Transcriber's Note: Dialect has been retained as it appears in the original publication.

THE
OLD SOLDIER'S STORY

Poems and Prose Sketches


JAMES WHITCOMB RILEY


Indianapolis

THE BOBBS-MERRILL COMPANY
PUBLISHERS

Copyright 1913, 1914, 1915

James Whitcomb Riley

PRESS OF
BRAUNWORTH & CO.
BOOKBINDERS AND PRINTERS
BROOKLYN, N. Y.

TO

GEORGE THOMPSON, ESQ.

"Apples ben ripe in my gardayne"

CONTENTS

THE OLD SOLDIER'S STORY

AS TOLD BEFORE THE NEW ENGLAND SOCIETY IN NEW YORK CITY

Since we have had no stories to-night I will venture, Mr. President, to tell a story that I have heretofore heard at nearly all the banquets I have ever attended. It is a story simply, and you must bear with it kindly. It is a story as told by a friend of us all, who is found in all parts of all countries, who is immoderately fond of a funny story, and who, unfortunately, attempts to tell a funny story himself—one that he has been particularly delighted with. Well, he is not a story-teller, and especially he is not a funny story-teller. His funny stories, indeed, are oftentimes touchingly pathetic. But to such a story as he tells, being a good-natured man and kindly disposed, we have to listen, because we do not want to wound his feelings by telling him that we have heard that story a great number of times, and that we have heard it ably told by a great number of people from the time we were children. But, as I say, we can not hurt his feelings. We can not stop him. We can not kill him; and so the story generally proceeds. He selects a very old story always, and generally tells it in about this fashion:—

I heerd an awful funny thing the other day—ha! ha! I don't know whether I kin git it off er not, but, anyhow, I'll tell it to you. Well!—le's see now how the fool-thing goes. Oh, yes!—W'y, there was a feller one time—it was durin' the army, and this feller that I started in to tell you about was in the war, and—ha! ha!—there was a big fight a-goin' on, and this feller was in the fight, and it was a big battle and bullets a-flyin' ever' which way, and bombshells a-bu'stin', and cannon-balls a-flyin' 'round promiskus; and this feller right in the midst of it, you know, and all excited and het up, and chargin' away; and the fust thing you know along come a cannon-ball and shot his head off—ha! ha! ha! Hold on here a minute!—no sir; I'm a-gittin' ahead of my story; no, no; it didn't shoot his head off—I'm gittin' the cart before the horse there—shot his leg off; that was the way; shot his leg off; and down the poor feller drapped, and, of course, in that condition was perfectly he'pless, you know, but yit with presence o' mind enough to know that he was in a dangerous condition ef somepin' wasn't done fer him right away. So he seen a comrade a-chargin' by that he knowed, and he hollers to him and called him by name—I disremember now what the feller's name was....

Well, that's got nothin' to do with the story, anyway; he hollers to him, he did, and says, "Hello, there," he says to him; "here, I want you to come here and give me a lift; I got my leg shot off, and I want you to pack me back to the rear of the battle"—where the doctors always is, you know, during a fight—and he says, "I want you to pack me back there where I can get med-dy-cinal attention er I'm a dead man, fer I got my leg shot off," he says, "and I want you to pack me back there so's the surgeons kin take keer of me." Well—the feller, as luck would have it, ricko-nized him and run to him and throwed down his own musket, so's he could pick him up; and he stooped down and picked him up and kindo' half-way shouldered him and half-way helt him betwixt his arms like, and then he turned and started back with him—ha! ha! ha! Now, mind, the fight was still a-goin' on—and right at the hot of the fight, and the feller, all excited, you know, like he was, and the soldier that had his leg shot off gittin' kindo fainty like, and his head kindo' stuck back over the feller's shoulder that was carryin' him. And he hadn't got more'n a couple o' rods with him when another cannon-ball come along and tuk his head off, shore enough!—and the curioust thing about it was—ha! ha!—that the feller was a-packin' him didn't know that he had been hit ag'in at all, and back he went—still carryin' the deceased back—ha! ha! ha!—to where the doctors could take keer of him—as he thought. Well, his cap'n happened to see him, and he thought it was a ruther cur'ous p'ceedin's—a soldier carryin' a dead body out o' the fight—don't you see? And so he hollers at him, and he says to the soldier, the cap'n did, he says, "Hullo, there; where you goin' with that thing?" the cap'n said to the soldier who was a-carryin' away the feller that had his leg shot off. Well, his head, too, by that time. So he says, "Where you goin' with that thing?" the cap'n said to the soldier who was a-carryin' away the feller that had his leg shot off. Well, the soldier he stopped—kinder halted, you know, like a private soldier will when his presidin' officer speaks to him—and he says to him, "W'y," he says, "Cap, it's a comrade o' mine and the pore feller has got his leg shot off, and I'm a-packin' him back to where the doctors is; and there was nobody to he'p him, and the feller would 'a' died in his tracks—er track ruther—if it hadn't a-been fer me, and I'm a-packin' him back where the surgeons can take keer of him; where he can get medical attendance—er his wife's a widder!" he says, "'cause he's got his leg shot off!" Then Cap'n says, "You blame fool you, he's got his head shot off." So then the feller slacked his grip on the body and let it slide down to the ground, and looked at it a minute, all puzzled, you know, and says, "W'y, he told me it was his leg!" Ha! ha! ha!

SOMEP'N COMMON-LIKE

MONSIEUR LE SECRETAIRE

[JOHN CLARK RIDPATH]

A PHANTOM

IN THE CORRIDOR

LOUELLA WAINIE

THE TEXT

WILLIAM BROWN

WHY

THE TOUCH OF LOVING HANDS

IMITATED

A TEST

A SONG FOR CHRISTMAS

SUN AND RAIN

WITH HER FACE

MY NIGHT

THE HOUR BEFORE THE DAWN

GOOD-BY, OLD YEAR

FALSE AND TRUE

A BALLAD FROM APRIL

BRUDDER SIMS

DEFORMED

FAITH

THE LOST THRILL

AT DUSK

ANOTHER RIDE FROM GHENT TO AIX

IN THE HEART OF JUNE

DREAMS

There has always been an inclination, or desire, rather, on my part to believe in the mystic—even as far back as stretches the gum-elastic remembrance of my first "taffy-pullin'" given in honor of my fifth birthday; and the ghost-stories, served by way of ghastly dessert, by our hired girl. In fancy I again live over all the scenes of that eventful night:—

The dingy kitchen, with its haunting odors of a thousand feasts and wash-days; the old bench-legged stove, with its happy family of skillets, stewpans and round-bellied kettles crooning and blubbering about it. And how we children clustered round the genial hearth, with the warm smiles dying from our faces just as the embers dimmed and died out in the open grate, as with bated breath we listened to how some one's grandmother had said that her first man went through a graveyard once, one stormy night, "jest to show the neighbors that he wasn't afeard o' nothin'," and how when he was just passing the grave of his first wife "something kind o' big and white-like, with great big eyes like fire, raised up from behind the headboard, and kind o' re'ched out for him"; and how he turned and fled, "with that air white thing after him as tight as it could jump, and a hollerin' 'wough-yough-yough!' till you could hear it furder'n you could a bullgine," and how, at last, just as the brave and daring intruder was clearing two graves and the fence at one despairing leap, the "white thing," had made a grab at him with its iron claws, and had nicked him so close his second wife was occasioned the onerous duty of affixing another patch in his pantaloons. And in conclusion, our hired girl went on to state that this blood-curdling incident had so wrought upon the feelings of "the man that wasn't afeard o' nothin'," and had given him such a distaste for that particular graveyard, that he never visited it again, and even entered a clause in his will to the effect that he would ever remain an unhappy corpse should his remains be interred in said graveyard.

I forgot my pop-corn that night; I forgot my taffy; I forgot all earthly things; and I tossed about so feverishly in my little bed, and withal so restlessly, that more than once my father's admonition above the footboard of the big bed, of "Drat you! go to sleep, there!" foreshadowed my impending doom. And once he leaned over and made a vicious snatch at me, and holding me out at arm's length by one leg, demanded in thunder-tones, "what in the name o' flames and flashes I meant, anyhow!"

I was afraid to stir a muscle from that on, in consequence of which I at length straggled off in fitful dreams—and heavens! what dreams!—A very long and lank, and slim and slender old woman in white knocked at the door of my vision, and I let her in. She patted me on the head—and oh! how cold her hands were! And they were very hard hands, too, and very heavy—and, horror of horrors!—they were not hands—they were claws!—they were iron!—they were like the things I had seen the hardware man yank nails out of a keg with. I quailed and shivered till the long and slim and slender old woman jerked my head up and snarled spitefully, "What's the matter with you, bub," and I said, "Nawthin'!" and she said, "Don't you dare to lie to me!" I moaned.

"Don't you like me?" she asked.

I hesitated.

"And lie if you dare!" she said—"Don't you like me?"

"Oomh-oomh!" said I.

"Why?" said she.

"Cos, you're too long—and slim—an'"—

"Go on!" said she.

"—And tall!" said I.

"Ah, ha!" said she,—"and that's it, hey?"

And then she began to grow shorter and thicker, and fatter and squattier.

"And how do I suit you now?" she wheezed at length, when she had wilted down to about the size of a large loaf of bread.

I shook more violently than ever at the fearful spectacle.

"How do you like me now?" she yelped again,—"And don't you lie to me neither, or I'll swaller you whole!"

I writhed and hid my face.

"Do you like me?"

"No-o-oh!" I moaned.

She made another snatch at my hair. I felt her jagged claws sink into my very brain. I struggled and she laughed hideously.

"You don't, hey?"

"Yes, yes, I do. I love you!" said I.

"You lie! You lie!" She shrieked derisively. "You know you lie!" and as I felt the iron talons sinking and gritting in my very brain, with one wild, despairing effort, I awoke.

I saw the fire gleaming in the grate, and by the light it made I dimly saw the outline of the old mantelpiece that straddled it, holding the old clock high upon its shoulders. I was awake then, and the little squatty woman with her iron talons was a dream! I felt an oily gladness stealing over me, and yet I shuddered to be all alone.

If only some one were awake, I thought, whose blessed company would drown all recollections of that fearful dream; but I dared not stir or make a noise. I could only hear the ticking of the clock, and my father's sullen snore. I tried to compose my thoughts to pleasant themes, but that telescopic old woman in white would rise up and mock my vain appeals, until in fancy I again saw her altitudinous proportions dwindling into that repulsive and revengeful figure with the iron claws, and I grew restless and attempted to sit up. Heavens! something yet held me by the hair. The chill sweat that betokens speedy dissolution gathered on my brow. I made another effort and arose, that deadly clutch yet fastened in my hair. Could it be possible! The short, white woman still held me in her vengeful grasp! I could see her white dress showing from behind either of my ears. She still clung to me, and with one wild, unearthly cry of "Pap!" I started round the room.

I remember nothing further, until as the glowing morn sifted through the maple at the window, powdering with gold the drear old room, and baptizing with its radiance the anxious group of old home-faces leaning over my bed, I heard my father's voice once more rasping on my senses—"Now get the booby up, and wash that infernal wax out of his hair!"

BECAUSE

TO THE CRICKET

THE OLD-FASHIONED BIBLE

UNCOMFORTED

WHAT THEY SAID

AFTER THE FROST

CHARLES H. PHILLIPS

OBIT NOVEMBER 5TH, 1881

WHEN IT RAINS

AN ASSASSIN

BEST OF ALL

BIN A-FISHIN'

UNCLE DAN'L IN TOWN OVER SUNDAY

SOLDIERS HERE TO-DAY

I

II

III

IV

SHADOW AND SHINE

THAT NIGHT

AUGUST

THE GUIDE

IMITATED

SUTTER'S CLAIM

IMITATED

HER LIGHT GUITAR

WHILE CIGARETTES TO ASHES TURN

I

II

III

TWO SONNETS TO THE JUNE-BUG

I

II

AUTOGRAPHIC

For an Album

AN IMPROMPTU ON ROLLER SKATES

WRITTEN IN BUNNER'S "AIRS FROM ARCADY"

IN THE AFTERNOON

AT MADAME MANICURE'S

A CALLER FROM BOONE

BENJ. F. JOHNSON VISITS THE EDITOR

It was a dim and chill and loveless afternoon in the late fall of eighty-three when I first saw the genial subject of this hasty sketch. From time to time the daily paper on which I worked had been receiving, among the general literary driftage of amateur essayists, poets and sketch-writers, some conceits in verse that struck the editorial head as decidedly novel; and, as they were evidently the production of an unlettered man, and an old man, and a farmer at that, they were usually spared the waste-basket, and preserved—not for publication, but to pass from hand to hand among the members of the staff as simply quaint and mirth-provoking specimens of the verdancy of both the venerable author and the Muse inspiring him. Letters as quaint as were the poems invariably accompanied them, and the oddity of these, in fact, had first called attention to the verses. I well remember the general merriment of the office when the first of the old man's letters was read aloud, and I recall, too, some of his comments on his own verse, verbatim. In one place he said: "I make no doubt you will find some purty sad spots in my poetry, considerin'; but I hope you will bear in mind that I am a great sufferer with rheumatizum, and have been, off and on, sence the cold New Year's. In the main, however," he continued, "I allus aim to write in a cheerful, comfortin' sperit, so's ef the stuff hangs fire, and don't do no good, it hain't a-goin' to do no harm,—and them's my honest views on poetry."

In another letter, evidently suspecting his poem had not appeared in print because of its dejected tone, he said: "The poetry I herewith send was wrote off on the finest Autumn day I ever laid eyes on! I never felt better in my life. The morning air was as invigoratin' as bitters with tanzy in it, and the folks at breakfast said they never saw such a' appetite on mortal man before. Then I lit out for the barn, and after feedin', I come back and tuck my pen and ink out on the porch, and jest cut loose. I writ and writ till my fingers was that cramped I couldn't hardly let go of the penholder. And the poem I send you is the upshot of it all. Ef you don't find it cheerful enough fer your columns, I'll have to knock under, that's all!" And that poem, as I recall it, certainly was cheerful enough for publication, only the "copy" was almost undecipherable, and the ink, too, so pale and vague, it was thought best to reserve the verses, for the time, at least, and later on revise, copy, punctuate, and then print it sometime, as much for the joke of it as anything. But it was still delayed, neglected, and in a week's time almost entirely forgotten. And so it was, upon this chill and sombre afternoon I speak of that an event occurred which most pleasantly reminded me of both the poem with the "sad spots" in it, and the "cheerful" one, "writ out on the porch" that glorious autumn day that poured its glory through the old man's letter to us.

Outside and in the sanctum the gloom was too oppressive to permit an elevated tendency of either thought or spirit. I could do nothing but sit listless and inert. Paper and pencil were before me, but I could not write—I could not even think coherently, and was on the point of rising and rushing out into the streets for a wild walk, when there came a hesitating knock at the door.

"Come in!" I snarled, grabbing up my pencil and assuming a frightfully industrious air: "Come in!" I almost savagely repeated, "Come in! And shut the door behind you!" and I dropped my lids, bent my gaze fixedly upon the blank pages before me and began scrawling some disconnected nothings with no head or tail or anything.

"Sir; howdy," said a low and pleasant voice. And at once, in spite of my perverse resolve, I looked up. I someway felt rebuked.

The speaker was very slowly, noiselessly closing the door. I could hardly face him when he turned around. An old man, of sixty-five, at least, but with a face and an eye of the most cheery and wholesome expression I had ever seen in either youth or age. Over his broad bronzed forehead and white hair he wore a low-crowned, wide-brimmed black felt hat, somewhat rusted now, and with the band grease-crusted, and the binding frayed at intervals, and sagging from the threads that held it on. An old-styled frock coat of black, dull brown in streaks, and quite shiny about the collar and lapels. A waistcoat of no describable material or pattern, and a clean white shirt and collar of one piece, with a black string-tie and double bow, which would have been entirely concealed beneath the long white beard but for its having worked around to one side of the neck. The front outline of the face was cleanly shaven, and the beard, growing simply from the under chin and throat, lent the old pioneer the rather singular appearance of having hair all over him with this luxurious growth pulled out above his collar for mere sample.

I arose and asked the old man to sit down, handing him a chair decorously.

"No—no," he said—"I'm much obleeged. I hain't come in to bother you no more'n I can he'p. All I wanted was to know ef you got my poetry all right. You know I take yer paper," he went on, in an explanatory way, "and seein' you printed poetry in it once-in-a-while, I sent you some of mine—neighbors kindo' advised me to," he added apologetically, "and so I sent you some—two or three times I sent you some, but I hain't never seed hide-ner-hair of it in your paper, and as I wus in town to-day, anyhow, I jest thought I'd kindo' drap in and git it back, ef you ain't goin' to print it—'cause I allus save up most the things I write, aimin' sometime to git 'em all struck off in pamphlet-form, to kindo' distribit round 'mongst the neighbors, don't you know."

Already I had begun to suspect my visitor's identity, and was mechanically opening the drawer of our poetical department.

"How was your poetry signed?" I asked.

"Signed by my own name," he answered proudly,—"signed by my own name,—Johnson—Benjamin F. Johnson, of Boone County—this state."

"And is this one of them, Mr. Johnson?" I asked, unfolding a clumsily-folded manuscript, and closely scrutinizing the verse.

"How does she read?" said the old man eagerly, and searching in the meantime for his spectacles. "How does she read?—Then I can tell you!"

"It reads," said I, studiously conning the old man's bold but bad chirography, and tilting my chair back indolently,—"it reads like this—the first verse does,"—and I very gravely read:—

"Oh! the old swimmin'-hole!"

"Stop! Stop!" said the old man excitedly—"Stop right there! That's my poetry, but that's not the way to read it by a long shot! Give it to me!" and he almost snatched it from my hand. "Poetry like this ain't no poetry at all, 'less you read it natchurl and in jes the same sperit 'at it's writ in, don't you understand. It's a' old man a-talkin', rickollect, and a-feelin' kindo' sad, and yit kindo' sorto' good, too, and I opine he wouldn't got that off with a face on him like a' undertaker, and a voice as solemn as a cow-bell after dark! He'd say it more like this."—And the old man adjusted his spectacles and read:—

"THE OLD SWIMMIN'-HOLE"

I clapped my hands in genuine applause. "Read on!" I said,—"Read on! Read all of it!"

The old man's face was radiant as he continued:—

My applause was long and loud. The old man's interpretation of the poem was a positive revelation, though I was glad enough to conceal from him my moistened eyes by looking through the scraps for other specimens of his verse.

"Here," said I enthusiastically, "is another one, signed 'Benj. F. Johnson,' read me this," and I handed him the poem.

The old man smiled and took the manuscript. "This-here one's on 'The Hoss,'" he said, simply clearing his throat. "They ain't so much fancy-work about this as the other'n, but they's jest as much fact, you can bet—'cause, they're no animal a-livin' 'at I love better 'an

"THE HOSS"

Again I applauded, handing the old man still another of his poems, and the last received. "Ah!" said he, as his gentle eyes bent on the title; "this-here's the cheerfullest one of 'em all. This is the one writ, as I wrote you about—on that glorious October morning two weeks ago—I thought your paper would print this-un, shore!"

"Oh, it will print it," I said eagerly; "and it will print the other two as well! It will print anything that you may do us the honor to offer, and we'll reward you beside just as you may see fit to designate.—But go on—go on! Read me the poem."

The old man's eyes were glistening as he responded with the poem entitled

"WHEN THE FROST IS ON THE PUNKIN"

That was enough! "Surely," thought I, "here is a diamond in the rough, and a 'gem,' too, 'of purest ray serene'!" I caught the old man's hand and wrung it with positive rapture; and it is needless to go further in explanation of how the readers of our daily came to an acquaintance through its columns with the crude, unpolished, yet most gentle genius of Benj. F. Johnson, of Boone. P/

LORD BACON

WRITTEN AS A JOKE AND ASCRIBED TO A VERY PRACTICAL BUSINESS MAN, AMOS J. WALKER

MY FIRST WOMERN

AS WE READ BURNS

TO JAMES NEWTON MATTHEWS

IN ANSWER TO A LETTER ON THE ANATOMY OF THE SONNET

SONG

WHEN WE THREE MEET

JOSH BILLINGS

DEAD IN CALIFORNIA, OCTOBER 15, 1885

WHICH ANE

THE EARTHQUAKE

CHARLESTON, SEPTEMBER 1, 1886

A FALL-CRICK VIEW OF THE EARTHQUAKE

LEWIS D. HAYES

OBIT DECEMBER 28, 1886

IN DAYS TO COME

LUTHER A. TODD

OBIT JULY 27, 1887, KANSAS CITY, MISSOURI

WHEN THE HEARSE COMES BACK

OUR OLD FRIEND NEVERFAIL

DAN O'SULLIVAN

JOHN BOYLE O'REILLY

SEPULTURE—BOSTON, AUGUST 13, 1890

MEREDITH NICHOLSON

GOD'S MERCY

CHRISTMAS GREETING

TO RUDYARD KIPLING

THE GUDEWIFE

TENNYSON

ENGLAND, OCTOBER 5, 1892

ROSAMOND C. BAILEY

MRS. BENJAMIN HARRISON

WASHINGTON, OCTOBER 25, 1892

GEORGE A. CARR

GREENFIELD, JULY 21, 1914

TO ELIZABETH

OBIT JULY 8, 1893

TO ALMON KEEFER

INSCRIBED IN "TALES OF THE OCEAN"

TO—"THE J. W. R. LITERARY CLUB"

LITTLE MAID-O'-DREAMS

TO THE BOY WITH A COUNTRY

DAN WALLINGFORD

CLAUDE MATTHEWS

GOVERNOR OF INDIANA

TO LESLEY

THE JUDKINS PAPERS

FATHER AND SON

Mr. Judkins' boy came home yesterday with a bottle of bugs in his pocket, and as the quiet little fellow sat on the back porch in his favorite position, his legs elbowed and flattened out beneath him like a letter "W," his genial and eccentric father came suddenly upon him.

"And what's the blame' boy up to now?" said Mr. Judkins, in an assumed tone of querulous displeasure, as he bent over the boy from behind and gently tweaked his ear.

"Oh, here, mister!" said the boy, without looking up; "you thist let up on that, will you!"

"What you got there, I tell you!" continued the smiling Mr. Judkins, in a still gruffer tone, relinquishing the boy's ear, and gazing down upon the fluffy towhead with more than ordinary admiration. "What you got there?"

"Bugs," said the boy—"you know!"

"Dead, are they?" said Mr. Judkins.

"Some of 'em's dead," said the boy, carefully running a needle through the back of a large bumblebee. "All these uns is, you kin bet! You don't think a feller 'ud try to string a live bumblebee, I reckon?"

"Well, no, 'Squire," said Mr. Judkins, airily, addressing the boy by one of the dozen nicknames he had given him; "not a live bumblebee—a real stem-winder, of course not. But what in the name o' limpin' Lazarus air you stringin' 'em fer?"

"Got a live snake-feeder," said the boy, ignoring the parental inquiry. "See him down there in the bottom, 'ith all th' other uns on top of him. Thist watch him now, an' you kin see him pant. I kin. Yes, an' I got a beetle 'at's purt' nigh alive, too—on'y he can't pull in his other wings. See 'em?" continued the boy, with growing enthusiasm, twirling the big-mouthed bottle like a kaleidoscope. "Hate beetles! 'cause they allus act so big, an' make s'much fuss about theirselves, an' don't know nothin' neither! Bet ef I had as many wings as a beetle I wouldn't let no boy my size knock the stuffin' out o' me with no bunch o' weeds, like I done him!"

"Howd'ye know you wouldn't?" said Mr. Judkins, austerely, biting his nails and winking archly to himself.

"W'y, I know I wouldn't," said the boy, "'cause I'd keep up in the air where I could fly, an' wouldn't come low down ut all—bumpin' around 'mongst them bushes, an' buzzin' against things, an' buttin' my brains out a-tryin' to git thue fence cracks."

"'Spect you'd ruther be a snake-feeder, wouldn't you, Bud?" said Mr. Judkins suggestively. "Snake-feeders has got about enough wings to suit you, ef you want more'n one pair, and ever' day's a picnic with a snake-feeder, you know. Nothin' to do but jes' loaf up and down the crick, and roost on reeds and cat-tails, er fool around a feller's fish-line and light on the cork and bob up and down with it till she goes clean under, don't you know?"

"Don't want to be no snake-feeder, neither," said the boy, "'cause they gits gobbled up, first thing they know, by these 'ere big green bullfrogs ut they can't ever tell from the skum till they've lit right in their mouth—and then they're goners! No, sir;" continued the boy, drawing an extra quinine-bottle from another pocket, and holding it up admiringly before his father's eyes: "There's the feller in there ut I'd ruther be than have a pony!"

"W'y, it's a nasty p'izen spider!" exclaimed Mr. Judkins, pushing back the bottle with affected abhorrence, "and he's alive, too!"

"You bet he's alive!" said the boy, "an' you kin bet he'll never come to no harm while I own him!" and as the little fellow spoke his face glowed with positive affection, and the twinkle of his eyes, as he continued, seemed wonderfully like his father's own. "Tell you, I like spiders! Spiders is awful fat—all but their head—and that's level, you kin bet! Flies hain't got no business with a spider. Ef a spider ever reaches fer a fly, he's his meat! The spider, he likes to loaf an' lay around in the shade an' wait fer flies an' bugs an' things to come a-foolin' round his place. He lays back in the hole in the corner of his web, an' waits till somepin' lights on it an' nen when he hears 'em buzzin', he thist crawls out an' fixes 'em so's they can't buzz, an' he's got the truck to do it with! I bet ef you'd unwind all the web-stuff out of thist one little spider not bigger'n a pill, it 'ud be long enough fer a kite-string! Onc't they wuz one in our wood-house, an' a taterbug got stuck in his web, an' the spider worked purt' nigh two days 'fore he got him so's he couldn't move. Nen he couldn't eat him neither—'cause they's shells on 'em, you know, an' the spider didn't know how to hull him. Ever' time I'd go there the spider, he'd be a-wrappin' more stuff around th' ole bug, an' stoopin' down like he wuz a-whisperin' to him. An' one day I went in ag'in, an' he was a-hangin', alas an' cold in death! An' I poked him with a splinter an' his web broke off—'spect he'd used it all up on the wicked bug—an' it killed him; an' I buried him in a' ink-bottle an' mashed the old bug 'ith a chip!"

"Yes," said Judkins, in a horrified tone, turning away to conceal the real zest and enjoyment his face must have betrayed; "yes, and some day you'll come home p'izened, er somepin'! And I want to say right here, my young man, ef ever you do, and it don't kill you, I'll lint you within an inch of your life!" And as the eccentric Mr. Judkins whirled around the corner of the porch he heard the boy murmur in his low, absent-minded way, "Yes, you will!"

MR. JUDKINS' REMARKS

Judkins stopped us in front of the post-office yesterday to say that that boy of his was "the blamedest boy outside o' the annals o' history!" "Talk about this boy-naturalist out here at Indianapolis," says Judkins,—"w'y, he ain't nowhere to my boy! The little cuss don't do nothin' either only set around and look sleepy, and dern him, he gits off more dry things than you could print in your paper. Of late he's been a-displayin' a sort o' weakness fer Nature, don't you know; and he's allus got a bottle o' bugs in his pocket. He come home yesterday evening with a blame' mud-turtle as big as an unabridged dictionary, and turned him over in the back yard and commenced biffin' away at him with a hammer and a cold-chisel. 'W'y, you're a-killin' the turtle,' says I. 'Kill nothin'!' says he, 'I'm thist a-takin' the lid off so's I can see his clock works.' Hoomh!" says Judkins: "He's a good one!—only," he added, "I wouldn't have the boy think so fer the world!"

JUDKINS' BOY ON THE MUD-TURTLE

The mud-turtle is not a beast of pray, but he dearly loves catfish bait. If a mud-turtle gits your big toe in his mouth he will hang on till it thunders. Then he will spit it out like he was disgusted. The mud-turtle kin swim and keep his chin out of water ef he wants to but he don't care ef he does sink. The turtle kin stay under water until his next birthday, an' never crack a smile. He kin breathe like a grown person, but he don't haf to, on'y when he is on dry land, an' then I guess he thist does it to be soshibul. Allus when you see bubbles a-comin' up in the swimmin' hole, you kin bet your galluses they's a mud-turtle a-layin' down there, studyin' up some cheap way to git his dinner. Mud-turtles never dies, on'y when they make soup out of 'em. They is seven kinds of meat in the turtle, but I'd ruther eat thist plain burnt liver.

ON FROGS

Frogs is the people's friend, but they can't fly. Onc't they wuz tadpoles about as big as lickerish drops, an' after while legs growed on 'em. Oh, let us love the frog—he looks so sorry. Frogs kin swim better'n little boys, and they don't haf to hold their nose when they dive, neither. Onc't I had a pet frog; an' the cars run over him. It thist squshed him. Bet he never knowed what hurt him! Onc't they wuz a rich lady swallered one—when he wuz little, you know; an' he growed up in her, an' it didn't kill him ut all. An' you could hear him holler in her bosom. It was a tree-toad; and so ever' time he'd go p-r-r-r-r- w'y, nen the grand lady she'd know it was goin' to rain, an' make her little boy run an' putt the tub under the spout. Wasn't that a b'utiful frog?

ON PIRUTS

Piruts is reckless to a fault. They ain't afeard of nobody ner nothin'. Ef ever you insult a pirut onc't, he'll foller you to the grave but what he will revenge his wrongs. Piruts all looks like pictures of "Buffalo Bill"—on'y they don't shave off the whiskers that sticks out over the collar of their low-necked shirt. Ever' day is a picknick fer the piruts of the high seas. They eat gunpowder an' drink blood to make 'em savage, and then they kill people all day, an' set up all night an' tell ghost stories an' sing songs such as mortal ear would quail to listen to. Piruts never comes on shore on'y when they run out of tobacker; an' then it's a cold day ef they don't land at midnight, an' disguize theirselves an' slip up in town like a sleuth houn', so's the Grand Jury can't git on to 'em. They don't care fer the police any more than us people who dwells right in their midst. Piruts makes big wages an' spends it like a king. "Come easy, go easy," is the fatal watchword of them whose deeds is Deth. Onc't they wuz a pirut turned out of the house an' home by his cruel parents when he wuz but a kid, an' so he always went by that name. He was thrust adrift without a nickel, an' sailed fer distant shores to hide his shame fer those he loved. In the dead of night he stol'd a new suit of the captain's clothes. An' when he growed up big enough to fit 'em, he gaily dressed hissef and went up an' paced the quarter-deck in deep thought. He had not fergot how the captain onc't had lashed him to the jib-boom-poop an' whipped him. That stung his proud spirit even then; an' so the first thing he done was to slip up behind the cruel officer an' push him over-board. Then the ship wuz his fer better er fer worse. An' so he took command, an' hung high upon the beetling mast the pirut flag. Then he took the Bible his old mother give him, an' tied a darnic round it an' sunk it in the sand with a mocking laugh. Then it wuz that he wuz ready fer the pirut's wild seafaring life. He worked the business fer all they wuz in it fer many years, but wuz run in ut last. An', standin' on the gallus-tree, he sung a song which wuz all wrote off by hissef. An' then they knocked the trap on him. An' thus the brave man died and never made a kick. In life he wuz allus careful with his means, an' saved up vast welth, which he dug holes and buried, an' died with the secret locked in his bosom to this day.

ON HACKMENS

Hackmens has the softest thing in the bizness. They hain't got nothin' to do but look hump-shouldered an' chaw tobacker an' wait. Hackmens all looks like detectives, an' keeps still, an' never even spits when you walk past 'em. An' they're allus cold. A hackman that stands high in the p'fession kin wear a overcoat in dog-days an' then look chilly an' like his folks wuz all dead but the old man, an' he wuz a drunkard. Ef a hackman would on'y be a blind fiddler he'd take in more money than a fair-ground. Hackmens never gives nothin' away. You kin trust a hackman when you can't trust your own mother. Some people thinks when they hire a hack to take 'em some place that the hackman has got some grudge ag'in' 'em—but he hain't—he's allus that way. He loves you but he knows his place, and smothers his real feelings. In life's giddy scenes hackmens all wears a mask; but down deep in their heart you kin bet they are yourn till deth. Some hackmens look like they wuz stuck up, but they hain't—it's only 'cause they got on so much clothes. Onc't a hackman wuz stabbed by a friend of his in the same bizness, an' when the doctors wuz seein' how bad he wuz karved up, they found he had on five shurts. They said that wuz all that saved his life. They said ef he'd on'y had on four shurts, he'd 'a' been a ded man. An' the hackman hissef, when he got well, used to brag it wuz the closetest call he ever had, an' laid fer the other hackman, an' hit him with a car couplin' an' killed him, an' come mighty nigh goin' to the penitenchary fer it. Influenshal friends wuz all that saved him that time. No five shurts would 'a' done it. The mayor said that when he let him off, an' brought down the house, an' made hissef a strong man fer another term. Some mayors is purty slick, but a humble hackman may sometimes turn out to be thist as smooth. The on'y thing w'y a hackman don't show up no better is 'cause he loses so much sleep. That's why he allus looks like he had the headache, an' didn't care ef he did. Onc't a hackman wuz waitin' in front of a hotel one morning an' wuz sort o' dozin' like, an' fell off his seat. An' they run an' picked him up, an' he wuz unconshus, an' they worked with him till 'way long in the afternoon 'fore they found out he wuz thist asleep; an' he cussed fearful cause they waked him up, an' wondered why people couldn't never tend to their own bizness like he did.

ON DUDES

Ever'body is allus a-givin' it to Dudes. Newspapers makes fun of 'em, an' artists makes pictures of 'em; an' the on'y ones in the wide world that stuck on Dudes is me an' the Dudes theirse'f, an' we love an' cherish 'em with all a parent's fond regards. An' nobody knows much about Dudes neither, 'cause they hain't been broke out long enough yit to tell thist what the disease is. Some say it's softinning of the brains, an' others claim it can't be that, on the groun's they hain't got material fer the softinning to work on, &c., &c., till even "Sientests is puzzled," as the good book says. An' ef I wuz a-goin' to say what ails Dudes I'd have to give it up, er pernounce it a' aggervated case of Tyfoid blues, which is my 'onnest convictions. That's what makes me kind o' stand in with 'em—same as ef they wuz the under-dog. I am willing to aknolege that Dudes has their weakness, but so has ever'thing. Even Oscar Wild, ef putt to the test; an' I allus feel sorry fer George Washington 'cause he died 'fore he got to see Oscar Wild. An' then another reason w'y you oughten't to jump on to Dudes is, they don't know what's the matter with 'em any more than us folks in whom they come in daily contack. Dudes all walks an' looks in the face like they wuz on their way to fill an engagement with a revolvin' lady wax-figger in some milliner-winder, an' had fergot the number of her place of bizness. Some folks is mean enough to bitterly a'sert that Dudes is strained in their manner an' fools from choice; but they ain't. It's a gift—Dudes is Geenuses—that's what Dudes is!

ON RED HAIR

Onc't a pore boy wuz red-hedded, an' got mad at the other boys when they'd throw it up to him. An' when they'd laugh at his red hed, an' ast him fer a light, er wuzn't he afeard he'd singe his cap, an' orto' wear a tin hat, er pertend to warm their hands by him,—w'y, sometimes the red-hedded boy'd git purty hot indeed; an' onc't he told another boy that wuz a-bafflin' him about his red hair that ef he wuz him he'd git a fine comb an' go to canvassin' his own hed, and then he'd be liabul to sceer up a more livelier subjeck to talk about than red hair. An' then the other boy says, "You're a liar" an' that got the red-hedded boy into more trouble; fer the old man whipped him shameful' fer breakin' up soil with the other boy. An' this here red-hedded boy had freckles, too. An' warts. An' nobody ortn't to 'a' jumpt on to him fer that. Ef anybody wuz a red-hedded boy they'd have also warts an' freckles—an' thist red-hair's bad enough. Onc't another boy told him ef he wuz him he bet he could make a big day look sick some night. An' when the red-hedded boy says "How?" w'y, the other boy he says "Easy enough. I'd thist march around bare-hedded in the torch-light p'cession."—"Yes, you would," says the red-hedded boy, an' pasted him one with a shinny club, an' got dispelled from school 'cause he wuz so high-tempered an' impulsiv. Ef I wuz the red-hedded boy I'd be a pirut; but he allus said he wuz goin' to be a baker.

THE CROSS-EYED GIRL

"You don't want to never tamper with a cross-eyed girl," said Mr. Judkins, "and I'll tell you w'y: They've natur'lly got a better focus on things than a man would ever guess—studyin' their eyes, you understand. A man may think he's a-foolin' a cross-eyed girl simply because she's apparently got her eyes tangled on other topics as he's a-talkin' to her, but at the same time that girl may be a-lookin' down the windin' stairway of the cellar of his soul with one eye, and a-winkin' in a whisper to her own soul with the other, and her unconscious victim jes' a-takin' it fer granted that nothin' is the matter with the girl, only jes' cross-eyes! You see I've studied 'em," continued Judkins, "and I'm on to one fact dead sure—and that is, their natures is as deceivin' as their eyes is! Knowed one onc't that had her eyes mixed up thataway—sensitive little thing she was, and always referrin' to her 'misfortune,' as she called it, and eternally threatenin' to have some surgeon straighten 'em out like other folks'—and, sir, that girl so worked on my feelin's, and took such underholts on my sympathies that, blame me, before I knowed it I confessed to her that ef it hadn't 'a' been fer her defective eyes (I made it 'defective') I never would have thought of lovin' her, and, furthermore ef ever she did have 'em changed back normal, don't you understand, she might consider our engagement at an end—I did, honest. And that girl was so absolute cross-eyed it warped her ears, and she used to amuse herself by watchin' 'em curl up as I'd be a-talkin' to her, and that maddened me, 'cause I'm natur'lly of a jealous disposition, you know, and so, at last, I jes' casually hinted that ef she was really a-goin' to git them eyes carpentered up, w'y she'd better git at it: and that ended it.

"And then the blame' girl turned right around and married a fellow that had a better pair of eyes than mine this minute! Then I struck another cross-eyed girl—not really a legitimate case, 'cause, in reality, she only had one off eye—the right eye, ef I don't disremember—the other one was as square as a gouge. And that girl was, ef any difference, a more confusin' case than the other, and besides all that, she had some money in her own right, and warn't a-throwin' off no big discount on one game eye. But I finally got her interested, and I reckon something serious might 'a' come of it—but, you see, her father was dead, and her stepmother sort o' shet down on my comin' to the house; besides that, she had three grown uncles, and you know how uncles is. I didn't want to marry no family, of course, and so I slid out of the scheme, and tackled a poor girl that clerked in a post-office. Her eyes was bad! I never did git the hang of them eyes of hern. She had purty hair, and a complexion, I used to tell her, which outrivalled the rose. But them eyes, you know! I didn't really appreciate how bad they was crossed, at first. You see, it took time. Got her to give me her picture, and I used to cipher on that, but finally worked her off on a young friend of mine who wanted to marry intellect—give her a good send-off to him—and she was smart—only them eyes, you know! Why, that girl could read a postal card, both sides at once, and smile at a personal friend through the office window at the same time!"

HOMESICKNESS

There was a more than ordinary earnestness in the tone of Mr. Judkins as he said: "Referrin' to this thing of bein' homesick, I want to say right here that of all diseases, afflictions er complaints, this thing of bein' homesick takes the cookies! A man may think when he's got a' aggrivated case of janders, er white-swellin', say, er bone-erysipelas, that he's to be looked up to as bein' purty well fixed in this vale of trouble and unrest, but I want to tell you, when I want my sorrow blood-raw, don't you understand, you may give me homesickness—straight goods, you know—and I'll git more clean, legitimate agony out of that than you can out of either of the other attractions—yes, er even ef you'd ring in the full combination on me! You see, there's no way of treatin' homesickness only one—and that is to git back home—but as that's a remedy you can't git at no drug store, at so much per box—and ef you could, fer instance, and only had enough ready money anyhow to cover half the cost of a full box—and nothin' but a full box ever reached the case—w'y, it follers that your condition still remains critical. And homesickness don't show no favors. It's jes' as liable to strike you as me. High er low, er rich er poor, all comes under her jurishdiction, and whenever she once reaches fer a citizen, you can jes' bet she gits there Eli, ever' time!

"She don't confine herse'f to youth, ner make no specialty of little children either, but she stalks abroad like a census-taker, and is as conscientious. She visits the city girl clean up to Maxinkuckee, and makes her wonder how things really is back home without her. And then she haunts her dreams, and wakes her up at all hours of the night, and sings old songs over fer her, and talks to her in low thrillin' tones of a young man whose salary ain't near big enough fer two; and then she leaves her photograph with her and comes away, and makes it lively fer the boys on the train, the conductor, the brakeman and the engineer. She even nests out the travellin' man, and yanks him out of his reclinin' chair, and walks him up and down the car, and runs him clean out of cigars and finecut, and smiles to hear him swear. Then she gits off at little country stations and touches up the night operator, who grumbles at his boy companion, and wishes to dernation 'six' was in, so's he could 'pound his ear.'

"And I'll never forgit," continued Mr. Judkins, "the last case of homesickness I had, and the cure I took fer it. 'Tain't been more'n a week ago neither. You see my old home is a'most too many laps from this base to make it very often, and in consequence I hadn't been there fer five years and better, till this last trip, when I jes' succumbed to the pressure, and th'owed up my hands and went. Seemed like I'd 'a' died if I hadn't. And it was glorious to rack around the old town again—things lookin' jes' the same, mighty nigh, as they was when I was a boy, don't you know. Run acrost an old schoolmate, too, and tuck supper at his happy little home, and then we got us a good nickel cigar, and walked and walked, and talked and talked! Tuck me all around, you understand, in the meller twilight—till, the first thing you know, there stood the old schoolhouse where me and him first learnt to chew tobacco, and all that! Well, sir! you hain't got no idea of the feelin's that was mine! W'y, I felt like I could th'ow my arms around the dear old buildin' and squeeze it till the cupolo would jes' pop out of the top of the roof like the core out of a b'ile! And I think if they ever was a' epoch in my life when I could 'a' tackled poetry without no compunctions, as the feller says, w'y, then was the time—shore!"

TO THE QUIET OBSERVER

ERASMUS WILSON, AFTER HIS LONG SILENCE

AMERICA'S THANKSGIVING

900

WILLIAM PINKNEY FISHBACK

JOHN CLARK RIDPATH

NEW YEAR'S NURSERY JINGLE

TO THE MOTHER

TO MY SISTER

A BELATED OFFERING FOR HER BIRTHDAY

A MOTTO

TO A POET ON HIS MARRIAGE

MADISON CAWEIN

ART AND POETRY

TO HOMER C. DAVENPORT

HER SMILE OF CHEER AND VOICE OF SONG

ANNA HARRIS RANDALL

OLD INDIANY

FRAGMENT

INTENDED FOR A DINNER OF THE INDIANA SOCIETY OF CHICAGO

ABE MARTIN

O. HENRY

WRITTEN IN THE CHARACTER OF "SHERRARD PLUMMER"

"MONA MACHREE"

WILLIAM McKINLEY

CANTON, OHIO, SEPTEMBER 30, 1907

BENJAMIN HARRISON

ON THE UNVEILING OF HIS MONUMENT AT INDIANAPOLIS OCTOBER 27, 1908

LEE O. HARRIS

CHRISTMAS DAY—1909

THE HIGHEST GOOD

WRITTEN FOR A HIGH-SCHOOL ANNUAL

MY CONSCIENCE

MY BOY

THE OBJECT LESSON

Barely a year ago I attended the Friday afternoon exercises of a country school. My mission there, as I remember, was to refresh my mind with such material as might be gathered, for a "valedictory," which, I regret to say, was to be handed down to posterity under another signature than my own.

There was present, among a host of visitors, a pale young man of perhaps thirty years, with a tall head and bulging brow and a highly intellectual pair of eyes and spectacles. He wore his hair without roach or "part" and the smile he beamed about him was "a joy forever." He was an educator—from the East, I think I heard it rumoured—anyway he was introduced to the school at last, and he bowed, and smiled, and beamed upon us all, and entertained us after the most delightfully edifying manner imaginable. And although I may fail to reproduce the exact substance of his remarks upon that highly important occasion, I think I can at least present his theme in all its coherency of detail. Addressing more particularly the primary department of the school, he said:—

"As the little exercise I am about to introduce is of recent origin, and the bright, intelligent faces of the pupils before me seem rife with eager and expectant interest, it will be well for me, perhaps, to offer by way of preparatory preface, a few terse words of explanation.

"The Object Lesson is designed to fill a long-felt want, and is destined, as I think, to revolutionize, in a great degree, the educational systems of our land.—In my belief, the Object Lesson will supply a want which I may safely say has heretofore left the most egregious and palpable traces of mental confusion and intellectual inadequacies stamped, as it were, upon the gleaming reasons of the most learned—the highest cultured, and the most eminently gifted and promising of our professors and scientists both at home and abroad.

"Now this deficiency—if it may be so termed—plainly has a beginning; and probing deeply with the bright, clean scalpel of experience we discover that—'As the twig is bent the tree's inclined.' To remedy, then, a deeply seated error which for so long has rankled at the very root of educational progress throughout the land, many plausible, and we must admit, many helpful theories have been introduced to allay the painful errors resulting from the discrepancy of which we speak: but until now, nothing that seemed wholly to eradicate the defect has been discovered, and that, too, strange as it may seem, is, at last, emanating, like the mighty river, from the simplest source, but broadening and gathering in force and power as it flows along, until, at last, its grand and mighty current sweeps on in majesty to the vast illimitable ocean of—of—of—Success! Ahem!

"And, now, little boys and girls, that we have had by implication, a clear and comprehensive explanation of the Object Lesson and its mission, I trust you will give me your undivided attention while I endeavor—in my humble way—to direct your newly acquired knowledge through the proper channel. For instance:—

"This little object I hold in my hand—who will designate it by its proper name? Come, now, let us see who will be the first to answer. 'A peanut,' says the little boy here at my right. Very good—very good! I hold, then, in my hand, a peanut. And now who will tell me, what is the peanut? A very simple question—who will answer? 'Something good to eat,' says the little girl. Yes, 'something good to eat,' but would it not be better to say simply that the peanut is an edible? I think so, yes. The peanut, then, is—an edible—now, all together, an edible!

"To what kingdom does the peanut belong? The animal, vegetable, or mineral kingdom? A very easy question. Come, let us have prompt answers. 'The animal kingdom,' does the little boy say? Oh, no! The peanut does not belong to the animal kingdom! Surely the little boy must be thinking of a larger object than the peanut—the elephant, perhaps. To what kingdom, then, does the peanut belong? The v-v-veg—'The vegetable kingdom,' says the bright-faced little girl on the back seat. Ah! that is better. We find then that the peanut belongs to the—what kingdom? The 'vegetable kingdom.' Very good, very good!

"And now who will tell us of what the peanut is composed. Let us have quick responses now. Time is fleeting! Of what is the peanut composed? 'The hull and the goody,' some one answers. Yes, 'the hull and the goody' in vulgar parlance, but how much better it would be to say simply, the shell and the kernel. Would not that sound better? Yes, I thought you would agree with me there!

"And now who will tell me the color of the peanut! And be careful now! for I shouldn't like to hear you make the very stupid blunder I once heard a little boy make in reply to the same question. Would you like to hear what color the stupid little boy said the peanut was? You would, eh? Well, now, how many of you would like to hear what color the stupid little boy said the peanut was? Come now, let's have an expression. All who would like to hear what color the stupid little boy said the peanut was, may hold up their right hands. Very good, very good—there, that will do.

"Well, it was during a professional visit I was once called upon to make to a neighboring city, where I was invited to address the children of a free school—Hands down, now, little boy—founded for the exclusive benefit of the little newsboys and bootblacks, who, it seems, had not the means to defray the expenses of the commonest educational accessories, and during an object lessen—identical with the one before us now—for it is a favorite one of mine—I propounded the question, what is the color of the peanut? Many answers were given in response, but none as sufficiently succinct and apropos as I deemed the facts demanded; and so at last I personally addressed a ragged, but, as I then thought, a bright-eyed little fellow, when judge of my surprise, in reply to my question what is the color of the peanut, the little fellow, without the slightest gleam of intelligence lighting up his face, answered, that 'if not scorched in roasting, the peanut was a blond.' Why, I was almost tempted to join in the general merriment his inapposite reply elicited. But I occupy your attention with trivial things; and as I notice the time allotted to me has slipped away, we will drop the peanut for the present. Trusting the few facts gleaned from a topic so homely and unpromising will sink deep in your minds, in time to bloom and blossom in the fields of future usefulness—I—I——I thank you."

THE END