The Project Gutenberg eBook of Caleb in the Country, by Jacob Abbott

The object of this little work, and of others of its family, which may perhaps follow, is, like that of the “Rollo Books,” to furnish useful and instructive reading to young children. The aim is not so directly to communicate knowledge, as it is to develop the moral and intellectual powers,—to cultivate habits of discrimination and correct reasoning, and to establish sound principles of moral conduct. The “Rollo Books” embrace principally intellectual and moral discipline; “Caleb,” and the others of its family, will include also religious training, according to the evangelical views of Christian truth which the author has been accustomed to entertain, and which he has inculcated in his more serious writings.

CALEB IN THE COUNTRY

CHAPTER I.

CALEB'S DISCOVERY.

Caleb was a bright-looking, blue-eyed boy, with auburn hair and happy countenance. And yet he was rather pale and slender. He had been sick. His father and mother lived in Boston, but now he was spending the summer at Sandy River country, with his grandmother. His father thought that if he could run about a few months in the open air, and play among the rocks and under the trees, he would grow more strong and healthy, and that his cheeks would not look so pale.[Pg 6]

His grandmother made him a blue jacket with bright buttons. She liked metal buttons, because they would wear longer than covered ones, but he liked them because they were more beautiful. “Besides,” said he, “I can see my face in them, grandmother.”

Little Caleb then went to the window, so as to see his face plainer. He stood with his back to the window, and held the button so that the light from the window could shine directly upon it.

“Why grandmother,” said Caleb, “I cannot see now so well as I could before.”

“But when you want to see any thing reflected in a glass, you must have the light shine upon the thing you want to see reflect[Pg 7]ed, not upon the glass itself; and I suppose it is so with a bright button.”

Then Caleb turned around, so as to have his face towards the light; and he found that he could then see it reflected very distinctly. His grandmother went on with her work, and Caleb sat for some time in silence.

The house that Caleb lived in was in a narrow rocky valley. A stream of water ran over a sandy bed, in front of the house, and a rugged mountain towered behind it. Across the stream, too, there was a high, rocky hill, which was in full view from the parlour window. This hill was covered with wild evergreens, which clung to their sides, and to the interstices of the rocks; and mosses, green and brown, in long festoons, hung from their limbs. Here and there crags and precipices peeped out from among the foliage, and a grey old cliff towered above, at the summit.[Pg 8]

Caleb turned his button round again towards the window, and of course turned his face from the window. The reflection of his face was now dim, as before, but in a moment his eye caught the reflection of the crags and trees across the little valley.

“O, grandmother,” said he again, “I can see the rocks in my buttons, and the trees. And there is an old stump,” he continued, his voice falling to a low tone, as if he was talking to himself,—“and there is a tree,—and,—why—why, what is that? It is a bear, grandmama,”—calling aloud to her,—“I see a bear upon the mountain.”

“I do certainly,” said Caleb, and he dropped the corner of his jacket, which had the button attached to it, and looked out of the window directly at the mountain.

Presently Caleb turned away from the[Pg 9] window, and ran to the door. There was a little green yard in front of the house, with a large, smooth, flat stone for a door-step. Caleb stood on this step, and looked intently at the mountain. In a moment he ran back to his grandmother, and said,

“Why, child,” said she, smiling, “it is nothing but some old black stump or log.”

So his grandmother smiled, and said, “Well, I suppose I must come and see.” So she laid down her work, and took off her spectacles, and Caleb took hold of her hand, and trotted along before her to the step of the door. It was a beautiful sunny morning in June.

“There,” said Caleb, triumphantly pointing to a spot among the rocks and bushes[Pg 10] half-way up the mountain,—“there, what do you call that?”

“Then it is a bear,” said Caleb, half-delighted, and half afraid, “Isn't it, grandmother? I'll go and get the gun.”

There was an old gun behind the high desk, in the back sitting-room; but it had not been loaded for twenty years, and had no back upon it. Still Caleb always supposed that some how or other it would shoot.

Cherry was the cow. She had strayed from the pasture the day before, and they could not find her. She was called Cherry from her colour; for although she had looked almost black, as Caleb had seen her in the bushes, she was really a Cherry colour. Caleb saw at once, as soon as his grandmother said that it was Cherry, that she was correct. In fact, he could see her head and horns, as she was holding her head up to eat the leaves from the bushes. However he did not stop to talk about it, but, obeying his grandmother immediately, he ran off after the boys.

He went out to the back door, where the boys had been at play, and shouted out, “David! Da—vid! Dwi—ght! Da—vid[Pg 12]!” But there was no reply, except a distant echo of “David” and “Dwight” from the rocks and mountains.

So Caleb came back, and said that he could not find the boys, and that he supposed that they had gone to school.

Grandmother said he might: and so Caleb ran off to the porch at the back door, and took down quite a large bell, which was hanging there. Caleb stood upon the steps of the porch, and grasping the great handle of the bell with both hands, he rang it with all his might. In a minute or two he stopped; and then he heard a faint and distant “Aye-aye” coming, from a field. Caleb put the bell back into its place, and then went again to his grandmother.

In a few minutes Raymond came in. He[Pg 13] was a thick-set and rather tall young man, broad-shouldered and strong,—slow in his motions, and of a very sober countenance. Caleb heard his heavy step in the entry, though he came slowly and carefully, as if he tried to walk without making a noise.

“Yes,” said she. “Cherry has got up on the rocks. Caleb spied her there; he will shew you where, and I should like to have you go and drive her down.”

Caleb wanted to go too; but his grandmother said it would not do very well, for he could not keep up with Raymond; and besides, she said that she wanted him. So Caleb went out with Raymond under the great elm before the house, and pointed out the place among the rocks, where he had[Pg 14] seen Cherry. She was not there then, at least she was not in sight; but Raymond knew that she could not have gone far from the place, so he walked down over the bridge, and soon disappeared.

While Caleb stood watching Raymond, as he walked off with long strides towards the mountain, his grandmother came to the door and said,

Caleb turned and ran to his grandmother. She had in her hand a little red morocco book, and taking Caleb's hand, she went slowly up stairs, he frisking and capering around her all the way. There was a bed in the room, with a white covering, and by the window an easy chair, with a high back, and round well-stuffed arms. Madam Rachel went to the easy chair and sat down and took Caleb in her lap. Caleb looked out upon the long drooping branches of the elm which hung near the window.[Pg 15]

Caleb's countenance was pale; and he was slender in form, and delicate in appearance. He had been sick, and even now, he was not quite well. His little taper fingers rested upon the window-sill, while his grandmother opened her little Bible and began to read. Caleb sat still in her lap, with a serious and attentive expression of countenance.

“Two men went up into the temple to pray; the one a pharisee, the other a publican.”

“You will hear presently. 'And the pharisee stood and prayed thus with himself: God, I thank thee that I am not as other men are, extortioners, unjust, adulterers.”

“O, different kinds of crimes and sins.[Pg 16] The pharisee thanked God that he had not committed any of them.”

“'Or even as this publican.' A publican, you must know, was a tax-gatherer. He used to collect the taxes from the people. They did not like to pay their taxes, and so they did not like the tax-gatherers, and despised them. And thus the pharisee thanked God that he was not like that publican. 'I fast twice in the week. I pay tithes of all that I possess.'

“Yes, that was money which God had commanded them to pay. They were to pay in proportion to the property they had. But some dishonest men used to conceal some of their property, so as not to have to pay so[Pg 17] much; but this pharisee said he paid tithes of all that he possessed.”

“If he really did it,” continued Caleb doubtfully. “Do you think he did, grandmother?”

“Why, his heart might have been bad, but he was probably pretty careful about all his actions, which could be seen of men. But we will go on.”

“'And the publican, standing afar off, would not lift up so much as his eyes to heaven, but smote upon his breast, saying, God be merciful to me a sinner. I tell[Pg 18] you this man went down to his house justified rather than the other.'”

“Forgiven and approved. God was pleased with the publican, because he confessed his sins honestly; but he was displeased with the pharisee, because he came boasting of his good deeds.”

Here there was a pause. Caleb sat still and seemed thoughtful. His grandmother did not interrupt him, but waited to hear what he would say.

“Yes; but, grandmother, if the pharisee really was a good man, it wasn't right for him to thank God for it?”

“Thomas's acorns!” said Caleb, “tell me about them, grandmother[Pg 19].”

“Why, Thomas and his brother George were sent to school. They stopped to play by the way, until it was so late that they did not dare to go in. Then they staid playing about the fields till it was time to go home. They felt pretty bad and out of humour, and at last they separated and went home different ways.

“In going home, Thomas found an oak-tree with acorns under it. 'Ah!' said he, 'I will carry mother home some acorns.' He had observed that his mother was pleased whenever he brought her things; and he had an idea of soothing his own feelings of guilt, and securing his mother's favour, by the good deed of carrying her home some acorns. So, when he came into the house, he took off his hat carefully, with the acorns in it, and holding it in both hands, marched up to his mother with a smiling face, and[Pg 20] look of great self-satisfaction, and said, 'Here, mother, I have got you some acorns.'”

“She shook her head sorrowfully, and told him to go and put the acorns away. She knew where he had been.

“Then presently George came in. He put away his cap, walked in softly, and put his face down in his mother's lap, and said, with tears and sobs, 'Mother, I have been doing something very wrong.' Now, which of these do you think came to his mother right?'”

“Yes, and that was the way the publican came; but the pharisee covered up all his sins, being pleased and satisfied himself, and thinking that God would be pleased and satisfied with his acorns.”

Here Madam Rachel paused, and Caleb sat still, thinking of what he had heard.[Pg 21]

Madam Rachel then closed her eyes, and, in a low, gentle voice, she spoke a few words of prayer; and then she told Caleb that he must always remember in all his prayers to confess his sins fully and freely, and never cover them up and conceal them, with an idea that his good deeds made him worthy. Then she put Caleb down, and he ran down stairs to play.

He asked his grandmother to let him go over the bridge, so as to be ready to meet Raymond, when he should come back with the cow. She at first advised him not to go, for she was afraid, she said, that he might get lost, or fall into the brook; but Caleb was very desirous to go, and finally she consented. He had a little whip that David had made for him. The handle was made from the branch of a beach-tree, which David cut first to make a cane of, for himself; but he broke his cane, and so he gave[Pg 22] Caleb the rest of the stick for a whip-handle. The lash was made of leather. It was cut out of a round piece of thick leather, round and round, as they made leather shoe-strings, and then rolled upon a board. This is a fine way to make lashes and reins for boys.

Caleb took his whip for company, and sauntered along over the bridge. When he had crossed the bridge, he walked along the bank of the stream, watching the grass-hoppers and butterflies, and now and then cutting off the head of a weed with the lash of his whip.

The banks of the brook were in some places high, and the water deep; in other places, there was a sort of beach, sloping down to the water's edge; and here, the water was generally shallow, to a considerable distance from the shore. Caleb was allowed to come down to the water at these shal[Pg 23]low places; but he had often been told that he must not go near the steep places, because there was danger that he would fall in.

Now, boys are not very naturally inclined to obey their parents. They have to be taught with great pains and care. They must be punished for disobedience, in some way or other, a good many times. But neglected children, that is, those that are left to themselves, are almost always very disobedient and unsubmissive. Caleb, now, was not a neglected child. He had been taught to submit and obey, when he was very young, and his grandmother could trust him now.

Besides, Caleb, had still less disposition now to disobey his grandmother than usual, for he had been sick, and was still pale and feeble; and this state of health often makes children quiet, gentle, and submissive.

So Caleb walked slowly along, carefully[Pg 24] avoiding all the high banks, but sometimes going down to the water, where the shore was sloping and safe. At length, at one of these little landing places he stopped longer than usual. He called it the cotton landing. David and Dwight gave it that name, because they always found, wedged in, in a corner between a log and the shore, a pile of cotton, as they called it. It was, in reality, light, white froth, which always lay there; and even if they pushed it all away with a stick, they would find a new supply the next day. Caleb stood upon the shore, and with the lash of his whip, cut into the pile of “cotton.” The pile broke up into large masses, and moved slowly and lightly away into the stream. One small tuft of it floated towards the shore, and Caleb reached it with his whip-handle, and took a part of it in, saying, “Now I will see what it is made of[Pg 25].”

On closely examining it, he found to his surprise, that it was composed of an infinite number of very small bubbles, piled one upon another, like the little stones in a heap of gravel. It was white and beautiful, and in some of the biggest bubbles, Caleb could see all the colours of the rainbow. He wondered where this foam could come from, and he determined to carry some of it home to his grandmother. So he stripped off a flat piece of birch bark from a neighbouring tree, and took up a little of the froth upon it, and placed it very carefully upon a rock on the bank, where it would remain safely, he thought, till he was ready to go home.

Just above where he stood was a little waterfall in the brook. The current was stopped by some stones and logs, and the water tumbled over the obstruction, forming quite a little cataract, which sparkled in the sun.[Pg 26]

Caleb threw sticks and pieces of bark into the water, above the fall, and watched them as they sailed on, faster and faster, and then pitched down the descent. Then he would go and whip them into his landing, and thus he could take them out, and sail them down again. After amusing himself some time in this manner, he began to wonder why Raymond did not come, and he concluded to take his foam, and go along. He went to the rock and took up his birch bark; but, to his surprise, the foam had disappeared. He was wondering what had become of it, when he heard across the road, and at a little distance above him, a scrambling in the bushes, on the side of the mountain. At first, he was afraid; but in a moment more, he caught a glimpse of the cow coming out of the bushes, and supposing that Raymond was behind, he threw down his birch bark, and began to gallop off to meet him, lashing the ground with his whip.[Pg 27]

At the same time, the cow, somewhat worried by being driven pretty fast down the rocks, came running out into the road, and when she saw Caleb coming towards her, and with such antics, began to cut capers too. She came on, in a kind of half-frolicsome, half-angry canter, shaking her horns; and Caleb, before he got very near her, began to be somewhat frightened. At first he stopped, looking at her with alarm. Then he began to fall back to the side of the road, towards the brook. At this instant Raymond appeared coming out of the bushes, and, seeing Caleb, called out to him to stand still.

“Stand still, Caleb, till she goes by: she will not hurt you.” But Caleb could not control his fears. His little heart beat quick, and his pale cheek grew paler. He could not control his fears, though he knew very well that what Raymond said must be[Pg 28] true. He kept retreating backwards nearer and nearer to the brook, as the cow came on, whipping the air, towards her to keep her off. He was now at some little distance above the cotton landing, and opposite to a part of the bank where the water was deep. Raymond perceived his danger, and as he was now on the very brink, he shouted out suddenly,

But the sudden call only frightened poor Caleb still more; and before the “Take care” was uttered, his foot slipped, and he slid back into the water, and sank into it until he entirely disappeared.

Raymond rushed to the place, and in an instant was in the water by his side, and pulling Caleb out, he carried him gasping to the shore. He wiped his face with his handkerchief, and tried to cheer and encourage him.[Pg 29]

“Never, mind, Caleb,” said he; “it won't hurt you. It is a warm sunny morning.” Caleb cried a few minutes, but, finally, became pretty nearly calm, and Raymond led him along towards home, sobbing as he went, “O dear me!—what will my grandmother say?”

CHAPTER II.

TROUBLE.

As Caleb walked along by the side of Raymond, and came upon the bridge, he was seen both by his grandmother, who happened to be standing at the door, and also at the same instant, by the two boys, Dwight and David, who were just then coming home from school. Dwight, seeing Caleb walking along so sadly, his clothes and hair thoroughly drenched, set up a shout, and ran towards him over the bridge. David was of a more quiet and sober turn, and he followed more slowly, but with a face full of surprise and curiosity.

Madam Rachel, too, perceived that her little grandson had been in the brook, and[Pg 31] she said, “Can it be possible that he has disobeyed?” Then, again, the next thought was, “Well, if he has, he has been punished for it pretty severely, and so I will treat him kindly.”

David and Dwight came eagerly up, with exclamations, and questions without number. This made poor Caleb feel worse and worse—he wanted to get home as soon as possible, and he could not tell the boys all the story there; and presently Raymond, finding that he could not get by them very well, took him up in his arms, and carried him towards the house, David and Dwight following behind. Caleb expected that his grandmother would think him very much to blame, and so, as he came near enough to speak to her, he raised his head from Raymond's shoulder, and began to say,

“I am very sorry, grandmother; but I could not help it. I certainly could not help it.”

But he saw at once, by his grandmother's[Pg 32] pleasant-looking face, that she was not going to find any fault with him.

“You have not hurt yourself, Caleb, I hope,” said she, as Raymond put him down.

His grandmother said she would soon warm him, and she led him into a little bedroom, where he was accustomed to sleep, and undressed him, talking good-humouredly with him all the while, so as to relieve his fears, and make him feel more happy. She wiped him dry with soft flannel, and gave him some clean, dry clothes, and made him very comfortable again. She did not ask him how he happened to fall in the water, for she knew it would trouble him to talk about it. So she amused him by talking about other things, and at last let him out again into the parlour.

The wetting did Caleb no injury; but the fright and the suddenness of the plunge gave him a shock, which, in his feeble state[Pg 33] of health, he was ill able to bear. A good stout boy, with red cheeks and plump limbs, would not have regarded it at all, but would have been off to play again just as soon as his clothes were changed. But poor Caleb sat down in his little rocking chair by the side of his grandmother, and began to rock back and forth, as if he was rocking away the memory of his troubles, while his grandmother went on with her work.

Presently he stopped to listen to the voices of Dwight and David, who were out before the house.

Presently, they came nearer again. The boys seemed to be passing down in front of the house, with a wheelbarrow, towards the water.

“Grandmother,” said Caleb, stopping[Pg 34] again, “what do you suppose the boys are doing?”

“I don't know,” said she, “should not you like to go and see? You can play with them half an hour before dinner, if you please.”

Soon after he heard a splash, as of stones thrown into the water. Caleb started up and said,

“I don't know,” said she, “if you want to know very much, you must go and see.”

Caleb rose slowly, put his rocking chair back into its place, and went to the door. He looked down towards the bank of the brook before the house, and saw Dwight and David there. They had a wheelbarrow close to the edge of the water, with a few stones in it, some as big as Caleb's head. Each of the boys had a stone in his hand,[Pg 35] which he was just throwing into the brook. Caleb had a great desire to go down and see what they were doing; but he felt weak and tired, and so, after looking on a moment, he said to himself, “I had rather sit down here.” So he sat down upon the step of the door, and looked on.

After the boys had thrown one or two large stones into the water, they took hold of the wheelbarrow, and, then, tipping it up, the whole load slid down into the water, close to the shore. The boys then came back, wheeling the great wheelbarrow up into the road.

They went after another load of stones, and Caleb's curiosity was so far awakened, that he rose slowly, and walked down towards the place. In a few minutes, the boys came back with their load; David wheeling, and Dwight walking along by his side, and pushing as well as he could, to help. As soon as he saw Caleb, he began to call out,[Pg 36]

“Why, it is a kind of wharf, built out far into the water, to make a harbour for our shipping. We learned about it in our geography.”

“Yes,” said Dwight, coming up, eagerly, to Caleb, “you see the current carries all our vessels down the stream, you know, Caleb, and we are going to build out a long mole, out into the middle of the brook, and that will stop our vessels; and then we are going to make it pretty wide, so that we can walk out upon it, and the end of it will do for a wharf.”

Caleb looked quite pleased at this plan and wanted the boys to let him help; and[Pg 37] Dwight said he might go and help them get their next load of stones.

But Caleb did not help much, although he really tried to help. He kept getting into the other boys' way. At last Dwight got out of patience, and said,

But Caleb wanted to help; and Dwight tried to make him go away. Presently, he began to laugh at him for being afraid of a cow.

Caleb did not answer, but walked along by the side of the wheelbarrow. David was wheeling it; for they had now got it loaded, and were going back to the shore of the brook, Caleb on one side, and Dwight upon the other. Dwight saw that Caleb hung his head, and looked confused.

“Moo! moo!” said Dwight, running round to Caleb's side of the wheelbarrow, and moo-ing close into his ear.

Caleb let go of the wheelbarrow, turned around, burst into tears, and walked slowly and sorrowfully away towards the house.

“There, now,” said David, “you have made him cry. What do you want to trouble him so for?”

Dwight looked after Caleb, and seeing that he was going to the house, he was afraid that he would tell his grandmother. So he ran after him, and began to call to him to stop; but, before he had gone many steps, he saw his grandmother standing at the door of the house, and calling to them all to come.

Caleb had nearly stopped crying when he came up to his grandmother. She did not say any thing to him about the cause of his trouble, but asked him if he was willing to go down cellar with Mary Anna, and help her choose a plateful of apples for dinner.[Pg 39] His eye brightened at this proposal, and Mary Anna, who was sitting at the window, reading, rose, laid down her book, took hold of his hand with a smile, and led him away.

Madam Rachel then went to her seat in her great arm-chair, and David and Dwight came and stood by her side.

“Why, yes, mother, I knew it plagued him a little; but then I only did it for fun.”

“I know it,” said Madam Rachel; “and[Pg 40] that is the very thing that makes me so sorry for it.”

“Because if you had given Caleb four times as much pain for any other reason, I should not have thought half so much of it, as to have you trouble him for fun. If it had been to do him any good, or to do any body else any good, or from mistake, or mere thoughtlessness, I should not have thought so much of it; but to do it for fun!”

“I rather think, mother, it was only thoughtlessness,” said David, by way of excusing Dwight.

“No; because he knew that it gave Caleb pain, and it was, in fact, for the very purpose of giving him pain, that Dwight did it. If he had been saying moo accidentally, without thinking of troubling Caleb,[Pg 41] that would have been thoughtlessness; but it was not so. And what makes me most unhappy about this,” continued Madam Rachel, putting her hand gently on Dwight's head, “is that my dear Dwight has a heart capable under some circumstances, of taking pleasure in the sufferings of a helpless little child.”

David and Dwight were both silent, though they saw clearly that what their mother said was true.

“And yet, perhaps, you think it is a very little thing after all,” she continued, “just moo-ing at Caleb a little. The pain it gave him was soon over. Just sending him down cellar to get apples, made him forget it in a moment; so that you see it is not the mischief that is done, in this case, but the spirit of mind in you, that it shews. It is a little thing, I know; but then it is a little symptom of a very bad disease. It is very hard to cure.”

“Well, mother,” said Dwight, looking[Pg 42] up, and speaking very positively, “I am determined not to trouble Caleb any more.”

“Yes, but I am afraid your determinations won't reach the difficulty. As long as the spirit of mind remains, so that you are capable of taking pleasure in the sufferings of another, your determinations not to indulge the bad spirit, will not do much good. You will forget them all, when the temptation comes. Don't you remember how often I have talked with you about this, and how often you have promised not to do it, before?”

“So, you see determinations will not do much good. As long as your heart is malicious, the malice will come out in spite of all your determinations.”

Just at this moment Caleb came in, bringing his plate of apples, with an air of great importance and satisfaction. He had nearly forgotten his troubles. Soon after this, dinner was brought in, and Madam Rachel said no more to the boys about malice. After dinner, they went out again to play.

CHAPTER III.

BUILDING THE MOLE.

Caleb sat down upon the step of the door, eating a piece of bread, while Dwight and David returned to their work of building the mole. They got the wheelbarrow, and loaded it with stones.

Caleb sat a few minutes more at the door, and then he went into the house, and got his little rocking chair, and brought it out under the elm, and sat down there, looking towards the boys, who were at work near the water. At last, David spied him sitting there, and said,

Dwight looked around, and then, throwing down the stone that he had in his hands, he said,

“No,” said Caleb, shaking his head, and, turning away a little; “I don't want to go.”

“No,” said Caleb: “I am tired, and I had rather stay here in my little chair.”

“But I will carry your chair down to the brook; and there is a beautiful place there to sit and see us tumble in the stones.”

So Caleb got up, and Dwight took his chair, and they walked together down to the shore of the brook. Dwight found a little spot so smooth and level, that the rocking-chair would stand very even upon it, though[Pg 45] it would not rock very well, for the ground was not hard, like a floor. Caleb rested his elbow upon the arm of his chair, and his pale cheek in his little slender hand, and watched the stones, as, one after another, they fell into the brook.

The brook at this place, was very wide and shallow, and the current was not very rapid, so that they got along pretty fast; and thus the mole advanced steadily out into the stream.

“Well, Caleb,” said Dwight, as he stopped, after they had tossed out all the stones from the wheelbarrow, “and how do you like our mole?”

“O,” said Dwight, “we are going to make the top very smooth, when we get it done[Pg 46].”

“Why can't we do it now?” said David, “as we go along: and then we can wheel our wheelbarrow out upon it, and tip our stones in at the end.”

“Agreed,” said Dwight; and they accordingly leveled the stones off on the top, and put small stones in at all the interstices, that is, the little spaces between the large stones, so as to prevent the gravel from running down through. Then they went and got a load of gravel out of a bank pretty near, and spread it down over the top, and it made a good, smooth road; only, it was not trodden down hard at first, and so it was not very easy wheeling over it.

They found one difficulty, however, and that was that the gravel rolled over each side of the mole, and went into the water. To prevent this, they arranged the largest stones on each side, in a row, for the edge, and then[Pg 47] filled in with gravel up to the edge, and thus they gradually advanced towards the middle of the stream, finishing the mole completely as they went on. Caleb then said he liked it very much, and wanted to walk on it. So the boys let him. He went out to the end, and stood there a minute, and then said that he wished he had his whip there, to whip in a stick which was sailing down a little way off.

“I suppose it is hanging up on its nail,” said Caleb, “I mean to go and get it.”

So Caleb walked off the mole, and went slowly up towards the house, singing by the way, while David and Dwight went after another load of gravel. While they were putting down this load, and spreading it on, Caleb came back, looking disappointed and sorrowful, and saying that he could not find his whip.

“No,” said Caleb, shaking his head with a positive air, “I am sure I put it on my nail.”

“Why,—let me see,” said Caleb, thinking. “I had it yesterday, playing horses on the wood-pile: and then I had it this morning,—I believe,—when I went up the brook to meet Raymond.”

“You did not have it, Caleb,” said David, mildly, “when we met you on the bridge.”

“I'll go,” said Dwight, “while you, David, get another load of gravel. Come, Caleb,” said he, “go and shew me where it was.”

So Dwight and Caleb walked on. They went down to the bridge, crossed the stream upon it, then turned up, on the opposite bank, and walked on until they came to the cotton landing. Caleb then pointed to the place where he had fallen in; and they looked all about there, upon the bank, and in the water, but in vain. No whip was to be found.

Before they returned, they stopped a moment at the cotton landing, and Caleb shewed Dwight that the cotton was all made of little bubbles. They got some of it to the shore and examined it, and then, just as[Pg 50] they were going away. Dwight exclaimed, suddenly,

Caleb looked round, and saw that Dwight was pointing towards the little fall or rather great ripple of water, and there, just in the fall, was the whip-handle floating, and kept from drifting away by the lash, which had got caught in the rocks. There the handle lay, or rather hung, bobbing up and down, and struggling as if it was trying to get free.

After various attempts to liberate it, by throwing sticks and stones at it, Dwight took off his shoes, turned up his pantaloons to his knees, and waded in to the place, and after carefully extricating the whip, brought it safely to the shore.

“I am very glad I have got my whip again,” said Caleb, while Dwight was putting on his shoes.

“I am glad too,” said Dwight. “But you told a lie about it, Caleb[Pg 51].”

“Yes: you said you certainly hung it up upon the nail,” said Dwight, as they began to walk along.

“That makes no difference. You did not say you thought you hung it up, but that you were sure you did.”

“Well, I certainly thought I did,” said Caleb; “and I am sure it wasn't a lie.”

It was not long after this, that David, on looking towards the house, called out that his mother was coming. It was true. She put on her bonnet, and was coming slowly down to the brook, to see how the boys got on with their work. They were rejoiced to see her coming. They took Caleb's chair, and laid it down upon its side, and then put one of the side-pieces of the wheelbarrow upon it with the clean side up; and this[Pg 52] made quite a comfortable seat for her, though it was a little unsteady. She sat down upon it, and made a good many enquiries about their plan and the progress of the work.

“Well, boys,” said she, “that is a capital plan, and you will have a great eddy above your mole.”

“Why, the water coming down, will strike upon the outer end of your mole, and be turned in towards the shore, and then will go round, and will come into the stream again. There, you can see it is beginning to run so already.”

So the boys looked above the mole, and they saw the little bubbles that were floating in the water, sailing round and round slowly, in a small circle, between the upper side of the mole and the shore.

“When you get it built away out,” said Madam Rachel, “there will be quite a whirlpool; you might call it the Maelstrom. There, you see, Caleb can have a little har[Pg 53]bour up there on the shore, and one of you can go out to the end of the mole, and put a little ship into the water, and the eddy will carry it round to him. Then he can take out the cargo, and put in a new one, and then set the ship in the water, and the current will carry it back again, round on the other side of the whirlpool.”

The boys were very much delighted at this prospect, and they determined to build out the mole very far, so as to have “a great sweep,” as Dwight called it, in the eddy. Caleb went out upon the part of the mole which was finished, and put in a piece of wood, and watched it with great delight as it slowly sailed round.

CHAPTER IV.

A DISCUSSION.

While Caleb stood upon the mole, he began to whip the water; and, in doing so, he spattered David and Dwight a little.

Dwight said, “Take care, Caleb—don't spatter us;” and he went up to him, and was going gently to take hold of his whip, to take it away. “Let me have the whip,” said he.

“Why, mother, he ought to let me have it, for I went and got it for him. He would not have had it at all without me.”

“You must not take it by violence,” said[Pg 55] his mother, “if you have ever so good a right to it. But did you get it for him?”

“O, Dwight,” said his mother, “you ought not to say so. I can't think Caleb would tell a lie.”

“He did, mother; he said he was sure he hung it up, when, after all, he dropped it in the water; and we agreed to leave it to you if that was not telling a lie.”

“Did you know, Caleb, when you said you hung it up, that you had really left it in the water?”

“No, grandmother,” said Caleb, very earnestly; “I really thought I had hung it up.”

“Then it was not telling a lie, Dwight. A lie is told with an intention to deceive. To make it a lie it is necessary that the person who says a thing, must know distinctly at the time that he says it, that it is not true; and he must say it with the particular intention to deceive. Now, Caleb did not do this[Pg 56].”

“Well, mother,” said Dwight, “I am sure you have told us a good many times that we must never say any thing unless we are sure it is true.”

“So I have. I admit that Caleb did wrong in saying so positively that he had hung his whip up, when he did not know certainly that he had. But this does not prove that it was telling a lie. You know there are a great many other faults besides telling lies; and this is one of them.”

“I don't know,” said she, hesitating. “It is a very common fault,—asserting a thing positively, when you do not know whether it is true or not. But if you think it is true, even if you have no proper grounds for thinking so, and are entirely mistaken, it is not telling a lie.”

“In fact,” she continued, “I once knew a case where one boy was justly punished for falsehood when what he said was true;[Pg 57] and another was rewarded for his truth, when what he said was false.”

“Yes,” said Madam Rachel; “the case was this. They were farmers' boys, and they wanted to go into the barn, and play upon the hay. Their father told them they might go, but charged them to be careful to shut the door after them in going in, so as not to let the colt get out. So the boys ran off to the barn in high glee, and were so eager to get upon the hay, that they forgot altogether to shut the door. When they came down they found the door open, and to their great alarm, the colt was nowhere to be seen. Josy, one of the boys, said, 'Let us shut the door now, and not tell father that we let the colt out, and he will think somebody else did it.'

“So about an hour afterwards, Josy went[Pg 58] into the house, and his father said, 'Josy, did you let the colt out?'

“'James,' said he, 'you had a fine time upon the hay, I suppose. I hope you did not let the colt out.'

“James hung his head, and said, 'Why, yes, sir, we did. We forgot to shut the door, and so he got away.'

“No, he was safely coiled up in a corner upon some hay, out of sight; and there the farmer found him safe and sound, when he went in to look. But did that make any difference in Josy's guilt, do you think?”

“No, mother,” said Dwight. David, at[Pg 59] the same time shook his head, shewing that he entertained the same opinion.

“I think it did not,” continued Madam Rachel, “and the farmer thought so too; for he very properly punished Josy, and rewarded James.”

Dwight seemed to assent to this rather reluctantly, as if he was almost sorry that Caleb had not been proved guilty of telling a lie.

“Well, mother,” he said presently, with a more lively tone, “at any rate he disobeyed you; for you told him not to go near the brook where the bank was high; and he did, or else he never would have fallen in.”

“Yes, you could help it,” said Dwight; “for the cow did not come up and push you; you walked back yourself, of your own accord.”

Madam Rachel observed that Caleb appeared more pale and languid than usual;[Pg 60] and this new charge which Dwight brought against him, made him more sad and melancholy still.

Madam Rachel accordingly then said she would not talk any more about it then, for she must go in, and she asked Caleb whether he would rather go in with her, or remain out there with the boys. He said he would rather go in. So he took hold of Madam Rachel's hand, and walked along by her side. David said he would bring his rocking-chair for him, when he and Dwight should come in.

CHAPTER V.

THE STORY OF BLIND SAMUEL.

Madam Rachel went into the house, and sat down in her large rocking-chair, by a window, in a back parlour that looked out upon a little garden, and began to sew. Caleb played around a little while, rather languidly, and at last came up to his grandmother, and leaning upon her lap, asked her if she would not take him up, and rock him a little. She could not help pitying him, he looked so feeble and sad; and she accordingly laid down her work, and lifted him up,—he was not heavy.

“Well Caleb, you have not asked me to take you up, and tell you a story so, for a long time. This is the way I used to do when you were quite a little boy; only then[Pg 62] you used to kneel in my lap, and lay your head upon my shoulder, so that my mouth was close to your ear. But you are too big now.”

Caleb smiled a little, for he was glad to find that he was growing big; but it was rather a faint and sad smile.

“But I don't grow any stronger, grandmother,” said he. “I wish I was well and strong, like the other boys.”

“You don't know what would be best for you, my little Caleb. God leads you along in his own way through life, and you must go patiently and pleasantly on, just where he thinks best. You are like blind Samuel, going through the woods with his father.”

“How was that, grandmother?” said he, sitting up, and turning round to look at her.

“You sit still,” said she, gently laying him back again, “and I will tell you.”

“Samuel was a blind boy. He had been[Pg 63] away, and was now going home with his father. His father led him, and he walked along by his side. Presently, they came to a large brook, and, before they got near it, they heard it roaring. His father said, 'Samuel, I think there is a freshet.' 'I think so too,' said Samuel, 'for I hear the water roaring.' When they came in sight of the stream, his father said, 'Yes, Samuel, there has been a great freshet, and the bridge is carried away.' 'And what shall we do now?' said Samuel. 'Why we must go round by the path through the woods.' 'That will be bad for me,' said Samuel 'But I will lead you,' said his father, 'all the way; just trust every thing to me.' 'Yes, father,' said Samuel, 'I will.'

“So his father took a string out of his pocket, and gave one end of it to Samuel. 'There, Samuel,' said he, 'take hold of that, and that will guide you; and walk directly after me.'”

“O not very long,” replied Madam Rachel; “so as just to let him walk a step or two behind.”

“After he had walked on a short distance, he said, 'Father, I wish you would let me take hold of your hand.' 'But you said,' replied his father, 'that you would trust every thing to me.' 'So I will, father,' said Samuel; 'but I do wish you would let me take hold of your hand, instead of this string.' 'Very well,' said his father, 'you may try your way.'

“So Samuel came and took hold of his father's hand, and tried to walk along by his father's side. But the path was narrow; there was not more than room for one, and though his father walked as far on one side as possible, yet Samuel had not room enough. The branches scratched his face, and he stumbled continually upon roots and stones. At length he said, 'Father, you know best. I will take hold of the string, and walk behind.'[Pg 65]

“So, after that, he was patient and submissive, and followed his father wherever he led. After a time his father saw a serpent in the road directly before them. So he turned aside, to go round by a compass in the woods.”

“Yes,” said his grandmother; “that is a round-about way. But it was very rough and stony. Presently, Samuel stopped and said, 'Father, it seems to me it is pretty stony; haven't we got out of the path?'

“'Yes,' said his father; 'but you promised to be patient and submissive, and trust every thing to me.'

“So he walked on again. When they had got by, his father told him that the reason why he had gone out of the road was, that there was a serpent there. And so, when God leads us in a difficult way, Caleb,[Pg 66] that we don't understand at the time, we often see the reason of it afterwards.”

“By and by, his father came within the sound of the brook again, and stopped a minute or two, and then he told Samuel that he should have to leave him a short time, and that he might sit down upon a log, and wait until he came back. 'But, father,' said Samuel, 'I don't want to be left alone here in the woods, in the dark.' 'It is not dark,' said his father. 'It is all dark to me,' said Samuel. 'I know it is,' said his father, 'and I am very sorry; but you promised to leave every thing to me, and be obedient and submissive.' 'So I will, father; you know best, and I will do just as you say.' So Samuel sat down upon the log, and his father went away. He was a little terrified by the solitude, and the darkness, and the roaring of the water; but he trusted to his father, and was still.[Pg 67]

“By and by, he heard a noise as of something heavy falling into the water. He was frightened, for he thought it was his father. But it was not his father. What do you think it was, Caleb?”

Caleb did not answer. Madam Rachel looked down to see why he did not speak, and as she moved him a little, so as to see his face, his head rolled over to one side; and, in short, Madam Rachel found that he was fast asleep.

“Poor little fellow!” said she; and she rose carefully, and carried him to the bed, and laid him down. He opened his eyes a moment, when his cheek came in contact with the cool pillow, but turned his face over immediately, shut his eyes again, and was soon in a sound sleep.

CHAPTER VI.

ENGINEERING.

When Caleb awoke it was almost evening. The rays of the setting sun were shining in at the window. Caleb opened his eyes, and, after lying still a few moments, began to sing. He thought it was morning, and that it was time for him to get up. Presently, however, he observed that the sun was shining in at the wrong window for morning: then he noticed that he was not undressed; and, finally, he thought it must be night; but he could not think how he came to be asleep there at that time.

Caleb went out into the parlour. David and Dwight were just putting the chairs around the tea table. At tea time, the boys[Pg 69] talked a good deal about the mole, and they asked Mary Anna if she would help them rig some vessels to sail in the Maelstrom.

“Sail in the Maelstrom!” said Mary Anna; “whoever heard of sailing in the Maelstrom? That is a great whirlpool, which swallows up ships; they never sail in it. You had better call it the Gulf Stream.”

Mary Anna was a beautiful girl, about seventeen years old, with a mild and gentle expression of countenance, and very pleasant tone of voice. She helped the children in all their plays, and they were always pleased when she was with them. She had great stores of pasteboard and coloured papers, to make boxes, and portfolios, and little pocket-books, and wallets of; and she had a paint-box, and pencils, and drawing-books,[Pg 70] and portfolios of pictures and drawing lessons.

She rigged the boys' vessels, and covered their balls, and made them beautiful flags and banners out of her pieces of coloured silk. She advised them to have a flag-staff out at the end of the mole, as they generally have on all fortifications and national works. She told them she would make them a handsome flag for the purpose.

After tea she went down with them to see the works. She seemed to like the mole very much. The whirlpool was moving very regularly, and she advised them to build the mole out pretty far.

“Yes,” said Dwight; “and we are going to have a piece across up and down the stream, at the end of it, so as to make a T of it.”

“Why instead of having the end piece[Pg 71] go straight across the end of the mole, let the two parts of it branch out into the stream, one upwards and the other down.”

“Why, if you make it straight like a T, the current will run directly along the outer edge of it, and so your vessels will not stay there. But if you have it Y-shaped, there will be a little sort of harbour in the crotch, where your vessels can lie quietly, while the current flows along by, out beyond the forks.”

“And besides,” said she, “the upper part of the Y will run out obliquely into the stream, and so turn more of the current into your eddy, and make the whirlpool larger.”

“Well, and we will make it so,” said David; “and then it will be an excellent mole.”

“Yes,” said Mary Anna, “there will be all sorts of water around it;—a whirlpool[Pg 72] above, a little harbour in the crotch, a current in front, and still water below. It will be as good a place for sailing boats as I ever saw.”

Madam Rachel had a little double-bedroom, as it was called, where she slept. It was called a double-bedroom, because it consisted, in fact, of two small rooms, with a large arched opening between them, without any door. In one room was the bed, which moved in and out on little trucks, for Caleb. In the other room was a table in the middle, with books and papers upon it. There was a window in one side, and opposite the arched opening which led to the bedroom was a small sofa.

Now, it was Madam Rachel's custom every evening, before the children went to bed, to take them into her bedroom, and hear them read a few verses of the Bible; and then she would explain the verses, and[Pg 73] talk with them a little about what had occurred during the day, and give them good advice and good instruction. At such times the children usually sat upon the sofa, on one side of the table, and Madam Rachel took her seat on the other side of the table, in the chair, so as to face them. The children generally liked this very much; and yet she very seldom told them any stories at these times. It was almost all reasonings and explanations; and yet the children liked it very much.

CHAPTER VII.

THE SOFA.

The boys took their places on the sofa, and afterwards laid their books upon the table. After that Madam Rachel began to talk about the occurrences of the day, as follows:—

“There are two or three things, boys, that I have been keeping to talk with you about this evening. One is the question you asked, Dwight, about Caleb's disobeying me, when he fell into the water.”

“Yes, mother,” said Dwight, looking up at once, very eagerly; “you told him never to go near the bank; and yet he went, and so he fell in.”

“Why, yes, mother, he certainly could help it; for he walked there himself of his own accord.”

“Very well; that is the question for us to consider; but, first, we must all be in a proper state of mind to consider it, or else it will do us no good. Now, Dwight, I am going to ask you a question, and I want to have you answer it honestly:—Which way do you wish to have this question, about Caleb's disobedience, decided?”

“Suppose I should come to the conclusion that Caleb did right, and should prove it by arguments, should you feel a little glad, or a little sorry?”

Dwight hung his head, and seemed somewhat confused, but said, doubtfully, that he did not know.

“Now, I think, myself,” said his mother, “that you have a secret wish to have it appear that Caleb is guilty of disobedience. You said he disobeyed, at first, from unkind[Pg 76] feelings, which you seemed to feel towards him at the moment; and now, I suppose, you wish to adhere to it, so as to get the victory. Now, honestly, isn't it so?”

Dwight did not answer at first. He looked somewhat ashamed. Presently, however, he concluded, that it was best to be frank and honest; so he looked up and acknowledged that it was so.

“Yes,” said his mother; “and while you are under the influence of such a prejudice, it would do no good for us to discuss the subject, for you would not be convinced; so you had better give it up.”

Madam Rachel saw, while she was speaking, that Dwight did not look sullen and dissatisfied, but good-natured and pleasant; and so she knew that he had concluded to listen, candidly, to what she had to say.

“I think that Caleb was not to blame at all,” said Madam Rachel, “for two reasons. One is, that he was probably overwhelmed with terror. To be sure, as you say, the[Pg 77] cow did not push him. He walked himself,—yet still he was impelled as strongly as if he had been pushed, though in a different manner.”

“Then there is another reason why Caleb is innocent of any disobedience. When I told him that he must not go to the high banks, I did not mean that he never must go, in any case whatever.”

“I presume I did say so, and I made no exceptions; but still some exceptions are always implied in such a case. In all commands, however positive they may be, there is always some exception implied.”

“It is so,” said his mother. “Suppose, for instance, that I were to tell you to sit down by the parlour fire, and study a lesson, and not to get out of your chair on any account. And suppose that, after I had[Pg 78] gone and left you, the fire should fall down, and some coals roll out upon the floor, would it not be your duty to get up, and brush them back?”

“So in all cases, very extreme and extraordinary occurrences, that could not, by possibility, have been considered, make exceptions. And Caleb, thinking, as he did, that he was in great danger from the cow, if he had thought of my command at all, he would have done perfectly right to have considered so extraordinary a case an exception, and so have retreated towards the brook, notwithstanding my commands. And now that question is settled.”

Here little Caleb, who had been sitting up very straight, and looking eagerly at his grandmother and at the other boys, during the progress of the conversation, drew a long breath, and leaned back against the sofa, as if he felt a good deal relieved.

“And now, Dwight, there is one thing[Pg 79] I have seen in you to-day, which gave me a great deal of pleasure, and another which gave me pain.”

“Why, after I talked with you at noon, about teasing Caleb, you began to treat him very kindly. That gave me a great deal of pleasure. I saw that your heart was somewhat changed in regard to Caleb; for you seemed to take pleasure in making him happy, while before you took delight in making him miserable.”

“But then, in the course of the afternoon,” she continued, “the old malignant heart seemed to come back again. When I came down to see the mole, I found you in such a state of mind as to take pleasure in Caleb's suffering. You wanted to prove that he had told a lie, and looked disappointed when I shewed you that he had not. Then you wanted to prove he had disobeyed[Pg 80] me, when, after all, you knew very well that he had not.”

“Yes, Dwight, I am very sorry to have to say so; but you undoubtedly had no real belief that Caleb had done wrong. Suppose I had told you I was going to punish him for disobeying me in retreating to the brook, should you have thought that it would have been right?”

“You would have been shocked at such an idea. And now don't you see that all your attempts to prove that he had done wrong, was only the effect of the ill-will you felt towards him at the time. It was malice triumphing over your judgment and your sense of right and wrong. I told you, you know, that your resolutions would not reach the case.”

“Well, mother, I am determined,” said Dwight, very deliberatively and positively, “that I never will tease or trouble Caleb any more[Pg 81].”

“The evil is not so much in teasing and troubling Caleb, as in having a heart capable of taking any pleasure in it. That is the great difficulty.”

“Well, mother, I am determined I never will feel any pleasure in his trouble again.”

“I am afraid that won't depend altogether upon the determination you make. For instance, when you went to Caleb to-day, and kindly tried to persuade him to go down, and offered to carry his rocking-chair for him, your heart was then in a state of love towards him. Do you think you could then, by determination, have changed it from love to hate, and begun to take pleasure in teasing him?”

Dwight remembered how kindly and pleasantly he had felt towards Caleb at that time, and he thought that it would have been impossible for him then to have found any pleasure in tormenting him; and so he said, “No, mother, I could not.”

“And so, when you are angry with a per[Pg 82]son, and your heart is in a state of ill-will and malice towards him, does it seem to you that you can merely by a determination change it all at once, and begin to be filled with love, so as to feel pleasure in his happiness?”

“And if you cannot change your heart by your mere determination at the time, you certainly cannot by making one general determination, now beforehand, for all time to come.”

“Mother, it seems to me you are discouraging me from trying to be a better boy.”

“No, Dwight; but I don't want you to depend on false hopes that must only end in your disappointment. Your determination will help in not indulging the bad feelings; but I want to have your heart changed so that you could not possibly have such[Pg 83] feelings. I hope mine is. I once shewed the same spirit that you do; but now I don't think it would be possible for me to take any pleasure in teasing Caleb, or you, or David.

“I hope,” added Madam Rachel, “that God will give you a benevolent and tender heart, so that there shall be no tendency in you to do wrong. He will change yours, if you pray to him to do it. In fact, I hope, and sometimes I almost believe, that he has begun. I do not think you would have gone to Caleb to-day so pleasantly, and acknowledged your fault, as you did by your actions, and felt so totally different from what you had done, if God had not wrought some change in you. I have very often talked with children about such faults, as plainly and kindly as I did with you, and it produced no effect. When they went away, I found, by their looks and actions afterwards, that their hearts were not changed at all. And so, Dwight,” said she, “I have[Pg 84] not been saying this to discourage you, but to make you feel that you need a greater change than you can accomplish, and so to lead you to God that you may throw yourself upon him, and ask him, not merely to help you in your determinations not to act out your bad feelings, but to change the very nature of them, or rather, to carry on the change, which I hope he has begun.”

Dwight remembered, while his mother was talking, how full his heart had been of kindness and love to Caleb, while he was helping him that afternoon, and he perceived clearly that he had not produced that state of mind by any of his own determinations that he would feel so before he actually did. He remembered how happy he had been at that time, and how discontented and miserable after he had been troubling Caleb; and he had a feeling of strong desire that God would change his heart, and make him altogether and always benevolent and kind.[Pg 85]

Now, it happened that Caleb had not understood this conversation very well, and he began to be weary and uneasy. Besides just about this time he began to recollect something about his grandmother's beginning a story for him, when she took him up in her lap, after he came in from the mole. So, when he noticed that there was a pause in the conversation, he said,

“So I did,” said his grandmother smiling, “and I began it; but before I got through you got fast asleep.”

David and Dwight laughed, and so in fact did Caleb; and Madam Rachel then said that if he would tell David and Dwight the story as far as she had gone, she would finish it.

“Well,” said Caleb, “I will. Once there was a blind boy, and his name was Samuel; and, you see, he was going through the woods, and his father was with him. And[Pg 86] his father walked along, and he walked along, and it was stony, and he said he would do just what his father said, because his father knew best,—and—and so he took hold of the string again.”

“Why, it was his father's string,” said Caleb, eagerly, looking up into Dwight's face.

“Why,—why,—there was a snake in the road, I believe,—wasn't there, grandmother?”

His grandmother smiled,—for Caleb had evidently got bewildered, in his drowsiness, so that he had not a very distinct recollection of the story. She, therefore, began again, and told the whole. When she got[Pg 87] to the place where she left off before, that is, to the place Samuel heard a splash in the water, Dwight started up, and asked, eagerly,

“No,” said Madam Rachel, “it was only the end of the stem of a small tree, which Samuel's father was trying to fix across the brook, so that he could lead his blind boy over. It was lying upon the ground, and he took it and raised it upon its end, near the edge of the bank, on one side, and then let it fall over, in hopes that the other end would fall upon the opposite bank. But it did not happen to fall straight across, and so the end fell into the water, and this was the noise that Samuel heard.

“He drew the stick back again, and then contrived to raise it on its end once more; and this time he was more successful. It fell across, and so extended from bank to[Pg 88] bank. In a few minutes he succeeded in getting another by its side, and then he came back to Samuel.

“'Yes,' said he, 'a sort of a bridge; and now I am going to try to lead you over.'

“'You said you would trust yourself entirely to me, and go wherever I should say.'

“So Samuel took hold of his father's hand, and, with slow, and very careful steps, he got over the roaring torrent, and then they soon came out into a broad smooth road, and so got safely home.”

“Now, Caleb,” continued Madam Rachel, after she had finished her story, “do you remember what I meant to teach you by this story[Pg 89]?”

“Yes, Grandmother; you said that I was like blind Samuel, and that God knew what was best for me, and that I must let him lead me wherever he pleases.”

“Yes; and what was it that you said that reminded me to tell you the story?”

“Yes,” said his grandmother, “I do not think you said it in a fretful or impatient spirit; but I thought that this story of Samuel would help to keep you patient and contented.”

CHAPTER VIII.

THE CART RIDE.

A week after this, Caleb had his whip to mend. He had broken off the lash, by whipping in sticks and little pieces of drift-wood to the mole. David and Dwight worked a little every day upon the mole, and had carried it out pretty far into the stream, and had almost finished the lower branches of the Y. So, one morning, after the boys had gone to school, and Caleb had had his reading lesson, he sat down upon the steps of the door, behind the house, and began to tie on his lash with a piece of twine which Mary Anna had given him.

Behind the house where Caleb's grandmother lived, there was a lane which led to the pasture. At the head of the lane, where[Pg 91] you entered it from the yard, were a pair of bars. While Caleb was mending his whip, he accidentally looked up, and noticed that the bars were down.

“There, Mr. Raymond,” said Caleb, talking to himself, as he went on winding his twine round and round the whip-handle; “for once in your life, you have been careless. You have left your bars down. Now we shall have the cattle all let out, unless I go and stop the mischief.”

Caleb thought he would go and put the bars up again, as soon as he had tied the ends of his twine; but before he got quite ready, he heard a noise, as of something coming in the lane. He could not see down the lane far, from the place where he sat, for the barn was in the way. But he wondered what could be coming, and he looked towards the bars, and sat waiting for it to appear.

In a moment, the head and horns of a great ox came into view, and, immediately[Pg 92] after, the body of the ox himself, walking slowly along towards the bars.

“There now,” said Caleb, “there comes Lion, and he'll get away.” So he jumped up, and ran towards the ox a few steps, brandishing his whip, and shouting out to drive him back. Old Lion, however, seemed to pay no attention, but came steadily forward, stepping carefully over the ends of the bars, and then, advancing a little way into the yard, began quietly to feed upon the grass. Before Caleb got over his surprise at the entire indifference which old Lion seemed to feel towards him and his whip, he heard the bars rattling again, and looking there, he saw Star, Lion's mate, following on.

“O dear me,” said Caleb, “what shall I do? All our oxen are getting away. I'll run and call Raymond.”

So he began to shout out “Raymond,” as loud as he could call; and immediately afterwards, he heard Raymond's voice an[Pg 93]swering just down the lane and, looking that way, he saw him coming over the bars himself, as if he had been following the oxen along up the lane.

“Raymond, Raymond,” he cried out, “come quiet; all your oxen are getting away.”

“O, no,” said Raymond, quietly, as he was putting up the bars after the oxen, “they cannot get away—I have fastened the outer gate.”

Then Caleb looked around and observed that the outer gate was fastened, so that they could not get out of the yard.

“O, very well,” said he. “I did not know you were driving them up;” and so he quietly returned to his seat, and went on playing with his whip. Raymond, in the mean time, proceeded to yoke up the cattle.

“Raymond,” said Caleb, at length, “where are you going with the cattle?”

Raymond made no reply, but began to drive the oxen towards a cart that was standing in a corner of the yard, and, after a few minutes, Caleb renewed his request.

So Caleb ran to ask his grandmother; and she came to the window, and enquired of Raymond how long he expected to be gone. He said it would take him more than half a day to make the piece of fence, and he was going to take his dinner with him. This was an objection to Caleb's going; but yet his grandmother concluded on the whole to consent. So they put up some bread and butter, and some apples,[Pg 95] with Raymond's dinner, for Caleb. These things were all put in paper parcels, and the parcels put into a bag, which was thrown into the bottom of the cart.

“I'll be very careful,” said he: “and if I don't have my hatchet, how can I help to make the fence?”

“But there is a small key-hole saw in the barn, that I filed up the other day. Perhaps he might have that, to saw the bushes down with.”

“Not very well,” said Caleb, looking somewhat disappointed; “the saw sticks so[Pg 96].”

“I can set it pretty rank,” said Raymond, speaking to Madam Rachel at the window, “and then, I think, he can make it run smooth.”

Madam Rachel did not understand what Raymond meant by setting it rank, and so she said,

“Why, then it will cut a wide kerf,” said Raymond, “and so the back will follow in easily.”

She did not understand from this much better than she did before; but, as she had great confidence in Raymond, she concluded to let him manage in his own way. She accordingly told him that he might fix the saw, and take Caleb with him.

So Raymond went out into the barn, and took down the saw from a nail. The teeth looked bright and sharp.

“Why, Raymond, how sharp it looks. And the teeth are of different shape from what they were before[Pg 97].”

“A cutting saw?” said Caleb. “Can you cut with a saw? I thought they always sawed with a saw.”

“I mean, cut across the grain,” said Raymond, smiling. “When a saw is filed so as to saw along the board, then it is called a splitting saw; but when it is to saw across the board, then I call it a cutting saw.”

Caleb looked carefully at the teeth, so as to see how the teeth of a cutting saw were shaped. And while he looked on, he observed that Raymond had a little instrument in his hand, and he took hold of the first tooth of the saw with it, and bent it over a little to one side, and then he took hold of the next one, and bent it over to the other side; and so he went on, bending them alternately to the right and left, until he passed along from one end of the saw to the other.

“What do you mean by that?” said Caleb, as he followed Raymond out of the barn.

“Why, the teeth are set off, a good way, each side, and it will cut a good wide kerf; and so your saw will run easy.”

By this time they had reached the cart. Raymond took hold of Caleb under the arms, and jumped him up into the cart behind, and then handed him his saw. Then he put in an axe and an iron bar for himself, and one or two spare chains; and then he went to open the great gate. Just at this moment, Mary Anna appeared at the window, and said,

“Then, if you see any good, smooth birch bark, won't you bring me home some!”

“I will,” said Caleb; and then Raymond opened the gate, and started the oxen on. Caleb stood up in front, holding on by a stake, and wondering all the while what Raymond could mean by a kerf.[Pg 99]

One would think that he might have known by the connection in which Raymond used it,—for he said that he had bent the teeth out so as to make the saw cut a good wide kerf, and so he might have supposed that the kerf was the cut in the wood which a saw makes in going in. The reason why boys find it so difficult to saw, is because the teeth do not generally spread very much, and so the kerf is narrow. Still, the back of the saw would run in it well enough, without sticking, if they were to saw perfectly straight. But they generally make the saw twist or wind a little, and then the back of the saw rubs upon one side or the other; and sticks. Now, Raymond's plan was to make the teeth set off, each side, so far as to make the kerf very wide, and then he thought that Caleb would be able to make it go, especially as the saw was very narrow.

Raymond got into the cart, and took his seat upon a board which passed across from side to side, and they rode along.[Pg 100]

They reached, at length, a place where there was a small cart path leading off from the main road into the woods. Raymond turned off into this path; but it was so narrow that both he and Caleb had sometimes to lean away to one side or the other to avoid the bushes. At length he stopped and unfastened the oxen from the tongue. When all was right he started the oxen on before him, Caleb trotting on behind with his saw in his hand.

Presently they struck off from the cart path directly into the woods, and in a few minutes came to the place where the fence was to be made.

CHAPTER IX.

THE FIRE.

Raymond let the cattle browse about, while he went to work, cutting down some small, but yet pretty tall and bushy trees. He then brought up the team, and hooked a long chain into the ring which hung down from the middle of the yoke, upon the under side. The end of the chain trailed upon the ground, as the oxen came along, and Caleb was very much interested to see how they would trample along, any where, among the rocks, roots, mire, logs, bushes, stumps, and, in fact, over and through almost any thing, chewing their cud all the time, patient and unconcerned. When they were brought up near to one of the trees that had been cut down, Raymond would[Pg 102] hook the chain around the butt end of it, and then, at his command, they would drag it out of its place in the line of the fence. After looking on for some time, Caleb began to think that he would go to work; and he went to a little tree, with a stem about as big round as his arm, and began to saw away upon it. He found that the saw would run very well indeed; and in a short time, he got the tree off, and then undertook to drag it to the fence.

Raymond was always a very silent man; he seldom spoke, unless to answer a question; and while Caleb had been watching him, when he first began to work, instead of talking with Caleb, as Caleb would have desired, he was all the time singing,

The truth was, that Raymond had just begun to go to a singing school, and he was taking this opportunity to rise and fall the notes, as he called it. When Caleb asked him any question about his work, he would[Pg 103] just answer it in a few words, and then, a minute after, begin again with his 'Do, Re, Mi,' and all the rest.

Caleb became tired of this singing; and when, at length, his tree got wedged fast, so that he could not move it any farther, he sat down discouraged upon a log, and looked anxiously towards Raymond, as if he wished that he would come and help him.

Raymond had just hooked his chain to another tree, and taking up his goad stick, called out,

“Ha', Star! ha', Lion!” and then as his oxen started on, he followed them with his—

“Why,” said Caleb, in rather a timid voice, “I don't think it is a very pretty tune.”

“Yes,” said Raymond, “I brought a tinder-box, because I thought you would[Pg 105] want a fire; and I forgot to give it to you.”

So Raymond pointed to a place among some rocks off at a little distance before him, near the line in which he was coming along with his fence, and advised Caleb to make a fire there. Caleb liked this plan very much. He said he would play “camp out,” and so build a camp, and have a fire before the camp. Raymond told him that so soon as he should get his pile of sticks ready, he would come and strike fire for him.

Caleb went to the place and began to work. He cut down bushes, and placed them up against the rocks, in such a manner as to make a little hut which he should get into. He then collected a pile of sticks in front of it. First, he picked up all the dry sticks he could find near, and then he sawed off branches from the old dead trees which were lying around in the forest.

In an hour, with Raymond's help in lighting his fire, Caleb had a very good camp.[Pg 106] His hut was quite a comfortable one, with a blazing fire near it, and three large apples roasting before the fire. By and by, Caleb saw Raymond coming towards him, with the bag over his arm. He opened it, and took out one parcel after another, and then laying the mouth of the bag down upon the ground, he took hold of the bottom of it, and raised it in the air; while Caleb watched to see what was coming out. It proved to be potatoes; and Raymond told Caleb he might roast them in his fire.

“Cover them up well with hot ashes and coals, Caleb, and then build a fire upon the top.”

So Caleb dug out the bottom of his fire with a pole;—for the fire had pretty much burnt down to ashes;—and he put the potatoes in. There were five of them. Raymond helped him to cover them up, and then he put more sticks upon the top. When that was done, and just as he was going back to his work, Raymond said,[Pg 107] “See there, Caleb;—there is a fine chimney for you to burn out.”

Caleb looked where Raymond pointed, and saw a very tall and large hollow tree, or rather trunk of a tree,—for the top had long since decayed and dropped away. There it stood, desolate, with a great hole in the side near the bottom, and the bark hanging loosely about it all the way up to the top. The boys always liked to find such hollow trees in the woods, to build fires in; they called it “burning out a chimney.”

“Now,” said Raymond, “all you have got to do is to go to work while your potatoes are roasting, and fill up that old hollow tree at the bottom with sticks and brush, and old pieces of bark. Pack them in close; then, when I come to dinner, I will help you to light it.”

Raymond then went back to the fence, and Caleb began his work as Raymond had directed. He got all the dried branches that he could find, and carried them to the[Pg 108] foot of the tree. Others he sawed; and he packed all the pieces in the hollow of the tree as closely as he could.

By this time Caleb saw Raymond coming along towards the camp, and he went there to meet him. They raked open the fire, and took out the potatoes. Raymond turned a stone upon its edge, towards the fire, so as to keep them warm. He also cut some square pieces of birch bark from a neighbouring tree, for plates, and gave one to Caleb, and took one himself, and then they both sat down upon a smooth log which Raymond drew up to the fire, and took their birch bark plates in their lap.

Raymond took a little paper of salt out of his pocket, and poured the salt out upon another square piece of birch bark, which he placed upon a stone between himself and Caleb, so that both could reach it.

“O, you don't need a spoon,” said Ray[Pg 109]mond; and he took up a potatoe himself, broke it in two, sprinkled some salt upon it, and began to eat it as a boy would eat an apple.

So Raymond took out his knife and cut off a piece from a dry pine branch, which lay near him. He split this so as to get a flat piece out of it, which he fashioned into a rude sort of spoon, that answered Caleb's purpose very well. But before Caleb had much more than begun his dinner, Raymond had finished his, and, rising, said that he must go back to his work.[Pg 110]

“Very well; only if I go away to my work now, you must not come and trouble me to come back again, because you can't get the fire a-going.”

At length, however, his potatoes and bread and butter were all gone, and his apple cores he had pretty thoroughly scraped with his wooden spoon, and thrown into the fire. So he got up from his seat, and prepared to light his chimney. He took his plate for a slow match. It was pretty large and stiff, and he thought it would burn long enough for him to carry it from the fire to his chim[Pg 111]ney. He accordingly took hold of it by one corner, and held the other corner into the flame, which was curling up from a brand by the side of his fire.

But before the birch bark took fire, the flame of the brand went out, and then Caleb looked around for another. The fire had, however, burnt nearly down, so as to leave a great bed of embers, with the brands all around it, the burnt ends pointing inwards, Caleb pushed some of these into the fire, and soon made a blaze again, and then once more attempted to set the corner of his plate on fire.

He succeeded. The corner began to blaze and curl, and Caleb rose and moved along carefully, lest the wind should blow it out. This precaution was, however, scarcely necessary, for the little wind that his motion occasioned, only fanned the flame the more, and the part which was on fire curled round upon that which was not, and thus formed a round and solid mass, which burned fiercely.[Pg 112]

Caleb walked along, the bark blazing higher and higher, and curling in upon itself more and more, until, at length, he began to be afraid it would reach his fingers before he could get to his chimney. He walked faster and faster, and presently began to run. This fanned the fire the more, until, just as he came within a few steps of his chimney, the curling bark reached his fingers, and he tripped over a great root at the very instant when he was dropping the piece of bark from his hands. He came down upon all-fours, and the bark which was now a compact roll, rolled down a little slope, crackling and blazing by the way.

Caleb got up and looked at the blazing mass a minute or two, in despair; but finding that it kept on burning, his eye suddenly brightened, and he said aloud,

So he looked around for a stick. He readily found one, and began to push the blazing roll up the acclivity; but as fast as[Pg 113] he pushed it up, it rolled down again, and all his efforts were consequently vain.

“O dear me!” said Caleb, at length throwing down his stick, “what shall I do?”

In the meantime the roll continued blazing, and Caleb, looking at it steadily, observed that it was hollow.

So he took up his stick again, and tried to thrust the end of the stick into the roll. After one or two ineffectual attempts, he succeeded, though by this time the bark was pretty well burnt through, and was all ready to fall to pieces. He, however, succeeded in raising it into the air, upon the end of his pole; but before he got it to the hollow tree, it dropped off again in several blazing fragments, which continued to burn a moment upon the ground, and then went out entirely.

“O you must not come to me, youngster;[Pg 114] you promised not to trouble me with it,” said Raymond, as he hooked the chain around the butt-end of another tree.

“Well, what's the matter with it? But stand back, for I am going to start this tree along.”

“Why the bark all curls up and burns my hand,” said Caleb, retreating at the same time out of the way of the top of Raymond's tree.

The oxen started along, dragging the tree, and Caleb followed, trying to get an opportunity to speak once more to Raymond. Raymond, however, went calling aloud to his oxen, and directing them here and there with his “Gee, Star,” and his “Ha, Lion,” and his “Wo up, Whoa”.

At length, however, he had the tree in its place, and seeing Caleb standing at a little distance patiently, he asked him again,

“Why, the birch bark curls up and burns me: I wish you would come and set it a-fire.”

“No,” said Raymond, walking along by the side of his oxen; “I must not leave my work to help you play; but I will tell you three ways to carry the fire, and you can manage it in one or the other of them.”

So saying, he took out his knife, and cut down a small, slender maple, which was growing near him, and trimmed off the top and the few little branches which were growing near the top. It made a slender pole about five feet long, with smooth but freckled bark, from end to end. He then made a little split in one end.

“There, Caleb,” said he, “take that, and stick a piece of birch bark in the split end; then you can carry it, and let it curl as much as it pleases. Or, if that fails, put a large piece of birch bark directly upon the fire. Then, as soon as it begins to burn, it will begin to curl, and then you must put[Pg 116] the end of the stick down to it, in such a manner that the bark will curl over and grasp it, and then you can take it up and carry the roll upon the end of your pole.”

“Now, if both these fail, you must put on a good many fresh sticks upon the fire, with one end of each of them out. Then, as soon as the ends which are in the fire have got burnt through, take up two of them by the ends that were out of the fire and lay them down at the foot of the hollow tree, close to the wood you have got together there. Then come back and get two more brands, and lay them down in the same way, and be careful to have the burnt ends all together. So you must keep going back and forth, until you find that the brands are beginning to burn up freely in the new place.”

Caleb took the maple pole and went back to his fire. He tore the salt-cellar in two,[Pg 117] and this made two very good small strips of bark. He pulled open the split end of his pole, and carefully inserted one of them, and then, holding it over a little flame which was rising from a burning brand, he set it on fire. The bark was soon in a blaze, and it writhed and curled as if it were struggling to get away; but it only clung to the end of the pole more closely; and Caleb, much pleased at the success of his experiment, waved it in the air, and shouted to Raymond to look and see.

He then walked slowly along, stopping every moment to wave his great flambeau, and shout; and so, when at last he reached the hollow tree, the bark was nearly burnt out, and the fragments were beginning to fall off from the end of the pole. He then thrust it hastily under the heap of fuel, which had been collected in the tree; but it was too late. It flickered and smoked a minute or two, and finally went out altogether.

“I don't care,” said Caleb to himself,[Pg 118] “for I have got the other half of the salt-cellar;” and he went back for that. It happened unluckily, however, this time, that, in pulling open the cleft which Raymond had made in his maple pole, he pulled too hard, and split one side off. Here was at once an end to all attempts to communicate fire to his chimney by this method. So, after refitting the split part of his stick to its place, once or twice, and finding that the idea of uniting it again was entirely out of the question, he threw the broken piece away, and said to himself that he must try Raymond's second plan.

He accordingly took the other large piece of bark, which was the one which Raymond had used for his plate, and laid it upon the fire. As soon as it began to curl, he laid the end of the stick close to it, on the side towards which it seemed to be bending,—and in such a way that it curled over upon it, and soon clasped it tight, as Raymond had predicted that it would do. He then[Pg 119] raised it in the air, and set out to run with it, so that it should not burn out before he reached the place. But he ought not to have run. It would have been far safer and better to have walked along carefully and slowly; for as he ran on, jumping over logs and stones, and scrambling up and down the hummocks, the top of the pole, with the blazing roll of bark, was jerked violently about in the air, until, at length, as he was wheeling around a tree, he accidentally held the top of the pole so far that it wheeled round through the air very swiftly, and threw the birch bark off by the centrifugal force: and away it went, rolling along upon the ground.

The centrifugal force is that which makes any thing fly off when it is whirled round and round.

Caleb did not understand this very well, but he was surprised to see his roll flying off in that manner. He immediately took two sticks, and tried to take up the roll with[Pg 120] them, as one would with a pair of tongs; but he could not hold it with them.

So he began to gather sticks, and put the ends of them upon the fire. When they began to burn, he took up one; but as soon as he got it off the fire, it began to go out, and he said that he knew that way to kindle a fire never would do. In fact, he began to get out of patience. He threw down the stick, and went off again after Raymond.

“Raymond,” said he, “I cannot make my fire burn; and I wish you would come and kindle it for me.”

“You must try them all, faithfully, or else I can't come.” So saying, Raymond went on with his work.[Pg 121]

Caleb went back a good deal out of humour with himself, and saying that he wished Raymond was not so cross. He took up two of the sticks, which were now pretty well on fire, and carried them along, swinging them by the way, to make fiery rings and serpents in the air. When he reached the chimney, he threw them down carelessly, and stood watching them, to see if they were going to burn. Instead, however, of setting the other wood on fire, they only grew dimmer and dimmer themselves; and he said to himself, “I knew they would not burn.” Then he sat down upon a log, in a sad state of fretfulness and dissatisfaction.

However, after waiting a few minutes, longer, he went back to the fire, determined to bring all the brands there were, and put them down, though he knew, he said, that they would not burn. He was going to do it, so that then he could go and tell Raymond that he had tried all his plans, and[Pg 122] that now he must come, and light the fire himself.

So he walked along, back and forth bringing the brands, and laying them down together near the foot of the heap of fuel in the tree. But before he had brought them all, he found that they began to brighten up a little, and at length they broke out into a little flame. He stood and watched it a few minutes. It blazed up higher and higher. He then put on some more wood which was near. The flame crept up between these sticks, and soon began to snap and crackle among the brush in the tree. Caleb stepped back, and watched the flame a moment as it flashed up higher and higher, and then clapped his hands, jumped up on a log, and shouted out,

CHAPTER X.

THE CAPTIVE.

When Raymond heard Caleb's voice calling to him so loudly, he paused a moment from his work, and seeing that the fire had actually taken, in earnest, he told Caleb that he must go back a little way, for by-and-bye the tree would fall. So Caleb went back to some distance, and asked Raymond if that was far enough. Raymond said it was, and Raymond then sat down upon a log, with his maple pole in his hand, to watch the progress of the fire.

A dense smoke soon began to pour out of the top of the chimney. The fire roared up through the hollow, and it caught outside too, under the bark, and soon enveloped the whole tree in smoke, sparks, and flame.[Pg 124] Large pieces of the blazing bark detached themselves, from time to time, from the side of the tree, and came down, crackling and sparkling to the ground; and the opening below where Caleb had crammed in his fuel, soon glowed like the mouth of a furnace.

Near the top of the tree was an old branch, or rather the stump of an old branch, decayed and blackened, reaching out a little way, like an arm. This was soon enveloped in smoke; and, as Caleb was watching it, as it appeared and disappeared in the wreaths, he thought he saw something move. He looked again, intently. It was a squirrel,—half suffocated in the smoke, and struggling to hold on. Caleb immediately called out to Raymond as loud as he could call,

Raymond dropped his axe, and ran,—bounding over the logs, and hummocks; but before he reached the place, the squir[Pg 125]rel, unable to hold on any longer, and half stifled with the smoke and scorching heat, dropped from his hold to the ground. Raymond came up at the moment, and seized him; he brought him to where Caleb was sitting,—Caleb himself eagerly coming forward to see.

“Pretty much,” said Raymond. The squirrel lay gasping helplessly in Raymond's hands. “Here, put him in my cap,” said Caleb; “that will make a good bed for him, and perhaps he will come to life again.”

Raymond examined him pretty carefully, and he did not seem to be burnt. He said he thought he must have been suffocated by breathing the smoke and hot air. Raymond then went back to his work, and Caleb sat upon the log, watching alternately the squirrel and the burning tree.

In a few minutes a great flame flashed out at the top of the tree: and finally, after about half an hour, the whole trunk, being[Pg 126] all in a blaze, from top to bottom, began slowly to bend and bend over.

The tall trunk moved at first slowly, but soon more and more rapidly, and finally came down to the ground with a crash.

The crash startled the little squirrel, so that he almost regained his feet; and Caleb was afraid that he was going to run away. But he laid over again upon his side, and was soon quiet again as before.

Not long after this, Raymond finished his work, and prepared to go home. He proposed to Caleb that they should leave the squirrel there, upon the log; but Caleb was very desirous to carry him home, because, he said, he could tame him, and give him to Mary Anna. So Raymond asked how they should contrive to carry him. Caleb wanted to carry him home in his cap; but Raymond said that he would take cold by riding home bare-headed. “However[Pg 127],” said Raymond, “Perhaps I can contrive something.” So he went after another piece of birch bark from the tree, about six inches wide, and two feet long, and rolled it over, bringing the two ends together, so as to make a sort of round box,—only it was without top or bottom. To keep it in shape he tied a string round it.

Raymond said nothing, but he took a handkerchief out of his jacket pocket, and spread it out upon the ground, and put his birch bark box upon it. He then laid the squirrel gently in upon the handkerchief, which thus served for a bottom. Next he drew the corners of the handkerchief up over the top, and tied the opposite pairs of ends together. Thus the handkerchief served for top, bottom, and handle.

They soon reached the place where they had left the cart; they got into it and rode on. Caleb held the squirrel in his lap, and[Pg 128] of course, as there was nothing but the thin handkerchief for a bottom to the box, Caleb felt the weight of the squirrel, pressing soft and warm upon his knees. The squirrel lay very still until they got very near home, and then Caleb began to feel a creeping sensation, as if he was beginning to move. Caleb was highly delighted to perceive these signs of returning life; he held his knees perfectly still, that he might not disturb him, crying out, however, to Raymond,

CHAPTER XI.

MARY ANNA.

Caleb and Raymond reached home about the middle of the afternoon: and while Raymond went into the yard to leave the cart and turn out the cattle, Caleb pressed eagerly into the house, to shew his prize. Mary Anna, or Marianne, as they generally called her, came to meet him to see what he had got in his hand.

“There! I forgot your birch bark,” said Caleb.—“But I have got something here a great deal better.” And so saying he put his handkerchief down, and began very eagerly to untie the knots.

When he had got two of the ends untied, and was at work upon the other two, out[Pg 130] leaped the squirrel, and ran across the room. Mary Anna, startled by the sudden appearance of the animal, ran off to the door, and Caleb called out in great distress, “O dear! O dear! What shall I do? He'll get away. Shut the door, Mary Anna,—shut the door, quick! call Raymond; call Raymond.”

Mary Anna, at first, retreated outside of the door, and stood there a moment, peeping in. Finding, however, that the squirrel remained very quiet in a corner of the room, she returned softly, and went round, and shut all the doors and windows, and then Caleb went and called Raymond.

The squirrel had by no means yet got over his accident, and he allowed himself to be easily retaken and secured. Raymond contrived to fasten him into a box, so as to keep him safe, until next morning; and by that time they thought, if he should then seem likely to get well, they could determine what it was best to do with him.

While Caleb was coming home, there had[Pg 131] been a strange mixture of delight and uneasiness in his feelings. The delight was occasioned by the possession of the squirrel. That was obvious enough. The uneasiness he did not think about very distinctly, and did not notice what the cause of it was. Boys very often feel a sort of uneasiness of mind,—they do not know exactly how or why,—and they have this feeling mingling sometimes strangely with their very enjoyment, in their hours of gaiety and glee. Now the real reason of this unquiet state of mind, in Caleb's case, was that his conscience had been disturbed by his feelings of vexation and impatience, towards Raymond, for not leaving his work, to come and kindle his fire. He had not yielded to these feelings. He had restrained them, and had stood still, and spoken respectfully to Raymond, all the time. In fact, he was hardly aware that he had done any thing wrong, at all. But still, for a moment, selfish passions had had possession[Pg 132] of his heart, and whenever they get possession, even if they are kept in subjection, so as not to lead to any bad actions or words, and even if they are soon driven away by new thoughts, as Caleb's were, by the sight of his blazing fire,—still, they always leave more or less of misery behind.

So Caleb, as he was going home, had his heart filled with delight at the thoughts of the squirrel resting warmly in his lap; and he was also a prey, in some degree, to a gnawing uneasiness, which he could not understand, but which was really caused by a sting which sin had left there.

And yet Caleb came home with an idea that he had been a very good boy. So, after they had got tired of looking at the squirrel, and Mary Anna had taken her seat at her work by the window, with her little work-table before her, Caleb came up to her, and kneeling upon her cricket, and putting his arms in her lap, he said,

“Well, Aunt Marianne, I have been a[Pg 133] good boy all day to-day, and so I want you to make me a picture-book, this evening.”

Marianne had a way of making picture-books that pleased children very much. The way was this: she used to save all the old, worn-out picture books, and loose pictures, she could find, and put them carefully in one of her drawers, up stairs. Then she would make a small blank book, of white paper, and sew it through the back. Then she would cut out pictures enough from her old stores to fill the book, leaving the colours blank, because they were to be covered with some pretty-coloured paper, for a title. Then she would paste the pictures in. And here, when Mary Anna first began to make such books, an unexpected difficulty arose. For, when paper is wet, it swells; and then, when it dries again, though it shrinks a little, and does not shrink back quite into its original dimensions,—that is, quite to the length and breadth that it had at first. Now, when Mary Anna pasted her[Pg 134] pictures in the pages of the book, that part of the leaf which was under the picture was wet by the paste, and so it swelled, while the other part remained dry. And when the picture came to dry, it did not shrink quite back again. It remained swelled a little; and this caused the page to look warped or puckered, so that the leaves did not lie smooth together.

At length she found out a way to remedy this difficulty entirely; and this was, to wet the whole of the leaf, as well as that part that the picture was pasted to, and that made it all swell alike. The way she managed the operation was this:

After sewing the book, she would cut out a piece of morocco paper, or blue paper, or gilt paper, and sometimes a piece of morocco itself, just the size of the book when open, for the cover. Then, after spreading out a large newspaper upon the table, so as to keep the table clean, she would lay down the cover with the handsome side down, and[Pg 135] then spread the paste over the other side, very carefully, with a brush which she made from the end of a quill. Then she would put the back edge of the book down upon this cover, and lay it over, first on one side, and then on the other, and pat it down well with a towel; and that would make the cover stick to the outside leaves of the book, and cover up and hide the great stitches in the back, by which the leaves had been sewed together. Then she would take the book before her, and begin at the beginning. First, she would lay down the cover and put upon it a piece of tin, made to fill papers with, to keep it down smooth. Then she would lay the next leaf down upon the tin. The leaf was to have the title-page upon it, and so there were to be no pictures pasted to it. She would, therefore, lay this down upon the tin, and then, with one of her large paint brushes, dipped in the water, she would wet it all over, patting it afterwards with a towel, to take up all the superfluous[Pg 136] water. Then she would take up the tin, and put the title-leaf down upon the cover, and put the tin over it to keep it down smooth. The next leaf would be for pictures, and, after pasting pictures upon it, on both sides, she would lay it down upon the tin, and with her brush she would wet all those parts which had not been pasted. Then patting it with a dry towel, or soft cloth, to dry it as much as possible, she would put it under the tin. In this way she would go on regularly, through the book, pasting pictures upon all the pages, and wetting with her brush all those parts of the paper which had not been wet by the paste, and putting the tin over the leaves as fast as she finished them, to keep them all smooth. Then, when she had got through, she would put the whole away between two boards, to dry; the weight of the paper board being sufficient to keep the leaves all smooth. The next morning when she came to look at her book, she generally found it nearly[Pg 137] dry; and then she would put some heavy weight upon the upper board, to press it harder. When it was perfectly dry, she took out the book, and pared off the edges, all around, with a sharp knife and a rule. Then she would get her paint-box, and colour all the pictures beautifully, and make borders about them, in bright colours, and print a handsome title-page with her pen, and write the name of the boy in it whom she meant to give it to.

So Caleb, when he came and told Mary Anna, what a good boy he had been, meant to have her make such a book as this.

“But sometimes boys are mistaken in thinking they have been good boys. I should want to ask Raymond.”

“He would say so, I know,” said Caleb; “for I certainly did not trouble him at all, all the day.”

“But stop,” said Mary Anna; “you must not ask him by a leading question[Pg 138].”

“O, that is very important for boys to know; for they very often ask leading questions, when they ought not to. Now, if you go and say, 'Raymond, haven't I been a good boy to-day?' that way of asking the question shews that you want him to say, 'Yes, you have.' It is called a leading question, because it leads Raymond to answer in a particular way. Now, if I should go and ask him thus, 'Has Caleb been a good boy to-day?' with the emphasis on has, it would be a leading question the other way. It would sound as if I wanted him to say you had not been a good boy.”

“Why you can say, 'Raymond, Aunt Marianne wants to know what sort of a boy I have been to-day,' that way of putting the question would not lead him one way or the other[Pg 139].”

“Why, he might know,” said Caleb, “that I should want him to say I have been good.”

“Yes, but not from the form of the question. The question would not lead him.”

While Mary Anna was saying this, Caleb was standing with his hand upon the latch of the door, ready to go; and when she had finished what she was saying, he started off to find Raymond.

As he passed across the yard, he heard the sound of voices before the house. It was Dwight and David coming home from school. In a minute they appeared in view, by the great elm. Dwight had a long slender pole in his hands, which he was waving in the air, and David had a small piece of wood, and a knife. He sat down under the elm, and began to shave the wood with the knife.

Caleb ran to tell them about his squirrel; but before he got there, Dwight, seeing him, began to wave his pole in the air, and shout, and then said, “See what a noble flag-staff we have got[Pg 140].”

“Yes. John Davis gave it to us. He got it out of his father's shop. We are going to set it up out at the end of our mole.”

“Yes,” said David, “and I am going to make a truck on the top, to haul up the flag by. Marianne is going to make us a flag.”

“Yes,” said David, “a little wheel to put a string over to hoist it by.”

Caleb looked upon the pole, and upon David's work, for a minute in silence, and then said,

“In the back-room,” said Caleb. “Raymond put him in a box.—Come, and I will shew him to you[Pg 141].”

Down went Dwight's pole, in a moment; David, too, shut his knife, and put it in his pocket, and off they went to see the squirrel.

The little nut-cracker was frightened at seeing so many eyes peeping in upon him from every crevice and opening in his box. He looked much brighter and better than he did when he was put into the box, and Caleb thought he would get entirely well.

“I wish he was mine,” said Dwight. “Why can't you give him to me, Caleb?”

“You don't know how to take care of him,” said Dwight. “Come, you give him to me, and I will give you my flag-staff.”

“No,” said Caleb, “I don't want any flag-staff. I want to keep the squirrel.”

“I should think you might give him to me,” said Dwight, pettishly, “for that top; the top is worth a great deal the most.”

After a few minutes, Dwight finding that there was no prospect of inducing Caleb to sell him the squirrel, desisted from his attempts; and then, after a moment's pause, he said,

“Raymond's. He saved it. The poor thing would have been burnt up, if he had not run and caught it up.”

“No, he wouldn't,” said Caleb, “I was just going to get him myself[Pg 143].”

Dwight, having decided in his own mind that the squirrel was Raymond's, ran off to find Raymond, with the design of asking him to give the squirrel to him. But Raymond said the squirrel was Caleb's.

“I know it, but I only did it to please Caleb. The squirrel is his altogether.”

When Caleb came in, Mary Anna was putting up her work, and arranging her things neatly in her drawer.

“The squirrel!” repeated Mary Anna;[Pg 144] “you went to ask him what sort of a boy you had been.”

“O!” said Caleb—“there!—I forgot all about that. I'll run and ask him now.”

“No,—stop,” said Mary Anna; “it is time for supper now; and besides, I will take your word for it; you are a pretty honest boy. You say you was a pleasant boy all day.”

“Yes,” said Caleb, “I was.” He had forgotten his feelings of ill-humour, when Raymond would not come and light his fire.

“But I cannot tell how pleasant in mind you have been all day, unless I know what you have had to try you.”

“Yes, I want to know what troubles, or difficulties, or disappointments you had to bear, and did bear patiently and pleasantly[Pg 145].”

“You know, Caleb,” she continued, “there is no merit in being pleasant unless things go wrong.”

“Why, no,” said Mary Anna, as she shut up her work-table drawer, “is there?”

“Why no,” said Caleb, smiling; for he could not help smiling, while yet he was a little disappointed at finding all his fancied goodness melted away.

“You little rogue, then!” said Mary Anna, laughing, and stabbing at his sides with her finger; “here you have been having a beautiful time in the woods, amusing[Pg 146] yourself all day, and had every thing to please you; and now you come to me to pay you for not having been impatient and fretful! You little rogue!”

Caleb turned, and ran laughing away, Mary Anna after him, and pointing at him with her finger. Caleb made his escape into the front entry, and hid behind the door. Mary Anna pretended to have lost sight of him, and not to know where he was; and she went about, saying,

“Where is that little rogue? He came to get away one of my picture-books for nothing. He wanted to be paid for bearing happiness patiently. The rogue! I'll pinch him if I can only find him.”

So saying, Mary Anna went and sat down to supper, and soon after Caleb came and took his seat too; Mary Anna roguishly shaking her finger at him all the time. He had to hold his hand over his mouth to keep from laughing aloud.

Perhaps some of the readers of this book[Pg 147] may smile at Caleb's idea of his merit in having been a pleasant boy all day, when he felt vexed and unsubmissive in the only case which brought him any trial; but it is so with almost all children, and some grown persons too. A great deal of the goodness upon which we all pride ourselves, is only the quiescence of bad propensities in the absence of temptation and trial.

CHAPTER XII.

THE WALK.

Outside of the window in Madam Rachel's bedroom, where the children used to sit and talk with her just before going to bed, there was a little platform, with a plain roof over it, supported by small square posts, altogether forming a sort of portico. Below this window there were two doors, opening from the middle out each way, so that when the window was raised, and the doors were opened, a person could walk in and out. There were seats in the portico, and there was a wild grape-vine growing upon a plain trellis, on each side. In front of the portico was one of the broad walks of the garden, for on this side the garden extended up to the[Pg 149] house. At least there was no fence between, though there was a small plot of green grass next to the house; and next to that came the trees and flowers.

One pleasant evening Dwight and Caleb were playing on this grass, waiting for Madam Rachel to come and call them in to the sofa. It was about eight o'clock, but it was not dark. The western sky still looked bright; for though the sun had gone down, so that it could no longer shine upon the trees and houses, it still shone upon the clouds and atmosphere above, and made them look bright.

“Out in the garden,” said Dwight, “and mother,” he continued, “I wish you would walk in the garden to-night.”

At first, Madam Rachel said she thought she could not very well that evening, for she had a difficult text to talk about; but[Pg 150] the boys promised to walk along quietly, and to be very sober and attentive; and so she went and put on her garden bonnet, and came out.

The garden was not large, it extended back to some high rocky precipices, where the boys used sometimes to climb up for play.

“I am afraid,” said Madam Rachel, as she sauntered along the walk, the children around her, “that you will not like the verse that I am going to talk with you about this evening, very well, when you first hear it.”

“Made alive, or brought to life. Quick means alive, sometimes; as for instance, the quick and the dead, means the living and the dead. And so we say, 'cut to the quick,'[Pg 151] that is, cut to the living flesh, where it can feel.”

“Once I read in a fable,” said David, “of a horse being stung to the quick.”

“O, yes,” said Madam Rachel, “that means it hurt his feelings. If a bee should sting any body so that the sting should only go into the skin, it would not hurt much; but if it should go in deep, so as to give great pain, we should say it stung to the quick, that is, to the part which has life and feeling. So I suppose that something that the ass said, hurt the horse's feelings.”

“Why—he said, I believe that the horse was proud, or something like that.”

“No matter about that fable now,” said their mother; “you understand the meaning of the verse. It was written to good[Pg 152] men; it says that God gave them life and feeling, when they were dead in trespasses and sins. But I must first tell you what dead means.”

“I will explain it to you,” said she. “Once there were two boys who quarreled in the recess at school; and the teacher decided that for their punishment they should be publicly reproved before all the scholars. So, after school, they were required to stand up in their places, and listen to the reprimand. While they were standing, and the teacher was telling them that they had done very wrong,—had indulged bad passions, and displeased God, and destroyed their own happiness, and brought disgrace upon[Pg 153] the school,—one of them stood up with a bold and careless air, while the teacher was speaking, and afterwards when he took his seat, looked round to the other scholars, and laughed. The other boy hung his head, and looked very much ashamed; and as the teacher had finished what he was saying, he sunk into his seat, put his head down upon his desk before him, and burst into tears. Now, the first one was insensible, or as it is called in this text, dead to all sense of shame. The other was alive to it. You understand now?”

The party walked on for a short time in silence, admiring the splendid and beautiful scenery which was presented to view, in the setting sun, and the calm tranquility which reigned around.

Suddenly Caleb, seeing a beautiful lily growing in a border, as they were walking by, stopped to gather it. Madam Rachel was[Pg 154] afraid that he was not attending to what she was saying.

“Now, Caleb,” said she, “that's a very pretty lily; but suppose you should go and hold it before Seizem. Do you suppose he would care any thing about it?”

“And suppose you were to go and pat him on his head, and tell him he was a good dog, would he care any thing about that?”

“Yes,” said Dwight; “he would jump, and wag his tail, and almost laugh.”

“Then you see, boys, that Seizem is 'quick' and alive to praise; but to beauty of colour, and form he is insensible, and as it were, dead. The beauty makes no impression upon him at all, he is stupid and lifeless, so far as that is concerned.

“Now, what is meant by men being dead in trespasses and sins is, that they are thus[Pg 155] insensible to God's goodness, and their duty to love and obey him. Suppose, now, I was to go out into the street, and find some boys talking harshly and roughly to one another, as boys often do in their plays; and suppose they were boys that I knew, so that it was proper for me to give them advice; now, if I were to go and tell them that it was the law of God that they should be kind to one another, and that they ought to be so, and thus obey and please him, what effect do you think it would have?”

“I don't think that they would mind it much myself. Each one wants to have his own way, and to seek his own pleasures, and they do not see the excellence of obeying and pleasing God at all. It seems to me a very excellent thing for boys to try to[Pg 156] please God, but I know very well that most boys care no more about it than Seizem would for your lily, Caleb. In respect to God they are insensible and dead; dead in trespasses and sins, and the only hope for them is, that God will quicken them; that is, give them life and feeling; and then, if I say just the same things to them, they will listen seriously and attentively, and will really desire to please God. As it is now with almost all boys, they are so insensible and dead to all sense of regard to God, that when we want to influence them to do their duty, we must appeal to some other motive; something that they have more sensibility to.

“For example, you remember the other day when you went a strawberrying with Mary Anna.”

“Now, I recollect that I thought there was great danger that you might be troublesome to Mary Anna, or to some others of the party; and I wanted to say something[Pg 157] to you before you went, to make you a good boy. The highest and best motive would have been for me to say, 'Now, Dwight, remember and do what is right to-day. The trees and fields, and pleasant sunshine; the flowers and the strawberries, your own health and strength, and joyous feelings, all come from God; the whole scene that you are going to enjoy to-day, he has contrived for you, and now he will watch over you all the time, and be pleased if he sees you careful and conscientious in doing right all day. Now, be a good boy, for the sake of pleasing him.' Suppose I had said that to you, do you think it would have made you a good boy?”

Dwight held down his head, and said, hesitatingly, that he did not think it would.

“That motive would have been piety. If a boy takes pains to do what is right, and avoid what is wrong, because he is grateful to God, and wishes to please him, it is piety. But I was afraid that would not have much[Pg 158] influence with you, and so I tried to think of some other motive. I thought of filial affection next.”

“Filial affection is a boy's love for his father or mother,” replied Madam Rachel. “I said to myself, How will it do to appeal to Dwight's filial affection, to-day? I can say to him, 'Now, Dwight, be a good boy to-day, to please me. I shall be very happy to-night if Mary Anna comes home and says that you have been kind, and gentle and yielding all day.' But then, on reflection, I thought that that motive would not be powerful enough. I knew you had at least some desire to please me, but I had some doubt whether it would be enough to carry you through all the temptations of the whole day. Do you recollect what I did say to you, Dwight?”

“Yes, mother,” replied Dwight, “you told me just before I went away, that if I[Pg 159] was a good, pleasant boy, Mary Anna would want to take me again some day.”

“Yes,” said his mother; “or rather not selfishness, but self-love. Selfishness means not only a desire for our own happiness, but injustice towards others. It would have been wrong for me to have appealed to Dwight's selfishness, as that would have been encouraging a bad passion; but it was right for me to appeal to his self-love, that is, to shew him how his own future enjoyment would depend upon his being a good boy that day.

“Now, Dwight, do you think that what I said had any influence over you that day?”

“Yes, mother,” said Dwight, “I think it did. I thought of it a good many times.”

“Would it have had as much influence[Pg 160] if I had asked you to be a good boy only to please me?”

“Do you think it would have had as much influence if I had asked you to do right to please God?”

“Why, yes,” said Madam Rachel, though she spoke in rather a doubtful tone. “I rather think it would have had some influence—not much, but some. He would not have thought of it very often, but still, I rather think, at least I hope, that Dwight has some desire to please God, and that it now and then influences him a little. But in boys generally, I don't think that such a motive would have any influence at all[Pg 161].”

“Why, you can judge for yourself. Do you suppose that the boys at school, and those that you meet in the street, are influenced in their conduct every day, by any desire to please God?”

“O, yes, they have been told over and over again, at church, and in the Sabbath school, till they are tired of hearing it.”

The boys were silent, and the whole party walked along very slowly, for several steps; and then David said that he thought that though the boys were pretty bad, he did not think they were quite so bad as they would be, if they did not hear any thing about God. He said it seemed to him that it had some influence upon them.

“O, yes,” said Madam Rachel, “I have no doubt that what is said to them about their duty to God has a very important influence over them in various ways. Religious instruction produces a great many[Pg 162] good effects upon the conduct of boys and men, even where it does not awaken any genuine love for God, and honest desire to please him. That is a peculiar feeling. I will tell you.”

So saying, Madam Rachel paused, and seemed a moment to be lost in thought. The whole party had by this time gone almost the whole round of the walk, and were now slowly sauntering towards the house and as Madam Rachel said those last words, they were just passing along by the side of the rocky declivity at the back of the garden. Madam Rachel looked upon the rocks, and saw a beautiful little blue-bell growing there in a crevice, and hanging over at the top.

“There,” said she, “just by the side of the little fir-tree. How Mary Anna would admire it[Pg 163].”

“I'll climb up and get it for her,” said Dwight. “I'll have it in a minute.”

He dropped his mother's hand, and began scrambling up the rocks. They were jagged and irregular fragments, with bushes and trees among them, and Dwight, who was a very expert climber, soon had the blue-bell in his hand, and was coming down delighted with his prize. He brought the leaves of the plant with it, and it was in fact an elegant little flower.

“Now, Dwight,” said Madam Rachel, as they walked along again, Dwight holding his flower very carefully in his hand, “notice this feeling you have towards Mary Anna, which led you to get the flower. It was not fear of her,—it was not hope of getting any reward from her, I suppose.”

“It was simply a desire to give her pleasure. When you go in, you will take a pleasure yourself in going to her, and gratifying her with the present. Now, do you[Pg 164] suppose that the boys generally have any such feeling as that towards God?”

“Nor do I. They are dead to all such feelings. They take no pleasure in pleasing God. They don't like to think of him, and I don't see that they shew any signs of having any love for him at all.”

They walked along, after this, silently. Dwight saw how destitute of love to God his heart had been, and still was; and yet he could not help thinking that he did sometimes feel a little grateful to God for all his kindness and care; and at least some faint desires to please him.

It was nearly dark when they arrived at the house; and Dwight asked his mother to let him run and give Mary Anna her blue-bell. She was very much pleased with it indeed. She arranged it and the leaves that Dwight had brought with it, so as to give the whole group a graceful form, and[Pg 165] put it in water, saying she meant to rise early the next morning to paint it. Dwight determined that he would get up too and see her do it.

CHAPTER XIII.

THE JUNK.

A few days after this, when David and Dwight were at work one evening upon their mole, and Caleb was playing near, sometimes helping a little and sometimes looking on, Mary Anna came down to see them. They had nearly finished the stone-work and were trying to contrive some way to fasten up their flag-staff at the end.

“We can't drive the flag-staff down into our mole,” said Dwight, looking up with an anxious and perplexed expression to Mary Anna, “for it is all stony.”

“Couldn't you drive it down into the bottom of the brook, and then build your mole up all around it?” said Mary Anna.[Pg 167]

“It looks sandy,” said Mary Anna, looking down through the water to the bottom of the brook.

“No, it is very hard and stony under the sand, and we cannot drive any thing down at all.”

“Well,” said Mary Anna, “go on with your work, and I will sit down upon the bank and consider what you can do.”

After some time, Mary Anna proposed that the boys should go up to the wood-pile and get a short log of wood, which had one end sawed off square, and roll it down to the mole. Then that they should dig out a little hole in the bottom of the brook with a hoe, so deep that when they put in the log, the upper end would be a little above the surface of the mole. Then she said they might put in the log, with the sawed end uppermost, and while one boy held it steady, the other might throw in stones and sand[Pg 168] all around it till it was secure in its place. Then they could build the mole a little beyond it; and thus there would be a solid wooden block, firmly fixed in the end of the mole.

“Why you must get an augur, and bore a hole down in the middle of it, and make the end of your flag-staff round so that it will just fit in.”

The boys thought this an excellent plan, and went off after the log. While they were gone, Mary Anna asked Caleb if he had fed his squirrel that evening, and Caleb said he had not.

“Why, no,” said Caleb, “I don't want to go now; besides, I am going to let Dwight feed him to-night. I promised Dwight that I would let him feed him sometimes.”

The truth was that Caleb wanted to stay[Pg 169] and see the boys fix their log. He had had his squirrel now several days, and had lost his interest in him, as boys generally do in any new play-thing, after they have had it a few days. He was really, under this show of generosity and faithful performance of his promise, only gratifying his own selfish desires, but he did not see it himself. The heart is not only selfish and sinful, but it is deceitful; it even deceives itself.

So, presently, when Caleb saw David and Dwight rolling the log down from the house, he ran off to meet them, and said,

“Dwight you may feed my squirrel to-night, and I will help David roll down the log.”

Dwight looked up with an air of indifference, and said he did not want to feed the squirrel that night.

Caleb was quite surprised at the answer; and he walked along by the side of Dwight and David towards the mole, as they rolled the log along, scarcely knowing what to do.[Pg 170] He did not want to leave the poor squirrel without his supper; and, on the other hand, he did not want to go away from the mole. Mary Anna saw his perplexity, and she understood the reason of it.

Now, it happened that Mary Anna had been forming a very curious plan about the squirrel, from the very day when he was brought home; though she had not said any thing to the boys about it. To carry her plan into execution, it was necessary that the squirrel should be hers; and she resolved from the beginning, that as soon as a convenient opportunity should offer, she would try to buy him. She determined, therefore, to wait quietly until she saw some signs of Caleb's being tired of his squirrel, and then she determined to buy him.

She did not suppose that Caleb would have got tired of the care of his squirrel quite so soon as this; but when she found that he had, she thought that the time had arrived for her to attempt to make the pur[Pg 171]chase. So when Caleb came back to the mole, she said,

“Caleb, I have a great mind to go and feed your squirrel for you, if you want to stay here and help the boys to make the mole. In fact, I should like to buy him of you, if you would like to sell him.”

“Let me see—what can I make you.” And Mary Anna tried to think what she could make Caleb that he would like as well as the squirrel. She proposed first a new picture-book, and then a flag, and next her monthly rose; and, finally, she said she would make him something or other, and let him see it, and then he could tell whether he would give his squirrel for it or not.

“I shall, I know,” said Caleb, “for I can see him just as well if he is yours as I can if he is mine.”

“If I buy him of you,” replied Mary Anna, “he will be mine entirely, and I must do whatever I please with him.”

“O, but I shall make you promise not to let him go,” said Caleb, “or else I shall not want to sell him to you.”

“Very well,” said Mary Anna; “though you can tell better when you see what I am going to make you.”

Mary Anna then went up to the house, and fed the squirrel, and as it began to grow dark pretty soon after that, the boys themselves soon came up. She asked David if he would make her a mast, and also a small block of wood for a step.

“It is a block, with a hole in it for the[Pg 173] lower end of the mast to fit into,” said Mary Anna.

“Yes,” said Mary Anna; “I read about it in a book where I learned about rigging. Any little block will do.”

David's curiosity was very much excited, and he begged Mary Anna to tell him what she was going to make.

So David went, and Mary Anna began to think of her work. She happened to have recollected that there was in the garret an old bread-tray, of japanned ware, which had been worn out and thrown aside, and was now good for nothing; and yet it was whole, and Mary Anna thought it would make a[Pg 174] good boat. As, however, it was not shaped like a boat, she thought she would call it a Chinese junk, which is a clumsy kind of vessel, built by the Chinese. Accordingly after the boys had gone to bed, she got all her materials together; the old bread-tray for the hull of the junk, some fine twine for the rigging, David's mast and step, and a piece of birch bark, which she thought would represent very well the mats of which the Chinese make their sails. She carried all those things to her room, so as to have them all ready for her to go to work upon the vessel very early the next morning.

And early the next morning she did get to work. On the whole, the craft, when finished, if it was not built exactly after the model of a real Chinese junk, would sail about as well, and was as gay. She got it all done before breakfast, and carried it down, and hid it under some bushes near the mole.

Then, after breakfast, she took the boys[Pg 175] all down, and told Caleb that she was ready to make him an offer for his squirrel. She then went to the bushes, and taking out the junk, she went to the mole, and carrying it out to the end, she gently set it down into the water. The boys looked on in great delight, as the junk wheeled slowly around in the great circles of the whirlpool.

Caleb hesitated a good deal before he finally decided to give Mary Anna his squirrel, and he tried to stipulate with her, that is, make her agree, that she would not let him go; but Mary Anna would not make any such agreement. She said that if she had the little fellow at all, she must have him for her own, without any condition whatever; and Caleb, at length, finding the elegance of the Chinese junk irresistible, decided to make the trade.

And now for Marianna's plan. She liked to see the squirrel very much; she admired his graceful movements, his beautiful grey colour, and his bushy tail, curled over his[Pg 176] back, like a plume. But then she did not like to have him a prisoner. She knew that he must love a life of freedom,—rambling among the trees, climbing up to the topmost branches, and leaping from limb to limb; and it was painful to her to think of his being shut up in a cage. And yet she did not like to let him go, for then she knew that in all probability he would run off to the woods, and she would see him no more.

It happened that one limb of the great elm before the house was hollow for a considerable distance up from the trunk of the tree, and there was a hole leading into this hollow limb at the crotch, where the limb grew out from the tree. She thought that this would make a fine house for the squirrel, if he could only be induced to think so himself, and live there. It occurred to her that she might put him in, and fasten up the hole with wires for a time, like a cage; and she thought that if she kept him shut up there, and fed him there with plenty of[Pg 177] nuts and corn, for a week or two, he would gradually forget his old home in the woods, and get wonted to his new one.

After thinking of several ways of fastening up the mouth of the hole, she concluded finally on the following plan. She got some small nails, and drove them in pretty near together on each side of the hole, and then she took a long piece of fine wire, and passed it across from one to the other, in such a manner as to cover the mouth of the hole with a sort of net-work of wire. She then got Raymond to put the squirrel in through a place which she left open for that purpose, and then she closed this place up like the rest, with wires. The squirrel ran up into the limb, and disappeared.

When the boys came and saw the ingenious cage which Mary Anna had contrived, they thought it was an excellent plan; and they asked her if she was not afraid that when she opened the cage door, he would run off into the woods again. She said she[Pg 178] was very much afraid that he would, but that still there was a possibility that he might stay; and if he should, she should often see him from her window, running about the tree, and she should take so much more pleasure in that than in seeing him shut up in a cage, that she thought she should prefer to take the risk. She made the boys promise not to go to the hole, for fear they might frighten him, and she said she meant to feed him herself every day, with nuts and corn, and try to get him tame before she took away the wires.

The children felt a good deal of curiosity to see whether the squirrel would stay in the tree or run away, when Mary Anna should open his cage door; and after a few days, they were eager to have her try the experiment. But she said, no. She wished to let him have full time to become well accustomed to his new home.

Mary Anna generally went early in the morning to feed the squirrel,—before the[Pg 179] boys were up. Then she fed him again after they had gone to school, and also just before they came home at night. She knew that if she fed him when they were at home, they would want to go with her; and it would frighten the squirrel to see so many strange faces,—even if the boys should try to be as still as possible.

One morning, Mary Anna and the boys were down near the mole, and were talking about the squirrel. David and Dwight were sailing their boats, and Mary Anna was sitting with Caleb upon a bench which David had made for his mother, close to the shore. Caleb's junk was upon the ground by his side. Caleb asked Mary Anna when she was going to let her squirrel out.

“A week!” said Dwight, pushing his boat off from the shore, “I wouldn't wait so long as that[Pg 180].”

“Why, when I first had him, you wanted to have me keep him in a cage all the time.”

“I know it,” said Dwight; “but now I want to see whether he will run away.”

“I would not try yet,” said David—“but you'd better have a name for him, Marianne.”

“Mungo!” repeated Dwight; “I don't think that is a very good name. What made you think of that name?”

“O, I heard of a traveller once, named Mungo. The whole of his name was Mungo Park; but I thought Mungo was enough for my squirrel.”

“O, yes,” replied Mary Anna, “I think it probable he has travelled about the woods a great deal[Pg 181].”

“Why, whenever I go to feed him,” said Mary Anna, “I call Mungo! Mungo! and drop my nuts and corn down through the wires into the hole. And now he begins to come down when he hears my voice, and the little rogue catches up a nut and runs off with it.”

“Does he?” said Caleb. “O, I wish you would let him out. I don't believe he would run away.”

“But if you don't let him out pretty soon, I shall be gone,” said Caleb; “for I am going to Boston, you know, next week.”

Caleb's father and mother were coming up from Boston that week, and they had written something about taking Caleb back[Pg 182] with them, when they returned. Caleb was much pleased with this idea. He liked living in the country better than living in Boston; but still, he was very much pleased at the thought of seeing his father and mother, and his little sister, at home. He also liked riding, and was very glad of the opportunity to ride several days in the carryall, upon the front seat with his father. He expected that his father would let him have the whip and reins pretty often to drive.

“It is not certain, however,” continued Mary Anna, “that you will go to Boston this summer. Mother said that perhaps you would not go until the fall, and then perhaps she would go with you, and bring you back to stay here through the winter.”

“That's a great mistake,” said Dwight; “we have fine times in the winter.”

“O, a great many things; last winter we dug out a house in a great snow-drift under the rocks, and played in it a good deal.”

“Certainly,” said Dwight, “We put some large stones for the fire-place, and let the smoke go out at the top.”

“It did melt it a little around the sides, and so made it grow larger: but it did not melt it down. We had some good boards for seats, and we could stay there in the cold days.”

“Yes,” said Mary Anna, “I remember[Pg 184] I went in one cold, windy day, and I found you boys all snugly stowed in your snow-house, warm and comfortable, by a good blazing fire.”

“Yes,” said David; “Mary Anna proposed the plan, and got mother to give us the molasses in a little kettle, and we put it upon three stones in our snow-house, and we boiled it all one Wednesday afternoon, and when it was done, we poured it out upon the snow. It was capital candy.”

“Then should not you like to stay here next winter? And then we can make one,” said David.

“Ho!” said Dwight, with a tone of[Pg 185] contempt, “you couldn't make a snow-house.”

“There is not any good place,” said Mary Anna, in a mild and pleasant tone. “There is only a very small yard, and that is full of wood piles.”

“I can make it on the common,” said Caleb. “The common is large enough I can tell you.”

Here Dwight suddenly called out in a tone of great eagerness and delight, to look off to a little bush near them, to which he pointed with his finger.

“Hush!” said Mary Anna, in a low tone: “All keep perfectly still. I'll shew him to you, Caleb. There, creeping along the branch[Pg 186].”

“Yes,” said Mary Anna, “it looks like him. I am afraid he has got out of some hole, and is going away. Sit still, and we will see what he will do.”

“No, by no means,” said Mary Anna, holding Dwight back, “let us see what he will do.”

He did not, however, seem disposed to go away very fast. He came down from the bush, and crept along upon the ground towards the brook, and then finding that he could not get across very well, he ran about the grass a little while, and then went back by degrees to the tree. He climbed up to[Pg 187] the great branch, playing a minute or two about the grating over the hole, and then ran along out to the end of the branch, the children watching him all the time, and walking slowly along up towards the tree.

“I'll go and get him some corn,” said Mary Anna, “and see if he will not come down for it to his hole, when I call him. You stand here perfectly still, till I come back.”

So she went in and got a nut instead of corn, and put it down by the hole, calling “Mungo!” “Mungo!” as usual. The squirrel came creeping down the branch, and Mary Anna left the nut upon the grating, and went away. He crept down cautiously, seized the nut, stuffed it into his cheek, and ran off to one of the topmost branches; and there standing upon his hind legs, and holding his nut in his forepaws, he began gnawing the shell, watching the children all the time.

The next morning, Mary Anna tore off[Pg 188] the netting, and the squirrel lived in the tree a long while. Caleb, however, saw but little more of him at this time, for he went to Boston the next week with his father. What befell him there may perhaps be described in another book, to be called “Caleb in Town.”

END OF CALEB IN THE COUNTRY.

POETRY.

PASSING AWAY.

Mothers! where are they?—where?
They are gone from this passing scene,
Gone with the dreams of joy that were,
As if they ne'er had been.
Husbands! where are they?—where?
The visions of life are fled;
But they live—beneath—above—in air,
For spirits can ne'er be dead.

Children! where are they?—where?
Will the sun or stars reply?
Nor earth, nor sea, nor air,
Will answer to the cry.
[Pg 190]Return they not with the early morn?
Where are the lost ones? say—
Gone to a land whence none return,
But where,—Oh, where are they?

Dear ones! where are they?—where?
They are gone from the village home;
We ponder and gaze on the empty chair,
And recall the voice's tone.
Loved ones! where are they?—where?
We stand by the vacant bed,
On the spot where we breathed the prayer,
When we raised the dying head.

The friends! where are they?—where?
Their spirits have left the clay;
Are they gone to weep in black despair,
Or to sing in eternal day?
Where are they? Oh tell us where!
That our aching hearts may rest;
Do they breathe the rich man's prayer,
Or are they among the blest?
[Pg 191]

Lost ones! where are they?—where?
We ask—but we ask in vain;
The sound goes round on the waves of air,
And echo says, “Where?” Again—
Where are they?—where?

WEEP NOT FOR ME.

Weep not, my child, weep not for me,
Though heavy is the stroke,
And thou must early learn indeed
To bear affliction's yoke.
Yet weep not, for you all have heard,
Oft from these lips, in health,
How Death will often snatch away
Mothers by mystic stealth.
How often, when within the home
The sun of joy doth glow,
Some deed of his insidious hand
Will fill that home with woe.
[Pg 192]

But when thy mother far has soared
To regions all divine,
A livelier voice, my precious one,
Shall speak to thee, than mine.
Weep not for me—all tears remove—
I die without a fear;
My God, to whom you are assigned,
Your early prayers shall hear.
When twilight opes the dappled morn,
And clothes the east in grey,
When sunbeams deck the west at eve,
Oh then, beloved one—Pray.

Milner & Sowerby, Printers, Halifax.

*** END OF THE PROJECT GUTENBERG EBOOK CALEB IN THE COUNTRY ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

PREFATORY NOTICE.

CHAPTER I.	Caleb's Discovery	5
CHAPTER II.	Trouble	30
CHAPTER III.	Building the Mole	43
CHAPTER IV.	A Discussion	54
CHAPTER V.	The Story of Blind Samuel	61
CHAPTER VI.	Engineering	68
CHAPTER VII.	The Sofa	74
CHAPTER VIII.	The Cart Ride	90
CHAPTER IX.	The Fire	101
CHAPTER X.	The Captive	123
CHAPTER XI.	Mary Anna	129
CHAPTER XII.	The Walk	148
CHAPTER XIII.	The Junk	166

POETRY.		189