The Project Gutenberg eBook of Choix de Cinquante Dessins de Michel-Angelo, by Michelangelo Buonarroti.

DESSIN
LA FURIA, TÊTE DE DÉMON I
TÊTE DE FEMME II
BUSTE DE FEMME III
TÊTE D'HOMME DE PROFIL IV
LE CHRIST EN CROIX AVEC LA VIERGE ET SAINT JEAN V
LE CRUCIFIEMENT VI
ÉTUDE D'APRÈS NATURE POUR UN CHRIST MORT VII
GROUPE DE LA VIERGE POUR UN CRUCIFIEMENT VIII
HOMME NU DEBOUT IX
DEUX FIGURES D'HOMMES NUS, VUS DE DOS X
TROIS DAMNÉS SAUTANT DE LA BARQUE DE CARON XI
DOUZE ÉTUDES DE TÊTES XII
LA SIBYLLE LIBYQUE XIII
ÉTUDE POUR ADAM ET EVE CUEILLANT LE FRUIT DÉFENDU XIV
LA NUIT XV
LE PREMIER PÉCHÉ XVI
LE CHRIST EN CROIX AVEC LA VIERGE ET SAINT JEAN XVII
LE CHRIST MORT SOUTENU PAR LA VIERGE XVIII
LA RÉSURRECTION XIX
LA VIERGE ASSISE TENANT L'ENFANT JÉSUS ET AUTRE CROQUIS, LA VIERGE EMBRASSANT L'ENFANT JÉSUS XX
ÉTUDE POUR UN CRUCIFIEMENT XXI
PREMIER PROJET DU TOMBEAU DE JULES II XXII
LE CHRIST DÉPOSÉ DE LA CROIX XXIII
FLAGELLATION DU CHRIST XXIV
RÉSURRECTION DU CHRIST XXV
DEUX HOMMES LUTTANT ENSEMBLE XXVI
LE SONGE DE LA VIE HUMAINE XXVII
HERCULE COMBATTANT LE LION DE NÉMÉE, LE GÉANT ANTÉE ET L'HYDRE XXVIII
TÊTE DE JEUNE FEMME XXIX
TÊTE DE FEMME XXX
DEUX DÉMONS ENTRAÎNANT UN DAMNÉ XXXI
LA DÉVIDEUSE XXXII
BIENHEUREUX MONTANT AU CIEL XXXIII
ÉTUDE DE MAIN XXXIV
LES TIREURS D'ARC XXXV
VIEILLE SORCIÈRE XXXVI
ÉTUDE DE FIGURE ASSISE XXXVII
HOMMES NUS DEBOUT DE PROFIL ET DE DOS XXXVIII
ÉTUDE DE LA MADONE XXXIX
HOMME NU ASSIS POUR LA FIGURE DÉCORATIVE AU-DESSUS DU PROPHÈTE JOËL CHAPELLE SIXTINE XL
TÊTE DE SATYRE DE PROFIL XLI
DÉMON PORTANT UN DAMNÉ SUS SES ÉPAULES XLII
DIEU CRÉANT LE SOLEIL ET LA LUNE XLIII
BUSTE DE JEUNE FEMME ASSISE XLIV
ÉTUDES D'HOMMES XLV
TÊTE D'HOMME XLVI
BIENHEUREUX ATTIRÉ EN HAUT, ET UN AUTRE S'APPUYANT SUR LES DEUX MAINS XLVII
LA VIERGE TENANT L'ENFANT JÉSUS XLVIII
LA RÉSURRECTION. LE CHRIST PLANE AU-DESSUS DU SARCOPHAGE XLIX
JEUNE HOMME NU ASSIS L

MICHEL-ANGELO

Michel-Angelo Buonarroti (Michel-Ange) est né à Chiuzi près Arezzo (Toscane, Italie) en 1475 et mort à Rome en 1564. Très jeune il dessinait déjà ou s'apprenait à manier le marteau et le ciseau. À treize ans, élève de Ghirlandajo, il entra ensuite à l'école de sculpture fondée par Laurent de Médicis dans les Jardins de Saint-Marc. À vingt ans, il fit sa première sculpture: l'Amour endormi, puis à Rome son Bacchus et sa Pietà.

Les Médicis le prirent sous leur protection, et les différents Papes, Jules II, Léon X, Clément VII et Paul III lui donnèrent de grands travaux à exécuter: Sculptures, monuments et fresques décoratives.

La puissance de Michel-Ange est immense, «son individualité s'accentue à chaque œuvre, sa gigantesque imagination s'applique à des formes élevées et originales, c'est un géant qui marche sans connaître ni incertitude, ni faiblesse». Tour à tour peintre, sculpteur, architecte et poète, son œuvre est formidable nous en citerons les principales étapes:

PEINTURES

LA SAINTE FAMILLE (1502) aux Offices à Florence.
LA MISE AU TOMBEAU, Londres, Galerie Nationale.
LA FLAGELLATION DU CHRIST, Madrid, Musée du Prado.
PORTRAIT DE VITTORIA COLONNA, Paris, Galerie Czartoryski.

FRESQUES

LE PLAFOND DE LA CHAPELLE SIXTINE, commencé en 1508. Michel-Ange y trouve de grands espaces pour y étaler la puissance de son imagination et de son talent. On y voit les principaux morceaux suivants: «Création de la Lumière, du Soleil et de la Lune»; «Dieu planant sur les eaux»; «Création d'Adam, d'Eve»; «Le premier péché»; «l'Expulsion du Paradis»; «Le Sacrifice de Noë»; «Le Déluge»; «Les Prophètes et les Sibylles». C'est le plus prodigieux effort qu'ait enfanté l'esprit et le travail humains.

À partir de 1534 Michel-Ange peignit l'immense fresque du «jugement dernier» également dans la Chapelle Sixtine à Rome.

SCULPTURES

L'APOLLON, aux Offices à Florence.
LE BACCHUS IVRE, aux Offices à Florence.
L'ADONIS MOURANT, aux Offices à Florence.
LE RÉMOULEUR, aux Offices à Florence.
LA VIERGE ET L'ENFANT, bas-relief au Musée National, Florence.
LE DAVID (1501), taillé dans un bloc de Carrare, à l'Académie Nationale à Florence.
LE SAINT MATHIEU ( 1503), pour l'Église de Santa Maria del Fiore, Florence.
LES MONUMENTS DE LAURENT, et de JULIEN de MÉDICIS, Chapelle
Médicis à Florence, comprenant les fameuses figures de «l'Aurore»
et du «Crépuscule», et du «Jour» et de «la Nuit».
LE TOMBEAU DE JULES II. Église Saint-Pierre in Vinculis, à Rome.
La figure du «Moïse» est l'intérêt principal de ce monument pour
lequel Michel-Ange fit les «Deux Captifs» (1505) qui sont au Musée
du Louvre à Paris.
LA PIETÀ à Saint-Pierre de Rome.
UN CHRIST à l'Église de la Minerva à Rome.
LA VIERGE ET L'ENFANT à Bruges.

«Sous les mains de Michel-Ange le marbre ne traduit pas seulement les idées et les sentiments: il vit».

Comme Architecte, Michel-Ange construisit les «fortifications de Florence» et fit les plans pour la «Coupole et la Façade de Saint-Pierre de Rome».

On possède un grand nombre de ses «Manuscrits» et la plupart des Galeries d'Europe contiennent de ses «Dessins» ou esquisses qui lui ont servi pour ses tableaux, ses fresques et ses sculptures. Quelques-uns des plus beaux dessins de Michel-Ange se trouvent reproduits ici en fac-similé.

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