Detail from front cover.

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BULLETIN 254

WASHINGTON, D.C.

1968

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THE SMITHSONIAN INSTITUTION PRESS

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The Invention
Of the Sewing Machine

Grace Rogers Cooper

CURATOR OF TEXTILES

Museum of History and Technology

SMITHSONIAN INSTITUTION · WASHINGTON, · D.C. 1968

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Publications of the United States National Museum

The scholarly and scientific publications of the United States National Museum include two series, Proceedings of the United States National Museum and United States National Museum Bulletin.

In these series, the Museum publishes original articles and monographs dealing with the collections and work of its constituent museums—The Museum of Natural History and the Museum of History and Technology—setting forth newly acquired facts in the fields of anthropology, biology, history, geology, and technology. Copies of each publication are distributed to libraries, to cultural and scientific organizations, and to specialists and others interested in the different subjects.

The Proceedings, begun in 1878, are intended for the publication, in separate form, of shorter papers from the Museum of Natural History. These are gathered in volumes, octavo in size, with the publication date of each paper recorded in the table of contents of the volume.

In the Bulletin series, the first of which was issued in 1875, appear longer, separate publications consisting of monographs (occasionally in several parts) and volumes in which are collected works on related subjects. Bulletins are either octavo or quarto in size, depending on the needs of the presentation. Since 1902 papers relating to the botanical collections of the Museum of Natural History have been published in the Bulletin series under the heading Contributions from the United States National Herbarium and, since 1959, in Bulletins titled “Contributions from the Museum of History and Technology,” have been gathered shorter papers relating to the collections and research of that Museum.

This work forms volume 254 of the Bulletin series.

Frank A. Taylor
Director, United States National Museum

For sale by Superintendent of Documents, U.S. Government Printing Office
Washington, D.C. 20402—Price $2.75

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Contents

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Preface

It had no instrument panel with push-button controls. It was not operated electronically or jet-propelled. But to many 19th-century people the sewing machine was probably as awe-inspiring as a space capsule is to their 20th-century descendants. It was expensive, but, considering the work it could do and the time it could save, the cost was more than justified. The sewing machine became the first widely advertised consumer appliance, pioneered installment buying and patent pooling, and revolutionized the ready-made clothing industry. It also weathered the protests of those who feared the new machine was a threat to their livelihood.

The practical sewing machine is not the result of one man’s genius, but rather the culmination of a century of thought, work, trials, failures, and partial successes of a long list of inventors. History is too quick to credit one or two men for an important invention and to forget the work that preceded and prodded each man to contribute his share. It is no discredit to Howe to state that he did not invent the sewing machine. Howe’s work with the sewing machine was important, and he did patent certain improvements, but his work was one step along the way. It is for the reader to decide whether it was the turning point.

Since the sewing machine has been considered by some as one of the most important inventions of 19th-century America, of equal importance to this story of the invention is the history of the sewing machine’s development into a practical, popular commodity. Since many new companies blossomed overnight to manufacture this very salable item, a catalog list of more than one hundred and fifty of these 19th-century companies is included in this study. Still, the list is probably incomplete. Many of the companies remained in business a very short time or kept their activities a secret to avoid payment of royalties to patent holders. Evidence of these companies is difficult to find. It is hoped that additional information will come to light[Pg viii] as a result of this initial attempt to list and date known companies. The dating of individual machines based on their serial numbers is also a difficult task. Individual company records of this type have not survived; however, using the commercial machines in the patent collection, for which we know one limiting date—the date the machine was deposited at the patent office—and using the records that have survived, an estimated date based on the serial number can be established for many of the better known machines.

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Chapter One

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Figure 1.—After almost a century of attempts to invent a machine that would sew, the practical sewing machine evolved in the mid-19th century. This elegant, carpeted salesroom of the 1870s, with fashionable ladies and gentlemen scanning the latest model sewing machines, reflects the pinnacle reached by the new industry in just a few decades. This example, one of many of its type, is the Wheeler and Wilson sewing-machine offices and salesroom, No. 44 Fourteenth Street, Union Square, New York City. From The Daily Graphic, New York City, December 29, 1874. (Smithsonian photo 48091-A.)

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Early Efforts

To 1800

For thousands of years, the only means of stitching two pieces of fabric together had been with a common needle and a length of thread. The thread might be of silk, flax, wool, sinew, or other fibrous material. The needle, whether of bone, silver, bronze, steel, or some other metal, was always the same in design—a thin shaft with a point at one end and a hole or eye for receiving the thread at the other end. Simple as it was, the common needle (fig. 2) with its thread-carrying eye had been an ingenious improvement over the sharp bone, stick, or other object used to pierce a hole through which a lacing then had to be passed.[1] In addition to utilitarian stitching for such things as the making of garments and household furnishings, the needle was also used for decorative stitching, commonly called embroidery. And it was for this purpose that the needle, the seemingly perfect tool that defied improvement, was first altered for ease of stitching and to increase production.

One of the forms that the needle took in the process of adaptation was that of the fine steel hook. Called an aguja in Spain, the hook was used in making a type of lace known as punto de aguja. During the 17th century after the introduction of chainstitch embroideries from India, this hook was used to produce chainstitch designs on a net ground.[2] The stitch and the fine hook to make it were especially adaptable to this work. By the 18th century the hook had been reduced to needle size and inserted into a handle, and was used to chainstitch-embroider woven fabrics.[3] In France the hook was called a crochet and was sharpened to a point for easy entry into the fabric (fig. 3). For stitching, the fabric was held taut on a drum-shaped frame. The hooked needle pierced the fabric, caught the thread from below the surface and pulled a loop to the top. The needle reentered the fabric a stitch-length from the first entry and caught the thread again, pulling a second loop through the first to which it became enchained. This method of embroidery permitted for the first time the use of a continuous length of thread. At this time the chainstitch was used exclusively for decorative embroidery, and from the French name for drum—the shape of the frame that held the fabric—the worked fabric came to be called tambour embroidery. The crochet[4] [Pg 4]or small hooked needle soon became known as a tambour needle.

Figure 2.—Primitive needle. Bronze. Egyptian (Roman period, 30 B.C.-A.D. 642). (Smithsonian photo 1379-A.)

In 1755 a new type of needle was invented for producing embroidery stitches. This needle had to pass completely through the fabric two times (a through-and-through motion) for every stitch. The inventor was Charles F. Weisenthal, a German mechanic living in London who was granted British patent 701 for a two-pointed needle (fig. 4). The invention was described in the patent as follows:

It might be argued that Weisenthal had invented the eye-pointed needle, since he was the first inventor to put a point at the end of the needle having the eye. But, since his specifically stated use required the needle to have two points and to be passed completely through the fabric, Weisenthal had no intention of utilizing the very important advantage that the eye-pointed needle provided, that of not requiring the passage of the needle through the fabric as in hand sewing.

While no records can be found to establish that Weisenthal’s patent was put to any commercial use during the inventor’s lifetime, the two-pointed needle with eye at midpoint appeared in several 19th-century sewing-machine inventions.

The earliest of the known mechanical sewing devices produced a chain or tambour stitch, but by an entirely different principle than that used with either needle just described. Although the idea was incorporated into a patent, the machine was entirely overlooked for almost a century as the patent itself was classed under wearing apparel. It was entitled “An Entire New Method of Making and Completing Shoes, Boots, Splatterdashes, Clogs, and Other Articles, by Means of Tools and Machines also Invented by Me for that Purpose, and of Certain Compositions of the Nature of Japan or Varnish, which will be very advantageous in many useful Applications.” This portentously titled British patent 1,764 was issued to an English cabinetmaker, Thomas Saint, on July 17, 1790. Along with accounts of several processes for making various varnish compositions, the patent contains descriptions of three separate machines; the second of these was for “stitching, quilting, or sewing.” Though far from practical, the machine incorporated several features common to a modern sewing machine. It had a horizontal cloth plate or table, an overhanging arm carrying a straight needle, and a continuous supply of thread from a spool. The motion was derived from the rotation of a hand crank on a shaft, which activated cams that produced all the actions of the machine.

One cam operated the forked needle (fig. 5) that pushed the thread through a hole made by a preceding thrust of the awl. The thread was caught by a looper and detained so that it then became enchained in the next loop of thread. The patent described thread tighteners above and below the work and an adjustment to vary the stitches for different kinds of material. Other than the British patent records, no contemporary reference to Saint’s machine has ever been found. The stitching-machine contents of this patent was happened on by accident in 1873.[5] Using the patent description, a Newton Wilson of London attempted to build a model of Saint’s machine in 1874.[6] Wilson found, however, that it was necessary to modify the construction before the machine would stitch at all.

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Figure 3.—Tambour needle and frame, showing the method of forming the chainstitch, from the Diderot Encyclopedia of 1763, vol. II, Plates Brodeur, plate II. (Smithsonian photo 43995-C.)

[Pg 6]This raised the question whether Saint had built even one machine. Nevertheless, the germ of an idea was there, and had the inventor followed through the sewing machine might have been classed an 18th-century rather than a 19th-century contribution.

Figure 4.—Weisenthal’s two-pointed needle, 1755.

Figure 5.—Saint’s sewing machine, 1790. (Smithsonian photo 42490-A.)

1800-1820

There is no doubt that the successful late-18th-century improvements in spinning and weaving methods, resulting in increased production of fabrics, had a great effect in spurring inventors to ideas of stitching by machinery. Several efforts were made during the first two decades of the 19th century to produce such machines.

On February 14, 1804, a French patent was issued to Thomas Stone and James Henderson for a “new mechanical principle designed to replace handwork in joining the edges of all kinds of flexible material, and particularly applicable to the manufacture of clothing.”[7] The machine used a common needle and made an overcast stitch in the same manner as hand sewing. A pair of jaws or pincers, imitating the action of the fingers, alternately seized and released the needle on each side of the fabric. The pincers were attached to a pair of arms arranged to be moved backward and forward by “any suitable mechanism.”[8] This machine was capable of making curved or angular as well as straight seams, but it was limited to carrying a short length of thread, necessitating frequent rethreading. The machine may have had some limited use, but it was not commercially successful.

On May 30 of the same year John Duncan, a Glasgow manufacturer, was granted British patent 2,769 for “a new and improved method of tambouring, or raising flowers, figures or other ornaments upon muslins, lawns and other cottons, cloths, or stuffs.” This machine made the chainstitch, using not one but many hooked needles that operated simultaneously. The needles, attached to a bar or carrier, were pushed through the vertically held fabric from the upper right side, which in this case was also the outer side. After passing through it, they were supplied with thread from spools by means of peculiarly formed hooks or thread carriers. The thread was twisted around the needle above the hook, so as to be caught by it, and drawn through to the outer surface. The shaft of the needle was grooved on the hook side and fitted with a slider. This slider closed upon the retraction of the needle from the fabric, holding the thread in place and preventing the hook from catching. The fabric was stretched between two rollers set in an upright frame capable of sliding vertically in a second frame arranged to have longitudinal motion. The combination of these two motions was sufficient to produce any required design. The principle developed by Duncan was used on embroidery machines, in a modified form, for many years. Of several early attempts, his was the first to realize any form of success.

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Figure 6.—Chapman’s sewing machine, first eye-pointed needle, 1807. (Smithsonian photo 33299-K.)

A type of rope-stitching machine, which might be considered unimportant to this study, must be included because of its use of the eye-pointed needle, the needle that was to play a most important part in the later development of a practical sewing machine. The earliest reference to the use of a needle with an eye not being required to be passed completely through the fabric it was stitching is found in a machine invented by Edward Walter Chapman, for which he and William Chapman were granted British patent 3,078 on October 30, 1807. The machine (fig. 6) was designed to construct belting or flat banding by stitching together several strands of rope that had been laid side by side. Two needles were required and used alternately. One needle was threaded and then forced through the ropes. On the opposite side the thread was removed from the eye of the first needle before it was withdrawn. The second needle was threaded and the operation repeated. The needles could also be used to draw the thread, rather than push it, through the ropes with the same result. While being stitched, the ropes were held fast and the sewing frame and supporting carriage were moved manually as each stitch was made. Such a machine would be applicable only to the work described, since the necessity of rethreading at every stitch would make it impractical for any other type of sewing.

Another early machine reported to have used the eye-pointed needle to form the chainstitch was invented about 1810 by Balthasar Krems,[9] a hosiery worker of Mayen, Germany. One knitted article produced there was a peaked cap, and Krems’ machine was devised to stitch the turned edges of the cap,[10] which was suspended from wire pins on a moving wheel. The needle of the machine was attached to a horizontal shaft and carried the thread through the fabric. The loop of thread was retained by a hook-shaped pin to become enchained with the next loop at the reentry of the needle. Local history reports that this device may have been used as early as 1800, but the inventor did not patent his machine and apparently made no attempt to commercialize it. No contemporary references to the machine could be found, and use of the machine may have died with the inventor in 1813.[Pg 8]

Figure 7.—Madersperger’s 1814 sewing machine. Illustration from a pamphlet by the inventor entitled Beschreibung einer Nähmaschine, Vienna, ca. 1816. (Smithsonian photo 49373.)

About the same time, Josef Madersperger, a tailor in Vienna, Austria, invented a sewing machine, which was illustrated (fig. 7) and described in a 15-page pamphlet published about 1816.[11] On May 12, 1817, a Vienna newspaper wrote of the Madersperger machine: “The approbation which his machine received everywhere has induced his Royal Imperial Majesty, in the year 1814, to give to the inventor an exclusive privilege [patent] which has already been mentioned before in these papers.”[12] Madersperger’s 1814 machine stitched straight or curving lines. His second machine stitched small semicircles, as shown in the illustration, and also small circles, egg-shaped figures, and angles of various degrees. The machine, acclaimed by the art experts, must therefore have been intended for embroidery stitching. From the contemporary descriptions and the illustration, the machine is judged to have made a couched stitch—one thread was laid on the surface of the fabric and stitched in place with a short thread carried by a two-pointed needle of the type invented by Weisenthal. Two fabrics could have been stitched together, but not in the manner required for tailoring. The machine must have had many deficiencies in the tension adjustment, feed, and related mechanical operations, for despite the published wishes for success the inventor did not put the machine into practical[Pg 9] operation.[13] Years later Madersperger again attempted to invent a sewing machine using a different stitch (see p. 13).

Figure 8.—An engraving of Thimonnier and his sewing machine of 1830, from Sewing Machine News, 1880. (Smithsonian photo 10569-C.)

A story persists that about 1818-1819 a machine that formed a backstitch, identical to the one used in hand sewing, was invented in Monkton, Vermont. The earliest record of this machine that this author has found was in the second or 1867 edition of Eighty Years of Progress of the United States; the machine is not mentioned in the earlier edition. The writer of the article on sewing machines states that John Knowles invented and constructed a sewing machine, which used a single thread and a two-pointed needle with the eye in the middle to form the backstitch. This information must have come to light after the first edition was published, but from where and by whom is not known. Other sources state that two men, Adams and Dodge, produced this machine in Monkton.[14] While still others credit the Reverend John Adam Dodge, assisted by a mechanic by the name of John Knowles, with the same invention in the same location.[15] Vermont historical societies have been unable to identify the men named or to verify the story of the invention.[16] The importance of the credibility of this story, if proved, rests in the fact that it represents the first effort in the United States to produce a mechanical stitching device.

1820-1845

American records of this period are incomplete as a result of the Patent Office fire of 1836, in which most of the specific descriptions of patents issued to that date were destroyed. Patentees were asked to provide another description of their patents so that these might be copied, but comparatively few responded and only a small percentage was restored. Thus, although the printed index of patents[17] lists Henry Lye as patenting a machine for “sewing leather, and so forth” on March 10, 1826, no description of the machine has ever been located. Many patents whose original claim was for only a mechanical awl to pierce holes in leather or a clamp to hold leather for hand stitching were claimed as sewing devices once a practical machine had evolved. But no evidence has ever been found that any of these machines performed the actual stitching operation.

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Figure 9.—An adapted drawing of Hunt’s sewing machine published by the Sewing Machine News, vol. 2, no. 8, 1881, to give some idea of its construction and operation. “The frame of the machine (A) rested on a base (B) that was supported by a table. The wheel (C) worked on a central shaft (E) and was set in motion by hand or foot power. On the front of the wheel (C) was a raised cam (D) into which the connecting rod (F) engaged to communicate motion to the vibrating arm (G) pivoted to the frame at (H) and carrying at the end (g) the curved needle (I). The take-up (J) served to tighten the thread after each stitch; it was connected to the vibrating arm by a rod (K). The cloth (L) was held in a vertical position between the fingers or nippers (M), which were attached to the frame. The bar (N) was toothed on one side (n) to mesh with the geared wheel (o). The lever (P) was operated by a cam (m) upon the periphery of the wheel (C), and carried the vertical pawl (S) which meshed with the ratchet (T) and moved the cloth as each stitch was made. The shuttle (U) worked in its race (V); it was operated by the vibrating lever (W), the upper end of which engaged into a groove on the face of the wheel (C).” (Smithsonian photo 42554.)

[Pg 11]The first man known to have put a mechanical sewing device into commercial operation was Barthelemy Thimonnier,[18] a French tailor. After several years of fruitless effort he invented a machine for which he received a French patent in 1830.[19] The machine (fig. 8) made a chainstitch by means of a barbed or hooked needle. The vertically held needle worked from an overhanging arm. The needle thrust through the fabric laid on the horizontal table, caught a thread from the thread carrier and looper beneath the table, and brought a loop to the surface of the fabric. When the process was repeated the second loop became enchained in the first. The needle was moved downward by the depression of a cord-connected foot treadle and was raised by the action of a spring. The fabric was fed through the stitching mechanism manually, and a regular rate of speed had to be maintained by the operator in order to produce stitches of equal length. A type of retractable thimble or presser foot was used to hold the fabric down as required.

The needle, and the entire machine, was basically an attempt to mechanize tambour embroidery, with which the inventor was quite familiar. Although this work, which served as the machine’s inspiration, was always used for decorative embroidery, Thimonnier saw the possibilities of using the stitch for utilitarian purposes. By 1841 he had 80 machines stitching army clothing in a Paris shop. But a mob of tailors, fearing that the invention would rob them of a livelihood, broke into the shop and destroyed the machines. Thimonnier fled Paris, penniless. Four years later he had obtained new financial help, improved his machine to produce 200 stitches a minute, and organized the first French sewing-machine company.[20] The Revolution of 1848, however, brought this enterprise to an early end. Before new support could be found other inventors had appeared with better machines, and Thimonnier’s was passed by. In addition to the two French patents Thimonnier also received a British patent with his associate Jean Marie Magnin in 1848 and one in the United States in 1850. He achieved no financial gain from either of these and died a poor man.

While Thimonnier was developing his chainstitch machine in France, Walter Hunt,[21] perhaps best described as a Yankee mechanical genius, was working on a different kind of sewing machine in the United States. Sometime between 1832 and 1834 he produced at his shop in New York a machine that made a lockstitch.[22] This stitch was the direct result of the mechanical method devised to produce the stitching and represented the first occasion an inventor had not attempted to reproduce a hand stitch. The lockstitch required two threads, one passing through a loop in the and both interlocking in the heart of the seam. At the time Hunt did not consider the sewing machine any more promising than several other inventions that he had in mind, and, after demonstrating that the machine would sew, he sold his interest in it for a small sum and did not bother to patent it.

A description—one of few ever published—and sketch of a rebuilt Hunt machine (fig. 9) appeared in an article in the Sewing Machine News in 1881.[23] The important element in the Hunt invention was an eye-pointed needle working in combination with a shuttle carrying a second thread. Future inventors were thus no longer hampered by the erroneous idea that the sewing machine must imitate the human hands and fingers. Though Hunt’s machine stitched short, straight seams with speed and accuracy, it could not sew curved or angular work. Its stitching was not continuous, but had to be reset at the end of a short run. The validity of Hunt’s claim as the inventor of the lockstitch and the prescribed method of making it was argued many times, especially during the Elias Howe patent suits of the 1850s. The decision against Hunt was not a question of invention,[24] but one of right to ownership or control. Hunt did little to promote his sewing machine and sold it together with the right to patent to George A. Arrowsmith.

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Figure 10.—Madersperger’s 1839 sewing machine. Madersperger’s machine consisted of two major parts: the frame, which held the material, and the stitching mechanism, called the hand. The hand shown here is an original model. (Photo courtesy of Technisches Museum für Industrie und Gewerbe, Vienna.)

[Pg 13]For over fifteen years, from the mid-1830s to the early 1850s, the machine dropped out of sight. When the sewing-machine litigation developed in the 1850s, the I. M. Singer company searched out the Hunt machine, had the inventor rebuild one,[25] and attempted to use this to break the Howe patent. The plan did not work. The Honorable Charles Mason, Patent Commissioner, reported:

Hunt’s machine was an invention of the 1830s, but only because of the patent litigation was it ever heard of again.

During the time that a potentially successful sewing machine was being invented and forgotten in America, Josef Madersperger of Austria made a second attempt to solve the mechanical stitching problem. In 1839 he received a second patent on a machine entirely different from his 1814 effort. It was similar to Hunt’s in that it used an eye-pointed needle and passed a thread through the loop of the needle-thread—the thread carried by the needle—to lock the stitch. Madersperger’s machine was a multiple-needle quilting machine. The threaded needles penetrated the fabric from below and were retracted, leaving the loops on the surface. A thread was drawn through the loops to produce what the inventor termed a chain. The first two stitches were twisted before insertion into the next two, producing a type of twisted lockstitch. The mechanism for feeding the cloth was faulty, however, and the inventor himself stated in the specifications that much remained to perfect and simplify it before its general application. (This machine was illustrated [fig. 10] in the Sewing Machine Times, October 25, 1907, and mistakenly referred to as the 1814 model.) Madersperger realized no financial gain from either venture and died in a poorhouse in 1850.

The first efforts of the 1840s reflected the work of the earlier years. In England, Edward Newton and Thomas Archbold invented and patented a machine on May 4, 1841, for tambouring or ornamenting the backs of gloves. Their machine used a hook on the upper surface to catch the loop of thread, but an eye-pointed needle from underneath was used to carry the thread up through the fabric. The machine was designed to use three needles for three rows of chainstitching, if required. Although the machine was capable of stitching two fabrics together, it was never contemplated as a sewing machine in the present use of the term. Their British patent 8,948 stated it was for “improvements in producing ornamental or tambour work in the manufacture of gloves.”

The earliest American patent specifically recorded as a sewing machine was U.S. patent 2,466, issued to John J. Greenough on February 21, 1842. His machine was a short-thread model that made both the running stitch and the backstitch. It used the two-pointed needle, with eye at mid-length, which was passed back and forth through the material by means of a pair of pincers on each side of the seam. The pincers opened and closed automatically. The material to be sewn was held in clamps which moved it forward between the pincers to form a running stitch or moved it alternately backward and forward to produce a backstitch. The clamps were attached to a rack that automatically fed the material at a predetermined rate according to the length of stitch required. Since the machine was designed for leather or other hard material, the needle was preceded by an awl, which pierced a hole. The machine had a weight to draw out the thread and a stop-motion to stop the machinery when a thread broke or became too short. The needle was threaded with a short length of thread and required frequent refilling. Only straight seams could be stitched. The feed was continuous to the length of the rack bar; then it had to be reset. The motions were all obtained from the revolution of a crank. It is not believed that any machines, other than the patent model (fig. 11), were ever made. Little is known of Greenough other than his name.[Pg 14]

Figure 11.—Greenough’s patent model, 1842. (Smithsonian photo 45525-G.)

In the succeeding year, on March 4, 1843, Benjamin W. Bean received the second American sewing-machine patent, U.S. patent 2,982. Like Greenough’s, this machine made a running stitch, but by a different method. In Bean’s machine the fabric was fed between the teeth of a series of gears. Held in a groove in the gears was a peculiarly shaped needle bent in two places to permit it to be held in place by the gears and with a point at one end and the eye at the opposite end, as in a common hand needle. The action of the gears caused the fabric to be forced onto and through the threaded needle. Indefinite straight seams could be stitched as the fabric was continuously forced off the needle by the turning gears (fig. 12). A screw clamp held the machine to a table or other work surface. Machines of this and similar types reportedly had some limited usage in the dyeing and bleaching mills,[27] where lengths of fabric were stitched together before processing. Improved versions of Bean’s machine were to be patented in subsequent years in England and America. The same principle was also used in home machines two decades later.

The third sewing-machine patent on record in the United States Patent Office is patent 3,389 issued on December 27, 1843, to George H. Corliss, better remembered as the inventor and manufacturer of the Corliss steam engine. It was his interest in the sewing machine, however, that eventually directed his attention to the steam engine.

Corliss had a general store at Greenwich, New York. A customer’s complaint that the boots he had purchased split at the seams made Corliss wonder why someone had not invented a machine to sew stronger seams than hand-sewn ones. He considered the problem of sewing leather, analyzing the steps required to make the saddler’s stitch, one popularly used in boots and shoes. He concluded that a sewing machine to do this type of work must first perforate the leather, then draw the threads through the holes, and finally secure the stitches by pulling the threads tight. The machine Corliss invented (fig. 13) was of the same general type as Greenough’s, except that two two-pointed needles were required to make the saddler’s stitch. This stitch was composed of two running stitches made simultaneously, one from each side.[28] The machine used two awls to pierce the holes through which the needles passed; finger levers[Pg 15] approached from opposite sides, seized the needles, pulled the threads firmly, and passed the needles through to repeat the operation. The working model that Corliss completed could unite two pieces of heavy leather at the rate of 20 stitches per minute.

Corliss, lacking capital, went to Providence, Rhode Island, in 1844 to secure backers. After months without success, he was forced to abandon the sewing machine and accept employment as a draftsman and designer. Though he considered himself a failure, this change of employment placed him on the threshold of his more rewarding life work, improvement of the steam engine.[29]

On July 22, 1844, James Rodgers was granted U.S. patent 3,672, the fourth American sewing-machine patent. The patent model is not known to be in existence, but this machine was of minor importance for it offered only a negligible change in the Bean running-stitch machine. The same corrugated gears were used but were placed in different positions so that one bend in the needle was eliminated. When Bean secured a reissue of his patent in 1849, he had adapted it to use a straight needle. Rodgers’ machine is not known to have had any commercial success, although this type of machine experienced a brief period of popularity. By the early 1900s, however, the running-stitch machine was so little known that when one was illustrated in the Sewing Machine Times in 1907[30] it excited more curiosity than any of the other early types.

Figure 12.—Bean’s patent model, 1843. (Smithsonian photo 42490-C.)

Figure 13.—Corliss’ patent model, 1843. The piece of wood in the foreground is an enlarged model of the needle. (Smithsonian photo 42490.)

On December 7, 1844, the same year that Rodgers secured his American patent, John Fisher and James Gibbons were granted British patent 10,424 for “certain improvements in the manufacture of figured or ornamental lace, or net, or other fabrics.” From this superficial description of its work, the device might seem to be just another tambouring machine. It was not. Designed specifically for ornamental stitching, the machine made a two-thread stitch using an eye-pointed needle and a shuttle.[31] Several sets of needles and shuttles worked simultaneously. The needles were secured to a needlebar placed beneath the fabric. The shuttles were pointed at both ends to pass through each succeeding new loop formed by the needles. Each shuttle was activated by two vibrating arms worked by cams. Each needle was curved in the form of a bow, and in addition to the eye at the point each also had a second eye at the bottom of the curve. The shape of the needle[Pg 16] together with the position of the eyes permitted the pointed shuttle, carrying the second thread, to pass freely through the loop in the ascending needle thread. The fabric was carried by a pair of cloth rollers, capable of sliding in a horizontal plane in both a lateral and a lengthwise direction. These combined movements were sufficient to enable the operator to produce almost every embroidered design. The ornamenting, which might be a yarn, cord, or gimp, was carried by the shuttle thread. There was no tension on the shuttle thread, which was held in place by the thread from the needle. The stitch produced was a form of couching.[32] It was in no sense a lockstitch. Fisher, who was the inventor, readily admitted at a later date that he had not had the slightest idea of producing a sewing machine, in the utilitarian meaning of the term. Although it has not been established that this machine was ever put into practical operation, Fisher’s invention was to have a far-reaching effect on the development of the sewing machine in England.

[Pg 17]

Chapter Two

[Pg 18]

Figure 14.—Howe’s prepatent model of 1845, and the box used by the inventor to carry the machine to England in 1847. (Smithsonian photo 45506-B.)

[Pg 19]

Elements of a Successful Machine

The requirements for producing a successful, practical sewing machine were a support for the cloth, a needle to carry the thread through the fabric and a combining device to form the stitch, a feeding mechanism to permit one stitch to follow another, tension controls to provide an even delivery of thread, and the related mechanism to insure the precise performance of each operation in its proper sequence. Weisenthal had added a point to the eye-end of the needle, Saint supported the fabric by placing it in a horizontal position with a needle entering vertically, Duncan successfully completed a chainstitch for embroidery purposes, Chapman used a needle with an eye at its point and did not pass it completely through the fabric, Krems stitched circular caps with an eye-pointed needle used with a hook to form a chainstitch, Thimonnier used the hooked needle to form a chainstitch on a fabric laid horizontally, and Hunt created a new stitch that was more readily adapted to sewing by machine than the hand stitches had been, but, although each may have had the germ of an idea, a successful machine had not evolved. There were to be hundreds of patents issued in an attempt to solve these and the numerous minor problems that would ensue. But the problems were solved. And, in spite of its Old World inception, the successful sewing machine can be credited as an American invention.

Although the invention of the practical sewing machine, like most important inventions, was a many-man project, historians generally give full credit to Elias Howe, Jr. Though such credit may be overly generous, Howe’s important role in this history cannot be denied.

Elias Howe, Jr., was born on a farm near Spencer, Massachusetts, but he left home at an early age to learn the machinist’s trade.[33] After serving an apprenticeship in Lowell, he moved to Boston. In the late 1830s, while employed in the instrument shop of Ari Davis, Howe is reported to have overheard a discussion concerning the need for a machine that would sew. In 1843, when illness kept him from his job for days at a time, he remembered the conversation and the promises of the rich reward that reputedly awaited the successful inventor. Determined to invent such a machine, he finally managed to produce sufficient results to interest George Fisher in buying a one-half interest in his proposed invention. By April 1845, Howe’s machine (fig. 14) was used to sew all the seams of two woolen suits for men’s clothing. He continued to demonstrate his machine but found that interest was, at best, indifferent.

Nevertheless, Howe completed a second machine (fig. 15), which he submitted with his application for a patent. The fifth United States patent (No. 4,750) for a sewing machine was issued to him on September 10, 1846. The machine used a grooved and curved eye-pointed needle carried by a vibrating arm, with the needle supplied with thread from a spool. Loops of thread from the needle were locked by a thread carried by a shuttle, which was moved[Pg 20] through the loop by means of reciprocating drivers. The cloth was suspended in a vertical position, impaled on pins projecting from a baster plate, which moved intermittently under the needle by means of a toothed wheel. The length of each stitching operation depended upon the length of the baster plate, and the seams were necessarily straight. When the end of the baster plate reached the position of the needle, the machine was stopped. The cloth was removed from the baster plate, which was moved back to its original position. The cloth was moved forward on the pins, and the seam continued.

In his patent specifications, Howe claimed the following:

The five claims, which were allowed Howe in his patent, have been quoted to show that he did not claim the invention of the eye-pointed needle, for which he has so often been credited. The court judgment[34] that upheld Howe’s claim to his patented right to control the use of the eye-pointed needle in combination with a shuttle to form a lockstitch was mistakenly interpreted by some as verifying control of the eye-pointed needle itself.

Figure 15.—Howe’s patent model, 1846. (Smithsonian photo 45525-B.)

After patenting his invention, Howe spent three discouraging years in both the United States and in England trying to interest manufacturers in building his sewing machine, under license. Finally, for £250 sterling, he sold the British patent rights to William Thomas and further agreed to adapt the machine to Thomas’ manufacture of umbrellas and corsets.[35] This did not prove to be a financial success for Howe and by 1849 he was back in the United States, once again without funds.[Pg 21]

Figure 16.—An enlargement of the stitching area. (Smithsonian photo 45525-B.)

On his return, Howe was surprised to find that other inventors were engaged in the sewing-machine problem and that sewing machines were being manufactured for sale. The sixth United States sewing-machine patent (No. 5,942) had been issued to John A. Bradshaw on November 28, 1848, for a machine specifically stated as correcting the defects in the E. Howe patent. Bradshaw did not purport that his machine was a new invention. His specifications read:

[Pg 22]

Bradshaw’s patent accurately described some of the defects of the Howe machine, but other inventors were later to offer better solutions to the problems.

Figure 17.—Morey and Johnson sewing machine, 1849. Below: The machine is marked with the name of its maker, Safford & Williams. The number 49 is a serial number. Missing parts have been replaced with plastic. (Smithsonian photo 48400; brass plate: 48400-H.)

Although the Bradshaw machine was not in current manufacture, a machine based on it received the seventh United States sewing-machine patent. Patent 6,099 was issued to Charles Morey and Joseph B. Johnson on February 6, 1849. Their machine (fig. 17) was being offered for sale even before the patent was issued.

This was the first American patent for a chainstitch machine. The stitch was made by an eye-pointed needle carrying the thread through the fabric; the thread was detained by a hook until the loop was enchained by the succeeding one. The fabric was held vertically by a baster plate in a manner similar to the Howe machine. Although not claimed in the patent description, the Morey and Johnson machine also had a bar device for stripping the cloth from the needle. This bar had a slight motion causing a yielding pressure to be exerted on the cloth. Although the patent was not granted until February 6, 1849, the application had been filed in April of the previous year. The machine was featured in the Scientific American on January 27, 1849 (fig. 18):

An improvement in the Morey and Johnson machine was patented by Jotham S. Conant for which he was issued a patent on May 8, 1849. Conant’s machine offered a slight modification of the cloth bar and of the method of keeping the cloth taut during the stitching operation. No successful use of it is known.

A second improvement of the Morey and Johnson patent was also issued on May 8, 1849; this United States patent (No. 6,439) was to John Bachelder for the first continuous, but intermittent, sewing mechanism. As shown in the patent model (fig. 19), his clothholder consisted of an endless belt supported by and running around three or any other suitable number of cylindrical rollers. A series of pointed wires projected from the surface of the belt near the edge immediately adjacent to the needle. The wires could be placed at regular or irregular distances as required. The shaft of one of the cylindrical[Pg 23] rollers, which supported the endless clothholder, carried a ratchet wheel advanced by the action of a pawl connected to the end of the crankshaft by a small crankpin, whose position or distance from the axis of rotation of the shaft could be adjusted.

Figure 18.—A Morey and Johnson sewing machine as illustrated in Scientific American, January 27, 1849. (Smithsonian photo 45771.)

By this adjustment the extent of the vertical travel of the impelling pawl was regulated to control the length of the stitch. A spring catch kept the ratchet wheel in place at the end of each forward rotation of the wheel by the pawl. A roller placed over the endless belt at its middle roller pressed the cloth onto the wire points. A curved piece of metal was bent over and down upon the top of the belt so that the cloth, as it was sewed, was carried toward and against the piece by the belt. The cloth rose upon and over the piece and was separated from the points. When the machine was in motion the cloth was carried forward, passed under the needle, was stitched, and finally, passed the separator and off the belt. A vertically reciprocating, straight, eye-pointed needle, a horizontal supporting surface, and a yielding cloth presser were all used, but none were claimed as part of the patent. These were later specifically claimed in reissues of this patent. Bachelder’s one specific claim, the endless feed belt, was not limited to belt feeding only. As he explained in the patent, a revolving table or a cylinder might be substituted.

Figure 19.—Bachelder’s patent model, 1849. (Smithsonian photo 45572).

Bachelder did not manufacture machines, but his patent was sold in the mid-1850s to I. M. Singer.[37] It eventually became one of the most important patents to be contributed to the “Sewing-Machine Combination,” a patent pool, which is discussed in more detail on pages 41 and 42.

While new ideas and inventors continued to provide the answers to some of the sewing-machine problems, Elias Howe began a series of patent suits to sustain the rights that he felt were his. Since his interest had never been in constructing machines for sale, it was absolutely essential for Howe to protect his royalty rights in order to realize any return from his patent. He was reported[38] to have supervised the construction of 14 sewing machines at a shop[39] on Gold Street in New York toward the close of 1850. Sworn contemporary testimony indicates that the machines were of no practical use.[40] Elias stated, in his application for his patent extension,[41] that he made only one machine in 1850-51. In 1852 he advertised[42] territorial rights and machines, but apparently did not realize any financial success until he sold a half interest in his patent to George Bliss in November 1852.[43] Bliss later began manufacturing machines that he initially sold as “Howe’s Patent”; however, these machines were substantially different from the basic Howe machine.[Pg 24]

Figure 20.—Blodgett & Lerow sewing machine, 1850, as manufactured by A. Bartholf, New York; the serial number of the machine is 19. At right, an original brass plate from the same type of machine with needle arm and presser foot and arm, serial number 119; the plate, however, does not fit the machine correctly. (Smithsonian photo 48440-D; brass plate: 48440-K.)

On May 18, 1853, Elias Howe granted his first royalty license to Wheeler, Wilson & Company. Within a few months licenses were also granted to Grover & Baker; A. Bartholf; Nichols & Bliss; J. A. Lerow; Woolridge, Keene, and Moore; and A. B. Howe, the brother of Elias. These licenses granted the manufacturer the right to use any part of the Howe patent,[44] but it did not mean that the machines were Elias Howe machines. When a royalty license was paid, the patent date and sometimes the name was stamped onto the machine. For this reason, these machines are sometimes mistakenly thought to be Elias Howe machines. They are not.

Howe was also prevented from manufacturing a practical machine unless he paid a royalty to other inventors. Three of the major manufacturers and Howe resolved their differences by forming the “Sewing Machine Combination.” Although Howe did not enter the manufacturing competition for many years, he profited substantially from the royalty terms of the combination. In 1860, he applied for and received a seven-year extension on his patent.

[Pg 25]

Figure 21.—Blodgett & Lerow sewing machine, 1850, stamped with the legend “Goddard, Rice & Co., Makers, Worcester, Mass.” and the serial number 37. Below: An original brass plate marked “No. 38”; this plate fits the machine perfectly. (Smithsonian photo 48440-E; brass plate: 48440-J.)

There were Howe family machines for sale during this period, but these were the ones that Amasa Howe had been manufacturing since 1853. The machine was an excellent one and received the highest medal for sewing machines, together with many flattering testimonials, at the London International Exhibition in 1862. After the publication of this award the demand for (Amasa) Howe sewing machines was greatly increased at home and abroad. Elias took this opportunity to gain entry into the manufacturing business by persuading Amasa to let him build a factory at Bridgeport, Connecticut, and manufacture the (Amasa) Howe machines. Two years passed before the factory was completed, and Amasa’s agents were discouraged. The loss could have been regained, but the machines produced at Bridgeport were not of the quality of the earlier machines. Amasa attempted to rebuild the Bridgeport machines, but finally abandoned them and resumed manufacturing machines in New York under his own immediate supervision.[45] Elias formed his own company and continued to manufacture sewing machines. In 1867 he requested a second extension of his patent, but the request was refused. Elias Howe died in October of the same year.

Meanwhile, another important sewing machine of a different principle had also been patented in 1849. This was the machine of Sherburne C. Blodgett, a tailor by trade, who was supported financially by John A. Lerow. United States patent 6,766 was issued to both men on October 2, 1849. In the patent, the machine was termed as “our new ‘Rotary Sewing Machine’.” The shuttle movement was continuous, revolving in a circle, rather than reciprocating as in the earlier machines. Automatic tension was initiated, restraining the slack thread from interference with the point of the needle.[Pg 26]

Figure 22.—Wilson’s prepatent model for his reciprocating-shuttle machine, 1850. (Smithsonian photo 45525-A.)

The Blodgett and Lerow machine was built by several shops. One of the earliest was the shop of Orson C. Phelps on Harvard Place in Boston. Phelps took the Blodgett and Lerow machine to the sixth exhibition of the Massachusetts Charitable Mechanics Association in September 1850 and won a silver medal and this praise, “This machine performed admirably; it is an exceedingly ingenious and compact machine, able to perform tailor’s sewing beautifully and thoroughly.”[46] Although Phelps had won the earliest known premium for a sewing machine, and although the machine was produced commercially to a considerable extent (figs. 20 and 21), one outstanding flaw in its operation could not be overlooked. As the shuttle passed around the six-inch circular shuttle race, it put a twist in the thread (or took one out if the direction was reversed) at each revolution. This caused a constant breaking of the thread, a condition that could not be rectified without changing the principle of operation. Such required changes were later to lead I. M. Singer, another well-known name, into the work of improving this machine.

Also exhibited at the same 1850 mechanics fair was the machine of Allen B. Wilson. Wilson’s machine received only a bronze medal, but his inventive genius was to have a far greater effect on the development of the practical sewing machine than the work of Blodgett and Lerow. A. B. Wilson[47] was one of the ablest of the early inventors in the field of mechanical stitching, and probably the most original.

Wilson, a native of Willett, New York, was a young cabinetmaker at Adrian, Michigan, in 1847 when he first conceived of a machine that would sew. He was apparently unaware of parallel efforts by inventors in distant New England. After an illness, he moved to Pittsfield, Massachusetts, and pursued his idea in earnest. By November 1848 he had produced the basic drawings for a machine that would make a lockstitch. The needle, piercing the cloth, left a loop of thread below the seam. A shuttle carrying a second thread passed through the loop, and as the tension was adjusted a completed lockstitch was formed (fig. 22). Wilson’s shuttle was pointed on both ends to form a stitch on both its forward and backward motion, a decided improvement over the shuttles of Hunt and Howe, which formed stitches in only one direction. After each stitch the cloth was advanced for the next stitch by a sliding bar against which the cloth was held by a stationary presser. While the needle was still in the cloth and holding it, the sliding bar returned for a fresh grip on the cloth.

Wilson made a second machine, on the same principle, and applied for a patent. He was approached by the owners of the Bradshaw 1848 patent, who[Pg 27] claimed control of the double-pointed shuttle. Although this claim was without justification, as can be seen by examining the Bradshaw patent specifications, Wilson did not have sufficient funds to fight the claim. In order to avoid a suit, he relinquished to A. P. Kline and Edward Lee, a one-half interest in his U.S. patent 7,776 which was issued on November 12, 1850 (fig. 23).

Figure 23.—Wilson’s patent model, 1850. (Smithsonian photo 45504-H.)

Inventor Wilson had been associated with Kline and Lee (E. Lee & Co.) for only a few months, when, on November 25, 1850, he agreed to sell his remaining interest to his partners for $2,000. He retained only limited rights for New Jersey and for Massachusetts. The sale was fruitless for the inventor, as no payment was ever made. How much money E. E. Lee & Co. realized from the Wilson machine is difficult to determine, but they ran numerous ads in the 1851 and 1852 issues of Scientific American. A typical one reads:

Another reads:

Figure 24.—Wilson’s prepatent model for his rotary hook, 1851. (Smithsonian photo 45506-E.)

Figure 25.—Wilson’s rotary-hook patent model, 1851. (Smithsonian photo 45505-B.)

Wilson severed relations with Lee and Kline in early 1851 shortly after meeting Nathaniel Wheeler, who was to become his partner in a happier, more profitable enterprise involving the sewing machine.[Pg 28]

Figure 26.—Wilson’s stationary-bobbin patent model, 1852; a commercial machine was used since Wheeler, Wilson, Co. had begun manufacturing machines the previous year. (Smithsonian photo 45504-B.)

Wilson, with his two partners, was occupying a room in the old Sun Building at 128 Fulton Street, when Wheeler, on a business trip to New York City, learned of the Wilson sewing machine. Wheeler examined the machine, saw its possibilities, and at once contracted with E. Lee & Co. to make 500 of them. At the same time he engaged Wilson to go with him to Watertown, Connecticut, to perfect the machine and supervise its manufacture. Meanwhile, Wilson had been working on a substitute for the shuttle. He showed his model of the device, which became known as the rotary hook, to Wheeler who was so convinced of its superiority that he decided to develop this new machine and leave Wilson’s first machine to the others, who, by degrees, had become its owners.

Wilson now applied all his effort to improving the rotary hook, for which he received his second patent on August 12, 1851 (figs. 24 and 25). Wheeler, his two partners Warren and Woodruff, and Wilson now formed a new copartnership—Wheeler, Wilson, and Company. They began the manufacture of the machines under the patent, which combined the rotary hook and a reciprocating bobbin. The rotary hook extended or opened more widely the loop of the needle thread, while a reciprocating bobbin carried its thread through the extended loop. To avoid litigation which the reciprocating bobbin might have caused, Wilson contrived his third outstanding invention—the stationary bobbin. This was a feature of the first machine produced by the new company in 1851, though the patent for the stationary bobbin was not issued until June 15, 1852 (fig. 26).

In all reciprocating-shuttle machines a certain loss of power is incurred in driving forward, stopping, and bringing back the shuttle at each stitch; also, the machines are rather noisy, owing to the striking of the driver against the shuttle at each stroke. These objections were removed by Wilson’s rotary hook and stationary bobbin. The locking of the needle thread with the bobbin thread was accomplished, not by driving a shuttle through the loop of the needle thread, but by passing that loop under the bobbin. The driving shaft carried the circular rotary hook, one of the sewing machine’s most beautiful contrivances. The success of the machine is indicated in an article that appeared in the June 1853 issue of Scientific American:

[Pg 29]

Figure 27.—Wilson’s four-motion-feed patent model, 1854, is not known to be in existence; this is a commercial machine of the period. The plate is stamped “A. B. Wilson, Patented Aug. 12, 1851, Watertown, Conn., No. 1....” (Smithsonian photo 45504.)

This agreement was important to sales, as Elias Howe was known to have sued purchasers of machines, as well as rival inventors and companies.

The business was on a substantial basis by October 1853, and a stock company was formed under the name of Wheeler & Wilson Manufacturing Company.[51] A little more than a year later, on December 19, 1854, Wilson’s fourth important patent (U.S. patent 12,116)—for the four-motion cloth feed—was issued to him (fig. 27). In this development, the flat-toothed surface in contact with the cloth moved forward carrying the cloth with it; then it dropped a little, so as not to touch the cloth; next it moved backward; then in the fourth motion it pushed up against the cloth and was ready to repeat the forward movements. This simple and effective feed method is still used today, with only minor modifications, in almost every sewing machine. This feed with the rotary hook and the stationary circular-disk bobbin, completed the essential features of Wilson’s machine. It was original and fundamentally different from all other machines of that time.

The resulting Wheeler and Wilson machine made a lockstitch by means of a curved eye-pointed needle carried by a vibrating arm projecting from a rock shaft connected by link and eccentric strap with an eccentric on the rotating hook shaft. This shaft had at its outer end the rotary hook, provided with a point adapted to enter the loop of needle thread. As the hook rotated, it passed into and drew down the loop of needle-thread, which was held by means of a loop check, while the point of the hook entered a new loop. When the first loop was cast off—the face of the hook being beveled for that purpose—it was drawn upward by the action of the hook upon the loop through which it was then passing. During the rotation of the hook each loop was passed around a disk bobbin provided with the second thread and serving the part of the shuttle in other machines. The four-motion feed was actuated in this machine by means of a spring bar and a cam in conjunction with the mandrel.

From the beginning, Wheeler and Wilson had looked beyond the use of the sewing machine solely by manufacturers and had seen the demand for a light-running, lightweight machine for sewing in the home. Wilson’s inventions lent themselves to this design, and Wheeler and Wilson led the way to the introduction of the machine as a home appliance. Other manufacturers followed.

When the stock company was formed, Mr. Wilson retired from active participation in the business at his own request. His health had not been good, and a nervous condition made it advisable for him to be freed from the responsibility of daily routine. During this period Wilson’s inventive contributions to the sewing machine continued as noted, and in addition he worked on inventions concerning cotton picking and illuminating gases.

Wheeler and Wilson’s foremost competitor in the[Pg 30] early years of sewing-machine manufacture was the Singer Company, which overtook them by 1870 and finally absorbed the entire Wheeler and Wilson Manufacturing Company in 1905.

The founder of this most successful 19th-century company was Isaac Singer, a native of Pittstown, New York.[52] Successively a mechanic, an actor, and an inventor, Singer came to Boston in 1850 to promote his invention of a machine for carving printers’ wooden type. He exhibited the carving machine in Orson Phelps’ shop, where the Blodgett and Lerow machines were being manufactured.

Because the carving machine evoked but little interest, Singer turned his attention to the sewing machine as a device offering considerable opportunity for both improvement and financial reward. Phelps liked Singer’s ideas and joined with George Zieber, the publisher who had been backing the carving-machine venture, to support Singer in the work of improving the sewing machine. His improvements in the Blodgett and Lerow machine included a table to hold the cloth horizontally rather than vertically (this had been used by Bachelder and Wilson also), a yielding vertical presser foot to hold the cloth down as the needle was drawn up, and a vertically reciprocating straight needle driven by a rotary, overhanging shaft.

The story of the invention and first trial of the machine was told by Singer in the course of a patent suit sometime later:

The first machine was completed about the last of September 1850. The partners considered naming the machine the “Jenny Lind,” after the Swedish soprano who was then the toast of America. It was reported[54] to have been advertised under that name when the machine was first placed on the market, but the name was soon changed to “Singer’s Perpendicular Action Sewing Machine” or simply the “Singer Sewing Machine”—a name correctly anticipated to achieve a popularity of its own.

According to the contract made by the partners, the hurriedly built first machine was to be sent to the Patent Office with an application in the name of Singer and Phelps. An application was made between the end of September 1850 and March 14, 1851, as Singer refers to it briefly in the application formally filed on April 16, 1851, stating, “My present invention is of improvements on a machine heretofore invented by me and for which an application is now pending.”[55]

[Pg 31]

Figure 28.—Singer’s patent model, 1851; a commercial machine was used, bearing the serial number 22. (Smithsonian photo 45572-D.)

Figure 29.—Singer’s Perpendicular Action sewing machine, an engraving from Illustrated News, June 25, 1853, which states: “The sewing machine has, within the last two years acquired a wide celebrity, and established its character as one of the most efficient labor saving instruments ever introduced to public notice.... We must not forget to call attention to the fact that this instrument is peculiarly calculated for female operatives. They should never allow its use to be monopolized by men.” (Smithsonian photo 48091-D.)

In late December 1850 Singer had bought Phelps’ interest in the company. Whether the first application was later abandoned by Singer or whether it was rejected is not known,[56] but a patent on the first application was never issued. The final disposition of this first machine has remained a mystery.[57]

A few machines were manufactured in late 1850 and early 1851, and these attracted considerable attention; orders began to be received in advance of production. The pending patent application did not delay the manufacture, and a number of machines were sold before August 12, 1851, when the patent was granted. The patent model is shown in figure 28.[58] It made a lockstitch by means of a straight eye-pointed needle and a reciprocating shuttle. The patent claims, as quoted from the specifications, were as follows:

[Pg 32]

The feeding described in the Singer patent was “by the friction surface of a wheel, whose periphery is formed with very fine grooves, the edges of which are slightly serrated, against which the cloth is pressed by a spring plate or pad.” Although claimed by the inventor in the handwritten specifications, it was not allowed as original.

The machines manufactured by the Singer company (fig. 29) were duplicates of the patent model. These machines were quite heavy and intended for manufacturing rather than for family use in the home.

Figure 30.—I. M. Singer & Co. New York showroom of the mid-1850s, as illustrated in Frank Leslie’s Illustrated Newspaper, August 29, 1857; only manufacturing machines are shown in this illustration. (Smithsonian photo 48091-B.)

[Pg 33]

Figure 31.—Hunt and Webster’s sewing-machine manufactory exhibition and salesroom in Boston, as illustrated in Ballou’s Pictorial, July 5, 1856; only manufacturing machines are shown. (Smithsonian photo 45771-A.)

Singer enjoyed demonstrating the machine and showed it to church and social groups and even at circuses; this personal association then encouraged him to improve its reliability and convenience. He developed a wooden packing case which doubled as a stand for the machine and a treadle to allow it to be operated by foot. Because of the dimensions of the packing case, Singer put the pivot of the treadle toward its center, about where the instep of the foot would rest. This produced the heel-and-toe action treadle, a familiar part of the sewing machine until its replacement by the electric motor. Both hands were freed to guide and arrange the cloth that was being stitched. Singer also added a flywheel to smooth out the treadle action and later an iron stand with a treadle wide enough for both feet. The treadle had been in use for two years before a rival pointed out that it might have been patented. To Singer’s chagrin it was then too late for patent laws[Pg 34] did not permit patenting a device that had been in public use.

A new obstacle appeared in the Singer company’s path when Howe demanded $25,000 for infringement of his patent. Singer and Zieber decided to fight, enlisting the legal aid of Edward Clark, a lawyer and financier. Howe’s action was opposed on the basis of Hunt’s machine of 1834, which they stated had anticipated Howe’s invention.

While they were resisting, Howe sued three firms that were using and selling Singer machines. The court order required the selling firms and the purchasers to provide an account of the profits accrued from the sale and the use of the sewing machines and restrained the firms from selling the machines during the pendency of the suit.[59] As a result of this action, a number of Singer’s rivals purchased licenses from Howe and advertised that anyone could sell their machines without fear of a suit. This gave them a great competitive advantage, and Singer and Clark[60] decided it was best to seek a settlement with Howe. On July 1, 1854, they paid him $15,000 and took out a license.

Figure 32.—Singer’s new Family Sewing Machine, illustration from a brochure dating about 1858 or 1859 which states: “A few months since, we came to the conclusion that the public taste demanded a sewing machine for family purposes more exclusively; a machine of smaller size, and of a lighter and more elegant form; a machine decorated in the best style of art, so as to make a beautiful ornament in the parlor or boudoir; a machine very easily operated, and rapid in working.... To supply this public want, we have just produced, and are now prepared to receive orders for, ‘Singer’s new Family Sewing Machine.’” (Smithsonian photo 48091-H.)

In spite of this defeat, the Singer company could claim several important improvements to the sewing machine and the acquisition of the patents rights to the Morey and Johnson machine of 1849, which gave them control of the spring or curved arm to hold the cloth by a yielding pressure. Although this point had not been claimed in the 1849 patent, the established principle of patent law allowed that a novel device introduced and used in a patented machine could be covered by a reissue at any time during the life of the patent. Upon becoming owners of the Morey and Johnson patent, Singer applied for a reissue which covered this type of yielding pressure. It was granted on June 27, 1854. The Singer company’s acquisition of the Bachelder patent had given them control of the yielding pressure bar also.

Figure 33.—Singer Family Machine, 1858, head only. (Smithsonian photo 45524-F.)

Singer’s aggressive selling had begun to overcome the public’s suspicion of sewing machines. He pioneered in the use of lavishly decorated sewing-machine showrooms when the company offices were expanded in the mid-1850s (fig. 30). These were rich with carved walnut furniture, gilded ornaments, and carpeted floors, places in which Victorian women were not ashamed to be seen. The machines were demonstrated by pretty young women. The total effect was a new concept of selling, and Singer became the drum major of a new and coming industry that had many followers (see fig. 31).

[Pg 35]

Figure 34.—Grover and Baker’s patent model, 1851. (Smithsonian photo 32003-G.)

The first, light, family sewing machine by the Singer company was not manufactured until 1858 (figs. 32 and 33). Comparatively few of these machines were made as they proved to be too small and light. The men in the shop dubbed the machine “The Grasshopper,” but it was officially called the new Family Sewing Machine or the Family Machine.[61] Because of its shape, Singer company brochures of the 1920s referred to it as the Turtleback Machine.

Since the cost of sewing machines was quite high and the average family income was low, Clark suggested the adoption of the hire-purchase plan. Into the American economy thus came the now-familiar installment buying.

Singer and Clark continued to be partners until 1863 when a corporation was formed. At this time Singer decided to withdraw from active work. He received 40 percent of the stock and retired to Paris and later to England, where he died in 1875.[Pg 36]

Figure 35.—This Grover and Baker cabinet-style sewing machine of 1856 bears the serial number 5675 and the patent dates February 11, 1851, June 22, 1852, February 22, 1853, and May 27, 1856. (Smithsonian photo 45572-F.)

By the mid-1850s the basic elements of a successful, practical sewing machine were at hand, but the continuing court litigation over rival patent rights seemed destined to ruin the economics of the new industry. It was then that the lawyer of the Grover and Baker company, another sewing-machine manufacturer of the early 1850s, supplied the solution. Grover and Baker were manufacturing a machine that was mechanically good, for this early period. William O. Grover was another Boston tailor, who, unlike many others, was convinced that the sewing machine was going to revolutionize his chosen trade. Although the sewing machines that he had seen were not very practical, he began in 1849 to experiment with an idea based on a new kind of stitch. His design was for a machine that would take both its threads from spools and eliminate the need to wind one thread upon a bobbin. After much experimenting, he proved that it was possible to make a seam by interlocking two threads in a succession of slipknots, but he found that building a machine to do this was a much more difficult task. It is quite surprising that while he was working on this idea, he did not stumble upon a good method to produce the single-thread (as opposed to Grover and Baker’s two-thread) chainstitch, later worked out by another. Grover was working so intently on the use of two threads that apparently no thought of forming a stitch with one thread had a chance to develop.

At this time Grover became a partner with another Boston tailor, William E. Baker, and on February 11, 1851, they were issued U.S. patent No. 7,931 for a machine that did exactly what Grover had set out to do; it made a double chainstitch with two threads both carried on ordinary thread spools. The machine (figs. 34 and 35) used a vertical eye-pointed needle for the top thread and a horizontal needle for the underthread. The cloth was placed on the horizontal platform or table, which had a hole for the entry of the vertical needle. When this needle passed through the cloth, it formed a loop on the underside. The horizontal needle passed through this loop forming another loop beyond, which was retained until the redescending vertical needle enchained it, and the process repeated. The slack in the needle thread was controlled by means of a spring guide. The cloth was fed by feeding rolls and a band.[Pg 37]

Figure 36.—Grover’s patent model for the first portable case, 1856. The machine in the case is a commercial machine of 1854, bearing the serial number 3012 and the patent dates “Feby 11, 1851, June 22, 1852, Feby 22, 1853.” Powered by a single, foot-shaped treadle that was connected by a removable wooden pitman, it also could be turned by hand. (Smithsonian photo 45525-D.)

A company was organized under the name of Grover and Baker Sewing Machine Company, and soon the partners took Jacob Weatherill, mechanic, and Orlando B. Potter, lawyer (who became the president), into the firm. Potter contributed his ability as a lawyer in lieu of a financial investment and handled the several succeeding patents of Grover and Baker. These patents were primarily for mechanical improvements such as U.S. patent No. 9,053 issued to Grover and Baker on June 22, 1852, for devising a curved upper needle and an under looper[62] to form the double-looped stitch which became known as the Grover and Baker stitch.[Pg 38] One of the more interesting of the patents, however, was for the box or sewing case for which Grover was issued U.S. patent No. 14,956 on May 27, 1856. The inventor stated “that when open the box shall constitute the bed for the machine to be operated upon, and hanging the machine thereto to facilitate oiling, cleansing, and repairs without removing it from the box.” It was the first portable sewing machine (fig. 36).

Though the Grover and Baker company manufactured machines using a shuttle and producing the more common lockstitch, both under royalty in their own name and also for other smaller companies, Potter was convinced that the Grover and Baker stitch was the one that eventually would be used in both family and commercial machines. He, as president, directed the efforts of the company to that end. When the basic patents held by the “Sewing-Machine Combination” (discussed on pp. 41-42) began to run out in the mid-1870s, dissolving its purpose and lowering the selling price of sewing machines, the Grover and Baker company began a systematic curtailing of expenses and closing of branch offices. All the patents held by the company and the business itself were sold to another company.[63] But the members of the Grover and Baker company fared well financially by the strategic move.

The Grover and Baker machine and its unique stitch did not have a great influence on the overall development of the mechanics of machine sewing. The merits of a double-looped stitch—its elasticity and the taking of both threads from commercial spools—were outweighed by the bulkiness of the seam and its consumption of three times as much thread as the lockstitch required. Machines making a similar type of stitch have continued in limited use in the manufacture of knit goods and other products requiring an elastic seam. But, more importantly, Grover and Baker’s astute Orlando B. Potter placed their names in the annals of sewing-machine history by his work in forming the “Combination,” believed to be the first “trust” of any prominence.

[Pg 39]

Chapter Three

[Pg 40]

(a) Number estimated.
(b) No data.

Figure 37.—Table of sewing-machine statistics. From Frederick G. Bourne, “American Sewing Machines” in One Hundred Years of American Commerce, vol. 2. ed. Chauncey Mitchell Depew (New York: D. O. Haines, 1895), p. 530. (Smithsonian photo 42542-A.)

[Pg 41]

The “Sewing-Machine Combination”

With the basic elements of a successful sewing machine assembled, the various manufacturers should have been able to produce good machines unencumbered. The court order, however, which restrained several firms from selling Singer machines while the Howe suit was pending, started a landslide; soon Wheeler, Wilson and company, Grover and Baker company, and several others[64] purchased rights from Elias Howe. This gave Howe almost absolute control of the sewing-machine business as these companies agreed to his royalty terms of $25 for every machine sold. In an attempt to improve his own machine, Howe was almost immediately caught up in another series of legal battles in which he was the defendant; the companies he had defeated were able to accuse him of infringing on patents that they owned. To compound the confusion, individual companies also were suing each other on various grounds.

Because of this situation Orlando B. Potter, president of the Grover and Baker company, advanced in 1856 the idea of a “Combination” of sewing-machine manufacturers. He pointed out how the various companies were harming themselves by continuing litigation and tried to convince Howe that all would benefit by an agreement of some kind. He proposed that Elias Howe; Wheeler, Wilson and company; I. M. Singer and company; and Grover and Baker company pool their patents covering the essential features of the machine. The three companies had started production about the same time and approved of Potter’s idea; Howe opposed it as he felt that he had the most to lose by joining the “Combination.” He finally consented to take part in Potter’s plan if the others would agree to certain stipulations. The first requirement was that at least twenty-four manufacturers were to be licensed. The second was that, in addition to sharing equally in the profits with the three companies, Howe would receive a royalty of $5 for each machine sold in the United States and $1 for each machine exported. It has been estimated that, as a result of this agreement, Howe received at least $2,000,000 as his share of the license fees between 1856 and 1867 when his patent expired.[65]

The organization was called the Sewing-Machine Trust and/or the Sewing-Machine Combination. The important patents contributed to it were:

The Grover and Baker company contributed several patents of relative importance, but its most important claim for admission was the fact that Potter had promoted the idea.

The consent of all four member-parties was required before any license could be granted, and all were required to have a license—even the member companies. The fee was $15 per machine. A portion of this money was set aside to pay the cost of prosecuting infringers, Howe received his initial fee, and the rest was divided between the four parties. The advantage to the licensee was that he was required to pay only one fee. Most license applications were granted; only those manufacturing a machine specifically imitating the product of a licensed manufacturer were refused.

The three company members each continued to manufacture, improve, and perfect its own machine. Other than the joint control of the patents, there was no pooling of interests, and each company competed to attract purchasers to buy its particular type of machine, as did the companies who were licensed by them.

In 1860, the year Howe’s patent was renewed, the general license fee was reduced from $15 to $7, and Howe’s special royalty was reduced to $1 per machine. Howe remained a member until his patent ran out in 1867. The other members continued the “Combination” until 1877, when the Bachelder patent, which had been extended twice, finally expired. By that time the fundamental features of the sewing machine were no longer controlled by anyone. Open competition by the smaller manufacturers was possible, and a slight reduction in price followed. Many new companies came into being—some destined to be very short-lived.

From the beginning to the end of the “Combination” there was an army of independents, including infringers and imitators, who kept up a constant complaint against it, maintaining that its existence tended to retard the improvement of the sewing machine and that the public suffered thereby. In the period immediately following the termination of the
however, only a few improvements of any importance were
made, and most of these were by the member companies.[Pg 43]

[Pg 44]

Chapter Four

Figure 38.—Gibbs’ patent model, 1857. (Smithsonian photo 45504-E.)

[Pg 45]

Less Expensive Machines

While the “Combination” was attempting to solve the problems of patent litigation, another problem faced the would-be home users of this new invention. The budget limitations of the average family caused a demand for a less expensive machine, for this first consumer appliance was a most desirable commodity.[67]

There were many attempts to satisfy this demand, but one of the best and most successful grew out of a young man’s curiosity. James E. A. Gibbs’ first exposure to the sewing machine was in 1855 when, at the age of 24, he saw a simple woodcut illustration of a Grover and Baker machine. The woodcut represented only the upper part of the machine. Nothing in the illustration indicated that more than one thread was used, and none of the stitch-forming mechanism was visible. Gibbs assumed that the stitch was formed with one thread; he then proceeded to imagine a mechanism that would make a stitch with one thread. His solution was described in his own statement:

[Pg 46]

Figure 39.—One of the first commercial machines produced by the Willcox & Gibbs Sewing Machine Co. in 1857, this machine bears no serial number, although the name “James E. A. Gibbs” is inscribed in two places on the cloth plate. It was used as the patent model for Gibbs’ improvement on his 1857 patent issued the following year on August 10, 1858. (Smithsonian photo P. 6393.)

Gibbs had no immediate interest in the sewing machine other than to satisfy his curiosity. He did not think of it again until January 1856 when he was visiting his father in Rockbridge County, Virginia. While in a tailor’s shop there, he happened to see a Singer machine. Gibbs was very much impressed, but thought the machine entirely too heavy, complicated, and cumbersome, and the price exorbitant. It was then that he recalled the machine he had devised. Remembering how simple it was, he decided to work in earnest to produce a less-expensive type of sewing machine.

Gibbs had little time to spend on this invention since his family was dependent upon him for support, but he managed to find time at night and during inclement weather. In contemporary references, Gibbs is referred to as a farmer, but since he is also reported to have had employers, it may be surmised that he was a farmhand. In any event, his decision to try to produce a less-expensive sewing machine suffered from a lack of proper tools and adequate materials. Most of the machine had to be constructed of wood, and he was forced to make his own needles. By the end of April 1856, however, his model was sufficiently completed to arouse the interest of his employers, who agreed to furnish the money necessary to patent the machine.

Gibbs went to Washington, where he examined sewing-machine models in the Patent Office and other machines then on the market. Completing his investigations, Gibbs made a trip to Philadelphia and showed his invention to a builder of models of new inventions, James Willcox. Much impressed with the machine, Willcox arranged for Gibbs to work with his son, Charles Willcox, in a small room in the rear of his shop. After taking out two minor patents (on December 16, 1856, and January 20, 1857), Gibbs obtained his important one, U.S. patent No. 17,427 on June 2, 1857 (fig. 38). His association with Charles Willcox led to the formation of the Willcox & Gibbs Sewing Machine Company, and they began manufacturing chainstitch machines in 1857 (fig. 39). The machine used a straight needle to make a chainstitch. At the forward end of the main shaft was a hook which, as it rotated, carried the loop of needle-thread, elongated and held it expanded while the feed moved the cloth until the needle at the next stroke descended through the loop so held. When the needle descended through the first loop, the point of the hook was again in position to catch the second loop, at which time the first loop was cast off and the second loop drawn through it, the first loop having been drawn up against the lower edge of the cloth to form a chain.[Pg 47]

Figure 40.—A dolphin sewing machine based on Clark’s patent of 1858. This design was first used by T. J. W. Robertson in 1855, but in his patent issued on May 22 of that year no claim was made for the machine design, only for the chainstitch mechanism. The same style was used by D. W. Clark in several of his chainstitch patents, but he also made no claim for the design, stating that the machine “may be made in any desired ornamental form.” The dolphin-style machines are all chainstitch models of solid brass, originally gilt. Although only about five inches long, they are full-size machines using a full-size needle. (Smithsonian photo 45505.)

A Gibbs sewing machine, on a simple iron-frame stand with treadle, sold for approximately $50 in the late 1850s,[69] while a Wheeler and Wilson[70] machine or a Grover and Baker[71] with the same type of stand sold for approximately $100. After the introduction of the Gibbs machine, the Singer company[72] brought out a light family machine in 1858 that was also first sold for $100. It was then reduced to $50, but it was not popular because it was too light (see discussion of Singer machines, pp. 34-35). In 1859, Singer brought out its second, more successful family machine, which sold for $75.

Like the other companies licensed by the “Combination,” Willcox and Gibbs company paid a royalty for the use of the patents it held. Although the Willcox and Gibbs machine was a single-thread chainstitch machine and the company held the Gibbs patents, the company was required to be licensed to use the basic feed, vertical needle, and other related[Pg 48] patents held by the “Sewing-Machine Combination.”

With the approach of the Civil War, Gibbs returned to Virginia. Poor health prevented him from taking an active part in the war, but he worked throughout the conflict in a factory processing saltpeter for gunpowder. Afterward, Gibbs returned to Philadelphia and found that Willcox had faithfully protected his sewing-machine interests during his long absence. The firm prospered, and Gibbs finally retired to Virginia a wealthy man. Interestingly, Gibbs named the Virginia village to which he returned in later life “Raphine”—derived, somewhat incorrectly, from the Greek word “to sew.”

The Willcox & Gibbs Sewing Machine Company is one of the few old companies still in existence. It discontinued making and selling family-style machines many years ago and directed its energies toward specialized commercial sewing machines, many of which are based on the original chainstitch principle.

There was also an ever-increasing number of other patentees and manufacturers who, in the late 1850s and 1860s, attempted to produce a sewing machine that would circumvent both the “Combination” and the high cost of manufacturing a more complicated type of machine. Some of the more interesting of these are pictured and described in figures 40 through 54.

[Pg 49]

Figure 41.—The cherub sewing machine was another Robertson first which was adopted by Clark. Robertson’s patent of October 20, 1857, once again makes no claim for the design; neither does Clark’s patent of January 5, 1858, illustrated here. The machine is approximately the same size as the dolphin and is made in the same manner and of the same materials. Two cherubs form the main support, one also supporting the spool and leashing a dragonfly which backs the needle mechanism. (Smithsonian photo 45504-D.)

Figure 42.—The foliage sewing machine originated with D. W. Clark. Once again he did not include the design in his June 8, 1858, patent, which was aimed at improving the feeding mechanism. Like most hand-turned models, these required a clamp to fasten them to the table when in operation. (Smithsonian photo 45504-C.)

Figure 43.—The sewing shears was another popular machine of unusual style. Some models were designed to both cut and sew, but most derived their names from the method of motivating power. The earliest example of the sewing-shears machine was invented by Joseph Hendrick, who stated in his patent that he was attempting to produce “a simple, portable, cheap, and efficient machine.” His patent model of October 5, 1858, is illustrated. (Smithsonian photo 45504-F.)

Figure 44.—The horse sewing machine is among the most unusual of the patents issued for mechanical improvements. Although James Perry, the patentee, made several claims for the looper, feeder, and tension, he made no mention of the unusual design of the machine, for which a patent was issued on November 23, 1858. Although it was probably one of a kind, the horse machine illustrates the extent to which the inventor’s mind struggled for original design. (Smithsonian photo 45505-C.)

[Pg 50]

Figure 45.—Many inventors attempted to cut the cost of manufacturing a complicated machine. One of these was Albert H. Hook, whose machine is only about four inches high and two inches wide. His patent, granted November 30, 1858, simplified the construction and arrangement of the various parts. Although Hook used a barbed needle reminiscent of the one used by Thimonnier, his method of forming the stitch was entirely different. The thread was passed through the necessary guides, and when the cloth was in place the needle was thrust up from below. Passing through the fabric, the needle descended, carrying with it a loop of thread. As the process was repeated, a chainstitch was formed with the enchained loop on the under side. In spite of its simple mechanism, Hook’s machine was not a commercial success. (Smithsonian photo 45505-D.)

Figure 46.—In addition to mechanical patents, a number of design patents were also issued for sewing machines. These fall into a separate series in the Patent Office’s numerical records. This unusual example featured two semidraped female figures holding the spool of thread, a mermaid holding the needle, a serpent which served as the presser foot, and a heart-shaped baster plate. The design was patented by W. N. Brown, October 25, 1859, but no examples other than the patent model are known to have been made. (Smithsonian photo 45504-A.)

[Pg 51]

Figure 47.—The squirrel machine was another interesting design patent. S. B. Ellithorp had received a mechanical patent for a two-thread, stationary-bobbin machine on August 26, 1857. That same month he published a picture of his machine, shown here as republished in the Sewing Machine News, vol. 7, no. 11, November 1885. The machine was designed in the shape of “the ordinary gray squirrel so common throughout this country—an animal that is selected as a type of provident care and forethought, for its habits of frugality and for making provision for seasons of scarcity and want in times of plenty—and the different parts of the animal are each put to a useful purpose; the moving power being placed within its body, the needle stock through its head, one of its fore feet serving to guide the thread, and the other to hold down the cloth while being sewed, and the tip of its tail forming a support to the spool from which the thread is supplied.”

Although the design patent was not secured until June 7, 1859, the inventor was reported to have been perfecting his machine for manufacture in 1857. Ellithorp planned “to place them in market at a price that will permit families and individuals that have heretofore been deterred from purchasing a machine by the excessive and exorbitant price charged for those now in use, to possess one.” Patent rights were sold under the name of Ellithorp & Fox, but the machine was never manufactured on a large scale, if at all. No squirrel machines are known to have survived. (Smithsonian photo 53112.)

[Pg 52]

Figure 48.—Heyer’s pocket sewing machine patent model, November 17, 1863. This patent model is one piece, and measures about two inches in height and two inches in length. It will stitch—but only coarse, loosely woven fabrics. As can be expected, a great deal of manual dexterity is required to compensate for the omission of mechanical parts. Heyer advertised patent rights for sale, but evidence of manufactured machines of this type has yet to be discovered. (Smithsonian photo 18115-D[a].)

Figure 49.—Heyer’s machine as illustrated in Scientific American, July 30, 1864. The smallest and most original of all the attempts to simplify machine sewing, Heyer’s machine, which made a chainstitch, was constructed of a single strip of metal. The Scientific American stated: “It is simply a steel spring ingeniously bent and arranged and it is said to sew small articles very well. The whole affair can easily be carried in the coat pocket.”

One method of operation, vibrating with the finger, was illustrated. The machine could be operated also by holding it in the hand and pressuring it between two fingers. Cloth was inserted at c, and the prongs of the spring feed f carried it along after each stitch. It was stated that the needle could be cut from the same strip of metal, but it was advised also that the needle could be made as a separate piece and attached. (Smithsonian photo 48221.)

Figure 50.—Although Bean’s and Rodgers’ running-stitch machines, the second and fourth U.S. sewing-machine patents, experienced little commercial success, small manufactured machines based on Aaron Palmer’s patent of May 13, 1862, were popular in the 1860s. The patent model above is a small brass implement with crimping gears that forced the fabric onto an ordinary sewing needle. The full needle was then removed from its position, and the thread was pulled through the fabric by hand. (Smithsonian photo 45524.)

[Pg 53]

Figure 51.—One of the early commercial manufacturers of the Palmer patent was Madame Demorest, a New York dressmaker. She advertised her Fairy sewing machine in Godey’s Lady’s Book, vol. 66, 1863, and stated: “In the first place it will attract attention from its diminutive, fairy-like size, and with the same ease with which it can be carried, an important matter to a seamstress or dressmaker employed from house to house ... What no other sewing machine attempts to do, it runs, and does not stitch, it sews the more delicate materials an ordinary sewing machine cuts or draws....” (Smithsonian photo 43690.)

Figure 52.—The Fairy sewing machine sold for five dollars and was adequate for its advertised purpose, sewing or running very lightweight fabrics. The machine was marked with the Palmer patent, the date May 13, 1862, and the name “Mme. Demorest.”

A machine identical to the Fairy, but bearing both Palmer patent dates, May 13, 1862, and June 19, 1863, and the name “Gold Medal,” was manufactured by a less-scrupulous company. This machine was advertised as follows: “A first class sewing machine, handsomely ornamented, with all working parts silver plated. Put up in a highly polished mahogany case, packed ready for shipment. Price $10.00. This machine uses a common sewing needle, is very simple. A child can operate it. Cash with order.” Some buyers felt they were swindled, as they had expected a heavy-duty machine, but no recourse could be taken against the advertiser. Another similar machine was also manufactured under the name “Little Gem.” (Smithsonian photo 45525.)

[Pg 54]

Figure 53 and 54.—Running-stitch machines were also attempted by several other inventors. Shaw & Clark, manufacturers of chainstitch machines, patented this running-stitch machine on April 21, 1863. From the appearance of the patent model, it was already in commercial production. On May 26, 1863, John D. Dale also received a patent for an improvement related to the method of holding the needle and regulating the stitches in a running-stitch machine. Dale’s patent model was a commercial machine.

John Heberling patented several improvements in 1878 and 1880. His machine, which was a little larger and in appearance resembled a more conventional type of sewing machine, was a commercial success. (Shaw & Clark: Smithsonian photo P. 6395; Dale: Smithsonian photo P. 6394.)

[Pg 55]

Appendixes

 [Pg 56]

[Pg 57]

I. Notes on the Development and Commercial Use of the Sewing Machine

INTRODUCTION

While researching the history of the invention and the development of the sewing machine, many items of related interest concerning the machine’s economic value came to light. The manufacture of the machines was in itself a boost to the economy of the emerging “industrial United States,” as was the production of attachments for specialized stitching and the need for new types of needles and thread. Moreover, the machine’s ability to speed up production permitted it to permeate the entire field of products manufactured by any type of stitching, from umbrellas to tents. Since this aspect of the story was not completed for this study, no attempt will be made to include any definitive statements on the economic importance of the sewing machine at home or abroad. This related information is of sufficient interest, however, to warrant inclusion in this first Appendix. Perhaps these notes will suggest areas of future research for students of American technology.

READY-MADE CLOTHING

Whether of the expensive or the inexpensive type, the sewing machine was much more than a popular household appliance. Its introduction had far-reaching effects on many different types of manufacturing establishments as well as on the export trade. The newly developing ready-made clothing industry was not only in a state of development to welcome the new machine but also was, in all probability, responsible for its immediate practical application and success.

Until the early part of the second quarter of the 19th century, the ready-made clothing trade in the United States was confined almost entirely to furnishing the clothing required by sailors about to ship out to sea. The stores that kept these supplies were usually in the neighborhood of wharf areas. But other than the needs of these seamen, there was little market for ready-made goods. Out of necessity many of the families in the early years in this country had made their own clothing. As wealth was acquired and taste could be cultivated, professional seamstresses and tailors were in increasing demand, moved into the cities and towns, and even visited the smaller villages for as long as their services were needed. At the same time a related trade was also growing in the cities, especially in New York City, that of dealing in second-hand clothing. Industrious persons bought up old clothes, cleaned, repaired and refinished them, and sold the clothing to immigrants and transients who wished to avoid the high cost of new custom-made clothing.

The repairing of this second-hand clothing led to the purchase of cheap cloth at auction— “half-burnt,” “wet-goods,” and other damaged yardage. When in excess of the repairing needs, this fabric was made into garments and sold with the second-hand items. Many visitors who passed through New York City were found to be potential buyers of this merchandise if a better class of ready-made clothes was made available. Manufacture began to increase. Tailors of the city began to keep an assortment of finished garments on hand. When visitors bought these, they were also very likely to buy additional garments for resale at home. The latter led to the establishment of the wholesale garment-manufacturing industry in New York about 1834-35.

Most of the ready-made clothing establishments were small operations, not large factories. Large[Pg 58] quantities of cloth were purchased; cutting was done in multiple layers with tailor’s shears. Since many seamstresses were needed, the garments were farmed out to the girls in their homes. The manufacture of garments in quantity meant that the profit on each garment was larger than a tailor could make on a single custom-made item. The appeal of increased profits influenced many to enter the new industry and, due to the ensuing competition, the retail cost of each garment was lowered. Just as the new businesses were getting underway, the Panic of 1837 ruined most of them. But the lower cost and the convenience of ready-made clothing had left its mark. Not only was the garment-manufacturing business re-established soon after the Panic had subsided, but by 1841 the value of clothing sold at wholesale in New York was estimated at $2,500,000 and by 1850—a year before sewing machines were manufactured in any quantity—there were 4,278 clothing manufacturing establishments in the United States. Beside New York City, Cincinnati was also one of the important ready-made clothing centers. In 1850 the value of its products amounted to $4,427,500 and in 1860 to $6,381,190. Boston was another important center with a ready-made clothing production of $4,567,749 in 1860. Philadelphia, Baltimore, Louisville, and St. Louis all had a large wholesale clothing trade by 1860. Here was the ready market for a practical sewing machine.[73]

Clothing establishments grew and began to have agencies in small towns and the sewing work was distributed throughout the countryside. The new, competing sewing-machine companies were willing to deliver a machine for a small sum and to allow the buyer to pay a dollar or two a month until the full amount of the sale was paid. This was an extension of the hire-purchase plan (buying on credit) initiated by Clark of the Singer Company. The home seamstresses were eager to buy, for they were able to produce more piecework with a sewing machine and therefore earn more money. An example of the effect that the sewing machine had on the stitching time required was interestingly established through a series of experiments conducted by the Wheeler and Wilson company. Four hand sewers and four sewing-machine operators were used to provide the average figures in this comparative time study, the results of which were published in 1861;[74]

NUMBER OF STITCHES PER MINUTE

TIME FOR GARMENTS STITCHED

The factory manufacturer, with the sewing work done at the factory, was also developing. In 1860, Oliver F. Winchester, a shirt manufacturer of New Haven, Connecticut, stated that his factory turned out 800 dozen shirts per week, using 400 sewing machines and operators to do the work of 2,000 hand sewers. The price for hand sewing was then $3 per week, which made labor costs $6000 per week. The 400 machine operators received $4 per week, making the labor cost $1600 per week. Allowing $150 as the cost of each machine, the sewing machines more than paid for themselves in less than 14 weeks, increased the operators pay by $1 a week, and lowered the retail cost of the item.[75] The greatest savings of time, which was as much as fifty percent, was in the manufacture of light goods—such items as shirts, aprons, and calico dresses. The Commissioner of Patents weighed the monetary effect that this or any invention had on the economy against the monetary gain received by the patentee. When he found that the patentee had not been fairly compensated, he had the authority to grant a seven-year extension to the patent. [76] [Pg 59]

The sewing machine also contributed to the popularity of certain fashions. Ready-made cloaks for women were a business of a few years’ standing when the sewing machine was adopted for their manufacture in 1853. Machine sewing reduced the cost of constructing the garment by about eighty percent, thereby decreasing its price and increasing its popularity. In New York City alone, the value of the “cloak and mantilla” manufacture in 1860 was $618,400.[77] Crinolines and hoopskirts were easier to stitch by machine than by hand, and these items had a spirited period of popularity due to the introduction of the sewing machine. Braiding, pleating, and tucking adorned many costume items because they could be produced by machine with ease and rapidity.

In addition to using the sewing machine for the manufacture of shirts, collars, and related men’s furnishings, the machine was also used in the production of men’s and boy’s suits and reportedly gave “a vast impetus to the trade.”[78] The Army, however, was not quite convinced of the sewing machine’s practical adaptation to its needs. Although a sewing machine was purchased for the Philadelphia Quartermaster Depot as early as 1851, they had only six by 1860. On March 31, 1859, General Jesup of the Philadelphia Depot wrote to a Nechard & Company stating that the machine sewing had been tried but was not used for clothing, only for stitching caps and chevrons. In another letter, on the same day, to “Messers Hebrard & Co., Louisiana Steam Clothing Factory, N. Orleans,” Jesup states: “Machine sewing has been tried with us, and though it meets the requirements of a populous and civilized life, it has been found not to answer for the hard wear and tear and limited means of our frontier service. Particular attention has been paid to this subject, and we have abandoned the use of machines for coats, jackets and trousers, etc. and use them on caps and bands that are not exposed to much hard usage....”[79] At this period prior to the Civil War, the Army manufactured its own clothing. As the demands of war increased, more and more of the Army’s clothing supplies were furnished on open contract—with no specifications as to stitching.[80] Machine stitching, in fact, is found in most of the Civil War uniforms. One of the problems that most probably affected the durability of the machine stitching in the 1850s was the sewing thread, a problem that was not solved until the 1860s and which is discussed later under “thread for the machine.”

Figure 55.—Blake’s leather-stitching machine patent model of July 6, 1858; the inventor claimed the arrangement of the mechanism used and an auxiliary arm capable of entering the shoe, which enabled the outer sole to be stitched both to the inner sole and to the upper part of the shoe. (Smithsonian photo 50361.)

SHOE MANUFACTURE

Another industry that was aided by the new invention was that of shoe manufacture. Although the earliest sewing-machine patents in the United States reflect the inventors’ efforts to solve the difficult task of leather stitching, and, although machines were used to a limited extent in stitching some parts of[Pg 60] the shoe in the early and mid-1850s, it was not until 1858 that a machine was invented that could stitch the sole to the inner sole and to the upper part of the shoe. This was the invention of Lyman R. Blake and was patented by him on July 8, 1858; the patent model is shown in figure 55. Blake formed a chainstitch by using a hooked needle, which descended from above, to draw a thread through the supporting arm. Serving as the machine’s bedplate, the arm was shaped to accommodate the stitching of all the parts of the shoe.

Figure 56.—Harris’ patent thread cutter, 1872. (Smithsonian photo P-6397.)

Figure 57.—West’s patent thread cutter, 1874. (Smithsonian photo P-63100.)

Figure 58.—Karr’s patent needle threader, 1871. (Smithsonian photo P-63101.)

The increased number of shoes required by the Army during the Civil War spurred the use of the sewing machine in their manufacture. The first “machine sewed bootees” were purchased by the Army in 1861. Inventors continued their efforts; the most prominent of these was Gordon McKay, who worked on an improvement of the Blake machine with Robert Mathies in 1862 and then with Blake in 1864. Reportedly, the Government at first preferred the machine-stitched shoes as they lasted eight times longer than those stitched by hand; during the war the Army purchased 473,000 pairs, but in 1871 the Quartermaster General wrote:

The exact complaint against the shoes was not recorded. Possibly the entire shoe was stitched by machine. It was found that although machine-stitched shoes were more durable in some respects and the upper parts of most shoes continued to be machine stitched, pegged soles for the more durable varieties remained the fashion for a decade or more, as did custom hand-stitched shoes for those who could afford them.

OTHER USES

The use of sewing machines in all types of manufacturing that required stitching of any type continued to grow each year. While the principal purpose for which they were utilized continued to be the manufacture of clothing items, by the year 1900 they were also used for awnings, tents, and sails; cloth bags; bookbinding and related book manufacture; flags and banners; pocketbooks, trunks, and valises; saddlery and harnesses; mattresses; umbrellas; linen and rubber belting and hose; to the aggregate sum of nearly a billion dollars—$979,988,413.[82]

SEWING-MACHINE ATTACHMENTS

The growing popularity of the sewing machine offered still another boost to the economy—the development of many minor, related manufacturing[Pg 61] industries. The repetitive need for machine needles, the development of various types of attachments to simplify the many sewing tasks, and the ever-increasing need for more and better sewing thread—the sewing machine consumed from two to five times as much thread as stitching by hand—created new manufacturing establishments and new jobs.

Figure 59.—Shank’s patent bobbin winder, 1870. (Smithsonian photo P-6398.)

Figure 60.—Sweet’s patent binder, 1853. (Smithsonian photo P-6396.)

Figure 61.—Spoul’s patent braid guide, 1871. (Smithsonian photo P-63102.)

Figure 62.—Rose’s patent embroiderer, 1881. (Smithsonian photo P-6399.)

Figure 63.—Harris’ patent buttonhole attachment, 1882. (Smithsonian photo P-63103.)

The method of manufacturing machine needles did not differ appreciably from the method used in making the common sewing needle, but the latter had never become an important permanent industry in the United States. Since the manufacture of practical sewing machines was essentially an American development and the eye-pointed needle a vital component of the machine, it followed that the manufacture of needles would also develop here. Although such a manufacture was established in 1852,[83] foreign imports still supplied much of the[Pg 62] need in the 1870s. As more highly specialized stitching machines were developed, an ever-increasing variety of needles was required, and the industry grew.

Figure 64.—The treadle of the machine was also used to help create music. George D. Garvie and George Wood received patent 267,874, Nov. 21, 1882, for “a cover for a sewing machine provided with a musical instrument and means for transmitting motion from the shaft of the sewing machine to the operating parts of the musical instrument.” Although no patent model was submitted by the inventors, the “Musical Sewing Machine Cover” was offered for sale as early as October 1882, as shown by this advertisement that appeared in The Sewing Machine News that month. (Smithsonian photo 57983.)

Soon after the sewing machine was commercially successful, special attachments for it were invented and manufactured. These ranged from the simplest devices for cutting thread to complicated ones for making buttonholes (see figs. 56 through 66).

Figure 65.—This fanning attachment was commercially available from James Morrison & Co. in the early 1870s; it sold for one dollar as stated in the advertising brochure from which this engraving was copied. Other inventors also patented similar implements. (Smithsonian photo 45513.)

The first patent for an attachment was issued in 1853 to Harry Sweet for a binder, used to stitch a special binding edge to the fabric. Other related attachments followed; among these were the hemmer which was similar to the binder, but turned the edge of the same piece of fabric to itself as the stitching was performed. Guides for stitching braid in any pattern, as directed by the movement of the goods below, were also developed; this was followed by the embroiderer, an elaborate form of braider. The first machine to stitch buttonholes was patented in 1854 and the first buttonhole attachment in 1856, but the latter was not practical until improvements were made in the late 1860s. Special devices for refilling the bobbins were invented and patented as early as 1862, and the popularity of tucked and ruffled garments inspired inventors to provide sewing-machine attachments for these purposes also. To keep the seamstress cool, C. D. Stewart patented an attachment for fanning the operator by an action derived from the treadle (fig. 65). While electric[Pg 63] sewing machines did not become common until the 20th century, several 19th-century inventors considered the possibility of attaching a type of motor to the machine. One was the 1871 patent of Solomon Jones, who added an “electro motor” to an 1865 Bartlett machine (fig. 66). The attachments that were developed during the latter part of the 19th century numbered in the thousands; many of these were superfluous. Most of the basic ones in use today were developed by the 1880s and remain almost unchanged. Even the recently popular home zigzag machine, an outgrowth of the buttonhole machine, was in commercial use by the 1870s.

Figure 66.—Jones “electro motor” patent model of 1871 on a Bartlett sewing machine. (Smithsonian photo P-63104.)

Sewing-machine improvements have been made from time to time. Like other mechanical items the machine has become increasingly automatic, but the basic principles remain the same. One of the more recent developments, patented[84] in 1933 by Valentine Naftali et al., is for a manufacturing machine that imitates hand stitching. This machine uses a two-pointed “floating needle” that is passed completely through the fabric—the very idea that was attempted over one hundred years ago. The machine is currently used by commercial manufacturers to produce decorative edge-stitching that very closely resembles hand stitching.

THREAD FOR THE MACHINE

Figure 67.—Six-cord cabled thread.

The need for a good thread durable enough to withstand the action of machine stitching first created a problem and ultimately another new industry in this country. When the sewing machine was first developed the inventors necessarily had to use the sewing thread that was available. But, although the contemporary thread was quite suitable for hand sewing, it did not lend itself to the requirements of the machine. Cotton thread, then more commonly a three-ply variety, had a glazed finish and was wiry. Silk thread frequently broke owing to abrasion at the needle eye. For the most part linen thread was too coarse, or the fine variety was too expensive. All of the thread had imperfections that went unnoticed in the hands of a seamstress, but caused havoc in a machine.[Pg 64] Quality silk thread that would withstand the rigors of machine stitching could be produced, but it was quite expensive also. A new type of inexpensive thread was needed; the obvious answer lay in improving the cotton thread.[85]

In addition to the popular three-ply variety, cotton thread was also made by twisting together either two single yarns or more than three yarns. Increasing the number of yarns produced a more cylindrical thread. The earliest record of a six-ply cotton thread was about 1840.[86] And in 1850 C. E. Bennett of Portsmouth, New Hampshire, received a gold medal for superior six-cord, or six-ply, spool cotton at the Fair of the American Institute. But the thread was still wiry and far from satisfactory. By the mid-1860s the demonstrated need for thread manufacturers in America brought George A. Clark and William Clark, third generation cotton-thread manufacturers of Paisley, Scotland, to Newark, New Jersey, where they built a large mill. George Clark decided that a thread having both a softer finish and a different construction was needed. He produced a six-cord cabled thread, made up of three two-ply yarns (see fig. 67). The thread was called “Clark’s ‘Our New Thread,’” which was later shortened to O.N.T. The basic machine-thread problem was solved. When other manufacturers used the six-cord cabled construction they referred to their thread as “Best Six-Cord”[87] or “Superior Six-Cord”[88] to distinguish it from the earlier variety made up of six single yarns in a simple twist. Another new side industry of the sewing machine was successfully established.

MANUFACTURE AND EXPORT, TO 1900

Sewing machines were a commodity in themselves, both at home and abroad. In 1850, there were no establishments exclusively devoted to the manufacture of sewing machines, the few constructed were made in small machine shops. The industry, however, experienced a very rapid growth during the next ten years. By 1860 there were 74 factories in 12 States,[89] mainly in the East and Midwest,[90] producing over 111,000 sewing machines a year. In addition, there were 14 factories that produced sewing-machine cases and attachments. The yearly value of these products was approximately four and a half million dollars, of which the amount exported in 1861 was $61,000. Although the number of sewing-machine factories dropped from 74 in 1860 to 69 by 1870, the value of the machines produced increased to almost sixteen million dollars.

The number of sewing-machine companies fluctuated greatly from year to year as many attempted to enter this new field of manufacture. Some were not able to make a commercial success of their products. The Civil War did not seem to be an important factor in the number of companies in business in the North. Although one manufacturer ceased operations in Richmond, Virginia, and a Vermont firm converted to arms manufacture, several companies began operations during the war years. Of the 69 firms in business in 1870, only part had been in business since 1860 or before; some were quite new as a result of the expiration of the Howe patent renewal in 1867.

Probably due to the termination of many of the major patents, there were 124 factories in 1880, but the yearly product value remained at sixteen million dollars. The 1890 census reports only 66 factories with a yearly production of a little less than the earlier decade. But by 1900, the yearly production of a like number of factories had reached a value of over twenty-one million, of which four and a half million dollars worth were exported annually. The total value of American sewing machines exported from 1860 to 1900 was approximately ninety million dollars. The manufacture of sewing machines made a significant contribution to the economic development of 19th-century America.

[Pg 65]

II. American Sewing-Machine Companies of the 19th Century

During the latter half of the 19th century, there was a total of two hundred or more sewing-machine companies in the United States. Although a great many manufacturing-type machines were sold, this business was carried on by relatively few companies and most were primarily concerned with the family-type machines. A representative number of these family machines together with information concerning both the company and serial-number dating are found in figures 68 through 132. A great many of the companies were licensed by the “Combination,” but, in addition, some companies were constructing machines that did not infringe the patents, other companies infringed the patents but managed to avoid legal action, and there were numerous companies that mushroomed into existence after the “Combination” was dissolved in 1877. Most of the latter were very short-lived. It is difficult to establish the exact dates of some of these companies as many of their records were incomplete or have since disappeared; even a great many of the “Combination” records were lost by fire. A summary of the existing records kept by the “Combination” is given in figure 37.

As will be noted in the subsequent listing, only a small percentage of the companies were in business for a period longer than ten years; of those that continued longer, all but a few had disappeared by 1910. Today there are about sixty United States sewing-machine companies. Most of them manufacture highly specialized sewing machines used for specific types of commercial work; only a few produce family or home-style machines. Foreign competition has increased, and the high cost of skilled labor in this country has made competition in this consumer-product field increasingly difficult. The countless varieties of American family sewing machines, so evident in the 19th century, have passed away.

Figure 68.—American Buttonhole, Overseaming & Sewing Machine of about 1870. Using serial numbers, these machines can be dated approximately as follows: 1-7792, 1869; 7793-22366, 1870; 22367-42488, 1871; 42489-61419, 1872; 61420-75602, 1873; 75603-89132, 1874; 89133-103539, 1875; and 103540-121477, 1876. Figures are not available for the years from 1877 to 1886. (Smithsonian photo 46953-E.)

Figure 69.—(New) American sewing machine of about 1874. Illustration is from a contemporary advertising brochure. (Smithsonian photo 33507.)

[Pg 76]

Figure 70.—American Magnetic sewing machine, 1854. Machines of this type were manufactured for only two years under the patent of Thomas C. Thompson, March 29, 1853, and later under the patents of Samuel J. Parker, April 11, 1854, and Simon Coon, May 9, 1854. On September 30, 1853, Elias Howe listed receipts of $1000 from the American Magnetic Sewing Machine Co. for patent infringement. The machines manufactured after that date carry the Howe name and 1846 patent date to show proper licensing. Judging by Howe’s usual license fee of $25 per machine, about 40 machines were manufactured prior to September 1853. The company was reported to have made about 600 machines in 1854 before it went out of business. The only American Magnetic machine known to be in existence is in the collection of the Northern Indiana Historical Society at South Bend, Indiana. (Photo courtesy of the Northern Indiana Historical Society.)

[Pg 77]

Figure 71.—Atlantic sewing machine, 1869. This machine is typical of the many varieties manufactured for a very short time in the 1860s and 1870s. It is about the size of the average hand-turned variety, 8 by 10 inches, but lighter in weight. The frame design was the patent of L. Porter, May 11, 1869, and the mechanism was patented by Alonzo Porter, February 8, 1870. The latter patent model bears the painted legend “Atlantic” and is stamped “Aprl 1, 69,” indicating that it was probably already in commercial production. This date possibly may refer also to L. Porter’s design patent, since actual date of issue was usually later than date of application. (Smithsonian photo 48329-A.)

[Pg 78]

Figure 72.—A. Bartholf sewing machine, 1853. Abraham Bartholf of New York began manufacturing Blodgett & Lerow machines (see fig. 20) about 1850; the style and mechanics of these machines, however, were primarily those of the Blodgett & Lerow patent as manufactured by O. C. Phelps and Goddard, Rice & Co. For this reason they are considered Blodgett & Lerow—not Bartholf—machines.

The true Bartholf machine evolved when the manufacturer substituted Howe’s reciprocating shuttle for the rotary shuttle of the Blodgett & Lerow machine, continuing to manufacture the machine in his own adapted style. Bartholf manufactured reciprocating-shuttle machines as early as 1853, and his was one of the first companies licensed by Howe.

All Bartholf machines licensed under Howe’s patent carry the Howe name and patent date. They are sometimes mistakenly referred to as Howe machines, but they are no more Howe machines than those manufactured by Wheeler & Wilson, Singer, or many others.

On April 6, 1858, Bartholf was granted a patent for an improvement of the shuttle carrier. He continued to manufacture sewing machines under the name “Bartholf Sewing Machine Co.” until about 1865.

Using serial numbers, Bartholf machines can be dated approximately as follows:

No record of the number of machines produced by Bartholf after 1859 is available.

The Bartholf machine illustrated bears the serial number 128 and the inscription “A. Bartholf Manfr., NY—Patented Sept. 1846 E. Howe, Jr.” This machine is in the collection of the Baltimore County Historical Society. Note the close similarity between it and the 1850 Blodgett & Lerow machine manufactured by Bartholf. (Photo courtesy of the Baltimore County Historical Society.)

[Pg 79]

Figure 73.—Bartlett sewing machine, 1867. The Bartlett machine was first manufactured in 1866 under the January 31, 1865, and October 10, 1865, patents of Joseph W. Bartlett. The machines were made by Goodspeed & Wyman for the Bartlett Co. and were so marked. The inventor received another patent on April 7, 1868, and later machines carry this third date also. Although the first few hundred machines did not bear the dates of patents held by the “Combination,” before the end of the first year of production Bartlett was paying royalties. He continued to manufacture sewing machines until the early seventies when he converted to the manufacturing of street lamps.

Using serial numbers, Bartlett’s machines can be dated approximately as follows: 1-1000, 1866; 1001-3126, 1867; 3127-?, 1868. There is no record of serial numbers for the succeeding years. (Smithsonian photo 45524-G.)

Figure 74.—Bartram & Fanton sewing machine, 1867. These machines were first manufactured in 1867 under the patents of W. B. Bartram, notably his patent of January 1, 1867. Three machines were exhibited at The Eleventh Exhibition of the Massachusetts Charitable Mechanics Association in 1869 where they were awarded a bronze medal. They were compared favorably to the Willcox & Gibbs machine (see fig. 39), which they resembled. Bartram received additional patents in the early seventies and also manufactured lockstitch machines.

Using serial numbers, machines may be approximately dated as follows: 1-2958, 1867; 2959-3958, 1868; 3959-4958, 1869; 4959-5958, 1870; 5959-6962, 1871; 6963-7961, 1872; 7962-8961, 1873; and 8962-9211, 1874. (Smithsonian photo P63198.)[Pg 80]

Figure 75.—Beckwith sewing machine, 1871. Among the inventors whose patent claims were “to produce a cheap and effective sewing machine” was William G. Beckwith. His machine was first manufactured by Barlow & Son, and it realized considerable success in the few years of its production. The earliest model was operated like a pair of scissors or with a cord and ring as illustrated. Beckwith later added a hand crank. The machine was purchased in Crewe, Cheshire, England; it is stamped “Pat. April 18, 71 by Wm. G. Beckwith, Foreign Pats. Secured, Barlow & Son Manuf. N.Y., [serial number] 706.” By 1874 the machines were marked “Beckwith S.M. Co.” and two 1872 patent dates were added.

Using serial numbers, machines may be dated approximately as follows: 1-3500, 1871; 3501-7500, 1872; 7501-12500, 1873; 12501-18000, 1874; 18001-23000, 1875; 23001-?, 1876. (Smithsonian photo 46953-C.)

Figure 76.—Boudoir sewing machine, 1858. This machine, a single-thread, chainstitch model was based on the patents of Daniel Harris, dated June 9, 1857, June 16, 1857, and October 5, 1858. Manufactured primarily by Bennett in Chicago in 1859, it also may have been produced in the East, although no manufacturer’s name can be found.

In 1860, the Boudoir, also called Harris’s Patent sewing machine, was exhibited at the Massachusetts Charitable Mechanics Association Exhibition where it won a silver medal for “its combination of parts, its beauty and simplicity, together with its ease of operation.” At this time the machine was described as making a “double lock stitch” (another name for the double chainstitch). It was also described as having been before the public for some time and combining “the improvements of others for which the parties pay license.” The machine head was positioned on the stand similarly to that of the West & Willson (fig. 127) and stitched from left to right.

It is not known exactly how many of these machines were made or how long they were in vogue. Manufacture, although probably ceasing in the 1860s, is known to have been discontinued before 1881, when a list of obsolete sewing machines was published in The Sewing Machine News. (Smithsonian photo P63199.)

[Pg 81]

Figure 77.—(New) Buckeye sewing machine of about 1875. The Buckeye machine was one of several manufactured by W. G. Wilson of Cleveland, Ohio. It was licensed under Johnson’s extended patent of April 18, 1867. Although it was small and hand turned, it used two threads and a shuttle to form a lockstitch. The machine was sufficiently popular for Wilson to introduce an improved model in the early 1870s, which he called the New Buckeye. W. G. Wilson continued to manufacture sewing machines until about the mid-eighties, although the Buckeye machines were discontinued in the seventies. (Smithsonian photo 45524-A.)

Figure 78.—Centennial sewing machine, 1876. The Centennial machine was basically a McLean and Hooper sewing machine which was renamed to take advantage of the coming Centennial celebration. It was based on the patents of J. N. McLean, March 30, 1869, and August 2, 1870, and made a two-thread chainstitch. Only about five hundred Centennial machines were manufactured in 1873, but by 1876 over three thousand had been constructed. The machines were advertised on white circulars which were printed in red and blue, and engraved with two women sewing, one by hand, labeled “Sewing in 1776,” and one at a Centennial sewing machine, labeled “Sewing in 1876.” There is no record that the machines were made after 1876. (Smithsonian photo 48216-T.)

[Pg 82]

Figure 79.—Clark’s Revolving-Looper double-thread sewing machine, 1860. This machine was manufactured by Lamson, Goodnow, & Yale of Windsor, Vermont. It was an attempt to improve on the combined ideas of the Grover and Baker machine, the Nettleton & Raymond machine, and the earlier single-thread Windsor machine. The improvements were made and patented by Edwin Clark on December 6, 1859. Widely advertised, the machines sold for $35 with a foot-power table. They could also be operated by hand. Over three thousand were manufactured and sold, and preparations were being made to continue manufacture of the earlier single-thread Windsor, originally made by the company’s predecessor, Vermont Arms Co., when the Civil War broke out. A flood of arms orders arrived, and the sewing-machine manufacture was discontinued early in the summer of 1861. The sewing-machine equipment and business was sold to Grout & White of Massachusetts. (Smithsonian photo 48216.)

Figure 80.—Du Laney sewing machine of about 1872. Most of the small, simple, chainstitch sewing machines of this period were constructed so that they could either be turned by hand or set into a treadle-powered table. Du Laney’s Little Monitor, manufactured for only a few years, was based on the patents of G.L. Du Laney, July 3, 1866, and May 2, 1871. It was a two-thread, chainstitch machine powered only by a foot treadle. By simple adjustment, the machine could also make the cablestitch and the lockstitch. (Smithsonian photo 48221-C.)

[Pg 83]

Figure 81.—Eureka sewing machine, 1859. An example of the many short-lived types of which no written record can be found, this particular machine was used as a patent model for certain minor improvements in 1859. It has the name “Eureka” painted on the top and the following inscription incised on the baster plate: “Eureka Shuttle S. M. Co. 469 Broadway, N.Y.” Although it is a shuttle machine, it carries no patent dates and was not included in the Howe royalty records. Neither is it listed in the obsolescence list published in 1881. The company probably could not pay its royalty fees and was forced out of business almost immediately. If this machine had not been used as a patent model, no record of the company’s existence might remain. It should be noted that as in most shuttle machines the head was meant to be set into a treadle-powered table. Since most tables are very similar, they are not required for identification. (Smithsonian photo 48328-C.)

Figure 82.—M. Finkle sewing machine, 1857. The M. Finkle machines were manufactured in 1856 and 1857. Sometime before or about 1859, the inventor, Milton Finkle, formed a partnership and the machines were subsequently called M. Finkle & Lyon and later simply Finkle & Lyon. In 1859 the machine was awarded a silver medal by the American Institute for producing superior manufacturing and family lockstitch sewing machines. It also won a silver medal in Boston in 1860 at the Massachusetts Charitable Mechanics Association Exhibition. Although the name of the machine was changed to Victor in 1867, the company name remained Finkle & Lyon until about 1872 when it was changed to Victor also. Victor machines were manufactured until about 1890.

Machines can be dated by their serial number approximately as follows:

No estimates are available for the years 1877 to 1890. (Smithsonian photo 48216-A.)

[Pg 84]

[Pg 85]Figure 83.—Florence sewing machine. The Florence machine was based on the patents of Leander W. Langdon, whose first patent was obtained in 1855. Langdon sewing machines were manufactured by the inventor for a few years. It was his patent of March 20, 1860, that was the immediate forerunner of the Florence machine, whose name was derived from the city of manufacture, Florence, Massachusetts. The Howe royalty records of 1860 listed the Florence Sewing Machine Co. as one that took out a license that year. Langdon’s patent of July 14, 1863, was incorporated into the machines manufactured after that date; however, the date is always incorrectly stamped “July 18, 1863.” In 1865, the machine won a silver medal at the Tenth Exhibition of the Massachusetts Charitable Mechanics Association.

Over 100,000 Florence machines were manufactured by 1870. About 1880 the company changed the name of the machine to Crown. Improvements led to the name New Crown by 1885. About this time the right to use the name Florence for a sewing machine was purchased by a midwestern firm for an entirely different machine. In 1885 the Florence company began to manufacture lamp stoves and heating stoves and shortly thereafter they discontinued the manufacture of sewing machines.

Using the serial numbers, Florence machines can be dated approximately as follows:

No record of the number of machines produced each year between 1877 and 1885 is available.

The machine shown here, serial number 49131, was manufactured in 1865. It is stamped with the following patent dates: “Oct. 30, 1855, Mar. 20, 1860, Jan. 22, 1861, and July 18, 1863” and the Wilson patent date “Nov. 12, 1850.” The machines from 1860-1863 are marked with the early Langdon patents, excluding the 1863 one, and they have the additional patent dates of Howe and others: “Sept. 10, 1846, Nov. 12, 1850, Aug. 12, 1851, May 30, 1854, Dec. 19, 1854, Nov. 4, 1856.” (Smithsonian photo 45572-A.)

Figure 84.—Globe sewing machine. J. G. Folsom received two design patents in 1864, one on March 1 for a spool holder and one on May 17 for the basic style of the machine. Also in the same year, he was awarded a mechanical patent for an adjustment in the lower looper that would accommodate a change in needle size. Using these patents, he manufactured a single-thread, chainstitch machine, the Globe. Folsom also exhibited his machines at the Tenth Exhibition of the Massachusetts Charitable Mechanics Association in 1865. The Globe attracted particular attention and was awarded a silver medal.

In 1866 Folsom devised a new treadle attachment for hand-operated machines; the invention was featured in Scientific American, volume 14, number 17, with a Globe machine. Folsom again exhibited at the Massachusetts Mechanics exhibition in 1869. In addition to an improved single-thread Globe, he also showed a double-thread, elastic-stitch (double chainstitch) machine for which he received a silver medal.

Folsom machines were manufactured until 1871; 280 machines were manufactured in that year.

The Globe sewing machine illustrated is stamped “J. G. Folsom, Maker, Winchendon, Mass. Patented April 28, 1863 [Ketchum’s patent], Mar. 1, 1864. May 17, 1864.” The machine was manufactured before November 1864 or it would include the patent for the lower loop adjustment. (Smithsonian photo 48216-H.)

Note: At least five sewing machines, those in figures 84 through 89, are similar enough in appearance to cause some confusion, because their basic design stems from a short pillar.[Pg 86]

Figure 85.—Globe sewing machine with treadle attachment as illustrated in Scientific American, April 21, 1866. (Smithsonian photo 48221-A.)

Figure 86.—Empire sewing machine, late 1860s. Although an Empire Sewing Machine Co. existed in New York in the 1860s (the predecessor of the Remington-Empire Co.), it is not known whether this machine was manufactured by that same company, which was primarily concerned with producing shuttle machines. This chainstitch machine is marked “Empire Co., Patented April 23, 1863,” the date referring again to Ketchum’s patent. It is very similar to Folsom’s Globe, except that it has claw feet rather than a closed base; the painted designs on the base of both are almost identical to those on the Monitor. Its spool holder, mounted in reverse, is a crude imitation of the Folsom patent. The Empire machines were probably manufactured about the same time as the Wilson machine. (Photo courtesy of The Henry Ford Museum and Greenfield Village, Dearborn, Michigan.)

Figure 87.—Atwater sewing machine, 1858. Atwater machines, based on the patent of B. Atwater, issued May 5, 1857, were manufactured from 1857 to about 1860. The machine illustrated, which is designed to be operated by a hand-turned wheel, has an upper forked dog feed, and its horizontally supported spool is directly over the stitching area. Like the others, it has a striated pillar and claw feet. The manufacturer is unknown. (Smithsonian photo P63200.)

[Pg 87]

Figure 88.—Monitor sewing machine, 1860-1866. The Monitor machines of this style were not marked by their manufacturers, Shaw & Clark of Biddeford, Maine. Later the company was forced by the “Combination” to pay a royalty, so it changed the style and began marking its machines with the company name and patent dates (see fig. 119 for copy of seal). The Monitor, which employed the conventional vertical spindle to hold the spool of thread, had a top feed in the form of a walking presser. Its striated pillar was similar to that of the Atwater machine, and both featured the same claw feet and urn-like top. Unlike the Atwater, however, the Monitor had a double drive from the hand-turned wheel, which was grooved for operation with belt and treadle. (Smithsonian photo 33458.)

Figure 89.—Wilson sewing machine, late 1860s to early 1870s. In addition to the Buckeye (see fig. 77), W. G. Wilson manufactured several other styles of sewing machines. This one, a combination of the varying styles of the earlier pillar machine has even duplicated the general style of the spool holder patented by Folsom. The pillar is not striated, but the machine does repeat the claw feet of the Atwater and Monitor machines. Wilson machines are usually marked “Wilson Sewing Mach. Manuf’g Co. Cleveland, Ohio, Ketchum’s Patent April 28, 1863.” The latter name and/or patent date are found on many of the machines of this general construction. The patent is that issued to Stephen C. Ketchum for his method of converting rotary motion into reciprocal motion. (Photo courtesy of The Henry Ford Museum and Greenfield Village, Dearborn, Michigan.)

[Pg 88]

Figure 90.—Grant Brothers sewing machine, 1867. This machine was one of several styles that utilized Raymond’s 1861 patented chainstitch method. This machine, however, used an under feed rather than a top feed.

Neither a name nor a date appears on the machine. In the June 25, 1907, issue of the Sewing Machine Times it was called the Common Sense machine, but detailed research has turned up no evidence to substantiate this name. However, a dated brochure advertising the Grant Brothers machine and showing a model identical to that illustrated in the Sewing Machine Times has been found. The brochure states that the machine made an elastic lockstitch; this was not a true lockstitch, however, but was in fact a simple chainstitch.

Grant Brothers sold their machine, which had silver-plated mountings, for $18; the price included hemmer, Barnum’s self-sewer, oilcan, screwdriver, clamp, gauge, and four silver needles. An additional charge of $12 was made for a table and treadle. Compared to other chainstitch machines the price was high, and the company was short-lived. (Smithsonian photo 60794-E.)

Figure 91.—Greenman and True sewing machine. This lockstitch machine based on S. H. Roper’s patent of 1857 was manufactured at Norwich, Connecticut, from 1859 to 1861 by Cyrus B. True, the inventor, and Jared F. Greenman, True’s financial partner. Licensed by the “Combination” and carrying the Howe patent date, the machine had obvious merit: it was strong, well made—a good family machine. Exhibited at the Ninth Exhibition of the Massachusetts Charitable Mechanics Association in September 1860, it received a bronze medal. (At this time the company was listed as Morse and True—the inventor had obviously taken on a second financial backer.) Unfortunately, the best market for the machine lay in the South, and the outbreak of the Civil War made collections impossible. This greatly retarded business and finally drove the firm into bankruptcy. In all, it is doubtful that more than one thousand machines were produced in the three years of manufacture.

The machine illustrated is marked “Greenman and True” and bears the serial number 402; it was probably manufactured early in 1860. (Smithsonian photo 48216-N.)

[Pg 89]

Figure 92.—Grover and Baker sewing machine. The Grover and Baker machine was one of the more popular machines from the 1850s until the early 1870s. The company produced iron-frame machines, fine cabinet models, and portables (figs. 35 and 36). Their machines may be dated by serial number approximately as follows:

(Smithsonian photo 45513-B, an engraving of a Grover and Baker sewing machine from an advertising brochure of about 1870.)

[Pg 90]

Figure 93.—Hancock sewing machine, 1867. One of the many inventors who turned his talents to inventing and producing a mechanically simple and cheaper machine was Henry J. Hancock. His 1867 machine is only about six inches wide; it uses a tambour-type needle, pulling a loop of thread from below the stitching surface. (Smithsonian photo P63197.)

Figure 94.—Hancock sewing machine, 1868. Hancock in 1868 received both a design patent and a mechanical patent now using the eye-pointed needle and a hook to form the chainstitch. The design was an open framework circle with a mirror mounted in front of the table clamp. The purpose of the designated “looking glass” was decorative only. The Hancock machines were only manufactured for a few years. They measure 10-1/2 inches in width, slightly larger than the earlier machine. (Smithsonian photo 48328-M.)

Figure 95.—[A.C.] Herron’s patent sewing machine, 1858. The manufacturer of this machine is not known, but the machine was based on the patent of Abial C. Herron issued August 4, 1857. All the machines carry a small heart-shaped plate just above the needle descent bearing the patentee’s name and the patent date. The patent covered an improvement in the method of making the chainstitch. The machines were provided with a hand crank, but were also meant to be operated by a belt and treadle. No records of the extent of manufacture of this machine have been found. This machine head measures 14 inches in width, about standard size. (Smithsonian photo 48329-J.)

[Pg 91]

Figure 96.—A. B. Howe sewing machine of about 1860. (Smithsonian photo 45525-C.)

Figures 96, 97, and 98.—The Howe machines. It is difficult for many to believe that the stamped legend “Elias Howe patent, Sept. 10, 1846” does not certify that a machine is an original Howe. Although Elias Howe was granted a patent for the lockstitch machine in 1846, he did not establish a sewing-machine factory for about twenty years. Early in the 1850s and later through the “Combination,” however, he licensed others to make machines using his patent. These machines bore that patent date for which a royalty was being paid.

Among his early licensees was his elder brother Amasa who organized the Howe Sewing Machine Co. in 1854. The Amasa Howe machines were very good ones, and in 1862 Amasa won the prize medal at the London International Exhibition. This immensely increased the popularity of the machine and Elias offered to join Amasa by building a large factory at Bridgeport, Connecticut, to fill the increasing demand for more machines. The machines produced at Bridgeport, however, although imitating the Amasa Howe machines, proved inferior in quality. Amasa found that, rather than helping his business reputation, his brother’s efforts were hurting him, and he severed business relations with Elias.

Because of their brief association, the 1862 prize medal awarded to A. B. Howe was sometimes credited to Elias. The latter did receive awards for his patent, but never for his manufactured machines. When the two brothers dissolved their joint venture, Elias attempted to call his new company the Howe Sewing Machine Co., but Amasa’s claim that this name had been his exclusive property for many years was upheld by the courts. Elias then omitted the word “Sewing” and called his company simply the Howe Machine Co.

After Elias died in 1867, the company was run by his sons-in-law, the Stockwell brothers. To distinguish their machines from those of A. B. Howe, they marked each machine with a brass medallion picturing the head and flowing locks of Elias Howe. They also continued to advertise their machine as the “original” Howe. In about 1873, B. P. Howe, Amasa’s son, sold the Howe Sewing Machine Co. to the Stockwell brothers, who continued to manufacture Howe machines until 1886.

The machines of the A. B. Howe Sewing Machine Co. may be dated by serial number approximately as follows:

No figures are available for 1860-1870, but 20,051 machines were manufactured in 1871.

The machines of the [Elias] Howe Machine Co. are not believed to have begun with serial number 1, and no figures are available for 1865-1867. After that, the machines may be dated by serial number approximately as follows:

No figures are available for 1877-1886.

[Pg 92]

Figure 97.—Advertising brochure distributed by E. Howe during the brothers’ brief partnership; the machines are basically A. B. Howe machines, 1863. (Smithsonian photo 49373-A.)

[Pg 93]

Figure 98.—Howe (Stockwell brothers) machine, 1870. (Smithsonian photo 45572-E.)

[Pg 94]

Figure 99.—Patent Model Of Christopher Hodgkins, November 2, 1852, assigned to Nehemiah Hunt. (Smithsonian photo 34551.)

Figures 99, 100, and 101.—The N. Hunt (later, in 1856, Hunt & Webster and finally in 1858 Ladd and Webster) sewing machine was based on the patents of Christopher Hodgkins, November 2, 1852, and May 9, 1854, both of which were assigned to Nehemiah Hunt. First manufactured in 1853, the machine, which closely resembled the Hodgkins’ patent, won a silver medal at the exhibition of the Massachusetts Charitable Mechanics Association that same year.

In 1856 Hunt took a partner, and the company became Hunt & Webster. An interesting account of this company appeared as a feature article in Ballou’s Pictorial, July 5, 1856, where it was reported that “the North American Shoe Company have over fifty of the latest improved machines, represented in these drawings [fig. 31], now running....” The article also estimated that a 55-million dollar increase in shoe manufacturing in Massachusetts in 1855 was due to the sewing machine. In 1856 the Hunt & Webster machine again won a silver medal at the exhibition. Very late in 1858 the company became Ladd, Webster, & Co. and continued to manufacture both family and manufacturing sewing machines until the mid-1860s.

The approximate date of manufacture can be determined by serial number:

No figures are available for the 1860s.[Pg 95]

Figure 100.—Right: Hunt & Webster sewing machine of about 1855, serial number 414. (Smithsonian photo 48216-V.)

Figure 101.—Ladd, Webster & Co. sewing machine of about 1858, Boston, serial number 1497. (Smithsonian photo 46953.)

[Pg 96]

Figure 102.—Improved Common Sense sewing machine of about 1870. This machine is so very similar to the New England machines in its feed, threading, looping mechanism, and in its general design, that it is sometimes mistaken for the earlier New England machines (see figs. 112 and 113).

Dating from the early 1870s, the Improved Common Sense machine is about 10 inches in width, two inches larger than the New England machine. The spool holder is similar to Folsom’s patented design, but is less refined. A page from an advertising brochure of the period verifies the name of the machine, but does not identify the manufacturer.

There are no patent dates or identifying names or numbers on the machine illustrated. Although the Empire Co. also produced a machine of this style, their models are marked with their name and with Ketchum’s patent date, April 23, 1863. Of the several styles of machine using the Raymond looper, this type seems to account for the largest volume manufactured, as evidenced by the proportionately higher number of examples still extant. (Smithsonian photo 48328-E.)

Figure 103.—Johnson sewing machine, 1857. Another of the all-but-forgotten manufacturers of the 1850s was Emery, Houghton & Co., who constructed the A.F. Johnson machines. Examination of existing machines indicates that they were manufactured in 1856 and 1857, and possibly a little longer. This one from 1857 bears the serial number 624, so we know that several hundred were manufactured. The head is ornately attractive, slightly reminiscent of Wheeler & Wilson models, and of standard size. (Smithsonian photo 48329-B.)

[Pg 97]

Figure 104.—“Lady” sewing machine of about 1859. The contemporary name of this machine is unknown. The unusual design of the head, or main support, is based in part on the design patent, number 216, of Isaac F. Baker, issued April 10, 1849, for a “new and useful design[,] for ornamenting furniture[,] called Cora Munro” who was a character in James Fenimore Cooper’s Last of the Mohicans. The design shows a female figure wearing a riding dress and hat that is ornamented with a plume and a bow. Her right hand holds a riding stick and the left, her skirt. Trunks of trees and foliage complete the Baker design, which is known to have been used for girandoles of the period. A companion design was also patented by Baker, number 215, which is in the form of a man in military costume and is named “Major Heyward,” for another character in Last of the Mohicans.

The sewing machines based on the “Cora Munro” design also use branch designs as the overhanging arms. A mother bird sits in the upper branch and descends to feed a young bird as the machine is in operation. The one illustrated was used as the machine submitted with a request for patent by George Hensel of New York City for which patent 24,737 was issued on July 12, 1859. Since Hensel’s patent application was for an improvement in the feed, there was no need for the highly decorative head unless such a machine was commercially available. The patent specifications merely state that the head is “ornamented.” Another sewing machine of this type was used as the patent model by Sidney Parker of Sing Sing, New York, number 24,780, issued on the same date as the Hensel patent. Parker’s patent also covered an improved feeding mechanism. In the patent description, however, the inventor states that “the general form of the machine is not unlike others now in use.” By this he might have meant in the design, or possibly in the basic structural form. Other than the two machines described, no other examples are known to have survived, but “Lady” or “Cora Munro” sewing machines were manufactured. (Smithsonian photo 45506-D.)

[Pg 98]

Figure 105.—Landfear’s Patent Sewing Machine of about 1857. Another of the many machines that, except for isolated examples, have almost completely disappeared from the records is Landfear’s machine. Fortunately, this manufacturer marked his machine—where many did not—stamping it: “Landfear’s patent-Decr 1856, No. 262, W. H. Johnson’s Patent Feb. 26th 1856, Manfrd by Parkers, Snow, Brooks & Co., West Meriden, Conn.” (There was a Parker sewing machine manufactured by the Charles Parker Co. of Meriden, but his machine was a double-thread chainstitch machine and was licensed by the “Combination.” The Landfear machine may have been an earlier attempt by a predecessor or closely related company.)

The Landfear patent was for a shuttle machine, but it also included a mode for regulating stitch length. The name chosen for this machine may be incorrect, since the single-thread chainstitch mechanism is primarily that of W. H. Johnson, but since the Johnson patent also was used on other machines the name “Landfear” was assigned. The machine was probably another attempt to evade royalty payment to the “Combination.”

The serial number 262 indicates that at least that many machines were manufactured, although this model is the only one known to be in existence. The support arm of the machine head is iron, cast as a vase of flowers and painted in natural colors. The paint on the head is original, but the table has been refinished, and the iron legs, which had rusted, have been repainted. (Smithsonian photo 48440-G.)

[Pg 99]

Figure 106.—Lathrop sewing machine of about 1873. These machines were manufactured by the Lathrop Combination Sewing Machine Co. under the patents of Lebbeus W. Lathrop of 1869, 1870, and 1873. The machine used two threads, both taken from spools; moreover, it produced not only the double chainstitch, but it was constructed to produce also a lockstitch and a combined “lock and chain stitch.” The machine illustrated bears the serial number 31 and the patent dates of Grover & Baker, and Bachelder among others, in addition to the first two Lathrop patent dates. The company lasted only a few years as it is included in the 1881 list of manufacturers that had ceased to exist. (Smithsonian photo 46953-F.)

[Pg 100]

Figure 107.—Illustration from a brochure, marked in ink: “The National Portrait Gallery, 1855.” Singer Archives. (Smithsonian photo 48091-E.)

Figures 107 and 108.—The Nichols and Leavitt sewing machines. One of Elias Howe’s earliest licensees was J. B. Nichols. His machine, manufactured at first with George Bliss and later alone as J. B. Nichols & Co., was called Howe’s Improved Patent Sewing Machine. It was, however, no more a Howe machine than any of the others produced under the Howe patent.

In July 1855 Nichols went into partnership with Rufus Leavitt, and the company name changed to Nichols, Leavitt & Co. In 1857 it was changed again to Leavitt & Co., and finally in the mid-1860s to Leavitt Sewing Machine Co. By the 1870s, it was defunct.

The Nichols-Leavitt machines can be dated by their serial numbers approximately as follows:

There is no record that the company was in existence after 1869.[Pg 101]

Figure 108.—Leavitt sewing machine of about 1868, serial number 6907. (Smithsonian photo 48328.)

[Pg 102]

Figure 109.—Lester sewing machine of about 1858. The Lester machine was first manufactured by J. H. Lester in Brooklyn, New York. His machine was based on the patents of William Johnson, John Bradshaw and others but not on the patents held by the “Combination,” although he had secured a license. When the Old Dominion Company applied for a license from the “Combination,” Lester learned of this, went to Richmond, and arranged to combine his business with theirs. Since the Lester machine was the better one, it was agreed to cease the manufacture of the Old Dominion machines early in 1860 and in March the company name was changed to the Lester Mfg. Co. Late in 1860, George Sloat entered the company with his Elliptic machine; the name was changed again, this time to Union Sewing Machine Co. The manufacture of both sewing machines continued until the outbreak of the Civil War the following year, which brought a conversion to arms production. The manufacture of Lester machines was never resumed.

The machine illustrated was manufactured by J. H. Lester in Brooklyn; it bears the serial number 96. The number of Lester machines manufactured from 1858 through 1861 is not known, but it was probably less than 1,000. (Smithsonian photo P63359.)

[Pg 103]

Figure 110.—Ne Plus Ultra of about 1867. Another of the interesting hand-turned chainstitch machines of the late 1850s and 1860s was patented by O.L. Reynolds. The baster plates and the handle on the wheel are missing on this machine, but an interesting shield and draped-flag pattern is painted on the base.

Another machine of this type has the following inscription stamped on the baster plate: “Ne Plus Ultra, Patent Applied For, 174, O.L. Reynolds, Patentee & Manufacturer, Dover N.H.” Reynold’s patent model, March 30, 1858, bears the serial number 110, indicating that the machine illustrated here—which bears the serial number 26—was manufactured before the patent was obtained. (Smithsonian photo 48216-F.)

[Pg 104]

Figure 111.—Nettleton & Raymond sewing machine. One of the most ornate of the early, small, hand-turned sewing machines was patented and manufactured by Willford H. Nettleton and Charles Raymond whose first patent was received on April 14, 1857. The patent model, believed to be a commercial machine, is beautifully silver-plated. Whether this was a special one-of-a-kind model, or whether the inventors tried to make a commercial success of a silver-plated machine is not known. The machine made a two-thread chainstitch, taking both threads from commercial spools. By October 1857, the inventors had received their second patent. This time the machine was brass and gilt—brighter, but less expensive. At the same time, Nettleton & Raymond began manufacturing sewing-shears machines under the patent of J. E. Hendricks.

By the latter half of 1858, Nettleton & Raymond had moved from Bristol, Connecticut, to Brattleboro, Vermont. The patented improvement of the two-thread chainstitch machine received that year was in the name of “Raymond, assignor to Nettleton,” although the machines of this type bear neither name nor patent date. No record of the price for which they were sold has been found, but it would be fair to estimate that it was probably about $25. This style of machine was discontinued when the manufacture of the simpler, more profitable New England model began, a machine that Raymond had initiated just before the partners left Bristol. (Smithsonian photo 45505-E.)

[Pg 105]

Figure 112.—Raymond patent model, March 9, 1858. (Smithsonian photo 32009-O.)

Figure 113.—New England sewing machine of about 1860, manufactured by Nettleton & Raymond; it bears the Raymond patent date of March 9, 1858. (Smithsonian photo 45505-G.)

Figures 112 and 113.—New England sewing machines. The small, hand-turned, sewing machines some of which were called Common Sense, were manufactured by at least three companies and possibly more. The earliest ones were those made by Nettleton & Raymond based on Charles Raymond’s patent of March 9, 1858, which featured a hinged presser foot acting as the top feed. On July 30, 1861, Raymond received a patent for an improved looper; this date is found on all machines later manufactured by the inventor.

In 1858 Nettleton and Raymond had moved from Bristol, Connecticut, to Brattleboro, Vermont. Also in Brattleboro at this time were Thomas H. White and Samuel Barker, who were manufacturing a small machine called the Brattleboro. White left Vermont in 1862 and went to Massachusetts. There, in partnership with William Grout, he also began to manufacture New England machines; these were basically the same as the Raymond machines. After a short time, Grout left the partnership with White and moved to Winchendon, there continuing to make New England machines for approximately one more year. In 1865, J. G. Folsom of Winchendon exhibited a New England machine at the Tenth Exhibition of the Massachusetts Charitable Mechanics Association along with his Globe machine. Whether both machines were manufactured by him or whether he might have been exhibiting one of Grout’s machines is not known.

There is no record that New England machines were manufactured after 1865. There is a great similarity between these machines and the Improved Common Sense sewing machines of the 1870s. It is believed that the name “Common Sense” was given by frugal New Englanders to several of the cheaper chainstitch machines of the 1860s.

[Pg 106] 

Figure 114.—Pratt’s second patent model, March 3, 1857, probably a commercial machine. (Smithsonian photo 48328-H.)

Figures 114 and 115.—Pratt’s patent and the Ladies Companion sewing machine. The machines manufactured under the patents of Samuel F. Pratt were first sold in 1857 and 1858 as Pratt’s patent. These machines carry the Pratt name and the patent dates “Feb. 3, 1857 Mar. 3;” the latter is an 1857 patent date also. In 1859 the Pratt machine was called the Ladies Companion and was so marked. It was also marked with the 1857 patent dates, the date February 16, 1858, and a serial number, and was stamped “Boston, Mass.” Manufacture was discontinued after a few years.

Figure 115.—Ladies Companion, 1859. (Photo courtesy of The Henry Ford Museum and Greenfield Village, Dearborn, Michigan.)

[Pg 107]

Figure 116.—Quaker City sewing machine. During the first decade of sewing-machine manufacture many types of handsome wooden cases were developed to house the mechanisms. Although such cases increased the total cost, they were greatly admired and were purchased whenever family funds permitted. The machine was based on the patents of William P. Uhlinger: a mechanical patent for a double chainstitch machine on August 17, 1858 (antedated May 8), and a patent for the casing on December 28, 1858. The machine head was lowered into the casing as the lid was brought forward and closed—an idea much ahead of its time.

This Quaker City machine, serial number 18, was purchased by Benjamin F. Meadows of Lafayette, Alabama, for $150 just prior to the Civil War. Relatively few machines of this type were manufactured, and the Quaker City Sewing Machine Co. existed for only a few years. Its apparent hope for a southern market was short-lived, and it was unable to compete either with the companies licensed under the “Combination” or with those producing less expensive machines. (Smithsonian photo 46953-A.)

[Pg 108]

Figure 117.—From an advertising brochure, marked in ink, “The National Portrait Gallery, 1855,” in the Singer Company’s archives. The brochure states “Howard & Davis, 34 Water Street, Boston, Massachusetts Sole Manufacturers of Robinson’s Patent Sewing Machine with Rope[r]’s Improvements.” (Smithsonian photo 48091-F.)

[Pg 109]

Figure 118.—Sewing machine of about 1856 with inscription “Howard & Davis Makers, Boston, Mass. Robinson & Roper Pat. Dec. 10, 1850, Aug. 15, 1854”; the drive wheel and the circular stitching plate of this machine are missing. (Smithsonian photo 48440-C.)

Figures 117 and 118.—Robinson and Roper sewing machines, 1855-1856. This is one of the few machines producing a backstitch or half backstitch to realize any commercial success. Manufactured a very short time by Howard & Davis, it was a short-thread machine, based on the Frederick Robinson patent of December 10, 1850, and the Samuel Roper patent of August 15, 1854. Roper produced additional improvements for which he received a patent on November 4, 1856. In the Scientific American, November 1, 1856, the new machine was discussed: “Robinson & Roper exhibit their new improved sewing machines, which appear to operate with great success. Two needles are employed, the points of which are furnished with hooks that alternately catch the thread and form the stitch. The finest kind of cotton thread or silk can be used. The work appears well done. Price $100.”

[Pg 110]

Figure 119.—Illustrated page in a Shaw & Clark advertising brochure, published in late 1864. (Smithsonian photo 61321.)

[Pg 111]

Figure 120.—Shaw & Clark sewing machine (Page patent) of 1867, Chicopee Falls, Massachusetts. (Smithsonian photo 48216-L.)

Figures 119 and 120.—Shaw & Clark sewing machines. In addition to the early style Monitor sewing machine sold by Shaw & Clark without a name or any identifying marks, the company continued to manufacture machines after a lawsuit with the “Combination” forced them to take out a license. They manufactured an adapted version of their Monitor and an entirely new design patented in 1861. Their machines were now marked with the company name and a list of patent dates including those of Howe, Wheeler and Wilson, Grover and Baker, and Singer and the Batchelder patent, together with their own design patents. In 1867 the company moved from Biddeford, Maine, to Chicopee Falls, Massachusetts. In the same year, they began manufacturing a machine of the design patented by T. C. Page. The company is believed to have become the Chicopee Sewing Machine Company which appeared the following year and remained in business only a very short time. One Chicopee sewing machine is in the Smithsonian collection.[Pg 112]

Figure 121.—Singer “Traverse Shuttle Machine—Letter A.” (Smithsonian photo 58984.)

Figures 121 and 122.—Singer sewing machines. From 1850 to 1858 the Singer company produced heavy manufacturing-type sewing machines similar to the patent model shown earlier (fig. 28). The first machine for family use, Singer’s new “Family” sewing machine (fig. 33) was manufactured from 1858-1861. Their second-style family machine was called the “Traverse Shuttle Machine—Letter A;” it was manufactured from 1859 to 1865, when they introduced their third family machine and called it the “New Family” sewing machine. This style machine continued until about 1883 when the “Improved Family” machine appeared. In addition to the lockstitch machines, Singer also manufactured chainstitch machines, and many highly specialized manufacturing machines.

From 1857 through the 1880s, the Singer machines were marked with two serial numbers. It is possible that the numbers were related to the “Combination” royalties paid by the Singer company. Until about 1873 there was a difference of exactly 4,000 in the two numbers, thus one machine would be marked 12163 and directly below it would be marked 16163. From 1873 the last three digits of the two numbers continued to be the same but the lower number might be much lower in value than either number used in earlier years. The larger number is believed to have been a record of total production while the lower number may have referred to a machine of a particular style. The Singer company records can shed no light on the meaning of the top (or lower of the two) serial numbers. Generally, in the earlier machines, the difference in the two numbers will not affect the dating of a machine by more than one year. Since dating by serial number can only be estimated, the two numbers do not add an appreciable variable prior to 1873. Only the larger number, however, should be considered in dating machines after 1873.

Since records of annual production from 1877 to the turn of the century are not complete, it is difficult to establish yearly approximations. Using the machines submitted as patent models, and thus known to have been manufactured before the date of deposit, however, has provided us with the following date guides. By 1877 there had been 2 million machines manufactured, 3 million by 1880, 4 million by 1882, 5 million by 1884, 6 million by 1886, 7 million by 1888, 8 million by 1889, 9 million by 1890, and 10 million by 1891.[Pg 113]

Figure 122.—Singer “New Family” sewing machine. (Smithsonian photo 58987.)

[Pg 114]

Figure 123.—Standard sewing machine of about 1870. This chainstitch machine is believed to have been made by the company that later became the Standard Shuttle Sewing Machine Company, when they began manufacturing lockstitch machines about 1874. This machine is marked with the name, “Standard,” and with the dates “Patented July 14, 1870, Patented Jan. 22, 1856, Dec. 9, 1856, Dec. 12, 1865.” The dates refer to the reissue and extended reissue of the Bachelder and the A. B. Wilson patents. The number of chainstitch machines of this type that were manufactured is not known. (Smithsonian photo 45506-C.)

[Pg 115]

Figure 124.—Taggart & Farr sewing machine, front view. (Smithsonian photo 48216-P.)

Figures 124 and 125.—Taggart & Farr sewing machine, 1860. The Taggart & Farr is an almost forgotten machine. It was based on Chester Farr’s patent of August 9, 1859. The machine, however, was in commercial production as early as 1858, the year the patent application was made. Using two threads—both taken directly from the spool—to form a chainstitch, the machine was operated basically by treadle but also by hand. The drive wheel is missing on this machine, but it would normally appear on the right.

The name and patent date were painted on the end of the machine. This was true of many other machines of this period, which is why so many go unidentified once the paint has become worn. Several thousand Taggart & Farr machines were manufactured, but the company is believed to have had a short life, for it was among those that had disappeared by 1881.

Figure 125.—Taggart & Farr sewing machine, end view. (Smithsonian photo 48216-M.)

[Pg 116]

Figure 126.—Watson sewing machine, 1856, illustrated in Scientific American, December 13, 1856. The earliest Watson machines were two-thread lockstitch machines, as described in the Scientific American, August 10, 1850. Although the magazine reported that the inventor had applied for a patent, the earliest lockstitch patent issued to William C. Watson was on March 11, 1856. A few of his machines were made in 1850, the article continued, “several of these machines are nearly finished ... persons desirous of seeing them can be gratified by calling upon Messrs. Jones & Lee.” A Watson machine was exhibited by Jones & Lee at the Sixth Exhibition of the Massachusetts Charitable Mechanics Association held in Boston in September 1850.

In 1853 a Watson machine was exhibited at the New York Industry of All Nations Exhibition, but this was a single-looping machine; Watson received a patent for this single-thread machine on November 25, 1856.

In the December 13, 1856, issue of Scientific American a machine called Watson’s “Family” sewing machine was illustrated and described. It was a small machine (only 8 by 5 inches) manufactured by Watson & Wooster and selling for $10. References to the Watson single-thread machine occur as late as 1860, but no examples are known to have survived. (Smithsonian photo 48221-B.)

[Pg 117]

Figure 127.—West & Willson sewing machine of about 1859. The West & Willson machine, manufactured under the patent of H. B. West and H. F. Willson, enjoyed a very brief span of popularity. The patent covered the peculiar method of operating a spring-looper in combination with an eye-pointed needle to form a single chainstitch, but whether machines of this single-thread variety were manufactured is unknown. The machine illustrated here is a two-thread machine of basically the same description. It stitches from left to right and bears serial number 1544 and the inscription “West & Willson Co. patented June 29, 1858.” (Smithsonian photo 49456-A.)

[Pg 118]

Figure 128.—Wheeler & Wilson sewing machine of about 1872. Serial number 670974. (Smithsonian photo P63149-A.)

[Pg 119]

Figure 129.—Wheeler and Wilson No. 8 sewing machine of about 1876. (Smithsonian photo 17663-C.)

Figures 128 and 129.—Wheeler and Wilson sewing machines. The Wheeler and Wilson company was the largest manufacturer of sewing machines in the 1850s and the 1860s.

It began in 1851 as A. B. Wilson; from 1852 to 1856 it was the Wheeler, Wilson & Co., Watertown, Connecticut; and from 1856 to 1876, it was Wheeler & Wilson Mfg. Co., Bridgeport, Connecticut.

The style of the head changed very little during these years (see figs. 26 and 27). Both a table style with iron legs and a cabinet model were made: the head was usually mounted to stitch from left to right. In 1861, the company introduced the famous glass presser foot, patented on March 5 of that year by J. L. Hyde. The presser foot was made of metal but shaped like an open _ into which was slid a small glass plate, with a hole for the needle descent. The glass allowed the seamstress to observe the stitching and to produce very close-edge stitching. It remained a favorite of many women for years. In 1876, the new No. 8 machine was introduced and a new series of serial numbers was initiated. It is, therefore, imperative to know that the machine is one of the earlier style machines before using the following list of serial numbers to date the machines, approximately as follows:

Records of the second series of serial numbers dating from 1876 are not available.

[Pg 120]

Figure 130.—White Sewing Machine. Although the White sewing machines date from 1876, Thomas H. White had been busy in the manufacture of sewing machines for many years prior to this. White is known to have been associated with Barker in the manufacture of the Brattleboro machine and later with Grout in producing one of the several New England machines. In 1866 he moved to Cleveland, Ohio, and began manufacturing machines for sale under special trade names through selling organizations. In 1876, the White Sewing Machine Company was formed and machines were sold under the White name.

The machine illustrated is a standard lockstitch machine, which would have been set into a sewing-machine table and operated by a treadle. The small handle was used to start the wheel, and thus the stitching operation, in the forward direction. This machine bears the serial number 28241 and the following patents: “Mar. 14, 1876, May 2, 1876, Oct. 24, 1876, Jan. 16, 1877, Mar. 20, 1877, Mar. 27, 1877,” which are primarily the patents of D’Arcy Porter and George W. Baker.

The machines of the 1870s may be dated approximately as follows:

(Smithsonian photo 58986.)

[Pg 121]

Figure 131.—Willcox And Gibbs sewing machine, serial number 296572, of about 1878. From 1857 to the turn of the century, the style of the Willcox and Gibbs sewing machine changed very little (fig. 39). It was the most popular and the most reliable of the many chainstitch machines. In addition to the basic mechanical patents, Gibbs also patented the design of the sewing-machine head in 1860. In the specifications, he described it as an open ring set on a base or pedestal. The lower part of the open section supported the cloth plate. The design of the head, intentionally or not, formed a perfect letter G, the initial of the inventor. Later the machine head as a letter G was incorporated into the company’s trademark. Additional patents were also granted to James Willcox for a leg and treadle design and to Charles Willcox for mechanical improvements.

It has not been possible to secure information on records of serial numbers from the late 1870s through the 1920s to aid in dating machines of that period. For the preceding years, however, the machines may be dated approximately as follows:

Although the Willcox and Gibbs company is still in existence, for the past several decades the company has limited itself to the production of specialized manufacturing machines rather than family machines. (Smithsonian photo 58986.)

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[Pg 123]Figure 132.—Illustration from Knights American Mechanical Dictionary, vol. 3, p. 2122. The 68 sewing-machine stitches in use by 1882 are as follows:

In the Sewing Machine News, vol. 3, no. 5, p. 12 (1881), there were listed a number of then “defunct” machines and companies. Among these are many well-known names and little-known names for which at least one additional reference can be found. There are some, however, for which this is the only reference to date. These are: Blanchard, Babcock, Banner, Brown Rotary, Cottage, Cole, Duplex, Economist, Erie, Gutman, Hill, Hancock & Bennett, Jenks, Lockmar, La Favorite, Learned, Leggett, McCoy, McCardy, Medallion, McArthur & Co., Monopoly, Moreau, Mack, Niagra, New Cannaan, Orphean, Pride-of-the-West, Seamen & Guiness, Surprise, Stackpole, Shanks, Stanford, Troy, Utica, United States Family, Weaver, Wagner, and Williams. Some of these names may have been a “special” name given to machines manufactured by one of the known companies, but at least a few are names of machines manufactured for a very short time prior to 1881 about which we would like to know more.

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III. Chronological List of U.S. Sewing-Machine Patent Models in the Smithsonian Collections

There are more than seven hundred sewing-machine patent models and a similar number of attachment models in the Smithsonian collections. Most of these machines were received in 1926 when the Patent Office disposed of its collection of hundreds of thousands of models. Prior to 1880, models had been required with the patent application; although the requirement was discontinued that year, patentees continued to furnish models for another decade or so. All models prior to 1836 were lost in a Patent Office fire of that year, but since the sewing-machine patent history dates from the 1840s, most of the historically important ones of this subject have been preserved.

These models form a valuable part of the record of the invention, supplementing the drawings and the text of the written specifications. The early sewing-machine models were made to order, either by the inventor or a commissioned model maker. As soon as sewing machines were produced commercially, it was less expensive for the patentee to use a commercial machine of the period, to which he added his change or improvement, than to have a complete model constructed to order. Some of the commercial machines used in this way are the only examples known to be in existence, and as such, are of more interest in establishing the history of the manufactured machine than for the minor patented changes.

During the period of the “Sewing Machine Combination,” many patentees attempted to invent and patent “the different machine.” This was either a radical change in style or an attempt to produce a far less-expensive type of machine. These machines were not always put into commercial production, but the patent models give an indication of the extent to which some inventors went to simplify or vary the mechanics of machine sewing.

The following is a list of those sewing-machine patent models in the Smithsonian Institution collections: