The Project Gutenberg eBook of George Eliot Centenary, November 1919 This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: George Eliot Centenary, November 1919 Author: Coventry . Public Libraries Committee Release date: January 13, 2010 [eBook #30959] Language: English Credits: Transcribed from the 1919 Coventry Libraries Committee catalogue by David Price. Many thanks to Nuneaton Library, UK, for allowing the use of their copy to make this transcription *** START OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER 1919 *** Transcribed from the 1919 Coventry Libraries Committee catalogue by David Price, email ccx074@pglaf.org. Many thanks to Nuneaton Library, UK, for allowing the use of their copy to make this transcription. George Eliot Centenary, NOVEMBER, 1919. * * * * * Catalogue of . . RELICS, MANUSCRIPTS, PRINTS, PAINTINGS, PHOTOGRAPHS & BOOKS RELATING TO GEORGE ELIOT, EXHIBITED IN St. Mary's Hall. Coventry. * * * * * COVENTRY LIBRARIES COMMITTEE. PREFATORY NOTE. The Exhibition has special reference to George Eliot's residence in Coventry, and to the Coventry circle of which she was the most distinguished member. Visitors are requested not to touch the exhibits. Copying or sketching or photographing any exhibit is prohibited. RELICS, PORTRAITS, MANUSCRIPTS, EXHIBITED IN MUNIMENT ROOM. Family Portraits and Records. CASE 1. 1. Portrait of Robert Evans. _Lent by Canon Evans_, _Bedworth_. Father of G. E., and prototype of _Adam Bede_. 2. Diaries of Robert Evans ("Adam Bede"). _Lent by Mr. Walter P. Evans_, _Leamington_. CASE 2. 3. Portrait of Isaac P. Evans. _Lent by Canon Evans_, _Bedworth_. G. E's brother; original of "Tom Tulliver." 3a. Another portrait of Isaac P. Evans. Lent by Mr. W. P. Evans, Leamington. CASE 3. 4. Portrait of George Eliot, with portrait of her father, Robert Evans. _Lent by National Portrait Gallery_. Drawn in 1842 by Mrs. Charles Bray. CASE. 4. 5. Portrait of George Eliot, 1850, fr. painting by M. D'Albert. _Lent by Mrs. Herbert Draper_, _Kenilworth_. 6. George Eliot's portrait (after Sir F. Burton). _Lent by Mrs. Herbert Draper_, _Kenilworth_. G. E.'s. gift to Mrs. Bray 6a. Pencil drawing from shadow thrown by cast of G. Eliot, by Miss Sara S. Hennell. Presented by Mr. Warwick Draper. WALL BOOK CASE 1. 6b. Oil painting of Miss Everard, G. Eliot's aunt. Lent by Canon Evans. Caricutured as Aunt Glegg (_Mill on the Floss_). Holographs. CASE 5. 10. Holograph letters of George Eliot. _Lent by Mr. A. E. Fridlander_. See typewritten copies exhibited. 11. Holograph letter to Mrs. Bray. _Lent by Mrs. Herbert Draper_, _Kenilworth_. Written Sept., 1876, after she returned from abroad; describing some part of the journey. CASE 6. 12. Holograph letters. _Lent by Mr. Frederic Harrison_, _Bath_. Two of the letters are on Positivist affairs; three refer to the legal advice given to G. E. by Mr. Harrison in constructing the plot of _Felix Holt_ (_George Eliot's Life_, by Cross, v. 3: 258); the last letter was written during her mourning for G. H. Lewes. CASE 7. 15. Favourite airs copied by G. Eliot. _Lent by Miss Evans_, _Leamington_. Holographic throughout. 16. Receipt given by G. E. in connection with her father's will. Lent by Mr. W. P. Evans, Leamington. Association Items and Books. 18. Statuette of Christ, after Thorwaldsen. _Lent by Mrs. Herbert Draper_. At one time belonged to G. E., and is associated with her translation of Strauss, Life of Jesus. 19. Ring worn by George Eliot in memory of her mother. _Lent by Miss Evans_, _Leamington_. Inscribed inside, "In memory of Christiana Evans." 20. Portrait of Mr. Edward Simms, G. Eliot's music master. Lent by Coventry Libraries. 25. Defoe's "History Of the Devil." _Lent by Canon Evans_, _Bedworth_. G. E's. own copy; it is referred to in _Mill on the Floss_, ch. 3. 25a. A Kempis, De Imitatione Christi. Presented by Mr. Warwick Draper. G. Eliot's own copy, acquired at Coventry, 1849, given to Miss Sara S. Hennell, 1851, and at Mrs. Bray's death came into the possession of Mr. Warwick Draper. See _Mill on the Floss_, bk. 4, ch. 3. CASE 8. 26. Bacon's "Essays," 1828. _Lent by Coventry Libraries_. Autograph on flyleaf "Mary Ann Evans." 27. Newspaper cuttings collected by George Eliot. _Lent by Coventry Libraries_ With her own contributions to the "Coventry Herald" at the end. The book bears the signature, in pencil, of J. Hennell. 28. "Silas Marner," _First edition_, 1861. _Lent by Coventry Libraries_. Inscribed: "Caroline Bray from Mr. Lewes June 22 '61," in G. Eliot's handwriting. 29. "The Legend of Jubal and other poems," _First edition_, 1874. _Lent by Coventry Libraries_. Inscribed: "Caroline Bray May 1874, with the author's compliments." 30. "Impressions of Theophrastus Such," _First edition_, 1879. _Lent by Coventry Libraries_. Inscribed: "Caroline Bray, from the author, Eastbourne, May 29, 1879." 31. "Essays and leaves from a note-book," _First edition_, 1884. _Lent by Coventry Libraries_. Inscribed. "Mrs. Charles Bray from C. L. Lewes, Feb., 1884." C. L. L. was the son of G. H. Lewes. CASE 9. 32. Pen used in Italy by G. Eliot, and covered there with silk and beads. Lent by Mr. T. H. Allen, Coventry. 33. Musical Box, reputed to be Uncle Pullet's. Lent by Mrs. W. W. Orton. (_Mill on the Floss_), see newscutting. 34. Water colour sketch of attic at Griff--Maggie Tulliver's favourite retreat. Lent by Mr. W. P. Evans, Leamington. WALL BOOKCASE 2. Silhouettes of Characters in "Janet's Repentance." _Lent by Miss Robinson_, _Chilvers Coton_. 36. Mrs. J. W. Buchanan ("Janet Dempster.") 37. James Buchanan ("Lawyer Dempster.") 38. Mrs. George Buchanan. 39. Mrs. Robinson ("Mrs. Pettifer.") 40. T. Bull ("Mr. Fred Phipps.") 41. John Craddock ("Mr. Landor.") 42. John Towle ("Mr. Lowme.") WALL BOOKCASE 1. 50. Portrait of Mrs. Robinson. _Lent by Miss Robinson_, _Chilvers Coton_. Mrs. R. was the original of Mrs. Pettifer (_Janet's Repentance_). Hennell and Bray Families. CASE 9. 57. Silhouette miniatures of Mr. and Mrs. James Hennell of Hackney. _Lent by Mrs. Herbert Draper_. Father and mother of Mrs. Bray and Miss Sara Hennell. 58. Miniatures of Mr. and Mrs. Samuel Hennell. _Lent by Mrs. Herbert Draper_. CASE 10. 58a. Water colour sketch of Mrs. Hennell. Lent by Miss Mary Scampton. 59. Portrait of Eliza Hennell. _Lent by Mrs. Herbert Draper_. Author of "Tale of the Alps," also exhibited. 60. Home of Mr. and Mrs. Sam Hennell, Coventry. _Lent by Mrs. Herbert Draper_. Uncle and Aunt of Mrs. Charles Bray. 61. Wilson, Capt., "History of Prince Lee Boo," 1812. _Lent by Coventry Libraries_. Inscribed: "Eliza Hennell, March 7th, 1815." 62. Hennell, Eliza. "Tale of the Alps," a romance [original MS.] _Lent by Coventry Libraries_. This little work was composed by E. H., written in her own handwriting, and bound by her when she was fourteen years of age. Inscribed: "Eliza Hennell, April 10th, 1819 CASE 11. 62a. Three water colour sketches of the Hennells' Hackney home, by Miss Sara Hennell. Lent by Miss Mary Scampton. 62b. Water colour sketch of Hackney chapel, attended by the Hennells, by Miss Sara Hennell. Lent by Miss Mary Scampton. 63. Portrait of Charles Bray, at 50. _Lent by Mrs. Herbert Draper_, _Kenilworth_. WALL BOOKCASE 1. 64. Mrs. Charles Bray, oil painting by Miss E. Martin. _Lent by Mr. A. E. Fridlander_. CASE 12. 65. Miniature of Mrs. Charles Bray. _Lent by Miss Scampton_, _Coventry_. Painted by Mrs. Bray's sister, Sara S. Hennell, c. 1836. Mrs. Bray was G. E's Coventry friend. 65a. Water colour portrait of Mrs. Bray, by Miss Sara S. Hennell. Lent by Miss Mary Scampton. 66. Water colour portrait of Charles Bray. _Lent by Mrs. Herbert Draper_. 66a. Miniature portrait of Mrs. Charles Bray, by herself, c. 1853. Lent by Mr. A. E. Fridlander. CASE 13. 66b. Water colour portrait of Miss Sara S. Hennell, by herself. Lent by Miss Mary Scampton. 67. Portrait of Mrs. Bray and Miss Sara Hennell, 1897. Lent by Miss Mary Scampton. 68. Water colour portrait of Miss Sara Hennell. _Lent by Mrs. H. Draper_. CASE 14. 68a. C. C. Hennell's "Inquiry." Lent by Mr. A. E. Fridlander. Inscribed, "Sara Sophia Hennell, 1st January, 1846." 68b. Three water colour sketches of "Rosehill," the Coventry home of the Brays. Lent by Miss Mary Scampton. CASE 15. 69. Portrait of Miss Brabant, afterwards Mrs. C. C. Hennell. _Lent by Mrs. H. Draper_. 70. Portrait of Miss Julia Smith. _Lent by Mrs. H. Draper_. A valued friend of G. E., and sister of Mme. Bodichon. 71. Three water colour sketches by Miss Sara. S. Hennell. Lent by Miss Mary Scampton. Made during a Scottish tour with G. Eliot and Mr. and Mrs. Bray. CASE 16. 72. Romola, 3 vols., extra illustrated. Lent by Coventry Libraries. PICTURES ON WALL. 73. Water colour of Griff Hollows, "The Red Deeps," 1876, by Miss Patty Townsend. Lent by Nuneaton Art Gallery. 74. Water colour sketch--Lawyer Dempster's house, by Thomas Wakeman. Lent by Nuneaton Art Gallery. 75. Water colour drawing--Chilvers Coton church, by Thomas Wakeman. Lent by Nuneaton Art Gallery. 76. Water colour drawing--South Farm, Arbury, by Thomas Wakeman. Lent by Nuneaton Art Gallery. 76. Series of photographs of G. Eliot country. Lent by Miss Robinson, Chilvers Coton. PHOTOGRAPHIC SURVEY OF GEORGE ELIOT'S WARWICKSHIRE BY MEMBERS OF THE COVENTRY PHOTOGRAPHIC SOCIETY. Arbury, South Farm. _Photographed by_ Arbury Farm is on the Arbury Estate. Robert Evans, the novelist's father, lived there from 1806 to 1820 as land agent to the estate. George Eliot was born here on November 22nd, 1819, but was taken to live at Griff House four months' later. The farm has been much altered. 1. Arbury Farm, view from garden Miss C. NORTON 2. Arbury Farm, view from garden Mr. G. H. OSBORNE. Griff House. George Eliot's home from 1820 to 1841. The house has not been greatly altered. "It was a delightful place to grow up in, and over and above the charms of the house, farm, garden and fields, there was the high road just in front of the gate, where she and her brother stood and watched the mail-coach pass twice a day." At the back of the house is "a large, old-fashioned farm-house garden, where flowers, vegetables, fruits and trees grow in friendly confusion--just the kind of garden in which Hetty Sorrel gathered red currants."--_Deakin_, _Early Life of G. E._, p. 5, 9. The dairy is known as "Mrs. Poyser's," but it was erected after G. Eliot left Griff. The "Round Pond," into which Maggie Tulliver pushed Lucy and where Maggie and Tom used to fish, is in a field adjoining. Griff Hollows is the "Red Deeps" of the _Mill on the Floss_. 3. Griff House Mr. G. H. OSBORNE The window of the attic to which Maggie fled when in trouble (_Mill on the Floss_) is shown on the gable end, where the flagstaff is fixed. 4-5. Griff House Mr. A. W. HOARE (4) Mr. S. T. SHIPWAY (5) 6-7. Griff House Miss M. IMISON (6) Mr. A. W. HOARE (7) 8. Griff House, dairy Mr. A. W. HOARE 9. Griff House, dairy, interior Mr. L. P. WILSON The Dairy is known as "Mrs. Poyser's," but it was erected after G. Eliot left Griff. 10. Griff House, garden seat Mr. A. H. HOWELL The little summer house at the end of the Yew-tree walk; in just such a place Dorothea found her husband after his death. --(_Middlemarch_). 11. Griff House, round pond Mr. S. T. SHIPWAY The pool into which Maggie Tulliver pushed Lucy, and where Maggie and Tom used to fish, is in a field adjoining the house. 12. Griff Hollows Mr. L. P. WILSON 13. Griff Hollows Miss M. IMISON The "Red Deeps" of _The Mill on the Floss_, the meeting place of Maggie Tulliver and Philip Wakem. George Eliot's Schooldays. 14. Griff, the Dame School Mr. A. W. HOARE George Eliot's first school, which she attended with her brother until she was five years old. Her second school (Miss Lathom's Boarding School at Attleborough) has not been identified. 15-16. Nuneaton, The Elms Miss C. NORTON George Eliot's third school, near Nuneaton Church. She attended it with her sister Chrissy until 1832, when she went to Coventry. 17. Coventry, house of Rev. Francis Franklin, Cow Lane Mr. S. T. SHIPWAY In 1832 was transferred from The Elms, Nuneaton, to a school in Coventry, kept by the two Miss Franklins, daughters of The Rev. Francis Franklin, Minister of Cow Lane Chapel. Mr. Franklin was the prototype of Rufus Lyon (_Felix Holt_). 18. Coventry, back of minister's house, Cow Lane Mr. S. T. SHIPWAY 19. Coventry, memorial tablet to Rev. Francis Franklin, Cow Lane Chapel Mr. S. T. SHIPWAY 20. Bust of George Whitfield, at one time in Mr. Franklin's house Mr. A. W. HOARE "A black bust with a coloured face, which for some reason or other was covered with green gauze." "That," said Mr. Lyon, "is the eminent George Whitfield . . . Providence ordained that the good man should squint; and my daughter has not yet learned to bear with this infirmity."--_Felix Holt_, ch. v. 21. Coventry, Nantglyn, Warwick Row Mr. S. T. SHIPWAY The Misses Franklin's school was at this address. George Eliot left this school in 1835. George Eliot's Coventry Home and Circle. In March, 1841, Robert Evans and his daughter came to live in the Foleshill Road, until her father died in 1849. The house is known as Bird Grove, and has been much altered. 22. Coventry, Bird Grove Mr. S. T. SHIPWAY 22a. Coventry, gates of Bird Grove Mr. J. BRADBURY 23. Coventry, Bird Grove, window of George Eliot's study over entrance Mr. A. W. HOARE 24-25. Coventry, Bird Grove, study and bedroom Mr. A. W. HOARE (24) Mr. S. T. SHIPWAY (25) 26. Coventry, Bird Grove, room used by G. Eliot as drawing room Mr. S. T. SHIPWAY 27. Coventry, Bird Grove, study Mr. S. T. SHIPWAY 28. Coventry, Bird Grove, interior Mr. S. T. SHIPWAY 29. Coventry, "Rosehill" Mr. L. P. WILSON George Eliot first visited "Rosehill," the home of the Brays, on November 2nd, 1841. There is an interesting account of this visit in Bray's _Autobiography_, p. 76. The Brays and the Hennells exerted an important influence on her life. 30. Coventry, Ivy Cottage, Mr. L. P. WILSON The home of the Hennell family; adjoins "Rosehill." Scenes of Clerical Life. Nuneaton is the Milby of _Janet's Repentance_. There is an amusing description of a Sunday morning service at the church at the beginning of the story. 31-32. Nuneaton church, exterior and interior Miss C. NORTON 33-34. Nuneaton church and vicarage Miss C. NORTON 35. Nuneaton, Lawyer Dempster's house Miss C. NORTON No. 35 Church Street, the Orchard Street of _Janet's Repentance_. The original of Dempster was a Mr. Buchanan. 36-37. Nuneaton, Dempster's house, other views Miss C. NORTON 38. Nuneaton, garden of Dempster's house Mr. A. H. HOWELL 39. Nuneaton, grotto in Dempster's garden Mr. A. H. HOWELL 40. Chilvers Coton church Miss C. NORTON The "Shepperton" church of _Amos Barton_. George Eliot was baptised here. The tenor bell was hung in her memory (1909). "The little flight of steps with their wooden rail running up the outer wall and leading to the children's gallery," is still in existence. 41. Chilvers Coton church Mr. A. H. HOWELL 42. Chilvers Coton church, interior Mr. S. T. SHIPWAY 43. Chilvers Coton church, children's gallery Mr. G. H. OSBORNE 44. Chilvers Coton vicarage, garden Mr. A. H. HOWELL The open window belongs to the room in which "Milly Barton" died. 45. Chilvers Coton vicarage and church Mr. S. T. SHIPWAY 46. Chilvers Coton churchyard, Emma Gwyther's grave Mr. S. T. SHIPWAY Mrs. Gwyther was the original of "Milly Barton" of _The Sad fortunes of Amos Barton_, one of the most touching stories in English literature. The inscription is transcribed in full in Olcott's _George Eliot_, _scenes and people in her novels_. 47. Chilvers Coton churchyard, Emma Gwyther's grave Mr. A. W. HOARE 48-48a. Chilvers Coton churchyard, tomb of Robert ("Adam Bede") and Christiana Evans. Mr. A. W. HOARE (48) Mr. A. HUNT (48a) 49. Chilvers Coton churchyard, tomb of Sarah and Isaac Pearson Evans ("Tom Tulliver" and his wife) Mr. A. H. HOWELL 50. Chilvers Coton church, extract from parish register Mr. W. H. STOKES Recording the marriage of Edward Clark and G. Eliot's sister Chrissy, "Celia" of _Middlemarch_. The signatures include those of the Rev. John Gwyther ("Amos Barton"), Robert Evans ("Adam Bede"), Mary Ann Evans (the novelist), and Isaac P. Evans ("Tom Tulliver"--see No. 49). 51. Arbury Hall Mr. W. H. MCLAUCHLAN and Mr. W. H. STOKES A copy of an older photograph; the view is not the same to-day. This is the "Cheverel Manor" of _Mr. Gilfil's Love Story_. Arbury is the home of the Newdegate family. Robert Evans, father of George Eliot, was land agent for the Newdegate estate. This "castellated house of grey-tinted stone is described beautifully in the _Love Story_, ch. 2. See also three books by Lady Newdigate-Newdegate: _The Cheverels of Cheverel Manor_; _Gossip from a Muniment Room_; and _Cavalier and Puritan_. 52. Arbury Park, George Eliot Memorial Mr. W. H. STOKES Erected by Mr. F. A. Newdigate-Newdegate, M.P. Of rough grey stone, recording the dates and places of her birth and death, and the words "Lest we forget." 52a. Arbury Park, Caterina's Walk Mr. W. H. MCLAUCHLAN and Mr. W. H. STOKES Ch. 7. of _Mr. Gilfil's Love Story_. 52b. Arbury Park, The Rookery Mr. W. H. MCLAUCHLAN and Mr. W. H. STOKES "The thick shades of the distant Rookery" where Caterina found the body of Captain Wybrow. 53. Astley church Mr. W. H. MCLAUCHLAN and Mr. W. H. STOKES Astley is the "Knebley" church of _Mr. Gilfil's Love Story_--"a wonderful little church, with a checkered pavement which had once rung to the iron tread of military monks." (ch. 1). 53a. Astley castle Mr. O. W. BARRY and Mr. W. H. HOWELL "Knebley" castle. 53b. Astley castle and gateway Mr. W. H. MCLAUCHLAN and Mr. W. H. STOKES 53c. Astley castle, the moat Mr. W. H. MCLAUCHLAN and Mr. W. H. STOKES "Adam Bede." 53d. Corley Hall farm, gates Mr. A. W. HOARE "Evidently that gate is never opened; . . . and if it were opened, it is so rusty, that the force necessary to turn it on its hinges would be likely to pull down the square stone-built pillars, to the detriment of the two stone lionesses which grin with a doubtful carnivorous affability above a coat of arms, surmounting each of the pillars."--_Adam Bede_, ch. 6. 53e. Corley Hall farm, row of walnut trees Mr. A. W. HOARE "That grand double row of walnut trees on the right-hand of the enclosure."--_Adam Bede_, ch. 6. "Silas Marner." 54-55. Bulkington, single hand-loom at Mr. A. W. HOARE Bulkington is possibly the village George Eliot had in mind in describing Raveloe (_Silas Marner_). The photographs show a hand-loom used in Silas Marner's day. *** END OF THE PROJECT GUTENBERG EBOOK GEORGE ELIOT CENTENARY, NOVEMBER 1919 *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.