The Project Gutenberg eBook of The Duke Of Chimney Butte
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Duke Of Chimney Butte

Author: George W. Ogden

Illustrator: P. V. E. Ivory

Release date: August 21, 2009 [eBook #29748]

Language: English

Credits: Produced by Chris Curnow, Barbara Kosker, Michael and the
        Online Distributed Proofreading Team at http://www.pgdp.net


*** START OF THE PROJECT GUTENBERG EBOOK THE DUKE OF CHIMNEY BUTTE ***




Produced by Chris Curnow, Barbara Kosker, Michael and the
Online Distributed Proofreading Team at http://www.pgdp.net






[Illustration: "There's no use to run away from me," he said]
[_Page 166_]




  THE DUKE OF CHIMNEY BUTTE




  BY

  G. W. OGDEN

  AUTHOR OF THE LAND OF LAST CHANCE




  FRONTISPIECE BY P. V. E. IVORY


  [Illustration]


  GROSSET & DUNLAP
  PUBLISHERS NEW YORK

  Made in the United States of America




  Copyright
  A. C. McClurg & Co.
  1920

  Published April, 1920

  _Copyrighted in Great Britain_




CONTENTS

  CHAPTER                                 PAGE

       I  The All-in-One                     1

      II  Whetstone, the Outlaw             18

     III  An Empty Saddle                   39

      IV  "And Speak in Passing"            47

       V  Feet upon the Road                69

      VI  Allurements of Glendora           81

     VII  The Homeliest Man                 95

    VIII  The House on the Mesa            108

      IX  A Knight-Errant                  114

       X  Guests of the Boss Lady          130

      XI  Alarms and Excursions            146

     XII  The Fury of Doves                166

    XIII  "No Honor in Her Blood"          185

     XIV  Notice Is Served                 198

      XV  Wolves of the Range              218

     XVI  Whetstone Comes Home             238

    XVII  How Thick Is Blood?              255

   XVIII  The Rivalry of Cooks             270

     XIX  The Sentinel                     276

      XX  Business, and More               289

     XXI  A Test of Loyalty                302

    XXII  The Will-o'-the-Wisp             320

   XXIII  Unmasked                         329

    XXIV  Use for an Old Paper             333

     XXV  "When She Wakes Up"              345

    XXVI  Oysters and Ambitions            361

   XXVII  Emoluments and Rewards           374




The Duke of Chimney Butte




CHAPTER I

THE ALL-IN-ONE


Down through the Bad Lands the Little Missouri comes in long windings,
white, from a distance, as a frozen river between the ash-gray hills. At
its margin there are willows; on the small forelands, which flood in
June when the mountain waters are released, cottonwoods grow, leaning
toward the southwest like captives straining in their bonds, yearning in
their way for the sun and winds of kinder latitudes.

Rain comes to that land but seldom in the summer days; in winter the
wind sweeps the snow into rocky cañons; buttes, with tops leveled by the
drift of the old, earth-making days, break the weary repetition of hill
beyond hill.

But to people who dwell in a land a long time and go about the business
of getting a living out of what it has to offer, its wonders are no
longer notable, its hardships no longer peculiar. So it was with the
people who lived in the Bad Lands at the time that we come among them on
the vehicle of this tale. To them it was only an ordinary country of
toil and disappointment, or of opportunity and profit, according to
their station and success.

To Jeremiah Lambert it seemed the land of hopelessness, the last
boundary of utter defeat as he labored over the uneven road at the end
of a blistering summer day, trundling his bicycle at his side. There was
a suit-case strapped to the handlebar of the bicycle, and in that
receptacle were the wares which this guileless peddler had come into
that land to sell. He had set out from Omaha full of enthusiasm and
youthful vigor, incited to the utmost degree of vending fervor by the
representations of the general agent for the little instrument which had
been the stepping-stone to greater things for many an ambitious young
man.

According to the agent, Lambert reflected, as he pushed his punctured,
lop-wheeled, disordered, and dejected bicycle along; there had been
none of the ambitious business climbers at hand to add his testimony to
the general agent's word.

Anyway, he had taken the agency, and the agent had taken his essential
twenty-two dollars and turned over to him one hundred of those notable
ladders to future greatness and affluence. Lambert had them there in his
imitation-leather suit-case--from which the rain had taken the last
deceptive gloss--minus seven which he had sold in the course of fifteen
days.

In those fifteen days Lambert had traveled five hundred miles, by the
power of his own sturdy legs, by the grace of his bicycle, which had
held up until this day without protest over the long, sandy, rocky,
dismal roads, and he had lived on less than a gopher, day taken by day.

Housekeepers were not pining for the combination potato-parer,
apple-corer, can-opener, tack-puller, known as the "All-in-One" in any
reasonable proportion.

It did not go. Indisputably it was a good thing, and well built, and
finished like two dollars' worth of cutlery. The selling price, retail,
was one dollar, and it looked to an unsophisticated young graduate of
an agricultural college to be a better opening toward independence and
the foundation of a farm than a job in the hay fields. A man must make
his start somewhere, and the farther away from competition the better
his chance.

This country to which the general agent had sent him was becoming more
and more sparsely settled. The chances were stretching out against him
with every mile. The farther into that country he should go the smaller
would become the need for that marvelous labor-saving invention.

Lambert had passed the last house before noon, when his sixty-five-pound
bicycle had suffered a punctured tire, and there had bargained with a
Scotch woman at the greasy kitchen door with the smell of curing
sheepskins in it for his dinner. It took a good while to convince the
woman that the All-in-One was worth it, but she yielded out of pity for
his hungry state. From that house he estimated that he had made fifteen
miles before the tire gave out; since then he had added ten or twelve
more to the score. Nothing that looked like a house was in sight, and
it was coming on dusk.

He labored on, bent in spirit, sore of foot. From the rise of a hill,
when it had fallen so dark that he was in doubt of the road, he heard a
voice singing. And this was the manner of the song:

    _Oh, I bet my money on a bob-tailed hoss,
      An' a hoo-dah, an' a hoo-dah;
    I bet my money on a bob-tailed hoss,
      An' a hoo-dah bet on the bay._

The singer was a man, his voice an aggravated tenor with a shake to it
like an accordion, and he sang that stanza over and over as Lambert
leaned on his bicycle and listened.

Lambert went down the hill. Presently the shape of trees began to form
out of the valley. Behind that barrier the man was doing his singing,
his voice now rising clear, now falling to distance as if he passed to
and from, in and out of a door, or behind some object which broke the
flow of sound. A whiff of coffee, presently, and the noise of the man
breaking dry sticks, as with his foot, jarring his voice to a deeper
tremolo. Now the light, with the legs of the man in it, showing a
cow-camp, the chuck wagon in the foreground, the hope of hospitality big
in its magnified proportions.

Beyond the fire where the singing cook worked, men were unsaddling their
horses and turning them into the corral. Lambert trundled his bicycle
into the firelight, hailing the cook with a cheerful word.

The cook had a tin plate in his hands, which he was wiping on a flour
sack. At sight of this singular combination of man and wheels he leaned
forward in astonishment, his song bitten off between two words, the tin
plate before his chest, the drying operations suspended. Amazement was
on him, if not fright. Lambert put his hand into his hip-pocket and drew
forth a shining All-in-One, which he always had ready there to produce
as he approached a door.

He stood there with it in his hand, the firelight over him, smiling in
his most ingratiating fashion. That had been one of the strong texts of
the general agent. Always meet them with a smile, he said, and leave
them with a smile, no matter whether they deserved it or not. It proved
a man's unfaltering confidence in himself and the article which he
presented to the world.

Lambert was beginning to doubt even this paragraph of his general
instructions. He had been smiling until he believed his eye-teeth were
wearing thin from exposure, but it seemed the one thing that had a grain
in it among all the buncombe and bluff. And he stood there smiling at
the camp cook, who seemed to be afraid of him, the tin plate held before
his gizzard like a shield.

There was nothing about Lambert's appearance to scare anybody, and least
of all a bow-legged man beside a fire in the open air of the Bad Lands,
where things are not just as they are in any other part of this world at
all. His manner was rather boyish and diffident, and wholly apologetic,
and the All-in-One glistened in his hand like a razor, or a revolver, or
anything terrible and destructive that a startled camp cook might make
it out to be.

A rather long-legged young man, in canvas puttees, a buoyant and
irrepressible light in his face which the fatigues and disappointments
of the long road had not dimmed; a light-haired man, with his hat pushed
back from his forehead, and a speckled shirt on him, and trousers rather
tight--that was what the camp cook saw, standing exactly as he had
turned and posed at Lambert's first word.

Lambert drew a step nearer, and began negotiations for supper on the
basis of an even exchange.

"Oh, agent, are you?" said the cook, letting out a breath of relief.

"No; peddler."

"I don't know how to tell 'em apart. Well, put it away, son, put it
away, whatever it is. No hungry man don't have to dig up his money to
eat in this camp."

This was the kindest reception that Lambert had received since taking to
the road to found his fortunes on the All-in-One. He was quick with his
expression of appreciation, which the cook ignored while he went about
the business of lighting two lanterns which he hung on the wagon end.

Men came stringing into the light from the noise of unsaddling at the
corral with loud and jocund greetings to the cook, and respectful, even
distant and reserved, "evenin's" for the stranger. All of them but the
cook wore cartridge-belts and revolvers, which they unstrapped and hung
about the wagon as they arrived. All of them, that is, but one
black-haired, tall young man. He kept his weapon on, and sat down to eat
with it close under his hand.

Nine or ten of them sat in at the meal, with a considerable clashing of
cutlery on tin plates and cups. It was evident to Lambert that his
presence exercised a restraint over their customary exchange of banter.
In spite of the liberality of the cook, and the solicitation on part of
his numerous hosts to "eat hearty," Lambert could not help the feeling
that he was away off on the edge, and that his arrival had put a rein on
the spirits of these men.

Mainly they were young men like himself, two or three of them only
betrayed by gray in beards and hair; brown, sinewy, lean-jawed men, no
dissipation showing in their eyes.

Lambert felt himself drawn to them by a sense of kinship. He never had
been in a cow-camp before in his life, but there was something in the
air of it, in the dignified ignoring of the evident hardships of such a
life that told him he was among his kind.

The cook was a different type of man from the others, and seemed to have
been pitched into the game like the last pawn of a desperate player. He
was a short man, thick in the body, heavy in the shoulders, so
bow-legged that he weaved from side to side like a sailor as he went
swinging about his work. It seemed, indeed, that he must have taken to a
horse very early in life, while his legs were yet plastic, for they had
set to the curve of the animal's barrel like the bark on a tree.

His black hair was cut short, all except a forelock like a horse,
leaving his big ears naked and unframed. These turned away from his head
as if they had been frosted and wilted, and if ears ever stood as an
index to generosity in this world the camp cook's at once pronounced him
the most liberal man to be met between the mountains and the sea. His
features were small, his mustache and eyebrows large, his nose sharp
and thin, his eyes blue, and as bright and merry as a June day.

He wore a blue wool shirt, new and clean, with a bright scarlet necktie
as big as a hand of tobacco; and a green velvet vest, a galloping horse
on his heavy gold watch-chain, and great, loose, baggy corduroy
trousers, like a pirate of the Spanish Main. These were folded into
expensive, high-heeled, quilted-topped boots, and, in spite of his
trade, there was not a spot of grease or flour on him anywhere to be
seen.

Lambert noted the humorous glances which passed from eye to eye, and the
sly winks that went round the circle of cross-legged men with tin plates
between their knees as they looked now and then at his bicycle leaning
close by against a tree. But the exactions of hospitality appeared to
keep down both curiosity and comment during the meal. Nobody asked him
where he came from, what his business was, or whither he was bound,
until the last plate was pitched into the box, the last cup drained of
its black, scalding coffee.

It was one of the elders who took it up then, after he had his pipe
going and Lambert had rolled a cigarette from the proffered pouch.

"What kind of a horse is that you're ridin', son?" he inquired.

"Have a look at it," Lambert invited, knowing that the machine was new
to most, if not all, of them. He led the way to the bicycle, they
unlimbering from their squatting beside the wagon and following.

He took the case containing his unprofitable wares from the handlebars
and turned the bicycle over to them, offering no explanations on its
peculiarities or parts, speaking only when they asked him, in horse
parlance, with humor that broadened as they put off their reserve. On
invitation to show its gait he mounted it, after explaining that it had
stepped on a nail and traveled lamely. He circled the fire and came back
to them, offering it to anybody who might want to try his skill.

Hard as they were to shake out of the saddle, not a man of them, old or
young, could mount the rubber-shod steed of the city streets. All of
them gave it up after a tumultuous hour of hilarity but the bow-legged
cook, whom they called Taterleg. He said he never had laid much claim
to being a horseman, but if he couldn't ride a long-horned Texas steer
that went on wheels he'd resign his job.

He took it out into the open, away from the immediate danger of a
collision with a tree, and squared himself to break it in. He got it
going at last, cheered by loud whoops of admiration and encouragement,
and rode it straight into the fire. He scattered sticks and coals and
bore a wabbling course ahead, his friends after him, shouting and waving
hats. Somewhere in the dark beyond the lanterns he ran into a tree.

But he came back pushing the machine, his nose skinned, sweating and
triumphant, offering to pay for any damage he had done. Lambert assured
him there was no damage. They sat down to smoke again, all of them
feeling better, the barrier against the stranger quite down, everything
comfortable and serene.

Lambert told them, in reply to kindly, polite questioning from the elder
of the bunch, a man designated by the name Siwash, how he was lately
graduated from the Kansas Agricultural College at Manhattan, and how he
had taken the road with a grip full of hardware to get enough ballast
in his jeans to keep the winter wind from blowing him away.

"Yes, I thought that was a college hat you had on," said Siwash.

Lambert acknowledged its weakness.

"And that shirt looked to me from the first snort I got at it like a
college shirt. I used to be where they was at one time."

Lambert explained that an aggie wasn't the same as a regular college
fellow, such as they turn loose from the big factories in the East,
where they thicken their tongues to the broad a and call it an
education; nothing like that, at all. He went into the details of the
great farms manned by the students, the bone-making, as well as the
brain-making work of such an institution as the one whose shadows he had
lately left.

"I ain't a-findin' any fault with them farmer colleges," Siwash said. "I
worked for a man in Montanny that sent his boy off to one of 'em, and
that feller come back and got to be state vet'nary. I ain't got nothing
ag'in' a college hat, as far as that goes, neither, but I know 'em when
I see 'em--I can spot 'em every time. Will you let us see them
Do-it-Alls?"

Lambert produced one of the little implements, explained its points, and
it passed from hand to hand, with comments which would have been worth
gold to the general agent.

"It's a toothpick and a tater-peeler put together," said Siwash, when it
came back to his hand. The young fellow with the black, sleek hair, who
kept his gun on, reached for it, bent over it in the light, examining it
with interest.

"You can trim your toenails with it and half-sole your boots," he said.
"You can shave with it and saw wood, pull teeth and brand mavericks; you
can open a bottle or a bank with it, and you can open the hired gal's
eyes with it in the mornin'. It's good for the old and the young, for
the crippled and the in-sane; it'll heat your house and hoe your garden,
and put the children to bed at night. And it's made and sold and
distributed by Mr.--Mr.--by the Duke----"

Here he bent over it a little closer, turning it in the light to see
what was stamped in the metal beneath the words "The Duke," that being
the name denoting excellence which the manufacturer had given the tool.

"By the Duke of--the Duke of--is them three links of saursage, Siwash?"

Siwash looked at the triangle under the name.

"No, that's Indian writin'; it means a mountain," he said.

"Sure, of course, I might 'a' knowed," the young man said with deep
self-scorn. "That's a butte, that's old Chimney Butte, as plain as
smoke. Made and sold and distributed in the Bad Lands by the Duke of
Chimney Butte. Duke," said he solemnly, rising and offering his hand,
"I'm proud to know you."

There was no laughter at this; it was not time to laugh yet. They sat
looking at the young man, primed and ready for the big laugh, indeed,
but holding it in for its moment. As gravely as the cowboy had risen, as
solemnly as he held his countenance in mock seriousness, Lambert rose
and shook hands with him.

"The pleasure is mostly mine," said he, not a flush of embarrassment or
resentment in his face, not a quiver of the eyelid as he looked the
other in the face, as if this were some high and mighty occasion, in
truth.

"And you're all right, Duke, you're sure all right," the cowboy said, a
note of admiration in his voice.

"I'd bet you money he's all right," Siwash said, and the others echoed
it in nods and grins.

The cowboy sat down and rolled a cigarette, passed his tobacco across to
Lambert, and they smoked. And no matter if his college hat had been only
half as big as it was, or his shirt ring-streaked and spotted, they
would have known the stranger for one of their kind, and accepted him as
such.




CHAPTER II

WHETSTONE, THE OUTLAW


When Taterleg roused the camp before the east was light, Lambert noted
that another man had ridden in. This was a wiry young fellow with a
short nose and fiery face, against which his scant eyebrows and lashes
were as white as chalk.

His presence in the camp seemed to put a restraint on the spirits of the
others, some of whom greeted him by the name Jim, others ignoring him
entirely. Among these latter was the black-haired man who had given
Lambert his title and elevated him to the nobility of the Bad Lands. On
the face of it there was a crow to be picked between them.

Jim was belted with a pistol and heeled with a pair of those
long-roweled Mexican spurs, such as had gone out of fashion on the
western range long before his day. He leaned on his elbow near the fire,
his legs stretched out in a way that obliged Taterleg to walk round the
spurred boots as he went between his cooking and the supplies in the
wagon, the tailboard of which was his kitchen table.

If Taterleg resented this lordly obstruction, he did not discover it by
word or feature. He went on humming a tune without words as he worked,
handing out biscuits and ham to the hungry crew. Jim had eaten his
breakfast already, and was smoking a cigarette at his ease. Now and then
he addressed somebody in obscene jocularity.

Lambert saw that Jim turned his eyes on him now and then with sneering
contempt, but said nothing. When the men had made a hasty end of their
breakfast three of them started to the corral. The young man who had
humorously enumerated the virtues of the All-in-One, whom the others
called Spence, was of this number. He turned back, offering Lambert his
hand with a smile.

"I'm glad I met you, Duke, and I hope you'll do well wherever you
travel," he said, with such evident sincerity and good feeling that
Lambert felt like he was parting from a friend.

"Thanks, old feller, and the same to you."

Spence went on to saddle his horse, whistling as he scuffed through the
low sage. Jim sat up.

"I'll make you whistle through your ribs," he snarled after him.

It was Sunday. These men who remained in camp were enjoying the
infrequent luxury of a day off. With the first gleam of morning they got
out their razors and shaved, and Siwash, who seemed to be the handy man
and chief counselor of the outfit, cut everybody's hair, with the
exception of Jim, who had just returned from somewhere on the train, and
still had the scent of the barber-shop on him, and Taterleg, who had
mastered the art of shingling himself, and kept his hand in by constant
practice.

Lambert mended his tire, using an old rubber boot that Taterleg found
kicking around camp to plug the big holes in his outer tube. He was for
going on then, but Siwash and the others pressed him to stay over the
day, to which invitation he yielded without great argument.

There was nothing ahead of him but desolation, said Taterleg, a country
so rough that it tried a horse to travel it. Ranchhouses were farther
apart as a man proceeded, and beyond that, mountains. It looked to
Taterleg as if he'd better give it up.

That was so, according to the opinion of Siwash. To his undoubted
knowledge, covering the history of twenty-four years, no agent ever had
penetrated that far before. Having broken this record on a bicycle,
Lambert ought to be satisfied. If he was bound to travel, said Siwash,
his advice would be to travel back.

It seemed to Lambert that the bottom was all out of his plans, indeed.
It would be far better to chuck the whole scheme overboard and go to
work as a cowboy if they would give him a job. That was nearer the
sphere of his intended future activities; that was getting down to the
root and foundation of a business which had a ladder in it whose rungs
were not made of any general agent's hot air.

After his hot and heady way of quick decisions and planning to
completion before he even had begun, Lambert was galloping the Bad Lands
as superintendent of somebody's ranch, having made the leap over all
the trifling years, with their trifling details of hardship, low wages,
loneliness, and isolation in a wink. From superintendent he galloped
swiftly on his fancy to a white ranchhouse by some calm riverside, his
herds around him, his big hat on his head, market quotations coming to
him by telegraph every day, packers appealing to him to ship five
trainloads at once to save their government contracts.

What is the good of an imagination if a man cannot ride it, and feel the
wind in his face as he flies over the world? Even though it is a liar
and a trickster, and a rifler of time which a drudge of success would be
stamping into gold, it is better for a man than wine. He can return from
his wide excursions with no deeper injury than a sigh.

Lambert came back to the reality, broaching the subject of a job. Here
Jim took notice and cut into the conversation, it being his first word
to the stranger.

"Sure you can git a job, bud," he said, coming over to where Lambert sat
with Siwash and Taterleg, the latter peeling potatoes for a stew,
somebody having killed a calf. "The old man needs a couple of hands; he
told me to keep my eye open for anybody that wanted a job."

"I'm glad to hear of it," said Lambert, warming up at the news, feeling
that he must have been a bit severe in his judgment of Jim, which had
not been altogether favorable.

"He'll be over in the morning; you'd better hang around."

Seeing the foundation of a new fortune taking shape, Lambert said he
would "hang around." They all applauded his resolution, for they all
appeared to like him in spite of his appearance, which was distinctive,
indeed, among the somber colors of that sage-gray land.

Jim inquired if he had a horse, the growing interest of a friend in his
manner. Hearing the facts of the case from Lambert--before dawn he had
heard them from Taterleg--he appeared concerned almost to the point of
being troubled.

"You'll have to git you a horse, Duke; you'll have to ride up to the
boss when you hit him for a job. He never was known to hire a man off
the ground, and I guess if you was to head at him on that bicycle, he'd
blow a hole through you as big as a can of salmon. Any of you fellers
got a horse you want to trade the Duke for his bicycle?"

The inquiry brought out a round of somewhat cloudy witticism, with
proposals to Lambert for an exchange on terms rather embarrassing to
meet, seeing that even the least preposterous was not sincere. Taterleg
winked to assure him that it was all banter, without a bit of harm at
the bottom of it, which Lambert understood very well without the
services of a commentator.

Jim brightened up presently, as if he saw a gleam that might lead
Lambert out of the difficulty. He had an extra horse himself, not much
of a horse to look at, but as good-hearted a horse as a man ever throwed
a leg over, and that wasn't no lie, if you took him the right side on.
But you had to take him the right side on, and humor him, and handle him
like eggs till he got used to you. Then you had as purty a little horse
as a man ever throwed a leg over, anywhere.

Jim said he'd offer that horse, only he was a little bashful in the
presence of strangers--meaning the horse--and didn't show up in a style
to make his owner proud of him. The trouble with that horse was he used
to belong to a one-legged man, and got so accustomed to the feel of a
one-legged man on him that he was plumb foolish between two legs.

That horse didn't have much style to him, and no gait to speak of; but
he was as good a cow-horse as ever chawed a bit. If the Duke thought
he'd be able to ride him, he was welcome to him. Taterleg winked what
Lambert interpreted as a warning at that point, and in the faces of the
others there were little gleams of humor, which they turned their heads,
or bent to study the ground, as Siwash did, to hide.

"Well, I'm not much on a horse," Lambert confessed.

"You look like a man that'd been on a horse a time or two," said Jim,
with a knowing inflection, a shrewd flattery.

"I used to ride around a little, but that's been a good while ago."

"A feller never forgits how to ride," Siwash put in; "and if a man wants
to work on the range, he's got to ride 'less'n he goes and gits a job
runnin' sheep, and that's below any man that is a man."

Jim sat pondering the question, hands hooked in front of his knees, a
match in his mouth beside his unlighted cigarette.

"I been thinkin' I'd sell that horse," said he reflectively. "Ain't got
no use for him much; but I don't know."

He looked off over the chuck wagon, through the tops of the scrub pines
in which the camp was set, drawing his thin, white eyebrows, considering
the case.

"Winter comin' on and hay to buy," said Siwash.

"That's what I've been thinkin' and studyin' over. Shucks! I don't need
that horse. I tell you what I'll do, Duke"--turning to Lambert, brisk as
with a gush of sudden generosity--"if you can ride that old pelter, I'll
give him to you for a present. And I bet you'll not git as cheap an
offer of a horse as that ever in your life ag'in."

"I think it's too generous--I wouldn't want to take advantage of it,"
Lambert told him, trying to show a modesty in the matter that he did
not feel.

"I ain't a-favorin' you, Duke; not a dollar. If I needed that horse, I'd
hang onto him, and you wouldn't git him a cent under thirty-five bucks;
but when a man don't need a horse, and it's a expense on him, he can
afford to give it away--he can give it away and make money. That's what
I'm a-doin', if you want to take me up."

"I'll take a look at him, Jim."

Jim got up with eagerness, and went to fetch a saddle and bridle from
under the wagon. The others came into the transaction with lively
interest. Only Taterleg edged round to Lambert, and whispered with his
head turned away to look like innocence:

"Watch out for him--he's a bal'-faced hyeeny!"

They trooped off to the corral, which was a temporary enclosure made of
wire run among the little pines. Jim brought the horse out. It stood
tamely enough to be saddled, with head drooping indifferently, and
showed no deeper interest and no resentment over the operation of
bridling, Jim talking all the time he worked, like the faker that he
was, to draw off a too-close inspection of his wares.

"Old Whetstone ain't much to look at," he said, "and as I told you,
Mister, he ain't got no fancy gait; but he can bust the middle out of
the breeze when he lays out a straight-ahead run. Ain't a horse on this
range can touch his tail when old Whetstone throws a ham into it and
lets out his stren'th."

"He looks like he might go some," Lambert commented in the vacuous way
of a man who felt that he must say something, even though he didn't know
anything about it.

Whetstone was rather above the stature of the general run of range
horses, with clean legs and a good chest. But he was a hammer-headed,
white-eyed, short-maned beast, of a pale water-color yellow, like an old
dish. He had a beaten-down, bedraggled, and dispirited look about him,
as if he had carried men's burdens beyond his strength for a good while,
and had no heart in him to take the road again. He had a scoundrelly way
of rolling his eyes to watch all that went on about him without turning
his head.

Jim girthed him and cinched him, soundly and securely, for no matter who
was pitched off and smashed up in that ride, he didn't want the saddle
to turn and be ruined.

"Well, there he stands, Duke, and saddle and bridle goes with him if
you're able to ride him. I'll be generous; I won't go half-way with you;
I'll be whole hog or none. Saddle and bridle goes with Whetstone, all a
free gift, if you can ride him, Duke. I want to start you up right."

It was a safe offer, taking all precedent into account, for no man ever
had ridden Whetstone, not even his owner. The beast was an outlaw of the
most pronounced type, with a repertory of tricks, calculated to get a
man off his back, so extensive that he never seemed to repeat. He stood
always as docilely as a camel to be saddled and bridled, with what
method in this apparent docility no man versed in horse philosophy ever
had been able to reason out. Perhaps it was that he had been born with a
spite against man, and this was his scheme for luring him on to his
discomfiture and disgrace.

It was an expectant little group that stood by to witness this
greenhorn's rise and fall. According to his established methods,
Whetstone would allow him to mount, still standing with that indifferent
droop to his head. But one who was sharp would observe that he was
rolling his old white eyes back to see, tipping his sharp ear like a
wildcat to hear every scrape and creak of the leather. Then, with the
man in the saddle, nobody knew what he would do.

That uncertainty was what made Whetstone valuable and interesting beyond
any outlaw in the world. Men grew accustomed to the tricks of ordinary
pitching broncos, in time, and the novelty and charm were gone. Besides,
there nearly always was somebody who could ride the worst of them. Not
so Whetstone. He had won a good deal of money for Jim, and everybody in
camp knew that thirty-five dollars wasn't more than a third of the value
that his owner put upon him.

There was boundless wonder among them, then, and no little admiration,
when this stranger who had come into that unlikely place on a bicycle
leaped into the saddle so quickly that old Whetstone was taken
completely by surprise, and held him with such a strong hand and stiff
rein that his initiative was taken from him.

The greenhorn's next maneuver was to swing the animal round till he lost
his head, then clap heels to him and send him off as if he had business
for the day laid out ahead of him.

It was the most amazing start that anybody ever had been known to make
on Whetstone, and the most startling and enjoyable thing about it was
that this strange, overgrown boy, with his open face and guileless
speech, had played them all for a bunch of suckers, and knew more about
riding in a minute than they ever had learned in their lives.

Jim Wilder stood by, swearing by all his obscene deities that if that
man hurt Whetstone, he'd kill him for his hide. But he began to feel
better in a little while. Hope, even certainty, picked up again.
Whetstone was coming to himself. Perhaps the old rascal had only been
elaborating his scheme a little at the start, and was now about to show
them that their faith in him was not misplaced.

The horse had come to a sudden stop, legs stretched so wide that it
seemed as if he surely must break in the middle. But he gathered his
feet together so quickly that the next view presented him with his back
arched like a fighting cat's. And there on top of him rode the Duke, his
small brown hat in place, his gay shirt ruffling in the wind.

After that there came, so quickly that it made the mind and eye hasten
to follow, all the tricks that Whetstone ever had tried in his past
triumphs over men; and through all of them, sharp, shrewd, unexpected,
startling as some of them were, that little brown hat rode untroubled on
top. Old Whetstone was as wet at the end of ten minutes as if he had
swum a river. He grunted with anger as he heaved and lashed, he squealed
in his resentful passion as he swerved, lunged, pitched, and clawed the
air.

The little band of spectators cheered the Duke, calling loudly to inform
him that he was the only man who ever had stuck that long. The Duke
waved his hat in acknowledgement, and put it back on with deliberation
and exactness, while old Whetstone, as mad as a wet hen, tried to roll
down suddenly and crush his legs.

Nothing to be accomplished by that old trick. The Duke pulled him up
with a wrench that made him squeal, and Whetstone, lifted off his
forelegs, attempted to complete the backward turn and catch his
tormentor under the saddle. But that was another trick so old that the
simplest horseman knew how to meet it. The next thing he knew, Whetstone
was galloping along like a gentleman, just wind enough in him to carry
him, not an ounce to spare.

Jim Wilder was swearing himself blue. It was a trick, an imposition, he
declared. No circus-rider could come there and abuse old Whetstone that
way and live to eat his dinner. Nobody appeared to share his view of it.
They were a unit in declaring that the Duke beat any man handling a
horse they ever saw. If Whetstone didn't get him off pretty soon, he
would be whipped and conquered, his belly on the ground.

"If he hurts that horse I'll blow a hole in him as big as a can of
salmon!" Jim declared.

"Take your medicine like a man, Jim," Siwash advised. "You might know
somebody'd come along that'd ride him, in time."

"Yes, _come_ along!" said Jim with a sneer.

Whetstone had begun to collect himself out on the flat among the
sagebrush a quarter of a mile away. The frenzy of desperation was in
him. He was resorting to the raw, low, common tricks of the ordinary
outlaw, even to biting at his rider's legs. That ungentlemanly behavior
was costly, as he quickly learned, at the expense of a badly cut mouth.
He never had met a rider before who had energy to spare from his efforts
to stick in the saddle to slam him a big kick in the mouth when he
doubled himself to make that vicious snap. The sound of that kick
carried to the corral.

"I'll fix you for that!" Jim swore.

He was breathing as hard as his horse, sweat of anxiety running down his
face. The Duke was bringing the horse back, his spirit pretty well
broken, it appeared.

"What do you care what he does to him? It ain't your horse no more."

It was Taterleg who said that, standing near Jim, a little way behind
him, as gorgeous as a bridegroom in the bright sun.

"You fellers can't ring me in on no game like that and beat me out of my
horse!" said Jim, redder than ever in his passion.

"Who do you mean, rung you in, you little, flannel-faced fiste?"[1]
Siwash demanded, whirling round on him with blood in his eye.

Jim was standing with his legs apart, bent a little at the knees, as if
he intended to make a jump. His right hand was near the butt of his gun,
his fingers were clasping and unclasping, as if he limbered them for
action. Taterleg slipped up behind him on his toes, and jerked the gun
from Jim's scabbard with quick and sure hand. He backed away with it,
presenting it with determined mien as Jim turned on him and cursed him
by all his lurid gods.

"If you fight anybody in this camp today, Jim, you'll fight like a man,"
said Taterleg, "or you'll hobble out of it on three legs, like a wolf."

The Duke was riding old Whetstone like a feather, letting him have his
spurts of kicking and stiff-legged bouncing without any effort to
restrain him at all. There wasn't much steam in the outlaw's antics now;
any common man could have ridden him without losing his hat.

Jim had drawn apart from the others, resentful of the distrust that
Taterleg had shown, but more than half of his courage and bluster taken
away from him with his gun. He was swearing more volubly than ever to
cover his other deficiencies; but he was a man to be feared only when he
had his weapon under his hand.

The Duke had brought the horse almost back to camp when the animal was
taken with an extraordinarily vicious spasm of pitching, broken by
sudden efforts to fling himself down and roll over on his persistent
rider. The Duke let him have it his way, all but the rolling, for a
while; then he appeared to lose patience with the stubborn beast. He
headed him into the open, laid the quirt to him, and galloped toward the
hills.

"That's the move--run the devil out of him," said one.

The Duke kept him going, and going for all there was in him. Horse and
rider were dim in the dust of the heated race against the evil passion,
the untamed demon, in the savage creature's heart. It began to look as
if Lambert never intended to come back. Jim saw it that way. He came
over to Taterleg as hot as a hornet.

"Give me that gun--I'm goin' after him!"

"You'll have to go without it, Jim."

Jim blasted him to sulphurous perdition, and split him with forked
lightning from his blasphemous tongue.

"He'll come back; he's just runnin' the vinegar out of him," said one.

"Come back--hell!" said Jim.

"If he don't come back, that's his business. A man can go wherever he
wants to go on his own horse, I guess."

That was the observation of Siwash, standing there rather glum and out
of tune over Jim's charge that they had rung the Duke in on him to beat
him out of his animal.

"It was a put-up job! I'll split that feller like a hog!"

Jim left them with that declaration of his benevolent intention,
hurrying to the corral where his horse was, his saddle on the ground by
the gate. They watched him saddle, and saw him mount and ride after the
Duke, with no comment on his actions at all.

The Duke was out of sight in the scrub timber at the foot of the hills,
but his dust still floated like the wake of a swift boat, showing the
way he had gone.

"Yes, you will!" said Taterleg.

Meaningless, irrelevant, as that fragmentary ejaculation seemed, the
others understood. They grinned, and twisted wise heads, spat out their
tobacco, and went back to dinner.

FOOTNOTE:

[Footnote 1: Fice--dog.]




CHAPTER III

AN EMPTY SADDLE


The Duke was seen coming back before the meal was over, across the
little plain between camp and hills. A quarter of a mile behind him Jim
Wilder rode, whether seen or unseen by the man in the lead they did not
know.

Jim had fallen behind somewhat by the time the Duke reached camp. The
admiration of all hands over this triumph against horseflesh and the
devil within it was so great that they got up to welcome the Duke, and
shake hands with him as he left the saddle. He was as fresh and nimble,
unshaken and serene, as when he mounted old Whetstone more than an hour
before.

Whetstone was a conquered beast, beyond any man's doubt. He stood with
flaring nostrils, scooping in his breath, not a dry hair on him, not a
dash of vinegar in his veins.

"Where's Jim?" the Duke inquired.

"Comin'," Taterleg replied, waving his hand afield.

"What's he doin' out there--where's he been?" the Duke inquired, a
puzzled look in his face, searching their sober countenances for his
answer.

"He thought you----"

"Let him do his own talkin', kid," said Siwash, cutting off the cowboy's
explanation.

Siwash looked at the Duke shrewdly, his head cocked to one side like a
robin listening for a worm.

"What outfit was you with before you started out sellin' them
tooth-puller-can-opener machines, son?" he inquired.

"Outfit? What kind of an outfit?"

"Ranch, innercence; what range was you ridin' on?"

"I never rode any range, I'm sorry to say."

"Well, where in the name of mustard did you learn to ride?"

"I used to break range horses for five dollars a head at the Kansas City
Stockyards. That was a good while ago; I'm all out of practice now."

"Yes, and I bet you can throw a rope, too."

"Nothing to speak of."

"Nothing to speak of! Yes, I'll _bet_ you nothing to speak of!"

Jim didn't stop at the corral to turn in his horse, but came clattering
into camp, madder for the race that the Duke had led him in ignorance of
his pursuit, as every man could see. He flung himself out of the saddle
with a flip like a bird taking to the wing, his spurs cutting the ground
as he came over to where Lambert stood.

"Maybe you can ride my horse, you damn granger, but you can't ride me!"
he said.

He threw off his vest as he spoke, that being his only superfluous
garment, and bowed his back for a fight. Lambert looked at him with a
flush of indignant contempt spreading in his face.

"You don't need to get sore about it; I only took you up at your own
game," he said.

"No circus-ringer's goin' to come in here and beat me out of my horse.
You'll either put him back in that corral or you'll chaw leather with
me!"

"I'll put him back in the corral when I'm ready, but I'll put him back
as mine. I won him on your own bet, and it'll take a whole lot better
man than you to take him away from me."

In the manner of youth and independence, Lambert got hotter with every
word, and after that there wasn't much room for anything else to be said
on either side. They mixed it, and they mixed it briskly, for Jim's
contempt for a man who wore a hat like that supplied the courage that
had been drained from him when he was disarmed.

There was nothing epic in that fight, nothing heroic at all. It was a
wildcat struggle in the dust, no more science on either side than nature
put into their hands at the beginning. But they surely did kick up a lot
of dust. It would have been a peaceful enough little fight, with a
handshake at the end and all over in an hour, very likely, if Jim hadn't
managed to get out his knife when he felt himself in for a trimming.

It was a mean-looking knife, with a buck-horn handle and a four-inch
blade that leaped open on pressure of a spring. Its type was widely
popular all over the West in those days, but one of them would be almost
a curiosity now. But Jim had it out, anyhow, lying on his back with the
Duke's knee on his ribs, and was whittling away before any man could
raise a hand to stop him.

The first slash split the Duke's cheek for two inches just below his
eye; the next tore his shirt sleeve from shoulder to elbow, grazing the
skin as it passed. And there somebody kicked Jim's elbow and knocked the
knife out of his hand.

"Let him up, Duke," he said.

Lambert released the strangle hold that he had taken on Jim's throat and
looked up. It was Spence, standing there with his horse behind him. He
laid his hand on Lambert's shoulder.

"Let him up, Duke," he said again.

Lambert got up, bleeding a cataract. Jim bounced to his feet like a
spring, his hand to his empty holster, a look of dismay in his blanching
face.

"That's your size, you nigger!" Spence said, kicking the knife beyond
Jim's reach. "That's the kind of a low-down cuss you always was. This
man's our guest, and when you pull a knife on him you pull it on me!"

"You know I ain't got a gun on me, you----"

"Git it, you sneakin' houn'!"

Jim looked round for Taterleg.

"Where's my gun? you greasy potslinger!"

"Give it to him, whoever's got it."

Taterleg produced it. Jim began backing off as soon as he had it in his
hand, watching Spence alertly. Lambert leaped between them.

"Gentlemen, don't go to shootin' over a little thing like this!" he
begged.

Taterleg came between them, also, and Siwash, quite blocking up the
fairway.

"Now, boys, put up your guns; this is Sunday, you know," Siwash said.

"Give me room, men!" Spence commanded, in voice that trembled with
passion, with the memory of old quarrels, old wrongs, which this last
insult to the camp's guest gave the excuse for wiping out. There was
something in his tone not to be denied; they fell out of his path as if
the wind had blown them. Jim fired, his elbow against his ribs.

Too confident of his own speed, or forgetting that Wilder already had
his weapon out, Spence crumpled at the knees, toppled backward, fell.
His pistol, half-drawn, dropped from the holster and lay at his side.
Wilder came a step nearer and fired another shot into the fallen man's
body, dead as he must have known him to be. He ran on to his horse,
mounted, and rode away.

Some of the others hurried to the wagon after their guns. Lambert, for a
moment shocked to the heart by the sudden horror of the tragedy, bent
over the body of the man who had taken up his quarrel without even
knowing the merits of it, or whose fault lay at the beginning. A look
into his face was enough to tell that there was nothing within the
compass of this earth that could bring back life to that strong, young
body, struck down in a breath like a broken vase. He looked up. Jim
Wilder was bending in the saddle as he rode swiftly away, as if he
expected them to shoot. A great fire of resentment for this man's
destructive deed swept over him, hotter than the hot blood wasting from
his wounded cheek. The passion of vengeance wrenched his joints, his
hand shook and grew cold, as he stooped again to unfasten the belt about
his friend's dead body.

Armed with the weapon that had been drawn a fraction of a second too
late, drawn in the chivalrous defense of hospitality, the high courtesy
of an obligation to a stranger, Lambert mounted the horse that had come
to be his at the price of this tragedy, and galloped in pursuit of the
fleeing man.

Some of the young men were hurrying to the corral, belting on their guns
as they ran to fetch their horses and join the pursuit. Siwash called
them back.

"Leave it to him, boys; it's his by rights," he said.

Taterleg stood looking after the two riders, the hindmost drawing
steadily upon the leader, and stood looking so until they disappeared in
the timber at the base of the hills.

"My God!" said he. And again, after a little while: "My God!"

It was dusk when Lambert came back, leading Jim Wilder's horse. There
was blood on the empty saddle.




CHAPTER IV

"AND SPEAK IN PASSING"


The events of that Sunday introduced Lambert into the Bad Lands and
established his name and fame. Within three months after going to work
for the Syndicate ranch he was known for a hundred miles around as the
man who had broken Jim Wilder's outlaw and won the horse by that
unparalleled feat.

That was the prop to his fame--that he had broken Jim Wilder's outlaw.
Certainly he was admired and commended for the unhesitating action he
had taken in avenging the death of his friend, but in that he had done
only what was expected of any man worthy the name. Breaking the outlaw
was a different matter entirely. In doing that he had accomplished what
was believed to be beyond the power of any living man.

According to his own belief, his own conscience, Lambert had made a bad
start. A career that had its beginning in contentions and violence,
enough of it crowded into one day to make more than the allotment of an
ordinary life, could not terminate with any degree of felicity and
honor. They thought little of killing a man in that country, it seemed;
no more than a perfunctory inquiry, to fulfill the letter of the law,
had been made by the authorities into Jim Wilder's death.

While it relieved him to know that the law held his justification to be
ample, there was a shadow following him which he could not evade in any
of the hilarious diversions common to those wild souls of the range.

It troubled him that he had killed a man, even in a fair fight in the
open field with the justification of society at his back. In his sleep
it harried him with visions; awake, it oppressed him like a sorrow, or
the memory of a shame. He became solemn and silent as a chastened man,
seldom smiling, laughing never.

When he drank with his companions in the little saloon at Misery, the
loading station on the railroad, he took his liquor as gravely as the
sacrament; when he raced them he rode with face grim as an Indian,
never whooping in victory, never swearing in defeat.

He had left even his own lawful and proper name behind him with his
past. Far and near he was known as the Duke of Chimney Butte, shortened
in cases of direct address to "Duke." He didn't resent it, rather took a
sort of grim pride in it, although he felt at times that it was one more
mark of his surrender to circumstances whose current he might have
avoided at the beginning by the exercise of a proper man's sense.

A man was expected to drink a good deal of the overardent spirits which
were sold at Misery. If he could drink without becoming noisy, so much
the more to his credit, so much higher he stood in the estimation of his
fellows as a copper-bottomed sport of the true blood. The Duke could put
more of that notorious whisky under cover, and still contain himself,
than any man they ever had seen in Misery. The more he drank the glummer
he became, but he never had been known either to weep or curse.

Older men spoke to him with respect, younger ones approached him with
admiration, unable to understand what kind of a safety-valve a man had
on his mouth that would keep his steam in when that Misery booze began
to sizzle in his pipes. His horse was a subject of interest almost equal
to himself.

Under his hand old Whetstone--although not more than seven--had
developed unexpected qualities. When the animal's persecution ceased,
his perversity fled. He grew into a well-conditioned creature, sleek of
coat, beautiful of tail as an Arab barb, bright of eye, handsome to
behold. His speed and endurance were matters of as much note as his
outlawry had been but a little while before, and his intelligence was
something almost beyond belief.

Lambert had grown exceedingly fond of him, holding him more in the
estimation of a companion than the valuation of a dumb creature of
burden. When they rode the long watches at night he talked to him, and
Whetstone would put back his sensitive ear and listen, and toss his head
in joyful appreciation of his master's confidence and praise.

Few horses had beaten Whetstone in a race since he became the Duke's
property. It was believed that none on that range could do it if the
Duke wanted to put him to his limit. It was said that the Duke lost only
such races as he felt necessary to the continuance of his prosperity.

Racing was one of the main diversions when the cowboys from the
surrounding ranches met at Misery on a Sunday afternoon, or when loading
cattle there. Few trains stopped at Misery, a circumstance resented by
the cowboys, who believed the place should be as important to all the
world as it was to them. To show their contempt for this aloof behavior
they usually raced the trains, frequently outrunning those westward
bound as they labored up the long grade.

Freight trains especially they took delight in beating, seeing how it
nettled the train crews. There was nothing more delightful in any
program of amusement that a cowboy could conceive than riding abreast of
a laboring freight engine, the sulky engineer crowding every pound of
power into the cylinders, the sooty fireman humping his back throwing in
coal. Only one triumph would have been sweeter--to outrun the big
passenger train from Chicago with the brass-fenced car at the end.

No man ever had done that yet, although many had tried. The engineers
all knew what to expect on a Sunday afternoon when they approached
Misery, where the cowboys came through the fence and raced the trains on
the right-of-way. A long, level stretch of soft gray earth, set with
bunches of grass here and there, began a mile beyond the station,
unmarred by steam-shovel or grader's scraper. A man could ride it with
his eyes shut; a horse could cover it at its best.

That was the racing ground over which they had contended with the
Chicago-Puget Sound flier for many years, and a place which engineers
and firemen prepared to pass quickly while yet a considerable distance
away. It was a sight to see the big engine round the curve below, its
plume of smoke rising straight for twenty feet, streaming back like a
running girl's hair, the cowboys all set in their saddles, waiting to
go.

Engineers on the flier were not so sulky about it, knowing that the race
was theirs before it was run. Usually they leaned out of the window and
urged the riders on with beckoning, derisive hand, while the fireman
stood by grinning, confident of the head of steam he had begun storing
for this emergency far down the road.

Porters told passengers about these wild horsemen in advance, and eager
faces lined the windows on that side of the cars as they approached
Misery, and all who could pack on the end of the observation car
assembled there. In spite of its name, Misery was quite a comfortable
break in the day's monotony for travelers on a Sunday afternoon.

Amid the hardships and scant diversions of this life, Lambert spent his
first winter in the Bad Lands, drinking in the noisy revels at Misery,
riding the long, bitter miles back to the ranch, despising himself for
being so mean and low. It was a life in which a man's soul would either
shrink to nothing or expand until it became too large to find
contentment within the horizon of such an existence.

Some of them expanded up to the size for ranch owners, superintendents,
bosses; stopped there, set in their mold. Lambert never had heard of
one stretching so wide that he was drawn out of himself entirely, his
eyes fixed on the far light of a nobler life. He liked to imagine a man
so inspired out of the lonely watches, the stormy rides, the battle
against blizzard and night.

This train of thought had carried him away that gentle spring day as he
rode to Misery. He resented the thought that he might have to spend his
youth as a hired servant in this rough occupation, unremunerative below
the hope of ever gaining enough to make a start in business for himself.
There was no romance in it, for all that had been written, no beautiful
daughter of the ranch owner to be married, and a fortune gained with
her.

Daughters there must be, indeed, among the many stockholders in that big
business, but they were not available in the Bad Lands. The
superintendent of the ranch had three or four, born to that estate, full
of loud laughter, ordinary as baled hay. A man would be a loser in
marrying such as they, even with a fortune ready made.

What better could that rough country offer? People are no gentler than
their pursuits, no finer than the requirements of their lives. Daughters
of the Bad Lands, such as he had seen of them in the wives to whom he
once had tried to sell the All-in-One, and the superintendent's girls
were not intended for any other life. As for him, if he had to live it
out there, with the shadow of a dead man at his heels, he would live it
alone. So he thought, going on his way to Misery, where there was to be
racing that afternoon, and a grand effort to keep up with the Chicago
flier.

Lambert never had taken part in that longstanding competition. It
appeared to him a senseless expenditure of horseflesh, a childish
pursuit of the wind. Yet, foolish as it was, he liked to watch them.
There was a thrill in the sweeping start of twenty or thirty horsemen
that warmed a man, making him feel as if he must whoop and wave his hat.
There was a belief alive among them that some day a man would come who
would run the train neck and neck to the depot platform.

Not much distinction in it, even so, said he. But it set him musing and
considering as he rode, his face quickening out of its somber cloud. A
little while after his arrival at Misery the news went round that the
Duke was willing at last to enter the race against the flier.

True to his peculiarities, the Duke had made conditions. He was willing
to race, but only if everybody else would keep out of it and give him a
clear and open field. Taterleg Wilson, the bow-legged camp cook of the
Syndicate, circulated himself like a petition to gain consent to this
unusual proposal.

It was asking a great deal of those men to give up their established
diversion, no matter how distinguished the man in whose favor they were
requested to stand aside. That Sunday afternoon race had become as much
a fixed institution in the Bad Lands as the railroad itself. With some
argument, some bucking and snorting, a considerable cost to Taterleg for
liquor and cigars, they agreed to it. Taterleg said he could state,
authoritatively, that this would be the Duke's first, last, and only
ride against the flier. It would be worth money to stand off and watch
it, he said, and worth putting money on the result. When, where, would
a man ever have a chance to see such a race again? Perhaps never in his
life.

On time, to a dot, the station agent told the committee headed by
Taterleg, which had gone to inquire in the grave and important manner of
men conducting a ceremony. The committee went back to the saloon, and
pressed the Duke to have a drink. He refused, as he had refused politely
and consistently all day. A man could fight on booze, he said, but it
was a mighty poor foundation for business.

There was a larger crowd in Misery that day than usual for the time of
year, it being the first general holiday after the winter's hard
exactions. In addition to visitors, all Misery turned out to see the
race, lining up at the right-of-way fence as far as they would go, which
was not a great distance along. The saloon-keeper could see the finish
from his door. On the start of it he was not concerned, but he had money
up on the end.

Lambert hadn't as much flesh, by a good many pounds, as he had carried
into the Bad Lands on his bicycle. One who had known him previously
would have thought that seven years had passed him, making him over
completely, indeed, since then. His face was thin, browned and
weathered, his body sinewy, its leanness aggravated by its length. He
was as light in the saddle as a leaf on the wind.

He was quite a barbaric figure as he waited to mount and ride against
the train, which could be heard whistling far down the road. Coatless,
in flannel shirt, a bright silk handkerchief round his neck; calfskin
vest, tanned with the hair on, its color red and white; dressed leather
chaps, a pair of boots that had cost him two-thirds of a month's pay.
His hat was like forty others in the crowd, doe-colored, worn with the
high crown full-standing, a leather thong at the back of the head, the
brim drooping a bit from the weather, so broad that his face looked
narrower and sharper in its shadow.

Nothing like the full-blooded young aggie who had come into the Bad
Lands to found his fortune a little less than a year before, and about
as different from him in thought and outlook upon life as in physical
appearance. The psychology of environment is a powerful force.

A score or more of horsemen were strung out along the course, where they
had stationed themselves to watch the race at its successive stages, and
cheer their champion on his way. At the starting-point the Duke waited
alone; at the station a crowd of cowboys lolled in their saddles, not
caring to make a run to see the finish.

It was customary for the horsemen who raced the flier to wait on the
ground until the engine rounded the curve, then mount and settle to the
race. It was counted fair, also, owing to the headway the train already
had, to start a hundred yards or so before the engine came abreast, in
order to limber up to the horses' best speed.

For two miles or more the track ran straight after that curve, Misery
about the middle of the stretch. In that long, straight reach the
builders of the road had begun the easement of the stiff grade through
the hills beyond. It was the beginning of a hard climb, a stretch in
which west-bound trains gathered headway to carry them over the top.
Engines came panting round that curve, laboring with the strain of
their load, speed reduced half, and dropping a bit lower as they
proceeded up the grade.

This Sunday, as usual, train crew and passengers were on the lookout for
the game sportsmen of Misery. Already the engineer was leaning out of
his window, arm extended, ready to give the derisive challenge to come
on as he swept by.

The Duke was in the saddle, holding in Whetstone with stiff rein, for
the animal was trembling with eagerness to spring away, knowing very
well from the preparations which had been going forward that some big
event in the lives of his master and himself was pending. The Duke held
him, looking back over his shoulder, measuring the distance as the train
came sweeping grandly round the curve. He waited until the engine was
within a hundred feet of him before he loosed rein and let old Whetstone
go.

A yell ran up the line of spectators as the pale yellow horse reached
out his long neck, chin level against the wind like a swimmer, and ran
as no horse ever had run on that race-course before. Every horseman
there knew that the Duke was still holding him in, allowing the train
to creep up on him as if he scorned to take advantage of the handicap.

The engineer saw that this was going to be a different kind of race from
the yelling, chattering troop of wild riders which he had been
outrunning with unbroken regularity. In that yellow streak of horse,
that low-bending, bony rider, he saw a possibility of defeat and
disgrace. His head disappeared out of the window, his derisive hand
vanished. He was turning valves and pulling levers, trying to coax a
little more power into his piston strokes.

The Duke held Whetstone back until his wind had set to the labor, his
muscles flexed, his sinews stretched to the race. A third of the race
was covered when the engine came neck and neck with the horse, and the
engineer, confident now, leaned far out, swinging his hand like the oar
of a boat, and shouted:

"Come on! Come on!"

Just a moment too soon this confidence, a moment too soon this defiance.
It was the Duke's program to run this thing neck and neck, force to
force, with no advantage asked or taken. Then if he could gather speed
and beat the engine on the home stretch no man, on the train or off,
could say that he had done it with the advantage of a handicap.

There was a great whooping, a great thumping of hoofs, a monstrous swirl
of dust, as the riders at the side of the race-course saw the Duke's
maneuver and read his intention. Away they swept, a noisy troop, like a
flight of blackbirds, hats off, guns popping, in a scramble to get up as
close to the finishing line as possible.

Never before in the long history of that unique contest had there been
so much excitement. Porters opened the vestibule doors, allowing
passengers to crowd the steps; windows were opened, heads thrust out,
every tongue urging the horseman on with cheers.

The Duke was riding beside the engineer, not ten feet between them. More
than half the course was run, and there the Duke hung, the engine not
gaining an inch. The engineer was on his feet now, hand on the throttle
lever, although it was open as wide as it could be pulled. The fireman
was throwing coal into the furnace, looking round over his shoulder now
and then at the persistent horseman who would not be outrun, his eyes
white in his grimy face.

On the observation car women hung over the rail at the side, waving
handkerchiefs at the rider's back; along the fence the inhabitants of
Misery broke away like leaves before a wind and went running toward the
depot; ahead of the racing horse and engine the mounted men who had
taken a big start rode on toward the station in a wild, delirious
charge.

Neck and neck with the engine old Whetstone ran, throwing his long legs
like a wolf-hound, his long neck stretched, his ears flat, not leaving a
hair that he could control outstanding to catch the wind. The engineer
was peering ahead with fixed eyes now, as if he feared to look again on
this puny combination of horse and man that was holding its own in this
unequal trial of strength.

Within three hundred yards of the station platform, which sloped down at
the end like a continuation of the course, the Duke touched old
Whetstone's neck with the tips of his fingers. As if he had given a
signal upon which they had agreed, the horse gathered power, grunting as
he used to grunt in the days of his outlawry, and bounded away from the
cab window, where the greasy engineer stood with white face and set jaw.

Yard by yard the horse gained, his long mane flying, his long tail
astream, foam on his lips, forging past the great driving wheels which
ground against the rails; past the swinging piston; past the powerful
black cylinders; past the stubby pilot, advancing like a shadow over the
track. When Whetstone's hoofs struck the planks of the platform, marking
the end of the course, he was more than the length of the engine in the
lead.

The Duke sat there waving his hand solemnly to those who cheered him as
the train swept past, the punchers around him lifting up a joyful chorus
of shots and shouts, showing off on their own account to a considerable
extent, but sincere over all because of the victory that the Duke had
won.

Old Whetstone was standing where he had stopped, within a few feet of
the track, front hoofs on the boards of the platform, not more than
nicely warmed up for another race, it appeared. As the observation car
passed, a young woman leaned over the rail, handkerchief reached out to
the Duke as if trying to give it to him.

He saw her only a second before she passed, too late to make even a
futile attempt to possess the favor of her appreciation. She laughed,
waving it to him, holding it out as if in challenge for him to come and
take it. Without wasting a precious fragment of a second in hesitation
the Duke sent Whetstone thundering along the platform in pursuit of the
train.

It seemed a foolish thing to do, and a risky venture, for the platform
was old, its planks were weak in places. It was not above a hundred feet
long, and beyond it only a short stretch of right-of-way until the
public road crossed the track, the fence running down to the cattle
guard, blocking his hope of overtaking the train.

More than that, the train was picking up speed, as if the engineer
wanted to get out of sight and hearing of that demonstrative crowd, and
put his humiliation behind him as quickly as possible. No man's horse
could make a start with planks under his feet, run two hundred yards
and overtake that train, no matter what the inducement. That was the
thought of every man who sat a saddle there and stretched his neck to
witness this unparalleled streak of folly.

If Whetstone had run swiftly in the first race, he fairly whistled
through the air like a wild duck in the second. Before he had run the
length of the platform he had gained on the train, his nose almost even
with the brass railing over which the girl leaned, the handkerchief in
her hand. Midway between the platform and the cattle guard they saw the
Duke lean in his saddle and snatch the white favor from her hand.

The people on the train end cheered this feat of quick resolution,
quicker action. But the girl whose handkerchief the Duke had won only
leaned on the railing, holding fast with both hands, as if she offered
her lips to be kissed, and looked at him with a pleasure in her face
that he could read as the train bore her onward into the West.

The Duke sat there with his hat in his hand, gazing after her, only her
straining face in his vision, centered out of the dust and widening
distance like a star that a man gazes on to fix his course before it is
overwhelmed by clouds.

The Duke sat watching after her, the train reducing the distance like a
vision that melts out of the heart with a sigh. She raised her hand as
the dust closed in the wake of the train. He thought she beckoned him.

So she came, and went, crossing his way in the Bad Lands in that hour of
his small triumph, and left her perfumed token of appreciation in his
hand. The Duke put it away in the pocket of his shirt beneath the
calfskin vest, the faint delicacy of its perfume rising to his nostrils
like the elusive scent of a violet for which one searches the woodland
and cannot find.

The dusty hills had gulped the train that carried her before the Duke
rode round the station and joined his noisy comrades. Everybody shook
hands with him, everybody invited him to have a drink. He put them
off--friend, acquaintance, stranger, on their pressing invitation to
drink--with the declaration that his horse came first in his
consideration. After he had put Whetstone in the livery barn and fed
him, he would join them for a round, he said.

They trooped into the saloon to square their bets, the Duke going his
way to the barn. There they drank and grew noisier than before, to come
out from time to time, mount their horses, gallop up and down the road
that answered Misery for a street, and shoot good ammunition into the
harmless air.

Somebody remarked after a while that the Duke was a long time feeding
that horse. Taterleg and others went to investigate. He had not been
there, the keeper of the livery barn said. A further look around
exhausted all the possible hiding-places of Misery. The Duke was not
there.

"Well," said Taterleg, puzzled, "I guess he's went."




CHAPTER V

FEET UPON THE ROAD


"I always thought I'd go out West, but somehow I never got around to
it," Taterleg said. "How far do you aim to go, Duke?"

"As far as the notion takes me, I guess."

It was about a month after the race that this talk between Taterleg and
the Duke took place, on a calm afternoon in a camp far from the site of
that one into which the peddler of cutlery had trundled his disabled
bicycle a year before. The Duke had put off his calfskin vest, the
weather being too hot for it. Even Taterleg had made sacrifices to
appearance in favor of comfort, his piratical corduroys being replaced
by overalls.

The Duke had quit his job, moved by the desire to travel on and see the
world, he said. He said no word to any man about the motive behind that
desire, very naturally, for he was not the kind of a man who opened the
door of his heart. But to himself he confessed the hunger for an
unknown face, for the lure of an onward-beckoning hand which he was no
longer able to ignore.

Since that day she had strained over the brass railing of the car to
hold him in her sight until the curtain of dust intervened, he had felt
her call urging him into the West, the strength of her beckoning hand
drawing him the way she had gone, to search the world for her and find
her on some full and glorious day.

"Was you aimin' to sell Whetstone and go on the train, Duke?"

"No, I'm not goin' to sell him yet a while."

The Duke was not a talkative man on any occasion, and now he sat in
silence watching the cook kneading out a batch of bread, his thoughts a
thousand miles away.

Where, indeed, would the journey that he was shaping in his intention
that minute carry him? Somewhere along the railroad between there and
Puget Sound the beckoning lady had left the train; somewhere on that
long road between mountain and sea she was waiting for him to come.

Taterleg stood his loaves in the sun to rise for the oven, making a
considerable rattling about the stove as he put in the fire. A silence
fell.

Lambert was waiting for his horse to rest a few hours, and, waiting, he
sent his dreams ahead of him where his feet could not follow save by
weary roads and slow.

Between Misery and the end of that railroad at the western sea there
were many villages, a few cities. A passenger might alight from the
Chicago flier at any of them, and be absorbed in the vastness like a
drop of water in the desert plain. How was he to know where she had left
the train, or whither she had turned afterward, or journeyed, or where
she lodged now? It seemed beyond finding out. Assuredly it was a task
too great for the life of youth, so evanescent in the score of time,
even though so long and heavy to those impatient dreamers who draw
themselves onward by its golden chain to the cold, harsh facts of age.

It was a foolish quest, a hopeless one. So reason said. Romance and
youth, and the longing that he could not define, rose to confute this
sober argument, flushed and eager, violet scent blowing before.

Who could tell? and perhaps; rash speculations, faint promises. The
world was not so broad that two might never meet in it whose ways had
touched for one heart-throb and sundered again in a sigh. All his life
he had been hearing that it was a small place, after all was said.
Perhaps, and who can tell? And so, galloping onward in the free leash of
his ardent dreams.

"When was you aimin' to start, Duke?" Taterleg inquired, after a silence
so long that Lambert had forgotten he was there.

"In about another hour."

"I wasn't tryin' to hurry you off, Duke. My reason for askin' you was
because I thought maybe I might be able to go along with you a piece of
the way, if you don't object to my kind of company."

"Why, you're not goin' to jump the job, are you?"

"Yes, I've been thinkin' it over, and I've made up my mind to draw my
time tonight. If you'll put off goin' till mornin', I'll start with
you. We can travel together till our roads branch, anyhow."

"I'll be glad to wait for you, old feller. I didn't know--which way----"

"Wyoming," said Taterleg, sighing. "It's come back on me ag'in."

"Well, a feller has to rove and ramble, I guess."

Taterleg sighed, looking off westward with dreamy eyes. "Yes, if he's
got a girl pullin' on his heart," said he.

The Duke started as if he had been accused, his secret read, his soul
laid bare; he felt the blood burn in his face, and mount to his eyes
like a drift of smoke. But Taterleg was unconscious of this sudden
embarrassment, this flash of panic for the thing which the Duke believed
lay so deep in his heart no man could ever find it out and laugh at it
or make gay over the scented romance. Taterleg was still looking off in
a general direction that was westward, a little south of west.

"She's in Wyoming," said Taterleg; "a lady I used to rush out in Great
Bend, Kansas, a long time ago."

"Oh," said the Duke, relieved and interested. "How long ago was that?"

"Over four years," sighed Taterleg, as if it might have been a quarter
of a century.

"Not so very long, Taterleg."

"Yes, but a lot of fellers can court a girl in four years, Duke."

The Duke thought it over a spell. "Yes, I reckon they can," he allowed.
"Don't she ever write to you?"

"I guess I'm more to blame than she is on that, Duke. She _did_ write,
but I was kind of sour and dropped her. It's hard to git away from,
though; it's a-comin' over me ag'in. I might 'a' been married and
settled down with that girl now, me and her a-runnin' a oyster parlor in
some good little railroad town, if it hadn't 'a' been for a Welshman
name of Elwood. He was a stonecutter, that Elwood feller was, Duke,
workin' on bridge 'butments on the Santa Fé. That feller told her I was
married and had four children; he come between us and bust us up."

"Wasn't he onery!" said the Duke, feelingly.

"I was chef in the hotel where that girl worked waitin' table, drawin'
down good money, and savin' it, too. But that derned Welshman got around
her and she growed cold. When she left Great Bend she went to Wyoming to
take a job--Lander was the town she wrote from, I can put my finger on
it in the map with my eyes shut. I met her when she was leavin' for the
depot, draggin' along with her grip and no Welshman in a mile of her to
give her a hand. I went up and tipped my hat, but I never smiled, Duke,
for I was sour over the way that girl she'd treated me. I just took hold
of that grip and carried it to the depot for her and tipped my hat to
her once more. 'You're a gentleman, whatever they say of you, Mr.
Wilson,' she said."

"_She_ did?"

"She did, Duke. 'You're a gentleman, Mr. Wilson, whatever they say of
you,' she said. Them was her words, Duke. 'Farewell to _you_,' I said,
distant and high-mighty, for I was hurt, Duke--I was hurt right down to
the bone."

"I bet you was, old feller."

"'Farewell to _you_,' I says, and the tears come in her eyes, and she
says to me--wipin' 'em on a han'kerchief I give her, nothing any
Welshman ever done for her, and you can bank on that Duke--she says to
me: 'I'll always think of you as a gentleman, Mr. Wilson.' I wasn't onto
what that Welshman told her then; I didn't know the straight of it till
she wrote and told me after she got to Wyoming."

"It was too bad, old feller."

"Wasn't it hell? I was so sore when she wrote, the way she'd believed
that little sawed-off snorter with rock dust in his hair, I never
answered that letter for a long time. Well, I got another letter from
her about a year after that. She was still in the same place, doin'
well. Her name was Nettie Morrison."

"Maybe it is yet, Taterleg."

"Maybe. I've been a-thinkin' I'd go out there and look her up, and if
she ain't married, me and her we might let bygones _be_ bygones and
hitch. I could open a oyster parlor out there on the dough I've saved
up; I'd dish 'em up and she'd wait on the table and take in the money.
We'd do well, Duke."

"I _bet_ you would."

"I got the last letter she wrote--I'll let you see it, Duke."

Taterleg made a rummaging in the chuck wagon, coming out presently with
the letter. He stood contemplating it with tender eye.

"Some writer, ain't she, Duke?"

"She sure is a fine writer, Taterleg--writes like a schoolma'am."

"She can talk like one, too. See--'Lander, Wyo.' It's a little town
about as big as my hat, from the looks of it on the map, standin' away
off up there alone. I could go to it with my eyes shut, straight as a
bee."

"Why don't you write to her, Taterleg?" The Duke could scarcely keep
back a smile, so diverting he found this affair of the Welshman, the
waitress, and the cook. More comedy than romance, he thought, Taterleg
on one side of the fence, that girl on the other.

"I've been a-squarin' off to write," Taterleg replied, "but I don't seem
to git the time." He opened his vest to put the letter away close to his
heart, it seemed, that it might remind him of his intention and square
him quite around to the task. But there was no pocket on the side
covering his heart. Taterleg put the letter next his lung as the
nearest approach to that sentimental portion of his anatomy, and sighed
long and loud as he buttoned his garment.

"You said you'd put off goin' till mornin', Duke?"

"Sure I will."

"I'll throw my things in a sack and be ready to hit the breeze with you
after breakfast. I can write back to the boss for my time."

       *       *       *       *       *

Morning found them on the road together, the sun at their backs.
Taterleg was as brilliant as a humming-bird, even to his belt and
scabbard, which had a great many silver tacks driven into them,
repeating the letters LW in great characters and small. He said the
letters were the initials of his name.

"Lawrence?" the Duke ventured to inquire.

Taterleg looked round him with great caution before answering, although
they were at least fifteen miles from camp, and farther than that from
the next human habitation. He lowered his voice, rubbing his hand
reflectively along the glittering ornaments of his belt.

"Lovelace," he said.

"Not a bad name."

"It ain't no name for a cook," Taterleg said, almost vindictively.
"You're the first man I ever told it to, and I'll ask you not to pass it
on. I used to go by the name of Larry before they called me Taterleg. I
got that name out here in the Bad Lands; it suits _me_, all right."

"It's a queer kind of a name to call a man by. How did they come to give
it to you?"

"Well, sir, I give myself that name, you might say, when you come to
figger it down to cases. I was breakin' a horse when I first come out
here four years ago, headin' at that time for Wyoming. He throwed me.
When I didn't hop him ag'in, the boys come over to see if I was busted.
When they asked me if I was hurt, I says, 'He snapped my dern old leg
like a 'tater.' And from that day on they called me Taterleg. Yes, and I
guess I'd 'a' been in Wyoming now, maybe with a oyster parlor and a
wife, if it hadn't been for that blame horse." He paused reminiscently;
then he said:

"Where was you aimin' to camp tonight, Duke?"

"Where does the flier stop after it passes Misery, going west?"

"It stops for water at Glendora, about fifty or fifty-five miles west,
sometimes. I've heard 'em say if a feller buys a ticket for there in
Chicago, it'll let him off. But I don't guess it stops there regular.
Why, Duke? Was you aimin' to take the flier there?"

"No. We'll stop there tonight, then, if your horse can make it."

"Make it! If he can't I'll eat him raw. He's made seventy-five many a
time before today."

So they fared on that first day, in friendly converse. At sunset they
drew up on a mesa, high above the treeless, broken country through which
they had been riding all day, and saw Glendora in the valley below them.

"There she is," said Taterleg. "I wonder what we're goin' to run into
down, there?"




CHAPTER VI

ALLUREMENTS OF GLENDORA


In a bend of the Little Missouri, where it broadened out and took on the
appearance of a consequential stream, Glendora lay, a lonely little
village with a gray hill behind it.

There was but half a street in Glendora, like a setting for a stage, the
railroad in the foreground, the little sun-baked station crouching by
it, lonely as the winds which sung by night in the telegraph wires
crossing its roof. Here the trains went by with a roar, leaving behind
them a cloud of gray dust like a curtain to hide from the eyes of those
who strained from their windows to see the little that remained of
Glendora, once a place of more consequence than today.

Only enough remained of the town to live by its trade. There was enough
flour in the store, enough whisky in the saloon; enough stamps in the
post office, enough beds in the hotel, to satisfy with comfort the
demands of the far-stretching population of the country contiguous
thereto. But if there had risen an extraordinary occasion bringing a
demand without notice for a thousand pounds more of flour, a barrel more
of whisky, a hundred more stamps or five extra beds, Glendora would have
fallen under the burden and collapsed in disgrace.

Close by the station there were cattle pens for loading stock, with two
long tracks for holding the cars. In autumn fat cattle were driven down
out of the hidden valleys to entrain there for market. In those days
there was merriment after nightfall in Glendora. At other times it was
mainly a quiet place, the shooting that was done on its one-sided street
being of a peaceful nature in the way of expressing a feeling for which
some plain-witted, drunken cowherder had no words.

A good many years before the day that the Duke and Taterleg came riding
into Glendora, the town had supported more than one store and saloon.
The shells of these dead enterprises stood there still, windows and
doors boarded up, as if their owners had stopped their mouths when they
went away to prevent a whisper of the secrets they might tell of the old
riotous nights, or of fallen hopes, or dishonest transactions. So they
stood now in their melancholy, backs against the gray hill, giving to
Glendora the appearance of a town that was more than half dead, and soon
must fail and pass utterly away in the gray-blowing clouds of dust.

The hotel seemed the brightest and soundest living spot in the place,
for it was painted in green, like a watermelon, with a cottonwood tree
growing beside the pump at the porch corner. In yellow letters upon the
windowpane of the office there appeared the proprietor's name, doubtless
the work of some wandering artist who had paid the price of his lodging
or his dinner so.

  ORSON WOOD, PROP.

said the sign, bedded in curlicues and twisted ornaments, as if a
carpenter had planed the letters out of a board, leaving the shavings
where they fell. A green rustic bench stood across one end of the long
porch, such as is seen in boarding-houses frequented by railroad men,
and chairs with whittled and notched arms before the office door, near
the pump.

Into this atmosphere there had come, many years before, one of those
innocents among men whose misfortune it is to fall before the
beguilements of the dishonest; that sort of man whom the promoters of
schemes go out to catch in the manner of an old maid trapping flies in a
cup of suds. Milton Philbrook was this man. Somebody had sold him forty
thousand acres of land in a body for three dollars an acre. It began at
the river and ran back to the hills for a matter of twenty miles.

Philbrook bought the land on the showing that it was rich in coal
deposits. Which was true enough. But he was not geologist enough to know
that it was only lignite, and not a coal of commercial value in those
times. This truth he came to later, together with the knowledge that his
land was worth, at the most extravagant valuation, not more than fifty
cents an acre.

Finding no market for his brown coal, Philbrook decided to adopt the
customs of the country and turn cattleman. A little inquiry into that
business convinced him that the expenses of growing the cattle and the
long distance from market absorbed a great bulk of the profits
needlessly. He set about with the original plan, therefore, of fencing
his forty thousand acres with wire, thus erasing at one bold stroke the
cost of hiring men to guard his herds.

A fence in the Bad Lands was unknown outside a corral in those days.
When carloads of barbed wire and posts began to arrive at Glendora men
came riding in for miles to satisfy themselves that the rumors were
founded; when Philbrook hired men to build the fence, and operations
were begun, murmurs and threats against the unwelcome innovation were
heard. Philbrook pushed the work to conclusion, unmindful of the
threats, moved now by the intention of founding a great, baronial estate
in that bleak land. His further plan of profit and consequence was to
establish a packing-house at Glendora, where his herds could be
slaughtered and dressed and shipped neat to market, at once assuring him
a double profit and reduced expense. But that was one phase of his dream
that never hardened into the reality of machinery and bricks.

While the long lines of fence were going up, carpenters were at work
building a fit seat for Philbrook's baronial aims. The point he chose
for his home site was the top of a bare plateau overlooking the river,
the face of it gray, crumbling shale, rising three hundred feet in
abrupt slope from the water's edge. At great labor and expense Philbrook
built a road between Glendora and this place, and carried water in pipes
from the river to irrigate the grass, trees, shrubs and blooming plants
alien to that country which he planted to break the bleakness of it and
make a setting for his costly home.

Here on this jutting shoulder of the cold, unfriendly upland, a house
rose which was the wonder of all who beheld it as they rode the wild
distances and viewed it from afar. It seemed a mansion to them, its
walls gleaming white, its roof green as the hope in its builder's
breast. It was a large house, and seemed larger for its prominence
against the sky, built in the shape of a T, with wide porches in the
angles. And to this place, upon which he had lavished what remained of
his fortune, Philbrook brought his wife and little daughter, as strange
to their surroundings as the delicate flowers which pined and drooped in
that unfriendly soil.

Immediately upon completion of his fences he had imported well-bred
cattle and set them grazing within his confines. He set men to riding by
night and day a patrol of his long lines of wire, rifles under their
thighs, with orders to shoot anybody found cutting the fences in
accordance with the many threats to serve them so. Contentions and feuds
began, and battles and bloody encounters, which did not cease through
many a turbulent year. Philbrook lived in the saddle, for he was a man
of high courage and unbending determination, leaving his wife and child
in the suspense and solitude of their grand home in which they found no
pleasure.

The trees and shrubs which Philbrook had planted with such care and
attended with such hope, withered on the bleak plateau and died, in
spite of the water from the river; the delicate grass with which he
sought to beautify and clothe the harsh gray soil sickened and pined
away; the shrubs made a short battle against the bleakness of winter,
putting out pale, strange flowers like the wan smile of a woman who
stands on the threshold of death, then failed away, and died. Mrs.
Philbrook broke under the long strain of never-ending battles, and died
the spring that her daughter came eighteen years of age.

This girl had grown up in the saddle, a true daughter of her fighting
sire. Time and again she had led a patrol of two fence-riders along one
side of that sixty square miles of ranch while her father guarded the
other. She could handle firearms with speed and accuracy equal to any
man on the range, where she had been bearing a man's burden since her
early girlhood.

All this information pertaining to the history of Milton Philbrook and
his adventures in the Bad Lands, Orson Wood, the one-armed landlord at
the hotel in Glendora told Lambert on the evening of the travelers'
arrival there. The story had come as the result of questions concerning
the great white house on the mesa, the two men sitting on the porch in
plain view of it, Taterleg entertaining the daughter of the hotel
across the show case in the office.

Lambert found the story more interesting than anything he ever had
imagined of the Bad Lands. Here was romance looking down on him from the
lonely walls of that white house, and heroism of a finer kind than these
people appreciated, he was sure.

"Is the girl still here?" he inquired.

"Yes, she's back now. She's been away to school in Boston for three or
four years, comin' back in summer for a little while."

"When did she come back?"

Lambert felt that his voice was thick as he inquired, disturbed by the
eager beating of his heart. Who knows? and perhaps, and all the rest of
it came galloping to him with a roar of blood in his ears like the sound
of a thousand hoofs. The landlord called over his shoulder to his
daughter:

"Alta, when did Vesta Philbrook come back?"

"Four or five weeks ago," said Alta, with the sound of chewing gum.

"Four or five weeks ago," the landlord repeated, as though Alta spoke a
foreign tongue and must be translated.

"I see," said Lambert, vaguely, shaking to the tips of his fingers with
a kind of buck ague that he never had suffered from before. He was
afraid the landlord would notice it, and slewed his chair, getting out
his tobacco to cover the fool spell.

For that was she, Vesta Philbrook was she, and she was Vesta Philbrook.
He knew it as well as he knew that he could count ten. Something had led
him there that day; the force that was shaping the course of their two
lives to cross again had held him back when he had considered selling
his horse and going West a long distance on the train. He grew calmer
when he had his cigarette alight. The landlord was talking again.

"Funny thing about Vesta comin' home, too," he said, and stopped a
little, as if to consider the humor of it. Lambert looked at him with a
sudden wrench of the neck.

"Which?"

"Philbrook's luck held out, it looked like, till she got through her
education. All through the fights he had and the scrapes he run into
the last ten years he never got a scratch. Bullets used to hum around
that man like bees, and he'd ride through 'em like they _was_ bees, but
none of 'em ever notched him. Curious, wasn't it?"

"Did somebody get him at last?"

"No, he took typhoid fever. He took down about a week or ten days after
Vesta got home. He died about a couple of week ago. Vesta had him laid
beside her mother up there on the hill. He said they'd never run him out
of this country, livin' or dead."

Lambert swallowed a dry lump.

"Is she running the ranch?"

"Like an old soldier, sir. I tell you, I've got a whole lot of
admiration for that girl."

"She must have her hands full."

"Night and day. She's short on fence-riders, and I guess if you boys are
lookin' for a job you can land up there with Vesta, all right."

Taterleg and the girl came out and sat on the green rustic bench at the
farther end of the porch. It complained under them; there was talk and
low giggling.

"We didn't expect to strike anything this soon," Lambert said, his
active mind leaping ahead to shape new romance like a magician.

"You don't look like the kind of boys that'd shy from a job if it jumped
out in the road ahead of you."

"I'd hate for folks to think we would."

"Ain't you the feller they call; the Duke of Chimney Butte?"

"They call me that in this country."

"Yes; I knew that horse the minute you rode up, though he's changed for
the better wonderful since I saw him last, and I knew you from the
descriptions I've heard of you. Vesta'd give you a job in a minute, and
she'd pay you good money, too. I wouldn't wonder if she didn't put you
in as foreman right on the jump, account of the name you've got up here
in the Bad Lands."

"Not much to my credit in the name, I'm afraid," said Lambert, almost
sadly. "Do they still cut her fences and run off her stock?"

"Yes; rustlin's got to be stylish around here ag'in, after we thought we
had all them gangs rounded up and sent to the pen. I guess some of their
time must be up and they're comin' home."

"It's pretty tough for a single-handed girl."

"Yes, it is tough. Them fellers are more than likely some of the old
crowd Philbrook used to fight and round up and send over the road. He
killed off four or five of them, and the rest of them swore they'd salt
him when they'd done their time. Well, he's gone. But they're not above
fightin' a girl."

"It's a tough job for a woman," said Lambert, looking thoughtfully
toward the white house on the mesa.

"Ain't it, though?"

Lambert thought about it a while, or appeared to be thinking about it,
sitting with bent head, smoking silently, looking now and then toward
the ranchhouse, the lights of which could be seen. Alta came across the
porch presently, Taterleg attending her like a courtier. She dismissed
him at the door with an excuse of deferred duties within. He joined his
thoughtful partner.

"Better go up and see her in the morning," suggested Wood, the landlord.

"I think I will, thank you."

Wood went in to sell a cowboy a cigar; the partners started out to have
a look at Glendora by moonlight. A little way they walked in silence,
the light of the barber-shop falling across the road ahead of them.

"See who in the morning, Duke?" Taterleg inquired.

"Lady in the white house on the mesa. Her father died a few weeks ago,
and left her alone with a big ranch on her hands. Rustlers are runnin'
her cattle off, cuttin' her fences----"

"Fences?"

"Yes, forty thousand acres all fenced in, like Texas."

"You don't tell me?"

"Needs men, Wood says. I thought maybe----"

The Duke didn't finish it; just left it swinging that way, expecting
Taterleg to read the rest.

"Sure," said Taterleg, taking it right along. "I wouldn't mind stayin'
around here a while. Glendora's a nice little place; nicer place than I
thought it was."

The Duke said nothing. But as they went on toward the barber-shop he
grinned.




CHAPTER VII

THE HOMELIEST MAN


That brilliant beam falling through the barber's open door and
uncurtained window came from a new lighting device, procured from a
Chicago mail-order house. It was a gasoline lamp that burned with a gas
mantle, swinging from the ceiling, flooding the little shop with a
greenish light.

It gave a ghastly hue of death to the human face, but it would light up
the creases and wrinkles of the most weathered neck that came under the
barber's blade. That was the main consideration, for most of the
barber's work was done by night, that trade--or profession, as those who
pursue it unfailingly hold it to be--being a side line in connection
with his duties as station agent. He was a progressive citizen, and no
grass grew under his feet, no hair under his hand.

At the moment that the Duke and Taterleg entered the barber's
far-reaching beam, some buck of the range was stretched in the chair.
The customer was a man of considerable length and many angles, a shorn
appearance about his face, especially his big, bony nose, that seemed to
tell of a mustache sacrificed in the operation just then drawing to a
close.

Taterleg stopped short at sight of the long legs drawn up like a sharp
gable to get all of them into the chair, the immense nose raking the
ceiling like a double-barreled cannon, the morgue-tinted light giving
him the complexion of a man ready for his shroud. He touched Lambert's
arm to check him and call his attention.

"Look in there--look at that feller, Duke! There he is; there's the man
I've been lookin' for ever since I was old enough to vote. I didn't
believe there was any such a feller; but there he is!"

"What feller? Who is he?"

"The feller that's uglier than me. Dang his melts, there he is! I'm
going to ask him for his picture, so I'll have the proof to show."

Taterleg was at an unaccountable pitch of spirits. Adventure had taken
hold of him like liquor. He made a start for the door as if to carry out
his expressed intention in all earnestness. Lambert stopped him.

"He might not see the joke, Taterleg."

"He couldn't refuse a man a friendly turn like that, Duke. Look at him!
What's that feller rubbin' on him, do you reckon?"

"Ointment of some kind, I guess."

Taterleg stood with his bow legs so wide apart that a barrel could have
been pitched between them, watching the operation within the shop with
the greatest enjoyment.

"Goose grease, with _pre_-fume in it that cuts your breath. Look at that
feller shut his eyes and stretch his derned old neck! Just like a calf
when you rub him under the chin. Look at him--did you ever see anything
to match it?"

"Come on--let the man alone."

"Wrinkle remover, beauty restorer," said Taterleg, not moving forward an
inch upon his way. While he seemed to be struck with admiration for the
process of renovation, there was an unmistakable jeer in his tone which
the barber resented by a fierce look.

"You're goin' to get into trouble if you don't shut up," Lambert
cautioned.

"Look at him shut his old eyes and stretch his neck! Ain't it the
sweetest----"

The man in the chair lifted himself in sudden grimness, sat up from
between the barber's massaging hands, which still held their pose like
some sort of brace, turned a threatening look into the road. If half his
face was sufficient to raise the declaration from Taterleg that the man
was uglier than he, all of it surely proclaimed him the homeliest man in
the nation. His eyes were red, as from some long carousal, their lids
heavy and slow, his neck was long, and inflamed like an old gobbler's
when he inflates himself with his impotent rage.

He looked hard at the two men, so sour in his wrath, so comical in his
unmatched ugliness, that Lambert could not restrain a most unusual and
generous grin. Taterleg bared his head, bowing low, not a smile, not a
ripple of a smile, on his face.

"Mister, I take off my hat to you," he said.

"Yes, and I'll take your fool head off the first time I meet you!" the
man returned. He let himself back into the barber's waiting hands, a
growl deep in him, surly as an old dog that has been roused out of his
place in the middle of the road.

"General, I wouldn't hurt you for a purty, I wouldn't change your looks
for a dollar bill," said Taterleg.

"Wait till I git out of this chair!" the customer threatened, voice
smothered in the barber's hands.

"I guess he's not a dangerous man--lucky for you," said Lambert. He drew
Taterleg away; they went on.

The allurements of Glendora were no more dazzling by night than by day.
There was not much business in the saloon, there being few visitors in
town, no roistering, no sounds of uncurbed gaiety. Formerly there had
been a dance-hall in connection with the saloon, but that branch of the
business had failed through lack of patronage long ago. The bar stood in
the front of the long, cheerless room, a patch of light over and around
it, the melancholy furniture of its prosperous days dim in the gloom
beyond.

Lambert and Taterleg had a few drinks to show their respect for the
institutions of the country, and went back to the hotel. Somebody had
taken Taterleg's place beside Alta on the green bench. It was a man who
spoke with rumbling voice like the sound of an empty wagon on a rocky
road. Lambert recognized the intonation at once.

"It looks to me like there's trouble ahead for you, Mr. Wilson," he
said.

"I'll take that feller by the handle on his face and bust him ag'in' a
tree like a gourd," Taterleg said, not in boasting manner, but in the
even and untroubled way of a man stating a fact.

"If there was any tree."

"I'll slam him ag'in' a rock; I'll bust him like a oyster."

"I think we'd better go to bed without a fight, if we can."

"I'm willin'; but I'm not goin' around by the back door to miss that
feller."

They came up the porch into the light that fell weakly from the office
down the steps. There was a movement of feet beside the green bench, an
exclamation, a swift advance on the part of the big-nosed man who had
afforded amusement for Taterleg in the barber's chair.

"You little bench-leggid fiste, if you've got gall enough to say one
word to a man's face, say it!" he challenged.

Alta came after him, quickly, with pacific intent. She was a tall girl,
not very well filled out, like an immature bean pod. Her heavy black
hair was cut in a waterfall of bangs which came down to her eyebrows,
the rest of it done up behind in loops like sausages, and fastened with
a large, red ribbon. She had put off her apron, and stood forth in
white, her sleeves much shorter than the arms which reached out of them,
rings on her fingers which looked as if they would leave their shadows
behind.

"Now, Mr. Jedlick, I don't want you to go raisin' no fuss around here
with the guests," she said.

"Jedlick!" repeated Taterleg, turning to Lambert with a pained,
depressed look on his face. "It sounds like something you blow in to
make a noise."

The barber's customer was a taller man standing than he was long lying.
There wasn't much clearance between his head and the ceiling of the
porch. He stood before Taterleg glowing, his hat off, his short-cut hair
glistening with pomatum, showing his teeth like a vicious horse.

"You look like you was cut out with a can-opener," he sneered.

"Maybe I was, and I've got rough edges on me," Taterleg returned,
looking up at him with calculative eye.

"Now, Mr. Jedlick"--a hand on his arm, but confident of the force of it,
like a lady animal trainer in a cage of lions--"you come on over here
and set down and leave that gentleman alone."

"If anybody but you'd 'a' said it, Alta, I'd 'a' told him he was a
liar," Jedlick growled. He moved his foot to go with her, stopped,
snarled at Taterleg again. "I used to roll 'em in flour and swaller 'em
with the feathers on," said he.

"You're a terrible rough feller, ain't you?" Taterleg inquired with
cutting sarcasm.

Alta led Jedlick off to his corner; Taterleg and Lambert entered the
hotel office.

"Gee, but this is a windy night!" said the Duke, holding his hat on with
both hands.

"I'll let some of the wind out of him if he monkeys with me!"

"Looks to me like I know another feller that an operation wouldn't
hurt," the Duke remarked, turning a sly eye on his friend.

The landlord appeared with a lamp to light them to their beds, putting
an end to these exchanges of threat and banter. As he was leaving them
to their double-barreled apartment, Lambert remarked:

"That man Jedlick's an interesting-lookin' feller."

"Ben Jedlick? Yes, Ben's a case; he's quite a case."

"What business does he foller?"

"Ben? Ben's cook on Pat Sullivan's ranch up the river; one of the best
camp cooks in the Bad Lands, and I guess the best known, without any
doubt."

Taterleg sat down on the side of his bed as if he had been punctured,
indeed, lopping forward in mock attitude of utter collapse as the
landlord closed the door.

"Cook! That settles it for me; I've turned the last flapjack I'll ever
turn for any man but myself."

"How will you manage the oyster parlor?"

"Well, I've just about give up that notion, Duke. I've been thinkin'
I'll stick to the range and go in the sheep business."

"I expect it would be a good move, old feller."

"They're goin' into it around here, they tell me."

"Alta tells you."

"Oh, you git out! But I'm a cowman right now, and I'm goin' to stay one
for some little time to come. It don't take much intelligence in a man
to ride fence."

"No; I guess we could both pass on that."

The Duke blew the lamp out with his hat. There was silence, all but the
scuffing sound of disrobing. Taterleg spoke out of bed.

"That girl's got purty eyes, ain't she?"

"Lovely eyes, Taterleg."

"And purty hair, too. Makes a feller want to lean over and pat that
little row of bangs."

"I expect there's a feller down there doin' it now."

The spring complained under Taterleg's sudden movement; there was a
sound of swishing legs under the sheet. Lambert saw him dimly against
the window, sitting with his feet on the floor.

"You mean Jedlick?"

"Why not Jedlick? He's got the field to himself."

Taterleg sat a little while thinking about it. Presently he resumed his
repose, chuckling a choppy little laugh.

"Jedlick! Jedlick ain't got no more show than a cow. When a lady steps
in and takes a man's part there's only one answer, Duke. And she called
me a gentleman, too. Didn't you hear her call me a gentleman, Duke?"

"I seem to remember that somebody else called you that one time."

Taterleg hadn't any reply at once. Lambert lay there grinning in the
dark. No matter how sincere Taterleg might have been in this or any
other affair, to the Duke it was only a joke. That is the attitude of
most men toward the tender vagaries of others. No romance ever is
serious but one's own.

"Well, that happened a good while ago," said Taterleg defensively.

But memories didn't trouble him much that night. Very soon he was
sleeping, snoring on the _G_ string with unsparing pressure. For Lambert
there was no sleep. He lay in a fever of anticipation. Tomorrow he
should see her, his quest ended almost as soon as begun.

There was not one stick of fuel for the flame of this conjecture, not
one reasonable justification for his more than hope. Only something had
flashed to him that the girl in the house on the mesa was she whom his
soul sought, whose handkerchief was folded in his pocketbook and carried
with his money. He would take no counsel from reason, no denial from
fate.

He lay awake seeing visions when he should have been asleep in the midst
of legitimate dreams. A score of plans for serving her came up for
examination, a hundred hopes for a happy culmination of this green
romance budded, bloomed, and fell. But above the race of his hot
thoughts the certainty persisted that this girl was the lady of the
beckoning hand.

He had no desire to escape from these fevered fancies in sleep, as his
companion had put down his homely ambitions. Long he lay awake turning
them to view from every hopeful, alluring angle, hearing the small
noises of the town's small activities die away to silence and peace.

In the morning he should ride to see her, his quest happily ended,
indeed, even on the threshold of its beginning.




CHAPTER VIII

THE HOUSE ON THE MESA


Even more bleak than from a distance the house on the mesa appeared as
the riders approached it up the winding road. It stood solitary on its
desert promontory, the bright sky behind it, not a shrub to ease its
lines, not a barn or shed to make a rude background for its amazing
proportions. Native grass grew sparsely on the great table where it
stood; rains had guttered the soil near its door. There was about it the
air of an abandoned place, its long, gaunt porches open to wind and
storm.

As they drew nearer the house the scene opened in a more domestic
appearance. Beyond it in a little cup of the mesa the stable, cattle
sheds, and quarters for the men were located, so hidden in their shelter
that they could not be seen from any point in the valley below. To the
world that never scaled these crumbling heights, Philbrook's mansion
appeared as if it endured independent of those vulgar appendages
indeed.

"Looks like they've got the barn where the house ought to be," said
Taterleg. "I'll bet the wind takes the hide off of a feller up here in
the wintertime."

"It's about as bleak a place for a house as a man could pick," Lambert
agreed. He checked his horse a moment to look round on the vast sweep of
country presented to view from the height, the river lying as bright as
quicksilver in the dun land.

"Not even a wire fence to break it!" Taterleg drew his shoulders up and
shivered in the hot morning sun as he contemplated the untrammeled
roadway of the northern winds. "Well, sir, it looks to me like a cyclone
carried that house from somewheres and slammed it down. No man in his
right senses ever built it there."

"People take queer freaks sometimes, even in their senses. I guess we
can ride right around to the door."

But for the wide, weathered porch they could have ridden up to it and
knocked on its panels from the saddle. Taterleg was for going to the
kitchen door, a suggestion which the Duke scorned. He didn't want to
meet that girl at a kitchen door, even her own kitchen door. For that he
was about to meet her, there was no doubt in him that moment.

He was not in a state of trembling eagerness, but of calm expectation,
as a man might be justified in who had made his preparations and felt
the outcome sure. He even smiled as he pictured her surprise, like a man
returning home unexpectedly, but to a welcome of which he held no doubt.

Taterleg remained mounted while Lambert went to the door. It was a
rather inhospitable appearing door of solid oak, heavy and dark. There
was a narrow pane of beveled glass set into it near the top, beneath it
a knocker that must have been hammered by a hand in some far land
centuries before the house on the mesa was planned.

A negro woman, rheumatic, old, came to the door. Miss Philbrook was at
the barn, she said. What did they want of her? Were they looking for
work? To these questions Lambert made no reply. As he turned back to
his horse the old serving woman came to the porch, leaving the door
swinging wide, giving a view into the hall, which was furnished with a
profusion and luxuriance that Taterleg never had seen before.

The old woman watched the Duke keenly as he swung into the saddle in the
suppleness of his youthful grace. She shaded her eyes against the sun,
looking after him still as he rode with his companion toward the barn.

Chickens were making the barnyard lots comfortable with their noise,
some dairy cows of a breed alien to that range waited in a lot to be
turned out to the day's grazing; a burro put its big-eared head round
the corner of a shed, eying the strangers with the alert curiosity of a
niño of his native land. But the lady of the ranch was not in sight nor
sound.

Lambert drew up at the gate cutting the employees' quarters from the
barnyard, and sat looking things over. Here was a peace and security, an
atmosphere of contentment and comfort, entirely lacking in the
surroundings of the house. The buildings were all of far better class
than were to be found on the ranches of that country; even the bunkhouse
a house, in fact, and not a shed-roofed shack.

"I wonder where she's at?" said Taterleg, leaning and peering. "I don't
see her around here nowheres."

"I'll go down to the bunkhouse and see if there's anybody around,"
Lambert said, for he had a notion, somehow, that he ought to meet her on
foot.

Taterleg remained at the gate, because he looked better on a horse than
off, and he was not wanting in that vain streak which any man with a
backbone and marrow in him possesses. He wanted to appear at his best
when the boss of that high-class outfit laid her eyes on him for the
first time; and if he had hopes that she might succumb to his charms,
they were no more extravagant than most men's are under similar
conditions.

Off to one side of a long barn Lambert saw her as he opened the gate.
She was trying to coax a young calf to drink out of a bucket that an old
negro held under its nose. Perhaps his heart climbed a little, and his
eyes grew hot with a sudden surge of blood, after the way of youth, as
he went forward.

He could not see her face fully, for she was bending over the calf, and
the broad brim of her hat interposed. She looked up at the sound of his
approach, a startled expression in her frank, gray eyes. Handsome, in
truth, she was, in her riding habit of brown duck, her heavy sombrero,
her strong, high boots. Her hair was the color of old honeycomb, her
face browned by sun and wind.

She was a maid to gladden a man's heart, with the morning sun upon her,
the strength of her great courage in her clear eyes; a girl of breeding,
as one could see by her proud carriage.

But she was _not_ the girl whose handkerchief he had won in his reckless
race with the train!




CHAPTER IX

A KNIGHT-ERRANT


The Duke took off his hat, standing before her foolishly dumb between
his disappointment and embarrassment. He had counted so fully on finding
the girl of his romance that he was reluctant to accept the testimony of
his eyes. Here was one charming enough to compensate a man for a hundred
fasts and fevers, but she was not the lodestone that had drawn upon his
heart with that impelling force which could not be denied.

What a stupid blunder his impetuous conclusion had led him into; what an
awkward situation! Pretty as she was, he didn't want to serve this
woman, no matter for her embarrassments and distress. He could not
remain there a week in the ferment of his longing to be on his way,
searching the world for her whom his soul desired. This ran over him
like an electric shock as he stood before her, hat in hand, head bent a
little, like a culprit, looking rather stupid in his confusion.

"Were you looking for somebody?" she asked, her handsome face sunning
over with a smile that invited his confidence and dismissed his qualms.

"I was looking for the boss, ma'am."

"I'm the boss." She spoke encouragingly, as to some timid creature,
bending to brush off the milk that the stubborn calf had shaken from its
muzzle over her skirt.

"My partner and I are strangers here--he's over there at the
gate--passing through the country, and wanted your permission to look
around the place a little. They told us about it down at Glendora."

The animation of her face was clouded instantly as by a shadow of
disappointment. She turned her head as if to hide this from his eyes,
answering carelessly, a little pettishly:

"Go ahead; look around till you're tired."

Lambert hesitated, knowing very well that he had raised expectations
which he was in no present mind to fill. She must be sorely in need of
help when she would brighten up that way at the mere sight of a common
creature like a cow-puncher. He hated to take away what he had seemed to
come there offering, what he had, in all earnestness, come to offer.

But she was not the girl. He had followed a false lure that his own
unbridled imagination had lit. The only thing to do was back out of it
as gracefully as he could, and the poor excuse of "looking around" was
the best one he could lay his hand to in a hurry.

"Thank you," said he, rather emptily.

She did not reply, but bent again to her task of teaching the little
black calf to take its breakfast out of the pail instead of the fashion
in which nature intended it to refresh itself. Lambert backed off a
little, for the way of the range had indeed become his way in that year
of his apprenticeship, and its crudities were over him painfully. When
off what he considered a respectful distance he put on his hat, turning
a look at her as if to further assure her that his invasion of her
premises was not a trespass.

She gave him no further notice, engrossed as she appeared to be with the
calf, but when he reached the gate and looked back, he saw her standing
straight, the bucket at her feet, looking after him as if she resented
the fact that two free-footed men should come there and flaunt their
leisure before her in the hour of her need.

Taterleg was looking over the gate, trying to bring himself into the
range of her eyes. He swept off his hat when she looked that way, to be
rewarded by an immediate presentation of her back. Such cow-punchers as
these were altogether too fine and grand in their independent airs, her
attitude seemed to say.

"Did you take the job?" Taterleg inquired.

"I didn't ask her about it."

"You didn't ask her? Well, what in the name of snakes did you come up
here for?"

The Duke led his horse away from the gate, back where she could not see
him, and stood fiddling with his cinch a bit, although it required no
attention at all.

"I got to thinkin' maybe I'd better go on west a piece. If you want to
stay, don't let me lead you off. Go on over and strike her for a job;
she needs men, I know, by the way she looked."

"No, I guess I'll go on with you till our roads fork. But I was kind of
thinkin' I'd like to stay around Glendora a while." Taterleg sighed as
he seemed to relinquish the thought of it, tried the gate to see that it
was latched, turned his horse about. "Well, where're we headin' for
now?"

"I want to ride up there on that bench in front of the house and look
around a little at the view; then I guess we'll go back to town."

They rode to the top of the bench the Duke indicated, where the view
broadened in every direction, that being the last barrier between the
river and the distant hills. The ranchhouse appeared big even in that
setting of immensities, and perilously near the edge of the crumbling
bluff which presented a face almost sheer on the river more than three
hundred feet below.

"It must 'a' been a job to haul the lumber for that house up here."

That was Taterleg's only comment. The rugged grandeur of nature
presented to him only its obstacles; its beauties did not move him any
more than they would have affected a cow.

The Duke did not seem to hear him. He was stretching his gaze into the
dim south up the river, where leaden hills rolled billow upon billow,
engarnitured with their sad gray sage. Whatever his thoughts were, they
bound him in a spell which the creaking of Taterleg's saddle, as he
shifted in it impatiently, did not disturb.

"Couple of fellers just rode up to the gate in the cross-fence back of
the bunkhouse," Taterleg reported.

The Duke grunted, to let it be known that he heard, but was not
interested. He was a thousand miles away from the Bad Lands in his
fast-running dreams.

"That old nigger seems to be havin' some trouble with them fellers,"
came Taterleg's further report. "There goes that girl on her horse up to
the gate--say, look at 'em, Duke! Them fellers is tryin' to make her let
'em through."

Lambert turned, indifferently, to see. There appeared to be a
controversy under way at the gate, to be sure. But rows between
employees and employer were common; that wasn't his fuss. Perhaps it
wasn't an argument, as it seemed to be from that distance, anyhow.

"Did you see that?" Taterleg started his horse forward in a jump as he
spoke, reining up stiffly at Lambert's side. "One of them fellers pulled
his gun on that old nigger--did you see him, Duke?"

"Ye-es, I saw him," said the Duke speculatively, watching the squabble
at the distant gate keenly, turning his horse to head that way by a
pressure of his knee.

"Knocked him flat!" Taterleg set off in a gallop as he spoke, the Duke
right after him, soon ahead of him, old Whetstone a yellow streak across
the mesa.

It wasn't his quarrel, but nobody could come flashing a gun in the face
of a lady when he was around. That was the argument that rose in the
Duke's thoughts as he rode down the slope and up the fenced passage
between the barns.

The gate at which the two horsemen were disputing the way with the girl
and her old black helper was a hundred yards or more beyond the one at
which Taterleg and the Duke had stopped a little while before. It was in
a cross-fence which appeared to cut the house and other buildings from
the range beyond.

As the Duke bent to open this first gate he saw that the girl had
dismounted and was bending over the old negro, who was lying stretched
on the ground. He had fallen against the gate, on which one of the
ruffians was now pushing, trying to open it against the weight of his
body. The girl spoke sharply to the fellow, bracing her shoulder against
the gate. Lambert heard the scoundrel laugh as he swung to the ground
and set his shoulder against the other side.

The man who remained mounted leaned over and added his strength to the
struggle, together forcing the gate open, pushing the resisting girl
with it, dragging the old negro, who clutched the bottom plank and was
hauled brutally along. All concerned in the struggle were so deeply
engrossed in their own affair that none noted the approach of the Duke
and Taterleg. The fellow on the ground was leading his horse through as
Lambert galloped up.

At the sound of Lambert's approach the dismounted man leaped into his
saddle. The two trespassers sat scowling inside the gate, watching him
closely for the first hostile sign. Vesta Philbrook was trying to help
the old negro to his feet. Blood was streaming down his face from a cut
on his forehead; he sank down again when she let go of him to welcome
this unexpected help.

"These men cut my fence; they're trespassing on me, trying to defy and
humiliate me because they know I'm alone!" she said. She stretched out
her hand toward Lambert as if in appeal to a judge, her face flushed
from the struggle and sense of outrage, her hat pushed back on her amber
hair, the fire of righteous anger in her eyes. The realization of her
beauty seemed to sweep Lambert like a flood of sudden music, lifting his
heart in a great surge, making him recklessly glad.

"Where do you fellers think you're goin'?" he asked, following the
speech of the range.

"We're goin' where we started to go," the man who had just remounted
replied, glaring at Lambert with insulting sneer.

This was a stocky man with bushy red-gray eyebrows, a stubble of roan
beard over his blunt, common face. One foot was short in his boot, as if
he had lost his toes in a blizzard, a mark not uncommonly set by
unfriendly nature on the men who defied its force in that country. He
wore a duck shooting-jacket, the pockets of it bulging as if with game.

His companion was a much younger man, slender, graceful in the saddle,
rather handsome in a swarthy, defiant way. He ranged up beside the
spokesman as if to take full share in whatever was to come. Both of them
were armed with revolvers, the elder of the two with a rifle in
addition, which he carried in a leather scabbard black and slick with
age, slung on his saddle under his thigh.

"You'll have to get permission from this lady before you go through
here," Lambert told him calmly.

Vesta Philbrook had stepped back, as if she had presented her case and
waited adjudication. She stood by the old negro where he sat in the
dust, her hand on his head, not a word more to add to her case, seeming
to have passed it on to this slim, confident, soft-spoken stranger with
his clear eyes and steady hand, who took hold of it so competently.

"I've been cuttin' this purty little fence for ten years, and I'll keep
on cuttin' it and goin' through whenever I feel like it. I don't have to
git no woman's permission, and no man's, neither, to go where I want to
go, kid."

The man dropped his hand to his revolver as he spoke the last word with
a twisting of the lip, a showing of his scorbutic teeth, a sneer that
was at once an insult and a goad. The next moment he was straining his
arms above his head as if trying to pull them out of their sockets, and
his companion was displaying himself in like manner, Lambert's gun down
on them, Taterleg coming in deliberately a second or two behind.

"Keep them right there," was the Duke's caution, jerking his head to
Taterleg in the manner of a signal understood.

Taterleg rode up to the fence-cutters and disarmed them, holding his gun
comfortably in their ribs as he worked with swift hand. The rifle he
handed down to the old negro, who was now on his feet, and who took it
with a bow and a grave face across which a gleam of satisfaction
flashed. The holsters with the revolvers in them he passed to the Duke,
who hung them on his saddle-horn.

"Pile off," Taterleg ordered.

They obeyed, wrathful but impotent. Taterleg sat by, chewing gum, calm
and steady as if the thing had been rehearsed a hundred times. The Duke
pointed to the old negro's hat.

"Pick it up," he ordered the younger man; "dust it off and give it to
him."

The fellow did as directed, with evil face, for it hurt his high pride,
just as the Duke intended that it should hurt. Lambert nodded to the man
who had knocked the old fellow down with a blow of his heavy revolver.

"Dust off his clothes," he said.

Vesta Philbrook smiled as she witnessed this swift humbling of her
ancient enemy. The old negro turned himself arrogantly, presenting the
rear of his broad and dusty pantaloons; but the bristling, red-faced
rancher balked. He looked up at Lambert, half choked on the bone of his
rage.

"I'll die before I'll do it!" he declared with a curse.

Lambert beat down the defiant, red-balled glowering eyes with one brief,
straight look. The fence-cutter broke a tip of sage and set to work, the
old man lifting his arms like a strutting gobbler, his head held high,
the pain of his hurt forgotten in the triumphant moment of his revenge.

"Have you got some wire and tools around here handy, Miss Philbrook?"
Lambert inquired. "These men are going to do a little fence fixin' this
morning for a change."

The old negro pranced off to get the required tools, throwing a look
back at the two prisoners now and then, covering his mouth with his hand
to keep back the explosion of his mirth. Badly as he was hurt, his
enjoyment of this unprecedented situation seemed to cure him completely.
His mistress went after him, doubtful of his strength, with nothing but
a quick look into Lambert's eyes as she passed to tell him how deeply
she felt.

It was a remarkable procession for the Bad Lands that set out from the
cross-line fence a few minutes later, the two free rangers starting
under escort to repair the damage done to a despised fence-man's
barrier. One of them carried a wire-stretcher, the chain of it wound
round his saddle-horn, the other a coil of barbed wire and such tools as
were required. After they had proceeded a little way, Taterleg thought
of something.

"Don't you reckon we might need a couple of posts, Duke?" he asked.

The Duke thought perhaps they might come in handy. They turned back,
accordingly, and each of the trespassers was compelled to shoulder an
oak post, with much blasphemy and threatening of future adjustment. In
that manner of marching, each free ranger carrying his cross as none of
his kind ever had carried it before, they rode to the scene of their
late depredations.

Vesta Philbrook stood at the gate and watched them go, reproaching
herself for her silence in the presence of this man who had come to her
assistance with such sure and determined hand. She never had found it
difficult before to thank anybody who had done her a generous turn; but
here her tongue had lain as still as a hare in its covert, and her heart
had gone trembling in the gratitude which it could not voice.

A strong man he was, and full of commanding courage, but neither so
strong nor so mighty that she had need to keep as quiet in his presence
as a kitchen maid before a king. But he would have to pass that way
coming back, and she could make amends. The old negro stood by,
chuckling his pleasure at the sight drawing away into the distance of
the pasture where his mistress' cattle fed.

"Ananias, do you know who that man is," she asked.

"Laws, Miss Vesta, co'se I do. Didn't you hear his hoss-wrangler call
him Duke?"

"I heard him call him Duke."

"He's that man they call Duke of Chimley Butte--I know that hoss he's
a-ridin'; that hoss used to be Jim Wilder's ole outlaw. That Duke man
killed Jim and took that hoss away from him; that's what he done. That
was while you was gone; you didn't hear 'bout it."

"Killed him and took his horse? Surely, he must have had some good
reason, Ananias."

"I don' know, and I ain't a-carin'. That's him, and that's what he
done."

"Did you ever hear of him killing anybody else?"

"Oh, plenty, plenty," said the old man with easy generosity. "I bet
he's killed a hun'ed men--maybe mo'n a hun'ed."

"But you don't know," she said, smiling at the old man's extravagant
recommendation of his hero.

"I don' know, but I bet he is," said he. "Look at 'em!" he chuckled;
"look at old Nick Ha'gus and his onery, low-down Injun-blood boy!"




CHAPTER X

GUESTS OF THE BOSS LADY


Vesta rode out to meet them as they were coming back, to make sure of
her thanks. She was radiant with gratitude, and at no loss any longer
for words to express it. Before they had ridden together on the return
journey half a mile, Taterleg felt that he had known her all her life,
and was ready to cast his fortunes with her, win or lose.

Lambert was leaving the conversation between her and Taterleg, for the
greater part. He rode in gloomy isolation, like a man with something on
his mind, speaking only when spoken to, and then as shortly as
politeness would permit. Taterleg, who had words enough for a book,
appeared to feel the responsibility of holding them up to the level of
gentlemen and citizens of the world. Not if talk could prevent it would
Taterleg allow them to be classed as a pair of boors who could not go
beyond the ordinary cow-puncher's range in word and thought.

"It'll be some time, ma'am, before that feller Hargus and his boy'll try
to make a short cut to Glendora through your ranch ag'in," said he.

"It was the first time they were ever caught, after old man Hargus had
been cutting our fence for years, Mr. Wilson. I can't tell you how much
I owe you for humiliating them where they thought the humiliation would
be on my side."

"Don't you mention it, ma'am; it's the greatest pleasure in the world."

"He thought he'd come by the house and look in the window and defy me
because I was alone."

"He's got a mean eye; he's got a eye like a wolf."

"He's got a wolf's habits, too, in more ways than one, Mr. Wilson."

"Yes, that man'd steal calves, all right."

"We've never been able to prove it on him, Mr. Wilson, but you've put
your finger on Mr. Hargus' weakness like a phrenologist."

Taterleg felt his oats at this compliment. He sat up like a major, his
chest out, his mustache as big on his thin face as a Mameluke's. It
always made Lambert think of the handlebars on that long-horn safety
bicycle that he came riding into the Bad Lands.

"The worst part of it is, Mr. Wilson, that he's not the only one."

"Neighbors livin' off of you, are they? Yes, that's the way it was down
in Texas when the big ranches begun to fence, they tell me--I never was
there, ma'am, and I don't know of my own knowledge and belief, as the
lawyers say. Fence-ridin' down there in them days was a job where a man
took his life in both hands and held it up to be shot at."

"There's been an endless fight on this ranch, too. It's been a strain
and a struggle from the first day, not worth it, not worth half of it.
But father put the best years of his life into it, and established it
where men boasted it couldn't be done. I'm not going to let them whip me
now."

Lambert looked at her with a quick gleam of admiration in his eyes. She
was riding between him and Taterleg, as easy in their company, and as
natural as if she had known them for years. There had been no heights of
false pride or consequence for her to descend to the comradeship of
these men, for she was as unaffected and ingenuous as they. Lambert
seemed to wake to a sudden realization of this. His interest in her
began to grow, his reserve to fall away.

"They told us at Glendora that rustlers were running your cattle off,"
said he. "Are they taking the stragglers that get through where the
fence is cut, or coming after them?"

"They're coming in and running them off almost under our eyes. I've only
got one man on the ranch beside Ananias; nobody riding fence at all but
myself. It takes me a good while to ride nearly seventy miles of fence."

"Yes, that's so," Lambert seemed to reflect. "How many head have you got
in this pasture?"

"I ought to have about four thousand, but they're melting away like
snow, Mr. Lambert."

"We saw a bunch of 'em up there where them fellers cut the fence,"
Taterleg put in, not to be left out of the game which he had started
and kept going single-handed so long; "white-faced cattle, like they've
got in Kansas."

"Ours--mine are all white-faced. They stand this climate better than any
other."

"It must have been a bunch of strays we saw--none of them was branded,"
Lambert said.

"Father never would brand his calves, for various reasons, the humane
above all others. I never blamed him after seeing it done once, and I'm
not going to take up the barbarous practice now. All other
considerations aside, it ruins a hide, you know, Mr. Lambert."

"It seems to me you'd better lose the hide than the calf, Miss
Philbrook."

"It does make it easy for thieves, and that's the only argument in favor
of branding. While we've--I've got the only white-faced herd in this
country, I can't go into court and prove my property without a brand,
once the cattle are run outside of this fence. So they come in and take
them, knowing they're safe unless they're caught."

Lambert fell silent again. The ranchhouse was in sight, high on its
peninsula of prairie, like a lighthouse seen from sea.

"It's a shame to let that fine herd waste away like that," he said,
ruminatively, as if speaking to himself.

"It's always been hard to get help here; cowboys seem to think it's a
disgrace to ride fence. Such as we've been able to get nearly always
turned out thieves on their own account in the end. The one out with the
cattle now is a farm boy from Iowa, afraid of his shadow."

"They didn't want no fence in here in the first place--that's what set
their teeth ag'in' you," Taterleg said.

"If I could only get some real men once," she sighed; "men who could
handle them like you boys did this morning. Even father never seemed to
understand where to take hold of them to hurt them, the way you do."

They were near the house now. Lambert rode on a little way in silence.
Then:

"It's a shame to let that herd go to pieces," he said.

"It's a sin!" Taterleg declared.

She dropped her reins, looking from one to the other, an eager appeal
in her hopeful face.

"Why can't you boys stop here a while and help me out?" she asked,
saying at last in a burst of hopeful eagerness what had been in her
heart to say from the first. She held out her hand to each of them in a
pretty way of appeal, turning from one to the other, her gray eyes
pleading.

"I hate to see a herd like that broken up by thieves, and all of your
investment wasted," said the Duke, thoughtfully, as if considering it
deeply.

"It's a sin _and_ a shame!" said Taterleg.

"I guess we'll stay and give you a hand," said the Duke.

She pulled her horse up short, and gave him, not a figurative hand, but
a warm, a soft and material one, from which she pulled her buckskin
glove as if to level all thought or suggestion of a barrier between
them. She turned then and shook hands with Taterleg, warming him so with
her glowing eyes that he patted her hand a little before he let it go,
in manner truly patriarchal.

"You're all right, you're _all_ right," he said.

Once pledged to it, the Duke was anxious to set his hand to the work
that he saw cut out for him on that big ranch. He was like a physician
who had entered reluctantly into a case after other practitioners had
left the patient in desperate condition. Every moment must be employed
if disaster to that valuable herd was to be averted.

Vesta would hear of nothing but that they come first to the house for
dinner. So the guests did the best they could at improving their
appearance at the bunkhouse after turning their horses over to the
obsequious Ananias, who appeared with a large bandage, and a strong
smell of turpentine, on his bruised head.

Beyond brushing off the dust of the morning's ride there was little to
be done. Taterleg brought out his brightest necktie from the portable
possessions rolled up in his slicker; the Duke produced his calfskin
vest. There was not a coat between them to save the dignity of their
profession at the boss lady's board. Taterleg's green-velvet waistcoat
had suffered damage during the winter when a spark from his pipe burned
a hole in it as big as a dollar. He held it up and looked at it,
concluding in the end that it would not serve.

With his hairy chaps off, Taterleg did not appear so bow-legged, but he
waddled like a crab as they went toward the house to join the companion
of their ride. The Duke stopped on the high ground near the house,
turned, looked off over the great pasture that had been Philbrook's
battle ground for so many years.

"One farmer from Iowa out there to watch four thousand cattle, and
thieves all around him! Eatin' looks like burnin' daylight to me."

"She'd 'a' felt hurt if we'd 'a' shied off from her dinner, Duke. You
know a man's got to eat when he ain't hungry and drink when he ain't dry
sometimes in this world to keep up appearances."

"Appearances!" The Duke looked him over with humorous eye, from his
somewhat clean sombrero to his capacious corduroy trousers gathered into
his boot tops. "Oh, well, I guess it's all right."

Vesta was in excellent spirits, due to the broadening of her prospects,
which had appeared so narrow and unpromising but a few hours before.
One of this pair, she believed, was worth three ordinary men. She asked
them about their adventures, and the Duke solemnly assured her that they
never had experienced any.

Taterleg, loquacious as he might be on occasion, knew when to hold his
tongue. Lambert led her away from that ground into a discussion of her
own affairs, and conditions as they stood between her neighbors and
herself.

"Nick Hargus is one of the most persistent offenders, and we might as
well dispose of him first, since you've met the old wretch and know what
he's like on the outside," she explained. "Hargus was in the cattle
business in a hand-to-mouth way when we came here, and he raised a
bigger noise than anybody else about our fences, claiming we'd cut him
off from water, which wasn't true. We didn't cut anybody off from the
river.

"Hargus is married to an Indian squaw, a little old squat, black-faced
thing as mean as a snake. They've got a big brood of children, that boy
you saw this morning is the senior of the gang. Old Hargus usually
harbors two or three cattle thieves, horse thieves or other crooks of
that kind, some of them just out of the pen, some preparing their way to
it. He does a sort of general rustling business, with this ranch as his
main source of supply. We've had a standing fight on with him ever since
we came here, but today was the first time, as I told you, that he ever
was caught.

"You heard what he said about cutting the fence this morning. That's the
attitude of the country all around. You couldn't convict a man for
cutting a fence in this country. So all a person can do is shoot them if
you catch them at it. I don't know what Hargus will do to get even with
this morning's humiliation."

"I think he'll leave that fence alone like it was charged with
lightnin'," Taterleg said.

"He'll try to turn something; he's wily and vindictive."

"He needs a chunk of lead about the middle of his appetite," Taterleg
declared.

"Who comes next?" Lambert inquired.

"There's a man they call Walleye Bostian--his regular name is Jesse--on
the farther end of this place that's troubled with a case of incurable
resentment against a barbed-wire fence. He's a sheepman, one of the
last that would do a lawless deed, you'd think, from the look of him,
but he's mean to the roots of his hair."

"All sheepmen's onery, ma'am, they tell me," said Taterleg, a cowman now
from core to rind, and loyal to his calling accordingly.

"I don't know about the rest of them, but Walleye Bostian is a mighty
mean sheepman. Well, I know I got a shot at him once that he'll
remember."

"_You_ did?" Taterleg's face was as bright as a dishpan with admiration.
He chuckled in his throat, eying the Duke slantingly to see how he took
that piece of news.

The Duke sat up a little stiffer, his face grew a shade more serious,
and that was all the change in him that Taterleg could see.

"I hope we can take that kind of work off your hands in the future, Miss
Philbrook," he said, his voice slow and grave.

She lifted her grateful eyes with a look of appreciation that seemed to
him overpayment for a service proposed, rather than done. She went on,
then, with a description of her interesting neighbors.

"This ranch is a long, narrow strip, only about three miles wide by
twenty deep, the river at this end of it, Walleye Bostian at the other.
Along the sides there are various kinds of reptiles in human skin, none
of them living within four or five miles of our fences, the average
being much farther than that, for people are not very plentiful right
around here.

"On the north of us Hargus is the worst, on the south a man named Kerr.
Kerr is the biggest single-handed cattleman around here. His one
grievance against us is that we shut a creek that he formerly used along
inside our fences that forced him to range down to the river for water.
As the creek begins and ends on our land--it empties into the river
about a mile above here--it's hard for an unbiased mind to grasp Kerr's
point of objection."

"Have you ever taken a shot at him?" the Duke asked, smiling a little
dry smile.

"No-o," said she reflectively, "not at Kerr himself. Kerr is what is
usually termed a gentleman; that is, he's a man of education and wears
his beard cut like a banker's, but his methods of carrying on a feud are
extremely low. Fighting is beneath his dignity, I guess; he hires it
done."

"You've seen some fightin' in your time, ma'am," Taterleg said.

"Too much of it," she sighed wearily. "I've had a shot at his men more
than once, but there are one or two in that Kerr family I'd like to
sling a gun down on!"

It was strange to hear that gentle-mannered, refined girl talk of
fighting as if it were the commonest of everyday business. There was no
note of boasting, no color of exaggeration in her manner. She was as
natural and sincere as the calm breeze, coming in through the open
window, and as wholesome and pure. There was not a doubt of that in the
mind of either of the men at the table with her. Their admiration spoke
out of their eyes.

"When you've had to fight all your life," she said, looking up earnestly
into Lambert's face, "it makes you old before your time, and
quick-tempered and savage, I suppose, even when you fight in
self-defense. I used to ride fence when I was fourteen, with a rifle
across my saddle, and I wouldn't have thought any more of shooting a
man I saw cutting our fence or running off our cattle than I would a
rabbit."

She did not say what her state of mind on that question was at present,
but it was so plainly expressed in her flushed cheeks and defiant eyes
that it needed no words.

"If you'd 'a' had your gun on you this morning when them fellers knocked
that old coon down I bet there'd 'a' been a funeral due over at old
Hargus' ranch," said Taterleg.

"I'd saddled up to go to the post office; I never carry a gun with me
when I go to Glendora," she said.

"A country where a lady has to carry a gun at all ain't no country to
speak of. It needs cleanin' up, ma'am, that's what it needs."

"It surely does, Mr. Wilson: you've got it sized up just right."

"Well, Taterleg, I guess we'd better be hittin' the breeze," the Duke
suggested, plainly uneasy between the duty of courtesy and the long
lines of unguarded fence.

Taterleg could not accustom himself to that extraordinary bunkhouse when
they returned to it, on such short time. He walked about in it, necktie
in his hand, looking into its wonders, marveling over its conveniences.

"It's just like a regular human house," said he.

There was a bureau with a glass to it in every room, and there were
rooms for several men. The Duke and Taterleg stowed away their slender
belongings in the drawers and soon were ready for the saddle. As he put
the calfskin vest away, the Duke took out the little handkerchief, from
which the perfume of faint violet had faded long ago, and pressed it
tenderly against his cheek.

"You'll wait on me a little while longer, won't you?" he asked.

Then he laid it away between the folds of his remarkable garment very
carefully, and went out, his slicker across his arm, to take up his life
in that strip of contention and strife between Vesta Philbrook's
far-reaching wire fences.




CHAPTER XI

ALARMS AND EXCURSIONS


The news quickly ran over the country that Vesta Philbrook had hired the
notorious Duke of Chimney Butte and his gun-slinging side partner to
ride fence. What had happened to Nick Hargus and his boy, Tom, seemed to
prove that they were men of the old school, quite a different type from
any who had been employed on that ranch previously.

Lambert was troubled to learn that his notoriety had run ahead of him,
increasing as it spread. It was said that his encounter with Jim Wilder
was only one of his milder exploits; that he was a grim and bloody man
from Oklahoma who had marked his miles with tombstones as he traveled.

His first business on taking charge of the Philbrook ranch had been to
do a piece of fence-cutting on his own account opposite Nick Hargus'
ranch, through which he had ridden and driven home thirty head of
cattle lately stolen by that enterprising citizen from Vesta Philbrook's
herd. This act of open-handed restoration, carried out in broad daylight
alone, and in the face of Hargus, his large family of sons, and the
skulking refugees from the law who chanced to be hiding there at the
time, added greatly to the Duke's fame.

It did not serve as a recommendation among the neighbors who had preyed
so long and notoriously on the Philbrook herd, and no doubt nothing
would have been said about it by Hargus to even the most intimate of his
ruffianly associates. But Taterleg and old Ananias took great pains to
spread the story in Glendora, where it passed along, with additions as
it moved. Hargus explained that the cattle were strays which had broken
out.

While this reputation of the Duke was highly gratifying to Taterleg, who
found his own glory increased thereby, it was extremely distasteful to
Lambert, who had no means of preventing its spread or opportunity of
correcting its falsity. He knew himself to be an inoffensive, rather
backward and timid man, or at least this was his own measure of
himself. That fight with Jim Wilder always had been a cloud over his
spirits, although his conscience was clear. It had sobered him and made
him feel old, as Vesta Philbrook had said fighting made a person feel.
He could understand her better, perhaps, than one whom violence had
passed undisturbed.

There was nothing farther from his desire than strife and turmoil,
gun-slinging and a fearful notoriety. But there he was, set up against
his will, against his record, as a man to whom it was wise to give the
road. That was a dangerous distinction, as he well understood, for a
time would come, even opportunities would be created, when he would be
called upon to defend it. That was the discomfort of a fighting name. It
was a continual liability, bound sooner or later to draw upon a man to
the full extent of his resources.

This reputation lost nothing in the result of his first meeting with
Berry Kerr, the rancher who wore his beard like a banker and passed for
a gentleman in that country, where a gentleman was defined, at that
time, as a man who didn't swear. This meeting took place on the south
line of the fence on a day when Lambert had been on the ranch a little
more than a week.

Kerr was out looking for strays, he said, although he seemed to overlook
the joke that he made in neglecting to state from whose herd. Lambert
gave him the benefit of the doubt and construed him to mean his own. He
rode up to the fence, affable as a man who never had an evil intention
in his life, and made inquiry concerning Lambert's connection with the
ranch, making a pretense of not having heard that Vesta had hired new
men.

"Well, she needs a couple of good men that will stand by her steady," he
said, with all the generosity of one who had her interests close to his
heart. "She's a good girl, and she's been havin' a hard time of it. But
if you want to do her the biggest favor that a man ever did do under
circumstances of similar nature, persuade her to tear this fence out,
all around, and throw the range open like it used to be. Then all this
fool quarreling and shooting will stop, and everybody in here will be on
good terms again. That's the best way out of it for her, and it will be
the best way out of it for you if you intend to stay here and run this
ranch."

While Kerr's manner seemed to be patriarchal and kindly advisory, there
was a certain hardness beneath his words, a certain coldness in his eyes
which made his proposal nothing short of a threat. It made all the
resentful indignation which Lambert had mastered and chained down in
himself rise up and bristle. He took it as a personal affront, as a
threat against his own safety, and the answer that he gave to it was
quick and to the point.

"There'll never be a yard of this fence torn down on my advice, Mr.
Kerr," he said. "You people around here will have to learn to give it a
good deal more respect from now on than you have in the past. I'm going
to teach this crowd around here to take off their hats when they come to
a fence."

Kerr was a slender, dry man, the native meanness of his crafty face
largely masked by his beard, which was beginning to show streaks of gray
in its brown. He was wearing a coat that day, although it was hot, and
had no weapon in sight. He sat looking Lambert straight in the eyes for
a moment upon the delivery of this bill of intentions, his brows drawn a
bit, a cast of concentrated hardness in his gray-blue eyes.

"I'm afraid you've bit off more than you can chew, much less swallow,
young man," he said. With that he rode away, knowing that he had failed
in what he probably had some hope of accomplishing in his sly and
unworthy way.

Things went along quietly after that for a few weeks. Hargus did not
attempt any retaliatory move; on the side of Kerr's ranch all was quiet.
The Iowa boy, under Taterleg's tutelage, was developing into a
trustworthy and capable hand, the cattle were fattening in the grassy
valleys. All counted, it was the most peaceful spell that Philbrook's
ranch ever had known, and the tranquility was reflected in the owner,
and her house, and all within its walls.

Lambert did not see much of Vesta in those first weeks of his
employment, for he lived afield, close beside the fences which he
guarded as his own honor. Taterleg had a great pride in the matter also.
He cruised up and down his section with a long-range rifle across his
saddle, putting in more hours sometimes, he said, than there were in a
day. Taterleg knew very well that slinking eyes were watching him from
the covert of the sage-gray hills. Unceasing vigilance was the price of
reputation in that place, and Taterleg was jealous of his.

Lambert was beginning to grow restless under the urge of his spirit to
continue his journey westward in quest of the girl who had left her
favor in his hand. The romance of it, the improbability of ever finding
her along the thousand miles between him and the sea, among the
multitudes of women in the cities and hamlets along the way, appealed to
him with a compelling lure.

He had considered many schemes for getting trace of her, among the most
favored being that of finding the brakeman who stood on the end of the
train that day among those who watched him ride and overtake it, and
learning from him to what point her ticket read. That was the simplest
plan. But he knew that conductors and brakemen changed every few hundred
miles, and that this plan might not lead to anything in the end. But it
was too simple to put by without trying; when he set out again this
would be his first care.

He smiled sometimes as he rode his lonely beat inside the fence and
recalled the thrill that had animated him with the certainty that Vesta
Philbrook would turn out to be _the_ girl, _his_ girl. The
disappointment had been so keen that he had almost disliked Vesta that
first day. She was a fine girl, modest and unaffected, honest as the
middle of the day, but there was no appeal but the appeal of the weak to
the strong from her to him. They were drawn into a common sympathy of
determination; he had paused there to help her because she was
outmatched, fighting a brave battle against unscrupulous forces. He was
taking pay from her, and there could not be admitted any thought of
romance under such conditions.

But the girl whose challenge he had accepted at Misery that day was to
be considered in a different light. There was a pledge between them, a
bond. He believed that she was expecting him out there somewhere,
waiting for him to come. Often he would halt on a hilltop and look away
into the west, playing with a thousand fancies as to whom she might be,
and where.

He was riding in one of these dreams one mid-afternoon of a hot day
about six weeks after taking charge of affairs on the ranch, thinking
that he would tell Vesta in a day or two that he must go. Taterleg might
stay with her, other men could be hired if she would look about her. He
wanted to get out of the business anyway; there was no offering for a
man in it without capital. So he was thinking, his head bent, as he rode
up a long slope of grassy hill. At the top he stopped to blow old
Whetstone a little, turning in the saddle, running his eyes casually
along the fence.

He started, his dreams gone from him like a covey of frightened quail.
The fence was cut. For a hundred yards or more along the hilltop it was
cut at every post, making it impossible to piece.

Lambert could not have felt his resentment burn any hotter if it had
been his own fence. It was a fence under his charge; the defiance was
directed at him. He rode along to see if any cattle had escaped, and
drew his breath again with relief when he found that none had passed.

There was the track of but one horse; the fence-cutter had been alone,
probably not more than an hour ahead of him. The job finished, he had
gone boldly in the direction of Kerr's ranch, on whose side the
depredation had been committed. Lambert followed the trail some
distance. It led on toward Kerr's ranch, defiance in its very boldness.
Kerr himself must have done that job.

One man had little chance of stopping such assaults, now they had begun,
on a front of twenty miles. But Lambert vowed that if he ever did have
the good fortune to come up on one of these sneaks while he was at work,
he'd fill his hide so full of lead they'd have to get a derrick to load
him into a wagon.

It didn't matter so much about the fence, so long as they didn't get any
of the stock. But stragglers from the main herd would find a big gap
like that in a few hours, and the rustlers lying in wait would hurry
them away. One such loss as that and he would be a disgraced man in the
eyes of Vesta Philbrook, and the laughing-stock of the rascals who put
it through. He rode in search of the Iowa boy who was with the cattle,
his job being to ride among them continually to keep them accustomed to
a man on horseback. Luckily he found him before sundown and sent him for
wire. Then he stood guard at the cut until the damage was repaired.

After that fence-cutting became a regular prank on Kerr's side of the
ranch. Watch as he might, Lambert could not prevent the stealthy
excursions, the vindictive destruction of the hated barrier. All these
breaches were made within a mile on either side of the first cut,
sometimes in a single place, again along a stretch, as if the person
using the nippers knew when to deliberate and when to hasten.

Always there was the trace of but one rider, who never dismounted to cut
even the bottom wire. That it was the work of the same person each time
Lambert was convinced, for he always rode the same horse, as betrayed by
a broken hind hoof.

Lambert tried various expedients for trapping this skulker during a
period of two weeks. He lay in wait by day and made stealthy excursions
by night, all to no avail. Whoever was doing it had some way of keeping
informed on his movements with exasperating closeness.

The matter of discovering and punishing the culprit devolved on Lambert
alone. He could not withdraw Taterleg to help him; the other man could
not be spared from the cattle. And now came the crowning insult of all.

It was early morning, after an all-night watch along the three miles of
fence where the wire-cutter always worked, when Lambert rode to the top
of the ridge where the first breach in his line had been made. Below
that point, not more than half a mile, he had stopped to boil his
breakfast coffee. His first discovery on mounting the ridge was a panel
of fence cut, his next a piece of white paper twisted to the end of one
of the curling wires.

This he disengaged and unfolded. It was a page torn from a medicine
memorandum book such as cow-punchers usually carry their time in, and
the addresses of friends.

  _Why don't you come and get me, Mr. Duke?_

This was the message it bore.

The writing was better, the spelling more exact than the output of the
ordinary cow-puncher. Kerr himself, Lambert thought again. He stood with
the taunting message in his fingers, looking toward the Kerr ranchhouse,
some seven or eight miles to the south, and stood so quite a while, his
eyes drawn small as if he looked into the wind.

"All right; I'll take you up on that," he said.

He rode slowly out through the gap, following the fresh trail. As
before, it was made by the horse with the notch in its left hind hoof.
It led to a hill three-quarters of a mile beyond the fence. From this
point it struck a line for the distant ranchhouse.

Lambert did not go beyond the hill. Dismounting, he stood surveying the
country about him, struck for the first time by the view that this
vantage-point afforded of the domain under his care. Especially the line
of fence was plainly marked for a long distance on either side of the
little ridge where the last cut had been made. Evidently the skulker
concealed himself at this very point and watched his opening, playing
entirely safe. That accounted for all the cutting having been done by
daylight, as he was sure had been the case.

He looked about for trace of where the fellow had lain behind the fringe
of sage, but the ground was so hard that it would not take a human
footprint. As he looked he formulated a plan of his own. Half a mile or
more beyond this hill, in the direction of the Kerr place, a small butte
stood, its steep sides grassless, its flat top bare. That would be his
watchtower from that day forward until he had his hand on this defiant
rascal who had time, in his security, to stop and write a note.

That night he scaled the little butte after mending the fence behind
him, leaving his horse concealed among the huge blocks of rock at its
foot. Next day, and the one following, he passed in the blazing sun, but
nobody came to cut the fence. At night he went down, rode his horse to
water, turned him to graze, and went back to his perch among the ants
and lizards on top of the butte.

The third day was cloudy and uneventful; on the fourth, a little before
nine, just when the sun was squaring off to shrivel him in his skin,
Lambert saw somebody coming from the direction of Kerr's ranch.

The rider made straight for the hill below Lambert's butte, where he
reined up before reaching the top, dismounted and went crawling to the
fringe of sage at the farther rim of the bare summit. Lambert waited
until the fellow mounted and rode toward the fence, then he slid down
the shale, starting Whetstone from his doze.

Lambert calculated that he was more than a mile from the fence. He
wanted to get over there near enough to catch the fellow at work, so
there would be full justification for what he intended to do.

Whetstone stretched himself to the task, coming out of the broken ground
and up the hill from which the fence-cutter had ridden but a few minutes
before while the marauder was still a considerable distance from his
objective. The man was riding slowly, as if saving his horse for a
chance surprise.

Lambert cut down the distance between them rapidly, and was not more
than three hundred yards behind when the fellow began snipping the wire
with a pair of nippers that glittered in the sun.

Lambert held his horse back, approaching with little noise. The
fence-cutter was rising back to the saddle after cutting the bottom wire
of the second panel when he saw that he was trapped.

Plainly unnerved by this _coup_ of the despised fence-guard, he sat
clutching his reins as if calculating his chance of dashing past the man
who blocked his retreat. Lambert slowed down, not more than fifty yards
between them, waiting for the first move toward a gun. He wanted as much
of the law on his side, even though there was no witness to it, as he
could have, for the sake of his conscience and his peace.

Just a moment the fence-cutter hesitated, making no movement to pull a
gun, then he seemed to decide in a flash that he could not escape the
way that he had come. He leaned low over his horse's neck, as if he
expected Lambert to begin shooting, rode through the gap that he had cut
in the fence, and galloped swiftly into the pasture.

Lambert followed, sensing the scheme at a glance. The rascal intended to
either ride across the pasture, hoping to outrun his pursuer in the
three miles of up-and-down country, or turn when he had a safe lead and
go back. As the chase led away, it became plain that the plan was to
make a run for the farther fence, cut it and get away before Lambert
could come up. That arrangement suited Lambert admirably; it would seem
to give him all the law on his side that any man could ask.

There was a scrubby growth of brush on the hillsides, and tall red
willows along the streams, making a covert here and there for a horse.
The fleeing man took advantage of every offering of this nature, as if
he rode in constant fear of the bullet that he knew was his due. Added
to this cunning, he was well mounted, his horse being almost equal in
speed to Whetstone, it seemed, at the beginning of the race.

Lambert pushed him as hard as he thought wise, conserving his horse for
the advantage that he knew he would have while the fence-cutter stopped
to make himself an outlet. The fellow rode hard, unsparing of his
quirt, jumping his long-legged horse over rocks and across ravines.

It was in one of these leaps that Lambert saw something fall from the
saddle holster. He found it to be the nippers with which the fence had
been cut, lying in the bottom of the deep arroyo. He rode down and
recovered the tool, in no hurry now, for he was quite certain that the
fence-cutter would not have another. He would discover his loss when he
came to the fence, and then, if he was not entirely the coward and sneak
that his actions seemed to brand him, he would have recourse to another
tool.

It did not take them long to finish the three-mile race across the
pasture, and it turned out in the end exactly as Lambert thought it
would. When the fugitive came within a few rods of the fence he put his
hand down to the holster for his nippers, discovering his loss. Then he
looked back to see how closely he was pressed, which was very close
indeed.

Lambert felt that he did not want to be the aggressor, even on his own
land, in spite of the determination he had reached for such a
contingency as this. He recalled what Vesta had said about the
impossibility of securing a conviction for cutting a fence. Surely if a
man could not be held responsible for this act in the courts of the
country, it would fare hard with one who might kill him in the
commission of the outrage. Let him draw first, and then----

The fellow rode at the fence as if he intended to try to jump it. His
horse balked at the barrier, turned, raced along it, Lambert in close
pursuit, coming alongside him as he was reaching to draw his pistol from
the holster at his saddle bow. And in that instant, as the fleeing rider
bent tugging at the gun which seemed to be strapped in the holster,
Lambert saw that it was not a man.

A strand of dark hair had fallen from under the white sombrero; it was
dropping lower and lower as it uncoiled from its anchorage. Lambert
pressed his horse forward a few feet, leaned far over and snatched away
the hand that struggled to unbuckle the weapon.

She turned on him, her face scarlet in its fury, their horses racing
side by side, their stirrups clashing. Distorted as her features were
by anger and scorn at the touch of one so despised, Lambert felt his
heart leap and fall, and seem to stand still in his bosom. It was not
only a girl; it was _his_ girl, the girl of the beckoning hand.




CHAPTER XII

THE FURY OF DOVES


Lambert released her the moment that he made his double discovery,
foolishly shaken, foolishly hurt, to realize that she had been afraid to
have him know it was a woman he pursued. He caught her rein and checked
her horse along with his own.

"There's no use to run away from me," he said, meaning to quiet her
fear. She faced him scornfully, seemingly to understand it as a boast.

"You wouldn't say that to a man, you coward!"

Again he felt a pang, like a blow from an ungrateful hand. She was
breathing fast, her dark eyes spiteful, defiant, her face eloquent of
the scorn that her words had only feebly expressed. He turned his head,
as if considering her case and revolving in his mind what punishment to
apply.

She was dressed in riding breeches, with Mexican goatskin chaps, a heavy
gray shirt such as was common to cowboys, a costly white sombrero, its
crown pinched to a peak in the Mexican fashion. With the big
handkerchief on her neck flying as she rode, and the crouching posture
that she had assumed in the saddle every time her pursuer began to close
up on her in the race just ended, Lambert's failure to identify her sex
was not so inexcusable as might appear. And he was thinking that she had
been afraid to have him know she was a girl.

His discovery had left him dumb, his mind confused by a cross-current of
emotions. He was unable to relate her with the present situation,
although she was unmistakably before his eyes, her disguise ineffectual
to change one line of her body as he recalled her leaning over the
railing of the car, her anger unable to efface one feature as pictured
in his memory.

"What are you going to do about it?" she asked him defiantly, not a hint
in her bearing of shame for her discovery, or contrition for her crime.

"I guess you'd better go home."

He spoke in gentle reproof, as to a child caught in some trespass
well-nigh unforgivable, but to whose offense he had closed his eyes out
of considerations which only the forgiving understand. He looked her
full in the eyes as he spoke, the disappointment and pain of his
discovery in his face. The color blanched out of her cheeks, she stared
at him a moment in waking astonishment, her eyes just as he remembered
them when they drew him on in his perilous race after the train.

Such a flame rose in him that he felt it must make him transparent, and
lay his deepest sentiments bare before her gaze. So she looked at him a
moment, eye to eye, the anger gone out of her face, the flash of scorn
no longer glinting in the dark well of her eye. But if she recognized
him she did not speak of it. Almost at once she turned away, as from the
face of a stranger, looking back over the way that she had ridden in
such headlong flight.

He believed she was ashamed to have him know she recognized him. It was
not for him to speak of the straining little act that romance had cast
them for at their first meeting. Perhaps under happier circumstances
she would have recalled it, and smiled, and given him her hand.
Embarrassment must attend her here, no matter how well she believed
herself to be justified in her destructive raids against the fence.

"I'll have to go back the way I came," she said.

"There is no other way."

They started back in silence, riding side by side. Wonder filled the
door of his mind; he had only disconnected, fragmentary thoughts, upon
the current of which there rose continually the realization, only half
understood, that he started out to search the world for this woman, and
he had found her.

That he had discovered her in the part of a petty, spiteful lawbreaker,
dressed in an outlandish and unbecoming garb, did not trouble him. If he
was conscious of it at all, indeed, the hurrying turmoil of his thoughts
pushed it aside like drifted leaves by the way. The wonderful thing was
that he had found her, and at the end of a pursuit so hot it might have
been a continuation of his first race for the trophy of white linen in
her hand.

Presently this fog cleared; he came back to the starting-point of it, to
the coldness of his disappointment. More than once in that chase across
the pasture his hand had dropped to his pistol in the sober intention of
shooting the fugitive, despised as one lower than a thief. She seemed to
sound his troubled thoughts, riding there by his side like a friend.

"It was our range, and they fenced it!" she said, with all the feeling
of a feudist.

"I understand that Philbrook bought the land; he had a right to fence
it."

"He didn't have any right to buy it; they didn't have any right to sell
it to him! This was our range; it was the best range in the country.
Look at the grass here, and look at it outside of that fence."

"I think it's better here because it's been fenced and grazed lightly so
long."

"Well, they didn't have any right to fence it."

"Cutting it won't make it any better now."

"I don't care, I'll cut it again! If I had my way about it I'd drive our
cattle in here where they've got a right to be."

"I don't understand the feeling of you people in this country against
fences; I came from a place where everybody's got them. But I suppose
it's natural, if you could get down to the bottom of it."

"If there's one thing unnatural, it's a fence," she said.

They rode on a little way, saying nothing more. Then she:

"I thought the man they call the Duke of Chimney Butte was working on
this side of the ranch?"

"That's a nickname they gave me over at the Syndicate when I first
struck this country. It doesn't mean anything at all."

"I thought you were his partner," she said.

"No, I'm the monster himself."

She looked at him quickly, very close to smiling.

"Well, you don't look so terrible, after all. I think a man like you
would be ashamed to have a woman boss over him."

"I hadn't noticed it, Miss Kerr."

"She told you about me," she charged, with resentful stress.

"No."

So they rode on, their thoughts between them, a word, a silence, nothing
worth while said on either side, coming presently to the gap she had
made in the wire.

"I thought you'd hand me over to the sheriff," she told him, between
banter and defiance.

"They say you couldn't get a conviction on anything short of cattle
stealing in this part of the country, and doubtful on that. But I
wouldn't give you over to the sheriff, Miss Kerr, even if I caught you
driving off a cow."

"What would you do?" she asked, her head bent, her voice low.

"I'd try to argue you out of the cow first, and then teach you better,"
he said, with such evident seriousness that she turned her face away, he
thought to hide a smile.

She stopped her horse between the dangling ends of wire. Her long braid
of black hair was swinging down her back to her cantle, her hard ride
having disarranged its cunning deceit beneath her hat until it drooped
over her ears and blew in loose strands over her dark, wildly piquant
face, out of which the hard lines of defiance had not quite melted.

She was not as handsome as Vesta Philbrook, he admitted, but there was
something about her that moved emotions in him which slept in the
other's presence. Perhaps it was the romance of their first meeting;
perhaps it was the power of her dark, expressive eyes. Certainly Lambert
had seen many prettier women in his short experience, but none that ever
made his soul vibrate with such exquisite, sweet pain.

"If you owned this ranch, Mr.----"

"Lambert is my name, Miss Kerr."

"If you owned it, Mr. Lambert, I believe we could live in peace, even if
you kept the fence. But with that girl--it can't be done."

"Here are your nippers, Miss Kerr; you lost them when you jumped that
arroyo. Won't you please leave the fence-cutting to the men of the
family, if it has to be done, after this?"

"We have to use them on the range since Philbrook cut us off from
water," she explained, "and hired men don't take much interest in a
person's family quarrels. They're afraid of Vesta Philbrook, anyhow.
She can pick a man off a mile with her rifle, they believe, but she
can't. I'm not afraid of her; I never was afraid of old Philbrook, the
old devil."

Even though she concluded with that spiteful little stab, she gave the
explanation as if she believed it due Lambert's generous leniency and
courteous behavior.

"And there being no men of the family who will undertake it, and no
hired men who can be interested, you have to cut the fence yourself," he
said.

"I know you think I ought to be ashamed of cutting her fence," she said,
her head bent, her eyes veiled, "but I'm not."

"I expect I'd feel it that way if it was my quarrel, too."

"Any man like you would. I've been where they have fences, too, and
signs to keep off the grass. It's different here."

"Can't we patch up a truce between us for the time I'm here?"

He put out his hand in entreaty, his lean face earnest, his clear eyes
pleading. She colored quickly at the suggestion, and framed a hot
reply. He could see it forming, and went on hurriedly to forestall it.

"I don't expect to be here always! I didn't come here looking for a job.
I was going West with a friend; we stopped off on the way through."

"Riding fence for a woman boss is a low-down job."

"There's not much to it for a man that likes to change around. Maybe
I'll not stay very long. We'd just as well have peace while I'm here."

"You haven't got anything to do with it--you're only a fence-rider! The
fight's between me and that girl, and I'll cut her fence--I'll cut her
heart out if she gets in my road!"

"Well, I'm going to hook up this panel," he said, leaning and taking
hold of the wire end, "so you can come here and let it down any time you
feel like you have to cut the fence. That will do us about the same
damage, and you every bit as much good."

She was moved out of her sullen humor by this proposal for giving vent
to her passion against Vesta Philbrook. It seemed as if he regarded her
as a child, and her part in this fence-feud a piece of irresponsible
folly. It was so absurd in her eyes that she laughed.

"I suppose you're in earnest, but if you knew how foolish it sounds!"

"That's what I'm going to do, anyway. You know I'll just keep on fixing
the fence when you cut it, and this arrangement will save both of us
trouble. I'll put a can or something on one of the posts to mark the
spot for you."

"This fence isn't any joke with us, Mr. Lambert, funny as you seem to
think it. It's more than a fence, it's a symbol of all that stands
between us, all the wrongs we've suffered, and the losses, on account of
it. I know it makes her rave to cut it, and I expect you'll have a good
deal of fixing to do right along."

She started away, stopped a few rods beyond the fence, came back.

"There's always a place for a good man over at our ranch," she said.

He watched her braid of hair swinging from side to side as she galloped
away, with no regret for his rejected truce of the fence. She would come
back to cut it again, and again he would see her. Disloyal as it might
be to his employer, he hoped she would not delay the next excursion
long.

He had found her. No matter for the conditions under which the discovery
had been made, his quest was at an end, his long flights of fancy were
done. It was a marvelous thing for him, more wonderful than the
realization of his first expectations would have been. This wild spirit
of the girl was well in accord with the character he had given her in
his imagination. When he watched her away that day at Misery he knew she
was the kind of woman who would exact much of a man; as he looked after
her anew he realized that she would require more.

The man who found his way to her heart would have to take up her
hatreds, champion her feuds, ride in her forays, follow her wild will
against her enemies. He would have to sink the refinements of his
civilization, in a measure, discard all preconceived ideas of justice
and honor. He would have to hate a fence.

The thought made him smile. He was so happy that he had found her that
he could have absolved her of a deeper blame than this. He felt,
indeed, as if he had come to the end of vast wanderings, a peace as of
the cessation of turmoils in his heart. Perhaps this was because of the
immensity of the undertaking which so lately had lain before him, its
resumption put off from day to day, its proportions increasing with each
deferment.

He made no movement to dismount and hook up the cut wires, but sat
looking after her as she grew smaller between him and the hill. He was
so wrapped in his new and pleasant fancies that he did not hear the
approach of a horse on the slope of the rise until its quickened pace as
it reached the top brought Vesta Philbrook suddenly into his view.

"Who is that?" she asked, ignoring his salutation in her excitement.

"I think it must be Miss Kerr; she belongs to that family, at least."

"You caught her cutting the fence?"

"Yes, I caught her at it."

"And you let her get away?"

"There wasn't much else that I could do," he returned, with thoughtful
gravity.

Vesta sat in her saddle as rigid and erect as a statue, looking after
the disappearing rider. Lambert contrasted the two women in mental
comparison, struck by the difference in which rage manifested itself in
their bearing. This one seemed as cold as marble; the other had flashed
and glowed like hot iron. The cold rigidity before his eyes must be the
slow wrath against which men are warned.

The distant rider had reached the top of the hill from which she had
spied out the land. Here she pulled up and looked back, turning her
horse to face them when she saw that Lambert's employer had joined him.
A little while she gazed back at them, then waved her hat as in exultant
challenge, whirled her horse, and galloped over the hill.

That was the one taunt needed to set off the slow magazine of Vesta
Philbrook's wrath. She cut her horse a sharp blow with her quirt and
took up the pursuit so quickly that Lambert could not interpose either
objection or entreaty.

Lambert felt like an intruder who had witnessed something not intended
for his eyes. He had no thought at that moment of following and
attempting to prevent what might turn out a regretful tragedy, but sat
there reviling the land that nursed women on such a rough breast as to
inspire these savage passions of reprisal and revenge.

Vesta was riding a big brown gelding, long-necked, deep-chested, slim of
hindquarters as a hound. Unless rough ground came between them she would
overhaul that Kerr girl inside of four miles, for her horse lacked the
wind for a long race, as the chase across the pasture had shown. In case
that Vesta overtook her, what would she do? The answer to that was in
Vesta's eyes when she saw the cut wire, the raider riding free across
the range. It was such an answer that it shot through Lambert like a
lightning-stroke.

Yet, it was not his quarrel; he could not interfere on one side or the
other without drawing down the displeasure of somebody, nor as a neutral
without incurring the wrath of both. This view of it did not relieve him
of anxiety to know how the matter was going to terminate.

He gave Whetstone the reins and galloped after Vesta, who was already
over the hill. As he rode he began to realize as never before the
smallness of this fence-cutting feud, the really worthless bone at the
bottom of the contention. Here Philbrook had fenced in certain lands
which all men agreed he had been cheated in buying, and here uprose
those who scorned him for his gullibility, and lay in wait to murder him
for shutting them out of his admittedly worthless domain. It was a
quarrel beyond reason to a thinking man.

Nobody could blame Philbrook for defending his rights, but they seemed
such worthless possessions to stake one's life against day by day, year
after year. The feud of the fence was like a cancerous infection. It
spread to and poisoned all that the wind blew on around the borders of
that melancholy ranch.

Here were these two women riding break-neck and bloody-eyed to pull guns
and fight after the code of the roughest. Both of them were primed by
the accumulated hatred of their young lives to deeds of violence with no
thought of consequences. It was a hard and bitter land that could foster
and feed such passions in bosoms of so much native excellence; a rough
and boisterous land, unworthy the labor that men lavished on it to make
therein their refuge and their home.

The pursued was out of sight when Lambert gained the hilltop, the
pursuer just disappearing behind a growth of stunted brushwood in the
winding dry valley beyond. He pushed after them, his anxiety increasing,
hoping that he might overtake Vesta before she came within range of her
enemy. Even should he succeed in this, he was at fault for some way of
stopping her in her passionate design.

He could not disarm her without bringing her wrath down on himself, or
attempt to persuade her without rousing her suspicion that he was
leagued with her destructive neighbors. On the other hand, the
fence-cutting girl would believe that he had wittingly joined in an
unequal and unmanly pursuit. A man's dilemma between the devil and the
deep water would be simple compared to his.

All this he considered as he galloped along, leaving the matter of
keeping the trail mainly to his horse. He emerged from the hemming
brushwood, entering a stretch of hard tableland where the parched grass
was red, the earth so hard that a horse made no hoofprint in passing.
Across this he hurried in a ferment of fear that he would come too late,
and down a long slope where sage grew again, the earth dry and yielding
about its unlovely clumps.

Here he discovered that he had left too much to his horse. The creature
had laid a course to suit himself, carrying him off the trail of those
whom he sought in such breathless state. He stopped, looking round him
to fix his direction, discovering to his deep vexation that Whetstone
had veered from the course that he had laid for him into the south, and
was heading toward the river.

On again in the right direction, swerving sharply in the hope that he
would cut the trail. So for a mile or more, in dusty, headlong race,
coming then to the rim of a bowl-like valley and the sound of running
shots.

Lambert's heart contracted in a paroxysm of fear for the lives of both
those flaming combatants as he rode precipitately into the little
valley. The shooting had ceased when he came into the clear and pulled
up to look for Vesta.

The next second the two girls swept into sight. Vesta had not only
overtaken her enemy, but had ridden round her and cut off her retreat.
She was driving her back toward the spot where Lambert stood, shooting
at her as she fled, with what seemed to him a cruel and deliberate
hand.




CHAPTER XIII

"NO HONOR IN HER BLOOD"


Vesta was too far behind the other girl for anything like accurate
shooting with a pistol, but Lambert feared that a chance shot might hit,
with the most melancholy consequences for both parties concerned. No
other plan presenting, he rode down with the intention of placing
himself between them.

Now the Kerr girl had her gun out, and had turned, offering battle. She
was still a considerable distance beyond him, with what appeared from
his situation to be some three or four hundred yards between the
combatants, a safe distance for both of them if they would keep it. But
Vesta had no intention of making it a long-range duel. She pulled her
horse up and reloaded her gun, then spurred ahead, holding her fire.

Lambert saw all this as he swept down between them like an eagle, old
Whetstone hardly touching the ground. He cut the line between them not
fifty feet from the Kerr girl's position, as Vesta galloped up.

He held up his hand in an appeal for peace between them. Vesta charged
up to him as he shifted to keep in the line of their fire, coming as if
she would ride him down and go on to make an end of that chapter of the
long-growing feud. The Kerr girl waited, her pistol hand crossed on the
other, with the deliberate coolness of one who had no fear of the
outcome.

Vesta waved him aside, her face white as ash, and attempted to dash by.
He caught her rein and whirled her horse sharply, bringing her face to
face with him, her revolver lifted not a yard from his breast.

For a moment Lambert read in her eyes an intention that made his heart
contract. He held his breath, waiting for the shot. A moment; the film
of deadly passion that obscured her eyes like a smoke cleared, the
threatening gun faltered, drooped, was lowered. He twisted in his saddle
and commanded the Kerr girl with a swing of the arm to go.

She started her horse in a bound, and again the soul-obscuring curtain
of murderous hate fell over Vesta's eyes. She lifted her gun as Lambert,
with a quick movement, clasped her wrist.

"For God's sake, Vesta, keep your soul clean!" he said.

His voice was vibrant with a deep earnestness that made him as solemn as
a priest. She stared at him with widening eyes, something in his manner
and voice that struck to reason through the insulation of her anger. Her
fingers relaxed on the weapon; she surrendered it into his hand.

A little while she sat staring after the fleeing girl, held by what
thoughts he could not guess. Presently the rider whisked behind a point
of sage-dotted hill and was gone. Vesta lifted her hands slowly and
pressed them to her eyes, shivering as if struck by a chill. Twice or
thrice this convulsive shudder shook her. She bowed her head a little,
the sound of a sob behind her pressing hands.

Lambert put her pistol back into the holster which dangled on her thigh
from the cartridge-studded belt round her pliant, slender waist.

"Let me take you home, Vesta," he said.

She withdrew her hands, discovering tears on her cheeks. Saying nothing,
she started to retrace the way of that mad, murderous race. She did not
resent his familiar address, if conscious of it at all, for he spoke
with the sympathetic tenderness one employs toward a suffering child.

They rode back to the fence without a word between them. When they came
to the cut wires he rode through as if he intended to continue on with
her to the ranchhouse, six or seven miles away.

"I can go on alone, Mr. Lambert," she said.

"My tools are down here a mile or so. I'll have to get them to fix this
hole."

A little way again in silence. Although he rode slowly she made no
effort to separate from his company and go her way alone. She seemed
very weary and depressed, her sensitive face reflecting the strain of
the past hour. It had borne on her with the wearing intensity of
sleepless nights.

"I'm tired of this fighting and contending for evermore!" she said.

Lambert offered no comment. There was little, indeed, that he could
frame on his tongue to fit the occasion, it seemed to him, still under
the shadow of the dreadful thing that he had averted but a little while
before. There was a feeling over him that he had seen this warm,
breathing woman, with the best of her life before her, standing on the
brink of a terrifying chasm into which one little movement would have
precipitated her beyond the help of any friendly hand.

She did not realize what it meant to take the life of another, even with
full justification at her hand; she never had felt that weight of ashes
above the heart, or the presence of the shadow that tinctured all life
with its somber gloom. It was one thing for the law to absolve a slayer;
another to find absolution in his own conscience. It was a strain that
tried a man's mind. A woman like Vesta Philbrook might go mad under the
unceasing pressure and chafing of that load.

When they came to where his tools and wire lay beside the fence, she
stopped. Lambert dismounted in silence, tied a coil of wire to his
saddle, strung the chain of the wire-stretcher on his arm.

"Did you know her before you came here?" she asked, with such
abruptness, such lack of preparation for the question, that it seemed a
fragment of what had been running through her mind.

"You mean----?"

"That woman, Grace Kerr."

"No, I never knew her."

"I thought maybe you'd met her, she's been away at school
somewhere--Omaha, I think. Were you talking to her long?"

"Only a little while."

"What did you think of her?"

"I thought," said he, slowly, his face turned from her, his eyes on
something miles away, "that she was a girl something could be made out
of if she was taken hold of the right way. I mean," facing her
earnestly, "that she might be reasoned out of this senseless barbarity,
this raiding and running away."

Vesta shook her head. "The devil's in her; she was born to make
trouble."

"I got her to half agree to a truce," said he reluctantly, his eyes
studying the ground, "but I guess it's all off now."

"She wouldn't keep her word with you," she declared with great
earnestness, a sad, rather than scornful earnestness, putting out her
hand as if to touch his shoulder. Half way her intention seemed to
falter; her hand fell in eloquent expression of her heavy thoughts.

"Of course, I don't know."

"There's no honor in the Kerr blood. Kerr was given many a chance by
father to come up and be a man, and square things between them, but he
didn't have it in him. Neither has she. Her only brother was killed at
Glendora after he'd shot a man in the back."

"It ought to have been settled, long ago, without all this fighting. But
if people refuse to live by their neighbors and be decent, a good man
among them has a hard time. I don't blame you, Vesta, for the way you
feel."

"I'd have been willing to let this feud die, but she wouldn't drop it.
She began cutting the fence every summer as soon as I came home. She's
goaded me out of my senses, she's put murder in my heart!"

"They've tried you almost past endurance, I know. But you've never
killed anybody, Vesta. All there is here isn't worth that price."

"I know it now," she said, wearily.

"Go home and hang your gun up, and let it stay there. As long as I'm
here I'll do the fighting when there's any to be done."

"You didn't help me a little while ago. All you did was for her."

"It was for both of you," he said, rather indignant that she should take
such an unjust view of his interference.

"You didn't ride in front of her and stop her from shooting me!"

"I came to you first--you saw that."

Lambert mounted, turned his horse to go back and mend the fence. She
rode after him, impulsively.

"I'm going to stop fighting, I'm going to take my gun off and put it
away," she said.

He thought she never had appeared so handsome as at that moment, a soft
light in her eyes, the harshness of strain and anger gone out of her
face. He offered her his hand, the only expression of his appreciation
for her generous decision that came to him in the gratefulness of the
moment. She took it as if to seal a compact between them.

"You've come back to be a woman again," he said, hardly realizing how
strange his words might seem to her, expressing the one thought that
came to the front.

"I suppose I didn't act much like a woman out there a while ago," she
admitted, her old expression of sadness darkening in her eyes.

"You were a couple of wildcats," he told her. "Maybe we can get on here
now without fighting, but if they come crowding it on let us men-folks
take care of it for you; it's no job for a girl."

"I'm going to put the thought of it out of my mind, feud, fences,
everything--and turn it all over to you. It's asking a lot of you to
assume, but I'm tired to the heart."

"I'll do the best by you I can as long as I'm here," he promised,
simply. He started on; she rode forward with him.

"If she comes back again, what will you do?"

"I'll try to show her where she's wrong, and maybe I can get her to hang
up her gun, too. You ought to be friends, it seems to me--a couple of
neighbor girls like you."

"We couldn't be that," she said, loftily, her old coldness coming over
her momentarily, "but if we can live apart in peace it will be
something. Don't trust her, Mr. Lambert, don't take her word for
anything. There's no honor in the Kerr blood; you'll find that out for
yourself. It isn't in one of them to be even a disinterested friend."

There was nothing for him to say to this, spoken so seriously that it
seemed almost a prophecy. He felt as if she had looked into the window
of his heart and read his secret and, in her old enmity for this slim
girl of the dangling braid of hair, was working subtly to raise a
barrier of suspicion and distrust between them.

"I'll go on home and quit bothering you," she said.

"You're no bother to me, Vesta; I like to have you along."

She stopped, looked toward the place where she had lately ridden through
the fence in vengeful pursuit of her enemy, her eyes inscrutable, her
face sad.

"I never felt it so lonesome out here as it is today," she said, and
turned her horse, and left him.

He looked back more than once as he rode slowly along the fence, a mist
before his perception that he could not pierce. What had come over Vesta
to change her so completely in this little while? He believed she was
entering the shadow of some slow-growing illness, which bore down her
spirits in an uninterpreted foreboding of evil days to come.

What a pretty figure she made in the saddle, riding away from him in
that slow canter; how well she sat, how she swayed at the waist as her
nimble animal cut in and out among the clumps of sage. A mighty pretty
girl, and as good as they grew them anywhere. It would be a calamity to
have her sick. From the shoulder of the slope he looked back again.
Pretty as any woman a man ever pictured in his dreams.

She passed out of sight without looking back, and there rose a picture
in his thoughts to take her place, a picture of dark, defiant eyes, of
telltale hair falling in betrayal of her disguise, as if discovering
her secret to him who had a right to know.

The fancy pleased him; as he worked to repair the damage she had
wrought, he smiled. How well his memory retained her, in her transition
from anger to scorn, scorn to uneasy amazement, amazement to relief.
Then she had smiled, and the recognition not owned in words but spoken
in her eyes, had come.

Yes, she knew him; she recalled her challenge, his acceptance and
victory. Even as she rode swiftly to obey him out of that mad encounter
in the valley over there, she had owned in her quick act that she knew
him, and trusted him as she sped away.

When he came to the place where she had ridden through, he pieced the
wire and hooked the ends together, as he had told her he would do. He
handled even the stubborn wire tenderly, as a man might the
appurtenances to a rite. Perhaps he was linking their destinies in that
simple act, he thought, sentimentally unreasonable; it might be that
this spot would mark the second altar of his romance, even as the little
station of Misery was lifted up in his heart as the shrine of its
beginning.

There was blood on his knuckles where the vicious wire had torn him. He
dashed it to the ground as a libation, smiling like one moonstruck, a
flood of soft fancies making that bleak spot dear.




CHAPTER XIV

NOTICE IS SERVED


Taterleg was finding things easier on his side of the ranch. Nick Hargus
was lying still, no hostile acts had been committed. This may have been
due to the fierce and bristling appearance of Taterleg, as he humorously
declared, or because Hargus was waiting reenforcements from the penal
institutions of his own and surrounding states.

Taterleg had a good many nights to himself, as a consequence of the
security which his grisly exterior had brought. These he spent at
Glendora, mainly on the porch of the hotel in company of Alta Wood,
chewing gum together as if they wove a fabric to bind their lives in
adhesive amity to the end.

Lambert had a feeling of security for his line of fence, also, as he
rode home on the evening of his adventurous day. He had left a note on
the pieced wire reminding Grace Kerr of his request that she ease her
spite by unhooking it there instead of cutting it in a new place. He
also added the information that he would be there on a certain date to
see how well she carried out his wish.

He wondered whether she would read his hope that she would be there at
the same hour, or whether she might be afraid to risk Vesta Philbrook's
fury again. There was an eagerness in him for the hastening of the
intervening time, a joyous lightness which tuned him to such harmony
with the world that he sang as he rode.

Taterleg was going to Glendora that night. He pressed Lambert to join
him.

"A man's got to take a day off sometimes to rest his face and hands," he
argued. "Them fellers can't run off any stock tonight, and if they do
they can't git very far away with 'em before we'd be on their necks.
They know that; they're as safe as if we had 'em where they belong."

"I guess you're right on that, Taterleg. I've got to go to town to buy
me a pair of clothes, anyhow, so I'll go you."

Taterleg was as happy as a cricket, humming a tune as he went along. He
had made liberal application of perfume to his handkerchief and
mustache, and of barber's pomatum to his hair. He had fixed his hat on
carefully, for the protection of the cowlick that came down over his
left eyebrow, and he could not be stirred beyond a trot all the way to
Glendora for fear of damage that might result.

"I had a run-in with that feller the other night," he said.

"What feller do you mean?"

"Jedlick, dern him."

"You did? I didn't notice any of your ears bit off."

"No, we didn't come to licks. He tried to horn in while me and Alta was
out on the porch."

"What did you do?"

"I didn't have a show to do anything but hand him a few words. Alta she
got me by the arm and drug me in the parlor and slammed the door. No use
tryin' to break away from that girl; she could pull a elephant away from
his hay if she took a notion."

"Didn't Jedlick try to hang on?"

"No, he stood out in the office rumblin' to the old man, but that didn't
bother me no more than the north wind when you're in bed under four
blankets. Alta she played me some tunes on her git-tar and sung me some
songs. I tell you, Duke, I just laid back and shut my eyes. I felt as
easy as if I owned the railroad from here to Omaha."

"How long are you going to keep it up?"

"Which up, Duke?"

"Courtin' Alta. You'll have to show off your tricks pretty regular, I
think, if you want to hold your own in that ranch."

Taterleg rode along considering it.

"Ye-es, I guess a feller'll have to act if he wants to hold Alta. She's
young, and the young like change. 'Specially the girls. A man to keep
Alta on the line'll have to marry her and set her to raisin' children.
You know, Duke, there's something new to a girl in every man she sees.
She likes to have him around till she leans ag'in' him and rubs the
paint off, then she's out shootin' eyes at another one."

"Are there others besides Jedlick?"

"That bartender boards there at the _ho_-tel. He's got four gold teeth,
and he picks 'em with a quill. Sounds like somebody slappin' the crick
with a fishin'-pole. But them teeth give him a standin' in society; they
look like money in the bank. Nothing to his business, though, Duke; no
sentiment or romance or anything."

"Not much. Who else is there sitting in this Alta game?"

"Young feller with a neck like a bottle, off of a ranch somewhere back
in the hills."

Taterleg mentioned him as with consideration. Lambert concluded that he
was a rival to be reckoned with, but gave Taterleg his own way of coming
to that.

"That feller's got a watch with a music box in the back of it, Duke.
Ever see one of 'em?"

"No, I never did."

"Well, he's got one of 'em, all right. He starts that thing up about the
time he hits the steps, and comes in playin' 'Sweet Vilelets' like he
just couldn't help bustin' out in music the minute he comes in sight of
Alta. That feller gives me a pain!"

The Duke smiled. To every man his own affair is romance; every other
man's a folly or a diverting comedy, indeed.

"She's a little too keen on that feller to suit me, Duke. She sets out
there with him, and winds that fool watch and plays them two tunes over
till you begin to sag, leanin' her elbow on his shoulder like she had
him paid for and didn't care whether he broke or not."

"What is the other tune?"

"It's that one that goes:

    _A heel an' a toe and a po'ky-o_,
    _A heel an' a toe and a po'ky-o_

--you know that one."

"I've heard it. She'll get tired of that watch after a while, Taterleg."

"Maybe. If she don't, I guess I'll have to figger some way to beat it."

"What are Jedlick's attractions? Surely not good looks."

"Money, Duke; that's the answer to him--money. He's got a salt barrel
full of it; the old man favors him for that money."

"That's harder to beat than a music box in a watch."

"You _can't_ beat it, Duke. What's good looks by the side of money? Or
brains? Well, they don't amount to cheese!"

"Are you goin' to sidestep in favor of Jedlick? A man with all your
experience and good clothes!"

"Me? I'm a-goin' to lay that feller out on a board!"

They hitched at the hotel rack, that looking more respectable, as
Taterleg said, than to leave their horses in front of the saloon. Alta
was heard singing in the interior; there were two railroad men belonging
to a traveling paint gang on the porch smoking their evening pipes.

Lambert felt that it was his duty to buy cigars in consideration of the
use of the hitching-rack. Wood appeared in the office door as they came
up the steps, and put his head beyond the jamb, looking this way and
that, like a man considering a sortie with enemies lying in wait.

Taterleg went into the parlor to offer the incense of his cigar in the
presence of Alta, who was cooing a sentimental ballad to her guitar. It
seemed to be of parting, and the hope of reunion, involving one named
Irene. There was a run in the chorus accompaniment which Alta had down
very neatly.

The tinkling guitar, the simple, plaintive melody, sounded to Lambert as
refreshing as the plash of a brook in the heat of the day. He stood
listening, his elbow on the show case, thinking vaguely that Alta had a
good voice for singing babies to sleep.

Wood stood in the door again, his stump of arm lifted a little with an
alertness about it that made Lambert think of a listening ear. He looked
up and down the street in that uneasy, inquiring way that Lambert had
remarked on his arrival, then came back and got himself a cigar. He
stood across the counter from Lambert a little while, smoking, his brows
drawn in trouble, his eyes shifting constantly to the door.

"Duke," said he, as if with an effort, "there's a man in town lookin'
for you. I thought I'd tell you."

"Lookin' for me? Who is he?"

"Sim Hargus."

"You don't mean Nick?"

"No; he's Nick's brother. I don't suppose you ever met him."

"I never heard of him."

"He's only been back from Wyoming a week or two. He was over there some
time--several years, I believe."

"In the pen over there?"

Wood took a careful survey of the door before replying, working his
cigar over to the other side of his mouth in the way that a one-armed
man acquires the trick.

"I--they say he got mixed up in a cattle deal down there."

Lambert smoked in silence a little while, his head bent, his face
thoughtful. Wood shifted a little nearer, standing straight and alert
behind his counter as if prepared to act in some sudden emergency.

"Does he live around here?" Lambert asked.

"He's workin' for Berry Kerr, foreman over there. That's the job he used
to have before he--left."

Lambert grunted, expressing that he understood the situation. He stood
in his leaning, careless posture, arm on the show case, thumb hooked in
his belt near his gun.

"I thought I'd tell you," said Wood uneasily.

"Thanks."

Wood came a step nearer along the counter, leaned his good arm on it,
watching the door without a break.

"He's one of the old gang that used to give Philbrook so much
trouble--he's carryin' lead that Philbrook shot into him now. So he's
got it in for that ranch, and everybody on it. I thought I'd tell you."

"I'm much obliged to you, Mr. Wood," said Lambert heartily.

"He's one of these kind of men you want to watch out for when your
back's turned, Duke."

"Thanks, old feller; I'll keep in mind what you say."

"I don't want it to look like I was on one side or the other, you
understand, Duke; but I thought I'd tell you. Sim Hargus is one of them
kind of men that a woman don't dare to show her face around where he is
without the risk of bein' insulted. He's a foul-mouthed, foul-minded
man, the kind of a feller that ought to be treated like a rattlesnake in
the road."

Lambert thanked him again for his friendly information, understanding at
once his watchful uneasiness and the absence of Alta from the front of
the house. He was familiar with that type of man such as Wood had
described Hargus as being; he had met some of them in the Bad Lands.
There was nothing holy to them in the heavens or the earth. They did not
believe there was any such thing as a virtuous woman, and honor was a
word they never had heard defined.

"I'll go out and look him up," Lambert said. "If he happens to come in
here askin' about me, I'll be in either the store or the saloon."

"There's where he is, Duke--in the saloon."

"I supposed he was."

"You'll kind of run into him natural, won't you, Duke, and not let him
think I tipped you off?"

"Just as natural as the wind."

Lambert went out. From the hitching-rack he saw Wood at his post of
vigil in the door, watching the road with anxious mien. It was a
Saturday night; the town was full of visitors. Lambert went on to the
saloon, hitching at the long rack in front where twenty or thirty horses
stood.

The custom of the country made it almost an obligatory courtesy to go in
and spend money when one hitched in front of a saloon, an excuse for
entering that Lambert accepted with a grim feeling of satisfaction.
While he didn't want it to appear that he was crowding a quarrel with
any man, the best way to meet a fellow who had gone spreading it abroad
that he was out looking for one was to go where he was to be found. It
wouldn't look right to leave town without giving Hargus a chance to
state his business; it would be a move subject to misinterpretation, and
damaging to a man's good name.

There was a crowd in the saloon, which had a smoky, blurred look through
the open door. Some of the old gambling gear had been uncovered and
pushed out from the wall. A faro game was running, with a dozen or more
players, at the end of the bar; several poker tables stretched across
the gloomy front of what had been the ballroom of more hilarious days.
These players were a noisy outfit. Little money was being risked, but
it was going with enough profanity to melt it.

Lambert stood at the end of the bar near the door, his liquor in his
hand, lounging in his careless attitude of abstraction. But there was
not a lax fiber in his body; every faculty was alert, every nerve set
for any sudden development. The scene before him was disgusting, rather
than diverting, in its squalid imitation of the rough-and-ready times
which had passed before many of these men were old enough to carry the
weight of a gun. It was just a sporadic outburst, a pustule come to a
sudden head that would burst before morning and clear away.

Lambert ran his eye among the twenty-five or thirty men in the place.
All appeared to be strangers to him. He began to assort their faces, as
one searches for something in a heap, trying to fix on one that looked
mean enough to belong to a Hargus. A mechanical banjo suddenly added its
metallic noise to the din, fit music, it seemed, for such obscene
company. Some started to dance lumberingly, with high-lifted legs and
ludicrous turkey struts.

Among these Lambert recognized Tom Hargus, the young man who had made
the ungallant attempt to pass Vesta Philbrook's gate with his father. He
had more whisky under his dark skin than he could take care of. As he
jigged on limber legs he threw his hat down with a whoop, his long black
hair falling around his ears and down to his eyes, bringing out the
Indian that slept in him sharper than the liquor had done it.

His face was flushed, his eyes were heavy, as if he had been under
headway a good while. Lambert watched him as he pranced about, chopping
his steps with feet jerked up straight like a string-halt horse. The
Indian was working, trying to express itself in him through this
exaggerated imitation of his ancestral dances. His companions fell back
in admiration, giving him the floor.

A cowboy was feeding money into the music box to keep it going, giving
it a coin, together with certain grave, drunken advice, whenever it
showed symptom of a pause. Young Hargus circled about in the middle of
the room, barking in little short yelps. Every time he passed his hat he
kicked at it, sometimes hitting, oftener missing it, at last driving it
over against Lambert's foot, where it lodged.

Lambert pushed it away. A man beside him gave it a kick that sent it
spinning back into the trodden circle. Tom was at that moment rounding
his beat at the farther end. He came face about just as the hat skimmed
across the floor, stopped, jerked himself up stiffly, looked at Lambert
with a leap of anger across his drunken face.

Immediately there was silence in the crowd that had been assisting on
the side lines of his performance. They saw that Tom resented this
treatment of his hat by any foot save his own. The man who had kicked it
had fallen back with shoulders to the bar, where he stood presenting the
face of innocence. Tom walked out to the hat, kicked it back within a
few feet of Lambert, his hand on his gun.

He was all Indian now; the streak of smoky white man was engulfed. His
handsome face was black with the surge of his lawless blood as he
stopped a little way in front of Lambert.

"Pick up that hat!" he commanded, smothering his words in an avalanche
of profanity.

Lambert scarcely changed his position, save to draw himself erect and
stand clear of the bar. To those in front of him he seemed to be
carelessly lounging, like a man with time on his hands, peace before
him.

"Who was your nigger last year, young feller?" he asked, with good-humor
in his words. He was reading Tom's eyes as a prize fighter reads his
opponent's, watching every change of feature, every strain of facial
muscle. Before young Hargus had put tension on his sinews to draw his
weapon, Lambert had read his intention.

The muzzle of the pistol was scarcely free of the scabbard when Lambert
cleared the two yards between them in one stride. A grip of the wrist, a
twist of the arm, and the gun was flung across the room. Tom struggled
desperately, not a word out of him, striking with his free hand. Sinewy
as he was, he was only a toy in Lambert's hands.

"I don't want to have any trouble with you, kid," said Lambert,
capturing Tom's other hand and holding him as he would have held a boy.
"Put on your hat and go home."

Lambert released him, and turned as if he considered the matter ended.
At his elbow a man stood, staring at him with insolent, threatening
eyes. He was somewhat lower of stature than Lambert, thick in the
shoulders, firmly set on the feet, with small mustache, almost colorless
and harsh as hog bristles. His thin eyebrows were white, his hair but a
shade darker, his skin light for an outdoors man. This, taken with his
pale eyes, gave him an appearance of bloodless cruelty which the sneer
on his lip seemed to deepen and express.

Behind Lambert men were holding Tom Hargus, who had made a lunge to
recover his gun. He heard them trying to quiet him, while he growled and
whined like a wolf in a trap. Lambert returned the stranger's stare,
withholding anything from his eyes that the other could read, as some
men born with a certain cold courage are able to do. He went back to the
bar, the man going with him shoulder to shoulder, turning his malevolent
eyes to continue his unbroken stare.

"Put up that gun!" the fellow said, turning sharply to Tom Hargus, who
had wrenched free and recovered his weapon. Tom obeyed him in silence,
picked up his hat, beat it against his leg, put it on.

"You're the Duke of Chimney Butte, are you?" the stranger inquired,
turning again with his sneer and cold, insulting eyes to Lambert, who
knew him now for Sim Hargus, foreman for Berry Kerr.

"If you know me, there's no need for us to be introduced," Lambert
returned.

"Duke of Chimney Butte!" said Hargus with immeasurable scorn. He grunted
his words with such an intonation of insult that it would have been
pardonable to shoot him on the spot. Lambert was slow to kindle. He put
a curb now on even his naturally deliberate vehicle of wrath, looking
the man through his shallow eyes down to the roots of his mean soul.

"You're the feller that's come here to teach us fellers to take off our
hats when we see a fence," Hargus said, looking meaner with every
breath.

"You've got it right, pardner," Lambert calmly replied.

"Duke of Chimney Butte! Well, pardner, I'm the King of Hotfoot Valley,
and I've got travelin' papers for you right here!"

"You seem to be a little sudden about it," Lambert said, a lazy drawl to
his words that inflamed Hargus like a blow.

"Not half as sudden as you'll be, kid. This country ain't no place for
you, young feller; you're too fresh to keep in this hot climate, and the
longer you stay the hotter it gits. I'll give you just two days to make
your gitaway in."

"Consider the two days up," said Lambert with such calm and such
coolness of head that men who heard him felt a thrill of admiration.

"This ain't no joke!" Hargus corrected him.

"I believe you, Hargus. As far as it concerns me, I'm just as far from
this country right now as I'll be in two days, or maybe two years.
Consider your limit up."

It was so still in the barroom that one could have heard a match burn.
Lambert had drawn himself up stiff and straight before Hargus, and stood
facing him with defiance in every line of his stern, strong face.

"I've give you your rope," Hargus said, feeling that he had been called
to show his hand in an open manner that was not his style, and playing
for a footing to save his face. "If you ain't gone in two days you'll
settle with me."

"That goes with me, Hargus. It's your move."

Lambert turned, contempt in his courageous bearing, and walked out of
the place, scorning to throw a glance behind to see whether Hargus came
after him, or whether he laid hand to his weapon in the treachery that
Lambert had read in his eyes.




CHAPTER XV

WOLVES OF THE RANGE


Lambert left his horse at the saloon hitching-rack while he went to the
store. Business was brisk in that place, also, requiring a wait of half
an hour before his turn came. In a short time thereafter he completed
his purchases, tied his package to his saddle, and was ready to go home.

The sound of revelry was going forward again in the saloon, the
mechanical banjo plugging away on its tiresome tune. There was a gap
here and there at the rack where horses had been taken away, but most of
them seemed to be anchored there for the night, standing dejectedly with
drooping heads.

The tinkle of Alta's guitar sounded through the open window of the hotel
parlor as he passed, indicating that Taterleg was still in that harbor.
It would be selfish to call him, making the most as he was of a clear
field. Lambert smiled as he recalled the three-cornered rivalry for
Alta's bony hand.

There was a lemon-rind slice of new moon low in the southwest, giving a
dusky light, the huddling sage clumps at the roadside blotches of
deepest shadow. Lambert ruminated on the trouble that had been laid out
for him that night as he rode away from town, going slowly, in no hurry
to put walls between him and the soft, pleasant night.

He was confronted by the disadvantage of an unsought notoriety, or
reputation, or whatever his local fame might be called. A man with a
fighting name must live up to it, however distasteful the strife and
turmoil, or move beyond the circle of his fame. Move he would not, could
not, although it seemed a foolish thing, on reflection, to hang on there
in the lure of Grace Kerr's dark eyes.

What could a man reasonably expect of a girl with such people as Sim
Hargus as her daily associates? Surely she had been schooled in their
warped view of justice, as her act that day proved. No matter for Omaha
and its refinements, she must be a savage under the skin. But gentle or
savage, he had a tender regard for her, a feeling of romantic sympathy
that had been groping out to find her as a plant in a pit strains toward
the light. Now, in the sunshine of her presence, would it flourish and
grow green, or wither in its mistaken worship and die?

Vesta had warned him, not knowing anything of the peculiar circumstances
which brought him to that place, or of his discovery, which seemed a
revelation of fate, the conjunction of events shaped before his entry
upon the stage, indeed. She had warned him, but in the face of things as
they had taken place, what would it avail a man to turn his back on the
arrangements of destiny? As it was written, so it must be lived. It was
not in his hand or his heart to change it.

Turning these things in his mind, flavoring the bitter in the prospect
with the sweet of romance, he was drawn out of his wanderings by the
sudden starting of his horse. It was not a shying start, but a
stiffening of attitude, a leap out of laxity into alertness, with a
lifting of the head, a fixing of the ears as if on some object ahead,
of which it was at once curious and afraid.

Lambert was all tension in a breath. Ahead a little way the road
branched at the point of the hill leading to the Philbrook house. His
road lay to the right of the jutting plowshare of hill which seemed
shaped for the mere purpose of splitting the highway. The other branch
led to Kerr's ranch, and beyond. The horse was plainly scenting
something in this latter branch of the road, still hidden by the bushes
which grew as tall there as the head of a man on horseback.

As the horse trotted on, Lambert made out something lying in the road
which looked, at that distance, like the body of a man. Closer approach
proved this to be the case, indeed. Whether the man was alive or dead,
it was impossible to determine from the saddle, but he lay in a huddled
heap as if he had been thrown from a horse, his hat in the road some
feet beyond.

Whetstone would not approach nearer than ten or twelve feet. There he
stood, swelling his sides with long-drawn breaths, snorting his
warning, it seemed, expressing his suspicion in the best manner that he
could command. Lambert spoke to him, but could not quiet his fear. He
could feel the sensitive creature tremble under him, and took it as
certain that the man must be dead.

Dismounting, he led the horse and bent over the man in the road. He
could see the fellow's shoulder move as he breathed, and straightened up
with a creeping of apprehension that this might be a trap to draw him
into just such a situation as he found himself that moment. The
nervousness of his horse rather increased than quieted, also, adding
color to his fear.

His foot was in the stirrup when a quick rush sounded behind him. He saw
the man on the ground spring to his feet, and quick on the consciousness
of that fact there came a blow that stretched him as stiff as a dead
man.

Lambert came to himself with a half-drowned sense of suffocation. Water
was falling on his head, pouring over his face, and there was the
confused sound of human voices around him. As he cleared he realized
that somebody was standing over him, pouring water on his head. He
struggled to get from under the drowning stream. A man laughed, shook
him, cursed him vilely close to his ear.

"Wake up, little feller, somebody's a-cuttin' your fence!" said another,
taking hold of him from the other side.

"Don't hurt him, boys," admonished a third voice, which he knew for
Berry Kerr's--"this is the young man who has come to the Bad Lands with
a mission. He's going to teach people to take off their hats to
barbed-wire fences. I wouldn't have him hurt for a keg of nails."

He came near Lambert now, put a hand on his shoulder, and asked him with
a gentle kindness how he felt.

Lambert did not answer him, for he had no words adequate to describe his
feelings at that moment to a friend, much less an enemy whose intentions
were unknown. He sat, fallen forward, in a limp and miserable heap,
drenched with water, clusters of fire gathering and breaking like
showers of a rocket before his eyes. His head throbbed and ached in
maddening pain. This was so great that it seemed to submerge every
faculty save that of hearing, to paralyze him so entirely that he could
not lift a hand. That blow had all but killed him.

"Let him alone--he'll be all right in a minute," said Kerr's voice,
sounding close to his ear as if he stooped to examine him.

One was standing behind Lambert, knees against his back to prevent his
entire collapse. The others drew off a little way. There followed the
sound of horses, as if they prepared to ride. It seemed as if the great
pain in Lambert's head attended the return of consciousness, as it
attends the return of circulation. It soon began to grow easier,
settling down to a throb with each heartbeat, as if all his life forces
rushed to that spot and clamored against his skull to be released. He
stiffened, and sat straight.

"I guess you can stick on your horse now," said the man behind him.

The fellow left him at that. Lambert could see the heads and shoulders
of men, the heads of horses, against the sky, as if they were below the
river bank. He felt for his gun. No surprise was in store for him there;
it was gone.

He was unable to mount when they brought his horse. He attempted it, in
confusion of senses that made it seem the struggle of somebody whom he
watched and wanted to help, but could not. They lifted him, tied his
feet under the horse, his hands to the saddle-horn. In this fashion they
started away with him, one riding ahead, one on either hand. He believed
that one or more came following, but of this he was not sure.

He knew it would be useless to make inquiry of their intentions. That
would bring down on him derision, after their savage way. Stolidly as an
Indian he rode among them to what end he could not imagine; but at the
worst, he believed they would not go beyond some further torture of him
to give him an initiation into what he must expect unless he accepted
their decree that he quit the country forthwith.

As his senses cleared Lambert recognized the men beside him as Sim
Hargus and the half-Indian, Tom. Behind him he believed Nick Hargus
rode, making it a family party. In such hands, with such preliminary
usage, it began to look very grave for him.

When they saw there was no danger of his collapse, they began to
increase their pace. Bound as he was, every step of the horse was
increased torture to Lambert. He appealed to Sim Hargus to release his
hands.

"You can tie them behind me if you're afraid," he suggested.

Hargus cursed him, refusing to ease his situation. Kerr turned on
hearing this outburst and inquired what it meant. Hargus repeated the
prisoner's request with obscene embellishment. They made no secret of
each other's identity, speaking familiarly, as if in the presence of one
who would make no future charges. Kerr found the request reasonable, and
ordered Hargus to tie Lambert's hands at his back.

"I guess you might as well take your last ride comfortable, kid," Hargus
commented, as he shifted the bonds.

They proceeded at a trot, keeping it up for two hours or more. Lambert
knew it was about ten o'clock when he stopped to investigate the man in
the road. There was a feel in the air now that told him it was far past
the turn of night. He knew about where they were in relation to the
ranch by this time, for a man who lives in the open places develops his
sense of direction until it serves him as a mole's in its underground
tunneling.

There was no talking among his conductors, no sound but the tramp of the
horses in unceasing trot, the scraping of the bushes on the stirrups as
they passed. Lambert's legs were drawn close to his horse's belly, his
feet not in the stirrups, and tied so tightly that he rode in painful
rigidity. The brush caught the loose stirrups and flung them against
Whetstone's sides, treatment that he resented with all the indignation
of a genuine range horse. The twisting and jumping made Lambert's
situation doubly uncomfortable. He longed for the end of the journey, no
matter what awaited him at its conclusion.

For some time Lambert had noticed a glow as of a fire directly ahead of
them. It grew and sank as if being fed irregularly, or as if smoke blew
before it from time to time. Presently they rounded the base of a hill
and came suddenly upon the fire, burning in a gulch, as it seemed,
covering a large area, sending up a vast volume of smoke.

Lambert had seen smoke in this direction many times while riding fence,
but could not account for it then any more than he could now for a
little while as he stood facing its origin. Then he understood that this
was a burning vein of lignite, such as he had seen traces of in the
gorgeously colored soil in other parts of the Bad Lands where the fires
had died out and cooled long ago.

These fires are peculiar to the Bad Lands, and not uncommon there, owing
their origin to forest or prairie blazes which spread to the exposed
veins of coal. As these broad, deep deposits of lignite lie near the
surface, the fire can be seen through crevasses and fallen sections of
crust. Sometimes they burn for years.

At the foot of the steep bank on which Lambert and his captors stood the
crust had caved, giving the fire air to hasten its ravages. The mass of
slow-moving fire glowed red and intense, covered in places by its own
ashes, now sending up sudden clouds of smoke as an indraft of air
livened the combustion, now smoldering in sullen dullness, throwing off
a heat that made the horses draw back.

Kerr drew aside on arriving at the fire, and sat his horse looking at
it, the light on his face. Sim Hargus pointed to the glowing pit.

"That's our little private hell. What do you think of it, kid?" he said,
with his grunting, insulting sneer.

The fire was visible only in front of them, in a jagged, irregular strip
marking the cave-in of the crust. It ranged from a yard to ten yards
across, and appeared to extend on either hand a long distance. The bank
on which Lambert's horse stood formed one shore of this fiery stream,
which he estimated to be four yards or more across at that point. On the
other side a recent settling of earth had exposed the coal, which was
burning brightly in a fringe of red flame. Whether the fire underlay the
ground beyond that point Lambert could not tell.

"Quite a sight by night, isn't it?" said Kerr. "It covers several
acres," he explained, as if answering the speculation that rose,
irrelevantly in the face of his pain, humiliation and anxiety, in
Lambert's mind. What did it matter to him how much ground it covered, or
when it began, or when it would die, when his own life was as uncertain
that minute as a match-flame in the wind.

Why had they brought him there to show him that burning coal-pit? Not
out of any desire to display the natural wonders of the land. The answer
was in the fact itself. Only the diabolism of a savage mind could
contrive or countenance such barbarity as they had come to submit him
to.

"I lost several head of stock down below here a little way last winter,"
said Kerr. "They crowded out over the fire in a blizzard and broke
through. If a man was to ride in there through ignorance I doubt if he'd
ever be able to get out."

Kerr sat looking speculatively into the glowing pit below, the firelight
red over him in strong contrast of gleam and shadow. Sim Hargus leaned
to look Lambert in the face.

"You said I was to consider the two days I give you was up," said he.

"You understood it right," Lambert told him.

Hargus drew back his fist. Kerr interposed, speaking sharply.

"You'll not hit a man with his arms tied while I'm around, Sim," he
said.

"Let him loose, then--put him down before me on his feet!"

"Leave the kid alone," said Kerr, in his even, provoking voice. "I think
he's the kind of a boy that will take friendly advice if you come up on
the right side of him."

"Don't be all night about it," said Nick Hargus from his place behind
Lambert, breaking silence in sullen voice.

Kerr rode up to Lambert and took hold of his reins, stroking old
Whetstone's neck as if he didn't harbor an unkind thought for either man
or beast.

"It's this way, Duke," he said. "You're a stranger here; the customs of
this country are not the customs you're familiar with, and it's foolish,
very foolish, and maybe dangerous, for you to try to change things
around single-handed and alone. We've used you a little rougher than I
intended the boys to handle you, but you'll get over it in a little
while, and we're going to let you go this time.

"But we're going to turn you loose with the warning once more to clear
out of this country in as straight a line as you can draw, starting
right now, and keeping on till you're out of the state. You'll excuse us
if we keep your gun; you can send me your address when you land, and
I'll ship it to you. We'll have to start you off tied up, too, much as I
hate to do it. You'll find some way to get loose in a little while, I
guess, a man that's as resourceful and original as you."

Tom Hargus had not said a word since they left the river. Now he leaned
over and peered into Lambert's face with an expression of excited
malevolence, his eyes glittering in the firelight, his nostrils flaring
as if he drew exhilaration with every breath. He betrayed more of their
intentions than Kerr had discovered in his words; so much, indeed, that
Lambert's heart seemed to gush its blood and fall empty and cold.

Lambert forgot his throbbing head and tortured feet, and hands gorged
with blood to the strain of bursting below his tight-drawn bonds. The
realization of his hopeless situation rushed on him; he looked round him
to seize even the most doubtful opening that might lead him out of
their hands.

There was no chance. He could not wheel his horse without hand on rein,
no matter how well the willing beast obeyed the pressure of his knees
while galloping in the open field.

He believed they intended to kill him and throw his body in the fire.
Old Nick Hargus and his son had it in their power at last to take
satisfaction for the humiliation to which he had bent them. A thousand
regrets for his simplicity in falling into their trap came prickling him
with their momentary torture, succeeded by wild gropings, frantic
seekings, for some plan to get away.

He had no thought of making an appeal to them, no consideration of a
surrender of his manhood by giving his promise to leave the country if
they would set him free. He was afraid, as any healthy human is afraid
when he stands before a danger that he can neither defend against nor
assail. Sweat burst out on him; his heart labored and heaved in heavy
strokes.

Whatever was passing in his mind, no trace of it was betrayed in his
bearing. He sat stiff and erect, the red glow of the intense fire on his
face. His hat-brim was pressed back as the wind had held it in his ride,
the scar of Jim Wilder's knife a shadow adding to the grim strength of
his lean face. His bound arms drew his shoulders back, giving him a
defiant pose.

"Take him out there and head him the right way, boys," Kerr directed.

Tom Hargus rode ahead, leading Whetstone by the reins. Kerr was not
following. At Lambert's last sight of him he was still looking into the
fire, as if fascinated by the sight of it.

A hundred yards or less from the fire they stopped. Tom Hargus turned
Whetstone to face back the way they had come, threw the reins over the
saddle-horn, rode up so close Lambert could feel his breath in his face.

"You made me brush off a nigger's hat when you had the drop on me, and
carry a post five miles. That's the shoulder I carried it on!"

He drove his knife into Lambert's right shoulder with the words. The
steel grated on bone.

"I brushed a nigger off under your gun one time," said old Nick Hargus,
spurring up on the other side. "Now I'll brush you a little!"

Lambert felt the hot streak of a knife-blade in the thick muscle of his
back. Almost at the same moment his horse leaped forward so suddenly
that it wrenched every joint in his bound, stiff body, squealing in
pain. He knew that one of them had plunged a knife in the animal's
haunch. There was loud laughter, the sudden rushing of hooves, yells,
and curses as they came after him.

But no shots. For a moment Lambert hoped that they were to content
themselves with the tortures already inflicted and let him go, to find
his way out to help or perish in his bonds, as it might fall. For a
moment only, this hope. They came pressing after him, heading his horse
directly toward the fire. He struggled to bring pressure to old
Whetstone's ribs in the signal that he had answered a thousand times,
but he was bound so rigidly that his muscles only twitched on the bone.

Whetstone galloped on, mad in the pain of his wound, heading straight
toward the fire.

Lambert believed, as those who urged him on toward it believed, that no
horseman ever rode could jump that fiery gorge. On the brink of it his
pursuers would stop, while he, powerless to check or turn his horse,
would plunge over to perish in his bonds, smothered under his struggling
beast, pierced by the transcendent agonies of fire.

This was the last thought that rose coherently out of the turmoil of his
senses as the firepit opened before his eyes. He heard his horse squeal
again in the pain of another knife thrust to madden it to its
destructive leap. Then a swirl of the confused senses as of released
waters, the lift of his horse as it sprang, the heat of the fire in his
face.

The healthy human mind recoils from death, and there is no agency among
the destructive forces of nature which threatens with so much terror as
fire. The senses disband in panic before it, reason flees, the voice
appeals in its distress with a note that vibrates horror. In the threat
of death by fire, man descends to his primal levels; his tongue speaks
again the universal language, its note lending its horrified thrill to
the lowest thing that moves by the divine force of life.

As Lambert hung over the fire in that mighty leap, his soul recoiled.
His strength rushed into one great cry, which still tore at his throat
as his horse struck, racking him with a force that seemed to tear him
joint from joint.

The shock of this landing gathered his dispersed faculties. There was
fire around him, there was smoke in his nostrils, but he was alive. His
horse was on its feet, struggling to scramble up the bank on which it
had landed, the earth breaking under its hinder hoofs, threatening to
precipitate it back into the fire that its tremendous leap had cleared.




CHAPTER XVI

WHETSTONE COMES HOME


Lambert saw the fire leaping around him, but felt no sting of its touch,
keyed as he was in that swift moment of adjustment. From a man as dead
he was transformed in a breath back to a living, panting, hoping,
struggling being, strong in the tenacious purpose of life. He leaned
over his horse's neck, shouting encouragement, speaking endearments to
it as to a woman in travail.

There was silence on the bank behind him. Amazement over the leap that
had carried Whetstone across the place which they had designed for the
grave of both man and horse, held the four scoundrels breathless for a
spell. Fascinated by the heroic animal's fight to draw himself clear of
the fire which wrapped his hinder quarters, they forgot to shoot.

A heave, a lurching struggle, a groan as if his heart burst in the
terrific strain, and Whetstone lunged up the bank, staggered from his
knees, snorted the smoke out of his nostrils, gathered his feet under
him, and was away like a bullet. The sound of shots broke from the bank
across the fiery crevasse; bullets came so close to Lambert that he lay
flat against his horse's neck.

As the gallant creature ran, sensible of his responsibilities for his
master's life, it seemed, Lambert spoke to him encouragingly, proud of
the tremendous thing that he had done. There was no sound of pursuit,
but the shooting had stopped. Lambert knew they would follow as quickly
as they could ride round the field of fire.

After going to this length, they could not allow him to escape. There
would have been nothing to explain to any living man with him and all
trace of him obliterated in the fire, but with him alive and fleeing,
saved by the winged leap of his splendid horse, they would be called to
answer, man by man.

Whetstone did not appear to be badly hurt. He was stretching away like a
hare, shaping his course toward the ranch as true as a pigeon. If they
overtook him they would have to ride harder than they ever rode in
their profitless lives before.

Lambert estimated the distance between the place where they had trapped
him and the fire as fifteen miles. It must be nine or ten miles across
to the Philbrook ranch, in the straightest line that a horse could
follow, and from that point many miles more to the ranchhouse and
release from his stifling ropes. The fence would be no security against
his pursuing enemies, but it would look like the boundary of hope.

Whether they lost so much time in getting around the fire that they
missed him, or whether they gave it up after a trial of speed against
Whetstone, Lambert never knew. He supposed that their belief was that
neither man nor horse would live to come into the sight of men again.
However it fell, they did not approach within hearing if they followed,
and were not in sight as dawn broke and broadened into day.

Whetstone made the fence without slackening his speed. There Lambert
checked him with a word and looked back for his enemies. Finding that
they were not near, he proceeded along the fence at easier gait, holding
the animal's strength for the final heat, if they should make a sudden
appearance. Somewhere along that miserable ride, after daylight had
broken and the pieced wire that Grace Kerr had cut had been passed,
Lambert fell unconscious across the horn of his saddle from the drain of
blood from his wounds and the unendurable pain of his bonds.

In this manner the horse came bearing him home at sunrise. Taterleg was
away on his beat, not uneasy over Lambert's absence. It was the
exception for him to spend a night in the bunkhouse in that summer
weather. So old Whetstone, jaded, scorched, bloody from his own and his
master's wounds, was obliged to stand at the gate and whinny for help
when he arrived.

It was hours afterward that the fence rider opened his eyes and saw
Vesta Philbrook, and closed them again, believing it was a delirium of
his pain. Then Taterleg spoke on the other side of the bed, and he knew
that he had come through his perils into gentle hands.

"How're you feelin', old sport?" Taterleg inquired with anxious
tenderness.

Lambert turned his head toward the voice and grinned a little, in the
teeth-baring, hard-pulling way of a man who has withstood a great deal
more than the human body and mind ever were designed to undergo. He
thought he spoke to Taterleg; the words shaped on his tongue, his throat
moved. But there was such a roaring in his ears, like the sound of a
train crossing a trestle, that he could not hear his own voice.

"Sure," said Taterleg, hopefully, "you're all right, ain't you, old
sport?"

"Fine," said Lambert, hearing his voice small and dry, strange as the
voice of a man to him unknown.

Vesta put her arm under his head, lifted him a little, gave him a
swallow of water. It helped, or something helped. Perhaps it was the
sympathetic tenderness of her good, honest eyes. He paid her with
another little grin, which hurt her more to see than him to give,
wrenched even though it was from the bottom of his soul.

"How's old Whetstone?" he asked, his voice coming clearer.

"He's all right," she told him.

"His tail's burnt off of him, mostly, and he's cut in the hams in a
couple of places, but he ain't hurt any, as I can see," Taterleg said,
with more truth than diplomacy.

Lambert struggled to his elbow, the consciousness of what seemed his
ingratitude to this dumb savior of his life smiting him with shame.

"I must go and attend to him," he said.

Vesta and Taterleg laid hands on him at once.

"You'll bust them stitches I took in your back if you don't keep still,
young feller," Taterleg warned. "Whetstone ain't as bad off as you, nor
half as bad."

Lambert noticed then that his hands were wrapped in wet towels.

"Burned?" he inquired, lifting his eyes to Vesta's face.

"No, just swollen and inflamed. They'll be all right in a little while."

"I blundered into their hands like a blind kitten," said he,
reproachfully.

"They'll eat lead for it!" said Taterleg.

"It was Kerr and that gang," Lambert explained, not wanting to leave any
doubt behind if he should have to go.

"You can tell us after a while," she said, with compassionate
tenderness.

"Sure," said Taterleg, cheerfully, "you lay back there and take it easy.
I'll keep my eye on things."

That evening, when the pain had eased out of his head, Lambert told
Vesta what he had gone through, sparing nothing of the curiosity that
had led him, like a calf, into their hands. He passed briefly over their
attempt to herd him into the fire, except to give Whetstone the hero's
part, as he so well deserved.

Vesta sat beside him, hearing him to the end of the brief recital that
he made of it in silence, her face white, her figure erect. When he
finished she laid her hand on his forehead, as if in tribute to the
manhood that had borne him through such inhuman torture, and the loyalty
that had been the cause of its visitation. Then she went to the window,
where she stood a long time looking over the sad sweep of broken
country, the fringe of twilight on it in somber shadow.

It was not so dark when she returned to her place at his bedside, but he
could see that she had been weeping in the silent pain that rises like
a poison distillation from the heart.

"It draws the best into it and breaks them," she said in great
bitterness, speaking as to herself. "It isn't worth the price!"

"Never mind it, Vesta," he soothed, putting out his hand. She took it
between her own, and held it, and a great comfort came to him in her
touch.

"I'm going to sell the cattle as fast as I can move them, and give it
up, Duke," she said, calling him by that name with the easy
unconsciousness of a familiar habit, although she never had addressed
him so before.

"You're not going away from here whipped, Vesta," he said with a
firmness that gave new hope and courage to her sad heart. "I'll be out
of this in a day or two, then we'll see about it--about several things.
You're not going to leave this country whipped; neither am I."

She sat in meditation, her face to the window, presenting the soft turn
of her cheek and chin to Lambert's view. She was too fine and good for
that country, he thought, too good for the best that it ever could offer
or give, no matter how generously the future might atone for the
hardships of the past. It would be better for her to leave it, he wanted
her to leave it, but not with her handsome head bowed in defeat.

"I think if you were to sift the earth and screen out its meanest, they
wouldn't be a match for the people around here," she said. "There
wouldn't be a bit of use taking this outrage up with the authorities;
Kerr and his gang would say it was a joke, and get away with it, too."

"I wouldn't go squealing to the county authorities, Vesta, even if I
knew I'd get results. This is something a man has to square for himself.
Maybe they intended it for a joke, too, but it was a little rougher than
I'm used to."

"There's no doubt what their intention was. You can understand my
feelings toward them now, Duke; maybe I'll not seem such a savage."

"I've got a case with you against them all, Vesta."

He made no mental reservation as he spoke; there was no pleading for
exception in Grace Kerr's dark eyes that he could grant. Long as he had
nestled the romance between them in his breast, long as he had looked
into the West and sent his dream out after her, he could not, in this
sore hour, forgive her the taint of her blood.

He felt that all tenderness in him toward any of her name was dead. It
had been a pretty fancy to hold, that thought of finding her, but she
was only swamp-fire that had lured him to the door of hell. Still the
marvel of his meeting her, the violet scent of his old dream, lingered
sweetly with him like the perfume that remains after a beautiful woman
whose presence has illuminated a room. So hard does romance die.

"I think I'll have to break my word to you and buckle on my gun again
for a little while," she said. "Mr. Wilson can't ride the fence alone,
capable and willing as he is, and ready to go day and night."

"Leave it to him till I'm out again, Vesta; that will only be a day or
two----"

"A day or two! Three or four weeks, if you do well."

"No, not that long, not anything like that long," he denied with
certainty. "They didn't hurt me very much."

"Well, if they didn't hurt you much they damaged you considerably."

He grinned over the serious distinction that she made between the words.
Then he thought, pleasantly, that Vesta's voice seemed fitted to her
lips like the tone of some beautiful instrument. It was even and soft,
slow and soothing, as her manner was deliberate and well calculated, her
presence a comfort to the eye and the mind alike.

An exceptional combination of a girl, he reflected, speculating on what
sort of man would marry her. Whoever he was, whatever he might be, he
would be only secondary to her all through the compact. That chap would
come walking a little way behind her all the time, with a contented eye
and a certain pride in his situation. It was a diverting fancy as he lay
there in the darkening room, Vesta coming down the years a strong,
handsome, proud figure in the foreground, that man just far enough
behind her to give the impression as he passed that he belonged to her
_entourage_, but never quite overtaking her.

Even so, the world might well envy the man his position. Still, if a
man should happen along who could take the lead--but Vesta wouldn't have
him; she wouldn't surrender. It might cost her pain to go her way with
her pretty head up, her eyes on the road far beyond, but she would go
alone and hide her pain rather than surrender. That would be Vesta
Philbrook's way.

Myrtle, the negro woman, came in with chicken broth. Vesta made a light
for him to sup by, protesting when he would sit up to help himself, the
spoon impalpable in his numb fingers, still swollen and purple from the
long constriction of his bonds.

Next morning Vesta came in arrayed in her riding habit, her sombrero on,
as she had appeared the first time he saw her. Only she was so much
lovelier now, with the light of friendship and tender concern in her
face, that he was gladdened by her presence in the door. It was as of a
sudden burst of music, or the voice of someone for whom the heart is
sick.

He was perfectly fine, he told her, although he was as sore as a burn.
In about two days he would be in the saddle again; she didn't need to
bother about riding fence, it would be all right, he knew. His
declaration didn't carry assurance. He could see that by the changing
cast of her face, as sensitive as still water to a breathing wind.

She was wearing her pistol, and appeared very competent with it on her
hip, and very high-bred and above that station of contention and strife.
He was troubled not a little at sight of her thus prepared to take up
the battles which she had renounced and surrendered into his hands only
yesterday. She must have read it in his eyes.

"I'm only going to watch the fence and repair it to keep the cattle in
if they cut it," she said. "I'll not take the offensive, even if I see
her--them cutting it; I'll only act on the defensive, in any case. I
promise you that, Duke."

She left him with that promise, before he could commend her on the
wisdom of her resolution, or set her right on the matter of Grace Kerr.
From the way Vesta spoke, a man would think she believed he had some
tender feeling for that wild girl, and the idea of it was so
preposterous that he felt his face grow hot.

He was uneasy for Vesta that day, in spite of her promise to avoid
trouble, and fretted a good deal over his incapacitated state. His
shoulder burned where Tom Hargus' knife had scraped the bone, his
wounded back was stiff.

Without this bodily suffering he would have been miserable, for he had
the sweat of his humiliation to wallow in, the black cloud of his
contemplated vengeance across his mind in ever-deepening shadow. On his
day of reckoning he cogitated long, planning how he was to bring it
about. The law would not justify him in going out to seek these men and
shooting them down where overtaken. Time and circumstance must be ready
to his hand before he could strike and wipe out that disgraceful score.

It was not to be believed that they would allow the matter to stand
where it was; that was a comforting thought. They would seek occasion to
renew the trouble, and push it to their desired conclusion. That was the
day to which he looked forward in hot eagerness. Never again would he be
taken like a rabbit in a trap. He felt that, to stand clear before the
law, he would have to wait for them to push their fight on him, but he
vowed they never would find him unprepared, asleep or awake, under roof
or under sky.

He would get Taterleg to oil up a pair of pistols from among the number
around the bunkhouse and leave them with him that night. There was
satisfaction in the anticipation of these preparations. Dwelling on them
he fell asleep. He woke late in the afternoon, when the sun was yellow
on the wall, the shadow of the cottonwood leaves quivering like
dragonflies' wings.

On the little table beside his bed, near his glass, a bit of white paper
lay. He looked at it curiously. It bore writing in ink and marks as of a
pin.

  _Just to say hello, Duke._

That was the message, unsigned, folded as it had been pinned to the
wire. Vesta had brought it and left it there while he slept.

He drew himself up with stiff carefulness and read it again, holding it
in his fingers then and gazing in abstraction out of the window,
through which he could pick up the landscape across the river, missing
the brink of the mesa entirely.

A softness, as of the rebirth of his old romance, swept him, submerging
the bitter thoughts and vengeful plans which had been his but a few
hours before, the lees of which were still heavy in him. This little
piece of writing proved that Grace was innocent of anything that had
befallen him. In the friendly good-will of her heart she thought him, as
she doubtless wished him, unharmed and well.

There was something in that girl better than her connections would seem
to guarantee; she was not intractable, she was not beyond the influence
of generosity, nor deaf to the argument of honor. It would be unfair to
hold her birth and relationship against her. Nobility had sprung out of
baseness many times in the painful history of human progress. If she was
vengeful and vindictive, it was what the country had made her. She
should not be judged for this in measure harsher than Vesta Philbrook
should be judged. The acts of both were controlled by what they
believed to be the right.

Perhaps, and who knows, and why not? So, a train of dreams starting and
blowing from him, like smoke from a censer, perfumed smoke, purging the
place of demons which confuse the lines of men's and women's lives and
set them counter where they should go in amity, warm hand in warm hand,
side by side.




CHAPTER XVII

HOW THICK IS BLOOD?


No sterner figure ever rode the Bad Lands than Jeremiah Lambert appeared
eight days after his escape out of his enemies' hands. The last five
days of his internment he had spent in his own quarters, protesting to
Vesta that he was no longer an invalid, and that further receipt of her
tender ministrations would amount to obtaining a valuable consideration
by false pretense.

This morning as he rode about his duty the scar left by Jim Wilder's
knife in his cheek never had appeared so prominent. It cast over all his
face a shadow of grimness, and imparted to it an aged and seasoned
appearance not warranted by either his experience or his years. Although
he had not carried any superfluous flesh before his night of torture, he
was lighter now by many pounds.

Not a handsome man that day, not much about him to recall the
red-faced, full-blooded agent of the All-in-One who had pushed his
bicycle into the Syndicate camp that night, guided by Taterleg's song.
But there was a look of confidence in his eyes that had not been his in
those days, which he considered now as far distant and embryonic; there
was a certainty in his hand that made him a man in a man's place
anywhere in the extreme exactions of that land.

Vesta was firm in her intention of giving up the ranch and leaving the
Bad Lands as soon as she could sell the cattle. With that program ahead
of him, Lambert was going this morning to look over the herd and
estimate the number of cattle ready for market, that he might place his
order for cars.

He didn't question the wisdom of reducing the herd, for that was good
business; but it hurt him to have Vesta leave there with drooping
feathers, acknowledging to the brutal forces which had opposed the ranch
so long that she was beaten. He would have her go after victory over
them, for it was no place for Vesta. But he would like for her to stay
until he had broken their opposition, and compelled them to take off
their hats to her fence.

He swore as he rode this morning that he would do it. Vesta should not
clean out the cattle, lock the lonesome ranchhouse, abandon the barns
and that vast investment of money to the skulking wolves who waited only
such a retreat to sneak in and despoil the place. He had fixed in his
mind the intention, firm as a rock in the desert that defied storm and
disintegration, to bring every man of that gang up to the wire fence in
his turn and bend him before it, or break him if he would not bend.

This accomplished, the right of the fence established on such terms that
it would be respected evermore, Vesta might go, if she desired. Surely
it would be better for her, a pearl in those dark waters where her
beauty would corrode and her soul would suffer in the isolation too hard
for one of her fine harmony to bear. Perhaps she would turn the ranch
over to him to run, with a band of sheep which he could handle and
increase on shares, after the custom of that business, to the profit of
both.

He had speculated on this eventuality not a little during the days of
his enforced idleness. This morning the thought was so strong in him
that it amounted almost to a plan. Maybe there was a face in these
calculations, a face illumined by clear, dark eyes, which seemed to
strain over the brink of the future and beckon him on. Blood might stand
between them, and differences almost irreconcilable, but the face
withdrew never.

It was evening before he worked through the herd and made it round to
the place where Grace Kerr had cut the fence. There was no message for
him. Without foundation for his disappointment, he was disappointed. He
wondered if she had been there, and bent in his saddle to examine the
ground across the fence.

There were tracks of a horse, but whether old or new he was not educated
enough yet in range-craft to tell. He looked toward the hill from which
he had watched her ride to cut the fence, hoping she might appear. He
knew that this hope was traitorous to his employer, he felt that his
desire toward this girl was unworthy, but he wanted to see her and hear
her speak.

Foolish, also, to yield to that desire to let down the fence where he
had hooked the wire and ride out to see if he could find her. Still,
there was so little probability of seeing her that he was not ashamed,
only for the twinge of a disloyal act, as he rode toward the hill, his
long shadow ambling beside him, a giant horseman on a mammoth steed.

He returned from this little sentimental excursion feeling somewhat like
a sneak. The country was empty of Grace Kerr. In going out to seek her
in the folly of a romance too trivial for a man of his serious mien, he
was guilty of an indiscretion deserving Vesta Philbrook's deepest scorn.
He burned with his own shame as he dismounted to adjust the wire, like
one caught in a reprehensible deed, and rode home feeling foolishly
small. Kerr! He should hate the name.

But when he came to shaving by lamplight that night, and lifted out his
pied calfskin vest to find his strop, the little handkerchief brought
all the old remembrances, the old tenderness, back in a sentimental
flood. He fancied there was still a fragrance of violet perfume about it
as he held it tenderly and pressed it to his cheek after a furtive
glance around. He folded it small, put it in a pocket of the garment,
which he hung on the foot of his bed.

An inspiration directed the act. Tomorrow he would ride forth clothed in
the calfskin vest, with the bright handkerchief that he had worn on the
Sunday at Misery when he won Grace Kerr's scented trophy. For
sentimental reasons only; purely sentimental reasons.

No, he was not a handsome man any longer, he confessed, grinning at the
admission, rather pleased to have it as it was. That scar gave him a
cast of ferocity which his heart did not warrant, for, inwardly, he
said, he knew he was as gentle as a dove. But if there was any doubt in
her mind, granted that he had changed a good deal since she first saw
him, the calfskin vest and the handkerchief would settle it. By those
signs she would know him, if she had doubted before.

Not that she had doubted. As her anger and fear of him had passed that
morning, recognition had come, and with recognition, confidence. He
would take a look out that way in the morning. Surely a man had a right
to go into the enemy's country and get a line on what was going on
against him. So as he shaved he planned, arguing loudly for himself to
drown the cry of treason that his conscience raised.

Tomorrow he would take a further look through the herd and conclude his
estimate. Then he'd have to go to Glendora and order cars for the first
shipment. Vesta wouldn't be able to get all of them off for many weeks.
It would mean several trips to Chicago for him, with a crew of men to
take care of the cattle along the road. It might be well along into the
early fall before he had them thinned down to calves and cows not ready
for market.

He shaved and smoothed his weathered face, turning his eyes now and
again to his hairy vest with a feeling of affection in him for the
garment that neither its worth nor its beauty warranted. Sentimental
reasons always outweigh sensible ones as long as a man is young.

He rode along the fence next morning on his way to the herd, debating
whether he should leave a note on the wire. He was not in such a soft
and sentimental mood this morning, for sense had rallied to him and
pointed out the impossibility of harmony between himself and one so
nearly related to a man who had attempted to burn him alive. It seemed
to him now that the recollection of those poignant moments would rise to
stand between them, no matter how gentle or far removed from the source
of her being she might appear.

These gloomy speculations rose and left him like a flock of somber birds
as he lifted the slope. Grace Kerr herself was riding homeward, just
mounting the hill over which she must pass in a moment and disappear. He
unhooked the wire and rode after her. At the hilltop she stopped,
unaware of his coming, and looked back. He waved his hat; she waited.

"Have you been sick, Duke?" she inquired, after greetings, looking him
over with concern.

"My horse bit me," said he, passing it off with that old stock
pleasantry of the range, which covered anything and everything that a
man didn't want to explain.

"I missed you along here," she said. She swept him again with that slow,
puzzled look of inquiry, her eyes coming back to his face in a frank,
unembarrassed stare. "Oh, I know what it is now! You're dressed like you
were that day at Misery. I couldn't make it out for a minute."

She was not wearing her mannish garb this morning, but divided skirts of
corduroy and a white waist with a bit of bright color at the neck. Her
white sombrero was the only masculine touch about her, and that rather
added to her quick, dark prettiness.

"You were wearing a white waist the first time I saw you," he said.

"This one," she replied, touching it with simple motion of full
identification.

Neither of them mentioned the mutual recognition on the day she had been
caught cutting the fence. They talked of commonplace things, as youth is
constrained to do when its heart and mind are centered on something else
which burns within it, the flame of which it cannot cover from any eyes
but its own. Life on the range, its social disadvantages, its rough
diversions, these they spoke of, Lambert's lips dry with his eagerness
to tell her more.

How quickly it had laid hold of him again at sight of her, this
unreasonable longing! The perfume of his romance suffused her, purging
away all that was unworthy.

"I trembled every second that day for fear your horse would break
through the platform and throw you," she said, suddenly coming back to
the subject that he wanted most to discuss.

"I didn't think of it till a good while afterward," he said in slow
reflection.

"I didn't suppose I'd ever see you again, and, of course, I never once
thought you were the famous Duke of Chimney Butte I heard so much about
when I got home."

"More notorious than famous, I'm afraid, Miss Kerr."

"Jim Wilder used to work for us; I knew him well."

Lambert bent his head, a shadow of deepest gravity falling like a cloud
over the animation which had brightened his features but a moment
before. He sat in contemplative silence a little while, his voice low
when he spoke.

"Even though he deserved it, I've always been sorry it happened."

"Well, if you're sorry, I guess you're the only one. Jim was a bad kid.
Where's that horse you raced the train on?"

"I'm resting him up a little."

"You had him out here the other day."

"Yes. I crippled him up a little since then."

"I'd like to have that horse. Do you want to sell him, Duke?"

"There's not money enough made to buy him!" Lambert returned, lifting
his head quickly, looking her in the eyes so directly that she colored,
and turned her head to cover her confusion.

"You must think a lot of him when you talk like that."

"He's done me more than one good turn, Miss Kerr," he explained, feeling
that she must have read his harsh thoughts. "He saved my life only a
week ago. But that's likely to happen to any man," he added quickly,
making light of it.

"Saved your life?" said she, turning her clear, inquiring eyes on him
again in that expression of wonder that was so vast in them. "How did he
save your life, Duke?"

"I guess I was just talking," said he, wishing he had kept a better
hold on his tongue. "You know we have a fool way of saying a man's life
was saved in very trivial things. I've known people to declare that a
drink of whisky did that for them."

She lifted her brows as she studied his face openly and with such a
directness that he flushed in confusion, then turned her eyes away
slowly.

"I liked him that day he outran the flier; I've often thought of him
since then."

Lambert looked off over the wild landscape, the distant buttes softened
in the haze that seemed to presage the advance of autumn, considering
much. When he looked into her face again it was with the harshness gone
out of his eyes.

"I wouldn't sell that horse to any man, but I'd give him to you, Grace."

She started a little when he pronounced her name, wondering, perhaps,
how he knew it, her eyes growing great in the pleasure of his generous
declaration. She urged her horse nearer with an impetuous movement and
gave him her hand.

"I didn't mean for you to take it that way, Duke, but I appreciate it
more than I can tell you."

Her eyes were earnest and soft with a mist of gratitude that seemed to
rise out of her heart. He held her hand a moment, feeling that he was
being drawn nearer to her lips, as if he must touch them, and rise
refreshed to face the labors of his life.

"I started out on him to look for you, expecting to ride him to the
Pacific, and maybe double back. I didn't know where I'd have to go, but
I intended to go on till I found you."

"It seemed almost a joke," she said, "that we were so near each other
and you didn't know it."

She laughed, not seeming to feel the seriousness of it as he felt it. It
is the woman who laughs always in these little life-comedies of ours.

"I'll give him to you, Grace, when he picks up again. Any other horse
will do me now. He carried me to the end of my road; he brought me to
you."

She turned her head, and he hadn't the courage in him to look and see
whether it was to hide a smile.

"You don't know me, Duke; maybe you wouldn't--maybe you'll regret you
ever started out to find me at all."

His courage came up again; he leaned a little nearer, laying his hand on
hers where it rested on her saddle-horn.

"You wanted me to come, didn't you, Grace?"

"I hoped you might come sometime, Duke."

He rode with her when she set out to return home to the little valley
where he had interposed to prevent a tragedy between her and Vesta
Philbrook. Neither of them spoke of that encounter. It was avoided in
silence as a thing of which both were ashamed.

"Will you be over this way again, Grace?" he asked when he stopped to
part.

"I expect I will, Duke."

"Tomorrow, do you think?"

"Not tomorrow," shaking her head in the pretty way she had of doing it
when she spoke in negation, like an earnest child.

"Maybe the next day?"

"I expect I may come then, Duke--or what is your real name?"

"Jeremiah. Jerry, if you like it better."

She pursed her lips in comical seriousness, frowning a little as if
considering it weightily. Then she looked at him in frank comradeship,
her dark eyes serious, nodding her head.

"I'll just call you Duke."

He left her with the feeling that he had known her many years. Blood
between them? What was blood? Thicker than water? Nay, impalpable as
smoke.




CHAPTER XVIII

THE RIVALRY OF COOKS


Taterleg said that he would go to Glendora that night with Lambert, when
the latter announced he was going down to order cars for the first
shipment of cattle.

"I've been layin' off to go quite a while," Taterleg said, "but that
scrape you run into kind of held me around nights. You know, that feller
he put a letter in the post office for me, servin' notice I was to keep
away from that girl. I guess he thinks he's got me buffaloed and on the
run."

"Which one of them sent you a letter?"

"Jedlick, dern him. I'm goin' down there from now on every chance I get
and set up to that girl like a Dutch uncle."

"What do you suppose Jedlick intends to do to you?"

"I don't care what he aims to do. If he makes a break at me, I'll lay
him on a board, if they can find one in the Bad Lands long enough to
hold him."

"He's got a bad eye, a regular mule eye. You'd better step easy around
him and not stir him up too quick."

Lambert had no faith in the valor of Jedlick at all, but Taterleg would
fight, as he very well knew. But he doubted whether there was any great
chance of the two coming together with Alta Wood on the watch between
them. She'd pat one and she'd rub the other, soothing them and drawing
them off until they forgot their wrath. Still, he did not want Taterleg
to be running any chance at all of making trouble.

"You'd better let me take your gun," he suggested as they approached the
hotel.

"I can take care of it," Taterleg returned, a bit hurt by the
suggestion, lofty and distant in his declaration.

"No harm intended, old feller. I just didn't want you to go pepperin'
old Jedlick over a girl that's as fickle as you say Alta Wood is."

"I ain't a-goin' to pull a gun on no man till he gives me a good reason,
Duke, but if he _gives_ me the reason, I want to be heeled. I guess I
was a little hard on Alta that time, because I was a little sore. She's
not so foolish fickle as some."

"When she's trying to hold three men in line at once it looks to me she
must be playin' two of 'em for suckers. But go to it, go to it, old
feller; don't let me scare you off."

"I never had but one little fallin' out with Alta, and that was the time
I was sore. She wanted me to cut off my mustache, and I told her I
wouldn't do that for no girl that ever punched a piller."

"What did she want you to do that for, do you reckon?"

"Curiosity, Duke, plain curiosity. She worked old Jedlick that way, but
she couldn't throw me. Wanted to see how it'd change me, she said. Well,
I know, without no experimentin'."

"I don't know that it'd hurt you much to lose it, Taterleg."

"Hurt me? I'd look like one of them flat Christmas toys they make out of
tin without that mustache, Duke. I'd be so sharp in the face I'd whistle
in the wind every time my horse went out of a walk. I'm a-goin' to wear
that mustache to my grave, and no woman that ever hung her stockin's out
of the winder to dry's goin' to fool me into cuttin' it off."

"You know when you're comfortable, old feller. Stick to it, if that's
the way you feel about it."

They hitched at the hotel rack. Taterleg said he'd go on to the depot
with Lambert.

"I'm lookin' for a package of express goods I sent away to Chicago for,"
he explained.

The package was on hand, according to expectation. It proved to be a
five-pound box of chewing gum, "All kinds and all flavors," Taterleg
said.

"You've got enough there to stick you to her so tight that even death
can't part you," Lambert told him.

Taterleg winked as he worked undoing the cords.

"Only thing can beat it, Duke--money. Money can beat it, but a man's got
to have a lick or two of common sense to go with it, and some good looks
on the side, if he picks off a girl as wise as Alta. When Jedlick was
weak enough to cut off his mustache, he killed his chance."

"Is he in town tonight, do you reckon?"

"I seen his horse in front of the saloon. Well, no girl can say I ever
went and set down by her smellin' like a bunghole on a hot day. I don't
travel that road. I'll go over there smellin' like a fruit-store, and
I'll put that box in her hand and tell her to chaw till she goes to
sleep, an then I'll pull her head over on my shoulder and pat them
bangs. Hursh, oh, hursh!"

It seemed that the effervescent fellow could not be wholly serious about
anything. Lambert was not certain that he was serious in his attitude
toward Jedlick as he went away with his sweet-scented box under his arm.

By the time Lambert had finished his arrangements for a special train to
carry the first heavy shipment of the Philbrook herd to market it was
long after dark. He was in the post office when he heard the shot that,
he feared, opened hostilities between Taterleg and Jedlick. He hurried
out with the rest of the customers and went toward the hotel.

There was some commotion on the hotel porch, which it was too dark to
follow, but he heard Alta scream, after which there came another shot.
The bullet struck the side of the store, high above Lambert's head.




CHAPTER XIX

THE SENTINEL


There appeared in the light of the hotel door for a moment the figures
of struggling men, followed by the sound of feet in flight down the
steps, and somebody mounting a horse in haste at the hotel
hitching-rack. Whoever this was rode away at a hard gallop.

Lambert knew that the battle was over, and as he came to the
hitching-rack he saw that Taterleg's horse was still there. So he had
not fled. Several voices sounded from the porch in excited talk, among
them Taterleg's, proving that he was sound and untouched.

His uneasiness gone, Lambert stood a little while in front, well out in
the dark, trying to pick up what was being said, but with little result,
for people were arriving with noise of heavy boots to learn the cause of
the disturbance.

Taterleg held the floor for a little while, his voice severe as if he
laid down the law. Alta replied in what appeared to be indignant
protest, then fell to crying. There was a picture of her in the door a
moment being led inside by her mother, blubbering into her hands. The
door slammed after them, and Taterleg was heard to say in loud, firm
voice:

"Don't approach me, I tell you! I'd hit a blind woman as quick as I
would a one-armed man!"

Lambert felt that this was the place to interfere. He called Taterleg.

"All right, Duke; I'm a-comin'," Taterleg answered.

The door opened, revealing the one-armed proprietor entering the house;
revealing a group of men and women, bare-headed, as they had rushed to
the hotel at the sound of the shooting; revealing Taterleg coming down
the steps, his box of chewing gum under his arm.

Wood fastened the door back in its accustomed anchorage. His neighbors
closed round where he stood explaining the affair, his stump of arm
lifting and pointing in the expressionless gestures common to a man thus
maimed.

"Are you hurt?" Lambert inquired.

"No, I ain't hurt none, Duke."

Taterleg got aboard of his horse with nothing more asked of him or
volunteered on his part. They had not proceeded far when his indignation
broke bounds.

"I ain't hurt, but I'm swinged like a fool miller moth in a lamp
chimley," he complained.

"Who was that shootin' around so darned careless?"

"Jedlick, dern him!"

"It's a wonder he didn't kill somebody upstairs somewhere."

"First shot he hit a box of t'backer back of Wood's counter. I don't
know what he hit the second time, but it wasn't me."

"He hit the side of the store."

Taterleg rode along in silence a little way. "Well, that was purty good
for him," he said.

"Who was that hopped a horse like he was goin' for the doctor, and tore
off?"

"Jedlick, dern him!"

Lambert allowed the matter to rest at that, knowing that neither of them
had been hurt. Taterleg would come to the telling of it before long,
not being built so that he could hold a piece of news like that without
suffering great discomfort.

"I'm through with that bunch down there," he said in the tone of deep,
disgustful renunciation. "I never was led on and soaked that way before
in my life. No, I ain't hurt, Duke, but it ain't no fault of that girl I
ain't. She done all she could to kill me off."

"Who started it?"

"Well, I'll give it to you straight, Duke, from the first word, and you
can judge for yourself what kind of a woman that girl's goin' to turn
out to be. I never would 'a' believed she'd 'a' throwed a man that way,
but you can't read 'em, Duke; no man can read 'em."

"I guess that's right," Lambert allowed, wondering how far he had read
in certain dark eyes which seemed as innocent as a child's.

"It's past the power of any man to do it. Well, you know, I went over
there with my fresh box of gum, all of the fruit flavors you can name,
and me and her we set out on the porch gabbin' and samplin' that gum.
She never was so leanin' and lovin' before, settin' up so clost to me
you couldn't 'a' put a sheet of writin' paper between us. Shucks!"

"Rubbin' the paint off, Taterleg. You ought 'a' took the tip that she
was about done with you."

"You're right; I would 'a' if I'd 'a' had as much brains as a ant. Well,
she told me Jedlick was layin' for me, and begged me not to hurt him,
for she didn't want to see me go to jail on account of a feller like
him. She talked to me like a Dutch uncle, and put her head so clost I
could feel them bangs a ticklin' my ear. But that's done with; she can
tickle all the ears she wants to tickle, but she'll never tickle mine no
more. And all the time she was talkin' to me like that, where do you
reckon that Jedlick feller was at?"

"In the saloon, I guess, firin' up."

"No, he wasn't, Duke. He was settin' right in that _ho_-tel, with his
old flat feet under the table, shovelin' in pie. He come out pickin' his
teeth purty soon, standin' there by the door, dern him, like he owned
the dump. Well, he may, for all I know. Alta she inched away from me,
and she says to him: 'Mr. Jedlick, come over here and shake hands with
Mr. Wilson.'

"'Yes,' he says, 'I'll shake insect powder on his grave!'

"'I see you doin' it,' I says, 'you long-hungry and half-full! If you
ever make a pass at me you'll swaller wind so fast you'll bust.' Well,
he begun to shuffle and prance and cut up like a boy makin' faces, and
there's where Alta she ducked in through the parlor winder. 'Don't hurt
him, Mr. Jedlick,' she says; 'please don't hurt him!'

"'I'll chaw him up as fine as cat hair and blow him out through my
teeth,' Jedlick told her. And there's where I started after that feller.
He was standin' in front of the door all the time, where he could duck
inside if he saw me comin', and I guess he would 'a' ducked if Wood
hadn't 'a' been there. When he saw Wood, old Jedlick pulled his gun.

"I slung down on him time enough to blow him in two, and pulled on my
trigger, not aimin' to hurt the old sooner, only to snap a bullet
between his toes, but she wouldn't work. Old Jedlick he was so rattled
at the sight of that gun in my hand he banged loose, slap through the
winder into that box of plug back of the counter. I pulled on her and
pulled on her, but she wouldn't snap, and I was yankin' at the hammer to
cock her when he tore loose with that second shot. That's when I found
out what the matter was with that old gun of mine."

Taterleg was so moved at this passage that he seemed to run out of
words. He rode along in silence until they reached the top of the hill,
and the house on the mesa stood before them, dark and lonesome. Then he
pulled out his gun and handed it across to the Duke.

"Run your thumb over the hammer of that gun, Duke," he said.

"Well! What in the world--it feels like chewin' gum, Taterleg."

"It is chewin' gum, Duke. A wad of it as big as my fist gluin' down the
hammer of that gun. That girl put it on there, Duke. She knew Jedlick
wouldn't have no more show before me, man to man, than a rabbit. She
done me that trick, Duke; she wanted to kill me off."

"There wasn't no joke about that, old feller," the Duke said seriously,
grateful that the girl's trick had not resulted in any greater damage
to his friend than the shock to his dignity and simple heart.

"Yes, and it was my own gum. That's the worst part of it, Duke; she
wasn't even usin' his gum, dang her melts!"

"She must have favored Jedlick pretty strong to go that far."

"Well, if she wants him after what she's saw of him, she can take him. I
clinched him before he could waste any more ammunition, and twisted his
gun away from him. I jolted him a couple of jolts with my fist, and he
broke and run. You seen him hop his horse."

"What did you do with his gun?"

"I walked over to the winder where that girl was lookin' out to see
Jedlick wipe up the porch with me, and I handed her the gun, and I says:
'Give this to Mr. Jedlick with my regards,' I says, 'and tell him if he
wants any more to send me word.' Well, she come out, and I called her on
what she done to my gun. She swore she didn't mean it for nothin' but a
joke. I said if that was her idear of a joke, the quicker we parted the
sooner. She began to bawl, and the old man and old woman put in, and
I'd 'a' slapped that feller, Duke, if he'd 'a' had two arms on him. But
you can't slap a half of a man."

"I guess that's right."

"I walked up to that girl, and I said: 'You've chawed the last wad of my
gum you'll ever plaster up ag'in' your old lean jawbone. You may be some
figger in Glendora,' I says, 'but anywheres else you wouldn't cut no
more ice than a cracker.' Wood he took it up ag'in. That's when I come
away."

"It looks like it's all off between you and Alta now."

"Broke off, short up to the handle. Serves a feller right for bein' a
fool. I might 'a' knowed when she wanted me to shave my mustache off she
didn't have no more heart in her than a fish."

"That was askin' a lot of a man, sure as the world."

"No man can look two ways at once without somebody puttin' something
down his back, Duke."

"Referrin' to the lady in Wyoming. Sure."

"She was white. She says: 'Mr. Wilson, I'll always think of you as a
gentleman.' Them was her last words, Duke."

They were walking their horses past the house, which was dark, careful
not to wake Vesta. But their care went for nothing; she was not in bed.
Around the turn of the long porch they saw her standing in the
moonlight, looking across the river into the lonely night. It seemed as
if she stood in communion with distant places, to which she sent her
longing out of a bondage that she could not flee.

"She looks lonesome," Taterleg said. "Well, I ain't a-goin' to go and
pet and console her. I'm done takin' chances."

Lambert understood as never before how melancholy that life must be for
her. She turned as they passed, her face clear in the bright moonlight.
Taterleg swept off his hat with the grand air that took him so far with
the ladies, Lambert saluting with less extravagance.

Vesta waved her hand in acknowledgment, turning again to her watching
over the vast, empty land, as if she waited the coming of somebody who
would quicken her life with the cheer that it wanted so sadly that calm
summer night.

Lambert felt an unusual restlessness that night--no mood over him for
his bed. It seemed, in truth, that a man would be wasting valuable hours
of life by locking his senses up in sleep. He put his horse away, sated
with the comedy of Taterleg's adventure, and not caring to pursue it
further. To get away from the discussion of it that he knew Taterleg
would keep going as long as there was an ear open to hear him, he walked
to the near-by hilltop to view the land under this translating spell.

This was the hilltop from which he had ridden down to interfere between
Vesta and Nick Hargus. With that adventure he had opened his account of
trouble in the Bad Lands, an account that was growing day by day, the
final balancing of which he could not foresee.

From where he stood, the house was dark and lonely as an abandoned
habitation. It seemed, indeed, that bright and full of youthful light as
Vesta Philbrook was, she was only one warm candle in the gloom of this
great and melancholy monument of her father's misspent hopes. Before
she could warm it into life and cheerfulness, it would encroach upon her
with its chilling gloom, like an insidious cold drift of sand,
smothering her beauty, burying her quick heart away from the world for
which it longed, for evermore.

It would need the noise of little feet across those broad, empty,
lonesome porches to wake the old house; the shouting and laughter and
gleam of merry eyes that childhood brings into this world's gloom, to
drive away the shadows that draped it like a mist. Perhaps Vesta stood
there tonight sending her soul out in a call to someone for whom she
longed, these comfortable, natural, womanly hopes in her own good heart.

He sighed, wishing her well of such hope if she had it, and forgot her
in a moment as his eyes picked up a light far across the hills. Now it
twinkled brightly, now it wavered and died, as if its beam was all too
weak to hold to the continued effort of projecting itself so far. That
must be the Kerr ranch; no other habitation lay in that direction.
Perhaps in the light of that lamp somebody was sitting, bending a dark
head in pensive tenderness with a thought of him.

He stood with his pleasant fancy, his dream around him like a cloak. All
the trouble that was in the world for him that hour was near the earth,
like the precipitation of settling waters. Over it he gazed, superior to
its ugly murk, careless of whether it might rise to befoul the clear
current of his hopes, or sink and settle to obscure his dreams no more.

There was a sound of falling shale on the slope, following the
disturbance of a quick foot. Vesta was coming. Unseen and unheard
through the insulation of his thoughts, she had approached within ten
rods of him before he saw her, the moonlight on her fair face, glorious
in her uncovered hair.




CHAPTER XX

BUSINESS, AND MORE


"You stand out like an Indian water monument up here," she said
reprovingly, as she came scrambling up, taking the hand that he hastened
forward to offer and boost her over the last sharp face of crumbling
shale.

"I expect Hargus could pick me off from below there anywhere, but I
didn't think of that," he said.

"It wouldn't be above him," seriously, discounting the light way in
which he spoke of it; "he's done things just as cowardly, and so have
others you've met."

"I haven't got much opinion of the valor of men who hunt in packs,
Vesta. Some of them might be skulking around, glad to take a shot at us.
Don't you think we'd better go down?"

"We can sit over there and be off the sky-line. It's always the safe
thing to do around here."

She indicated a point where an inequality in the hill would be above
their heads sitting, and there they composed themselves--the sheltering
swell of hilltop at their backs.

"It's not a very complimentary reflection on a civilized community that
one has to take such a precaution, but it's necessary, Duke."

"It's enough to make you want to leave it, Vesta. It's bad enough to
have to dodge danger in a city, but out here, with all this lonesomeness
around you, it's worse."

"Do you feel it lonesome here?" She asked it with a curious soft
slowness, a speculative detachment, as if she only half thought of what
she said.

"I'm never lonesome where I can see the sun rise and set. There's a lot
of company in cattle, more than in any amount of people you don't know."

"I find it the same way, Duke. I never was so lonesome as when I was
away from here at school."

"Everybody feels that way about home, I guess. But I thought maybe you'd
like it better away among people like yourself."

"No. If it wasn't for this endless straining and watching, quarreling
and contending, I wouldn't change this for any place in the world. On
nights like this, when it whispers in a thousand inaudible voices, and
beckons and holds one close, I feel that I never can go away. There's a
call in it that is so subtle and tender, so full of sympathy, that I
answer it with tears."

"I wish things could be cleared up so you could live here in peace and
enjoy it, but I don't know how it's going to come out. It looks to me
like I've made it worse."

"It was wrong of me to draw you into it, Duke; I should have let you go
your way."

"There's no regrets on my side, Vesta. I guess it was planned for me to
come this far and stop."

"They'll never rest till they've drawn you into a quarrel that will give
them an excuse for killing you, Duke. They're doubly sure to do it since
you got away from them that night. I shouldn't have stopped you; I
should have let you go on that day."

"I had to stop somewhere, Vesta," he laughed. "Anyway, I've found here
what I started out to find. This was the end of my road."

"What you started to find, Duke?"

"A man-sized job, I guess." He laughed again, but with a colorless
artificiality, sweating over the habit of solitude that leads a man into
thinking aloud.

"You've found it, all right, Duke, and you're filling it. That's some
satisfaction to you, I know. But it's a man-using job, a life-wasting
job," she said sadly.

"I've only got myself to blame for anything that's happened to me here,
Vesta. It's not the fault of the job."

"Well, if you'll stay with me till I sell the cattle, Duke, I'll think
of you as the next best friend I ever had."

"I've got no intention of leaving you, Vesta."

"Thank you, Duke."

Lambert sat turning over in his mind something that he wanted to say to
her, but which he could not yet shape to his tongue. She was looking in
the direction of the light that he had been watching, a gleam of which
showed faintly now and then, as if between moving boughs.

"I don't like the notion of your leaving this country whipped, Vesta,"
he said, coming to it at last.

"I don't like to leave it whipped, Duke."

"That's the way they'll look at it if you go."

Silence again, both watching the far-distant, twinkling light.

"I laid out the job for myself of bringing these outlaws around here up
to your fence with their hats in their hands, and I hate to give it up
before I've made good on my word."

"Let it go, Duke; it isn't worth the fight."

"A man's word is either good for all he intends it to be, or worth no
more than the lowest scoundrel's, Vesta. If I don't put up works to
equal what I've promised, I'll have to sneak out of this country between
two suns."

"I threw off too much on the shoulders of a willing and gallant
stranger," she sighed. "Let it go, Duke; I've made up my mind to sell
out and leave."

He made no immediate return to this declaration, but after a while he
said:

"This will be a mighty bleak spot with the house abandoned and dark on
winter nights and no stock around the barns."

"Yes, Duke."

"There's no place so lonesome as one where somebody's lived, and put his
hopes and ambitions into it, and gone away and left it empty. I can hear
the winter wind cuttin' around the house down yonder, mournin' like a
widow woman in the night."

A sob broke from her, a sudden, sharp, struggling expression of her
sorrow for the desolation that he pictured in his simple words. She bent
her head into her hands and cried. Lambert was sorry for the pain that
he had unwittingly stirred in her breast, but glad in a glowing
tenderness to see that she had this human strain so near the surface
that it could be touched by a sentiment so common, and yet so precious,
as the love of home. He laid his hand on her head, stroking her soft,
wavy hair.

"Never mind, Vesta," he petted, as if comforting a child. "Maybe we can
fix things up here so there'll be somebody to take care of it. Never
mind--don't you grieve and cry."

"It's home--the only home I ever knew. There's no place in the world
that can be to me what it has been, and is."

"That's so, that's so. I remember, I know. The wind don't blow as soft,
the sun don't shine as bright, anywhere else as it does at home. It's
been a good while since I had one, and it wasn't much to see, but I've
got the recollection of it by me always--I can see every log in the
walls."

He felt her shiver with the sobs she struggled to repress as his hand
rested on her hair. His heart went out to her in a surge of tenderness
when he thought of all she had staked in that land--her youth and the
promise of life--of all she had seen planned in hope, built in
expectation, and all that lay buried now on the bleak mesa marked by two
white stones.

And he caressed her with gentle hand, looking away the while at the
spark of light that came and went, came and went, as if through blowing
leaves. So it flashed and fell, flashed and fell, like a slow, slow
pulse, and died out, as a spark in tinder dies, leaving the far night
blank.

Vesta sat up, pushed her hair back from her forehead, her white hand
lingering there. He touched it, pressed it comfortingly.

"But I'll have to go," she said, calm in voice, "to end this trouble and
strife."

"I've been wondering, since I'm kind of pledged to clean things up here,
whether you'd consider a business proposal from me in regard to taking
charge of the ranch for you while you're gone, Vesta."

She looked up with a quick start of eagerness.

"You mean I oughtn't sell the cattle, Duke?"

"Yes, I think you ought to clean them out. The bulk of them are in as
high condition as they'll ever be, and the market's better right now
that it's been in years."

"Well, what sort of a proposal were you going to make, Duke?"

"Sheep."

"Father used to consider turning around to sheep. The country would come
to it, he said."

"Coming to it more and more every day. The sheep business is the big
future thing in here. Inside of five years everybody will be in the
sheep business, and that will mean the end of these rustler camps that
go under the name of cattle ranches."

"I'm willing to consider sheep, Duke. Go ahead with the plan."

"There's twice the money in them, and not half the expense. One man can
take care of two or three thousand, and you can get sheepherders any
day. There can't be any possible objection to them inside your own
fence, and you've got range for ten or fifteen thousand. I'd suggest
about a thousand to begin with, though."

"I'd do it in a minute, Duke--I'll do it whenever you say the word. Then
I could leave Ananias and Myrtle here, and I could come back in the
summer for a little while, maybe."

She spoke with such eagerness, such appeal of loneliness, that he knew
it would break her heart ever to go at all. So there on the hilltop they
planned and agreed on the change from cattle to sheep, Lambert to have
half the increase, according to the custom, with herder's wages for two
years. She would have been more generous in the matter of pay, but that
was the basis upon which he had made his plans, and he would admit no
change.

Vesta was as enthusiastic over it as a child, all eagerness to begin,
seeing in the change a promise of the peace for which she had so
ardently longed. She appeared to have come suddenly from under a cloud
of oppression and to sparkle in the sun of this new hope. It was only
when they came to parting at the porch that the ghost of her old trouble
came to take its place at her side again.

"Has she cut the fence lately over there, Duke?" she asked.

"Not since I caught her at it. I don't think she'll do it again."

"Did she promise you she wouldn't cut it, Duke?"

She did not look at him as she spoke, but stood with her face averted,
as if she would avoid prying into his secret too directly. Her voice was
low, a note of weary sadness in it that seemed a confession of the
uselessness of turning her back upon the strife that she would forget.

"No, she didn't promise."

"If she doesn't cut the fence she'll plan to hurt me in some other way.
It isn't in her to be honest; she couldn't be honest if she tried."

"I don't like to condemn anybody without a trial, Vesta. Maybe she's
changed."

"You can't change a rattlesnake. You seem to forget that she's a Kerr."

"Even at that, she might be different from the rest."

"She never has been. You've had a taste of the Kerr methods, but you're
not satisfied yet that they're absolutely base and dishonorable in every
thought and deed. You'll find it out to your cost, Duke, if you let that
girl lead you. She's a will-o'-the-wisp sent to lure you from the
trail."

Lambert laughed a bit foolishly, as a man does when the intuition of a
woman uncovers the thing that he prided himself was so skilfully
concealed that mortal eyes could not find it. Vesta was reading through
him like a piece of greased parchment before a lamp.

"I guess it will all come out right," he said weakly.

"You'll meet Kerr one of these days with your old score between you,
and he'll kill you or you'll kill him. She knows it as well as I do. Do
you suppose she can be sincere with you and keep this thing covered up
in her heart? You seem to have forgotten what she remembers and plots on
every minute of her life."

"I don't think she knows anything about what happened to me that night,
Vesta."

"She knows all about it," said Vesta coldly.

"I don't know her very well, of course; I've only passed a few words
with her," he excused.

"And a few notes hung on the fence!" she said, not able to hide her
scorn. "She's gone away laughing at you every time."

"I thought maybe peace and quiet could be established through her if she
could be made to see things in a civilized way."

Vesta made no rejoinder at once. She put her foot on the step as if to
leave him, withdrew it, faced him gravely.

"It's nothing to me, Duke, only I don't want to see her lead you into
another fire. Keep your eyes open and your hand close to your gun when
you're visiting with her."

She left him with that advice, given so gravely and honestly that it
amounted to more than a warning. He felt that there was something more
for him to say to make his position clear, but could not marshal his
words. Vesta entered the house without looking back to where he stood,
hat in hand, the moonlight in his fair hair.




CHAPTER XXI

A TEST OF LOYALTY


Lambert rode to his rendezvous with Grace Kerr on the appointed day,
believing that she would keep it, although her promise had been
inconclusive. She had only "expected" she would be there, but he more
than expected she would come.

He was in a pleasant mood that morning, sentimentally softened to such
extent that he believed he might even call accounts off with Sim Hargus
and the rest of them if Grace could arrange a peace. Vesta was a little
rough on her, he believed. Grace was showing a spirit that seemed to
prove she wanted only gentle guiding to abandon the practices of
violence to which she had been bred.

Certainly, compared to Vesta, she seemed of coarser ware, even though
she was as handsome as heart could desire. This he admitted without
prejudice, not being yet wholly blind. But there was no bond of romance
between Vesta and him. There was no place for romance between a man and
his boss. Romance bound him to Grace Kerr; sentiment enchained him. It
was a sweet enslavement, and one to be prolonged in his desire.

Grace was not in sight when he reached their meeting-place. He let down
the wire and rode to meet her, troubled as before by that feeling of
disloyalty to the Philbrook interests which caused him to stop more than
once and debate whether he should turn back and wait inside the fence.

The desire to hasten the meeting with Grace was stronger than this
question of his loyalty. He went on, over the hill from which she used
to spy on his passing, into the valley where he had interfered between
the two girls on the day that he found Grace hidden away in this
unexpected place. There he met her coming down the farther slope.

Grace was quite a different figure that day from any she had presented
before, wearing a perky little highland bonnet with an eagle feather in
it, and a skirt and blouse of the same plaid. His eyes announced his
approval as they met, leaning to shake hands from the saddle.

Immediately he brought himself to task for his late admission that she
was inferior in the eyes to Vesta. That misappraisement was due to the
disadvantage under which he had seen Grace heretofore. This morning she
was as dainty as a fresh-blown pink, and as delicately sweet. He swung
from the saddle and stood off admiring her with so much speaking from
his eyes that she grew rosy in their fire.

"Will you get down, Grace? I've never had a chance to see how tall you
are--I couldn't tell that day on the train."

The eagle feather came even with his ear when she stood beside him,
slender and strong, health in her eyes, her womanhood ripening in her
lips. Not as tall as Vesta, not as full of figure, he began in mental
measurement, burning with self-reproof when he caught himself at it. Why
should he always be drawing comparisons between her and Vesta, to her
disadvantage in all things? It was unwarranted, it was absurd!

They sat on the hillside, their horses nipping each other in
introductory preliminaries, then settling down to immediate friendship.
They were far beyond sight of the fence. Lambert hoped, with an uneasy
return of that feeling of disloyalty and guilt, that Vesta would not
come riding up that way and find the open strands of wire.

This thought passed away and troubled him no more as they sat talking of
the strange way of their "meeting on the run," as she said.

"There isn't a horse in a thousand that could have caught up with me
that day."

"Not one in thousands," he amended, with due gratitude to Whetstone.

"I expected you'd be riding him today, Duke."

"He backed into a fire," said he uneasily, "and burned off most of his
tail. He's no sight for a lady in his present shape."

She laughed, looking at him shrewdly, as if she believed it to be a joke
to cover something that he didn't want her to know.

"But you promised to give him to me, Duke, when he rested up a little."

"I will," he declared earnestly, getting hold of her hand where it lay
in the grass between them. "I'll give you anything I've got, Grace, from
the breath in my body to the blood in my heart!"

She bent her head, her face rosy with her mounting blood.

"Would you, Duke?" said she, so softly that it was not much more than
the flutter of the wings of words.

He leaned a little nearer, his heart climbing, as if it meant to smother
him and cut him short in that crowning moment of his dream.

"I'd have gone to the end of the world to find you, Grace," he said, his
voice shaking as if he had a chill, his hands cold, his face hot, a
tingling in his body, a sound in his ears like bells. "I want to tell
you how----"

"Wait, Duke--I want to hear it all--but wait a minute. There's something
I want to ask you to do for me. Will you do me a favor, Duke, a simple
favor, but one that means the world and all to me?"

"Try me," said he, with boundless confidence.

"It's more than giving me your horse, Duke; a whole lot more than that,
but it'll not hurt you--you can do it, if you will."

"I know you wouldn't ask me to do anything that would reflect on my
honesty or honor," he said, beginning to do a little thinking as his
nervous chill passed.

"A man doesn't--when a man _cares_--" She stopped, looking away, a
little constriction in her throat.

"What is it, Grace?" pressing her hand encouragingly, master of the
situation now, as he believed.

"Duke"--she turned to him suddenly, her eyes wide and luminous, her
heart going so he could see the tremor of its vibrations in the lace at
her throat--"I want you to lend me tomorrow morning, for one day, just
one day, Duke--five hundred head of Vesta Philbrook's cattle."

"That's a funny thing to ask, Grace," said he uneasily.

"I want you to meet me over there where I cut the fence before sunup in
the morning, and have everybody out of the way, so we can cut them out
and drive them over here. You can manage it, if you want to, Duke. You
will, if you--if you _care_."

"If they were my cattle, Grace, I wouldn't hesitate a second."

"You'll do it, anyhow, won't you, Duke, for me?"

"What in the world do you want them for, just for one day?"

"I can't explain that to you now, Duke, but I pledge you my honor, I
pledge you everything, that they'll be returned to you before night, not
a head missing, nothing wrong."

"Does your father know--does he----"

"It's for myself that I'm asking this of you, Duke; nobody else. It
means--it means--_everything_ to me."

"If they were my cattle, Grace, if they were my cattle," said he
aimlessly, amazed by the request, groping for the answer that lay behind
it. What could a girl want to borrow five hundred head of cattle for?
What in the world would she get out of holding them in her possession
one day and then turning them back into the pasture? There was something
back of it; she was the innocent emissary of a crafty hand that had a
trick to play.

"We could run them over here, just you and I, and nobody would know
anything about it," she tempted, the color back in her cheeks, her eyes
bright as in the pleasure of a request already granted.

"I don't like to refuse you even that, Grace."

"You'll do it, you'll do it, Duke?" Her hand was on his arm in beguiling
caress, her eyes were pleading into his.

"I'm afraid not, Grace."

Perhaps she felt a shading of coldness in his denial, for distrust and
suspicion were rising in his cautious mind. It did not seem to him a
thing that could be asked with any honest purpose, but for what
dishonest one he had no conjecture to fit.

"Are you going to turn me down on the first request I ever made of you,
Duke?" She watched him keenly as she spoke, making her eyes small, an
inflection of sorrowful injury in her tone.

"If there's anything of my own you want, if there's anything you can
name for me to do, personally, all you've got to do is hint at it
once."

"It's easy to say that when there's nothing else I want!" she said,
snapping it at him as sharp as the crack of a little whip.

"If there _was_ anything----"

"There'll never be anything!"

She got up, flashing him an indignant look. He stood beside her,
despising the poverty of his condition which would not allow him to
deliver over to her, out of hand, the small matter of five hundred
beeves.

She went to her horse, mightily put out and impatient with him, as he
could see, threw the reins over her pommel, as if she intended to leave
him at once. She delayed mounting, suddenly putting out her hands in
supplication, tears springing in her eyes.

"Oh, Duke! If you knew how much it means to me," she said.

"Why don't you tell me, Grace?"

"Even if you stayed back there on the hills somewhere and watched them
you wouldn't do it, Duke?" she appealed, evading his request.

He shook his head slowly, while the thoughts within it ran like
wildfire, seeking the thing that she covered.

"It can't be done."

"I give you my word, Duke, that if you'll do it nobody will ever lift a
hand against this ranch again."

"It's almost worth it," said he.

She quickened at this, enlarging her guarantee.

"We'll drop all of the old feud and let Vesta alone. I give you my word
for all of them, and I'll see that they carry it out. You can do Vesta
as big a favor as you'll be doing me, Duke."

"It couldn't be done without her consent, Grace. If you want to go to
her with this same proposal, putting it plainly like you have to me, I
think she'll let you have the cattle, if you can show her any good
reason for it."

"Just as if I'd be fool enough to ask her!"

"That's the only way."

"Duke," said she coaxingly, "wouldn't it be worth something to you,
personally, to have your troubles settled without a fight? I'll promise
you nobody will ever lift a hand against you again if you'll do this for
me."

He started, looked at her sternly, approaching her a step.

"What do you know about anything that's happened to me?" he demanded.

"I don't know anything about what's happened, but I know what's due to
happen if it isn't headed off."

Lambert did some hard thinking for a little while, so hard that it
wrenched him to the marrow. If he had had suspicion of her entire
innocence in the solicitation of this unusual favor before, it had
sprung in a moment into distrust. Such a quick reversion cannot take
place in the sentiment without a shock. It seemed to Lambert that
something valuable had been snatched away from him, and that he stood in
bewilderment, unable to reach out and retrieve his loss.

"Then there's no use in discussing it any more," he said, groping back,
trying to answer her.

"You'd do it for her!"

"Not for her any quicker than for you."

"I know it looks crooked to you, Duke--I don't blame you for your
suspicions," she said with a frankness that seemed more like herself,
he thought. She even seemed to be coming back to him in that approach.
It made him glad.

"Tell me all about it, Grace," he urged.

She came close to him, put her arm about his neck, drew his head down as
if to whisper her confidence in his ear. Her breath was on his cheek,
his heart was afire in one foolish leap. She put up her lips as if to
kiss him, and he, reeling in the ecstasy of his proximity to her radiant
body, bent nearer to take what she seemed to offer.

She drew back, her hand interposed before his eager lips, shaking her
head, denying him prettily.

"In the morning, I'll tell you all in the morning when I meet you to
drive the cattle over," she said. "Don't say a word--I'll not take no
for my answer." She turned quickly to her horse and swung lightly into
the saddle. From this perch she leaned toward him, her hand on his
shoulder, her lips drawing him in their fiery lure again. "In the
morning--in the morning--you can kiss me, Duke!"

With that word, that promise, she turned and galloped away.

It was late afternoon, and Lambert had faced back toward the ranchhouse,
troubled by all that he could not understand in that morning's meeting,
thrilled and fired by all that was sweet to remember, when he met a man
who came riding in the haste of one who had business ahead of him that
could not wait. He was riding one of Vesta Philbrook's horses, a
circumstance that sharpened Lambert's interest in him at once.

As they closed the distance between them, Lambert keeping his hand in
the easy neighborhood of his gun, the man raised his hand, palm forward,
in the Indian sign of peace. Lambert saw that he wore a shoulder holster
which supported two heavy revolvers. He was a solemn-looking man with a
narrow face, a mustache that crowded Taterleg's for the championship, a
buckskin vest with pearl buttons. His coat was tied on the saddle at his
back.

"I didn't steal this horse," he explained with a sorrowful grin as he
drew up within arm's length of Lambert, "I requisitioned it. I'm the
sheriff."

"Yes, sir?" said Lambert, not quite taking him for granted, no
intention of letting him pass on with that explanation.

"Miss Philbrook said I'd run across you up this way."

The officer produced his badge, his commission, his card, his
letterhead, his credentials of undoubted strength. On the proof thus
supplied, Lambert shook hands with him.

"I guess everybody else in the county knows me--this is my second term,
and I never was taken for a horse thief before," the sheriff said,
solemn as a crow, as he put his papers away.

"I'm a stranger in this country, I don't know anybody, nobody knows me,
so you'll not take it as a slight that I didn't recognize you, Mr.
Sheriff."

"No harm done, Duke, no harm done. Well, I guess you're a little wider
known than you make out. I didn't bring a man along with me because I
knew you were up here at Philbrook's. Hold up your hand and be sworn."

"What's the occasion?" Lambert inquired, making no move to comply with
the order.

"I've got a warrant for this man Kerr over south of here, and I want you
to go with me. Kerr's a bad egg, in a nest of bad eggs. There's likely
to be too much trouble for one man to handle alone. You do solemnly
swear to support the constitution of the----"

"Wait a minute, Mr. Sheriff," Lambert demurred; "I don't know that I
want to mix up in----"

"It's not for you to say what you want to do--that's my business," the
sheriff said sharply. He forthwith deputized Lambert, and gave him a
duplicate of the warrant. "You don't need it, but it'll clear your mind
of all doubt of your power," he explained. "Can we get through this
fence?"

"Up here six or seven miles, about opposite Kerr's place. But I'd like
to go on to the house and change horses; I've rode this one over forty
miles today already."

The sheriff agreed. "Where's that outlaw you won from Jim Wilder?" he
inquired, turning his eyes on Lambert in friendly appreciation.

"I'll ride him," Lambert returned briefly. "What's Kerr been up to?"

"Mortgaged a bunch of cattle he's got over there to three different
banks. He was down a couple of days ago tryin' to put through another
loan. The investigation that banker started laid him bare. He promised
Kerr to come up tomorrow and look over his security, and passed the word
on to the county attorney. Kerr said he'd just bought five hundred head
of stock. He wanted to raise the loan on them."

"Five hundred," said Lambert, mechanically repeating the sheriff's
words, doing some calculating of his own.

"He ain't got any that ain't blanketed with mortgage paper so thick
already they'd go through a blizzard and never know it. His scheme was
to raise five or six thousand dollars more on that outfit and skip the
country."

And Grace Kerr had relied on his infatuation for her to work on him for
the loan of the necessary cattle. Lambert could not believe that it was
all her scheme, but it seemed incredible that a man as shrewdly
dishonest as Kerr would entertain a plan that promised so little outlook
of success. They must have believed over at Kerr's that they had him
pretty well on the line.

But Kerr had figured too surely on having his neighbor's cattle to show
the banker to stake all on the chance of Grace being able to wheedle him
into the scheme. If he couldn't get them by seduction, he meant to take
them in a raid. Grace never intended to come to meet him in the morning
alone.

One crime more would amount to little in addition to what Kerr had done
already, and it would be a trick on which he would pride himself and
laugh over all the rest of his life. It seemed certain now that Grace's
friendliness all along had been laid on a false pretense, with the one
intention of beguiling him to his disgrace, his destruction, if disgrace
could not be accomplished without it.

As he rode Whetstone--now quite recovered from his scorching, save for
the hair of his once fine tail--beside the sheriff, Lambert had some
uneasy cogitations on his sentimental blindness of the past; on the
good, honest advice that Vesta Philbrook had given him. Blood was blood,
after all. If the source of it was base, it was too much to hope that a
little removal, a little dilution, would ennoble it. She had lived there
all her life the associate of thieves and rascals; her way of looking
on men and property must naturally be that of the depredator, the
pillager, and thief.

"And yet," thought he, thumb in the pocket of his hairy vest where the
little handkerchief lay, "and yet----"




CHAPTER XXII

THE WILL-O'-THE-WISP


The Kerr ranch buildings were more than a mile away from the point where
Lambert and the sheriff halted to look down on them. The ranchhouse was
a structure of logs from which the bark had been stripped, and which had
weathered white as bones. It was long and low, suggesting spaciousness
and comfort, and enclosed about by a white picket fence.

A winding trace of trees and brushwood marked the course of the stream
that ran behind it. On the brink of this little water, where it flashed
free of the tangled willows, there was a corral and stables, but no sign
of either animal or human life about the place.

"He may be out with the cattle," Lambert suggested.

"We'll wait for him to come back, if he is. He's sure to be home between
now and tomorrow."

So that was her home, that was the roof that had sheltered her while she
grew in her loveliness. The soft call of his romance came whispering to
him again. Surely there was no attainder of blood to rise up against her
and make her unclean; he would have sworn that moment, if put to the
test, that she was innocent of any knowing attempt to involve him to his
disgrace. The gate of the world stood open to them to go away from that
harsh land and forget all that had gone before, as the gate of his heart
was open for all the love that it contained to rush out and embrace her,
and purge her of the unfortunate accident of her birth.

After this, poor child, she would need a friend, as never before, with
only her step-mother, as she had told him, in the world to befriend her.
A man's hand, a man's heart----

"I'll take the front door," said the sheriff. "You watch the back."

Lambert came out of his softening dream, down to the hard facts in the
case before him with a jolt. They were within half a mile of the house,
approaching it from the front. He saw that it was built in the shape of
an L, the base of the letter to the left of them, shutting off a view
of the angle.

"He may see us in time to duck," the sheriff said, "and you can bank on
it he's got a horse saddled around there at the back door. If he comes
your way, don't fool with him; let him have it where he lives."

They had not closed up half the distance between them and the house when
two horsemen rode suddenly round the corner of the L and through the
wide gate in the picket fence. Outside the fence they separated with the
suddenness of a preconcerted plan, darting away in opposite directions.
Each wore a white hat, and from that distance they appeared as much
alike in size and bearing as a man and his reflection.

The sheriff swore a surprised oath at sight of them, and their cunning
plan to confuse and divide the pursuing force.

"Which one of 'em's Kerr?" he shouted as he leaned in his saddle, urging
his horse on for all that it could do.

"I don't know," Lambert returned.

"I'll chance this one," said the sheriff, pointing. "Take the other
feller."

Lambert knew that one of them was Grace Kerr. That he could not tell
which, he upbraided himself, not willing that she should be subjected to
the indignity of pursuit. It was a clever trick, but the preparation for
it and the readiness with which it was put into play seemed to reflect a
doubt of her entire innocence in her father's dishonest transactions.
Still, it was no more than natural that she should bend every faculty to
the assistance of her father in escaping the penalty of his crimes. He
would do it himself under like conditions; the unnatural would be the
other course.

These things he thought as he rode into the setting sun in pursuit of
the fugitive designated by the sheriff. Whetstone was fresh and eager
after his long rest, in spite of the twelve or fifteen miles which he
had covered already between the two ranches. Lambert held him in,
doubtful whether he would be able to overtake the fleeing rider before
dark with the advantage of distance and a fresh horse that he or she
had.

If Kerr rode ahead of him, then he must be overtaken before night gave
him sanctuary; if Grace, it was only necessary to come close enough to
her to make sure, then let her go her way untroubled. He held the
distance pretty well between them till sundown, when he felt the time
had come to close in and settle the doubt. Whetstone was still mainly in
reserve, tireless, deep-winded creature that he was.

Lambert leaned over his neck, caressed him, spoke into the ear that
tipped watchfully back. They were in fairly smooth country, stretches of
thin grasslands and broken barrens, but beyond them, a few miles, the
hills rose, treeless and dun, offering refuge for the one who fled.
Pursuit there would be difficult by day, impossible by night.

Whetstone quickened at his master's encouragement, pushing the race hard
for the one who led, cutting down the distance so rapidly that it seemed
the other must be purposely delaying. Half an hour more of daylight and
it would be over.

The rider in the lead had driven his or her horse too hard in the
beginning, leaving no recovery of wind. Lambert remarked its weariness
as it took the next hill, laboring on in short, stiff jumps. At the top
the rider held in, as if to let the animal blow. It stood with nose
close to the ground, weariness in every line.

The sky was bright beyond horse and rider, cut sharply by the line of
the hill. Against it the picture stood, black as a shadow, but with an
unmistakable pose in the rider that made Lambert's heart jump and grow
glad.

It was Grace; chance had been kind to him again, leading him in the way
his heart would have gone if it had been given the choice. She looked
back, turning with a hand on the cantle of her saddle. He waved his
hand, to assure her, but she did not seem to read the friendly signal,
for she rode on again, disappearing over the hill before he reached the
crest.

He plunged down after her, not sparing his horse where he should have
spared him, urging him on when they struck the level again. There was no
thought in him of Whetstone now--only of Grace.

He must overtake her in the quickest possible time, and convince her of
his friendly sympathy; he must console and comfort her in this hour of
her need. Brave little thing, to draw him off that way, to keep on
running into the very edge of night, that wild country ahead of her,
for fear he would come close enough to recognize her and turn back to
help the sheriff on the true trail. That's what was in her mind; she
thought he hadn't recognized her, and was still fleeing to draw him as
far away as possible by dark. When he could come within shouting
distance of her, he could make his intention plain. To that end he
pushed on. Her horse had shown a fresh impulse of speed, carrying her a
little farther ahead. They were drawing close to the hills now, with a
growth of harsh and thorny brushwood in the low places along the runlets
of dry streams.

Poor little bird, fleeing from him, luring him on like a trembling quail
that flutters before one's feet in the wheat to draw him away from her
nest. She didn't know the compassion of his heart, the tenderness in
which it strained to her over the intervening space. He forgot all, he
forgave all, in the soft pleading of romance which came back to him like
a well-loved melody.

He fretted that dusk was falling so fast. In the little strips of
valley, growing narrower as he proceeded between the abrupt hills, it
was so nearly dark already that she appeared only dimly ahead of him,
urging her horse on with unsparing hand. It seemed that she must have
some objective ahead of her, some refuge which she strained to make,
some help that she hoped to summon.

He wondered if it might be the cow-camp, and felt a cold indraft on the
hot tenderness of his heart for a moment. But, no; it could not be the
cow-camp. There was no sign that grazing herds had been there lately.
She was running because she was afraid to have him overtake her in the
dusk, running to prolong the race until she could elude him in the dark,
afraid of him, who loved her so!

They were entering the desolation of the hills. On the sides of the thin
strip of valley, down which he pursued her, there were great, dark
rocks, as big as cottages along a village street. He shouted, calling
her name, fearful that he should lose her in this broken country in the
fast-deepening night. Although she was not more than two hundred yards
ahead of him now, she did not seem to hear. In a moment she turned the
base of a great rock, and there he lost her.

The valley split a few rods beyond that point, broadening a little,
still set with its fantastic black monuments of splintered rock. It was
impossible to see among them in either direction as far as Grace had
been in the lead when she passed out of his sight. He pulled up and
shouted again, an appeal of tender concern in her name. There was no
reply, no sound of her fleeing horse.

He leaned to look at the ground for tracks. No trace of her passing on
the hard earth with its mangy growth of grass. On a little way, stopping
to call her once more. His voice went echoing in that quiet place, but
there was no reply.

He turned back, thinking she must have gone down the other branch of the
valley. Whetstone came to a sudden stop, lifted his head with a jerk,
his ears set forward, snorting an alarm. Quick on his action there came
a shot, close at hand. Whetstone started with a quivering bound,
stumbled to his knees, struggled to rise, then floundered with piteous
groans.




CHAPTER XXIII

UNMASKED


Lambert was out of the saddle at the sound of the shot. He sprang to the
shelter of the nearest rock, gun in hand, thinking with a sweep of
bitterness that Grace Kerr had led him into a trap. Whetstone was lying
still, his chin on the ground, one foreleg bent and gathered under him,
not in the posture of a dead horse, although Lambert knew that he was
dead. It was as if the brave beast struggled even after life to picture
the quality of his unconquerable will, and would not lie in death as
other horses lay, cold and inexpressive of anything but death, with
stiff limbs straight.

Lambert was incautious of his own safety in his great concern for his
horse. He stepped clear of his shelter to look at him, hoping against
his conviction that he would rise. Somebody laughed behind the rock on
his right, a laugh that plucked his heart up and cast it down, as a
drunken hand shatters a goblet upon the floor.

"I guess you'll never race me on _that_ horse again, fence-rider!"

There was the sound of movement behind the rock; in a moment Grace Kerr
rode out from her concealment, not more than four rods beyond the place
where his horse lay. She rode out boldly and indifferently before his
eyes, turned and looked back at him, her face white as an evening
primrose in the dusk, as if to tell him that she knew she was safe, even
within the distance of his arm, much as she despised his calling and his
kind.

Lambert put his gun back in its sheath, and she rode on, disappearing
again from his sight around the rock where the blasted valley of stones
branched upon its arid way. He took the saddle from his dead horse and
hid it behind a rock, not caring much whether he ever found it again,
his heart so heavy that it seemed to bow him to the ground.

So at last he knew her for what Vesta Philbrook had told him she
was--bad to the core of her heart. Kindness could not regenerate her,
love could not purge away the vicious strain of blood. She might have
scorned him, and he would have bent his head and loved her more; struck
him, and he would have chided her with a look of love. But when she sent
her bullet into poor old Whetstone's brain, she placed herself beyond
any absolution that even his soft heart could yield.

He bent over Whetstone, caressing his head, speaking to him in his old
terms of endearment, thinking of the many fruitless races he had run,
believing that his own race in the Bad Lands had come to an end.

If he had but turned back from the foot of the hill where he recognized
her, as duty demanded of him that he turn, and not pressed on with his
simple intention of friendliness which she was too shallow to appreciate
or understand, this heavy loss would have been spared him. For this dead
animal was more to him than comrade and friend; more than any man who
has not shared the good and evil times with his horse in the silent
places can comprehend.

He could not fight a woman; there was no measure of revenge that he
could take against her, but he prayed that she might suffer for this
deed of treachery to him with a pang intensified a thousand times
greater than his that hour. Will-o'-the-wisp she had been to him,
indeed, leading him a fool's race since she first came twinkling into
his life.

Bitter were his reflections, somber was his heart, as he turned to walk
the thirty miles or more that lay between him and the ranch, leaving old
Whetstone to the wolves.

       *       *       *       *       *

Lambert was loading cattle nearly a week later when the sheriff returned
Vesta's horse, with apologies for its footsore and beaten state. He had
followed Kerr far beyond his jurisdiction, pushing him a hard race
through the hills, but the wily cattleman had evaded him in the end.

The sheriff advised Lambert to put in a bill against the county for the
loss of his horse, a proposal which Lambert considered with grave face
and in silence.

"No," he said at last, "I'll not put in a bill. I'll collect in my own
way from the one that owes me the debt."




CHAPTER XXIV

USE FOR AN OLD PAPER


Lambert was a busy man for several weeks after his last race with the
will-o'-the-wisp, traveling between Glendora and Chicago, disposing of
the Philbrook herd. On this day he was jolting along with the last of
the cattle that were of marketable condition and age, twenty cars of
them, glad that the wind-up of it was in sight.

Taterleg had not come this time on account of the Iowa boy having quit
his job. There remained several hundred calves and thin cows in the
Philbrook pasture, too much of a temptation to old Nick Hargus and his
precious brother Sim to be left unguarded.

Sitting there on top of a car, his prod-pole between his knees, in his
high-heeled boots and old dusty hat, the Duke was a typical figure of
the old-time cow-puncher such as one never meets in these times around
the stockyards of the Middle West. There are still cow-punchers, but
they are mainly mail-order ones who would shy from a gun such as pulled
down on Lambert's belt that day.

He sat there with the wind slamming the brim of his old hat up against
the side of his head, a sober, serious man, such as one would choose for
a business like this intrusted to him by Vesta Philbrook and never make
a mistake. Already he had sold more than eighty thousand dollars' worth
of cattle for her, and carried home to her the drafts. This time he was
to take back the money, so they would have the cash to buy out Walleye,
the sheepman, who was making a failure of the business and was anxious
to quit.

The Duke wondered, with a lonesome sort of pleasure, how things were
going on the ranch that afternoon, and whether Taterleg was riding the
south fence now and then, as he had suggested, or sticking with the
cattle. That was a pleasant country which he was traveling through,
green fields and rich pastures as far as the eye could reach, a land
such as he had spent the greater part of his life in, such as some
people who are provincial and untraveled call "God's country," and are
fully satisfied with in their way.

But there seemed something lacking out of it to Lambert as he looked
across the verdant flatness with pensive eyes, that great, gray
something that took hold of a man and drew him into its larger life,
smoothed the wrinkles out of him, and stood him upright on his feet with
the breath deeper in him than it ever had gone before. He felt that he
never would be content to remain amongst the visible plentitude of that
fat, complacent, finished land again.

Give him some place that called for a fight, a place where the wind blew
with a different flavor than these domestic scents of hay and
fresh-turned furrows in the wheatlands by the road. In his vision he
pictured the place that he liked best--a rough, untrammeled country
leading back to the purple hills, a long line of fence diminishing in
its distance to a thread. He sighed, thinking of it. Dog-gone his melts,
he was lonesome--lonesome for a fence!

He rolled a cigarette and felt about himself abstractedly for a match,
in this pocket, where Grace Kerr's little handkerchief still lay, with
no explanation or defense for its presence contrived or attempted; in
that pocket, where his thumb encountered a folded paper.

Still abstracted, his head turned to save his cigarette from the wind,
he drew out this paper, wondering curiously when he had put it there and
forgotten it. It was the warrant for the arrest of Berry Kerr. He
remembered now having folded the paper and put it there the day the
sheriff gave it to him, never having read a word of it from that day to
this. Now he repaired that omission. It gave him quite a feeling of
importance to have a paper about him with that severe legal phraseology
in it. He folded it and put it back in his pocket, wondering what had
become of Berry Kerr, and from him transferring his thoughts to Grace.

She was still there on the ranch, he knew, although Kerr's creditors had
cleaned out the cattle, and doubtless were at law among themselves over
the proceeds by now. How she would live, what she would do, he wondered.
Perhaps Kerr had left some of the money he had made out of his
multimortgage transactions, or perhaps he would send for Grace and his
wife when he had struck a gait in some other place.

It didn't matter one way or another. His interest in her was finished,
his last gentle thought of her was dead. Only he hoped that she might
live to be as hungry for a friendly word as his heart had been hungry of
longing after her in its day; that she might moan in contrition and burn
in shame for the cruelty in which she broke the vessel of his friendship
and threw the fragments in his face. Poor old Whetstone! his bones all
scattered by the wolves by now over in that lonely gorge.

Vesta Philbrook would not have been capable of a vengeance so mean.
Strange how she had grown so gentle and so good under the constant
persecution of this thieving gang! Her conscience was as clear as a
windowpane; a man could look through her soul and see the world
undisturbed by a flaw beyond it. A good girl; she sure was a good girl.
And as pretty a figure on a horse as man's eye ever followed.

She had said once that she felt it lonesome out there by the fence. Not
half as lonesome, he'd gamble, as he was that minute to be back there
riding her miles and miles of wire. Not lonesome on account of Vesta;
sure not. Just lonesome for that dang old fence.

Simple he was, sitting there on top of that hammering old cattle car
that sunny afternoon, the dust of the road in his three-day-old beard,
his barked willow prod-pole between his knees; simple as a ballad that
children sing, simple as a homely tune.

Well, of course he had kept Grace Kerr's little handkerchief, for
reasons that he could not quite define. Maybe because it seemed to
represent her as he would have had her; maybe because it was the poor
little trophy of his first tenderness, his first yearning for a woman's
love. But he had kept it with the dim intention of giving it back to
her, opportunity presenting.

"Yes, I'll give it back to her," he nodded; "when the time comes I'll
hand it to her. She can wipe her eyes on it when she opens them and
repents."

Then he fell to thinking of business, and what was best for Vesta's
interests, and of how he probably would take up Pat Sullivan's offer for
the calves, thus cleaning up her troubles and making an end of her
expenses. Pat Sullivan, the rancher for whom Ben Jedlick was cook; he
was the man. The Duke smiled through his grime and dust when he
remembered Jedlick lying back in the barber's chair.

And old Taterleg, as good as gold and honest as a horse, was itching to
be hitting the breeze for Wyoming. Selling the calves would give him the
excuse that he had been casting about after for a month. He was writing
letters to Nettie; she had sent her picture. A large-breasted,
calf-faced girl with a crooked mouth. Taterleg might wait a year, or
even four years more, with perfect safety. Nettie would not move very
fast on the market, even in Wyoming, where ladies were said to be
scarce.

And so, pounding along, mile after mile through the vast green land
where the bread of a nation grew, arriving at midnight among squeals and
moans, trembling bleat of sheep, pitiful, hungry crying of calves, high,
lonesome tenor notes of bewildered steers. That was the end of the
journey for him, the beginning of the great adventure for the creatures
under his care.

By eleven o'clock next morning, Lambert had a check for the cattle in
his pocket, and bay rum on his face where the dust, the cinders and the
beard had been but a little while before. He bought a little hand
satchel in a second-hand store to carry the money home in, cashed his
check and took a turn looking around, his big gun on his leg, his
high-heeled boots making him toddle along in a rather ridiculous gait
for an able-bodied cow-puncher from the Bad Lands.

There was a train for home at six, that same flier he once had raced.
There would be time enough for a man to look into the progress of the
fine arts as represented in the pawn-shop windows of the stockyards
neighborhood, before striking a line for the Union Station to nail down
a seat in the flier. It was while engaged in this elevating pursuit that
Lambert glimpsed for an instant in the passing stream of people a figure
that made him start with the prickling alertness of recognition.

He had caught but a flash of the hurrying figure but, with that eye for
singling a certain object from a moving mass that experience with cattle
sharpens, he recognized the carriage of the head, the set of the
shoulders. He hurried after, overtaking the man as he was entering a
hotel.

"Mr. Kerr, I've got a warrant for you," he said, detaining the fugitive
with a hand laid on his shoulder.

Kerr was taken so unexpectedly that he had no chance to sling a gun,
even if he carried one. He was completely changed in appearance, even to
the sacrifice of his prized beard, so long his aristocratic distinction
in the Bad Lands. He was dressed in the city fashion, with a little
straw hat in place of the eighteen-inch sombrero that he had worn for
years. Confident of this disguise, he affected astonished indignation.

"I guess you've made a mistake in your man," said he.

Lambert told him with polite firmness that there was no mistake.

"I'd know your voice in the dark--I've got reason to remember it," he
said.

He got the warrant out with one hand, keeping the other comfortably near
his gun, the little hand bag with its riches between his feet. Kerr was
so vehemently indignant that attention was drawn to them, which
probably was the fugitive cattleman's design, seeing in numbers a chance
to make a dash.

Lambert had not forgotten the experience of his years at the Kansas City
Stockyards, where he had seen confidence men and card sharpers play the
same scheme on policemen, clamoring their innocence until a crowd had
been attracted in which the officer would not dare risk a shot. He kept
Kerr within reaching distance, flashed the warrant before his eyes,
passed it up and down in front of his nose, and put it away again.

"There's no mistake, not by a thousand miles. You'll come along back to
Glendora with me."

A policeman appeared by this time, and Kerr appealed to him, protesting
mistaken identity. The officer was a heavy-headed man of the
slaughter-house school, and Lambert thought for a while that Kerr's
argument was going to prevail with him. To forestall the policeman's
decision, which he could see forming behind his clouded countenance,
Lambert said:

"There's a reward of nine hundred dollars standing for this man. If
you've got any doubt of who he is, or my right to arrest him, take us
both to headquarters."

That seemed to be a worthy suggestion to the officer. He acted on it
without more drain on his intellectual reserve. There, after a little
course of sprouts by the chief of detectives, Kerr admitted his
identity, but refused to leave the state without requisition. They
locked him up, and Lambert telegraphed the sheriff for the necessary
papers.

Going home was off for perhaps several days. Lambert gave his little
satchel to the police to lock in the safe. The sheriff's reply came back
like a pitched ball. Hold Kerr, he requested the police; requisition
would be made for him. He instructed Lambert to wait till the papers
came, and bring the fugitive home.

Kerr got in telegraphic touch with a lawyer in the home county. Morning
showed a considerable change of temperature in the frontier financier.
He announced that, acting on legal advice, he would waive extradition.
Lambert telegraphed the sheriff the news, requesting that he meet him at
Glendora and relieve him of his charge.

Lambert prepared for the home-going by buying another revolver, and a
pair of handcuffs for attaching his prisoner comfortably and securely to
the arm of the seat. The little black bag gave him no worry. It wasn't
half the trouble to watch money, when you didn't look as if you had any,
as a man who had swindled people out of it and wanted to hide his face.

The police joked Lambert about the size of his bag when they gave it
back to him as he was starting with his prisoner for the train.

"What have you got in that alligator, Sheriff, that you're so careful
not to set it down and forget it?" the chief asked him.

"Sixteen thousand dollars," said Lambert, modestly, opening it and
flashing its contents before their eyes.




CHAPTER XXV

"WHEN SHE WAKES UP"


It was mid-afternoon of a bright autumn day when Lambert approached
Glendora with Kerr chained to the seat beside him. As the train rapidly
cut down the last few miles, Lambert noted a change in his prisoner's
demeanor. Up to that time his carriage had been melancholy and morose,
as that of a man who saw no gleam of hope ahead of him. He had spoken
but seldom during the journey, asking no favors except that of being
allowed to send a telegram to Grace from Omaha.

Lambert had granted that request readily, seeing nothing amiss in Kerr's
desire to have his daughter meet him and lighten as much as she could
his load of disgrace. Kerr said he wanted her to go with him to the
county seat and arrange bond.

"I'll never look through the bars of a jail in my home county," he said.
That was his one burst of rebellion, his one boast, his one approach to
a discussion of his serious situation, all the way.

Now as they drew almost within sight of Glendora, Kerr became fidgety
and nervous. His face was strained and anxious, as if he dreaded
stepping off the train into sight of the people who had known him so
long as a man of consequence in that community.

Lambert began to have his own worries about this time. He regretted the
kindness he had shown Kerr in permitting him to send that telegram to
Grace. She might try to deliver him on bail of another kind. Kerr's
nervous anxiety would seem to indicate that he expected something to
happen at Glendora. It hadn't occurred to Lambert before that this might
be possible. It seemed a foolish oversight.

His apprehension, as well as Kerr's evident expectation, seemed
groundless as he stepped off the train almost directly in front of the
waiting-room door, giving Kerr a hand down the steps. There was nobody
in sight but the postmaster with the mail sack, the station agent, and
the few citizens who always stood around the station for the thrill of
seeing the flier stop to take water.

Few, if any, of these recognized Kerr as Lambert hurried him across the
platform and into the station, his hands manacled at his back. Kerr held
back for one quick look up and down the station platform, then stumbled
hastily ahead under the force of Lambert's hand. The door of the
telegraph office stood open; Lambert pushed his prisoner within and
closed it.

The station agent came in as the train pulled away, and Lambert made
inquiry of him concerning the sheriff. The agent had not seen him there
that day. He turned away with sullen countenance, looking with disfavor
on this intrusion upon his sacred precincts. He stood in front of his
chattering instruments in the bow window, looking up and down the
platform with anxious face out of which his natural human color had
gone, leaving even his lips white.

"You don't have to keep him in here, I guess, do you?" he said, still
sweeping the platform up and down with his uneasy eyes.

"No. I just stepped in to ask you to put this satchel in your safe and
keep it for me a while."

Lambert's calm and confident manner seemed to assure the agent, and
mollify him, and repair his injured dignity. He beckoned with a jerk of
his head, not for one moment quitting his leaning, watchful pose, or
taking his eyes from their watch on the platform. Lambert crossed the
little room in two strides and looked out. Not seeing anything more
alarming than a knot of townsmen around the postmaster, who stood with
the lean mail sack across his shoulder, talking excitedly, he inquired
what was up.

"They're layin' for you out there," the agent whispered.

"I kind of expected they would be," Lambert told him.

"They're liable to cut loose any minute," said the agent, "and I tell
you, Duke, I've got a wife and children dependin' on me!"

"I'll take him outside. I didn't intend to stay here only a minute.
Here, lock this up. It belongs to Vesta Philbrook. If I have to go with
the sheriff, or anything, send her word it's here."

As Lambert appeared in the door with his prisoner the little bunch of
excited gossips scattered hurriedly. He stood near the door a little
while, considering the situation. The station agent was not to blame for
his desire to preserve his valuable services for the railroad and his
family; Lambert had no wish to shelter himself and retain his hold on
the prisoner at the trembling fellow's peril.

It was unaccountable that the sheriff was not there to relieve him of
this responsibility; he must have received the telegram two days ago.
Pending his arrival, or, if not his arrival, the coming of the local
train that would carry himself and prisoner to the county seat, Lambert
cast about him for some means of securing his man in such manner that he
could watch him and defend against any attempted rescue without being
hampered.

A telegraph pole stood beside the platform some sixty or seventy feet
from the depot, the wires slanting down from it into the building's
gable end. To this Lambert marched his prisoner, the eyes of the town on
him. He freed one of Kerr's hands, passed his arms round the pole so he
stood embracing it, and locked him there.

It was a pole of only medium thickness, allowing Kerr ample room to
encircle it with his chained arms, even to sit on the edge of the
platform when he should weary of his standing embrace. Lambert stood
back a pace and looked at him, thus ignominiously anchored in public
view.

"Let 'em come and take you," he said.

He laid out a little beat up and down the platform at Kerr's back,
rolled a cigarette, settled down to wait for the sheriff, the train, the
rush of Kerr's friends, or whatever the day might have in store.

Slowly, thoughtfully, he paced that beat of a rod behind his surly
prisoner's back, watching the town, watching the road leading into it.
People stood in the doors, but none approached him to make inquiry, no
voice was lifted in pitch that reached him where he stood. If anybody
else in town besides the agent knew of the contemplated rescue, he kept
it selfishly to himself.

Lambert did not see any of Kerr's men about. Five horses were hitched in
front of the saloon; now and then he could see the top of a hat above
the latticed half-door, but nobody entered, nobody left. The station
agent still stood in his window, working the telegraph key as if
reporting the clearing of the flier, watching anxiously up and down the
platform.

Lambert hoped that Sim Hargus and young Tom, and the old stub-footed
scoundrel who was the meanest of them all who had lashed him into the
fire that night, would swing the doors of the saloon and come out with a
declaration of their intentions. He knew that some of them, if not all,
were there. He had tied Kerr out before their eyes like wolf bait. Let
them come and get him if they were men.

This seemed the opportunity which he had been waiting for time to bring
him. If they flashed a gun on him now he could clean them down to the
ground with all legal justification, no questions asked.

Two appeared far down the road, riding for Glendora in a swinging
gallop. The sheriff, Lambert thought; missed the train, and had ridden
the forty and more miles across. No; one was Grace Kerr. Even at a
quarter of a mile he never could mistake her again. The other was Sim
Hargus. They had miscalculated in their intention of meeting the train,
and were coming in a panic of anxiety.

They dismounted at the hotel, and started across. Lambert stood near his
prisoner, waiting. Kerr had been sitting on the edge of the platform.
Now he got up, moving around the pole to show them that he was not to be
counted on to take a hand in whatever they expected to start.

Lambert moved a little nearer his prisoner, where he stood waiting. He
had not shaved during the two days between Chicago and Glendora; the
dust of the road was on his face. His hat was tipped forward to shelter
his eyes against the afternoon glare, the leather thong at the back
rumpling his close-cut hair. He stood lean and long-limbed, easy and
indifferent in his pose, as it would seem to look at him as one might
glance in passing, the smoke of his cigarette rising straight from its
fresh-lit tip in the calm air of the somnolent day.

As Hargus and Grace advanced, coming in the haste and heat of
indignation that Kerr's humiliating situation inflamed, two men left the
saloon. They stopped at the hitching-rack as if debating whether to
take their horses, and so stood, watching the progress of the two who
were cutting the long diagonal across the road. When Grace, who came a
little ahead of her companion in her eagerness, was within thirty feet
of him, Lambert lifted his hand in forbidding signal.

"Stop there," he said.

She halted, her face flaming with fury. Hargus stopped beside her, his
arm crooked to bring his hand up to his belt, sawing back and forth as
if in indecision between drawing his gun and waiting for the wordy
preliminaries to pass. Kerr stood embracing the pole in a pose of
ridiculous supplication, the bright chain of the new handcuffs
glistening in the sun.

"I want to talk to my father," said Grace, lashing Lambert with a look
of scornful hate.

"Say it from there," Lambert returned, inflexible, cool; watching every
movement of Sim Hargus' sawing arm.

"You've got no right to chain him up like a dog!" she said.

"You ain't got no authority, that anybody ever heard of, to arrest him
in the first place," Hargus added, his swinging, indecisive arm for a
moment still.

Lambert made no reply. He seemed to be looking over their heads, back
along the road they had come, from the lift of his chin and the set of
his close-gathered brows. He seemed carelessly indifferent to Hargus'
legal opinion and presence, a little fresh plume of smoke going up from
his cigarette as if he breathed into it gently.

Grace started forward with impatient exclamation, tossing her head in
disdainful defiance of this fence-rider's authority.

"Go back!" Kerr commanded, his voice hoarse with the fear of something
that she, in her unreasoning anger, had not seen behind the calm front
of the man she faced.

She stopped, turning back again to where Hargus waited. Along the street
men were drawing away from their doors, in cautious curiosity, silent
suspense. Women put their heads out for a moment, plucked curtains aside
for one swift survey, vanished behind the safety of walls. At the
hitching-rack the two men--one of them Tom Hargus, the other
unknown--stood beside their horses, as if in position according to a
previous plan.

"We want that man," said Hargus, his hand hovering over his gun.

"Come and take him," Lambert invited.

Hargus spoke in a low voice to Grace; she turned and ran toward her
horse. The two at the hitching-rack swung into their saddles as Hargus,
watching Grace over his shoulder as she sped away, began to back off,
his hand stealing to his gun as if moved by some slow, precise machinery
which was set to time it according to the fleeing girl's speed.

Lambert stood without shifting a foot, his nostrils dilating in the
slow, deep breath that he drew. Yard by yard Hargus drew away, his
intention not quite clear, as if he watched his chance to break away
like a prisoner. Grace was in front of the hotel door when he snapped
his revolver from its sheath.

Lambert had been waiting this. He fired before Hargus touched the
trigger, his elbow to his side as he had seen Jim Wilder shoot on the
day when tragedy first came into his life. Hargus spun on his heel as if
he had been roped, spread his arms, his gun falling from his hand;
pitched to his face, lay still. The two on horses galloped out and
opened fire.

Lambert shifted to keep them guessing, but kept away from the pole where
Kerr was chained, behind which he might have found shelter. They had
separated to flank him, Tom Hargus over near the corner of the depot,
the other ranging down toward the hotel, not more than fifty yards
between Lambert and either of them.

Intent on drawing Tom Hargus from the shelter of the depot, Lambert ran
along the platform, stopping well beyond Kerr. Until that moment he had
not returned their fire. Now he opened on Tom Hargus, bringing his horse
down at the third shot, swung about and emptied his first gun
ineffectually at the other man.

This fellow charged down on him as Lambert drew his other gun, Tom
Hargus, free of his fallen horse, shooting from the shelter of the rain
barrel at the corner of the depot. Lambert felt something strike his
left arm, with no more apparent force, no more pain, than the flip of a
branch when one rides through the woods. But it swung useless at his
side.

Through the smoke of his own gun, and the dust raised by the man on
horseback, Lambert had a flash of Grace Kerr riding across the middle
background between him and the saloon. He had no thought of her
intention. It was not a moment for speculation with the bullets hitting
his hat.

The man on horseback had come within ten yards of him. Lambert could see
his teeth as he drew back his lips when he fired. Lambert centered his
attention on this stranger, dark, meager-faced, marked by the
unmistakable Mexican taint. His hat flew off at Lambert's first shot as
if it had been jerked by a string; at his second, the fellow threw
himself back in the saddle with a jerk. He fell limply over the high
cantle and lay thus a moment, his frantic horse running wildly away.
Lambert saw him tumble into the road as a man came spurring past the
hotel, slinging his gun as he rode.

Nearer approach identified the belated sheriff. He shouted a warning to
Lambert as he jerked his gun down and fired. Tom Hargus rose from
behind the rain barrel, staggered into the road, going like a drunken
man, his hat in one hand, the other pressed to his side, his head
hanging, his long black hair falling over his bloody face.

In a second Lambert saw this, and the shouting, shooting officer bearing
down toward him. He had the peculiar impression that the sheriff was
submerged in water, enlarging grotesquely as he approached. The slap of
another bullet on his back, and he turned to see Grace Kerr firing at
him with only the width of the platform between them.

It was all smoke, dust, confusion around him, a sickness in his body, a
dimness in his mind, but he was conscious of her horse rearing, lifting
its feet high--one of them a white-stockinged foot, as he marked with
painful precision--and falling backward in a clatter of shod hoofs on
the railroad.

When it cleared a little, Lambert found the sheriff was on the ground
beside him, supporting him with his arm, looking into his face with
concern almost comical, speaking in anxious inquiry.

"Lay down over there on the platform, Duke, you're shot all to pieces,"
he said.

Lambert sat on the edge of the platform, and the world receded. When he
felt himself sweep back to consciousness there were people about him,
and he was stretched on his back, a feeling in his nostrils as if he
breathed fire. Somebody was lying across from him a little way; he
struggled with painful effort to lift himself and see.

It was Grace Kerr. Her face was white in the midst of her dark hair, and
she was dead.

It was not right for her to be lying there, with dead face to the sky,
he thought. They should do something, they should carry her away from
the stare of curious, shocked eyes, they should--He felt in the pocket
of his vest and found the little handkerchief, and crept painfully
across to her, heedless of the sheriff's protest, defiant of his
restraining, kindly hand.

With his numb left arm trailing by his side, a burning pain in his
breast, as if a hot rod had been driven through him, the track of her
treacherous bullet, he knew, he fumbled to unfold the bit of soft white
linen, refusing the help of many sympathetic hands that were
out-stretched.

When he had it right, he spread it over her face, white again as an
evening primrose, as he once had seen it through the dusk of another
night. But out of this night that she had entered she would ride no
more. There was a thought in his heart as tender as his deed as he thus
masked her face from the white stare of day:

"_She can wipe her eyes on it when she wakes up and repents._"




CHAPTER XXVI

OYSTERS AND AMBITIONS


"If you'd come on and go to Wyoming with me, Duke, I think it'd be
better for you than California. That low country ain't good for a feller
with a tender place in his lights."

"Oh, I think I'm all right and as good as ever now, Taterleg."

"Yes, it looks all right to you, but if you git dampness on that lung
you'll take the consumption and die. I knew a feller once that got shot
that way through the lights in a fight down on the Cimarron. Him and
another feller fell out over----"

"Have you heard from Nettie lately?" Lambert broke in, not caring to
hear the story of the man who was shot on the Cimarron, or his
subsequent miscalculations on the state of his lights.

Taterleg rolled his eyes to look at him, not turning his head, reproach
in the glance, mild reproof. But he let it pass in his good-natured way,
brightening to the subject nearest his heart.

"Four or five days ago."

"All right, is she?"

"Up and a-comin', fine as a fiddle."

"You'll be holdin' hands with her before the preacher in a little while
now."

"Inside of a week, Duke. My troubles is nearly all over."

"I don't know about that, but I hope it'll turn out that way."

They were on their way home from delivering the calves and the clean-up
of the herd to Pat Sullivan, some weeks after Lambert's fight at
Glendora. Lambert still showed the effects of his long confinement and
drain of his wounds in the paleness of his face. But he sat his saddle
as straight as ever, not much thinner, as far as the eye could weigh
him, nothing missing from him but the brown of his skin and the blood
they had drawn from him that day.

There was frost on the grass that morning, a foretaste of winter in the
sharp wind. The sky was gray with the threat of snow, the somber season
of hardship on the range was at hand. Lambert thought, as he read these
signs, that it would be a hard winter on livestock in that unsheltered
country, and was comfortable in mind over the profitable outcome of his
dealings for his employer.

As for himself, his great plans were at an end on the Bad Lands range.
The fight at Glendora had changed all that. The doctor had warned him
that he must not attempt another winter in the saddle with that tender
spot in his lung, his blood thinned down that way, his flesh soft from
being housebound for nearly six weeks. He advised a milder climate for
several months of recuperation, and was very grave in his advice.

So the sheep scheme was put aside. The cattle being sold, there was
nothing about the ranch that old Ananias could not do, and Lambert had
planned to turn his face again toward the West. He could not lie around
there in the bunkhouse and grow strong at Vesta's expense, although that
was what she expected him to do.

He had said nothing to her of his determination to go, for he had
wavered in it from day to day, finding it hard to tear himself away from
that bleak land that he had come to love, as he never had loved the
country which claimed him by birth. He had been called on in this place
to fight for a man's station in it; he had trampled a refuge of safety
for the defenseless among its thorns.

Vesta had said nothing further of her own plans, but they took it for
granted that she would be leaving, now that the last of the cattle were
sold. Ananias had told them that she was putting things away in the
house, getting ready to close most of it up.

"I don't blame you for leavin'," said Taterleg, returning to the
original thread of discussion, "it'll be as lonesome as sin up there at
the ranch with Vesta gone away. When she's there she fills that place up
like the music of a band."

"She sure does, Taterleg."

"Old Ananias'll have a soft time of it, eatin' chicken and rabbit all
winter, nothing to do but milk them couple of cows, no boss to keep her
eye on him in a thousand miles."

"He's one that'll never want to leave."

"Well, it's a good place for a man," Taterleg sighed, "if he ain't got
nothin' else to look ahead to. I kind o' hate to leave myself, but at my
age, you know, Duke, a man's got to begin to think of marryin' and
settlin' down and fixin' him up a home, as I've said before."

"Many a time before, old feller, so many times I've got it down by
heart."

Taterleg looked at him again with that queer turning of the eyes, which
he could accomplish with the facility of a fish, and rode on in silence
a little way after chiding him in that manner.

"Well, it won't do you no harm," he said.

"No," sighed the Duke, "not a bit of harm."

Taterleg chuckled as he rode along, hummed a tune, laughed again in his
dry, clicking way, deep down in his throat.

"I met Alta the other day when I was down in Glendora," he said.

"Did you make up?"

"Make up! That girl looks to me like a tin cup by the side of a silver
shavin' mug now, Duke. Compare that girl to Nettie, and she wouldn't
take the leather medal. She says: 'Good morning, Mr. Wilson,' she says,
and I turned my head quick, like I was lookin' around for him, and never
kep' a-lettin' on like I knew she meant me."

"That was kind of rough treatment for a lady, Taterleg."

"It would be for a lady, but for that girl it ain't. It's what's comin'
to her, and what I'll hand her ag'in, if she ever's got the gall to
speak to me."

The Duke had no further comment on Taterleg's rules of conduct. They
went along in silence a little way, but that was a state that Taterleg
could not long endure.

"Well, I'll soon be in the oyster parlor up to the bellyband," he said,
full of the cheer of his prospect. "Nettie's got the place picked out
and nailed down--I sent her the money to pay the rent. I'll be handin'
out stews with a slice of pickle on the side of the dish before another
week goes by, Duke."

"What are you goin' to make oysters out of in Wyoming?" the Duke
inquired wonderingly.

"Make 'em out of? Oysters, of course. What do you reckon?"

"There never was an oyster within a thousand miles of Wyoming, Taterleg.
They wouldn't keep to ship that far, much less till you'd used 'em up."

"Cove oysters, Duke, cove oysters," corrected Taterleg gently. "You
couldn't hire a cowman to eat any other kind, you couldn't put one of
them slick fresh fellers down him with a pair of tongs."

"Well, I guess you know, old feller."

Taterleg fell into a reverie, from which he started presently with a
vehement exclamation of profanity.

"If she's got bangs, I'll make her cut 'em off!" he said.

"Who cut 'em off?" Lambert asked, viewing this outburst of feeling in
surprise.

"Nettie! I don't want no bangs around me to remind me of that
snipe-legged Alta Wood. Bangs may be all right for fellers with music
boxes in their watches, but they don't go with me no more."

"I didn't see Jedlick around the ranch up there; what do you suppose
become of him?"

"Well, from what the boys told me, if he's still a-goin' like he was
when they seen him last, he must be up around Medicine Hat by now."

"It was a sin the way you threw a scare into that man, Taterleg."

"I'm sorry I didn't lay him out on a board, dern him!"

"Yes, but you might as well let him have Alta."

"He can come back and take her any time he wants her, Duke."

The Duke seemed to reflect this simple exposition of Jedlick's present
case.

"Yes, I guess that's so," he said.

For a mile or more there was no sound but the even swing of their
horses' hoofs as they beat in the long, easy gallop which they could
hold for a day without a break. Then Lambert:

"Plannin' to leave tonight, are you Taterleg?"

"All set for leavin', Duke."

On again, the frost-powdered grass brittle under the horses' feet.

"I think I'll pull out tonight, too."

"Why, I thought you was goin' to stay till Vesta left, Duke?"

"Changed my mind."

"Don't you reckon Vesta she'll be a little put out if you leave the
ranch after she'd figgered on you to stay and pick up and gain and be
stout and hearty to go in the sheep business next spring?"

"I hope not."

"Yeh, but I bet she will. Do you reckon she'll ever come back to the
ranch any more when she goes away?"

"What?" said Lambert, starting as if he had been asleep.

"Vesta; do you reckon she'll ever come back any more?"

"Well," slowly, thoughtfully, "there's no tellin', Taterleg."

"She's got a stockin' full of money now, and nobody dependin' on her.
She's just as likely as not to marry some lawyer or some other shark
that's after her dough."

"Yes, she may."

"No, I don't reckon much she'll ever come back. She ain't got nothing to
look back to here but hard times and shootin' scrapes--nobody to
'sociate with and wear low-neckid dresses like women with money want
to."

"Not much chance for it here--you're right."

"You'd 'a' had it nice and quiet there with them sheep if you'd 'a' been
able to go pardners with Vesta like you planned, old Nick Hargus in the
pen and the rest of them fellers cleaned out."

"Yes, I guess there'll be peace around the ranch for some time to come."

"Well, you made the peace around there, Duke; if it hadn't 'a' been for
you they'd 'a' broke Vesta up and run her out by now."

"You had as much to do with bringin' them to time as I did, Taterleg."

"Me? Look me over, Duke; feel of my hide. Do you see any knife scars in
me, or feel any bullet holes anywhere? I never done nothing but ride
along that fence, hopin' for a somebody to start something. They never
done it."

"They knew you too well, old feller."

"Knowed _me_!" said Taterleg. "Huh!"

On again in quiet, Glendora in sight when they topped a hill. Taterleg
seemed to be thinking deeply; his face was sentimentally serious.

"Purty girl," he said in a pleasant vein of musing.

"Which one?"

"Vesta. I like 'em with a little more of a figger, a little thicker in
some places and wider in others, but she's trim and she's tasty, and her
heart's pure gold."

"You're right it is, Taterleg," Lambert agreed, keeping his eyes
straight ahead as they rode on.

"You're aimin' to come back in the spring and go pardners with her on
the sheep deal, ain't you, Duke?"

"I don't expect I'll ever come back, Taterleg."

"Well," said Taterleg abstractedly, "I don't know."

They rode past the station, the bullet-scarred rain barrel behind which
Tom Hargus took shelter in the great battle still standing in its place,
and past the saloon, the hitching-rack empty before it, for this was the
round-up season--nobody was in town.

"There's that slab-sided, spider-legged Alta Wood standin' out on the
porch," said Taterleg disgustedly, falling behind Lambert, reining
around on the other side to put him between the lady and himself.

"You'd better stop and bid her good-bye," Lambert suggested.

Taterleg pulled his hat over his eyes to shut out the sight of her,
turned his head, ignoring her greeting. When they were safely past he
cast a cautious look behind.

"I guess that settled _her_ hash!" he said. "Yes, and I'd like to wad a
handful of chewin' gum in them old bangs before I leave this man's
town!"

"You've broken her chance for a happy married life with Jedlick,
Taterleg. Your heart's as hard as a bone."

"The worst luck I can wish her is that Jedlick'll come back," he said,
turning to look at her as he spoke. Alta waved her hand.

"She's a forgivin' little soul, anyway," Lambert said.

"Forgivin'! 'Don't hurt him, Mr. Jedlick,' she says, 'don't hurt him!'
Huh! I had to build a fire under that old gun of mine to melt the
chawin' wax off of her. I wouldn't give that girl a job washin' dishes
in the oyster parlor if she was to travel from here to Wyoming on her
knees."

So they arrived at the ranch from their last expedition together.
Lambert gave Taterleg his horse to take to the barn, while he stopped in
to deliver Pat Sullivan's check to Vesta and straighten up the final
business, and tell her good-bye.




CHAPTER XXVII

EMOLUMENTS AND REWARDS


Lambert took off his hat at the door and smoothed his hair with his
palm, tightened up his necktie, looked himself over from chest to toes.
He drew a deep breath then, like a man fortifying himself for a trial
that called for the best that was in him to come forward. He knocked on
the door.

He was wearing a brown duck coat with a sheepskin collar, the wool of
which had been dyed a mottled saffron, and corduroy breeches as roomy of
leg as Taterleg's state pair. These were laced within the tall boots
which he had bought in Chicago, and in which he took a singular pride on
account of their novelty on the range.

It was not a very handsome outfit, but there was a rugged
picturesqueness in it that the pistol belt and chafed scabbard enhanced,
and he carried it like a man who was not ashamed of it, and graced it
by the worth that it contained.

The Duke's hair had grown long; shears had not touched his head since
his fight with Kerr's men. Jim Wilder's old scar was blue on his thin
cheek that day, for the wind had been cold to face. He was so solemn and
severe as he stood waiting at the door that it would seem to be a
triumph to make him smile.

Vesta came to the door herself, with such promptness that seemed to tell
she must have been near it from the moment his foot fell on the porch.

"I've come to settle up with you on our last deal, Vesta," he said.

She took him to the room in which they always transacted business, which
was a library in fact as well as name. It had been Philbrook's office in
his day. Lambert once had expressed his admiration for the room, a long
and narrow chamber with antlers on the walls above the bookcases, a
broad fireplace flanked by leaded casement windows. It was furnished
with deep leather chairs and a great, dark oak table, which looked as if
it had stood in some English manor in the days of other kings. The
windows looked out upon the river.

A pleasant place on a winter night, Lambert thought, with a log fire on
the dogs, somebody sitting near enough that one could reach out and find
her hand without turning his eyes from the book, the last warm touch to
crown the comfort of his happy hour.

"You mean our latest deal, not our last, I hope, Duke," she said,
sitting at the table, with him at the head of it like a baron returned
to his fireside after a foray in the field.

"I'm afraid it will be our last; there's nothing left to sell but the
fence."

She glanced at him with relief in her eyes, a quick smile coming happily
to her lips. He was busy with the account of calves and grown stock
which he had drawn from his wallet, the check lying by his hand. His
face taken as an index to it, there was not much lightness in his heart.
Soon he had acquitted himself of his stewardship and given the check
into her hand. Then he rose to leave her. For a moment he stood silent,
as if turning his thoughts.

"I'm going away," he said, looking out of the window down upon the tops
of the naked cottonwoods along the river.

Just around the corner of the table she was standing, half facing him,
looking at him with what seemed almost compassionate tenderness, so
sympathetic were her eyes. She touched his hand where it lay with
fingers on his hat-brim.

"Is it so hard for you to forget her, Duke?"

He looked at her frankly, no deceit in his eyes, but a mild surprise to
hear her chide him so.

"If I could forget of her what no forgiving soul should remember, I'd
feel more like a man," he said.

"I thought--I thought--" she stammered, bending her head, her voice soft
and low, "you were grieving for her, Duke. Forgive me."

"Taterleg is leaving tonight," he said, overlooking her soft appeal. "I
thought I'd go at the same time."

"It will be so lonesome here on the ranch without you, Duke--lonesome as
it never was lonesome before."

"Even if there was anything I could do around the ranch any longer, with
the cattle all gone and nobody left to cut the fence, I wouldn't be any
use, dodging in for every blizzard that came along, as the doctor says I
must."

"I've come to depend on you as I never depended on anybody in my life."

"And I couldn't do that, you know, any more than I'd be content to lie
around doing nothing."

"You've been square with me on everything, from the biggest to the
least. I never knew before what it was to lie down in security and get
up in peace. You've fought and suffered for me here in a measure far in
excess of anything that common loyalty demanded of you, and I've given
you nothing in return. It will be like losing my right hand, Duke, to
see you go."

"Taterleg's going to Wyoming to marry a girl he used to know back in
Kansas. We can travel together part of the way."

"If it hadn't been for you they'd have robbed me of everything by
now--killed me, maybe--for I couldn't have fought them alone, and there
was no other help."

"I thought maybe in California an old half-invalid might pick up and get
some blood put into him again."

"You came out of the desert, as if God sent you, when my load was
heavier than I could bear. It will be like losing my right eye, Duke, to
see you go."

"A man that's a fool for only a little while, even, is bound to leave
false impressions and misunderstandings of himself, no matter how wide
his own eyes have been opened, or how long. So I've resigned my job on
the ranch here with you, Vesta, and I'm going away."

"There's no misunderstanding, Duke--it's all clear to me now. When I
look in your eyes and hear you speak I know you better than you know
yourself. It will be like losing the whole world to have you go!"

"A man couldn't sit around and eat out of a woman's hand in idleness and
ever respect himself any more. My work's finished----"

"All I've got is yours--you saved it to me, you brought it home."

"The world expects a man that hasn't got anything to go out and make it
before he turns around and looks--before he lets his tongue betray his
heart and maybe be misunderstood by those he holds most dear."

"It's none of the world's business--there isn't any world but ours!"

"I thought with you gone away, Vesta, and the house dark nights, and me
not hearing you around any more, it would be so lonesome and bleak here
for an old half-invalid----"

"I wasn't going, I couldn't have been driven away! I'd have stayed as
long as you stayed, till you found--till you knew! Oh, it will
tear--tear--my heart--my heart out of--my breast--to see you go!"

       *       *       *       *       *

Taterleg was singing his old-time steamboat song when Lambert went down
to the bunkhouse an hour before sunset. There was an aroma of coffee
mingling with the strain:

    Oh, I bet my money on a bob-tailed hoss,
      An' a hoo-dah, an' a hoo-dah;
    I bet my money on a bob-tailed hoss,
      An' a hoo-dah bet on the bay.

Lambert smiled, standing beside the door until Taterleg had finished.
Taterleg came out with his few possessions in a bran sack, giving
Lambert a questioning look up and down.

"It took you a long time to settle up," he said.

"Yes. There was considerable to dispose of and settle," Lambert replied.

"Well, we'll have to be hittin' the breeze for the depot in a little
while. Are you ready?"

"No. Changed my mind; I'm going to stay."

"Goin' in pardners with Vesta?"

"Pardners."




"_The Books You Like to Read at the Price You Like to Pay_"

There Are Two Sides to Everything--

--including the wrapper which covers every Grosset & Dunlap book. When
you feel in the mood for a good romance, refer to the carefully selected
list of modern fiction comprising most of the successes by prominent
writers of the day which is printed on the back of every Grosset &
Dunlap book wrapper.

You will find more than five hundred titles to choose from--books for
every mood and every taste and every pocketbook.

_Don't forget the other side, but in case the wrapper is lost, write to
the publishers for a complete catalog._

_There is a Grosset & Dunlap Book for every mood and for every taste_


PETER B. KYNE'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=THE PRIDE OF PALOMAR=

When two strong men clash and the under-dog has Irish blood in his
veins--there's a tale that Kyne can tell! And "the girl" is also very
much in evidence.

=KINDRED OF THE DUST=

Donald McKay, son of Hector McKay, millionaire lumber king, falls in
love with "Nan of the Sawdust Pile," a charming girl who has been
ostracized by her townsfolk.

=THE VALLEY OF THE GIANTS=

The fight of the Cardigans, father and son, to hold the Valley of the
Giants against treachery. The reader finishes with a sense of having
lived with big men and women in a big country.

=CAPPY RICKS=

The story of old Cappy Ricks and of Matt Peasley, the boy he tried to
break because he knew the acid test was good for his soul.

=WEBSTER: MAN'S MAN=

In a little Jim Crow Republic in Central America, a man and a woman,
hailing from the "States," met up with a revolution and for a while
adventures and excitement came so thick and fast that their love affair
had to wait for a lull in the game.

=CAPTAIN SCRAGGS=

This sea yarn recounts the adventures of three rapscallion sea-faring
men--a Captain Scraggs, owner of the green vegetable freighter Maggie,
Gibney the mate and McGuffney the engineer.

=THE LONG CHANCE=

A story fresh from the heart of the West, of San Pasqual, a sun-baked
desert town, of Harley P. Hennage, the best gambler, the best and worst
man of San Pasqual and of lovely Donna.


=JACKSON GREGORY'S NOVELS=

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=THE EVERLASTING WHISPER=

The story of a strong man's struggle against savage nature and humanity,
and of a beautiful girl's regeneration from a spoiled child of wealth
into a courageous strong-willed woman.

=DESERT VALLEY=

A college professor sets out with his daughter to find gold. They meet a
rancher who loses his heart, and become involved in a feud. An intensely
exciting story.

=MAN TO MAN=

Encircled with enemies, distrusted, Steve defends his rights. How he won
his game and the girl he loved is the story filled with breathless
situations.

=THE BELLS OF SAN JUAN=

Dr. Virginia Page is forced to go with the sheriff on a night journey
into the strongholds of a lawless band. Thrills and excitement sweep the
reader along to the end.

=JUDITH OF BLUE LAKE RANCH=

Judith Sanford part owner of a cattle ranch realizes she is being robbed
by her foreman. How, with the help of Bud Lee, she checkmates Trevor's
scheme makes fascinating reading.

=THE SHORT CUT=

Wayne is suspected of killing his brother after a violent quarrel.
Financial complications, villains, a horse-race and beautiful Wanda, all
go to make up a thrilling romance.

=THE JOYOUS TROUBLE MAKER=

A reporter sets up housekeeping close to Beatrice's Ranch much to her
chagrin. There is "another man" who complicates matters, but all turns
out as it should in this tale of romance and adventure.

=SIX FEET FOUR=

Beatrice Waverly is robbed of $5,000 and suspicion fastens upon Buck
Thornton, but she soon realizes he is not guilty. Intensely exciting,
here is a real story of the Great Far West.

=WOLF BREED=

No Luck Drennan had grown hard through loss of faith in men he had
trusted. A woman hater and sharp of tongue, he finds a match in Ygerne
whose clever fencing wins the admiration and love of the "Lone Wolf."


EDGAR RICE BURROUGH'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=TARZAN AND THE GOLDEN LION=

A tale of the African wilderness which appeals to all readers of
fiction.

=TARZAN THE TERRIBLE=

Further thrilling adventures of Tarzan while seeking his wife in Africa.

=TARZAN THE UNTAMED=

Tells of Tarzan's return to the life of the ape-man in seeking vengeance
for the loss of his wife and home.

=JUNGLE TALES OF TARZAN=

Records the many wonderful exploits by which Tarzan proves his right to
ape kingship.

=AT THE EARTH'S CORE=

An astonishing series of adventures in a world located inside of the
Earth.

=THE MUCKER=

The story of Billy Byrne--as extraordinary a character as the famous
Tarzan.

=A PRINCESS OF MARS=

Forty-three million miles from the earth--a succession of the weirdest
and most astounding adventures in fiction.

=THE GODS OF MARS=

John Carter's adventures on Mars, where he fights the ferocious "plant
men," and defies Issus, the Goddess of Death.

=THE WARLORD OF MARS=

Old acquaintances, made in two other stories, reappear, Tars Tarkas,
Tardos Mors and others.

=THUVIA, MAID OF MARS=

The story centers around the adventures of Carthoris, the son of John
Carter and Thuvia, daughter of a Martian Emperor.

=THE CHESSMEN OF MARS=

The adventures of Princess Tara in the land of headless men, creatures
with the power of detaching their heads from their bodies and replacing
them at will.


RUBY M. AYRE'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=RICHARD CHATTERTON=

A fascinating story in which love and jealousy play strange tricks with
women's souls.

=A BACHELOR HUSBAND=

Can a woman love two men at the same time?

In its solving of this particular variety of triangle "A Bachelor
Husband" will particularly interest, and strangely enough, without one
shock to the most conventional minded.

=THE SCAR=

With fine comprehension and insight the author shows a terrific contrast
between the woman whose love was of the flesh and one whose love was of
the spirit.

=THE MARRIAGE OF BARRY WICKLOW=

Here is a man and woman who, marrying for love, yet try to build their
wedded life upon a gospel of hate for each other and yet win back to a
greater love for each other in the end.

=THE UPHILL ROAD=

The heroine of this story was a consort of thieves. The man was fine,
clean, fresh from the West. It is a story of strength and passion.

=WINDS OF THE WORLD=

Jill, a poor little typist, marries the great Henry Sturgess and
inherits millions, but not happiness. Then at last--but we must leave
that to Ruby M. Ayres to tell you as only she can.

=THE SECOND HONEYMOON=

In this story the author has produced a book which no one who has loved
or hopes to love can afford to miss. The story fairly leaps from climax
to climax.

=THE PHANTOM LOVER=

Have you not often heard of someone being in love with love rather than
the person they believed the object of their affections? That was
Esther! But she passes through the crisis into a deep and profound
love.


ETHEL M. DELL'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=CHARLES REX=

The struggle against a hidden secret and the love of a strong man and a
courageous woman.

=THE TOP OF THE WORLD=

Tells of the path which leads at last to the "top of the world," which
it is given to few seekers to find.

=THE LAMP IN THE DESERT=

Tells of the lamp of love that continues to shine through all sorts of
tribulations to final happiness.

=GREATHEART=

The story of a cripple whose deformed body conceals a noble soul.

=THE HUNDREDTH CHANCE=

A hero who worked to win even when there was only "a hundredth chance."

=THE SWINDLER=

The story of a "bad man's" soul revealed by a woman's faith.

=THE TIDAL WAVE=

Tales of love and of women who learned to know the true from the false.

=THE SAFETY CURTAIN=

A very vivid love story of India. The volume also contains four other
long stories of equal interest.


ELEANOR H. PORTER'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=JUST DAVID=

The tale of a loveable boy and the place he comes to fill in the hearts
of the gruff farmer folk to whose care he is left.

=THE ROAD TO UNDERSTANDING=

A compelling romance of love and marriage.

=OH, MONEY! MONEY!=

Stanley Fulton, a wealthy bachelor, to test the dispositions of his
relatives, sends them each a check for $100,000, and then as plain John
Smith comes among them to watch the result of his experiment.

=SIX STAR RANCH=

A wholesome story of a club of six girls and their summer on Six Star
Ranch.

=DAWN=

The story of a blind boy whose courage leads him through the gulf of
despair into a final victory gained by dedicating his life to the
service of blind soldiers.

=ACROSS THE YEARS=

Short stories of our own kind and of our own people. Contains some of
the best writing Mrs. Porter has done.

=THE TANGLED THREADS=

In these stories we find the concentrated charm and tenderness of all
her other books.

=THE TIE THAT BINDS=

Intensely human stories told with Mrs. Porter's wonderful talent for
warm and vivid character drawing.


FLORENCE L. BARCLAY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=THE WHITE LADIES OF WORCESTER= THE WHITE LADIES OF WORCESTER

A novel of the 12th Century. The heroine, believing she had lost her
lover, enters a convent. He returns, and interesting developments
follow.

=THE UPAS TREE=

A love story of rare charm. It deals with a successful author and his
wife.

=THROUGH THE POSTERN GATE=

The story of a seven day courtship, in which the discrepancy in ages
vanished into insignificance before the convincing demonstration of
abiding love.

=THE ROSARY=

The story of a young artist who is reputed to love beauty above all else
in the world, but who, when blinded through an accident, gains life's
greatest happiness. A rare story of the great passion of two real people
superbly capable of love, its sacrifices and its exceeding reward.

=THE MISTRESS OF SHENSTONE=

The lovely young Lady Ingleby, recently widowed by the death of a
husband who never understood her, meets a fine, clean young chap who is
ignorant of her title and they fall deeply in love with each other. When
he learns her real identity a situation of singular power is developed.

=THE BROKEN HALO=

The story of a young man whose religious belief was shattered in
childhood and restored to him by the little white lady, many years older
than himself, to whom he is passionately devoted.

=THE FOLLOWING OF THE STARM=

The story of a young missionary, who, about to start for Africa, marries
wealthy Diana Rivers, in order to help her fulfill the conditions of her
uncle's will, and how they finally come to love each other and are
reunited after experiences that soften and purify.


BOOTH TARKINGTON'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=SEVENTEEN.= Illustrated by Arthur William Brown.

No one but the creator of Penrod could have portrayed the immortal young
people of this story. Its humor is irresistible and reminiscent of the
time when the reader was Seventeen.

=PENROD.= Illustrated by Gordon Grant.

This is a picture of a boy's heart, full of the lovable, humorous,
tragic things which are locked secrets to most older folks. It is a
finished, exquisite work.

=PENROD AND SAM.= Illustrated by Worth Brehm.

Like "Penrod" and "Seventeen," this book contains some remarkable phases
of real boyhood and some of the best stories of juvenile prankishness
that have ever been written.

=THE TURMOIL.= Illustrated by C. E. Chambers.

Bibbs Sheridan is a dreamy, imaginative youth, who revolts against his
father's plans for him to be a servitor of big business. The love of a
fine girl turns Bibb's life from failure to success.

=THE GENTLEMAN FROM INDIANA.= Frontispiece.

A story of love and politics,--more especially a picture of a country
editor's life in Indiana, but the charm of the book lies in the love
interest.

=THE FLIRT.= Illustrated by Clarence F. Underwood.

The "Flirt," the younger of two sisters, breaks one girl's engagement,
drives one man to suicide, causes the murder of another, leads another
to lose his fortune, and in the end marries a stupid and unpromising
suitor, leaving the really worthy one to marry her sister.

_Ask for Complete free list of G. & D. Popular Copyrighted Fiction_


KATHLEEN NORRIS' STORIES

May be had wherever books are sold. Ask for Grosset & Dunlap's list

=SISTERS.= Frontispiece by Frank Street.

The California Redwoods furnish the background for this beautiful story
of sisterly devotion and sacrifice.

=POOR, DEAR, MARGARET KIRBY.=

Frontispiece by George Gibbs.

A collection of delightful stories, including "Bridging the Years" and
"The Tide-Marsh." This story is now shown in moving pictures.

=JOSSELYN'S WIFE.= Frontispiece by C. Allan Gilbert.

The story of a beautiful woman who fought a bitter fight for happiness
and love.

=MARTIE, THE UNCONQUERED.=

Illustrated by Charles E. Chambers.

The triumph of a dauntless spirit over adverse conditions.

=THE HEART OF RACHAEL.=

Frontispiece by Charles E. Chambers.

An interesting story of divorce and the problems that come with a second
marriage.

=THE STORY OF JULIA PAGE.= Frontispiece by C. Allan Gilbert.

A sympathetic portrayal of the quest of a normal girl, obscure and
lonely, for the happiness of life.

=SATURDAY'S CHILD.= Frontispiece by F. Graham Cootes.

Can a girl, born in rather sordid conditions, lift herself through sheer
determination to the better things for which her soul hungered?

=MOTHER.= Illustrated by F. C. Yohn.

A story of the big mother heart that beats in the background of every
girl's life, and some dreams which came true.

_Ask for Complete free list of G. & D. Popular Copyrighted Fiction_


STORIES OF RARE CHARM BY GENE STRATTON-PORTER

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=HER FATHER'S DAUGHTER.= Illustrated.

This story is of California and tells of that charming girl, Linda
Strong, otherwise known as "Her Father's Daughter."

=A DAUGHTER OF THE LAND.= Illustrated.

Kate Bates, the heroine of this story, is a true "Daughter of the Land,"
and to read about her is truly inspiring.

=MICHAEL O'HALLORAN.= Illustrated by Frances Rogers.

Michael is a quick-witted little Irish newsboy, living in Northern
Indiana. He adopts a deserted little girl, a cripple. He also aspires to
lead the entire rural community upward and onward.

=LADDIE.= Illustrated by Herman Pfeifer.

This is a bright, cheery tale with the scenes laid In Indiana. The story
is told by Little Sister, the youngest member of a large family, but it
is concerned not so much with childish doings as with the love affairs
of older members of the family.

=THE HARVESTER.= Illustrated by W. L. Jacobs.

"The Harvester," is a man of the woods and fields, and is well worth
knowing, but when the Girl comes to his "Medicine Woods," there begins a
romance of the rarest idyllic quality.

=FRECKLES.= Illustrated.

Freckles is a nameless waif when the tale opens, but the way in which he
takes hold of life; the nature friendships he forms; and his love-story
with "The Angel" are full of real sentiment.

=A GIRL OF THE LIMBERLOST.= Illustrated.

The story of a girl of the Michigan woods; a buoyant, loveable type of
the self-reliant American. Her philosophy is one of love and kindness
toward all things; her hope is never dimmed.

=AT THE FOOT OF THE RAINBOW.= Illustrations in colors.

The scene of this charming love story is laid in Central Indiana. It is
one of devoted friendship, and tender self-sacrificing love.

=THE SONG OF THE CARDINAL.= Profusely Illustrated.

A love ideal of the Cardinal bird and his mate, told with delicacy and
humor.


ZANE GREY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=TO THE LAST MAN=
=THE MYSTERIOUS RIDER=
=THE MAN OF THE FOREST=
=THE DESERT OF WHEAT=
=THE U. P. TRAIL=
=WILDFIRE=
=THE BORDER LEGION=
=THE RAINBOW TRAIL=
=THE HERITAGE OF THE DESERT=
=RIDERS OF THE PURPLE SAGE=
=THE LIGHT OF WESTERN STARS=
=THE LAST OF THE PLAINSMEN=
=THE LONE STAR RANGER=
=DESERT GOLD=
=BETTY ZANE=

       *       *       *       *       *

=LAST OF THE GREAT SCOUTS=

The life story of "Buffalo Bill" by his sister Helen Cody Wetmore, with
Foreword and conclusion by Zane Grey.


ZANE GREY'S BOOKS FOR BOYS

=KEN WARD IN THE JUNGLE=
=THE YOUNG LION HUNTER=
=THE YOUNG FORESTER=
=THE YOUNG PITCHER=
=THE SHORT STOP=
=THE RED-HEADED OUTFIELD AND OTHER BASEBALL STORIES=


JAMES OLIVER CURWOOD'S STORIES OF ADVENTURE

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

=THE RIVER'S END=

A story of the Royal Mounted Police.

=THE GOLDEN SNARE=

Thrilling adventures in the Far Northland.

=NOMADS OF THE NORTH=

The story of a bear-cub and a dog.

=KAZAN=

The tale of a "quarter-strain wolf and three-quarters husky" torn
between the call of the human and his wild mate.

=BAREE, SON OF KAZAN=

The story of the son of the blind Grey Wolf and the gallant part he
played in the lives of a man and a woman.

=THE COURAGE OF CAPTAIN PLUM=

The story of the King of Beaver Island, a Mormon colony, and his battle
with Captain Plum.

=THE DANGER TRAIL=

A tale of love, Indian vengeance, and a mystery of the North.

=THE HUNTED WOMAN=

A tale of a great fight in the "valley of gold" for a woman.

=THE FLOWER OF THE NORTH=

The story of Fort o' God, where the wild flavor of the wilderness is
blended with the courtly atmosphere of France.

=THE GRIZZLY KING=

The story of Thor, the big grizzly.

=ISOBEL=

A love story of the Far North.

=THE WOLF HUNTERS=

A thrilling tale of adventure in the Canadian wilderness.

=THE GOLD HUNTERS=

The story of adventure in the Hudson Bay wilds.

=THE COURAGE OF MARGE O'DOONE=

Filled with exciting incidents in the land of strong men and women.

=BACK TO GOD'S COUNTRY=

A thrilling story of the Far North. The great Photoplay was made from
this book.

GROSSET & DUNLAP, PUBLISHERS, NEW YORK




    +-----------------------------------------------+
    |            Transcriber's Note:                |
    |                                               |
    | Typographical errors corrected in the text:   |
    |                                               |
    | Page  120  tight changed to right             |
    | Page  177  new changed to anew                |
    | Page  352  let changed to lit                 |
    | Page  385  wierdest changed to weirdest       |
    +-----------------------------------------------+





End of Project Gutenberg's The Duke Of Chimney Butte, by G. W. Ogden



*** END OF THE PROJECT GUTENBERG EBOOK THE DUKE OF CHIMNEY BUTTE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.