for a moment--they were close to the end door by now,
the door that opened into the anteroom, from whence opened the turret
rooms--and looked back. It was worth looking at. Lighted by the
old-fashioned lamps that hung at intervals from the dark oak ceiling,
which reflected their rays like a black mirror, the old gallery, with
its coloured glass windows at one side, the small, leadened panes
looking quaint and mysterious, though their tints could not, of course,
be seen, and the rows and rows of silent portraits looking down upon you
from the other side, seemed like a dream of a long-ago world, the merry
voices and bright glances of the children striking one as almost out of
place, and the grave faces appearing to gaze at them in disapproval.

'It was not meant for a picture gallery long ago,' said their mother:
'if it had been, these windows would not have been placed so, and they
certainly would not have had coloured glass. These portraits used to
be in the large saloon and the drawing-room, but they made them look so
gloomy that Granny's father hung them up here,' and so saying she opened
the door and crossed the passage to the boys' room, followed by all the
five.

'How jolly!' said Alex and Lambert in a breath, and with good reason,
for their room looked the picture of comfort, with its deep window-seats
and wainscoted walls, and the radiance of the brightly-burning fire over
all.

'The boys don't have fires in their bedroom at home,' observed Linda.

'And they need not have one here every day,' said their mother. 'It's
just for a welcome at the beginning.'

'And because it really is so cold. I hardly think my lady would be
pleased if they hadn't one,' said Tanner with a smile, which made Alex
and Lambert think she was very kind indeed.

Then they all turned to look at Denis's little room. It was very snug
and cosy, though very tiny. It did not open into his brothers', but was
just across the little anteroom.

'You will be very happy in here, won't you, Den?' said his mother
brightly; and not noticing that the little fellow did not reply, she
hurried away, for she was anxious to go down to the library and help
Granny with afternoon tea for her guests.




CHAPTER III.--THE PICTURE GALLERY.


Linda and Nettie turned to go back to the nursery, where tea was waiting
for them. Denis took hold of Nettie's hand to go too, but Alex and Lambert
remained behind to explore further their new quarters.

'Nettie,' said Denis, pulling his little sister back a little. 'I wish
I might have slept in the old nursery with nurse and baby.'

'Why, Denis dear?' said Nettie in surprise; 'your little room is so
pretty, and I never knew you were frightened of sleeping alone.'

'I'm not,' said Denis. 'It's not that.'

'What is it, then?' said Nettie. 'It's such a pity you don't like it,
when Granny's planned it so to please us. We should seem pleased, Denis,
for you know Granny is rather sad. Last Christmas she was too sad to
have anybody, for poor old uncle had died, you know. And it's _so_ good
of her to have us all this Christmas. Mother says Granny's only pleasure
is to make other people happy.'

'I do love Granny,' said Denis.

'Well then, don't you think you should try to be pleased with what she's
planned for us--with your nice little room?'

'I _are_ pleased with my room,' replied Denis. 'I like it werry much.'

Nettie stared at him as if she thought he was losing his senses.

'Then what _do_ you mean?' she asked.

Denis looked round. They were still in the picture gallery. He pulled
Nettie on, and when they were in the passage on to which at this end the
gallery opened, he shut the door and drew his sister into a corner.

'Nettie,' he said, 'you won't never tell, will you?'

'No,' said Nettie, rather rashly.

'I wouldn't tell anybody but you, Nettie. Linda can't hear, can she?'

'Oh no, she's run on to the nursery.'

'Nettie,' he continued, 'it's not my room. It's the picshurs,' here
he shook his head solemnly. 'It's having to pass the picshurs. It's
dreadful. But, O Nettie, don't tell. It began last year when we was
here. They try to catch me, Nettie. I'm almost sure they do. They come
down off the wall and run after me--at least I _fink_ they do.'

'But they _can't_,' said Nettie, very much impressed, but still full
of common sense; 'they _can't_, Denis. Pictures is pictures--they can't
walk or run. Just think, they're not alive--they're not even like dolls.
They're only thin bits of paper or wood--or--or--whatever it is pictures
are painted on.'

But Denis still shook his head.

'I know that,' he said. 'I've thought of that, but it's no good. When
I'm not there I think that way, but as soon as I'm there it begins. Their
eyes all look at me, and I'm sure they begin to get down to run after me
as soon as I've passed. It's worst at night, like now, when the lamps is
lighted. It isn't so bad in the day. But, O Nettie, it must be worstest
in the moonlight,' and he gave a little shiver; 'don't you 'amember what
Linda said about it--all the colours on the faces, you know?'

'But anyway,' said practical Nettie, 'you don't need to see them in the
moonlight. You never need to go along there after the lamps are put out
at night.'

'No,' said Denis, but not as if he found much consolation in the
thought.

'And if you'd let me tell mother,' continued Nettie, 'I'm sure she'd
change it some way. You might sleep with Alex, and Lam have your room.'

'_That_ wouldn't do any good,' objected Denis. 'It's not the room I mind.'

'Oh no, of course. I forgot. But Den, I daresay it could be settled for
you to sleep in the old nursery after all.'

'No,' said Denis. 'I'm going to try, Nettie. I want to be brave, and I
don't want to vex Granny and mother. So you mustn't tell. You won't, I
know, 'cos you've p'omised. I'm going to try running very fast along the
gallery every time and look at the window side, not at the pictures.
Then _p'raps_ it won't come.'

'It. What?' asked Nettie, in an awe-struck tone. She was very much
impressed by the whole, and felt no small admiration for Denis. 'Is
there one more than the others that tries to catch you?'

'No,' said Denis. 'I mean the _feeling_ when I say "it." Oh, it's
dreadful!' he repeated. 'But do you know, Nettie,' he went on, 'I fink
Granny knows somefin about it. She said somefin to mother. But _she_
didn't seem frightened. P'raps they don't try to catch her. She said
they smiled at her?' and Denis looked up at Nettie with great
bewilderment.

'She couldn't have meant the pictures,' said Nettie decisively.

'She said, the old faces, and there isn't any other old faces,'
persisted Denis.

'Well, never mind about that,' said Nettie, resolving privately,
nevertheless, to try to find out what it was Granny _had_ said. 'You
didn't understand, perhaps, Denis. You're only a very little boy still,
you know, and big people do say things sometimes that sound quite
different from what they mean. We must go to the nursery to tea now, but
I'll tell you one thing. Every time you have to run along the gallery
I'll _try_ to go with you, and then p'raps you'll get not to mind. Of
course if you were frightened in the night, you have Alex and Lambert
close to.'

'I'm not frightened in the night. I'm not frightened _nowhere_ 'cept
_there_. Thank you, dear Nettie. You'll hold my hand, won't you? and
we'll run together, and p'raps I'll get not to mind. I don't fink I can
leave off minding, but I want to be brave.'

And holding up his little face to be kissed, Denis went back to the
nursery with Nettie, his heart somewhat lighter, I think, for having
confided his secret to some one.

It did not occur to Nettie that it would have been right for her to tell
it. For one thing she had 'promised,' and with these children that word
was a solemn one. Then, too, she fully shared Denis's dislike to
complain or give trouble, partly from the wish to please Granny who was
'so kind,' partly from the strange reserve one often finds in even very
little children. Few but those who have watched them very constantly and
closely have any idea how much children will endure rather than complain.

For some time nothing happened to cause Nettie to think more seriously
of poor little Den's strange fancy. He seemed to wish not to speak of
it, and she did not lead him to do so, hoping always that he might come
to forget it. But she did not forget her other promise. Every time that
Denis had to traverse the dreaded gallery, his faithful little sister,
if she knew of it, was sure to start up to go with him. They used to run
as fast as the slippery polished floor would allow them, holding each
other's hands, and, Denis at least, steadily avoiding to look at the
portraits. In the morning early he did not mind it so much, though even
then Nettie often came to fetch him, if he had not already made his
appearance when Linda and she were summoned to the nursery breakfast.

'It's queer how Miss Nettie and Master Denis cling to each other,' the
under-nurse remarked one day. 'I never noticed it so much before. It's
like as if he couldn't move without her.'

'Miss Nettie's a very kind little girl,' the head-nurse replied, 'but
I do think she spoils Master Denis a little. He's getting a big boy.'

That very evening, as they were beginning tea--and tea-time at Christmas
is always after dark--nurse told Denis to run to his brothers' room to
tell them to come, for Alex and Lambert, having gone off to wash their
hands, had not returned. Denis began slowly to clamber down from his
chair, somewhat encumbered by Prince, who was, as usual, in his arms.

'Make haste, Master Denis,' said nurse, rather sharply, though not
unkindly. 'You shouldn't have the dog always in your arms, my dear.
At meal times it isn't nice.'

Denis cast an appealing glance at Nettie. She had already left her place
and was at his side.

'Put Prince down, Den,' she said, and the little boy did so, while
Prince, shaking himself, ran to the hearth-rug, moving round and round
till he had burrowed an imaginary hole, where he comfortably ensconced
himself.

'Mayn't I go instead of Denis?' said Nettie. 'I'd run much quicker.'

Another time nurse would probably have said 'yes,' but her attention was
aroused. She did not quite understand Denis and Nettie, and it seemed to
her that they were not just the same as usual.

'No, my dear,' she said. 'It is better for Master Denis to go, as I told
him first.'

But the children hesitated.

'Mayn't we both go?' persisted Nettie, taking Denis's hand. But nurse
shook her head.

'Miss Nettie, Master Denis will never be a big, sensible boy if you
treat him so. Why should he not run off himself at once when I tell him?'

The tears came to Nettie's eyes, but Denis gave her hand a little squeeze.
'Whatever you do, don't tell,' the squeeze seemed to say, and Nettie
dared not do anything more.

'I'll go, Nettie dear,' said Denis, and his little sister, looking at
him, saw that, though he was very pale, there was a look of determination
on his face. He turned to the door, and Nettie, choking back a sob,
turned back to her place at table, when suddenly the door burst open
with a bang, and the two truants, Alex and Lambert, rushed in breathless
and laughing. With a great sigh of relief Denis clambered up again on to
his chair.

'We've had such a race,' Alex began; 'we wanted to see who'd get to the
end of the gallery first. I expect those old grandfathers and grandmothers
are rather shocked at the noise we make, sometimes.'

'There's one at this end who does look so cross,' said Lambert. 'The
one with the yellow satin dress, and her mouth screwed up _so_.' He
illustrated his words with great effect--'just like Linda, when she's in
a temper. Ah! yes, that's it, Linda,' for his sister had turned from him
with dignified disgust. 'I'm sure I don't want such an ugly old thing
for a great-grandmother, but I'm afraid she must be some relation, she's
so like Linda.'

'Nurse,' began Linda, '_do_ make Lambert leave off, he is _so_'----

But a voice at the door interrupted her.

'Boys,' it said, and the children looking round caught sight of their
father. Up jumped the boys, and would have rushed towards him, had he
not stopped them. 'Don't be so excited,' he went on. 'I only want to
tell you that if the weather continues as it is, your cousins and I
are going to Hatchetts to skate to-morrow. There is to be a large party
there, for it is a capital place. Alex and Lambert, you may come with
us if you like. We shall be back before your bedtime, any way.'

There was a shout of satisfaction from the boys, but Linda looked
considerably annoyed.

'I'm sure father wouldn't take you,' she whispered to Lambert, who was
sitting beside her, 'if he knew how rude you are.'

'I wish Nettie and I might go,' she said aloud. '_Couldn't_ we, father?
The pond here is such a horrid little place for skating, and we can
skate so well now.'

'Me go too. Mayn't me go too?' began Baby, at which everybody except
Linda laughed.

'You, my pet!' said her father. 'Why, you'd be lost in the snow, and
what would we do then without our Baby?'

Denis looked very grave.

'Prin would try to get her out,' he remarked. 'Like the dogs up in those
snowy hills.'

'He means the St Bernard dogs,' said Nettie. 'Mother told us stories
about them.'

'Ah, yes!' said her father. 'But they are ever so much bigger than
Prince, my boy. Much more fear of Prince being lost himself in a
snowstorm, than of his rescuing anyone else, poor little dog.'

'But there isn't going to be a snowstorm,' said Linda. 'Father, mightn't
we go--I anyway?'

'No, my dear,' said her father. 'It's too uncertain. I hope the weather
will keep up. If it doesn't, no one can go. But it is too uncertain for
little girls: the boys must learn to rough it, but you and Nettie must
be content to skate on the pond here for the present.'

Linda's face clouded over still more. She hated being called 'a little
girl,' especially before her brothers. Her father turned away, either
not seeing, or not wishing to seem to see, her vexation.

'Get to bed early, then, and be up in good time,' he called out to the
boys as he left the room.




CHAPTER IV.--MASTERING THE FEAR.


The morning dawned bright and clear. The frost seemed settled, the sky
gave no signs of storm. The party of gentlemen and boys started on their
skating expedition in great spirits.

'Do you wish you were big enough to go too, Denis?' said Nettie, as they
stood at the door after watching them start.

'Not without Prinnie,' said Denis, hugging his pet, as he spoke. 'I don't
care to go anywhere without Prin, and it would hurt his dear little feet
to put skates on them, wouldn't it.'

Nettie burst out laughing at the idea.

'Come in, children. Don't stay there in the cold,' their mother called
out; and as they went into the library at her summons, Granny asked them
what they were laughing at.

''Twas Nettie,' said Denis, gravely as usual; and when Nettie told her
what had amused her, Granny looked rather anxiously at Denis.

'And do you never laugh, my boy?' she asked. 'If you say funny things
that make other people laugh, how is it you don't laugh yourself?'

Denis lifted up his face for a kiss, but there was an expression in his
eyes which Granny did not quite understand.

'That child looks--I don't know how exactly,' she said to his mother,
when Denis and Nettie had gone up-stairs. 'He is such a dear little
fellow, but there is a look of suffering or endurance in his face that I
can't understand. Your nurses are really kind to the children, I suppose?'

'Perfectly--I'm sure of it,' replied Denis's mother. 'He is always
quiet. Perhaps he is a little disappointed to-day at seeing Alex and
Lambert go off.'

But Granny wasn't satisfied. She resolved to watch little Denis for
herself.

He was looking graver than usual even, for the thought was heavy on his
mind that with his brothers away the whole day, the dreaded gallery
would be worse than ever. With Alex or Lambert at hand, he could often
manage to make the journeys to and from the nursery in their company;
but to-day he had no one to depend on but Nettie, and nurse did not like
Nettie always roaming about with him. It would not do to get Nettie
scolded for being so good to him. Poor Denis! He felt terribly deserted
as he followed Nettie up-stairs, Prin at his feet.

'Dear Prin,' he whispered, 'I wish it was time for us to go back home
where there's no picshur gallery to frighten us. Only then, dear Prin,
you wouldn't be coming too, for your home is here, you know, dear Prin.'

Prin wagged his tail and looked up at Denis. It was all that he could
do, poor little dog.

The day kept up fine and bright till towards two o'clock. The clouds
began to gather in leaden masses, and the dull, gray-blue look one knows
so well in winter, came over the sky.

'I'm afraid it's going to snow again,' said the children's mother, on
their way home from the despised pond, where Linda and Nettie and some
of the young ladies staying in the house had been amusing themselves by
skating, and Denis had been allowed to slide, with Prince at his heels,
of course.

'What a nuisance!' said one of the girls. 'All our skating will be over
if it does, till the pond is cleared again. It is just nice now. And oh,
by the bye, you will be uneasy about uncle and the boys if it snows'--for
this young lady was a cousin of Linda's and the others--'won't you, aunt?
Hatchetts is an awkward place to get away from in a snowstorm.'

Denis listened with all his ears, while his mother looked up anxiously
at the sky.

'If it really comes on as bad as that, I hope they won't attempt to come
home to-night,' she said.

'They might be losted in the snow, and we have no big dogs!' exclaimed
Denis in great distress, as already a few flakes began to fall.

'Don't be afraid, my boy,' said his mother. 'Father will not do anything
rash, you may be sure.'

But her relief nevertheless was great when, about four o'clock, a
servant who had started with the party in the morning, came back with
the news that the gentlemen were going to stay away all night. He had
started as soon as the weather gave signs of changing, so he had got
back without difficulty. The snow had not begun yet where they were
skating, he said, but it was plain to be seen that it was coming, though
the gentlemen hoped to have two or three hours' good exercise, as they
would dine and sleep with the friend on whose property they were.

It was well they had so decided. By five o'clock the snowstorm was at
its height. It was too dark to distinguish anything from the windows,
but news came in from outside that the snow lay deep already, and gave
no signs of leaving off.

'We must make ourselves as comfortable as we can,' said Granny, as she
told the servants to put more wood on the fire, 'and be thankful that
our dear ones are not out in any danger. So you've come to say good-night,
dears, have you?' she went on, as the little girls and Denis just then
came into the drawing-room. 'Good-night, my darlings; you've had a happy
day, I hope, in spite of the weather?'

'Oh yes, Granny,' they answered eagerly. 'We've had blind-man's buff
with Cousin Edith and the others in the hall.'

'And now you're sleepy and ready for bed. Good-night and pleasant
dreams,' and the children trotted off again. Granny had kissed Denis
among the others, and had been pleased to see his little face rosier
than usual, thanks to the romp they had been having. Afterwards she
wondered to herself for not having remembered that with his brothers
away the little fellow would be rather lonely in his part of the house,
but somehow it did not come into her mind just then. Nor did it occur to
his mother. So the children were put to bed as usual, and Denis made no
complaint. Indeed, once in his little room he felt quite safe. Nurse
had brought him herself through the gallery well wrapped up in her arms,
having undressed him by the nursery fire, and he hid his face on her
shoulder as she carried him, and avoided all sight of his silent enemies
on the wall.

'You're quite comfortable, Master Denis?' she asked, as she left him.

'Quite,' he replied, 'and nurse, you'll let me have Prin up to-morrow
morning?'

'Oh yes, dear,' she answered kindly; 'you were a good little boy about
him this afternoon. You shall have him to-morrow.'

Denis gave a sigh as he composed himself to sleep. He was not quite easy
in his mind about Prince, whom nurse had sent downstairs because Baby
was in a cross humour, and cried when he jumped on her.

'Poor Prince,' thought Denis. 'I hope he's not very unhappy. Robert'
(Robert was a young footman) 'p'omised to be kind to him, and not let
him go out in the snow. I hope father, and Alex, and Lambert won't be
lost in the snow, 'cos Prin is too little to get them out. I hope'----
But what he hoped more was lost in a confusion of ideas--Prince, and
his father and brothers, and the falling snow seemed all mixed together
in his brain, for Denis fell fast asleep.

The snowstorm was over, though he did not know it; since six or seven
o'clock no more had fallen. The clouds dispersed, though some of them
were still to be seen hurry-scurrying over the face of the moon in a
very provoking way, for she had come out in full, anxious to see what
was going on down there on the earth, which she had not had a good sight
of for some time past. She peeped in at the window of little Denis's
room and saw him sleeping sweetly, his little face flushed as he lay,
a contrast to those of the long rows of Granny's faded ancestors which
she glanced at for a moment, through the windows of the gallery, as the
clouds passed by.

Suddenly Denis woke, and half-started up in his bed. What had awakened
him? For a minute or two he could not tell. It was not the moon, though
she was there again, peeping in at the chinks left at the corners of the
window-blind, and lighting up the white cover of his bed. No, it could
not have been the moon, for, as he became more fully awake, he felt
sure he had heard some sound. He sat up and listened. Yes, there it was
again, a low wail or cry, once or twice repeated, and seeming not far
off. Denis sat bolt upright; he did not feel afraid, he only wondered
very much what it could be; again he heard it; it sounded like a cry for
help. What could it be? Visions of Alex and Lambert in the snow came
into his mind. How dreadful if it was one of them! and the cry sounded
so near too, as if it were some one at the side door to the garden--a
door which opened close by the stair leading to the nursery. What could
he do? Oh, if he only had one of these great brave dogs that his mother
had read about! The thought made him start--was not the cry like the
whine of a dog. Could it be Prince, his own dear little Prince out there
alone; poor tender Prince, that could not bear the cold, and would
be frightened? Could Robert have forgotten him? Up jumped Denis, and
without stopping for slippers or dressing-gown ran to the door.

'I will call Alex and Lambert,' he thought; 'they'll come with me to let
in poor Prin.'

But suddenly he remembered that Alex and Lambert were not there; they
were staying away till to-morrow. Denis stopped short--he must go
_alone_ to rescue Prince, alone through the terrible gallery. Bad enough
in the daytime and with Nettie's hand, or in the evening with all the
cheerful lamps lighted, what would it be in the middle of the night, in
the dark?--no, not in the dark, as just then his eyes fell on the strip
of brightness across the floor; worse still, it would be moonlight in
the gallery, and Denis shivered as he remembered what Linda had said of
the look of the old portraits in the moonlight.

'No,' he said aloud, 'I can't go. I can't, poor little Prin. I can't
pass along there and feel them running after me with their faces all red
and blue and green, and dreadful. I can't.'

But just then a rather low piteous whine reached his ears. It half broke
his heart to hear it, and at the same moment, as if by magic, some of
his mother's words that Sunday afternoon returned to the little fellow's
mind. 'Mastering the fear--that is the truest bravery of all; when
something good or kind to do comes in the way, to do it even if one is
frightened.' Denis stood up again. 'I'll try to be brave,' he thought.
'I fink God will take care of me if I go to let Prin in, so that he
won't die of cold.'

[Illustration]




CHAPTER V.--A FRIGHT AND ITS CONSEQUENCES.


He drew on his little dressing-gown, for he was shivering with cold and
excitement. But his slippers he would not put on. 'I can run so much
faster without them,' he said, speaking to himself in a low voice.
Then he opened the door, crossed the little anteroom, and hesitating
a moment, threw open the large door of the gallery. An instant he
waited before he found courage to look up. Then he did so, with a
half-acknowledged feeling that if anything _too_ appalling met his eye,
he could still rush back into the shelter of his own room.

But all was still, strangely still, and the curious effect of the
moonlight, streaming in, in fitful patches through the coloured windows,
for a moment made him forget his fears in a sort of awe-struck
admiration. It was even stranger than Linda had described it, for the
clouds quickly rushing across the moon, caused a mixture of light and
shadow, coloured by the tints of the glass, like broken and confused
rainbows. And had Denis not been too frightened to look at the faces on
the wall, the effect of this jumble of light and colour and shadow would
have been almost comical.

But a glance was enough. Then literally gathering up his garments--that
is to say, taking the skirts of his dressing-gown in his hands--the poor
little chap dashed into the enemy's country, looking neither to right
nor to left, and ran--his little bare feet making a quick pitter-patter
on the polished floor--ran as if for dear life! Fortunately he did not
stumble: had he done so, I doubt if he would have been able to get up
again--the terrible thought that something had caught him and made him
fall would probably have altogether overcome him--but oh how long the
gallery seemed, and oh how thankful he was to reach the other end and
burst through the swing baize door that closed it!

Here, in the passage, leading to the nursery, all was dark, or seemed so
at first, though as Denis felt his way to the staircase, his eyes got
used to the darkness, and gradually began to discern some light in it.
He knew his way so well that even without this he could have found the
stair; and once on it, a little more light came up from the fanlight on
the top of the garden-door below, and now Prin's voice was heard again,
quite plainly, showing that he was just outside the door, seldom closed
to him, poor little dog, as he was accustomed to come in and out by it
with the children on their way to and from the garden.

'I'm coming, Prin, dear little Prin,' cried Denis, quite brightly and
cheerfully now, as he reached the foot of the stair, and Prin in return
gave a hopeful little bark; 'one moment, dear Prin, till Denis opens
the door for you,' he went on, as he fumbled for the handle, which
he knew he could reach. He reached it, and turned it, but oh, what a
disappointment; the door would not open as it did in the daytime--it was
bolted! At first Denis thought it might be locked, and he felt about for
a key. But there was no key, and peering about in the uncertain light he
saw high up something which looked like a bolt--far too high for him to
reach, and probably too hard for his little hands to pull back. He had
never thought of this, and he was terribly distressed--especially when
another faint whine from Prince seemed to ask why he was so slow. But it
roused him too.

'Poor Prin,' he said, 'Denis can't get the door open. Den will have
to go and get nurse to help. He'll be as quick as he can. Stay there,
dear Prin,' and then he turned to climb the stair again, his feet this
time perfectly numb with cold. He must get up two flights--past the
day-nursery, to where nurse and baby slept, in what was called 'the old
nursery,' a story higher than the other. But so long as there was no
gallery to face, Denis did not seem to mind. He got on all right till he
was crossing the landing or passage on to which the swing-door opened;
then just as he was putting his foot on the first step of the second
flight he was startled by a noise--a sound of footsteps approaching him,
and, oh terror! from the direction of the gallery. In his fear he stood
still, as if not knowing what to do. The steps came nearer and nearer
with a rather slow, dragging sound. Denis still stood as if turned to
stone. The baize door swung open, a light warmer and brighter than the
moon rays gleamed through, and a figure stood full in the boy's sight.
A tall figure, it seemed to him, clothed in yellow, with pale face and
powdered hair, all distinctly seen by the flame of the taper held in
its hand.

'The lady in the yellow satin!' screamed poor Denis; 'oh, it's come
true! She's got out of the frame to catch me. O mother, mother, it's so
dreadful, and I did so try to be brave!'

His eyes closed, his legs gave way, and he half fell forward. What would
have happened I don't know, if a sweet, well-known voice had not reached
his ears.

'Denis, my boy, don't be frightened. Don't you know me? It's your own
old Granny.'

And half-laughing, half-crying, Granny went on talking till the boy took
courage again and opened his eyes.

'Granny!' he said, and then shivering again, seemed as if he could
hardly believe it.

'Yes, dear, Granny, in her old white cashmere dressing-gown. Look, dear,
and see.'

'And white hair, like the picshur,' he said, recovering himself. 'And
what a funny thing on the top of your head, Granny--all
frilly--like'----

'That's my nightcap,' said Granny, now fairly laughing, and then she
went on to explain that from her room, which had an unused door opening
on to the same landing as the boys' room, she had heard him moving
about, and fearing that something was wrong, and knowing the little
fellow to be alone, she had come round by the other way to see.

'For that other door is never opened, and there is a chest of drawers
against it,' she said. 'And when I found there was not a little boy in
bed in your room, I came back to look for him, you see, Denis, and I
thought I heard voices down below. For my ears are sharp still, though
I'm such an old woman.'

'It was me talking to poor Prin,' said Denis. And then in his turn he
had to explain all, and Granny, taking him back with her to her nice
cheerful room where a fire was still burning, rang the bell for her
maid, and in a few minutes poor Prince, the cause of all the upset, was
happily warming himself and forgetting all his troubles on Granny's
hearth-rug.

'I'll go back to bed now, please,' said Denis; 'I'm not a bit frightened
now. I don't fink I'll ever be frightened again,' he added in a
half-whisper, as he bade Granny a second good-night. And you may fancy
how proud he was, when Granny answered, 'Frightened or not, you've shown
yourself my own brave little Denis.'

Mother was told all about it next morning, and of the good fruit her
words had borne. But as she kissed her little boy, she explained to him
and to Nettie, too, that in such a case there would have been no
cowardice in telling her of Denis's fears.

'I would not wish any of you to be tried needlessly, dears, you know,'
she said. 'It would have been easy to put Denis into another room. Still
I am thankful to see that, when there was need, my boy could battle with
his fears and master them.'

But somehow, from that time, the picture gallery ceased to be a place
of terror to Denis. For one thing, Granny pleased herself by showing
him all the old portraits in the bright daytime, and telling him many
interesting and curious stories about their originals, till he got to
have quite a friendly feeling to the bewigged and bepowdered long-ago
ladies and gentlemen. Especially to the lady in the yellow satin dress,
with the mouth like Linda's!

Granny often smiled to herself when she put on her old-fashioned
lace-frilled nightcap, and thought of how she had frightened poor little
Denis. To 'make up,' she said, she gave him a present of Prince to be
his very own; and you may be quite sure he was never again left out in
the cold and snow, and that no dog ever led a happier life than he, in
faithfully serving the brave little master who had overcome his terror,
to do a good and kind action.


THE END.

       *       *       *       *       *

  Edinburgh:
  Printed by W. & R. Chambers.


BOOKS PUBLISHED BY W. & R. CHAMBERS.


=TRADITIONS OF EDINBURGH.= By ROBERT CHAMBERS, LL.D., with Portrait and
Illustrations 2s. 6d.

=GREAT THINKERS AND WORKERS=, being the Lives of Thomas Carlyle,
Lord Armstrong, Lord Tennyson, Charles Dickens, Sir Titus Salt, W. M.
Thackeray, Sir Henry Bessemer, John Ruskin, James Nasmyth, Charles
Kingsley, Builders of the Forth Bridge, &c. _Numerous Illustrations_
2s. 6d.

=GOOD AND GREAT WOMEN=: a Book for Girls. Queen Victoria, Florence
Nightingale, Baroness Burdett-Coutts, Mrs. Beecher-Stowe, Jenny Lind,
Charlotte Brontë, Mrs. Hemans, Dorothy Pattison. _Numerous Illustrations_
2s. 6d.

=HISTORIC EVENTS, GREAT.= The Conquest of India, Indian Mutiny,
French Revolutions, the Crusades, the Conquest of Mexico, Napoleon's
Russian Campaign. _Illustrated_ 2s. 6d.

=HISTORICAL CELEBRITIES.= Oliver Cromwell, Washington, Napoleon
Bonaparte, Duke of Wellington. _Illustrated_ 2s. 6d.

=LITERARY CELEBRITIES.= Wordsworth, Campbell, Moore, Macaulay, Jeffrey.
_Numerous Illustrations_ 2s. 6d.

=TRAVEL AND ADVENTURE, RECENT=--Lieutenant Greely, Joseph Thomson,
Stanley, Livingstone, Lady Brassey, Vambery, Burton, &c. _Illustrated_
2s. 6d.

=HEROES OF ROMANTIC ADVENTURE=--Lord Clive, Captain John Smith, Good
Knight Bayard, Garibaldi. _Illustrated_ 2s.

=ANIMAL FRIENDS, OUR=--The Dog, Cat, Horse, and Elephant; with numerous
Illustrations 2s.

=BENJAMIN FRANKLIN, LIFE AND AUTOBIOGRAPHY OF.= _Illustrated_, cloth 2s.

=SHIPWRECKS AND TALES OF THE SEA.= _Illustrated_, cloth 2s.

=MARITIME DISCOVERY AND ADVENTURE.= _Illustrated._ 2s.


BOOKS PUBLISHED BY W. & R. CHAMBERS.

NEW SERIES OF CHAMBERS'S LIBRARY FOR YOUNG PEOPLE.

=THEIR HAPPIEST CHRISTMAS=; a Tale for the Young. By EDNA LYALL, Author
of _Donovan_, _We Two_, &c. 1s.

=FIRESIDE AMUSEMENTS=; a Book of Indoor Games. Illustrated 1s.

=THE STEADFAST GABRIEL=; a Tale of Wichnor Wood. By MARY HOWITT.
_Illustrated_ 1s.

=THE GREEN CASKET; LEO'S POST-OFFICE; BRAVE LITTLE DENIS.= By Mrs.
MOLESWORTH, Author of _The Cuckoo Clock_, &c. _Illustrated_ 1s.


CHAMBERS'S SIXPENNY BOOKS FOR THE YOUNG.

Cloth, with Illustrations.

=NESTA=; or, Fragments of a Little Life. By Mrs. MOLESWORTH, Author of
_Tell me a Story_, _Carrots_, &c.

=POOR MISS CAROLINA.= By L. T. MEADE, Author of _Scamp and I_, &c.

=MALCOLM AND DORIS=; or, Learning to Help. By DAVINA WATERSON.

=A FARTHINGFUL.= By L. T. MEADE.

=THE GOLDEN LADY.= By L. T. MEADE.

=WILLIE NICHOLLS=; or, False Shame and True Shame.

=FRED STAMFORD'S START IN LIFE.= By Mrs. FAIRBAIRN.

=DICKORY DOCK.= By L. T. MEADE.


  W. & R. CHAMBERS,
  47 PATERNOSTER ROW, LONDON; AND EDINBURGH.






End of Project Gutenberg's The Green Casket, by Mary Louisa Molesworth



*** END OF THE PROJECT GUTENBERG EBOOK THE GREEN CASKET, AND OTHER STORIES ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.