Flip: a California Romance, by Bret Harte

Just where the track of the Los Gatos road streams on and upward like the sinuous trail of a fiery rocket until it is extinguished in the blue shadows of the Coast Range, there is an embayed terrace near the summit, hedged by dwarf firs. At every bend of the heat-laden road the eye rested upon it wistfully; all along the flank of the mountain, which seemed to pant and quiver in the oven-like air, through rising dust, the slow creaking of dragging wheels, the monotonous cry of tired springs, and the muffled beat of plunging hoofs, it held out a promise of sheltered coolness and green silences beyond. Sunburned and anxious faces yearned toward it from the dizzy, swaying tops of stagecoaches, from lagging teams far below, from the blinding white canvas covers of “mountain schooners,” and from scorching saddles that seemed to weigh down the scrambling, sweating animals beneath. But it would seem that the hope was vain, the promise illusive. When the terrace was reached it appeared not only to have caught and gathered all the heat of the valley below, but to have evolved a fire of its own from some hidden crater-like source unknown. Nevertheless, instead of prostrating and enervating man and beast, it was said to have induced the wildest exaltation. The heated air was filled and stifling with resinous exhalations. The delirious spices of balm, bay, spruce, juniper, yerba buena, wild syringa, and strange aromatic herbs as yet unclassified, distilled and evaporated in that mighty heat, and seemed to fire with a midsummer madness all who breathed their fumes. They stung, smarted, stimulated, intoxicated. It was said that the most jaded and foot-sore horses became furious and ungovernable under their influence; wearied teamsters and muleteers, who had exhausted their profanity in the ascent, drank fresh draughts of inspiration in this fiery air, extended their vocabulary, and created new and startling forms of objurgation. It is recorded that one bibulous stage-driver exhausted description and condensed its virtues in a single phrase: “Gin and ginger.” This felicitous epithet, flung out in a generous comparison with his favorite drink, “rum and gum,” clung to it ever after.

Such was the current comment on this vale of spices. Like most human criticism it was hasty and superficial. No one yet had been known to have penetrated deeply its mysterious recesses. It was still far below the summit and its wayside inn. It had escaped the intruding foot of hunter and prospector; and the inquisitive patrol of the county surveyor had only skirted its boundary. It remained for Mr. Lance Harriott to complete its exploration. His reasons for so doing were simple. He had made the journey thither underneath the stage-coach, and clinging to its axle. He had chosen this hazardous mode of conveyance at night, as the coach crept by his place of concealment in the wayside brush, to elude the sheriff of Monterey County and his posse, who were after him.

He had not made himself known to his fellow-passengers as they already knew him as a gambler, an outlaw, and a desperado; he deemed it unwise to present himself in a newer reputation of a man who had just slain a brother gambler in a quarrel, and for whom a reward was offered. He slipped from the axle as the stage-coach swirled past the brushing branches of fir, and for an instant lay unnoticed, a scarcely distinguishable mound of dust in the broken furrows of the road. Then, more like a beast than a man, he crept on his hands and knees into the steaming underbrush. Here he lay still until the clatter of harness and the sound of voices faded in the distance. Had he been followed, it would have been difficult to detect in that inert mass of rags any semblance to a known form or figure. A hideous reddish mask of dust and clay obliterated his face; his hands were shapeless stumps exaggerated in his trailing sleeves. And when he rose, staggering like a drunken man, and plunged wildly into the recesses of the wood, a cloud of dust followed him, and pieces and patches of his frayed and rotten garments clung to the impeding branches. Twice he fell, but, maddened and upheld by the smarting spices and stimulating aroma of the air, he kept on his course.

Gradually the heat became less oppressive; once when he stopped and leaned exhaustedly against a sapling, he fancied he saw the zephyr he could not yet feel in the glittering and trembling of leaves in the distance before him. Again the deep stillness was moved with a faint sighing rustle, and he knew he must be nearing the edge of the thicket. The spell of silence thus broken was followed by a fainter, more musical interruption—the glassy tinkle of water! A step further his foot trembled on the verge of a slight ravine, still closely canopied by the interlacing boughs overhead. A tiny stream that he could have dammed with his hand yet lingered in this parched red gash in the hillside and trickled into a deep, irregular, well-like cavity, that again overflowed and sent its slight surplus on. It had been the luxurious retreat of many a spotted trout; it was to be the bath of Lance Harriott. Without a moment's hesitation, without removing a single garment, he slipped cautiously into it, as if fearful of losing a single drop. His head disappeared from the level of the bank; the solitude was again unbroken. Only two objects remained upon the edge of the ravine,—his revolver and tobacco pouch.

A few minutes elapsed. A fearless blue jay alighted on the bank and made a prospecting peck at the tobacco pouch. It yielded in favor of a gopher, who endeavored to draw it toward his hole, but in turn gave way to a red squirrel, whose attention was divided, however, between the pouch and the revolver, which he regarded with mischievous fascination. Then there was a splash, a grunt, a sudden dispersion of animated nature, and the head of Mr. Lance Harriott appeared above the bank. It was a startling transformation. Not only that he had, by this wholesale process, washed himself and his light “drill” garments entirely clean, but that he had, apparently by the same operation, morally cleansed HIMSELF, and left every stain and ugly blot of his late misdeeds and reputation in his bath. His face, albeit scratched here and there, was rosy, round, shining with irrepressible good humor and youthful levity. His large blue eyes were infantine in their innocent surprise and thoughtlessness. Dripping yet with water, and panting, he rested his elbows lazily on the bank, and became instantly absorbed with a boy's delight in the movements of the gopher, who, after the first alarm, returned cautiously to abduct the tobacco pouch. If any familiar had failed to detect Lance Harriott in this hideous masquerade of dust and grime and tatters, still less would any passing stranger have recognized in this blond faun the possible outcast and murderer. And, when with a swirl of his spattering sleeve, he drove back the gopher in a shower of spray and leaped to the bank, he seemed to have accepted his felonious hiding-place as a mere picnicking bower.

A slight breeze was unmistakably permeating the wood from the west. Looking in that direction, Lance imagined that the shadow was less dark, and although the undergrowth was denser, he struck off carelessly toward it. As he went on, the wood became lighter and lighter; branches, and presently leaves, were painted against the vivid blue of the sky. He knew he must be near the summit, stopped, felt for his revolver, and then lightly put the few remaining branches aside.

The full glare of the noonday sun at first blinded him. When he could see more clearly, he found himself on the open western slope of the mountain, which in the Coast Range was seldom wooded. The spiced thicket stretched between him and the summit, and again between him and the stage road that plunges from the terrace, like forked lightning into the valley below. He could command all the approaches without being seen. Not that this seemed to occupy his thoughts or cause him any anxiety. His first act was to disencumber himself of his tattered coat; he then filled and lighted his pipe, and stretched himself full-length on the open hillside, as if to bleach in the fierce sun. While smoking he carelessly perused the fragment of a newspaper which had enveloped his tobacco, and being struck with some amusing paragraph, read it half aloud again to some imaginary auditor, emphasizing its humor with an hilarious slap upon his leg.

Possibly from the relaxation of fatigue and the bath, which had become a vapor one as he alternately rolled and dried himself in the baking grass, his eyes closed dreamily. He was awakened by the sound of voices. They were distant; they were vague; they approached no nearer. He rolled himself to the verge of the first precipitous grassy descent. There was another bank or plateau below him, and then a confused depth of olive shadows, pierced here and there by the spiked helmets of pines.

There was no trace of habitation, yet the voices were those of some monotonous occupation, and Lance distinctly heard through them the click of crockery and the ring of some household utensil. It appeared to be the interjectional, half listless, half perfunctory, domestic dialogue of an old man and a girl, of which the words were unintelligible. Their voices indicated the solitude of the mountain, but without sadness; they were mysterious without being awe-inspiring. They might have uttered the dreariest commonplaces, but, in their vast isolation, they seemed musical and eloquent. Lance drew his first sigh,—they had suggested dinner.

Careless as his nature was, he was too cautious to risk detection in broad daylight. He contented himself for the present with endeavoring to locate that particular part of the depths from which the voices seemed to rise. It was more difficult, however, to select some other way of penetrating it than by the stage road. “They're bound to have a fire or show a light when it's dark,” he reasoned, and, satisfied with that reflection, lay down again. Presently he began to amuse himself by tossing some silver coins in the air. Then his attention was directed to a spur of the Coast Range which had been sharply silhouetted against the cloudless western sky. Something intensely white, something so small that it was scarcely larger than the silver coin in his hand, was appearing in a slight cleft of the range.

While he looked it gradually filled and obliterated the cleft. In another moment the whole serrated line of mountain had disappeared. The dense, dazzling white, encompassing host began to pour over and down every ravine and pass of the coast. Lance recognized the sea-fog, and knew that scarcely twenty miles away lay the ocean—and safety! The drooping sun was now caught and hidden in its soft embraces. A sudden chill breathed over the mountain. He shivered, rose, and plunged again for very warmth into the spice-laden thicket. The heated balsamic air began to affect him like a powerful sedative; his hunger was forgotten in the languor of fatigue; he slumbered. When he awoke it was dark. He groped his way through the thicket. A few stars were shining directly above him, but beyond and below, everything was lost in the soft, white, fleecy veil of fog. Whatever light or fire might have betokened human habitation was hidden. To push on blindly would be madness; he could only wait for morning. It suited the outcast's lazy philosophy. He crept back again to his bed in the hollow and slept. In that profound silence and shadow, shut out from human association and sympathy by the ghostly fog, what torturing visions conjured up by remorse and fear should have pursued him? What spirit passed before him, or slowly shaped itself out of the infinite blackness of the wood? None. As he slipped gently into that blackness he remembered with a slight regret, some biscuits that were dropped from the coach by a careless luncheon-consuming passenger. That pang over, he slept as sweetly, as profoundly, as divinely, as a child.

CHAPTER II.

He awoke with the aroma of the woods still steeping his senses. His first instinct was that of all young animals; he seized a few of the young, tender green leaves of the yerba buena vine that crept over his mossy pillow and ate them, being rewarded by a half berry-like flavor that seemed to soothe the cravings of his appetite. The languor of sleep being still upon him, he lazily watched the quivering of a sunbeam that was caught in the canopying boughs above. Then he dozed again. Hovering between sleeping and waking, he became conscious of a slight movement among the dead leaves on the bank beside the hollow in which he lay. The movement appeared to be intelligent, and directed toward his revolver, which glittered on the bank. Amused at this evident return of his larcenous friend of the previous day, he lay perfectly still. The movement and rustle continued, but it now seemed long and undulating. Lance's eyes suddenly became set; he was intensely, keenly awake. It was not a snake, but the hand of a human arm, half hidden in the moss, groping for the weapon. In that flash of perception he saw that it was small, bare, and deeply freckled. In an instant he grasped it firmly, and rose to his feet, dragging to his own level as he did so, the struggling figure of a young girl.

Lance looked at her. She was scarcely more than fifteen, slight and lithe, with a boyish flatness of breast and back. Her flushed face and bare throat were absolutely peppered with minute brown freckles, like grains of spent gunpowder. Her eyes, which were large and gray, presented the singular spectacle of being also freckled,—at least they were shot through in pupil and cornea with tiny spots like powdered allspice. Her hair was even more remarkable in its tawny, deer-skin color, full of lighter shades, and bleached to the faintest of blondes on the crown of her head, as if by the action of the sun. She had evidently outgrown her dress, which was made for a smaller child, and the too brief skirt disclosed a bare, freckled, and sandy desert of shapely limb, for which the darned stockings were equally too scant. Lance let his grasp slip from her thin wrist to her hand, and then with a good-humored gesture tossed it lightly back to her.

She did not retreat, but continued looking at him in a half-surly embarrassment.

“I ain't a bit frightened,” she said; “I'm not going to run away,—don't you fear.”

“Glad to hear it,” said Lance, with unmistakable satisfaction, “but why did you go for my revolver?”

She flushed again and was silent. Presently she began to kick the earth at the roots of the tree, and said, as if confidentially to her foot,—

Every tooth in Lance's head showed that he did, perfectly. But he was discreetly silent.

“I didn't know what you were hiding there for,” she went on, still addressing the tree, “and,” looking at him sideways under her white lashes, “I didn't see your face.”

This subtle compliment was the first suggestion of her artful sex. It actually sent the blood into the careless rascal's face, and for a moment confused him. He coughed. “So you thought you'd freeze on to that six-shooter of mine until you saw my hand?”

She nodded. Then she picked up a broken hazel branch, fitted it into the small of her back, threw her tanned bare arms over the ends of it, and expanded her chest and her biceps at the same moment. This simple action was supposed to convey an impression at once of ease and muscular force.

“I've seen six-shooters before now,” said the girl, evading the proffered weapon and its suggestion. “Dad has one, and my brother had two derringers before he was half as big as me.”

She stopped to observe in her companion the effect of this capacity of her family to bear arms. Lance only regarded her amusedly. Presently she again spoke abruptly:—

Lance laughed. “I was hungry. Look!” he said, gayly tossing some silver into the air. “Do you think you could get me some breakfast for that, and have enough left to buy something for yourself?”

“I reckon Dad might give ye suthing if he had a mind ter, though ez a rule he's down on tramps ever since they run off his chickens. Ye might try.”

The girl retreated a step, dropped her eyes, and, with a smile that was a charming hesitation between bashfulness and impudence, said: “So you ARE hidin', are ye?”

Mr. Lance Harriott felt a momentary moral exaltation in declaring truthfully that he was not one of a notorious band of mountain freebooters known in the district under that name.

“Nor ye ain't one of them chicken lifters that raided Henderson's ranch? We don't go much on that kind o' cattle yer.”

Lance honestly scorned the imputation. Such conjugal ill treatment as he had indulged in had not been physical, and had been with other men's wives.

There was a moment's further hesitation on the part of the girl. Then she said shortly:

“What for? You kin get it down there.” Lance hesitated. “I tell you it's all right,” she continued. “I'll make it all right with Dad.”

“But suppose I reckon I'd rather stay here,” persisted Lance, with a perfect consciousness, however, of affectation in his caution.

“Stay away then,” said the girl coolly; “only as Dad perempted this yer woods”—

“Per-empted or pre-emp-ted, as you like,” continued the girl scornfully,—“ez he's got a holt on this yer woods, ye might ez well see him down thar ez here. For here he's like to come any minit. You can bet your life on that.”

She must have read Lance's amusement in his eyes, for she again dropped her own with a frown of brusque embarrassment. “Come along, then; I'm your man,” said Lance, gayly, extending his hand.

She would not accept it, eying it, however, furtively, like a horse about to shy. “Hand me your pistol first,” she said.

He handed it to her with an assumption of gayety. She received it on her part with unfeigned seriousness, and threw it over her shoulder like a gun. This combined action of the child and heroine, it is quite unnecessary to say, afforded Lance undiluted joy.

Lance stepped promptly out, with a broad grin. “Looks kinder as if I was a prisoner, don't it?” he suggested.

The two fared onward through the wood. For one moment he entertained the facetious idea of appearing to rush frantically away, “just to see what the girl would do,” but abandoned it. “It's an even thing if she wouldn't spot me the first pop,” he reflected admiringly.

When they had reached the open hillside, Lance stopped inquiringly. “This way,” she said, pointing toward the summit, and in quite an opposite direction to the valley where he had heard the voices, one of which he now recognized as hers. They skirted the thicket for a few moments, and then turned sharply into a trail which began to dip toward a ravine leading to the valley.

“What's your name?” asked Lance, after a steep scramble and a drop into the ravine.

This direct answer apparently sustained the agreeable homicide for some moments. He moved onward, silently exuding admiration.

“Only,” added Flip, with a sudden caution, “you'd better agree with me.”

The trail here turned again abruptly and re-entered the canyon. Lance looked up, and noticed they were almost directly beneath the bay thicket and the plateau that towered far above them. The trail here showed signs of clearing, and the way was marked by felled trees and stumps of pines.

“What does your father do here?” he finally asked. Flip remained silent, swinging the revolver. Lance repeated his question.

“Burns charcoal and makes diamonds,” said Flip, looking at him from the corners of her eyes.

They had by this time reached a small staked inclosure, whence the sudden fluttering and cackle of poultry welcomed the return of the evident mistress of this sylvan retreat. It was scarcely imposing. Further on, a cooking stove under a tree, a saddle and bridle, a few household implements scattered about, indicated the “ranch.” Like most pioneer clearings, it was simply a disorganized raid upon nature that had left behind a desolate battlefield strewn with waste and decay. The fallen trees, the crushed thicket, the splintered limbs, the rudely torn-up soil, were made hideous by their grotesque juxtaposition with the wrecked fragments of civilization, in empty cans, broken bottles, battered hats, soleless boots, frayed stockings, cast-off rags, and the crowning absurdity of the twisted-wire skeleton of a hooped skirt hanging from a branch. The wildest defile, the densest thicket, the most virgin solitude, was less dreary and forlorn than this first footprint of man. The only redeeming feature of this prolonged bivouac was the cabin itself. Built of the half-cylindrical strips of pine bark, and thatched with the same material, it had a certain picturesque rusticity. But this was an accident of economy rather than taste, for which Flip apologized by saying that the bark of the pine was “no good” for charcoal.

“I reckon Dad's in the woods,” she added, pausing before the open door of the cabin. “Oh, Dad!” Her voice, clear and high, seemed to fill the whole long canyon, and echoed from the green plateau above. The monotonous strokes of an axe were suddenly pretermitted, and somewhere from the depths of the close-set pines a voice answered “Flip.” There was a pause of a few moments, with some muttering, stumbling, and crackling in the underbrush, and then the sudden appearance of “Dad.”

Had Lance first met him in the thicket, he would have been puzzled to assign his race to Mongolian, Indian, or Ethiopian origin. Perfunctory but incomplete washings of his hands and face, after charcoal burning, had gradually ground into his skin a grayish slate-pencil pallor, grotesquely relieved at the edges, where the washing had left off, with a border of a darker color. He looked like an overworked Christy minstrel with the briefest of intervals between his performances. There were black rims in the orbits of his eyes, as if he gazed feebly out of unglazed spectacles, which heightened his simian resemblance, already grotesquely exaggerated by what appeared to be repeated and spasmodic experiments in dyeing his gray hair. Without the slightest notice of Lance, he inflicted his protesting and querulous presence entirely on his daughter.

“Well, what's up now? Yer ye are calling me from work an hour before noon. Dog my skin, ef I ever get fairly limbered up afore it's 'Dad!' and 'Oh, Dad!'”

To Lance's intense satisfaction the girl received this harangue with an air of supreme indifference, and when “Dad” had relapsed into an unintelligible, and, as it seemed to Lance, a half-frightened muttering, she said coolly,—

“Ye'd better drop that axe and scoot round getten' this stranger some breakfast and some grub to take with him. He's one of them San Francisco sports out here trout fishing in the branch. He's got adrift from his party, has lost his rod and fixins, and had to camp out last night in the Gin and Ginger Woods.”

“That's just it; it's allers suthin like that,” screamed the old man, dashing his fist on his leg in a feeble, impotent passion, but without looking at Lance. “Why in blazes don't he go up to that there blamed hotel on the summit? Why in thunder—” But here he caught his daughter's large, freckled eyes full in his own. He blinked feebly, his voice fell into a tone of whining entreaty. “Now, look yer, Flip, it's playing it rather low down on the old man, this yer running' in o' tramps and desarted emigrants and cast-ashore sailors and forlorn widders and ravin' lunatics, on this yer ranch. I put it to you, Mister,” he said abruptly, turning to Lance for the first time, but as if he had already taken an active part in the conversation,—“I put it as a gentleman yourself, and a fair-minded sportin' man, if this is the square thing?”

Before Lance could reply, Flip had already begun. “That's just it! D'ye reckon, being a sportin' man and an A 1 feller, he's goin' to waltz down inter that hotel, rigged out ez he is? D'ye reckon he's goin' to let his partners get the laugh outer him? D'ye reckon he's goin' to show his head outer this yer ranch till he can do it square? Not much! Go 'long. Dad, you're talking silly!”

The old man weakened. He feebly trailed his axe between his legs to a stump and sat down, wiping his forehead with his sleeve, and imparting to it the appearance of a slate with a difficult sum partly rubbed out. He looked despairingly at Lance. “In course,” he said, with a deep sigh, “you naturally ain't got any money. In course you left your pocketbook, containing fifty dollars, under a stone, and can't find it. In course,” he continued, as he observed Lance put his hand to his pocket, “you've only got a blank check on Wells, Fargo & Co. for a hundred dollars, and you'd like me to give you the difference?”

Amused as Lance evidently was at this, his absolute admiration for Flip absorbed everything else. With his eyes fixed upon the girl, he briefly assured the old man that he would pay for everything he wanted. He did this with a manner quite different from the careless, easy attitude he had assumed toward Flip; at least the quick-witted girl noticed it, and wondered if he was angry. It was quite true that ever since his eye had fallen upon another of his own sex, its glance had been less frank and careless. Certain traits of possible impatience, which might develop into man-slaying, were coming to the fore. Yet a word or a gesture of Flip's was sufficient to change that manner, and when, with the fretful assistance of her father, she had prepared a somewhat sketchy and primitive repast, he questioned the old man about diamond-making. The eye of Dad kindled.

“I want ter know how ye knew I was making diamonds,” he asked, with a certain bashful pettishness not unlike his daughter's.

“Heard it in 'Frisco,” replied Lance, with glib mendacity, glancing at the girl.

“I reckon they're gettin' sort of skeert down there—them jewelers,” chuckled Dad, “yet it's in nater that their figgers will have to come down. It's only a question of the price of charcoal. I suppose they didn't tell you how I made the discovery?”

Lance would have stopped the old man's narrative by saying that he knew the story, but he wished to see how far Flip lent herself to her father's delusion.

“Ye see, one night about two years ago I had a pit o' charcoal burning out there, and tho' it had been a smouldering and a smoking and a blazing for nigh unto a month, somehow it didn't charcoal worth a cent. And yet, dog my skin, but the heat o' that er pit was suthin hidyus and frightful; ye couldn't stand within a hundred yards of it, and they could feel it on the stage road three miles over yon, t'other side the mountain. There was nights when me and Flip had to take our blankets up the ravine and camp out all night, and the back of this yer hut shriveled up like that bacon. It was about as nigh on to hell as any sample ye kin get here. Now, mebbe you think I built that air fire? Mebbe you'll allow the heat was just the nat'ral burning of that pit?”

“Certainly,” said Lance, trying to see Flip's eyes, which were resolutely averted.

“Thet's whar you'd be lyin'! That yar heat kem out of the bowels of the yearth,—kem up like out of a chimbley or a blast, and kep up that yar fire. And when she cools down a month after, and I got to strip her, there was a hole in the yearth, and a spring o' bilin', scaldin' water pourin' out of it ez big as your waist. And right in the middle of it was this yer.” He rose with the instinct of a skillful raconteur, and whisked from under his bunk a chamois leather bag, which he emptied on the table before them. It contained a small fragment of native rock crystal, half-fused upon a petrified bit of pine. It was so glaringly truthful, so really what it purported to be, that the most unscientific woodman or pioneer would have understood it at a glance. Lance raised his mirthful eyes to Flip.

“It was cooled suddint,—stunted by the water,” said the girl, eagerly. She stopped, and as abruptly turned away her eyes and her reddened face.

“That's it, that's just it,” continued the old man. “Thar's Flip, thar, knows it; she ain't no fool!” Lance did not speak, but turned a hard, unsympathizing look upon the old man, and rose almost roughly. The old man clutched his coat. “That's it, ye see. The carbon's just turning to di'mens. And stunted. And why? 'Cos the heat wasn't kep up long enough. Mebbe yer think I stopped thar? That ain't me. Thar's a pit out yar in the woods ez hez been burning six months; it hain't, in course, got the advantages o' the old one, for it's nat'ral heat. But I'm keeping that heat up. I've got a hole where I kin watch it every four hours. When the time comes, I'm thar! Don't you see? That's me! that's David Fairley,—that's the old man,—you bet!”

“That's so,” said Lance, curtly. “And now, Mr. Fairley, if you'll hand me over a coat or a jacket till I can get past these fogs on the Monterey road, I won't keep you from your diamond pit.” He threw down a handful of silver on the table.

“Ther's a deerskin jacket yer,” said the old man, “that one o' them vaqueros left for the price of a bottle of whiskey.”

“I reckon it wouldn't suit the stranger,” said Flip, dubiously producing a much-worn, slashed, and braided vaquero's jacket. But it did suit Lance, who found it warm, and also had suddenly found a certain satisfaction in opposing Flip. When he had put it on, and nodded coldly to the old man, and carelessly to Flip, he walked to the door.

“If you're going to take the Monterey road, I can show you a short cut to it,” said Flip, with a certain kind of shy civility.

The paternal Fairley groaned. “That's it; let the chickens and the ranch go to thunder, as long as there's a stranger to trapse round with; go on!”

Lance would have made some savage reply, but Flip interrupted. “You know yourself, Dad, it's a blind trail, and as that 'ere constable that kem out here hunting French Pete, couldn't find it, and had to go round by the canyon, like ez not the stranger would lose his way, and have to come back!” This dangerous prospect silenced the old man, and Flip and Lance stepped into the road together. They walked on for some moments without speaking. Suddenly Lance turned upon his companion.

“You didn't swallow all that rot about the diamond, did you?” he asked, crossly.

“You don't mean to say that's the sort of hog wash the old man serves out to you regularly?” continued Lance, becoming more slangy in his ill temper.

“I don't know that it's any consarn o' yours what I think,” replied Flip, hopping from boulder to boulder, as they crossed the bed of a dry watercourse.

“And I suppose you've piloted round and dry-nussed every tramp and dead beat you've met since you came here,” continued Lance, with unmistakable ill humor. “How many have you helped over this road?”

“It's a year since there was a Chinaman chased by some Irishmen from the Crossing into the brush about yer, and he was too afeered to come out, and nigh most starved to death in thar. I had to drag him out and start him on the mountain, for you couldn't get him back to the road. He was the last one but YOU.”

“Do you reckon it's the right thing for a girl like you to run about with trash of this kind, and mix herself up with all sorts of rough and bad company?” said Lance.

The ridiculousness of such a resemblance struck him more keenly than a consciousness of his own ingratitude. He hastened to assure Flip that he was joking. When he had made his peace they fell into talk again, Lance becoming unselfish enough to inquire into one or two facts concerning her life which did not immediately affect him. Her mother had died on the plains when she was a baby, and her brother had run away from home at twelve. She fully expected to see him again, and thought he might sometime stray into their canyon. “That is why, then, you take so much stock in tramps,” said Lance. “You expect to recognize HIM?”

“Well,” replied Flip, gravely, “there is suthing in THAT, and there's suthing in THIS: some o' these chaps might run across brother and do him a good turn for the sake of me.”

“You bet!” said Lance, with a sudden emotion that quite startled him; “only don't you go to throwing yourself round promiscuously.” He was half-conscious of an irritating sense of jealousy, as he asked if any of her proteges had ever returned.

“No,” said Flip, “no one ever did. It shows,” she added with sublime simplicity, “I had done 'em good, and they could get on alone. Don't it?”

“It does,” responded Lance grimly. “Have you any other friends that come?”

Flip began a series of distortions with her shoulders, ran on ahead, picked up a few pebbles and threw them into the wood, glanced back at Lance with swimming mottled eyes, that seemed a piquant incarnation of everything suggestive and tantalizing, and said,

They had by this time reached the spot where they were to separate. “Look,” said Flip, pointing to a faint deflection of their path, which seemed, however, to lose itself in the underbrush a dozen yards away, “ther's your trail. It gets plainer and broader the further you get on, but you must use your eyes here, and get to know it well afore you get into the fog. Good-by.”

“Good-by.” Lance took her hand and drew her beside him. She was still redolent of the spices of the thicket, and to the young man's excited fancy seemed at that moment to personify the perfume and intoxication of her native woods. Half laughingly, half earnestly, he tried to kiss her; she struggled for some time strongly, but at the last moment yielded, with a slight return and the exchange of a subtle fire that thrilled him, and left him standing confused and astounded as she ran away. He watched her lithe, nymph-like figure disappear in the checkered shadows of the wood, and then he turned briskly down the half-hidden trail. His eyesight was keen, he made good progress, and was soon well on his way toward the distant ridge.

But Flip's return had not been as rapid. When she reached the wood she crept to its beetling verge, and, looking across the canyon, watched Lance's figure as it vanished and reappeared in the shadows and sinuosities of the ascent. When he reached the ridge the outlying fog crept across the summit, caught him in its embrace, and wrapped him from her gaze. Flip sighed, raised herself, put her alternate foot on a stump, and took a long pull at her too-brief stockings. When she had pulled down her skirt and endeavored once more to renew the intimacy that had existed in previous years between the edge of her petticoat and the top of her stockings, she sighed again, and went home.

CHAPTER III.

For six months the sea fogs monotonously came and went along the Monterey coast; for six months they beleaguered the Coast Range with afternoon sorties of white hosts that regularly swept over the mountain crest, and were as regularly beaten back again by the leveled lances of the morning sun. For six months that white veil which had once hidden Lance Harriott in its folds returned without him. For that amiable outlaw no longer needed disguise or hiding-place. The swift wave of pursuit that had dashed him on the summit had fallen back, and the next day was broken and scattered. Before the week had passed, a regular judicial inquiry relieved his crime of premeditation, and showed it to be a rude duel of two armed and equally desperate men. From a secure vantage in a seacoast town Lance challenged a trial by his peers, and, as an already prejudged man escaping from his executioners, obtained a change of venue. Regular justice, seated by the calm Pacific, found the action of an interior, irregular jury rash and hasty. Lance was liberated on bail.

The Postmaster at Fisher's Crossing had just received the weekly mail and express from San Francisco, and was engaged in examining it. It consisted of five letters and two parcels. Of these, three of the letters and the two parcels were directed to Flip. It was not the first time during the last six months that this extraordinary event had occurred, and the curiosity of the Crossing was duly excited. As Flip had never called personally for the letters or parcels, but had sent one of her wild, irregular scouts or henchmen to bring them, and as she was seldom seen at the Crossing or on the stage road, that curiosity was never satisfied. The disappointment to the Postmaster—a man past the middle age—partook of a sentimental nature. He looked at the letters and parcels; he looked at his watch; it was yet early, he could return by noon. He again examined the addresses; they were in the same handwriting as the previous letters. His mind was made up, he would deliver them himself. The poetic, soulful side of his mission was delicately indicated by a pale blue necktie, a clean shirt, and a small package of gingernuts, of which Flip was extravagantly fond.

The common road to Fairley's Ranch was by the stage turnpike to a point below the Gin and Ginger Woods, where the prudent horseman usually left his beast and followed the intersecting trail afoot. It was here that the Postmaster suddenly observed on the edge of the wood the figure of an elegantly-dressed woman; she was walking slowly, and apparently at her ease; one hand held her skirts lightly gathered between her gloved fingers, the other slowly swung a riding whip. Was it a picnic of some people from Monterey or Santa Cruz? The spectacle was novel enough to justify his coming nearer. Suddenly she withdrew into the wood; he lost sight of her; she was gone. He remembered, however, that Flip was still to be seen, and as the steep trail was beginning to tax all his energies, he was fain to hurry forward. The sun was nearly vertical when he turned into the canyon, and saw the bark roof of the cabin beyond. At almost the same moment Flip appeared, flushed and panting, in the road before him.

“You've got something for me,” she said, pointing to the parcel and letters. Completely taken by surprise, the Postmaster mechanically yielded them up, and as instantly regretted it. “They're paid for,” continued Flip, observing his hesitation.

“That's so,” stammered the official of the Crossing, seeing his last chance of knowing the contents of the parcel vanish; “but I thought ez it's a valooable package, maybe ye might want to examine it to see that it was all right afore ye receipted for it.”

“I'll risk it,” said Flip, coolly, “and if it ain't right I'll let ye know.”

As the girl seemed inclined to retire with her property, the Postmaster was driven to other conversation. “We ain't had the pleasure of seeing you down at the Crossing for a month o' Sundays,” he began, with airy yet pronounced gallantry. “Some folks let on you was keepin' company with some feller like Bijah Brown, and you were getting a little too set up for the Crossing.” The individual here mentioned being the county butcher, and supposed to exhibit his hopeless affection for Flip by making a long and useless divergence from his weekly route to enter the canyon for “orders,” Flip did not deem it necessary to reply. “Then I allowed how ez you might have company,” he continued; “I reckon there's some city folks up at the summit. I saw a mighty smart, fash'n'ble gal cavorting round. Had no end o' style and fancy fixin's. That's my kind, I tell you. I just weaken on that sort o' gal,” he continued, in the firm belief that he had awakened Flip's jealousy, as he glanced at her well-worn homespun frock, and found her eyes suddenly fixed on his own.

“Strange I ain't got to see her yet,” she replied coolly, shouldering her parcel, and quite ignoring any sense of obligation to him for his extra-official act.

“But you might get to see her at the edge of the Gin and Ginger Woods,” he persisted feebly, in a last effort to detain her; “if you'll take a pasear there with me.” Flip's only response was to walk on toward the cabin, whence, with a vague complimentary suggestion of “droppin' in to pass the time o' day” with her father, the Postmaster meekly followed.

The paternal Fairley, once convinced that his daughter's new companion required no pecuniary or material assistance from his hands, relaxed to the extent of entering into a querulous confidence with him, during which Flip took the opportunity of slipping away. As Fairley had that infelicitous tendency of most weak natures, to unconsciously exaggerate unimportant details in their talk, the Postmaster presently became convinced that the butcher was a constant and assiduous suitor of Flip's. The absurdity of his sending parcels and letters by post when he might bring them himself did not strike the official. On the contrary, he believed it to be a master stroke of cunning. Fired by jealousy and Flip's indifference, he “deemed it his duty”—using that facile form of cowardly offensiveness—to betray Flip.

Of which she was happily oblivious. Once away from the cabin, she plunged into the woods, with the parcel swung behind her like a knapsack. Leaving the trail, she presently struck off in a straight line through cover and underbrush with the unerring instinct of an animal, climbing hand over hand the steepest ascent, or fluttering like a bird from branch to branch down the deepest declivity. She soon reached that part of the trail where the susceptible Postmaster had seen the fascinating unknown. Assuring herself she was not followed, she crept through the thicket until she reached a little waterfall and basin that had served the fugitive Lance for a bath. The spot bore signs of later and more frequent occupancy, and when Flip carefully removed some bark and brushwood from a cavity in the rock and drew forth various folded garments, it was evident she had used it as a sylvan dressing-room. Here she opened the parcel; it contained a small and delicate shawl of yellow China crepe. Flip instantly threw it over her shoulders and stepped hurriedly toward the edge of the wood. Then she began to pass backward and forward before the trunk of a tree. At first nothing was visible on the tree, but a closer inspection showed a large pane of ordinary window glass stuck in the fork of the branches. It was placed at such a cunning angle against the darkness of the forest opening that it made a soft and mysterious mirror, not unlike a Claude Lorraine glass, wherein not only the passing figure of the young girl was seen, but the dazzling green and gold of the hillside, and the far-off silhouetted crests of the Coast Range.

But this was evidently only a prelude to a severer rehearsal. When she returned to the waterfall she unearthed from her stores a large piece of yellow soap and some yards of rough cotton “sheeting.” These she deposited beside the basin and again crept to the edge of the wood to assure herself that she was alone. Satisfied that no intruding foot had invaded that virgin bower, she returned to her bath and began to undress. A slight wind followed her, and seemed to whisper to the circumjacent trees. It appeared to waken her sister naiads and nymphs, who, joining their leafy fingers, softly drew around her a gently moving band of trembling lights and shadows, of flecked sprays and inextricably mingled branches, and involved her in a chaste sylvan obscurity, veiled alike from pursuing god or stumbling shepherd. Within these hallowed precincts was the musical ripple of laughter and falling water, and at times the glimpse of a lithe brier-caught limb, or a ray of sunlight trembling over bright flanks, or the white austere outline of a childish bosom.

When she drew again the leafy curtain, and once more stepped out of the wood, she was completely transformed. It was the figure that had appeared to the Postmaster; the slight, erect, graceful form of a young woman modishly attired. It was Flip, but Flip made taller by the lengthened skirt and clinging habiliments of fashion. Flip freckled, but, through the cunning of a relief of yellow color in her gown, her piquant brown-shot face and eyes brightened and intensified until she seemed like a spicy odor made visible. I cannot affirm that the judgment of Flip's mysterious modiste was infallible, or that the taste of Mr. Lance Harriott, her patron, was fastidious; enough that it was picturesque, and perhaps not more glaring and extravagant than the color in which Spring herself had once clothed the sere hillside where Flip was now seated. The phantom mirror in the tree fork caught and held her with the sky, the green leaves, the sunlight and all the graciousness of her surroundings, and the wind gently tossed her hair and the gay ribbons of her gypsy hat. Suddenly she started. Some remote sound in the trail below, inaudible to any ear less fine than hers, arrested her breathing. She rose swiftly and darted into cover.

Ten minutes passed. The sun was declining; the white fog was beginning to creep over the Coast Range. From the edge of the wood Cinderella appeared, disenchanted, and in her homespun garments. The clock had struck—the spell was past. As she disappeared down the trail even the magic mirror, moved by the wind, slipped from the tree top to the ground, and became a piece of common glass.

CHAPTER IV.

The events of the day had produced a remarkable impression on the facial aspect of the charcoal-burning Fairley. Extraordinary processes of thought, indicated by repeated rubbing of his forehead, had produced a high light in the middle and a corresponding deepening of shadow at the sides, until it bore the appearance of a perfect sphere. It was this forehead that confronted Flip reproachfully as became a deceived comrade, menacingly as became an outraged parent in the presence of a third party and—a Postmaster!

“Fine doin's this, yer receivin' clandecent bundles and letters, eh?” he began. Flip sent one swift, withering look of contempt at the Postmaster, who at once becoming invertebrate and groveling, mumbled that he must “get on” to the Crossing, and rose to go. But the old man, who had counted on his presence for moral support, and was clearly beginning to hate him for precipitating this scene with his daughter, whom he feared, violently protested.

“Sit down, can't ye? Don't you see you're a witness?” he screamed hysterically.

“Then,” said Flip, coolly, “if you're not claimin' 'em for yourself, and you hear father say they ain't his, I reckon the less you have to say about 'em the better.”

“Thar's suthin' in that,” said the old man, shamelessly abandoning the Postmaster.

“Then why don't she say who sent 'em, and what they are like,” said the Postmaster, “if there's nothin' in it?”

“Maybe you forget how you used to row and tear round here because tramps and such like came to the ranch for suthin', and I gave it to 'em? Maybe you'll quit tearin' round and letting yourself be made a fool of now by that man, just because one of those tramps gets up and sends us some presents back in turn?”

“'Twasn't me, Flip,” said the old man, deprecatingly, but glaring at the astonished Postmaster. “Twasn't my doin'. I allus said if you cast your bread on the waters it would come back to you by return mail. The fact is, the Gov'ment is gettin' too high-handed! Some o' these bloated officials had better climb down before next leckshen.”

“Maybe,” continued Flip to her father, without looking at her discomfited visitor, “ye'd better find out whether one of those officials comes up to this yer ranch to steal away a gal about my own size, or to get points about diamond-making. I reckon he don't travel round to find out who writes all the letters that go through the Post Office.”

The Postmaster had seemingly miscalculated the old man's infirm temper and the daughter's skillful use of it. He was unprepared for Flip's boldness and audacity, and when he saw that both barrels of the accusation had taken effect on the charcoal burner, who was rising with epileptic rage, he fairly turned and fled. The old man would have followed him with objurgation beyond the door, but for the restraining hand of Flip.

Baffled and beaten, nevertheless Fate was not wholly unkind to the retreating suitor. Near the Gin and Ginger Woods he picked up a letter which had fallen from Flip's pocket. He recognized the writing, and did not scruple to read it. It was not a love epistle,—at least, not such a one as he would have written,—it did not give the address nor the name of the correspondent; but he read the following with greedy eyes:—

“Perhaps it's just as well that you don't rig yourself out for the benefit of those dead beats at the Crossing, or any tramp that might hang round the ranch. Keep all your style for me when I come. I can't tell you when, it's mighty uncertain before the rainy season. But I'm coming soon. Don't go back on your promise about lettin up on the tramps, and being a little more high-toned. And don't you give 'em so much. It's true I sent you hats TWICE. I clean forgot all about the first; but I wouldn't have given a ten-dollar hat to a nigger woman who had a sick baby because I had an extra hat. I'd have let that baby slide. I forgot to ask whether the skirt is worn separately; I must see the dressmaking sharp about it; but I think you'll want something on besides a jacket and skirt; at least, it looks like it up here. I don't think you could manage a piano down there without the old man knowing it, and raisin' the devil generally. I promised you I'd let up on him. Mind you keep all your promises to me. I'm glad you're gettin' on with the six-shooter; tin cans are good at fifteen yards, but try it on suthin' that MOVES! I forgot to say that I am on the track of your big brother. It's a three years' old track, and he was in Arizona. The friend who told me didn't expatiate much on what he did there, but I reckon they had a high old time. If he's above the earth I'll find him, you bet. The yerba buena and the southern wood came all right,—they smelt like you. Say, Flip, do you remember the last—the VERY last—thing that happened when you said 'Good-by' on the trail? Don't let me ever find out that you've let anybody else kiss—”

But here the virtuous indignation of the Postmaster found vent in an oath. He threw the letter away. He retained of it only two facts,—Flip HAD a brother who was missing; she had a lover present in the flesh.

How much of the substance of this and previous letters Flip had confided to her father I cannot say. If she suppressed anything it was probably that which affected Lance's secret alone, and it was doubtful how much of that she herself knew. In her own affairs she was frank without being communicative, and never lost her shy obstinacy even with her father. Governing the old man as completely as she did, she appeared most embarrassed when she was most dominant; she had her own way without lifting her voice or her eyes; she seemed oppressed by mauvaise honte when she was most triumphant; she would end a discussion with a shy murmur addressed to herself, or a single gesture of self-consciousness.

The disclosure of her strange relations with an unknown man and the exchange of presents and confidences seemed to suddenly awake Fairley to a vague, uneasy sense of some unfulfilled duties as a parent. The first effect of this on his weak nature was a peevish antagonism to the cause of it. He had long, fretful monologues on the vanity of diamond-making, if accompanied with a “pestering” by “interlopers;” on the wickedness of concealment and conspiracy, and their effects on charcoal-burning; on the nurturing of spies and “adders” in the family circle, and on the seditiousness of dark and mysterious councils in which a gray-haired father was left out. It was true that a word or look from Flip generally brought these monologues to an inglorious and abrupt termination, but they were none the less lugubrious as long as they lasted. In time they were succeeded by an affectation of contrite apology and self-depreciation. “Don't go out o' the way to ask the old man,” he would say, referring to the quantity of bacon to be ordered; “it's nat'ral a young gal should have her own advisers.” The state of the flour barrel would also produce a like self-abasement. “Unless ye're already in correspondence about more flour, ye might take the opinion o' the first tramp ye meet ez to whether Santa Cruz Mills is a good brand, but don't ask the old man.” If Flip was in conversation with the butcher, Fairley would obtrusively retire with the hope “he wasn't intrudin' on their secrets.”

These phases of her father's weakness were not frequent enough to excite her alarm, but she could not help noticing they were accompanied with a seriousness unusual to him. He began to be tremulously watchful of her, returning often from work at an earlier hour, and lingering by the cabin in the morning. He brought absurd and useless presents for her, and presented them with a nervous anxiety, poorly concealed by an assumption of careless, paternal generosity. “Suthin' I picked up at the Crossin' for ye to-day,” he would say, airily, and retire to watch the effect of a pair of shoes two sizes too large, or a fur cap in September. He would have hired a cheap parlor organ for her, but for the apparently unexpected revelation that she couldn't play. He had received the news of a clue to his long-lost son without emotion, but lately he seemed to look upon it as a foregone conclusion, and one that necessarily solved the question of companionship for Flip. “In course, when you've got your own flesh and blood with ye, ye can't go foolin' around with strangers.” These autumnal blossoms of affection, I fear, came too late for any effect upon Flip, precociously matured by her father's indifference and selfishness. But she was good humored, and, seeing him seriously concerned, gave him more of her time, even visited him in the sacred seclusion of the “diamond pit,” and listened with far-off eyes to his fitful indictment of all things outside his grimy laboratory. Much of this patient indifference came with a capricious change in her own habits; she no longer indulged in the rehearsal of dress, she packed away her most treasured garments, and her leafy boudoir knew her no more. She sometimes walked on the hillside, and often followed the trail she had taken with Lance when she led him to the ranch. She once or twice extended her walk to the spot where she had parted from him, and as often came shyly away, her eyes downcast and her face warm with color. Perhaps because these experiences and some mysterious instinct of maturing womanhood had left a story in her eyes, which her two adorers, the Postmaster and the Butcher, read with passion, she became famous without knowing it. Extravagant stories of her fascinations brought strangers into the valley. The effect upon her father may be imagined. Lance could not have desired a more effective guardian than he proved to be in this emergency. Those who had been told of this hidden pearl were surprised to find it so jealously protected.

CHAPTER V.

The long, parched summer had drawn to its dusty close. Much of it was already blown abroad and dissipated on trail and turnpike, or crackled in harsh, unelastic fibres on hillside and meadow. Some of it had disappeared in the palpable smoke by day and fiery crests by night of burning forests. The besieging fogs on the Coast Range daily thinned their hosts, and at last vanished. The wind changed from northwest to southwest. The salt breath of the sea was on the summit. And then one day the staring, unchanged sky was faintly touched with remote mysterious clouds, and grew tremulous in expression. The next morning dawned upon a newer face in the heavens, on changed woods, on altered outlines, on vanished crests, on forgotten distances. It was raining!

Four weeks of this change, with broken spaces of sunlight and intense blue aerial islands, and then a storm set in. All day the summit pines and redwoods rocked in the blast. At times the onset of the rain seemed to be held back by the fury of the gale, or was visibly seen in sharp waves on the hillside. Unknown and concealed watercourses suddenly overflowed the trails, pools became lakes and brooks rivers. Hidden from the storm, the sylvan silence of sheltered valleys was broken by the impetuous rush of waters; even the tiny streamlet that traversed Flip's retreat in the Gin and Ginger Woods became a cascade.

The storm drove Fairley from his couch early. The falling of a large tree across the trail, and the sudden overflow of a small stream beside it, hastened his steps. But he was doomed to encounter what was to him a more disagreeable object—a human figure. By the bedraggled drapery that flapped and fluttered in the wind, by the long, unkempt hair that hid the face and eyes, and by the grotesquely misplaced bonnet, the old man recognized one of his old trespassers,—an Indian squaw.

“Clear out 'er that! Come, make tracks, will ye?” the old man screamed; but here the wind stopped his voice, and drove him against a hazel bush.

“I'll make ye a heap sicker if ye don't vamose the ranch,” continued Fairley, advancing.

“Me wantee Wangee girl. Wangee girl give me heap grub,” said the squaw, without moving.

“You bet your life,” groaned the old man to himself. Nevertheless an idea struck him. “Ye ain't brought no presents, hev ye?” he asked cautiously. “Ye ain't got no pooty things for poor Wangee girl?” he continued, insinuatingly.

“Oh, in course! in course! That's just it,” screamed Fairley; “you've got 'em cached only two mile from yer, and you'll go and get 'em for a half dollar, cash down.”

“Me bring Wangee girl to cache,” replied the Indian, pointing to the wood. “Honest Injin.”

Another bright idea struck Mr. Fairley. But it required some elaboration. Hurrying the squaw with him through the pelting rain, he reached the shelter of the corral. Vainly the shivering aborigine drew her tightly bandaged papoose closer to her square, flat breast, and looked longingly toward the cabin; the old man backed her against the palisade. Here he cautiously imparted his dark intentions to employ her to keep watch and ward over the ranch, and especially over its young mistress—“clear out all the tramps 'ceptin' yourself, and I'll keep ye in grub and rum.” Many and deliberate repetitions of this offer in various forms at last seemed to affect the squaw; she nodded violently, and echoed the last word “rum.” “Now,” she added. The old man hesitated; she was in possession of his secret; he groaned, and, promising an immediate installment of liquor, led her to the cabin.

The door was so securely fastened against the impact of the storm that some moments elapsed before the bar was drawn, and the old man had become impatient and profane. When it was partly opened by Flip he hastily slipped in, dragging the squaw after him, and cast one single suspicious glance around the rude apartment which served as a sitting-room. Flip had apparently been writing. A small inkstand was still on the board table, but her paper had evidently been concealed before she allowed them to enter. The squaw instantly squatted before the adobe hearth, warmed her bundled baby, and left the ceremony of introduction to her companion. Flip regarded the two with calm preoccupation and indifference. The only thing that touched her interest was the old squaw's draggled skirt and limp neckerchief. They were Flip's own, long since abandoned and cast off in the Gin and Ginger Woods. “Secrets again,” whined Fairley, still eying Flip furtively. “Secrets again, in course—in course—jiss so. Secrets that must be kep from the ole man. Dark doin's by one's own flesh and blood. Go on! go on! Don't mind me.” Flip did not reply. She had even lost the interest in her old dress. Perhaps it had only touched some note in unison with her revery.

“Can't ye get the poor critter some whiskey?” he queried, fretfully. “Ye used to be peart enuff before.” As Flip turned to the corner to lift the demijohn, Fairley took occasion to kick the squaw with his foot, and indicate by extravagant pantomime that the bargain was not to be alluded to before the girl. Flip poured out some whiskey in a tin cup, and, approaching the squaw, handed it to her. “It's like ez not,” continued Fairley to his daughter, but looking at the squaw, “that she'll be huntin' the woods off and on, and kinder looking after the last pit near the Madronos; ye'll give her grub and licker ez she likes. Well, d'ye hear, Flip? Are ye moonin' agin with yer secrets? What's gone with ye?”

If the child were dreaming, it was a delicious dream. Her magnetic eyes were suffused by a strange light, as though the eye itself had blushed; her full pulse showed itself more in the rounding outline of her cheek than in any deepening of color; indeed, if there was any heightening of tint, it was in her freckles, which fairly glistened like tiny spangles. Her eyes were downcast, her shoulders slightly bent, but her voice was low and clear and thoughtful as ever.

“One o' the big pines above the Madrono pit has blown over into the run,” she said. “It's choked up the water, and it's risin' fast. Like ez not it's pourin' over into the pit by this time.”

The old man rose with a fretful cry. “And why in blames didn't you say so first?” he screamed, catching up his axe and rushing to the door.

“Ye didn't give me a chance,” said Flip, raising her eyes for the first time. With an impatient imprecation, Fairley darted by her and rushed into the wood. In an instant she had shut the door and bolted it. In the same instant the squaw arose, dashed the long hair not only from her eyes, but from her head, tore away her shawl and blanket, and revealed the square shoulders of Lance Harriott! Flip remained leaning against the door; but the young man in rising dropped the bandaged papoose, which rolled from his lap into the fire. Flip, with a cry, sprang toward it; but Lance caught her by the waist with one arm, as with the other he dragged the bundle from the flames.

Flip laughed, which encouraged Lance to another attempt to kiss her. She evaded it by diving her head into his waistcoat, and saying, “There's father.”

“Oh, I see,” he laughed. “That was a plan to get him away! Ah!” She had released herself.

“No,” said Flip, dropping her eyes. “It's to keep other people from knowing you. You're hidin' agin.”

“I am,” returned Lance; “but,” he interrupted, “it's only the same old thing.”

“So it would have been,” he said gloomily, “but for some dog down here who is hunting up an old scent. I'll spot him yet, and—” He stopped suddenly, with such utter abstraction of hatred in his fixed and glittering eyes that she almost feared him. She laid her hand quite unconsciously on his arm. He grasped it; his face changed.

“I couldn't wait any longer to see you, Flip, so I came here anyway,” he went on. “I thought to hang round and get a chance to speak to you first, when I fell afoul of the old man. He didn't know me, and tumbled right in my little game. Why, do you believe he wants to hire me for my grub and liquor, to act as a sort of sentry over you and the ranch?” And here he related with great gusto the substance of his interview. “I reckon as he's that suspicious,” he concluded, “I'd better play it out now as I've begun, only it's mighty hard I can't see you here before the fire in your fancy toggery, Flip, but must dodge in and out of the wet underbrush in these yer duds of yours that I picked up in the old place in the Gin and Ginger Woods.”

Flip dropped her eyes. Lance had got his other arm around her waist, but her resisting little hand was still potent.

“Listen,” she said at last without looking up, but apparently talking to the intruding arm, “when Dad comes I'll get him to send you to watch the diamond pit. It isn't far; it's warm, and”—

“I'll come, after a bit, and see you. Quit foolin' now. If you'd only have come here like yourself—like—like—a white man.”

“The old man,” interrupted Lance, “would have just passed me on to the summit. I couldn't have played the lost fisherman on him at this time of year.”

“Ye could have been stopped at the Crossing by high water, you silly,” said the girl. “It was.” This grammatical obscurity referred to the stage coach.

“Yes, but I might have been tracked to this cabin. And look here, Flip,” he said, suddenly straightening himself, and lifting the girl's face to a level with his own, “I don't want you to lie any more for me. It ain't right.”

Lance chose to put his own interpretation on this last adjuration. The resisting little hand was now lying quite limp on his shoulder, He drew her brown, bright face near his own, felt her spiced breath on his lips, his cheeks, his hot eyelids, his swimming eyes, kissed her, hurriedly replaced his wig and blanket, and dropped beside the fire with the tremulous laugh of youth and innocent first passion. Flip had withdrawn to the window, and was looking out upon the rocking pines.

“No,” responded Flip demurely, pressing her hot oval cheek against the wet panes; “I reckon I was mistaken. You're sure,” she added, looking resolutely another way, but still trembling like a magnetic needle toward Lance, as he moved slightly before the fire, “you're SURE you'd like me to come to you?”

“Hush!” said Flip, as this reassuring query of reproachful astonishment appeared about to be emphasized by a forward amatory dash of Lance's; “hush! he's coming this time, sure.”

It was, indeed, Fairley, exceedingly wet, exceedingly bedraggled, exceedingly sponged out as to color, and exceedingly profane. It appeared that there was, indeed, a tree that had fallen in the “run,” but that, far from diverting the overflow into the pit, it had established “back water,” which had forced another outlet. All this might have been detected at once by any human intellect not distracted by correspondence with strangers, and enfeebled by habitually scorning the intellect of its own progenitor. This reckless selfishness had further only resulted in giving “rheumatics” to that progenitor, who now required the external administration of opodeldoc to his limbs, and the internal administration of whiskey. Having thus spoken, Mr. Fairley, with great promptitude and infantine simplicity, at once bared two legs of entirely different colors and mutely waited for his daughter to rub them. If Flip did this all unconsciously, and with the mechanical dexterity of previous habit, it was because she did not quite understand the savage eyes and impatient gestures of Lance in his encompassing wig and blanket, and because it helped her to voice her thought.

“Ye'll never be able to take yer watch at the diamond pit to-night, Dad,” she said; “and I've been reck'nin' you might set the squaw there instead. I can show her what to do.”

But to Flip's momentary discomfiture, her father promptly objected. “Mebbee I've got suthin' else for her to do. Mebbee I may have my secrets, too—eh?” he said, with dark significance, at the same time administering a significant nudge to Lance, which kept up the young man's exasperation. “No, she'll rest yer a bit just now. I'll set her to watchin' suthin' else, like as not, when I want her.” Flip fell into one of her suggestive silences. Lance watched her earnestly, mollified by a single furtive glance from her significant eyes; the rain dashed against the windows, and occasionally spattered and hissed in the hearth of the broad chimney, and Mr. David Fairley, somewhat assuaged by the internal administration of whiskey, grew more loquacious. The genius of incongruity and inconsistency which generally ruled his conduct came out with freshened vigor under the gentle stimulation of spirit. “On an evening like this,” he began, comfortably settling himself on the floor beside the chimney, “ye might rig yerself out in them new duds and fancy fixin's that that Sacramento shrimp sent ye, and let your own flesh and blood see ye. If that's too much to do for your old dad, ye might do it to please that digger squaw as a Christian act.” Whether in the hidden depths of the old man's consciousness there was a feeling of paternal vanity in showing this wretched aborigine the value and importance of the treasure she was about to guard, I cannot say. Flip darted an interrogatory look at Lance, who nodded a quiet assent, and she flew into the inner room. She did not linger on the details of her toilet, but reappeared almost the next moment in her new finery; buttoning the neck of her gown as she entered the room, and chastely stopping at the window to characteristically pull up her stocking. The peculiarity of her situation increased her usual shyness; she played with the black and gold beads of a handsome necklace,—Lance's last gift,—as the merest child might; her unbuckled shoe gave the squaw a natural opportunity of showing her admiration and devotion by insisting upon buckling it, and gave Lance, under that disguise, an opportunity of covertly kissing the little foot and ankle in the shadow of the chimney; an event which provoked slight hysterical symptoms in Flip, and caused her to sit suddenly down in spite of the remonstrances of her parent. “Ef you can't quit gigglin' and squirmin' like an Injin baby yourself, ye'd better git rid o' them duds,” he ejaculated with peevish scorn.

Yet, under this perfunctory rebuke, his weak vanity could not be hidden, and he enjoyed the evident admiration of a creature whom he believed to be half-witted and degraded all the more keenly because it did not make him jealous. She could not take Flip from him. Rendered garrulous by liquor, he went to voice his contempt for those who might attempt it. Taking advantage of his daughter's absence to resume her homely garments, he whispered confidentially to Lance,—

“Ye see these yer fine dresses, ye might think is presents. Pr'aps Flip lets on they are? Pr'aps she don't know any better. But they ain't presents. They're only samples o' dressmaking and jewelry that a vain, conceited shrimp of a feller up in Sacramento sends down here to get customers for. In course I'm to pay for 'em. In course he reckons I'm to do it. In course I calkilate to do it; but he needn't try to play 'em off as presents. He talks suthin' o' coming down here, sportin' hisself off on Flip as a fancy buck! Not ez long ez the old man's here, you bet.” Thoroughly carried away by his fancied wrongs, it was perhaps fortunate that he did not observe the flashing eyes of Lance behind his lank and lustreless wig; but seeing only the figure of Lance, as he had conjured him, he went on: “That's why I want you to hang around her. Hang around her ontil my boy,—him that's comin' home on a visit,—gets here, and I reckon he'll clear out that yar Sacramento counter-jumper. Only let me get a sight o' him afore Flip does, eh? D'ye hear? Dog my skin if I don't believe the d——d Injin's drunk.” It was fortunate that at that moment Flip reappeared, and, dropping on the hearth between her father and the infuriated Lance, let her hand slip in his with a warning pressure. The light touch momentarily recalled him to himself and her, but not until the quick-witted girl had had revealed to her in one startled wave of consciousness the full extent of Lance's infirmity of temper. With the instinct of awakened tenderness came a sense of responsibility, and a vague premonition of danger. The coy blossom of her heart was scarce unfolded before it was chilled by approaching shadows. Fearful of, she knew not what, she hesitated. Every moment of Lance's stay was imperiled by a single word that might spring from his suppressed white lips; beyond and above the suspicions his sudden withdrawal might awaken in her father's breast, she was dimly conscious of some mysterious terror without that awaited him. She listened to the furious onslaught of the wind upon the sycamores beside their cabin, and thought she heard it there; she listened to the sharp fusillade of rain upon roof and pane, and the turbulent roar and rush of leaping mountain torrents at their very feet, and fancied it was there. She suddenly sprang to the window, and, pressing her eyes to the pane, saw through the misty turmoil of tossing boughs and swaying branches the scintillating intermittent flames of torches moving on the trail above, and KNEW it was there!

In an instant she was collected and calm. “Dad,” she said, in her ordinary indifferent tone, “there's torches movin' up toward the diamond pit. Likely it's tramps. I'll take the squaw and see.” And before the old man could stagger to his feet she had dragged Lance with her into the road.

CHAPTER VI.

The wind charged down upon them, slamming the door at their backs, extinguishing the broad shaft of light that had momentarily shot out into the darkness, and swept them a dozen yards away. Gaining the lee of a madrono tree, Lance opened his blanketed arms, enfolded the girl, and felt her for one brief moment tremble and nestle in his bosom like some frightened animal. “Well,” he said, gayly, “what next?” Flip recovered herself. “You're safe now anywhere outside the house. But did you expect them tonight?” Lance shrugged his shoulders. “Why not?” “Hush!” returned the girl; “they're coming this way.”

The four flickering, scattered lights presently dropped into line. The trail had been found; they were coming nearer. Flip breathed quickly; the spiced aroma of her presence filled the blanket as he drew her tightly beside him. He had forgotten the storm that raged around them, the mysterious foe that was approaching, until Flip caught his sleeve with a slight laugh. “Why, it's Kennedy and Bijah?”

Half leading, half dragging her friend, Flip made her way with unerring woodcraft down the ravine. The sound of voices and even the tumult of the storm became fainter, an acrid smell of burning green wood smarted Lance's lips and eyes; in the midst of the darkness beneath him gradually a faint, gigantic nimbus like a lurid eye glowed and sank, quivered and faded with the spent breath of the gale as it penetrated their retreat. “The pit,” whispered Flip; “it's safe on the other side,” she added, cautiously skirting the orbit of the great eye, and leading him to a sheltered nest of bark and sawdust. It was warm and odorous. Nevertheless, they both deemed it necessary to enwrap themselves in the single blanket. The eye beamed fitfully upon them, occasionally a wave of lambent tremulousness passed across it; its weirdness was an excuse for their drawing nearer each other in playful terror.

“Likely,” said Flip, without the least trace of coquetry. “There's been a lot of strangers yer, off and on.”

Lance's reply was a kiss. Nevertheless he was vaguely uneasy. “Looks a little as if I were running away, don't it?” he suggested.

“No,” said Flip; “they think you're only a squaw; it's me they're after.” Lance smarted a little at this infelicitous speech. A strange and irritating sensation had been creeping over him—it was his first experience of shame and remorse. “I reckon I'll go back and see,” he said, rising abruptly.

Flip was silent. She was thinking. Believing that the men were seeking her only, she knew that their attention would be directed from her companion when it was found out he was no longer with her, and she dreaded to meet them in his irritable presence.

“Go,” she said, “tell Dad something's gone wrong in the diamond pit, and say I'm watching it for him here.”

“I'll go there and wait for him. If he can't get rid of them, and they follow him there, I'll come back here and meet you. Anyhow, I'll manage to have Dad wait there a spell.”

She took his hand and led him back by a different path to the trail. He was surprised to find that the cabin, its window glowing from the fire, was only a hundred yards away. “Go in the back way, by the shed. Don't go in the room, nor near the light, if you can. Don't talk inside, but call or beckon to Dad. Remember,” she said, with a laugh, “you're keeping watch of me for him. Pull your hair down on your eyes so.” This operation, like most feminine embellishments of the masculine toilet was attended by a kiss, and Flip, stepping back into the shadow, vanished in the storm.

Lance's first movements were inconsistent with his assumed sex. He picked up his draggled skirt, and drew a bowie knife from his boot. From his bosom he took a revolver, turning the chambers noiselessly as he felt the caps. He then crept toward the cabin softly and gained the shed. It was quite dark but for a pencil of light piercing a crack of the rude, ill-fitting door that opened on the sitting-room. A single voice not unfamiliar to him, raised in half-brutal triumph, greeted his ears.

A name was mentioned—his own! His angry hand was on the latch. One moment more and he would have burst the door, but in that instant another name was uttered—a name that dropped his hand from the latch and the blood from his cheeks. He staggered backward, passed his hand swiftly across his forehead, recovered himself with a gesture of mingled rage and despair, and, sinking on his knees beside the door, pressed his hot temples against the crack.

“Do I know Lance Harriott?” said the voice. “Do I know the d——d ruffian? Didn't I hunt him a year ago into the brush three miles from the Crossing? Didn't we lose sight of him the very day he turned up yer at this ranch, and got smuggled over into Monterey? Ain't it the same man as killed Arkansaw Bob—Bob Ridley—the name he went by in Sonora? And who was Bob Ridley, eh? Who? Why, you d——d old fool, it was Bob Fairley—YOUR SON!”

“What are ye talkin' about?” interrupted the first speaker. “I tell you I KNOW. Look at these pictures. I found 'em on his body. Look at 'em. Pictures of you and your girl. Pr'aps you'll deny them. Pr'aps you'll tell me I lie when I tell you HE told me he was your son; told me how he ran away from you; how you were livin' somewhere in the mountains makin' gold, or suthin' else, outer charcoal. He told me who he was as a secret. He never let on he told it to any one else. And when I found that the man who killed him, Lance Harriott, had been hidin' here, had been sendin' spies all around to find out all about your son, had been foolin' you and tryin' to ruin your gal as he had killed your boy, I knew that HE knew it, too.”

The door fell in with a crash. There was the sudden apparition of a demoniac face, still half hidden by the long trailing black locks of hair that curled like Medusa's around it. A cry of terror filled the room. Three of the men dashed from the door and fled precipitately. The man who had spoken sprang toward his rifle in the chimney corner. But the movement was his last; a blinding flash and shattering report interposed between him and his weapon.

The impulse carried him forward headlong into the fire, that hissed and spluttered with his blood, and Lance Harriott with his smoking pistol, strode past him to the door. Already far down the trail there were hurried voices, the crack and crackling of impending branches growing fainter and fainter in the distance. Lance turned back to the solitary living figure—the old man.

Yet he might have been dead, too, he sat so rigid and motionless, his fixed eyes staring vacantly at the body on the hearth. Before him on the table lay the cheap photographs, one evidently of himself, taken in some remote epoch of complexion, one of a child which Lance recognized as Flip.

“Tell me,” said Lance hoarsely, laying his quivering hand on the table, “was Bob Ridley your son?”

“My son,” echoed the old man in a strange, far-off voice, without turning his eyes from the corpse—“My son—is—is—is there!” pointing to the dead man. “Hush! Didn't he tell you so? Didn't you hear him say it? Dead—dead—shot—shot!”

“Silence! are you crazy, man?” repeated Lance, tremblingly; “that is not Bob Ridley, but a dog, a coward, a liar gone to his reckoning. Hear me! If your son WAS Bob Ridley, I swear to God I never knew it, now or—or—THEN. Do you hear me? Tell me! Do you believe me? Speak! You shall speak.”

He laid his hand almost menacingly on the old man's shoulder. Fairley slowly raised his head. Lance fell back with a groan of horror. The weak lips were wreathed with a feeble imploring smile, but the eyes wherein the fretful, peevish, suspicious spirit had dwelt were blank and tenantless; the flickering intellect that had lit them was blown out and vanished.

Lance walked toward the door and remained motionless for a moment, gazing into the night. When he turned back again toward the fire his face was as colorless as the dead man's on the hearth; the fire of passion was gone from his beaten eyes; his step was hesitating and slow. He went up to the table.

“I say, old man,” he said, with a strange smile and an odd, premature suggestion of the infinite weariness of death in his voice, “you wouldn't mind giving me this, would you?” and he took up the picture of Flip. The old man nodded repeatedly. “Thank you,” said Lance. He went to the door, paused a moment, and returned. “Good-by, old man,” he said, holding out his hand. Fairley took it with a childish smile. “He's dead,” said the old man softly, holding Lance's hand, but pointing to the hearth. “Yes,” said Lance, with the faintest of smiles on the palest of faces. “You feel sorry for any one that's dead, don't you?” Fairley nodded again. Lance looked at him with eyes as remote as his own, shook his head, and turned away. When he reached the door he laid his revolver carefully, and, indeed, somewhat ostentatiously, upon a chair. But when he stepped from the threshold he stopped a moment in the light of the open door to examine the lock of a small derringer which he drew from his pocket. He then shut the door carefully, and with the same slow, hesitating step, felt his way into the night.

He had but one idea in his mind, to find some lonely spot; some spot where the footsteps of man would never penetrate, some spot that would yield him rest, sleep, obliteration, forgetfulness, and, above all, where HE would be forgotten. He had seen such places; surely there were many,—where bones were picked up of dead men who had faded from the earth and had left no other record. If he could only keep his senses now he might find such a spot, but he must be careful, for her little feet went everywhere, and she must never see him again alive or dead. And in the midst of his thoughts, and the darkness, and the storm, he heard a voice at his side, “Lance, how long you have been!”

Left to himself, the old man again fell into a vacant contemplation of the dead body before him, until a stronger blast swept down like an avalanche upon the cabin, burst through the ill-fastened door and broken chimney, and, dashing the ashes and living embers over the floor, filled the room with blinding smoke and flame. Fairley rose with a feeble cry, and then, as if acted upon by some dominant memory, groped under the bed until he found his buckskin bag and his precious crystal, and fled precipitately from the room. Lifted by this second shock from his apathy, he returned to the fixed idea of his life,—the discovery and creation of the diamond,—and forgot all else. The feeble grasp that his shaken intellect kept of the events of the night relaxed, the disguised Lance, the story of his son, the murder, slipped into nothingness; there remained only the one idea, his nightly watch by the diamond pit. The instinct of long habit was stronger than the darkness or the onset of the storm, and he kept his tottering way over stream and fallen timber until he reached the spot. A sudden tremor seemed to shake the lambent flame that had lured him on. He thought he heard the sound of voices; there were signs of recent disturbance,—footprints in the sawdust! With a cry of rage and suspicion, Fairley slipped into the pit and sprang toward the nearest opening. To his frenzied fancy it had been tampered with, his secret discovered, the fruit of his long labors stolen from him that very night. With superhuman strength he began to open the pit, scattering the half-charred logs right and left, and giving vent to the suffocating gases that rose from the now incandescent charcoal. At times the fury of the gale would drive it back and hold it against the sides of the pit, leaving the opening free; at times, following the blind instinct of habit, the demented man would fall upon his face and bury his nose and mouth in the wet bark and sawdust. At last, the paroxysm past, he sank back again in his old apathetic attitude of watching, the attitude he had so often kept beside his sylvan crucible. In this attitude and in silence he waited for the dawn.

It came with a hush in the storm; it came with blue openings in the broken up and tumbled heavens; it came with stars that glistened first, and then paled, and at last sank drowning in those deep cerulean lakes; it came with those cerulean lakes broadening into vaster seas, whose shores expanded at last into one illimitable ocean, cerulean no more, but flecked with crimson and opal dyes; it came with the lightly lifted misty curtain of the day, torn and rent on crag and pine top, but always lifting, lifting. It came with the sparkle of emerald in the grasses, and the flash of diamonds in every spray, with a whisper in the awakening woods, and voices in the traveled roads and trails.

The sound of these voices stopped before the pit, and seemed to interrogate the old man. He came, and, putting his finger on his lips, made a sign of caution. When three or four men had descended he bade them follow him, saying, weakly and disjointedly, but persistently: “My boy—my son Robert—came home—came home at last—here with Flip—both of them—come and see!”

He had reached a little niche or nest in the hillside, and stopped and suddenly drew aside a blanket. Beneath it, side by side, lay Flip and Lance, dead, with their cold hands clasped in each other's.

“Suffocated!” said two or three, turning with horror toward the broken up and still smouldering pit.

“Asleep!” said the old man. “Asleep! I've seen 'em lying that way when they were babies together. Don't tell me! Don't say I don't know my own flesh and blood! So! so! So, my pretty ones!” He stooped and kissed them. Then, drawing the blanket over them gently, he rose and said softly, “Good night!”

*** END OF THE PROJECT GUTENBERG EBOOK FLIP: A CALIFORNIA ROMANCE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of Flip: A California Romance

FLIP: A CALIFORNIA ROMANCE

By Bret Harte

CHAPTER I

CHAPTER II.

CHAPTER III.

CHAPTER IV.

CHAPTER V.

CHAPTER VI.

THE FULL PROJECT GUTENBERG LICENSE