The Project Gutenberg eBook of Forget Me Nearly
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Forget Me Nearly

Author: F. L. Wallace

Illustrator: Ed Emshwiller

Release date: April 17, 2010 [eBook #32025]

Language: English

Credits: Produced by Sankar Viswanathan, Greg Weeks, and the Online
        Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK FORGET ME NEARLY ***




Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at http://www.pgdp.net







                         Transcriber's Note:

    This etext was produced from Galaxy Science Fiction June 1954.
    Extensive research did not uncover any evidence that the U.S.
    copyright on this publication was renewed.


                           FORGET ME NEARLY


                           By F. L. Wallace


                         Illustrated by EMSH


     _What sort of world was it, he puzzled, that wouldn't help
      victims find out whether they had been murdered or had
      committed suicide?_

       *       *       *       *       *




The police counselor leaned forward and tapped the small nameplate on
his desk, which said: _Val Borgenese._ "That's my name," he said. "Who
are you?"

[Illustration]

The man across the desk shook his head. "I don't know," he said
indistinctly.

"Sometimes a simple approach works," said the counselor, shoving aside
the nameplate. "But not often. We haven't found anything that's
effective in more than a small percentage of cases." He blinked
thoughtfully. "Names are difficult. A name is like clothing, put on or
taken off, recognizable but not part of the person--the first thing
forgotten and the last remembered."

The man with no name said nothing.

"Try pet names," suggested Borgenese. "You don't have to be sure--just
say the first thing you think of. It may be something your parents
called you when you were a child."

The man stared vacantly, closed his eyes for a moment and then opened
them and mumbled something.

"What?" asked Borgenese.

"Putsy," said the man more distinctly. "The only thing I can think of
is Putsy."

The counselor smiled. "That's a pet name, of course, but it doesn't
help much. We can't trace it, and I don't think you'd want it as a
permanent name." He saw the expression on the man's face and added
hastily: "We haven't given up, if that's what you're thinking. But
it's not easy to determine your identity. The most important source of
information is your mind, and that was at the two year level when we
found you. The fact that you recalled the word Putsy is an
indication."

"Fingerprints," said the man vaguely. "Can't you trace me through
fingerprints?"

"That's another clue," said the counselor. "Not fingerprints, but the
fact that you thought of them." He jotted something down. "I'll have
to check those re-education tapes. They may be defective by now, we've
run them so many times. Again, it may be merely that your mind refused
to accept the proper information."

The man started to protest, but Borgenese cut him off. "Fingerprints
were a fair means of identification in the Twentieth Century, but this
is the Twenty-second Century."

       *       *       *       *       *

The counselor then sat back. "You're confused now. You have a lot of
information you don't know how to use yet. It was given to you fast,
and your mind hasn't fully absorbed it and put it in order. Sometimes
it helps if you talk out your problems."

"I don't know if I have a problem." The man brushed his hand slowly
across his eyes. "Where do I start?"

"Let me do it for you," suggested Borgenese. "You ask questions when
you feel like it. It may help you."

He paused, "You were found two weeks ago in the Shelters. You know
what those are?"

The man nodded, and Borgenese went on: "Shelter and food for anyone
who wants or needs it. Nothing fancy, of course, but no one has to ask
or apply; he just walks in and there's a place to sleep and
periodically food is provided. It's a favorite place to put people
who've been retroed."

The man looked up. "Retroed?"

"Slang," said Borgenese. "The retrogression gun ionizes animal tissue,
nerve cells particularly. Aim it at a man's legs and the nerves in
that area are drained of energy and his muscles won't hold him up. He
falls down.

"Aim it at his head and give him the smallest charge the gun is
adjustable to, and his most recent knowledge is subtracted from his
memory. Give him the full charge, and he is swept back to a childish
or infantile age level. The exact age he reaches is dependent on his
physical and mental condition at the time he's retroed.

"Theoretically it's possible to kill with the retrogression gun. The
person can be taken back to a stage where there's not enough nervous
organization to sustain the life process.

"However, life is tenacious. As the lower levels are reached, it takes
increasing energy to subtract from anything that's left. Most people
who want to get rid of someone are satisfied to leave the victim
somewhere between the mental ages of one and four. For practical
purposes, the man they knew is dead--or retroed, as they say."

"Then that's what they did to me," said the man. "They retroed me and
left me in the Shelter. How long was I there?"

       *       *       *       *       *

Borgenese shrugged. "Who knows? That's what makes it difficult. A day,
or two months. A child of two or three can feed himself, and no record
is kept since the place is free. Also, it's cleaned automatically."

"I know that now that you mention it," said the man. "It's just that
it's hard to remember."

"You see how it is," said the counselor. "We can't check our files
against a date when someone disappeared, because we don't know that
date except within very broad limits." He tapped his pen on the desk.
"Do you object to a question?"

"Go ahead."

"How many people in the Solar System?"

The man thought with quiet desperation. "Fourteen to sixteen billion."

The counselor was pleased. "That's right. You're beginning to use some
of the information we've put back into your mind. Earth, Mars and
Venus are the main population centers. But there are also Mercury and
the satellites of Jupiter and Saturn, as well as the asteroids. We can
check to see where you might have come from, but there are so many
places and people that you can imagine the results."

"There must be _some_ way," the man said painfully. "Pictures,
fingerprints, something."

"Something," Borgenese nodded. "But probably not for quite a while.
There's another factor, you see. It's a shock, but you've got to face
it. And the funny thing is that you'll never be better able to than
now."

He rocked back. "Take the average person, full of unsuspected anxiety,
even the happiest and most successful. Expose him to the retrogression
gun. Tensions and frustrations are drained away.

"The structure of an adult is still there, but it's empty, waiting to
be filled. Meanwhile the life of the organism goes on, but it's not
the same. Lines on the face disappear, the expression alters
drastically, new cell growth occurs here and there throughout the
body. Do you see what that means?"

The man frowned. "I suppose no one can recognize me."

"That's right. And it's not only your face that changes. You may grow
taller, but never shorter. If your hair was gray, it may darken, but
not the reverse."

"Then I'm younger too?"

"In a sense, though it's actually not a rejuvenation process at all.
The extra tension that everyone carries with him has been removed, and
the body merely takes up the slack.

"Generally, the apparent age is made less. A person of middle age or
under seems to be three to fifteen years younger than before. You
appear to be about twenty-seven, but you may actually be nearer forty.
You see, we don't even know what age group to check.

"And it's the same with fingerprints. They've been altered by the
retrogression process. Not a great deal, but enough to make
identification impossible."

       *       *       *       *       *

The nameless man stared around the room--at Val Borgenese, perhaps
fifty, calm and pleasant, more of a counselor than a policeman--out of
the window at the skyline, and its cleanly defined levels of air
traffic.

Where was his place in this?

"I guess it's no use," he said bleakly. "You'll never find out who I
am."

The counselor smiled. "I think we will. Directly, there's not much we
can do, but there are indirect methods. In the last two weeks we've
exposed you to all the organized knowledge that can be put on
tapes--physics, chemistry, biology, math, astrogation, the works.

"It's easy to remember what you once knew. It isn't learning; it's
actually relearning. One fact put in your mind triggers another into
existence. There's a limit, of course, but usually a person comes out
of re-education with slightly more formal knowledge than he had in his
prior existence." The counselor opened a folder on his desk. "We gave
you a number of tests. You didn't know the purpose, but I can tell you
the results."

He leafed slowly through the sheets. "You may have been an
entrepreneur of some sort. You have an excellent sense of power
ethics. Additionally, we've found that you're physically alert, and
your reactions are well coordinated. This indicates you may have been
an athlete or sportsman."

Val Borgenese laid down the tests. "In talking with you, I've learned
more. The remark you made about fingerprints suggests you may have
been a historian, specializing in the Twentieth Century. No one else
is likely to know that there was a time in which fingerprints were a
valid means of identification."

"I'm quite a guy, I suppose. Businessman, sportsman, historian." The
man smiled bitterly. "All that ... but I still don't know who I am.
And you can't help me."

"Is it important?" asked the counselor softly. "This happens to many
people, you know, and some of them do find out who they were, with or
without our help. But this is not simple amnesia. No one who's been
retroed can resume his former identity. Of course, if we had tapes of
the factors which made each person what he is...." He shrugged. "But
those tapes don't exist. Who knows, really, what caused him to develop
as he has? Most of it isn't at the conscious level. At best, if you
should learn who you were, you'd have to pick up the thread of your
former activities and acquaintances slowly and painfully.

"Maybe it would be better if you start from where you are. You know as
much as you once did, and the information is up to date, correct and
undistorted. You're younger, in a sense--in better physical condition,
not so tense or nervous. Build up from that."

"But I don't have a name."

"Choose one temporarily. You can have it made permanent if it suits
you."

       *       *       *       *       *

The man was silent, thinking. He looked up, not in despair, but not
accepting all that the counselor said either. "What name? All I know
is yours, and those of historical figures."

"That's deliberate. We don't put names on tapes, because the effects
can be misleading. Everyone has thousands of associations, and can
mistake the name of a prominent scientist for his own. Names
unconsciously arrived at are usually no help at all."

"What do I do?" the man said. "If I don't know names, how can I choose
one?"

"We have a list made up for this purpose. Go through it slowly and
consciously. When you come to something you like, take it. If you
chance on one that stirs memories, or rather where memories ought to
be but aren't, let me know. It may be a lead I can have traced."

The man gazed at the counselor. His thought processes were fast, but
erratic. He could race along a chain of reasoning and then stumble
over a simple fact. The counselor ought to know what he was talking
about--this was no isolated occurrence. The police had a lot of
experience to justify the treatment they were giving him. Still, he
felt they were mistaken in ways he couldn't formulate.

"I'll have to accept it, I suppose," he said. "There's nothing I can
do to learn who I was."

The counselor shook his head. "Nothing that _we_ can do. The clues are
in the structure of your mind, and you have better access to it than
we do. Read, think, look. Maybe you'll run across your name. We can
take it from there." He paused. "That is, if you're determined to go
ahead."

That was a strange thing for a police counselor to say.

"Of course I want to know who I am," he said in surprise. "Why
shouldn't I?"

"I'd rather not mention this, but you ought to know." Borgenese
shifted uncomfortably. "One third of the lost identity cases that we
solve are self-inflicted. In other words, suicides."

       *       *       *       *       *

His head rumbled with names long after he had decided on one and put
the list away. Attractive names and odd ones--but which were
significant he couldn't say. There was more to living than the
knowledge that could be put on tapes and played back. There was more
than choosing a name. There was experience, and he lacked it. The
world of personal reactions for him had started two weeks previously;
it was not enough to help him know what he wanted to do.

He sat down. The room was small but comfortable. As long as he stayed
in retro-therapy, he couldn't expect much freedom.

He tried to weigh the factors. He could take a job and adapt himself
to some mode of living.

What kind of a job?

He had the ordinary skills of the society--but no outstanding
technical ability had been discovered in him. He had the ability of an
entrepreneur--but without capital, that outlet was denied him.

His mind and body were empty and waiting. In the next few months, no
matter what he did, some of the urge to replace the missing sensations
would be satisfied.

The more he thought about that, the more powerfully he felt that he
had to know who he was. Otherwise, proceeding to form impressions and
opinions might result in a sort of betrayal of himself.

Assume the worst, that he was a suicide. Maybe he had knowingly and
willingly stepped out of his former life. A suicide would cover
himself--would make certain that he could never trace himself back to
his dangerous motive for the step. If he lived on Earth, he would go
to Mars or Venus to strip himself of his unsatisfactory life. There
were dozens of precautions anyone would take.

But if it weren't suicide, then who had retroed him and why? That was
a question he couldn't answer now, and didn't need to. When he found
out who he was, the motivation might be clear; if it wasn't, at least
he would have a basis on which to investigate that.

If someone else had done it to him, deliberately or accidentally, that
person would have taken precautions too. The difference was this: as a
would-be suicide, he could travel freely to wherever he wished to
start over again; while another person would have difficulty enticing
him to a faroff place, or, assuming that the actual retrogression had
taken place elsewhere, wouldn't find it easy to transport an inert and
memory-less body any distance.

So, if he weren't a suicide, there was a good chance that there were
clues in this city. He might as well start with that idea--it was all
he had to go on.

He was free to stay in retro-therapy indefinitely, but with the
restricted freedom he didn't want to. The first step was to get out.
He made the decision and felt better. He switched on the screen.

Borgenese looked up. "Hello. Have you decided?"

"I think so."

"Good. Let's have it. It's bound to touch on your former life in some
way, though perhaps so remotely we can't trace it. At least, it's
something."

"Luis Obispo." He spelled it out.

       *       *       *       *       *

The police counselor looked dubious as he wrote the name down. "It's
not common, nor uncommon either. The spelling of the first name is a
little different, but there must be countless Obispos scattered over
the System."

It was curious. Now he almost did think of himself as Luis Obispo. He
wanted to be that person. "Another thing," he said. "Did I have any
money when I was found?"

"You're thinking of leaving? A lot of them do." Val Borgenese flipped
open the folder again. "You did have money, an average amount. It
won't set you up in business, if that's what you're thinking."

"I wasn't. How do I get it?"

"I didn't think you were." The counselor made another notation. "I'll
have the desk release it--you can get it any time. By the way, you get
the full amount, no deductions for anything."

The news was welcome, considering what he had ahead of him.

Borgenese was still speaking. "Whatever you do, keep in touch with us.
It'll take time to run down this name, and maybe we'll draw a blank.
But something significant may show up. If you're serious, and I think
you are, it's to your advantage to check back every day or so."

"I'm serious," said Luis. "I'll keep in touch."

There wasn't much to pack. The clothing he wore had been supplied by
the police. Ordinary enough; it would pass on the street without
comment. It would do until he could afford to get better.

He went down to the desk and picked up his money. It was more than
he'd expected--the average man didn't carry this much in his pocket.
He wondered about it briefly as he signed the receipt and walked out
of retro-therapy. The counselor had said it was an average amount, but
it wasn't.

He stood in the street in the dusk trying to orient himself.

Perhaps the money wasn't so puzzling. An average amount for those
brought into therapy for treatment, perhaps. Borgenese had said a high
proportion were suicides. Such a person would want to start over again
minus fears and frustrations, but not completely penniless. If he had
money he'd want to take it with him, though not so much that it could
be traced, since that would defeat the original purpose.

The pattern was logical--suicides were those with a fair sum of money.
This was the fact which inclined Borgenese to the view he obviously
held.

Luis Obispo stood there uncertainly. Did he want to find out? His lips
thinned--he did. In spite of Borgenese, there were other ways to
account for the money he had. One of them was this: he was an
important man, accustomed to handling large sums of money.

He started out. He was in a small city of a few hundred thousand on
the extreme southern coast of California. In the last few days he'd
studied maps of it; he knew where he was going.

       *       *       *       *       *

When he got there, the Shelters were dark. He didn't know what he had
expected, but it wasn't this. Reflection showed him that he hadn't
thought about it clearly. The mere existence of Shelters indicated an
economic level in which few people would either want or need to make
use of that which was provided freely.

He skirted the area. He'd been found in one of the Shelters--which one
he didn't know. Perhaps he should have checked the record before he
came here.

No, this was better. Clues, he was convinced, were almost
non-existent. He had to rely on his body and mind; but not in the
ordinary way. He was particularly sensitive to impressions he had
received before; the way he had learned things in therapy proved that;
but if he tried to force them, he could be led astray. The wisest
thing was to react naturally, almost without volition. He should be
able to recognize the Shelter he'd been found in without trouble. From
that, he could work back.

That was the theory--but it wasn't happening. He circled the area, and
there was nothing to which he responded more than vaguely.

He would have to go closer.

He crossed the street. The plan of the Shelters was simple; an area
two blocks long and one block wide, heavily planted with shrubs and
small trees. In the center was an S-shaped continuous structure
divided into a number of small dwelling units.

Luis walked along one wing of the building, turned at the corner and
turned again. It was quite dark. He supposed that was why he wasn't
reacting to anything. But his senses were sharper than he realized.
There was a rustle behind him, and instinctively he flung himself
forward, flat on the ground.

A pink spot appeared, low on the wall next to him. It had been aimed
at his legs. The paint crackled faintly and the pink spot faded. He
rolled away fast.

A dark body loomed past him and dropped where he'd been. There was an
exclamation of surprise when the unknown found there was no one there.
Luis grunted with satisfaction--this might be only a stickup, but he
was getting action faster than he'd expected. He reached out and took
hold of a leg and drew the assailant to him. A hard object clipped the
side of his head, and he grasped that too.

The shape of the gun was familiar. He tore it loose. This wasn't any
stickup! Once was enough to be retrogressed, and he'd had his share.
Next time it was going to be the other guy. Physically, he was more
than a match for his attacker. He twisted his body and pinned the
struggling form to the ground.

That was what it was--a form. A woman, very much so; even in the
darkness he was conscious of her body.

Now she was trying to get loose, and he leaned his weight more
heavily on her. Her clothing was torn--he could feel her flesh against
his face. He raised the gun butt, and then changed his mind and
instead fumbled for a light. It wasn't easy to find it and still keep
her pinned.

"Be quiet or I'll clip you," he growled.

She lay still.

       *       *       *       *       *

He found the light and shone it on her face. It was good to look at,
that face, but it wasn't at all familiar. He had trouble keeping his
eyes from straying. Her dress was torn, and what she wore underneath
was torn too.

"Seen enough?" she asked coldly.

"Put that way, I haven't." He couldn't force his voice to be
matter-of-fact--it wouldn't behave.

She stared angrily at the light in her eyes. "I knew you'd be back,"
she said. "I thought I could get you before you got me, but you're too
fast." Her mouth trembled. "This time make it permanent. I don't want
to be tormented again like this."

[Illustration]

He let her go and sat up. He was trembling, too, but not for the same
reason. He turned the light away from her eyes.

"Ever consider that you could be mistaken?" he asked. "You're not the
only one it happens to."

She lay there blinking at him, eyes adjusting to the changed light.
She fumbled at the torn dress, which wouldn't stay where she put it.
"You too?" she said with a vast lack of surprise. "When?"

"They found me here two weeks ago. This is the first time I've come
back."

"Patterns," she said. "There are always patterns in what we do." Her
attitude toward him had changed drastically, he could see it in her
face. "I've been out three weeks longer." She sat up and leaned
closer. She didn't seem to be thinking about the same things that had
been on her mind only seconds before.

He stood up and helped her to her feet. She was near and showed no
inclination to move away. This was something Borgenese hadn't
mentioned, and there was nothing in his re-education to prepare him
for this sensation, but he liked it. He couldn't see her very well,
now that the light was turned off, but she was almost touching him.

"We're in the same situation, I guess." She sighed. "I'm lonely and a
little afraid. Come into my place and we'll talk."

He followed her. She turned into a dwelling that from the outside
seemed identical to the others. Inside, it wasn't quite the same. He
couldn't say in what way it was different, but he didn't think it was
the one he'd been found in.

That torn dress bothered him--not that he wanted her to pin it up. The
tapes hadn't been very explicit about the beauties of the female body,
but he thought he knew what they'd left out.

She was conscious of his gaze and smiled. It was not an invitation, it
was a request, and he didn't mind obeying. She slid into his arms and
kissed him. He was glad about the limitations of re-education. There
were some things a man ought to learn for himself.

She looked up at him. "Maybe you should tell me your name," she said.
"Not that it means much in our case."

"Luis Obispo," he said, holding her.

"I had more trouble, I couldn't choose until two days ago." She kissed
him again, hard and deliberately. It gave her enough time to jerk the
gun out of his pocket.

She slammed it against his ribs. "Stand back," she said, and meant
it.

       *       *       *       *       *

Luis stared bewilderedly at her. She was desirable, more than he had
imagined and for a variety of reasons. Her emotions had been real, he
was sure of that, not feigned for the purpose of taking the gun away.
But she had changed again in a fraction of a second. Her face was
twisted with an effort at self-control.

"What's the matter?" he asked. He tried to make his voice gentle, but
it wouldn't come out that way. The retrogression process had sharpened
all his reactions--this one too.

"The name I finally arrived at was--Luise Obispo," she said.

He started. The same as his, except feminine! This was more than he'd
dared hope for. A clue--and this girl, who he suddenly realized,
without any cynicism about "love at first sight," because the tapes
hadn't included it, meant something to him.

"Maybe you're my wife," he said tentatively.

"Don't count on it," she said wearily. "It would have been better if
we were strangers--then it wouldn't matter what we did. Now there are
too many factors, and I can't choose."

"It has to be," he argued. "Look--the same name, and so close together
in time and place, and we were attracted instantly--"

"Go away," she said, and the gun didn't waver. It was not a threat
that he could ignore. He left.

She was wrong in making him leave, completely wrong. He couldn't say
how he knew, but he was certain. But he couldn't prove it, and she
wasn't likely to accept his unsubstantiated word.

He leaned weakly against the door. It was like that. Retrogression had
left him with an adult body and sharper receptiveness. And after that
followed an urge to live fully. He had a lot of knowledge, but it
didn't extend to this sphere of human behavior.

Inside he could hear her moving around faintly, an emotional
anticlimax. It wasn't just frustrated sex desire, though that played a
part. They had known each other previously--the instant attraction
they'd had for each other was proof, leaving aside the names. Lord,
he'd trade his unknown identity to have her. He should have taken
another name--any other name would have been all right.

It wasn't because she was the first woman he'd seen, or the woman he
had first re-seen. There had been nurses, some of them beautiful, and
he'd paid no attention to them. But Luise Obispo was part of his
former life--and he didn't know what part. The reactions were there,
but until he could find out why, he was denied access to the
satisfactions.

From a very narrow angle, and only from that angle, he could see that
there was still a light inside. It was dim, and if a person didn't
know, he might pass by and not notice it.

His former observation about the Shelters was incorrect. Every
dwelling might be occupied and he couldn't tell unless he examined
them individually.

He stirred. The woman was a clue to his problem, but the clue itself
was a far more urgent problem. Though his identity was important, he
could build another life without it and the new life might not be
worse than the one from which he had been forcibly removed.

Perhaps he was over-reacting, but he didn't think so: _his new life
had to include this woman_.

He wasn't equipped to handle the emotion. He stumbled away from the
door and found an unoccupied dwelling and went in without turning on
the lights and lay down on the bed.

In the morning, he knew he had been here before. In the darkness he
had chosen unknowingly but also unerringly. This was the place in
which he had been retrogressed.

It was here that the police had picked him up.

       *       *       *       *       *

The counselor looked sleepily out of the screen. "I wish you people
didn't have so much energy," he complained. Then he looked again and
the sleepiness vanished. "I see you found it the first time."

Luis knew it himself, because there was a difference from the dwelling
Luise lived in--not much, but perceptible to him. The counselor,
however, must have a phenomenal memory to distinguish it from hundreds
of others almost like it.

Borgenese noticed the expression and smiled. "I'm not an eidetic, if
that's what you think. There's a number on the set you're calling from
and it shows on my screen. You can't see it."

They would have something like that, Luis thought. "Why didn't you
tell me this was it before I came?"

"We were pretty sure you'd find it by yourself. People who've just
been retroed usually do. It's better to do it on your own. Our object
is to have you recover your personality. If we knew who you were, we
could set up a program to guide you to it faster. As it is, if we help
you too much, you turn into a carbon copy of the man who's advising
you."

Luis nodded. Give a man his adult body and mind and turn him loose on
the problems which confronted him, and he would come up with adult
solutions. It was better that way.

But he hadn't called to discuss that. "There's another person living
in the Shelters," he said. "You found her three weeks before you found
me."

"So you've met her already? Fine. We were hoping you would." Borgenese
chuckled. "Let's see if I can describe her. Apparent age, about
twenty-three; that means that she was originally between twenty-six or
thirty-eight, with the probability at the lower figure. A good body,
as you are probably well aware, and a striking face. Somewhat
oversexed at the moment, but that's all right--so are you."

He saw the expression on Luis's face and added quickly: "You needn't
worry. Draw a parallel with your own experience. There were pretty
nurses all around you in retro-therapy, and I doubt that you noticed
that they were female. That's normal for a person in your position,
and it's the same with her.

"It works this way: you're both unsure of yourselves and can't react
to those who have some control over their emotions. When you meet each
other, you can sense that neither has made the necessary adjustments,
and so you are free to release your true feelings."

He smiled broadly. "At the moment, you two are the only ones who have
been retroed recently. You won't have any competition for six months
or so, until you begin to feel comfortable in your new life. By then,
you should know how well you really like each other.

"Of course tomorrow, or even today, we might find another person in
the Shelter. If it's a man, you'll have to watch out; if a woman,
you'll have too much companionship. As it is, I think you're very
lucky."

Yeah, he was lucky--or would be if things were actually like that.
Yesterday he would have denied it; but today, he'd be willing to
settle for it, if he could get it.

"I don't think you understand," he said. "She took the same name that
I did."

Borgenese's smile flipped over fast, and the other side was a frown.
For a long time he sat there scowling out of the screen. "That's a
hell of a thing to tell me before breakfast," he said. "Are you sure?
She couldn't decide on a name before she left."

"I'm sure," said Luis, and related all the details of last night.

The counselor sat there and didn't say anything.

       *       *       *       *       *

Luis waited as long as he could. "You can trace _us_ now," he said.
"One person might be difficult. But two of us with nearly the same
name, that should stick out big, even in a population of sixteen
billion. Two people are missing from somewhere. You can find that."

The counselor's face didn't change. "You understand that if you were
killed, we'd find the man who did it. I can't tell you how, but you
can be sure he wouldn't escape. In the last hundred years there's been
no unsolved murder."

He coughed and turned away from the screen. When he turned back, his
face was calm. "I'm not supposed to tell you this much. I'm breaking
the rule because your case and that of the girl is different from any
I've ever handled." He was speaking carefully. "Listen. I'll tell you
once and won't repeat it. If you ever accuse me, I'll deny I said it,
and I have the entire police organization behind me to make it stick."

The counselor closed his eyes as if to see in his mind the principle
he was formulating. "If we can catch a murderer, no matter how clever
he may be, it ought to be easier to trace the identity of a person who
is still alive. It is. _But we never try._ Though it's all right if
the victim does.

"_If I should ask the cooperation of other police departments, they
wouldn't help. If the solution lies within an area over which I have
jurisdiction and I find out who is responsible, I will be dismissed
before I can prosecute the man._"

Luis stared at the counselor in helpless amazement. "Then you're not
doing anything," he said shakily. "You lied to me. You don't intend to
do anything."

"You're overwrought," said Borgenese politely. "If you could see how
busy we are in your behalf--" He sighed. "My advice is that if you
can't convince the girl, forget her. If the situation gets emotionally
unbearable, let me know and I can arrange transportation to another
city where there may be others who are--uh--more compatible."

"But she's my wife," he said stubbornly.

"Are you sure?"

Actually Luis wasn't--but he wanted _her_ to be, or any variation
thereof she would consent to. He explained.

"As she says, there are a lot of factors," commented the counselor.
"I'd suggest an examination. It may remove some of her objections."

He hadn't thought of it, but he accepted it eagerly. "What will that
do?"

"Not much, unfortunately. It will prove that you two can have healthy
normal children, but it won't indicate that you're not a member of
her genetic family. And, of course, it won't touch on the question of
legal family, brother-in-law and the like. I don't suppose she'd
accept that."

She wouldn't. He'd seen her for only a brief time and yet he knew that
much. He was in an ambiguous position; he could make snap decisions he
was certain were right, but he had to guess at facts. He and the girl
were victims, and the police refused to help them in the only way that
would do much good. And the police had, or thought they had, official
reasons for their stand.

Luis told the counselor just exactly what he thought of that.

"It's too bad," agreed the counselor. "These things often have an
extraordinary degree of permanency if they ever get started."

If they ever got started! Luis reached out and turned off the screen.
It flickered unsteadily--the counselor was trying to call him back. He
didn't want to talk to the man; it was painful, and Borgenese had
nothing to add but platitudes, and fuel to his anger. He swung open
the panel and jerked the wiring loose and the screen went blank.

There was an object concealed in the mechanism he had exposed. It was
a neat, vicious, little retrogression gun.

       *       *       *       *       *

He got it out and balanced it gingerly in his hand. Now he had
something else to work on! It was _the_ weapon, of course. It had been
used on him and then hidden behind the screen.

It was a good place to hide it. The screens never wore out or needed
adjustment, and the cleaning robots that came out of the wall never
cleaned there. The police should have found it, but they hadn't
looked. He smiled bitterly. They weren't interested in solving
crimes--merely in ameliorating the consequences.

Though the police had failed, he hadn't. It could be traced back to
the man who owned it, and that person would have information. He
turned the retro gun over slowly; it was just a gun; there were
countless others like it.

He finished dressing and dropped the gun in his pocket. He went
outside and looked across the court. He hesitated and then walked over
and knocked.

"Occupied," said the door. "But the occupant is out. No definite time
of return stated, but she will be back this evening. Is there any
message?"

"No message," he said. "I'll call back when she's home."

He hoped she wouldn't refuse to speak to him. She'd been away from
retro-therapy longer than he and possibly had developed her own
leads--very likely she was investigating some of them now. Whatever
she found would help him, and vice versa. The man who'd retroed her
had done the same to him. They were approaching the problem from
different angles. Between the two of them, they should come up with
the correct solution.

He walked away from the Shelters and caught the belt to the center of
town; the journey didn't take long. He stepped off, and wandered in
the bright sunshine, not quite aimlessly. At length he found an
Electronic Arms store, and went inside.

       *       *       *       *       *

A robot came to wait on him. "I'd like to speak to the manager," he
said and the robot went away.

Presently the manager appeared, middle aged, drowsy. "What can I do
for you?"

Luis laid the retrogression gun on the counter. "I'd like to know who
this was sold to."

The manager coughed. "Well, there are millions of them, hundreds of
millions."

"I know, but I have to find out."

The manager picked it up. "It's a competitor's make," he said
doubtfully. "Of course, as a courtesy to a customer...." He fingered
it thoughtfully. "Do you really want to know? It's just a freezer. Not
at all dangerous."

Luis looked at it with concern. Just a freezer--not a retro gun at
all! Then it couldn't have been the weapon used on him.

Before he could take it back the manager broke it open. The drowsy
expression vanished.

"Why didn't you say so?" exclaimed the manager, examining it. "This
gun has been illegally altered." He bent over the exposed circuits and
then glanced up happily at Luis. "Come here, I'll show you."

Luis followed him to the small workshop in the back of the store. The
manager closed the door behind them and fumbled among the equipment.
He mounted the gun securely in a frame and pressed a button which
projected an image of the circuit onto a screen.

The manager was enjoying himself. "Everybody's entitled to
self-protection," he said. "That's why we sell so many like these.
They're harmless, won't hurt a baby. Fully charged, they'll put a man
out for half an hour, overload his nervous system. At the weakest,
they'll still keep him out of action for ten minutes. Below that, they
won't work at all." He looked up. "Are you sure you understand this?"

It had been included in his re-education, but it didn't come readily
to his mind. "Perhaps you'd better go over it for me."

The manager wagged his head. "As I said, the freezer is legal, won't
harm anyone. It'll stop a man or an elephant in his tracks, freeze
him, but beyond that will leave him intact. When he comes out of it,
he's just the same as before, nothing changed." He seized a pointer
and adjusted the controls so as to enlarge the image on the screen.
"However, a freezer can be converted to a retrogression gun, and
that's illegal." He traced the connections with the pointer. "If this
wire, instead of connecting as it does, is moved to here and here, the
polarity is reversed. In addition, if these four wires are
interchanged, the freezer becomes a retrogressor. As I said, it's
illegal to do that."

       *       *       *       *       *

The manager scrutinized the circuits closely and grunted in disgust.
"Whoever converted this did a sloppy job. Here." He bent over the gun
and began manipulating micro-instruments. He worked rapidly and
surely. A moment later, he snapped the weapon together and
straightened up, handing it to Luis. "There," he said proudly. "It's a
much more effective retrogressor than it was. Uses less power too."

Luis swallowed. Either he was mad or the man was, or perhaps it was
the society he was trying to adjust to. "Aren't you taking a chance,
doing this for me?"

The manager smiled. "You're joking. A tenth of the freezers we sell
are immediately converted into retrogressors. Who cares?" He became
serious. "Do you still want to know who bought it?"

Luis nodded--at the moment he didn't trust his voice.

"It will take several hours. No charge though, customer service. Tell
me where I can reach you."

Luis jotted down the number of the screen at the Shelter and handed it
to the manager. As he left, the manager whispered to him: "Remember,
the next time you buy a freezer--ours can be converted easier than the
one you have."

He went out into the sunlight. It didn't seem the same. What kind of
society was he living in? The reality didn't fit with what he had
re-learned. It had seemed an orderly and sane civilization, with
little violence and vast respect for the law.

But the fact was that any school child--well, not quite _that_ young,
perhaps--but anyone older could and did buy a freezer. And it was
ridiculously easy to convert a freezer into something far more
vicious. Of course, it was illegal, but no one paid any attention to
that.

This was wrong; it wasn't the way he remembered....

He corrected himself: he didn't actually remember anything. His
knowledge came from tapes, and was obviously inadequate. Certain
things he just didn't understand yet.

He wanted to talk to someone--but who? The counselor had given him all
the information he intended to. The store manager had supplied some
additional insight, but it only confused him. Luise--at the moment she
was suspicious of him.

There was nothing to do except to be as observant as he could. He
wandered through the town, just looking. He saw nothing that seemed
familiar. Negative evidence, of course, but it indicated he hadn't
lived here before.

Before what? Before he had been retrogressed. He had been brought here
from elsewhere, the same as Luise.

[Illustration]

He visited the spaceport. Again the evidence was negative; there was
not a ship the sight of which tripped his memory. It had been too much
to hope for; if he had been brought in by spaceship, it wouldn't still
be around for him to recognize.

Late in the afternoon, he headed toward the center of town. He was
riding the belt when he saw Luise coming out of a tall office
building.

       *       *       *       *       *

He hopped off and let her pass, boarding it again and following her at
a distance. As soon as they were out of the business district, he
began to edge closer.

A few blocks from the Shelter she got off the belt and waited, turning
around and smiling directly at him. In the interim her attitude toward
him had changed, evidently--for the better, as far as he was
concerned. He couldn't ignore her and didn't want to. He stepped off
the belt.

"Hello," she said. "I think you were following me."

"I was. Do you mind?"

"I guess I don't." She walked along with him. "Others followed me, but
I discouraged them."

She was worth following, but it was not that which was strange. Now
she seemed composed and extraordinarily friendly, a complete reversal
from last night. Had she learned something during the day which
changed her opinion of him? He hoped she had.

She stopped at the edge of the Shelter area. "Do you live here?"

Learned something? She seemed to have forgotten.

He nodded.

"For the same reason?"

His throat tightened. He had told her all that last night. Couldn't
she remember?

"Yes," he said.

"I thought so. That's why I didn't mind your following me."

Here was the attraction factor that Borgenese had spoken of; it was
functioning again, for which he was grateful. But still, why? And why
didn't she remember last night?

They walked on until she came to her dwelling. She paused at the door.
"I have a feeling I should know who you are, but I just can't recall.
Isn't that terrible?"

It was--frightening. Her identity was apparently incompletely
established; it kept slipping backward to a time she hadn't met him.
He couldn't build anything enduring on that; each meeting with her
would begin as if nothing had happened before.

Would the same be true of him?

He looked at her. The torn dress hadn't been repaired, as he'd thought
at first; it had been replaced by the robots that came out of the wall
at night. They'd done a good job fitting her, but with her body that
was easy.

It was frightening and it wasn't. At least this time he didn't have a
handicap. He opened his mouth to tell her his name, and then closed
it. He wasn't going to make that mistake again. "I haven't decided on
a name," he said.

"It was that way with me too." She gazed at him and he could feel his
insides sloshing around. "Well, man with no name, do you want to come
in? We can have dinner together."

He entered. But dinner was late that night. He had known it would be.

       *       *       *       *       *

In the morning light, he sat up and put his hand on her. She smiled in
her sleep and squirmed closer. There were compensations for being
nobody, he supposed, and this was one of them. He got up quietly and
dressed without waking her. There were a number of things he wanted to
discuss, but somehow there hadn't been time last night. He would have
to talk to her later today.

He slipped out of the house and went across the court into his own.
The screen he had ripped apart had been repaired and put back in
place. A voice chimed out as he entered: "A call came while you were
gone."

"Let's have it."

The voice descended the scale and became that of the store manager.
"The gun you brought in was sold six months ago to Dorn Starret,
resident of Ceres and proprietor of a small gallium mine there. That's
all the information on record. I trust it will be satisfactory."

Luis sat down. It was. He could trace the man or have him traced,
though the last might not be necessary.

The name meant something to him--just what he couldn't say. Dorn
Starret, owner of a gallium mine on Ceres. The mine might or might not
be of consequence; gallium was used in a number of industrial
processes, but beyond that was not particularly valuable.

He closed his eyes to concentrate. The name slid into vacant nerve
cells that were responsive; slowly a picture formed, nebulous and
incomplete at first. There was a mouth and then there were eyes, each
feature bringing others into focus, unfolding as a germ cell divides
and grows, calling into existence an entire creature. The picture was
nearly complete.

Still with eyes closed, he looked at the man he remembered. Dorn
Starret, five-eleven, one hundred and ninety, flesh that had once been
muscular and firm. Age, thirty-seven; black hair that was beginning to
recede from his forehead. The face was harder to define--strong,
though slightly hard, it was perhaps good looking. It was the eyes
which were at fault, Luis decided--glinting often--and there were
lines on the face that ought not to be there.

There was another thing that set the man apart. Not clothing; that was
conventional, though better than average. Luis stared into his memory
until he was able to see it. _Unquestionably the man was
left-handed._ The picture was too clear to permit a mistake on that
detail.

He knew the man, had seen him often. How and in what context? He
waited, but nothing else came.

Luis opened his eyes. He would recognize the man if he ever saw him.
This was the man who owned the gun, presumably had shot him with it,
and then had hidden it here in this room.

He thought about it vainly. By itself, the name couldn't take him back
through all past associations with the man, so he passed from the man
to Ceres. Here he was better equipped; re-education tapes had replaced
his former knowledge of the subject.

       *       *       *       *       *

The asteroid belt was not rigidly policed; if there was a place in the
System in which legal niceties were not strictly observed, it was
there. What could he deduce from that? Nothing perhaps; there were
many people living in the belt who were engaged in legitimate work:
miners, prospectors, scientific investigators. But with rising
excitement, he realized that Dorn Starret was not one of these.

He was a criminal. The gallium mine was merely an attempt to cover
himself with respectability. How did Luis know that? He wasn't sure;
his thought processes were hidden and erratic; but he knew.

Dorn Starret was a criminal--but the information wasn't completely
satisfactory. What had caused the man to retrogress Luis and Luise
Obispo? That still had to be determined.

But it did suggest this: as a habitual criminal, the man was more than
ordinarily dangerous.

Luis sat there a while longer, but he had recalled everything that
would come out of the original stimulus. If he wanted more, he would
have to dig up other facts or make further contacts. But at least it
wasn't hopeless--even without the police, he had learned this much.

He went over the room thoroughly once more. If there was anything
hidden, he couldn't find it.

He crossed the court to Luise's dwelling. She was gone, but there was
a note on the table. He picked it up and read it:

_Dear man with no name:_

_I suppose you were here last night, though I'm so mixed up I can't be
sure; there's so little of memory or reality to base anything on. I
wanted to talk to you before I left but I guess, like me, you're out
investigating._

_There's always a danger that neither of us will like what we find. What
if I'm married to another person and the same with you? Suppose ... but
there are countless suppositions--these are the risks we take. It's
intolerable not to know who I am, especially since the knowledge is so
close. But of course you know that._

_Anyway I'll be out most of the day. I discovered a psychologist who
specializes in restoring memory; you can see the possibilities in
that. I went there yesterday and have an appointment again today. It's
nice of him, considering that I have no money, but he says I'm more or
less an experimental subject. I can't tell you when I'll be back but
it won't be late._

_Luise._

He crumpled the note in his hand. Memory expert. Her psychologist was
that--in reverse. Yesterday he had taken a day out of her life, and
that was why Luise hadn't recognized him and might not a second time.

       *       *       *       *       *

He leaned against the table. After a moment, he straightened out the
note. A second reading didn't help. There it was, if he could make
sense from it.

Luise and himself, probably in that order. There was no proof, but it
seemed likely that she had been retrogressed first, since she had been
discovered first.

There was also Dorn Starret, the criminal from Ceres who had hidden
the gun in the Shelter that he, Luis, had been found in. And there was
now a fourth person: the psychologist who specialized in depriving
retrogression victims of what few memories they had left.

Luis grimaced. Here was information which, if the police would act on
it properly ... but it was no use, they wouldn't. Any solution which
came out of this would have to arise out of his own efforts.

He folded the note carefully. It would be handy to have if Luise came
back and didn't know who he was.

Meanwhile, the psychologist. Luise hadn't said who he was, but it
shouldn't be difficult to locate him. He went to the screen and dialed
the directory. There were many psychologists in it, but no name that
was familiar.

He pondered. The person who had retroed Luise and himself--what would
he do? First he would take them as far from familiar scenes as he
could. That tied in with the facts. Dorn Starret came from Ceres.

Then what? He would want to make certain that his victims did not
trace their former lives. And he would be inconspicuous in so doing.

Again Luis turned to the screen, but this time he dialed the news
service. He found what he was looking for in the advertisements of an
issue a month old. It was very neat:

     DO YOU REMEMBER EVERYTHING--or is your mind hazy? Perhaps my
     system can help you recall those little details you find it
     so annoying to forget. MEMORY LAB.

That was all. No name. But there was an address. Hurriedly Luis
scanned every succeeding issue. The advertisement was still there.

He was coming closer, very close. The ad was clever; it would attract
the attention of Luise and himself and others like them, and almost no
one else. There was no mention of fees, no claim that it was operated
by a psychologist, nothing that the police would investigate.

Night after night Luise had sat alone; sooner or later, watching the
screen, she had to see the ad. It was intriguing and she had answered
it. Normally, so would he have: but now he was forewarned.

Part of the cleverness was this: that she went of her own volition.
She would have suspected an outright offer of help--but this seemed
harmless. She went to him as she would to anyone in business. A very
clever setup.

But who was behind MEMORY LAB? Luis thought he knew. A trained
psychologist with a legitimate purpose would attach his name to the
advertisement.

Luis patted the retro gun in his pocket. Dorn Starret, criminal, and
inventor of a fictitious memory system, was going to have a visitor.
It wasn't necessary to go to Ceres to see him.

       *       *       *       *       *

It was the only conclusion that made sense. Dorn Starret had retroed
him--the gun proved that--and Luise as well. Until a few minutes ago,
he had thought that she had been first and he later, but that was
wrong. They had been retrogressed together and Dorn Starret had done
it; now he had come back to make certain that they didn't trace him.

Neat--but it wasn't going to work. Luis grinned wryly to himself. He
had a weapon in his pocket that was assurance it wouldn't work.

He got off the belt near the building he had seen Luise leaving
yesterday. He went into the lobby and located MEMORY LAB, a suite on
the top floor. It wasn't necessary, but he checked rental dates. The
lab had been there exactly three weeks. This tied in with Luise's
release from retro-therapy. Every connection he had anticipated was
there.

He rode up to the top floor. There wasn't a chance that Starret would
recognize him; physically he must have changed too much since the
criminal had last seen him. And while Luise hadn't concealed that she
was a retro and so had given herself away, he wasn't going to make
that mistake.

The sign on the door stood out as he came near and disappeared as he
went by. MEMORY LAB, that was all--no other name, even here.
Naturally. A false name would be occasion for police action. The right
one would evoke Luise's and his own memories.

He turned back and went into the waiting room. No robot receptionist.
He expected that; the man didn't intend to be around very long.

"Who's there?" The voice came from a speaker in the wall; the screen
beside it remained blank, though obviously the man was in the next
room. For a commercial establishment, the LAB was not considerate of
potential clients.

Luis smiled sourly and loosened the weapon in his pocket. "I saw your
advertisement," he said. No name; let him guess.

"I'm very busy. Can you come back tomorrow?"

Luis frowned. This was not according to plan. First, he didn't
recognize the voice, though the speaker could account for that if it
were intentionally distorted. Second, Luise was inside and he had to
protect her. He could break in, but he preferred that the man come
out.

He thought swiftly. "I'm Chals Putsyn, gallium importer," he called.
"Tomorrow I'll be away on business. Can you give me an appointment for
another time?"

There was a long silence. "Wait. I'll be out."

He'd _thought_ the mention of gallium would do it. True, the mine
Starret owned was probably worthless, but he couldn't restrain his
curiosity.

       *       *       *       *       *

The door swung open and a man stepped out, closing the door before
Luis could see inside.

He had erred--the man was not Dorn Starret.

The other eyed him keenly. "Mr. Chals Putsyn? Please sit down."

Luis did so slowly, giving himself time to complete a mental
inventory. The man _had_ to be Dorn Starret--and yet he wasn't. No
disguise could be that effective. At least three inches shorter; the
shape of his head was different; his body was slighter. Moreover, he
was right-handed, not left, as Starret was.

Luis had a story ready--names, dates, and circumstances. It sounded
authentic even to himself.

The man listened impatiently. "I may not be able to help you," he
said, interrupting. "Oddly enough, light cases are hardest. It's the
serious memory blocks that I specialize in." There was something
strange about his eyes--his voice too. "However, if you can come back
in two days, late in the afternoon, I'll see what I can do."

Luis took the appointment card and found himself firmly ushered to the
door. It was disturbing; Luise was in the next room, but the man gave
him no opportunity to see her.

He stood uncertainly in the hall. The whole interview had taken only a
few minutes, and during that time all his previous ideas had been
upset. If the man was not Dorn Starret, who was he and what was his
connection? The criminal from Ceres was not so foolish as to attempt
to solve his problems by assigning them to another person. This was a
one-man job from beginning to end, or ought to be.

Luis took the elevator to the ground floor and walked out aimlessly on
the street. There was something queer about the man on the top floor.
It took time to discover what it was.

The man was not Starret--but he was disguised. His irises were stained
another color and the voice was not his own--or rather it was, but
filtered through an artificial larynx inserted painfully in his
throat. And his face had been recently swabbed with a chemical
irritant which caused the tissues beneath his skin to swell, making
his face appear plumper.

Luis took a deep breath. Unconsciously he had noticed details too
slight for the average person to discern. This suggested something
about his own past--that he was trained to recognize disguises.

But more important was this: that the man was disguised at all. The
reason was obvious--to avoid evoking memories.

The man's name--what was it? It hadn't even been registered in the
building--he'd asked on his way out. And Luise couldn't tell him. She
was no longer a reliable source of information. He had to find out,
and there was only one way that suggested itself.

Luise was still in there, but not in physical danger. The police were
lax about other things, but not about murder, and the man knew that.
She might lose her memories of the past few weeks; regrettable if it
happened, but not a catastrophe.

[Illustration]

But who was the man and what was his connection?

He spent the rest of the day buying equipment--not much, but his money
dwindled rapidly. He considered going back to the Shelter and then
decided against it. By this time Luise would be back, and he would be
tempted not to leave her.

After dark, when the lights in the offices went out, he rented an
aircar and set it down on the top of the building.

       *       *       *       *       *

He walked across the roof, estimating the distances with practiced
ease, as if he'd undergone extensive training and the apprenticeship
period had been forgotten and only the skill remained. He knelt and
fused two small rods to a portion of the roof, and then readjusted the
torch and cut a small circular hole. He listened, and when there was
no alarm, lifted out the section. There was nothing but darkness
below.

He fastened a rope to the aircar. He dropped the rope through the hole
and slid down. Unless he had miscalculated, he was where he wanted to
be, having bypassed all alarm circuits. There were others inside, he
was reasonably certain of that, but with ordinary precautions he
could avoid them.

He flashed on a tiny light. He had guessed right; this was MEMORY
LAB--the room he'd wanted to see this afternoon but hadn't been able
to. In front of him was the door to the waiting room, and beyond that
the hall. He swung the light in an arc, flashing it over a desk and a
piece of equipment the nature of which he didn't know. Behind him was
still another door.

The desk was locked, but he took out a small magnetic device and
jiggled it expertly over the concealed mechanism and then it was
unlocked. He went hurriedly through papers and documents, but there
was nothing with a name on it. He rifled the desk thoroughly and then
went to the machine.

He didn't expect to learn anything, but he might as well examine it.
There was a place for a patient to sit, and a metal hood to fit over
the patient's head. He snapped the hood open and peered into it. It
seemed to have two functions. One circuit was far larger and more
complicated, and he couldn't determine what it did. But he recognized
the other circuit; essentially it was a retrogressor, but whereas the
gun was crude and couldn't be regulated, this was capable of fine
adjustment--enough, say, to slice a day out of the patient's life, and
no more.

That fitted with what had happened to Luise. She had been experimented
on in some way, and then the memory of that experiment had been
erased. But the man had grown careless and had taken away one day too
many.

He snapped the mechanism closed. This was the method, but he still
didn't know who the man was nor why he found it necessary to do all
this.

There was a door behind him and the answer might lie beyond it. He
listened carefully, then swung the door open and went through.

The blow that hit him wasn't physical; nothing mechanical could take
his nerves and jerk them all at once. A freezer. As he fell to the
floor, he was grateful it was that and not a retro gun.

Lights flooded the place, and the man of the afternoon interview was
grinning at him.

"I thought you'd be back," he said, pleased. "In fact, I knew you
would."

       *       *       *       *       *

Somewhere he had blundered; but he didn't know how. Experimentally he
wriggled his fingers. They moved a fraction of an inch, but no more.
He was helpless and couldn't say anything. He wasn't quite sure at the
moment that he wanted to.

"You were right, I didn't recognize you physically," continued the
man. "Nevertheless, you gave yourself away. The name you used this
afternoon, Chals Putsyn, is _my_ name. Do you remember now?"

Of course. He'd chosen Chals Putsyn at random, because he'd had to say
something, and everything would have been all right--except it
actually hadn't been a random choice. The associations had triggered
the wrong words into existence.

His mind flashed back to the time he'd discussed names with Borgenese.
What had he said?

Putsy. But it wasn't Putsy--it was Putsyn.

"You're very much improved," said the real Chals Putsyn, staring
curiously at him. "Let me recommend the retro treatment to you. In
fact I'd take it myself, but there are a few inconveniences."

Yeah, there were inconveniences--like starting over again and not
knowing who you were.

But Putsyn was right: he was physically improved. A freezer knocked a
man down and kept him there for half an hour. But Luis had only been
down a few minutes, and already he could move his feet, though he
didn't. It was a phenomenally fast recovery, and perhaps Putsyn wasn't
aware of it.

"The question is, what to do with you?" Putsyn seemed to be thinking
aloud. "The police are intolerant of killing. Maybe if I disposed of
every atom...." He shook his head and sighed. "But that's been tried,
and it didn't make any difference. So you'll have to remain
alive--though I don't think you'll approve of my treatment."

Luis didn't approve--it would be the same kind of treatment that Luise
had been exposed to, but more drastic in his case, because he was
aware of what was going on.

Putsyn came close to drag him away. It was time to use the energy he'd
been saving up, and he did.

Startled, Putsyn fired the freezer, but he was aiming at a twisting
target and the invisible energy only grazed Luis's leg. The leg went
limp and had no feeling, but his two hands were still good and that
was all he needed.

He tore the freezer away and put his other hand on Putsyn's throat. He
could feel the artificial larynx inside. He squeezed.

He lay there until Putsyn went limp.

       *       *       *       *       *

When there was no longer any movement, he sat up and pried open the
man's jaws, thrusting his fingers into the mouth and jerking out the
artificial larynx. The next time he would hear Putsyn's real voice,
and maybe that would trigger his memory.

He crawled to the door and pulled himself up, leaning against the
wall. By the time Putsyn moved, he had regained partial use of his
leg.

"Now we'll see," he said. He didn't try to put anger in his voice; it
was there. "I don't have to tell you that I can beat answers out of
you."

"You don't know?" Putsyn laughed and there was relief in the sound.
"You can kick me around, but you won't get your answers!"

The man had physical courage, or thought he did, and sometimes that
amounted to the same thing. Luis shifted uneasily. It was the first
time he'd heard Putsyn's actual voice; it was disturbing, but it
didn't arouse concrete memories.

He stepped on the outstretched hand. "Think so?" he said. He could
hear the fingers crackle.

Putsyn paled, but didn't cry out. "Don't think you can kill me and get
away with it," he said.

He didn't sound too certain.

Slightly sick, Luis stepped off the hand. He couldn't kill the
man--and not just because of the police. He just couldn't do it. He
felt for the other gun in his pocket.

"This isn't a freezer," he said. "It's been changed over. I think I'll
give you a sample."

Putsyn blinked. "And lose all chance of finding out? Go ahead."

Luis had thought of that; but he hadn't expected Putsyn to.

"You see, there's nothing you can do," said Putsyn. "A man has a right
to protect his property, and I've got plenty of evidence that you
broke in."

"I don't think you'll go to the police," Luis said.

"You think not? My memory system isn't a fraud. Admittedly, I didn't
use it properly on Luise, but in a public demonstration I can prove
that it does work."

Luis nodded wearily to himself. He'd half suspected that it did work.
Here he was, with the solution so close--this man knew his identity
and that of Luise, and where Dorn Starret came into the tangle--and he
couldn't force Putsyn to tell.

He couldn't go to the police. They would ignore his charges, because
they were based on unprovable suspicions ... ignore him or arrest him
for breaking and entering.

"Everything's in your favor," he said, raising the gun. "But there's
one way to make you leave us alone."

"Wait," cried Putsyn, covering his face with his uninjured hand, as
if that would shield him. "Maybe we can work out an agreement."

Luis didn't lower the gun. "I mean it," he said.

"I know you mean it--I can't let you take away my life's work."

"Talk fast," Luis said, "and don't lie."

He stood close and listened while Putsyn told his story.

This is what had happened, he thought. This is what he'd tried so hard
to learn.

"I had to do it that way," Putsyn finished. "But if you're willing to
listen to reason, I can cut you in--more money than you've dreamed
of--and the girl too, if you want her."

Luis was silent. He wanted her--but now the thought was foolish.
Hopeless. This must be the way people felt who stood in the blast area
of a rocket--but for them the sensation lasted only an instant, while
for him the feeling would last the rest of his life.

"Get up," he said.

"Then it's all right?" asked Putsyn nervously. "We'll share it?"

"Get up."

Putsyn got to his feet, and Luis hit him. He could have used the
freezer, but that wasn't personal enough.

He let the body fall to the floor.

He dragged the inert form into the waiting room and turned on the
screen and talked to the police. Then he turned off the screen and
kicked open the door to the hall. He shouldered Putsyn and carried him
up to the roof and put him in the aircar.

       *       *       *       *       *

Luise was there, puzzled and sleepy. For reasons of his own, Borgenese
had sent a squad to bring her in. Might as well have her here and get
it over with, Luis thought. She smiled at him, and he knew that Putsyn
hadn't lied about that part. She remembered him and therefore Putsyn
hadn't had time to do much damage.

Borgenese was at the desk as he walked in. Luis swung Putsyn off his
shoulder and dropped him into a chair. The man was still unconscious,
but wouldn't be for long.

"I see you brought a visitor," remarked Borgenese pleasantly.

"A customer," he said.

"Customers are welcome too," said the police counselor. "Of course,
it's up to us to decide whether he _is_ a customer."

Luise started to cross the room, but Borgenese motioned her back. "Let
him alone. I think he's going to have a rough time."

"Yeah," said Luis.

It was nice to know that Luise liked him now--because she wouldn't
after this was over.

He wiped the sweat off his forehead; all of it hadn't come from
physical exertion.

"Putsyn here is a scientist," he said. "He worked out a machine that
reverses the effects of the retro gun. He intended to go to everyone
who'd been retrogressed, and in return for giving them back their
memory, they'd sign over most of their property to him.

"Naturally, they'd agree. They all want to return to their former
lives that bad, and, of course, they aren't aware of how much money
they had. He had it all his way. He could use the machine to
investigate them, and take only those who were really wealthy. He'd
give them a partial recovery in the machine, and when he found out who
they were, give them a quick shot of a built-in retro gun, taking them
back to the time they'd just entered his office. They wouldn't suspect
a thing.

"Those who measured up he'd sign an agreement with, and to the other
poor devils he'd say that he was sorry but he couldn't help them."

Putsyn was conscious now. "It's not so," he said sullenly. "He can't
prove it."

"I don't think he's trying to prove that," said Borgenese, still calm.
"Let him talk."

Luis took a deep breath. "He might have gotten away with it, but he'd
hired a laboratory assistant to help him perfect the machine. She
didn't like his ideas; she thought a discovery like that should be
given to the public. He didn't particularly care what she thought, but
now the trouble was that she could build it too, and since he couldn't
patent it and still keep it secret, she was a threat to his plans." He
paused. "Her name was Luise Obispo."

       *       *       *       *       *

He didn't have to turn his head. From the corner of his eye, he could
see startlement flash across her face. She'd got her name right; and
it was he who had erred in choosing a name.

"Putsyn hired a criminal, Dorn Starret, to get rid of her for him," he
said harshly. "That was the way Starret made his living. He was an
expert at it.

"Starret slugged her one night on Mars. He didn't retro her at once.
He loaded her on a spaceship and brought her to Earth. During the
passage, he talked to her and got to like her a lot. She wasn't as
developed as she is now, kind of mousy maybe, but you know how those
things are--he liked her. He made love to her, but didn't get very
far.

"He landed in another city on Earth and left his spaceship there; he
drugged her and brought her to the Shelter here and retroed her.
That's what he'd been paid to do.

"Then he decided to stick around. Maybe she'd change her mind after
retrogression. He stayed in a Shelter just across from the one she was
in. And he made a mistake. He hid the retro gun behind the screen.

"Putsyn came around to check up. He didn't like Starret staying
there--a key word or a familiar face sometimes triggers the memory. He
retroed Starret, who didn't have a gun he could get to in a hurry.
Maybe Putsyn had planned to do it all along. He'd built up an airtight
alibi when Luise disappeared, so that nobody would connect him with
that--and who'd miss a criminal like Starret?

"Anyway, that was only part of it. He knew that people who've been
retroed try to find out who they are, and that some of them succeed.
He didn't want that to happen. So he put an advertisement in the paper
that she'd see and answer. When she did, he began to use his machine
on her, intending to take her from the present to the past and back
again so often that her mind would refuse to accept anything, past or
present.

"But he'd just started when Starret showed up, and he knew he had to
get him too. So he pulled what looked like a deliberate slip and got
Starret interested, intending to take care of both of them in the same
way at the same time."

He leaned against the wall. It was over now and he knew what he could
expect.

"That's all, but it didn't work out the way Putsyn wanted it. Starret
was a guy who knew how to look after his own interests."

Except the biggest and most important one; there he'd failed.

Borgenese was tapping on the desk, but it wasn't really tapping--he
was pushing buttons. A policeman came in and the counselor motioned to
Putsyn: "Put him in the pre-trial cells."

"You can't prove it," said Putsyn. His face was sunken and frightened.

"I think we can," said the counselor indifferently. "You don't know
the efficiency of our laboratories. You'll talk."

       *       *       *       *       *

When Putsyn had been removed, Borgenese turned. "Very good work, Luis.
I'm pleased with you. I think in time you'd make an excellent
policeman. Retro detail, of course."

Luis stared at him.

"Didn't you listen?" he said. "I'm Dorn Starret, a cheap crook."

In that mental picture of Starret he'd had, he should have seen it at
once. Left-handed? Not at all--that was the way a man normally saw
himself in a mirror. And in mirror images, the right hand becomes the
left.

The counselor sat up straight, not gentle and easygoing any longer.
"I'm afraid you can't prove that," he said. "Fingerprints? Will any of
Starret's past associates identify you? There's Putsyn, but he won't
be around to testify." He smiled. "As final evidence let me ask you
this: when he offered you a share in his crooked scheme, did you
accept? You did not. Instead, you brought him in, though you thought
you were heading into certain retrogression."

Luis blinked dazedly. "But--"

"There are no exceptions, Luis. For certain crimes there is a
prescribed penalty, retrogression. The law makes no distinction as to
how the penalty is applied, and for a good reason. If there was such a
person, Dorn Starret ceased to exist when Putsyn retroed him--and not
only legally."

Counselor Borgenese stood up. "You see, retroing a person wipes him
clean of almost everything he ever knew--_right and wrong_. It leaves
him with an adult body, and we fill his mind with adult facts. Given
half a chance, he acts like an adult."

Borgenese walked slowly to stand in front of his desk. "We protect
life. Everybody's life. _Including those who are not yet victims._ We
don't have the death penalty and don't want it. The most we can do to
anyone is give him a new chance, via retrogression. We have the same
penalty for those who deprive another of his memory as we do for those
who kill--with this difference: the man who retrogresses another knows
he has a good chance to get away with it. The murderer is certain that
he won't.

"That's an administrative rule, not a law--that we don't try to trace
retrogression victims. It channels anger and greed into
non-destructive acts. There are a lot of unruly emotions floating
around, and as long as there are, we have to have a safety valve for
them. Retrogression is the perfect instrument for that."

Luise tried to speak, but he waved her into silence.

"Do you know how many were killed last year?" he asked.

Luis shook his head.

"Four," said the counselor. "Four murders in a population of sixteen
billion. That's quite a record, as anyone knows who reads Twentieth
Century mystery novels." He glanced humorously at Luis. "You did,
didn't you?"

Luis nodded mutely.

Borgenese grinned. "I thought so. There are only three types of
people who know about fingerprints today, historians and policemen
being two. And I didn't think you were either."

Luise finally broke in. "Won't Putsyn's machine change things?"

"Will it?" The counselor pretended to frown. "Do you remember how to
build it?"

"I've forgotten," she confessed.

"So you have," said Borgenese. "And I assure you Putsyn is going to
forget too. As a convicted criminal, and he will be, we'll provide him
with a false memory that will prevent his prying into the past.

"That's one machine we don't want until humans are fully and
completely civilized. It's been invented a dozen times in the last
century, and it always gets lost."

He closed his eyes momentarily, and when he opened them, Luise was
looking at Luis, who was staring at the floor.

"You two can go now," he said. "When you get ready, there are jobs for
both of you in my department. No hurry, though; we'll keep them open."

Luis left, went out through the long corridors and into the night.

       *       *       *       *       *

She caught up with him when he was getting off the belt that had taken
him back to the Shelters.

"There's not much you can say, I suppose," she murmured. "What can you
tell a girl when she learns you've stopped just short of killing her?"

He didn't know the answer either.

They walked in silence.

She stopped at her dwelling, but didn't go in. "Still, it's an
indication of how you felt--that you forgot your own name and took
mine." She was smiling now. "I don't see how I can do less for you."

Hope stirred and he moved closer. But he didn't speak. She might not
mean what he thought she did.

"Luis and Luise Obispo," she said softly. "Very little change for
me--just add Mrs. to it." She was gazing at him with familiar
intensity. "Do you want to come in?"

She opened the door.

Crime was sometimes the road to opportunity, and retrogression could
be kind.

                                                        --F. L. WALLACE

       *       *       *       *       *









*** END OF THE PROJECT GUTENBERG EBOOK FORGET ME NEARLY ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.