The Project Gutenberg eBook of Song-Surf This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Song-Surf Author: Cale Young Rice Release date: April 5, 2010 [eBook #31890] Most recently updated: January 6, 2021 Language: English Credits: Produced by David Garcia, Josephine Paolucci and the Online Distributed Proofreading Team at https://www.pgdp.net. (This file was produced from images generously made available by The Kentuckiana Digital Library.) *** START OF THE PROJECT GUTENBERG EBOOK SONG-SURF *** Produced by David Garcia, Josephine Paolucci and the Online Distributed Proofreading Team at https://www.pgdp.net. (This file was produced from images generously made available by The Kentuckiana Digital Library.) SONG-SURF By the Same Author Nirvana Days Yolanda of Cyprus A Night in Avignon Charles di Tocca David Many Gods SONG-SURF BY CALE YOUNG RICE NEW YORK DOUBLEDAY, PAGE & COMPANY MCMX ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN COPYRIGHT, 1910, BY DOUBLEDAY, PAGE & COMPANY PUBLISHED, SEPTEMBER, 1910 TO MY SISTERS FOREWORD These poems, first published as "Song-Surf" in 1900, by a firm which failed before the book, left the press, were republished with additions as the "lyrics" of "Plays & Lyrics," by Hodder & Stoughton, of London, in 1905. Revision and omissions have been made for this volume of a uniform edition in which they now appear. CONTENTS PAGE WITH OMAR 3 JAEL 16 TO THE SEA 22 THE DAY-MOON 25 A SEA-GHOST 27 ON THE MOOR 29 THE CRY OF EVE 31 MARY AT NAZARETH 35 ADELIL 38 INTIMATION 40 IN JULY 41 FROM ABOVE 44 BY THE INDUS 45 EVOCATION 47 THE CHILD GOD GAVE 49 THE WINDS 51 TRANSCENDED 54 LOVE'S WAY TO CHILDHOOD 55 AUTUMN 57 SHINTO 58 MAYA 60 A JAPANESE MOTHER 62 THE DEAD GODS 64 CALL TO YOUR MATE, BOB-WHITE 68 THE DYING POET 70 THE OUTCAST 73 APRIL 76 AUGUST GUESTS 78 TO A DOVE 79 AT TINTERN ABBEY 81 OH, GO NOT OUT 83 HUMAN LOVE 85 ASHORE 86 THE VICTORY 88 AT WINTER'S END 89 MOTHER-LOVE 91 TO A SINGING WARBLER 93 SONGS TO A. H. R.: I. THE WORLD'S, AND MINE 95 II. LOVE-CALL IN SPRING 96 III. MATING 97 IV. UNTOLD 98 V. LOVE-WATCH 99 VI. AT AMALFI 99 VII. ON THE PACIFIC 101 THE ATONER 103 TO THE SPRING WIND 104 THE RAMBLE 105 RETURN 108 LISETTE 111 FROM ONE BLIND 113 IN A CEMETERY 114 WAKING 116 STORM-EBB 117 LINGERING 119 FAUN-CALL 121 THE LIGHTHOUSEMAN 123 SERENITY 125 WANTON JUNE 127 SPIRIT OF RAIN 129 TEARLESS 131 SUNSET-LOVERS 133 THE EMPTY CROSS 135 UNBURTHENED 137 TO HER WHO SHALL COME 139 STORM-TWILIGHT 142 SLAVES 143 AVOWAL TO THE NIGHTINGALE 144 BEFORE AUTUMN 147 FULFILMENT 149 LAST SIGHT OF LAND 151 SILENCE 153 SONG-SURF WITH OMAR I sat with Omar by the Tavern door, Musing the mystery of mortals o'er, And soon with answers alternate we strove Whether, beyond death, Life hath any shore. "_Come, fill the cup," said he. "In the fire of Spring Your Winter-garment of Repentance fling. The Bird of Time has but a little way To flutter--and the Bird is on the Wing._" "The Bird of Time?" I answered. "Then have I No heart for Wine. Must we not cross the Sky Unto Eternity upon his wings--Or, failing, fall into the Gulf and die?" "_Ay; so, for the Glories of this World sigh some, And some for the Prophet's Paradise to come; But you, Friend, take the Cash--the Credit leave, Nor heed the rumble of a distant Drum!_" "What! take the Cash and let the Credit go? Spend all upon the Wine the while I know A possible To-morrow may bring thirst For Drink but Credit then shall cause to flow?" "_Yea, make the most of what you yet may spend, Before we too into the Dust descend; Dust into Dust, and under Dust, to lie, Sans Wine, sans Song, sans Singer, and--sans End!_" "Into the Dust we shall descend--we must. But can the soul not break the crumbling Crust In which he is encaged? To hope or to Despair he will--which is more wise or just?" "_The worldly hope men set their hearts upon Turns Ashes--or it prospers: and anon, Like Snow upon the Desert's dusty Face, Lighting a little hour or two--is gone_." "Like Snow it comes--to cool one burning Day; And like it goes--for all our plea or sway. But flooding tears nor Wine can ever purge The Vision it has brought to us away." "_But to this world we come and Why not knowing, Nor Whence, like water willy-nilly flowing; And out of it, as Wind along the waste, We know not Whither, willy-nilly blowing_." "True, little do we know of _Why_ or _Whence_. But is forsooth our Darkness evidence There is no Light?--the worm may see no star Tho' heaven with myriad multitudes be dense." "_But, all unasked, we're hither hurried Whence? And, all unasked, we're Whither hurried hence? O, many a cup of this forbidden Wine Must drown the memory of that insolence._" "Yet can not--ever! For it is forbid Still by that quenchless Soul within us hid, Which cries, 'Feed--feed me not on Wine alone, For to Immortal Banquets I am bid.'" "_Well oft I think that never blows so red The Rose as where some buried Cæsar bled: That every Hyacinth the Garden wears Dropt in her lap from some once lovely Head._" "Then if, from the dull Clay thro' with Life's throes, More beautiful spring Hyacinth and Rose, Will the great Gardener for the uprooted soul Find Use no sweeter than--useless Repose?" "_We cannot know--so fill the cup that clears To-day of past regret and future fears: To-morrow!--Why, To-morrow we may be Ourselves with Yesterday's sev'n thousand Years._" "No Cup there is to bring oblivion More during than Regret and Fear--no, none! For Wine that's Wine to-day may change and be Marah before to-morrow's Sands have run." "_Myself when young did eagerly frequent Doctor and Saint, and heard great argument About it and about: but evermore Came out by the same Door where in I went._" "The doors of Argument may lead Nowhither, Reason become a Prison where may wither From sunless eyes the Infinite, from hearts All Hope, when their sojourn too long is thither." "_Up from Earth's Centre thro' the Seventh Gate I rose, and on the throne of Saturn sate, And many a Knot unravelled by the Road-- But not the Master-knot of Human fate._" "The Master-knot knows but the Master-hand That scattered Saturn and his countless Band Like seeds upon the unplanted heaven's Air: The Truth we reap from them is Chaff thrice fanned." "_Yet if the Soul can fling the Dust aside And naked on the air of Heaven ride, Wer't not a shame--wer't not a shame for him In this clay carcase crippled to abide?_" "No, for a day bound in this Dust may teach More of the Sáki's Mind than we can reach Through æons mounting still from Sky to Sky-- May open through all Mystery a breach." "_You speak as if Existence closing your Account, and mine, should know the like no more; The Eternal Sáki from that Bowl has poured Millions of bubbles like us, and will pour._" "Bubbles we are, pricked by the point of Death. But, in each bubble, may there be no Breath That lifts it and at last to Freedom flies, And o'er all heights of Heaven wandereth?" "_A moment's halt--a momentary taste Of Being from the Well amid the Waste-- And Lo--the phantom Caravan has reached The Nothing it set out from--Oh, make haste!_" "And yet it should be--it should be that we Who drink shall drink of Immortality. The Master of the Well has much to spare: Will He say, 'Taste'--then shall we no more be?" "_The Moving Finger writes; and having writ, Moves on; nor all your Piety nor Wit Shall lure it back to cancel half a line, Nor all your tears wash out a word of it._" "And were it other, might we not erase The Letter of some Sorrow in whose place No truer sounding, we should fail to spell The Heart which yearns behind the mock-world's Face?" "_Well, this I know; whether the one True Light Kindle to Love, or Wrath-consume me, quite, One flash of it within the Tavern caught Better than in the Temple lost outright._" "In Temple or in Tavern 't may be lost. And everywhere that Love hath any Cost It may be found; the Wrath it seems is but A Cloud whose Dew should make its power most." "_But see His Presence thro' Creation's veins Running Quicksilver-like eludes your pains; Taking all shapes from Máh to Máhi; and They change and perish all--but He remains._" "All--it may be. Yet lie to sleep, and lo, The soul seems quenched in Darkness--is it so? Rather believe what seemeth not than seems Of Death--until we know--_until we know_." "_So wastes the Hour--gone in the vain pursuit Of This and That we strive o'er and dispute. Better be jocund with the fruitful Grape Than sadden after none, or bitter, Fruit._" "Better--unless we hope that grief is thrown Across our Path by urgence of the Unknown, Lest we may think we have no more to live And bide content with dim-lit Earth alone." "_Then, strange, is't not? that of the myriads who Before us passed the door of Darkness through Not one returns to tell us of the Road, Which to discover we must travel too?_" "Such is the Ban! but even though we heard Love in Life's All we still should crave the word Of one returned. Yet none is _sure_, we know, Though they lie deep, they are by Death deterred." "_Send then thy Soul through the Invisible Some letter of the After-life to spell: And by and by thy Soul returned to thee But answers, 'I myself am Heaven and Hell.'_" "From the Invisible, he does. But sent Thro' Earth, where living Goodness tho' 'tis blent With Evil dures, may he not read the Voice, 'To make thee but for Death were toil ill spent'?" "_Well, when the Angel of the darker drink At last shall find us by the river-brink And offering his Cup invite our souls Forth to our lips to quaff, we shall not shrink._" "No. But if in the sable Cup we knew Death without waking were the wilful brew, Nobler it were to curse as Coward Him Who roused us into light--then light withdrew." "_Then Thou who didst with pitfall and with gin Beset the Road I was to wander in, Thou wilt not with Predestined Evil round Enmesh, and then impute my fall to sin._" "He will not. If one evil we endure To ultimate Debasing, oh, be sure 'Tis not of Him predestined, and the sin Not His nor ours--but Fate's He could not cure." "_Yet, ah, that Spring should vanish with the Rose! That Youth's sweet-scented Manuscript should close! The Nightingale that on the branches sang, Ah, whence, and whither flown again, who knows?_" "So does it seem--no other joys like these! Yet Summer comes, and Autumn's honoured ease; And wintry Age, is't ever whisperless Of that Last Spring, whose Verdure may not cease?" "_Still, would some winged Angel ere too late Arrest the yet unfolded roll of Fate, And make the stern Recorder otherwise Enregister, or quite obliterate!_" "To otherwise enregister believe He toils eternally, nor asks Reprieve. And could Creation perfect from his hands Have come at Dawn, none overmuch should grieve." So till the wan and early scent of day We strove, and silent turned at last away, Thinking how men in ages yet unborn Would ask and answer--trust and doubt and pray. JAEL Jehovah! Jehovah! art Thou not stronger than gods of the heathen? I slew him, that Sisera, prince of the host Thou dost hate. But fear of his blood is upon me, about me is breathen His spirit--by night and by day come voices that wait. Athirst and affrightened he fled from the star-wrought waters of Kishon. His face was as wool when he swooned at the door of my tent. The Lord hath given him into the hand of perdition, I smiled--but he saw not the face of my cunning intent. He thirsted for water: I fed him the curdless milk of the cattle. He lay in the tent under purple and crimson of Tyre. He slept and he dreamt of the surge and storming of battle. Ah ha! but he woke not to waken Jehovah's ire. He slept as he were a chosen of Israel's God Almighty. A dog out of Canaan!--thought he I was woman alone? I slipt like an asp to his ear and laughed for the sight he Would give when the carrion kites should tear to his bone. I smote thro' his temple the nail, to the dust, a worm, did I bind him. My heart was a-leap with rage and a-quiver with scorn. And I danced with a holy delight before and behind him-- I that am called blessèd o'er all unto Judah born. "Aye, come, I will show thee, O Barak, a woman is more than a warrior," I cried as I lifted the door wherein Sisera lay. "To me did he fly and I shall be called his destroyer-- I, Jael, who am subtle to find for the Lord a way!" "Above all the daughters of men be blest--of Gilead or Asshur," Sang Deborah, prophetess, then, from her waving palm. "Behold her, ye people, behold her the heathen's abasher; Behold her the Lord hath uplifted--behold and be calm! "The mother of him at the window looks out thro' the lattice to listen-- Why roll not the wheels of his chariot? why does he stay? Shall he not return with the booty of battle, and glisten In songs of his triumph--ye women, why do ye not say?" And I was as she who danced when the Seas were rended asunder And stood, until Egypt pressed in to be drowned unto death. My breasts were as fire with the glory, the rocks that were under My feet grew quick with the gloating that beat in my breath. At night I stole out where they cast him, a sop to the jackal and raven. But his bones stood up in the moon and I shook with affright. The strength shrank out of my limbs and I fell, a craven, Before him--the nail in his temple gleamed bloodily bright. Jehovah! Jehovah! art Thou not stronger than gods of the heathen? I slew him, that Sisera, prince of the host Thou dost hate. But fear of his blood is upon me, about me is breathen His spirit--by day and by night come voices that wait. I fly to the desert, I fly to the mountain--but they will not hide me. His gods haunt the winds and the caves with vengeance that cries For judgment upon me; the stars in their courses deride me-- The stars Thou hast hung with a breath in the wandering skies. Jehovah! Jehovah! I slew him, the scourge and sting of Thy Nation. Take from me his spirit, take from me the voice of his blood. With madness I rave--by day and by night, defamation! Jehovah, release me! Jehovah! if still Thou art God! TO THE SEA Art thou enraged, O sea, with the blue peace Of heaven, so to uplift thine armèd waves, Thy billowing rebellion 'gainst its ease, And with Tartarean mutter from cold caves, From shuddering profundities where shapes Of awe glide thro' entangled leagues of ooze, To hoot thy watery omens evermore, And evermore thy moanings interfuse With seething necromancy and mad lore? Or, dost thou labour with the drifting bones Of countless dead, thou mighty Alchemist, Within whose stormy crucible the stones Of sunk primordial shores, granite and schist, Are crumbled by thine all-abrasive beat? With immemorial chanting to the moon, And cosmic incantation, dost thou crave Rest to be found not till thy wild be strewn Frigid and desert over earth's last grave? Thou seemest with immensity mad, blind-- With raving deaf, with wandering forlorn; Parent of Demogorgon whose dire mind Is night and earthquake, shapeless shame and scorn Of the o'ermounting birth of Harmony. Bound in thy briny bed and gnawing earth With foamy writhing and fierce-panted tides, Thou art as Fate in torment of a dearth Of black disaster and destruction's strides. And how thou dost drive silence from the world, Incarnate Motion of all mystery! Whose waves are fury-wings, whose winds are hurled Whither thy Ghost tempestuous can see A desolate apocalypse of death. Oh, how thou dost drive silence from the world, With emerald overflowing, waste on waste Of flashing susurration, dashed and swirled O'er isles and continents that shrink abased! Nay, frustrate Hope art thou, of the Unknown, Gathered from primal mist and firmament; A surging shape of Life's unfathomed moan, Whelming humanity with fears unmeant. Yet do I love thee, O, above all fear, And loving thee unconquerably trust The runes that from thy ageless surfing start Would read, were they revealed, gust upon gust, That Immortality is might of heart! THE DAY-MOON So wan, so unavailing, Across the vacant day-blue dimly trailing! Last night, sphered in thy shining, A Circe--mystic destinies divining; To-day but as a feather Torn from a seraph's wing in sinful weather, Down-drifting from the portals Of Paradise, unto the land of mortals. Yet do I feel thee awing My heart with mystery, as thy updrawing Moves thro' the tides of Ocean And leaves lorn beaches barren of its motion; Or strands upon near shallows The wreck whose weirded form at night unhallows The fisher maiden's prayers-- "For _him_!--that storms may take not unawares!" So wan, so unavailing, Across the vacant day-blue dimly trailing! But Night shall come atoning Thy phantom life thro' day, and high enthroning Thee in her chambers arrased With star-hieroglyphs, leave thee unharassed To glide with silvery passion, Till in earth's shadow swept thy glowings ashen. A SEA-GHOST Oh, fisher-fleet, go in from the sea And furl your wings. The bay is gray with the twilit spray And the loud surf springs. The chill buoy-bell is rung by the hands Of all the drowned, Who know the woe of the wind and tow Of the tides around. Go in, go in! Oh, haste from the sea, And let them rest-- A son and one who was wed and one Who went down unblest. Aye, even as I, whose hands at the bell Now labour most. The tomb has gloom, but Oh, the doom Of the drear sea-ghost! He evermore must wander the ooze Beneath the wave, Forlorn--to warn of the tempest born, And to save--to save! Then go, go in! and leave us the sea, For only so Can peace release us and give us ease Of our salty woe. ON THE MOOR 1 I met a child upon the moor A-wading down the heather; She put her hand into my own, We crossed the fields together. I led her to her father's door-- A cottage mid the clover. I left her--and the world grew poor To me, a childless rover. 2 I met a maid upon the moor, The morrow was her wedding. Love lit her eyes with lovelier hues Than the eve-star was shedding. She looked a sweet good-bye to me, And o'er the stile went singing. Down all the lonely night I heard But bridal bells a-ringing. 3 I met a mother on the moor, By a new grave a-praying. The happy swallows in the blue Upon the winds were playing. "Would I were in his grave," I said, "And he beside her standing!" There was no heart to break if death For me had made demanding. THE CRY OF EVE Down the palm-way from Eden in the mid-night Lay dreaming Eve by her outdriven mate, Pillowed on lilies that still told the sweet Of birth within the Garden's ecstasy. Pitiful round her face that could not lose Its memory of God's perfecting was strewn Her troubled hair, and sigh grieved after sigh Along her loveliness in the white moon. Then sudden her dream, too cruelly impent With pain, broke and a cry fled shuddering Into the wounded stillness from her lips-- As, cold, she fearfully felt for his hand, And tears, that had before ne'er visited Her lids with anguish, drew from her the moan: "Oh, Adam! What have I dreamed? Now do I understand His words, so dim To creatures that had quivered but with bliss! Since at the dusk thy kiss to me, and I Wept at caresses that were once all joy, I have slept, seeing through Futurity The uncreated ages visibly! Foresuffering phantoms crowded in the womb Of Time, and all with lamentable mien Accusing without mercy, thee and me! And without pity! for tho' some were far From birth, and without name, others were near-- Sodom and dark Gomorrah--from whose flames Fleeing one turned ... how like her look to mine When the tree's horror trembled on my taste! And Babylon upbuilded on our sin; And Nineveh, a city sinking slow Under a shroud of sandy centuries That hid me not from the buried cursing eyes Of women who e'er-bitterly gave birth! Ah, to be mother of all misery! To be first-called out of the earth and fail For a whole world! To shame maternity For women evermore--women whose tears Flooding the night, no hope can wipe away! To see the wings of Death, as, Adam, thou Hast not, endlessly beating, and to hear The swooning ages suffer up to God! And Oh, that birth-cry of a guiltless child In it are sounding of our sin and woe, With prophesy of ill beyond all years! Yearning for beauty never to be seen-- Beatitude redeemless evermore! "And I whose dream mourned with all motherhood Must hear it soon! Already do soft skill, Assuasive lulls, enticings and quick tones Of tenderness--that will like light awake The folded memory children shall bring Out of the dark--move in me longingly. Yet thou, Adam, dear fallen thought of God, Thou, when thou too shall hear humanity Cry in thy child, wilt groaning wish the world Back in unsummoned Void! and, woe! wilt fill God's ear with troubled wonder and unrest!" Softly he soothed her straying hair, and kissed The fever from her lips. Over the palms The sad moon poured her peace into their eyes, Till Sleep, the angel of forgetfulness, Folded again dark wings above their rest. MARY AT NAZARETH I know, Lord, Thou hast sent Him-- Thou art so good to me!-- But Thou hast only lent Him, His heart's for Thee! I dared--Thy poor hand-maiden-- Not ask a prophet-child: Only a boy-babe laden For earth--and mild. But this one Thou hast given Seems not for earth--or me! His lips flame truth from heaven, And vanity Seem all my thoughts and prayers When He but speaks Thy Law; Out of my heart the tares Are torn by awe! I cannot look upon Him, So strangely burn His eyes-- Hath not some grieving drawn Him From Paradise? For Thee, for Thee I'd live, Lord! Yet oft I almost fall Before Him--Oh, forgive, Lord, My sinful thrall! But e'en when He was nursing, A baby at my breast, It seemed He was dispersing The world's unrest. Thou bad'st me call Him "Jesus," And from our heavy sin I know He shall release us, From Sheol win. But, Lord, forgive! the yearning That He may sometimes be Like other children, learning Beside my knee, Or playing, prattling, seeking For help--comes to my heart.... Ah sinful, Lord, I'm speaking-- How good Thou art! ADELIL Proud Adelil! Proud Adelil! Why does she lie so cold? (I made her shrink, I made her reel, I made her white lids fold.) We sat at banquet, many maids, She like a Valkyr free. (I hated the glitter of her braids, I hated her blue eye's glee!) In emerald cups was poured the mead; Icily blew the night. (But tears unshed and woes that bleed Brew bitterness and spite.) "A goblet to my love!" she cried, "Prince where the sea-winds fly!" (Her love!--it was for that he died, And for it she should die.) She lifted the cup and drank--she saw A heart within its lees. (I laughed like the dead who feel the thaw Of summer in the breeze.) They looked upon her stricken still, And sudden they grew appalled. ("It is thy lover's heart!" I shrill As the sea-crow to her called.) Palely she took it--did it give Ease there against her breast? (Dead--dead she swooned, but I cannot live, And dead I shall not rest.) INTIMATION All night I smiled as I slept, For I heard the March-wind feel Blindly about in the trees without For buds to heal. All night in dreams, for I smelt, In the rain-wet woods and fields, The coming flowers and the glad green hours That summer yields. All night--and when at dawn I woke with the blue-bird's cheep, Winter with all its chill and pall Seemed but a sleep. IN JULY This path will tell me where dark daisies dance To the white sycamores that dell them in; Where crow and flicker cry melodious din, And blackberries in ebon ripeness glance Luscious enticings under briery green. It will slip under coppice limbs that lean Brushingly as the slow-belled heifer pants Toward weedy water-plants That shade the pool-sunk creek's reluctant trance. I shall find bell-flower spires beside the gap And lady phlox within the hollow's cool; Cedar with sudden memories of Yule Above the tangle tipped with blue skullcap. The high hot mullein fond of the full sun Will watch and tell the low mint when I've won The hither wheat where idle breezes nap, And fluffy quails entrap Me from their brood that crouch to escape mishap. Then I shall reach the mossy water-way That gullies the dense hill up to its peak, There dally listening to the eerie eke Of drops into cool chalices of clay. Then on, for elders odorously will steal My senses till I climb up where they heal The livid heat of its malingering ray, And wooingly betray To memory many a long-forgotten day. There I shall rest within the woody peace Of afternoon. The bending azure frothed With silveryness, the sunny pastures swathed, Fragrant with morn-mown clover and seed-fleece; The hills where hung mists muse, and Silence calls To Solitude thro' aged forest halls, Will waft into me their mysterious ease, And in the wind's soft cease I shall hear hintings of eternities. FROM ABOVE What do I care if the trees are bare And the hills are dark And the skies are gray. What do I care for chill in the air For crows that cark At the rough wind's way. What do I care for the dead leaves there-- Or the sullen road By the sullen wood. There's heart in my heart To bear my load! So enough, the day is good! BY THE INDUS Thou art late, O Moon, Late, I have waited thee long. The nightingale's flown to her nest, Sated with song. The champak hath no odour more To pour on the wind as he passeth o'er-- But my heart it will not rest. Thou art late, O Love, Late, For the moon is a-wane. The kusa-grass sighs with my sighs, Burns with my pain. The lotus leans her head on the stream-- Shall I not lean to thy breast and dream, Dream ere the night-cool dies? Thou art late, O Death, Late, For he did not come! A pariah is my heart, Cast from him--dumb! I cannot cry in the jungle's deep-- Is it not time for the Tomb--and Sleep? O Death, strike with thy dart! EVOCATION (NIKKO, JAPAN, 1905) Dim thro' the mist and cryptomeria Booms the temple bell, Down from the tomb of Iêyasü Yearning, as a knell. Down from the tomb where many an æon Silently has knelt; Many a pilgrimage of millions-- Still about it felt. Still, for I see them gather ghostly Now, as the numb sound Floats, an unearthly necromancy, From the past's dead ground. See the invisible vast millions, Hear their soundless feet Climbing the shrine-ways to the gilded Carven temple's seat. And, one among them--pale among them-- Passes waning by. What is it tells me mystically That strange one was I?... Weird thro' the mist and cryptomeria Dies the bell--'tis dumb. After how many lives returning Shall I hither come? Hither again! and climb the votive Ever mossy ways? Who shall the gods be then, the millions Meek, entreat or praise? THE CHILD GOD GAVE "Give me a little child To draw this dreary want out of my breast," I cried to God. "Give, for my days beat wild With loneliness that will not rest But under the still sod!" It came--with groping lips And little fingers stealing aimlessly About my heart. I was like one who slips A-sudden into Ecstasy And thinks ne'er to depart. "Soon he will smile," I said, "And babble baby love into my ears-- How it will thrill!" I waited--Oh, the dread, The clutching agony, the fears!-- He was so strange and still. Did I curse God and rave When they came shrinkingly to tell me 'twas A witless child? No ... I ... I only gave One cry ... just one ... I think ... because ... You know ... he never smiled. THE WINDS The East Wind is a Bedouin, And Nimbus is his steed; Out of the dusk with the lightning's thin Blue scimitar he flies afar, Whither his rovings lead. The Dead Sea waves And Egypt caves Of mummied silence laugh When he mounts to quench the Siroc's stench And to wrench From his clutch the tyrant's staff. The West Wind is an Indian brave Who scours the Autumn's crest. Dashing the forest down as a slave, He tears the leaves from its limbs and weaves A maelstrom for his breast. Out of the night Crying to fright The earth he swoops to spoil-- There is furious scathe in the whirl of his wrath, In his path There is misery and moil. The North Wind is a Viking--cold And cruel, armed with death! Born in the doomful deep of the old Ice Sea that froze ere Ymir rose From Niflheim's ebon breath. And with him sail Snow, Frost, and Hail, Thanes mighty as their lord, To plunder the shores of Summer's stores-- And his roar's Like the sound of Chaos' horde. The South Wind is a Troubadour; The Spring 's his serenade. Over the mountain, over the moor, He blows to bloom from the winter's tomb Blossom and leaf and blade. He ripples the throat Of the lark with a note Of lilting love and bliss, And the sun and the moon, the night and the noon, Are a-swoon-- When he woos them with his kiss. TRANSCENDED I who was learnèd in death's lore Oft held her to my heart And spoke of days when we should love no more-- In the long dust, apart. "Immortal?" No--it could not be, Spirit with flesh must die. Tho' heart should pray and hope make endless plea, Reason would still outcry. She died. They wrapped her in the dust-- I heard the dull clod's dole, And then I knew she lived--that death's dark lust Could never touch her soul! LOVE'S WAY TO CHILDHOOD We are not lovers, you and I, Upon this sunny lane, But children who have never known Love's joy or pain. The trees we pass, the summer brook, The bird that o'er us darts-- We do not know 'tis they that thrill Our childish hearts. The earth-things have no name for us, The ploughing means no more Than that they like to walk the fields Who plough them o'er. The road, the wood, the heaven, the hills Are not a World to-day-- But just a place God's made for us In which to play. AUTUMN I know her not by fallen leaves Or resting heaps of hay; Or by the sheathing mists of mauve That soothe the fiery day. I know her not by plumping nuts, By redded hips and haws, Or by the silence hanging sad Under the wind's sere pause. But by her sighs I know her well-- They are like Sorrow's breath; And by this longing, strangely still, For something after death. SHINTO (MIYAJIMA, JAPAN, 1905) Lowly temple and torii, Shrine where the spirits of wind and wave Find the worship and glory we Give to the one God great and grave-- Lowly temple and torii, Shrine of the dead, I hang my prayer Here on your gates--the story see And answer out of the earth and air. For I am Nature's child, and you Were by the children of Nature built. Ages have on you smiled--and dew On you for ages has been spilt-- Till you are beautiful as Time Mossy and mellowing ever makes: Wrapped as you are in lull--or rhyme Of sounding drum that sudden breaks. This is my prayer then, this: that I Too may reverence all of life, Lose no power and miss no high Awe, of a world with wonder rife! That I may build in spirit fair Temples and torii on each place That I have loved--Oh, hear it, Air, Ocean and Earth, and grant your grace! MAYA (HIROSHIMA, JAPAN, 1905) Pale sampans up the river glide, With set sails vanishing and slow; In the blue west the mountains hide, As visions that too soon will go. Across the rice-lands, flooded deep, The peasant peacefully wades on-- As, in unfurrowed vales of sleep, A phantom out of voidness drawn. Over the temple cawing flies The crow with carrion in his beak. Buddha within lifts not his eyes In pity or reproval meek; Nor, in the bamboos, where they bow A respite from the blinding sun, The old priest--dreaming painless how Nirvana's calm will come when won. "All is illusion, _Maya_, all The world of will," the spent East seems Whispering in me; "and the call Of Life is but a call of dreams." A JAPANESE MOTHER (IN TIME OF WAR) The young stork sleeps in the pine-tree tops, Down on the brink of the river. My baby sleeps by the bamboo copse-- The bamboo copse where the rice field stops: The bamboos sigh and shiver. The white fox creeps from his hole in the hill; I must pray to Inari. I hear her calling me low and chill-- Low and chill when the wind is still At night and the skies hang starry. And ever she says, "He's dead! he's dead! Your lord who went to battle. How shall your baby now be fed, Ukibo fed, with rice and bread-- What if I hush his prattle?" The red moon rises as I slip back, And the bamboo stems are swaying. Inari was deaf--and yet the lack, The fear and lack, are gone, and the rack, I know not why--with praying. For though Inari cared not at all, Some other god was kinder. I wonder why he has heard my call, My giftless call--and what shall befall?... Hope has but left me blinder! THE DEAD GODS I thought I plunged into that dire Abyss Which is Oblivion, the house of Death. I thought there blew upon my soul the breath Of time that was but never more can be. Ten thousand years within its void I thought I lay, blind, deaf, and motionless, until-- Though with no eye nor ear--I felt the thrill Of seeing, heard its phantoms move and sigh. First one beside me spoke, in tones that told He once had been a god--"Persephone, Tear from thy brow its withered crown, for we Are king and queen of Tartarus no more; And that wan, shrivelled sceptre in thy hand, Why dost thou clasp it still? Cast it away, For now it hath no virtue that can sway Dull shades or drive the Furies to their spoil. "Cast it away, and give thy palm to mine: Perchance some unobliterated spark Of memory shall warm this dismal Dark. Perchance--Vain! vain! love could not light such gloom." He sank.... Then in great ruin by him moved Another as in travail of some thought Near unto birth; and soon from lips distraught By aged silence, fell, with hollow woe: "Ah, Pluto, dost thou, one time lord of Styx And Acheron make moan of night and cold? Were we upon Olympus as of old Laughter of thee would rock its festal height. "But think, think thee of me, to whom or gloom Or cold were more unknown than impotence! See the unhurlèd thunderbolt brought hence To mock me when I dream I still am Jove!" Too much it was: I withered in the breath; And lay again ten thousand lifeless years; And then my soul shook, woke--and saw three biers Chiselled of solid night majestically. The forms outlaid upon them were enwound As with the silence of eternity. Numbing repose dwelt o'er them like a sea, That long hath lost tide, wave and roar, in death. "Ptah, Ammon, and Osiris are their names," A spirit hieroglyphed unto my soul. "Ptah, Ammon, and Osiris--they who stole The heart of Egypt from the God of gods: "Aye, they! and these!" pointing to many wraiths That stood around--Baal, Ormuzd, Indra, all Whom frightened ignorance and sin's appall Had given birth, close-huddled in despair. Their eyes were fixed upon a cloven slope Down whose descent still other forms a-fresh From earth were drawn, by the unceasing mesh Of Time to their irrevocable end. "They are the gods," one said--"the gods whom men Still taunt with wails for help."--Then a deep light Upbore me from the Gulf, and thro' its might I heard the worlds cry, "God alone is God!" CALL TO YOUR MATE, BOB-WHITE O call to your mate, bob-white, bob-white, And I will call to mine. Call to her by the meadow-gate, And I will call by the pine. Tell her the sun is hid, bob-white, The windy wheat sways west. Whistle again, call clear and run To lure her out of her nest. For when to the copse she comes, shy bird, With Mary down the lane I'll walk, in the dusk of the locust tops, And be her lover again. Ay, we will forget our hearts are old, And that our hair is gray. We'll kiss as we kissed at pale sunset That summer's halcyon day. That day, can it fade?... ah, bob, bob-white, Still calling--calling still? We're coming--a-coming, bent and weighed, But glad with the old love's thrill! THE DYING POET Swing in thy splendour, O silent sun, Drawing my heart with thee over the west! Done is its day as thy day is done, Fallen its quest! Swoon into purple and rose, then die: Tho' to arise again out of the dawn: Die as I praise thee, ere thro' the Dark Lie Of death I am drawn! Sunk? art thou sunken? how great was life! I like a child could cry for it again-- Cry for its beauty, pang, fleeting and strife, Its women, its men! For, how I drained it with love and delight! Opened its heart with the magic of grief! Reaped every season--its day and its night! Loved every sheaf! Aye, not a meadow my step has trod, Never a flower swung sweet to my face, Never a heart that was touched of God, But taught me its grace. Off from my lids then a moment yet, Fingering Death, for again I must see Lifted by memory all that I met Under Time's lee. There!... I'm a child again--fair, so fair! Under the eyes does a marvel not burn? Speak they not vision--and frenzy to dare, That still in me yearn?... Youth! my wild youth!--O, blood of my heart, Still you can answer with swirling the thought! Still like the mountain-born rapid can dart, Joyous, distraught!... Love, and her face again! there by the wood!-- Come, thou invisible Dark with thy mask! Shall I not learn if she lives? and could I more of thee ask?... Turn me away from the ashen west, Where love's sad planet unveils to the dusk. Something is stealing like light from my breast-- Soul from its husk ... Soft!... Where the dead feel the buried dead, Where the high hermit-bell hourly tolls, Bury me, near to the haunting tread Of life that o'errolls. THE OUTCAST I did not fear, But crept close up to Christ and said, "Is he not here?" They drew me back-- The seraphs who had never bled Of weary lack-- But still I cried, With torn robe, clutching at His feet, "Dear Christ! He died "So long ago! Is he not here? Three days, unfleet As mortal flow "Of time I've sought-- Till Heaven's amaranthine ways Seem as sere nought!" A grieving stole Up from His heart and waned the gaze Of His clear soul Into my eyes. "He is not here," troubled He sighed. "For none who dies "Beliefless may Bend lips to this sin-healing Tide, And live alway." Then darkness rose Within me, and drear bitterness. Out of its throes I moaned, at last, "Let me go hence! Take off the dress, The charms Thou hast "Around me strown! Beliefless too am I without His love--and lone!" Unto the Gate They led me, tho' with pitying doubt. I did not wait But stepped across Its portal, turned not once to heed Or know my loss. Then my dream broke, And with it every loveless creed-- Beneath love's stroke. APRIL A laughter of wind and a leaping of cloud, And April, oh, out under the blue! The brook is awake and the blackbird loud In the dew! But how does the robin high in the beech, Beside the wood with its shake and toss, Know it--the frenzy of bluets to reach Thro' the moss! And where did the lark ever learn his speech? Up, wildly sweet, he's over the mead! Is more than the rapture of earth can teach In its creed? I never shall know--I never shall care! 'Tis, oh, enough to live and to love! To laugh and warble and dream and dare Are to prove! AUGUST GUESTS The wind slipt over the hill And down the valley. He dimpled the cheek of the rill With a cooling kiss. Then hid on the bank a-glee And began to rally The rushes--Oh, I love the wind for this! A cloud blew out of the west And spilt his shower Upon the lily-bud crest And the clematis. Then over the virgin corn Besprinkled a dower Of dew-gems--And, I love the cloud for this! TO A DOVE 1 Thy mellow passioning amid the leaves, That tremble dimly in the summer dusk, Falls sad along the oatland's sallow sheaves And haunts above the runnel's voice a-husk With plashy willow and bold-wading reed. The solitude's dim spell it breaketh not, But softer mourns unto me from the mead Than airs that in the wood intoning start, Or breath of silences in dells begot To soothe some grief-wan soul with sin a-smart. 2 A votaress art thou of Simplicity, Who hath one fane--the heaven above thy nest; One incense--love; one stealing litany Of peace from rivered vale and upland crest. Yea, thou art Hers, who makes prayer of the breeze, Hope of the cool upwelling from sweet soils, Faith of the darkening distance, charities Of vesper scents, and of the glow-worm's throb Joy whose first leaping rends the care-wound coils That would earth of its heavenliness rob. 3 But few, how few her worshippers! For we Cast at a myriad shrines our souls, to rise Beliefless, unanointed, bound not free, To sacrificing a vain sacrifice! Let thy lone innocence then quickly null Within our veins doubt-led and wrong desire-- Or drugging knowledge that but fills o'erfull Of feverous mystery the days we drain! Be thy warm notes like an Orphean lyre To lead us to life's Arcady again! AT TINTERN ABBEY (June, 1903) O Tintern, Tintern! evermore my dreams Troubled by thy grave beauty shall be born; Thy crumbling loveliness and ivy streams Shall speak to me for ever, from this morn; The wind-wild daws about thy arches drifting, Clouds sweeping o'er thy ruin to the sea, Gray Tintern, all the hills about thee, lifting Their misty waving woodland verdancy! The centuries that draw thee to the earth In envy of thy desolated charm, The summers and the winters, the sky's girth Of sunny blue or bleakness, seek thy harm. But would that I were Time, then only tender Touch upon thee should fall as on I sped; Of every pillar would I be defender, Of every mossy window--of thy dead! Thy dead beneath obliterated stones Upon the sod that is at last thy floor, Who list the Wye not as it lonely moans Nor heed thy Gothic shadows grieving o'er. O Tintern, Tintern! trysting-place, where never Are wanting mysteries that move the breast, I'll hear thy beauty calling, ah, for ever-- Till sinks within me the last voice to rest! OH, GO NOT OUT Oh, go not out upon the storm, Go not, my sweet, to Swalchie pool! A witch tho' she be dead may charm Thee and befool. A wild night 'tis! her lover's moan, Down under ooze and salty weed, She'll make thee hear--and then her own! Till thou shalt heed. And it will suck upon thy heart-- The sorcery within her cry-- Till madness out of thee upstart, And rage to die. For him she loved, she laughed to death! And as afloat his chill hand lay, "Ha, ha! to hell I sent his wraith!" Did she not say? And from his finger strive to draw The ring that bound him to her spell? Till on her closed his hand whose awe No curse could quell? Oh, yea! and tho' she struggled pale, Did it not hold her cold and fast, Till crawled the tide o'er rock and swale, To her at last? Down in the pool where she was swept He holds her--Oh, go not a-near! For none has heard her cry but wept And died that year. HUMAN LOVE We, spoke of God and Fate, And of that Life--which some await-- Beyond the grave, "It will be fair," she said, "But love is here! I only crave thy breast Not God's when I am dead. For He nor wants nor needs My little love. But it may be, if I love thee And those whose sorrow daily bleeds, He knows--and somehow heeds!" ASHORE What are the heaths and hills to me? I'm a-longing for the sea! What are the flowers that dapple the dell, And the ripple of swallow-wings over the dusk; What are the church and the folk who tell Their hearts to God?--my heart is a husk! (I'm a-longing for the sea!) Aye! for there is no peace to me-- But on the peaceless sea! Never a child was glad at my knee, And the soul of a woman has never been mine. What can a woman's kisses be?-- I fear to think how her arms would twine. (I'm a-longing for the sea!) So, not a home and ease for me-- But still the homeless sea! Where I may swing my sorrow to sleep In a hammock hung o'er the voice of the waves, Where I may wake when the tempests heap And hurl their hate--and a brave ship saves. (I'm a-longing for the sea!) Then when I die, a grave for me-- But in the graveless sea! Where is no stone for an eye to spell Thro' the lichen a name, a date and a verse. Let me be laid in the deeps that swell And sigh and wander--an ocean hearse! (I'm a-longing for the sea!) THE VICTORY See, see!--the blows at his breast, The abyss at his back, The perils and pains that pressed, The doubts in a pack, That hunted to drag him down Have triumphed? and now He sinks, who climbed for the crown To the Summit's brow? No!--though at the foot he lies, Fallen and vain, With gaze to the peak whose skies He could not attain, The victory is, with strength-- No matter the past!-- He'd dare it again, the dark length, And the fall at last! AT WINTER'S END The weedy fallows winter-worn, Where cattle shiver under sodden hay. The plough-lands long and lorn-- The fading day. The sullen shudder of the brook, And winds that wring the writhen trees in vain For drearier sound or look-- The lonely rain. The crows that train o'er desert skies In endless caravans that have no goal But flight--where darkness flies-- From Pole to Pole. The sombre zone of hills around That shrink in misty mournfulness from sight, With sunset aureoles crowned-- Before the night. MOTHER-LOVE The seraphs would sing to her And from the River Dip her cool grails of radiant Life. The angels would bring to her, Sadly a-quiver, Laurels she never had won in earth-strife. And often they'd fly with her O'er the star-spaces-- Silent by worlds where mortals are pent. Yea, even would sigh with her, Sigh with wan faces! When she sat weeping of strange discontent. But one said, "Why weepest thou Here in God's heaven-- Is it not fairer than soul can see?" "'Tis fair, ah!--but keepest thou Not me depriven Of some one--somewhere--who needeth most me? "For tho' the day never fades Over these meadows, Tho' He has robed me and crowned--yet, yet! Some love-fear for ever shades All with sere shadows-- Had I no child _there_--whom I forget?" TO A SINGING WARBLER "Beauty! all--all--is beauty?" Was ever a bird so wrong! "No young in the nest, no mate, no duty?" Ribald! is this your song? "Glad it is ended," are you? The Spring and its nuptial fear? "And freedom is better than love?" beware you, There will be May next year! "Beauty!" again, still "beauty"? Wait till the winter comes! Till kestrel and hungry kite seek booty And the bleak cold benumbs! Wait? nay, fling it to heaven The false little song you prate! Too sweet are its fancies not to leaven Even the rudest fate! SONGS TO A. H. R. I THE WORLD'S, AND MINE The world may hear The wind at his trees, The lark in her skies, The sea on his leas; May hear Song rise On words as immortal As any that sound Thro' Heaven's Portal. But I have a music they can never know-- The touch of you, soul of you, heart of you, Oh! All else that is said or sung 's but a part of you-- Be it forever so! II LOVE-CALL IN SPRING Not only the lark but the robin too (Oh, heart o' my heart, come into the wood!) Is singing the air to gladness new As the breaking bud And the freshet's flood! Not only the peeping grass and the scent-- (Oh, love o' my life, fly unto me here!) Of violets coming ere April's spent-- But the frog's shrill cheer And the crow's wild jeer! Not only the blue, not only the breeze, (Oh, soul o' my heart, why tarry so long!) But sun that is sweeter upon the trees Than rills that throng To the brooklet's song! Oh, heart o' my heart, oh, heart o' my love, (Oh soul o' my soul, haste unto me, haste!) For spring is below and God is above-- But all is a waste Without thee--haste! III MATING The bliss of the wind in the redbud ringing! What shall we do with the April days! Kingcups soon will be up and swinging-- What shall we do with May's! The cardinal flings, "They are made for mating!" Out on the bough he flutters, a flame. Thrush-flutes echo, "For mating's elating! Love is its other name!" They know! know it! but better, oh, better, Dearest, than ever a bird in Spring, Know we to make each moment debtor Unto love's burgeoning! IV UNTOLD Could I, a poet, Implant the truth of you, Seize it and sow it As Spring on the world. There were no need To fling (forsooth) of you Fancies that only lovers heed! No, but unfurled, The bloom, the sweet of you, (As unto me they are opened oft) Would with their beauty's breath repeat of you All that my heart breathes loud or soft! V LOVE-WATCH My love's a guardian-angel Who camps about thy heart, Never to See thine enemy, Nor from thee turn apart. Whatever dark may shroud thee And hide thy stars away, With vigil sweet his wings shall beat About thee till the day. VI AT AMALFI Come to the window, you who are mine. Waken! the night is calling. Sit by me here--with the moon's fair shine Into your deep eyes falling. The sea afar is a fearful gloom; Lean from the casement, listen! Anear it breaks with a faery spume, Spraying the rocks that glisten. The little white town below lies deep As eternity in slumber. O, you who are mine, how a glance can reap Beauties beyond all number! And, how as sails that at anchor ride Our spirits rock together On a sea of love--lit as this tide With tenderest star-weather! Till the gray dawn is redd'ning up, Over the moon low-lying. Come, come away--we have drunk the cup: Ours is the dream undying! VII ON THE PACIFIC A storm broods far on the foam of the deep; The moon-path gleams before. A day and a night, a night and a day, And the way, love, will be o'er. Six thousand wandering miles we have come And never a sail have seen. The sky above and the sea below And the drifting clouds between. Yet in our hearts unheaving hope And light and joy have slept. Nor ever lonely has seemed the wave Tho' heaving wild it leapt. For there is talismanic might Within our vows of love To breathe us over all seas of life-- On to that Port, above, Where the great Captain of all ships Shall anchor them or send Them forth on a vaster Voyage, yea, On one that shall not end. And upon _that_ we two, I think, Together still shall sail. Oh, may it be, my own, or may We perish in death's gale! THE ATONER Winter has come in sackcloth and ashes (Penance for Summer's enverdured sheaves). Bitterly, cruelly, bleakly he lashes His limbs that are naked of grass and leaves. He moans in the forest for sins unforgiven (Sins of the revelous days of June)-- Moans while the sun drifts dull from the heaven, Giftless of heat's beshriving boon. Long must he mourn, and long be his scourging, (Long will the day-god aloof frown cold), Long will earth listen the rue of his dirging-- Till the dark beads of his days are told. TO THE SPRING WIND Ah, what a changeling! Yester you dashed from the west, Altho' it is Spring, And scattered the hail with maniac zest Thro' the shivering corn--in scorn For the labour of God and man. And now from the plentiful South you haste, With lovingest fingers, To ruefully lift and wooingly fan The lily that lingers a-faint on the stalk: As if the chill waste Of the earth's May-dreams, The flowers so full of her joy, Were not--as it seems-- A wanton attempt to destroy. THE RAMBLE Down the road which asters tangle, Thro' the gap where green-briar twines, By the path where dry leaves dangle Sere from the ivy vines We go--by sedgy fallows And along the stifled brook, Till it stops in lushy mallows Just at the bridge's crook. Then, again, o'er fence, thro' thicket, To the mouth of the rough ravine, Where the weird leaf-hidden cricket Chirrs thro' the weirder green, There's a way, o'er rocks--but quicker Is the beat of heart and foot, As the beams above us flicker Sun upon moss and root! And we leap--as wildness tingles From the air into our blood-- With a cry thro' golden dingles Hid in the heart of the wood. Oh, the wood with winds a-wrestle! With the nut and acorn strown! Oh, the wood where creepers trestle Tree unto tree o'ergrown! With a climb the ledging summit Of the hill is reached in glee. For an hour we gaze off from it Into the sky's blue sea. But a bell and sunset's crimson Soon recall the homeward path. And we turn as the glory dims on The hay-field's mounded math. Thro' the soft and silent twilight We come, to the stile at last, As the clear undying eyelight Of the stars tells day is past. RETURN Ah, it was here--September And silence filled the air-- I came last year to remember, And muse, hid away from care. It was here I came--the thistle Was trusting her seed to the wind; The quail in the croft gave whistle As now--and the fields lay thinned. I know how the hay was steeping, Brown mows under mellow haze; How a frail cloud-flock was creeping As now over lone sky-ways. Just there where the catbird's calling Her mock-hurt note by the shed, The use-worn wain was stalling In the weedy brook's dry bed. And the cricket, lone little chimer Of day-long dreams in the vines, Chirred on like a doting rhymer O'er-vain of his firstling lines. He's near me now by the aster, Beneath whose shadowy spray A sultry bee seeps faster As the sun slips down the day. And there are the tall primroses Like maidens waiting to dance. They stood in the same shy poses Last year, as if to entrance The stately mulleins to waken From death and lead them around: And still they will stand untaken, Till drops their gold to the ground. Yes, it was here--September And silence round me yearned. Again I've come to remember, Again for musing returned To the searing fields' assuaging, And the falling leaves' sad balm: Away from the world's keen waging-- To harvest and hills and calm. LISETTE Oh ... there was love in her heart--no doubt of it-- Under the anger. But see what came out of it! Not a knave, he!--A smitten rhyme-smatterer, Cloaking in languor And heartache to flatter her. And just as a woman will--even the best of them-- She yielded--brittle. God spare me the rest of them! For! though but kisses--she swore!--he had of her, Was it so little? She thought 'twas not bad of her, Said I would lavish a burning hour-full On any grisette. And silenced me, powerful! But she was mine, and blood is inflammable-- For a Lisette! My rage was undammable.... Could a stiletto's one prick be prettier? Look at the gaping. No?--then you're her pitier! Pah! she's the better, and I ... I'm your prisoner. Loose me the strapping-- I'll lay one more kiss on her. FROM ONE BLIND I cannot say thy cheek is like the rose, Thy hair like rippled sunbeams, and thine eyes Like violets, April-rich and sprung of God. My barren gaze can never know what throes Such boons of beauty waken, tho' I rise Each day a-tremble with the ruthless hope That light will pierce my useless lids--then grope Till night, blind as the worm within his clod. Yet unto me thou art not less divine, I touch thy cheek--and know the mystery hid Within the twilight breeze; I smooth thy hair And understand how slipping hours may twine Themselves into eternity: yea, rid Of all but love, I kiss thine eyes and seem To see all beauty God Himself may dream. Why then should I o'ermuch for earth-sight care? IN A CEMETERY When Autumn's melancholy robes the land With silence, and sad fadings mystical Of other years move thro' the mellow fields, I turn unto this meadow of the dead, Strewn with the leaves stormed from October trees, And wonder if my resting shall be dug Here by this cedar's moan or under the sway Of yonder cypress--lair of winds that rove As Valkyries sent from Valhalla's court In search of worthy slain. And sundry times with questioning I tease The entombed of their estate--seeking to know Whether 'tis sweeter in the grave to feel The oblivion of Nature's silent flow, Or here to wander wistful o'er her face. Whether the harvesting of pain and joy Which men call Life ends so, or whether death Pours the warm chrism of Immortality Into each human heart whose glow is spent. And oft the Silence hears me. For a voice Of sighing wind may answer, or a gaze, Though wordless, from a marble seraph's face. Or sometimes from unspeakable deeps of gold, That ebb along the west, revealings wing And tremble, like ethereal swift tongues Unskilled of human speech, about my heart-- Till youth, age, death, even earth's all, it seems, Are but brave moments wakened in that Soul, To whom infinities are as a span, Eternities as bird-flights o'er the sun, And worlds as sands blown from Sahara's wilds Into the ceaseless surging of the sea.... Then twilight hours lead back my wandered spirit From out the wilderness of mystery Whence none may find a path to the Unknown, And chastened to content I turn me home. WAKING Oh, the long dawn, the weary, endless dawn, When sleep's oblivion is torn away From love that died with dying yesterday But still unburied in the heart lies on! Oh, the sick gray, the twitter in the trees, The sense of human waking o'er the earth! The quivering memories of love's fair birth Now strown as deathless flowers o'er its decease! Oh, the regret, and oh, regretlessness, Striving for sovranty within the soul! Oh, fear that life shall never more be whole, And immortality but make it less! STORM-EBB Dusking amber dimly creeps Over the vale, Lit by the kildee's silver sweeps, Sad with his wail. Eastward swing the silent clouds Into the night. Burdens of day they seem--in crowds Hurled from earth's sight. Tilting gulls whip whitely far Over the lake, Tirelessly on o'er buoy and spar Till they o'ertake Shadow and mingled mist--and then Vanish to wing Still the bewildering night-fen, Where the waves ring. Dusking amber dimly dies Out of the vale. Dead from the dunes the winds arise-- Ghosts of the gale. LINGERING I lingered still when you were gone, When tryst and trust were o'er, While memory like a wounded swan In sorrow sung love's lore. I lingered till the whippoorwill Had cried delicious pain Over the wild-wood--in its thrill I heard your voice again. I lingered and the mellow breeze Blew to me sweetly dewed-- Its touch awoke the sorceries Your last caresses brewed. But when the night with silent start Had sown her starry seed, The harvest which sprang in my heart Was loneliness and need. FAUN-CALL Oh, who is he will follow me With a singing, Down sunny roads where windy odes Of the woods are ringing? Where leaves are tossed from branches lost In a tangle Of vines that vie to clamber high-- But to vault and dangle! Oh, who is he?--His eye must be As a lover's To leap and woo the chicory's hue In the hazel-hovers! His hope must dance like radiance That hurries To scatter shades from the silent glades Where the quick hare scurries. And he must see that Autumn's glee And her laughter From his lips and heart will quell all smart-- Of before and after! THE LIGHTHOUSEMAN When at evening smothered lightnings Burn the clouds with fretted fires; When the stars forget to glisten, And the winds refuse to listen To the song of my desires, Oh, my love, unto thee! When the livid breakers angered Churn against my stormy tower; When the petrel flying faster Brings an omen to the master Of his vessel's fated hour-- Oh, the reefs! ah, the sea! Then I climb the climbing stairway, Turn the light across the storm; You are watching, fisher-maiden For the token-flashes laden With a love death could not harm-- Lo, they come, swift and free! _One_--that means, "I think of thee!" _Two_--"I swear me thine!" _Three_--Ah, hear me tho' you sleep!-- Is, that I know thee mine! Thro' the darkness, One, Two, Three, All the night they sweep: Thro' raging darkness o'er the deep, One--and Two--and Three. SERENITY And could I love it more--this simple scene Of cot-strewn hills and fields long-harvested, That lie as if forgotten were all green, So bare, so dead! Or could my gaze more tenderly entwine Each pallid beech and silvery sycamore Outreaching arms in patience to divine If winter's o'er? Ah no, the wind has blown into my veins The blue infinity of sky, the sense Of meadows free to-day from icy pains-- From wintry vents. And sunny peace more virgin than the glow Falling from eve's first star into the night, Brings hope believing what it ne'er can know With mortal sight. WANTON JUNE I knew she would come! Sarcastic November Laughed cold and glum On the last red ember Of forest leaves. He was laughing, the scorner, At me forlorner Than any that grieves-- Because I asked him if June would come! But I knew she would come When snow-hearted winter Gripped river and loam, And the wind sped flinter On icy heel, I was chafing my sorrow And yearning to borrow A hope that would steal Across the hours--till June should come. And now she is here-- The wanton!--I follow Her steps, ever near, To the shade of the hollow Where violets blow: And chide her for leaving, Tho' half believing She taunted me so, To make her abided return more dear. SPIRIT OF RAIN (MIYANOSHITA, JAPAN, 1905) Spirit of rain-- With all thy mountain mists that wander lonely As a gray train Of souls newly discarnate seeking new life only! Spirit of rain! Leading them thro' dim torii, up fane-ways onward Till not in vain They tremble upon the peaks and plunge rejoicing dawnward. Spirit of rain! So would I lead my dead thoughts high and higher, Till they regain Birth and the beauty of a new life's fire. AUTUMN AT THE BRIDGE Brown dropping of leaves, Soft rush of the wind, Slow searing of sheaves On the hill; Green plunging of frogs, Cool lisp of the brook, Far barking of dogs At the mill; Hot hanging of clouds, High poise of the hawk, Flush laughter of crowds From the Ridge; Nut-falling, quail-calling, Wheel-rumbling, bee-mumbling-- Oh, sadness, gladness, madness, Of an autumn day at the bridge! TEARLESS Do women weep when men have died? It cannot be! For I have sat here by his side, Breathing dear names against his face, That he must list to, were his place Over God's throne-- Yet have I wept no tear and made no moan. Do women weep--not gaze stone-eyed? Grief seems in vain. Do women weep?--I was his bride-- They brought him to me cold and pale-- Upon his lids I saw the trail Of deathly pain. They said, "Her tears will fall like autumn rain." I cannot weep! Not if hot tears, Dropped on his lids, Might burn him back to life and years Of yearning love, would any rise To flood the anguish from my eyes-- And I'm his bride! Ah me, do women weep when men have died? SUNSET-LOVERS Upon how many a hill, Across how many a field, Beside how many a river's restful flowing, They stand, with eyes a-thrill, And hearts of day-rue healed, Gazing, O wistful sun, upon thy going! They have forgotten life, Forgotten sunless death; Desire is gone--is it not gone for ever? No memory of strife Have they, or pain-sick breath. No hopes to fear or fears hope cannot sever. Silent the gold steals down The west, and mystery Moves deeper in their hearts and settles darker. 'Tis faded--the day's crown; But strange and shadowy They see the Unseen as night falls stark and starker. Like priests whose altar fires Are spent, immovable They stand, in awful ecstasy uplifted. Zephyrs awake tree-lyres, The starry deeps are full, Earth with a mystic majesty is gifted. Ah, sunset-lovers, though Time were but pulsing pain, And death no more than its eternal ceasing, Would you not choose the throe, Hold the oblivion vain, To have beheld so many a day's releasing? THE EMPTY CROSS The eve of Golgotha had come, And Christ lay shrouded in the garden Tomb: Among the olives, Oh, how dumb, How sad the sun incarnadined the gloom! The hill grew dim--the pleading cross Reached empty arms toward the closing gate. Jerusalem, oh, count thy loss! Oh, hear ye! hear ye! ere it be too late! Reached bleeding arms--but how in vain! The murmurous multitude within the wall Already had forgot His pain-- To-morrow would forget the cross--and all! They knew not Rome, before its sign, Bending her brow bound with the nations' threne, Would sweep all lands from Nile to Rhine In servitude unto the Nazarene. Nor knew that millions would forsake Ancestral shrines great with the glow of time, And lifting up its token shake Aeons with thrill of love or battle's crime. With empty arms aloft it stood: Ah, Scribe and Pharisee, ye builded well! The cross emblotted with His blood Mounts, highest Hope of men, against earth's hell! UNBURTHENED Not grief nor the sunny wine Of gladness steeps my spirit as I gaze Over these meads that lie engarmented In stubble robes of winter-weary brown. For, as those solitary trees afar Have reached unbudding boughs to the dim day And melted on the infinite calm of space, So have I reached, and am no more distraught With the quivering pangs of memory's yesterday. But the boon of blue skies deeper than despair, Of rest that rises as a tide of sleep, Of care borne on the plumes of swan-swift clouds Away to the sullen shades of the low west, Have lulled my soul with soft infinitude-- And lent it faith's illimitable Peace. SONG Her voice is vibrant beauty dipt In dreams of infinite sorrow and delight. Thro' an awaiting soul 'tis slipt And lo, words spring that breathe immortal. TO HER WHO SHALL COME 1 Out of the night of lovelessness I call Thee, as, in a chill chamber where no rays Of unbelievable light and freedom fall, Might cry one manacled! And tho' the ways Thou'lt come I cannot see; tho' my heart's sore With emptiness when morning's silent grays Wake me to long aloneness; yet I know Thou hast been with me, who like dawn wilt go Beside me, when I have found thee, evermore! 2 So in the garden of my heart each day I plant thee a flower. Now the pansy, peace, And now the lily, faith--or now a spray Of the climbing ivy, hope. And they ne'er cease Around the still unblossoming rose of love To bend in fragrant tribute to her sway. Then--for thy shelter from life's sultrier suns, The oak of strength I set o'er joy that runs With brooklet glee from winds that grieve above. 3 But where now art thou? Watching with love's eye The eve-star wander? Listening through dim trees Some thrilled muezzin of the forest cry From his leafy minaret? Or by the sea's Blue brim, while the spectral moon half o'er it hangs Like the faery isle of Avalon, do these My yearnings speak to thee of days thy feet Have never trod?--Sweet, sweet, oh, more than sweet, My own, must be our meeting's mystic pangs. 4 And will be soon! For last night near to-day, Dreaming, God called me thro' the space-built sphere Of heaven and said, "Come, waiting one, and lay Thine ear unto my Heart--there thou shalt hear The secrets of this world where evils war." Such things I heard as must rend mortal clay To tell, and trembled--till God, pitying, Said, "Listen" ... Oh, my love, I heard thee sing Out of thy window to the morning star! STORM-TWILIGHT Tossing, swirling, swept by the wind, Beaten abaft by the rain, The swallows high in the sodden sky Circle oft and again. They rise and sink and drift and swing, Twitterless in the chill; A-haste, for stark is the coming dark Over the wet of the hill. Wildly, swiftly, at last they stream Into their chimney home. A livid gash in the west, a crash-- Then silence, sadness, gloam. SLAVES A host of bloody centuries lie prone Upon the fields of Time--but still the wake Of Progress loud is haunted with the groan Of myriads, from whose peaceful veins, to slake His scarlet thirst, has War, fierce Polypheme Of fate, insatiately drunk life's stream. We bid the courier lightning leap along Its instant path with spirit speed--command Stars lost in night-eternity to throng Before the magnet eye of Science--stand On Glory's peak and triumphingly cry Out mastery of earth and sea and air. But unto War's necessity we bare Our piteous breasts--and impotently die. AVOWAL TO THE NIGHTINGALE Tho' thou hast ne'er unpent thy pain's delight Upon these airs, bird of the poet's love, Yet must I sing thy singing! For the Night Has poured her jewels o'er the lap of heaven As they who hear thee say thou dost above The wood such ecstasies as were not given By nestling breasts of Venus to the dove. 2 Oft have I watched the moon with her fair gold Still clung to by the tattered mists of day Arise and look for thee. Then hope grew bold. And almost I could see how the near laurels Would tremble with thy trembling: but the sway Of bards who wreathed thee with unfading chorals Has held my longing lips from this poor lay. 3 But take it now. And if the lark--who is Too high for earth--may vie for praise with thee In aery rhapsody, yet it is his To sing of day and joy, while thou of sorrow And night o'erhovering singest. So thou'lt be More dear than he--till hearts shall cease to borrow From grief the healing for life's mystery. WILDNESS To drift with the drifting clouds, And blow with the blow of breezes, To ripple with waves and murmur with caves To soar, as the sea-mew pleases! To dip with the dipping sails, And burn with the burning heaven-- My life! my soul! for the infinite roll Of a day to wildness given! BEFORE AUTUMN Summer's last moon has waned-- Waned As amber fires Of an Aztec shrine. The invisible breath of coming death has stained The withering leaves with its nepenthean wine-- Autumn's near. Winds in the woodland moan-- Moan As memories Of a chilling yore. Magnolia seeds like Indian beads are strown From crimson pods along the earth's sere floor-- Autumn's near. Solitude slowly steals, Steals Her silent way By the songless brook. At the gnarly yoke of a solemn oak she kneels, The musing joy of sadness in her look-- Autumn's near. Yes, with her golden days-- Days When hope and toil Are at peace and rest-- Autumn is near, and the tired year 'mid praise Lies down with leaf and blossom on his breast-- Autumn's near. FULFILMENT A-bask in the mellow beauty of the ripening sun, Sad with the lingering sense of summer's purpose done, The shorn and searing fields stretch from me one by one Along the creek. The corn-stalks drop their shadows down the fallow hill; Wearing autumnal warmth the farm sleeps by the mill, Around each heavy eave low smoke hangs blue and still-- Life's flow is weak. Along the weedy roads and lanes I walk--or pause-- Ponder a fallen nut or quirking crow whose caws Seem with prehuman hintings fraught or ancient awes Of forest deeps. Of forest deeps the pale-face hunter never trod, Nor Indian, with the silent stealth of Nature shod; Deeps tense with the timelessness and solitude of God, Who never sleeps. And many times has Autumn, on her harvest way, Gathered again into the earth leaf, fruit, and spray; Here many times dwelt rueful as she dwells to-day, The while she reaps. LAST SIGHT OF LAND The clouds in woe hang far and dim: I look again, and lo, Only a faint and shadow line Of shore--I watch it go. The gulls have left the ship and wheel Back to the cliff's gray wraith. Will it be so of all our thoughts When we set sail on Death? And what will the last sight be of life As lone we fare and fast? Grief and the face we love in mist-- Then night and awe too vast? Or the dear light of Hope--like that, Oh, see, from the lost shore Kindling and calling "Onward, you Shall reach the Evermore!" SILENCE Silence is song unheard, Is beauty never born, Is light forgotten--left unstirred Upon Creation's morn. THE END *** END OF THE PROJECT GUTENBERG EBOOK SONG-SURF *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.