The Project Gutenberg eBook of A Book o’ Nine Tales, by Arlo Bates.

He lay upon an old-fashioned bedstead whose carved quaintness would once have pleased him, but to which he was now indifferent. He rested upon his back, staring at the ceiling, on whose white surface were twinkling golden dots and lines in a network which even his broken mind knew must be the sunlight reflected from off the water somewhere. The windows of the chamber were open, and the sweet summer air came in laden with the perfume of flowers piquantly mingled with pungent sea odors. Now and then a bee buzzed by the casement, or a butterfly seemed tempted to enter the sick-room—apparently thought better of it, and went on its careless way.

Of all these things the sick man who lay there was unconscious, and the sweet young[10] girl sitting by his bed was too deeply buried in her book to notice them. For some time there was no movement in the chamber, until, the close of a chapter releasing for an instant the reader’s attention, she looked to discover that the patient’s eyes were open. Seeing him awake, she rose and came a step nearer, thereby making the second discovery, more startling than the first, that the light of reason had replaced in those eyes the stare of delirium.

The invalid turned his gaze toward her, far too feeble to make any other movement; but he made no attempt to speak.

“No,” she continued, with that little purring intonation which betrays the feminine satisfaction at having a man helpless and unable to resist coddling; “don’t speak. Take your medicine, and go to sleep again.”

She put a firm, round arm beneath his head, and bestowed upon him a spoonful of a colorless liquid, afterward smoothing his pillows with deft, swift touches. He submitted with utter passiveness of mind and body, ignorant who this maiden might be, where he was, or, indeed, who he was. Painfully he endeavored to think, to remember, to understand; but with no result save confusing[11] himself and bringing on an ache in his head. His nurse, at the convenient end of another chapter, observed a look of pain and trouble upon the thin face, scarcely less white than the pillow against which it rested.

“You are worrying,” she observed with authority. “Go to sleep. You are not to think yet.”

And, staying himself upon the resolution and confidence in her tone, he abandoned himself again to the current of circumstances, and drifted away into dreams.

The girl, watching closely now, with mind distracted from her story to the more tangible mystery involved in the presence of the sick man, gave a little sigh of relief when his even breathing indicated that he had fallen asleep. She removed softly to a seat near the window, and looked out upon the tranquil beauty of the afternoon. Long Island Sound lay before her, dimpling and twinkling in the sunshine, while nearer a sloping lawn stretched from the house to the shore. Glancing backward and forward between the sunny landscape and the bed where her patient slept, the maiden fell to wondering about him, recalling the little she knew, and straining her fancy to construct the story of his life.

Three weeks before a Sound steamer had been wrecked so near this spot that through the stormy night she had seen the glare of the fire which broke out before the hull sank, and the next morning’s tide had brought to shore this man, a floating waif, saved by a life-preserver and some propitious current. A terrible wound upon his head showed where he had experienced some blow, and left him hesitating with distraught brain between life and death. In his delirium he had muttered of varied scenes. He must, the watcher reflected, have travelled extensively. Now there were words which showed that he was sharing in wild escapades; cries of defiance or of encouragement to comrades whose shadowy forms his disordered brain summoned from the mysterious past; strange names, and words in unknown tongues mingled themselves with incoherent appeals or bitter reproaches.

To the girl who had been scarcely less at his bedside than the old woman who nominally nursed him, these broken fragments of wild talk had been like bits of jewels from which her mind had fashioned a fantastic mosaic. The mystery surrounding the stranger would, in any case, have appealed strongly to her quick fancy, but when[13] to this was added the brilliancy of his delirious ravings, it is small wonder that her imagination took fire, and she wove endless romances, in all of which the unconscious sick man figured as the hero. Scraps of talk in an unknown tongue, a few sonorous foreign words, a little ignorance concerning matters in reality commonplace enough, have, in many a case before, been the sufficient foundations for a gorgeous fata morgana of fancy.

The stranger had been thrown ashore only partially dressed, and with nothing upon him which bore a name. A belt around his waist contained about fifteen hundred dollars in bills and a small quantity of gold-dust. From the presence of this latter they had speculated that the wounded man might be a returning Californian, yet his clothing was of too fine texture and manufacture for this supposition. Several persons, seeking for friends lost in the disaster from which he came, had vainly endeavored to identify him, and his description had been given in the New York papers; but without result. There seemed, upon the whole, to be no especial hope of obtaining any satisfactory information regarding the sick man until he was able to furnish it himself; and to-day for the first time the watcher found in his eyes the light of returning[14] reason. She felt as if upon the threshold of a great discovery. She smiled softly to herself to think how eager she had become over this mystery; to recognize how large a place the stranger occupied in her thoughts; yet she could but acknowledge to herself that this was an inevitable consequence of the existence which surrounded her.

The life into which the wounded man had been driven by the currents of the sea and those stronger currents of the universe which we call Fate was a sufficiently monotonous one. The household into which he had been received consisted of an old gentleman, broken alike in health and fortune, so that while the establishment over which presided his only child was not one of absolute want, it was often straitened by the necessity of uncomfortable economies. Alone with an old family servant, the father and daughter lived on in the homestead which the wealth of their ancestors had improved, but which their present revenues were inadequate to preserve in proper state. One day with them was so like every other day that the differences of the calendar seemed purely empirical, even when assisted by such diversity as old Sarah, the faithful retainer, was able to compass in the matter of the viands which,[15] at stated periods in the week, appeared upon their frugal table.

Old Mr. Dysart would have failed to perceive the justice of the epithet “selfish” as applied to himself; yet no word so perfectly described him. He was absorbed in the compilation of a complete genealogy of the entire Dysart family, with all its ramifications and allied branches. What became of his daughter while he delved among musty parchments in his stately old library; how the burdens of the household were borne; and how a narrow income was made to cover expenses, were plainly matters upon which he could not be expected to waste his valuable time. The maiden could scarcely have been more alone upon a desert island, or in a magic tower. Her days followed each other with slow, monotonous flow, like the sands in an hour-glass,—each like the one before, and each, too, like the one to follow.

Amid such a colorless waste of existence the rich mystery of the wounded stranger appeared doubly brilliant by contrast; and it is small wonder that to the watcher the first gleam of returning intelligence in the sick man’s eyes was as the promise of the opening of a door behind which lay an enchanted palace.

II.

It was yet a day or two before the sick man spoke. He was very weak, and lay for the most part in a deathlike but health-giving sleep. At length the day came when he said feebly:—

He lay silent for some moments, evidently struggling to attach some meaning to the name, and to collect his strength for further inquiries.

“You were hurt in the steamer accident,” she explained. “You came ashore here, and are with friends. Don’t try to talk. It is all right.”

He was too feeble to remonstrate,—too feeble even to reason, and he obeyed her injunction of silence without protest. She retreated to her favorite seat by the window, and took up her sewing; but her revery progressed more rapidly than her stitches,[17] and when she was relieved from her post by old Sarah, she stole softly out of the room to continue her dreaming in an arbor overlooking the water, where, in pleasant weather, she was wont to spend her leisure hours.

The next day, when she gave her patient his morning gruel, he watched her with questioning eyes, as if endeavoring to identify her, and at last framed another inquiry.

That he knew little more than before was a consequence of the situation, and Mistress Columbine was wise enough to spare him the necessity of saying so.

“You do not know us,” she said; “but we will take good care of you until you are well enough to hear all about it.”

“But—” he began, the puzzled look upon his wan face not at all dissipated.

“But,” he repeated with an insistence that would not be denied, “but—”

“Well?” queried she, seeing that something troubled him too much to be evaded.

“But who am I?” he demanded, so earnestly[18] that the absurdity of such a question was lost in its pathos.

“Who are you?” she echoed, in bewilderment. Then, with the instant reflection that he was still too near delirium and brain-fever to be allowed to trouble himself with speculations, she added, brightly, and with the air of one who settles all possible doubts, “Why, you are yourself, of course.”

She smiled so dazzlingly as she spoke that a complete faith in her assurances mingled itself with some dimly felt sense of the ludicrous in the sick man’s mind, and although the baffled look did not at once disappear from his face, yet he said nothing further, and not long after he fell asleep, leaving Columbine free to seek her arbor again and ponder on this new phase of her interesting case. She attached no serious importance then to the fact that her patient seemed so uncertain concerning his identity; but, as the days went by, and he was as completely unable to answer his own query as ever, a strange, baffled feeling stole over her; a teasing sense of being brought helplessly face to face with a mystery to which she had no key.

His convalescence was somewhat slow, the hurts he had received having been of a very serious nature; but when he was able to leave[19] his room, and even to accompany Columbine to her favorite arbor, he was still grappling vainly with the problem of who and what he was.

This first visit to the arbor, it should be noted, was an event in the quiet life at the old house. Columbine was full of petty excitement over it, her fair cheeks flushed and her hair disordered with running to and fro to see that the cushions were in place, the sun shining at the right angle, and the breeze not too fresh. She insisted upon supporting the sick man on one side, while faithful old Sarah, her nurse in childhood, and since promoted to fill at once the place of housekeeper and all the departed servants, took his arm upon the other to help him along the smoothly trodden path through the neglected garden. Mr. Dysart was as usual in his library, and to disturb him there was a venture requiring more daring than either of the women possessed. They got on very tolerably without him, however, and the patient was soon installed amid a pile of wraps and shawls in the summer-house, where he was left in charge of Miss Dysart, while Sarah returned to her household avocations.

It was a beautiful day in the beginning of September, warm and golden, with all the[20] mellowness of autumn in the air, while yet the glow of summer was not wholly lost. The soft sound of water on the shore was heard through the chirping of innumerable insects, shrilling out their delight in the heat; while now and then the notes of a bird mingled pleasantly in the harmony. The convalescent drew in full breaths of the sweet air with a sigh of satisfaction, leaning back among his cushions to look, with the pleasure of returning life, over the fair scene before him.

For some time nurse and patient sat silent, but the girl, watching him intently, was in no wise dissatisfied with the other’s evident appreciation of her favorite spot. Indeed, she had dreamed here of him so often that some subtle clairvoyancy may have secretly put him in harmony with the place before he saw it. Columbine liked him for the pleasure so evident upon his handsome, wasted face, while inly she was aware how great would have been her disappointment had he been less alive to the charms of the view.

“How lovely it is!” he said, at length. “It is, perhaps, because you live in so lovely a place,” he added, after a trifling pause, and with a faint smile, “that you are so kind to a waif like myself.”

“Perhaps,” she answered, returning his smile. “But, really, we only did what any one would have done in our place.”

“Oh, no; and besides, few could have done it so well. It is so pleasant, I seem to have lived here always.”

“It may be,” Columbine suggested, with deliberation, “that it recalls some place you have known.”

“It is a pity,” he said, “that if that unlucky disaster could spare me nothing of my baggage, it could not at least have left me my few poor wits. I might make an interesting case for psychologists. They might discover from me in what part of the brain the faculty of memory is located, for that wretched wound seems to have let mine all ooze out of my cranium. I do not feel, Miss Dysart, like an idiot in all respects, since I certainly know my right hand from my left; and I have found, by experiment in the night-watches, that I could still make myself understood in two or three languages.”

“But as far as my personal history goes,” he continued, replying to her words by a smile, “my mind is an absolute blank. I[22] can give you several interesting pieces of information concerning ancient history and chronology; but I haven’t the faintest idea what my name is; and you must acknowledge that it is a little hard for a man to be ignorant of his own name.”

“Yes,” Columbine assented, bending forward and clasping her hands in front of her knees. “Yes; and it is so strange! Try and remember; you must surely recollect something.”

“I have tried; I do try; but I can only conjure up a confused mass of shifting images; things I seem to have been and to have done, all indistinguishably mixed with what I have only dreamed or hoped to do and be.”

“How strange!” she said again, fixing her wide-open dark eyes upon him, and then turning her gaze to the sea beyond; “but it will come to you in time.”

“Heavens!” he exclaimed, energetically, “I hope so, else I shall regret that you pulled me out of the water. To-day I do seem to have a glimpse of something more tangible. Since I sat here I almost thought I remembered—”

He broke off suddenly, his bright look fading into an expression of helpless annoyance.

“Oh, what a pity!” exclaimed she, springing to her feet in a flush of sympathy and baffled curiosity. “Oh, how cruel!”

Then she remembered that she was absolutely disobeying the doctor’s orders, and was allowing her patient to become excited.

“There, there,” she said, “how wrong of me to let you worry! Everything will come back to you when you are stronger. Now it is time for your luncheon. It is so warm and bright you may have it here if you will promise not to bother your head. For I really think,” she added, wisely, giving his wraps a deft touch or two, “that the best way to remember is not to try.”

“I dare say you are right,” he agreed. “At least trying doesn’t seem to accomplish much.”

She flitted away, to return a moment or two later with an old-fashioned salver, upon which, in dainty china two or three generations old, Sarah had arranged the invalid’s luncheon. She drew the rustic table up to his side and served him, while he ate with that mixture of eagerness and disinclination which marks the appetite of one in the early stages of a convalescence.

“That pitcher,” he observed, carelessly, as she poured out the cream, “ought to belong to my past. It has a familiar look, as if it could claim acquaintance if it would only deign.”

“It was my grandmother’s,” Columbine said. “When we were little, Cousin Tom used to tease me by saying my cheeks looked like those of that fat face on the handle. I was more buxom then than now.”

Instead of replying, her companion laid down his spoon and looked at her in delighted amaze. Then he struck his hands together with sudden vigor.

“Well?” queried she, looking at him as if he had gone distraught. “It isn’t so strange a name, is it?”

“But, don’t you see?” he exclaimed, joyously,—“I’m Tom! I have found my name!”

III.

The rest of Tom’s name, however, remained as profoundly and as provokingly concealed in the wounded convolutions of his brain as ever. Columbine called him Mr. Tom, and it is not unlikely that the familiarity[25] of the monosyllable, which seemed to place them at once upon an intimate footing, had a strong influence upon their relations. The maiden had a crisp way of pronouncing the name, as if she were half conscious of a spice of impropriety in a term so familiar, and felt it, too, to be something of a joke, which was so wholly fascinating that the patient did not have to be very far advanced toward his normal condition of health and spirits to enjoy it so well as to reflect that the name so rendered ought to be enough for any man.

Mr. Tom soon began to gather up a few stray bits from his childhood, his memory apparently returning to its former state by the same slow road it had travelled from his birth to reach it.

“I remember a few beginnings,” he had said, hopefully, on the day following that of his first visit to the arbor. “I had a carved coral of a most luscious pink color. It is even now vaguely connected in my mind with the idea of eating; so I infer that I must have cherished a fond delusion that it was good to eat.”

“It is at least good to remember,” Columbine returned, laughing. “It wouldn’t be a bad idea to open an account of things recovered[26] from the sea of the past. You can begin by putting down: Item, one coral.”

“Yes; and one nurse. I distinctly recall the nurse. She had a large mole on her chin. Yes; I can certainly swear to the nurse.”

He was in excellent spirits to-day. The dawning of recollection gave promise of the restoration of complete remembrance; the day was enchanting; his appetite and his luncheon came to a wonderfully good agreement, while a prettier serving-maid than Miss Dysart could hardly be found.

“It must be very like being a child again,” she observed, thoughtfully; “and that is a thing, you know, for which the poets are always sighing.”

“You will have the advantage of growing up with me,” was his gay retort, “if this process continues. Only you’ll have the advantage of superior age.”

After that he told her each morning what he had been able to recover from forgetfulness since the previous day. It is difficult to imagine the strangeness of this relation. It possessed all the piquancy of fiction to which its ingenious author added new incidents from day to day; yet it had, too, the strong attractiveness of truth and personal[27] interest. Columbine listened and commented, deeply engrossed and fascinated by the novel experience which gave her an acquaintance with the entire past life of her stranger guest, yet an acquaintance which was etherealized and marked by a certain charm not to be found in actual companionship. Had she really shared the childhood thus narrated to her it would have been in no way remarkable; but now she seemed to live it herself, with a vitality and interest more vivid each day. Often the freakish faculty, upon whose vigor depended the continuity of Mr. Tom’s narration, would for days concern itself with the veriest trifles, advancing the essentials of the story not a whit; or, again, it would seem to turn perversely backward, although no efforts availed to speed it forward.

The main facts of Mr. Tom’s story, so far as they were gathered up in the first week of this odd story-telling, were as follows: He made his acquaintance with the world doubly orphaned, his father being lost at sea upon a return voyage from India before the boy’s birth, and his mother dying in childbed. Reflecting upon what he was able to recall, Tom concluded that his parents were persons of wealth. His surroundings had at least been luxurious. The truth was, as he came,[28] in time, to remember, that, being left without near relatives, he had been, by his guardian, confided to the care of trusty people, who spoiled and adored him until he was transferred to boarding-school.

“I have grown to be a dozen years old,” Tom remarked to Miss Dysart one afternoon as they sat in the arbor, she sewing, and he idly pulling to pieces a purple aster. “I have even conducted myself to boarding-school, and I cannot conceive why I can’t get hold of my family name. I must have been called by it sometimes. I remember being dubbed Tom, Tommy, Thomas,—that was when I was stubborn; Tom Titmouse—that was by nurse; Tom Tattamus—that by the particularly odious small boy next door; but beyond that I might as well never have had a name at all. My trunks, I know, were marked with a big W, but all the names beginning with that letter that I can hit upon seem equally strange to me. I do not see why, of all things, it is precisely that which I cannot remember.”

“It is because you worry about it,” his companion suggested; “probably that particular spot in your brain where your name is lodged is kept irritated by your impatience.”

“Heavens!” laughed he. “How psychologic and physiological you are! Well, if I’ve no name, I can invent one, I suppose.”

“Or make one. Do you realize what a fascinating position you are in? Common mortals have only the consolation of speculating about their future; but you can also amuse yourself with boundless speculations concerning your past. You are relieved from all responsibility—”

“Oh, no,” he interrupted; “that is the worst of it. I have responsibilities without knowing what they are. The past holds me like a giant from behind, and I cannot even see my captor.”

“Oh, you look at it all too seriously!” Columbine returned. “You can fashion your past, as we all do our futures, just as you like. I think you are decidedly to be envied.”

The bitterness of the exclamation brought to her a sudden realization of the difference of their points of view, and revealed how deep was the man’s humiliation at his helpless position. A quick flush of pity and sympathy mantled her cheek.

“Forgive me,” she exclaimed, impulsively. “I had no right to be so thoughtless. I beg your pardon.”

“There is no occasion. You are right. It is certainly better to laugh than to cry over the inevitable, especially as things are righting themselves. But we, or, rather, I, must go into the house. It is growing cool.”

IV.

Life at the old Dysart place went forward in a slow and decorous fashion, little allied to the bustling manners of the present day. Mr. Dysart was getting now to be an old man, albeit it is doubtful if in any abundant sense he can ever have been a young one. In any case he had, by long burrowing among musty records and genealogical parchments, acquired a dry and antique appearance, as, to use a somewhat presumptuous yet not inexact metaphor, certain scholarly worms had taken on a brown hue from continued dining on the bindings of his venerable folios. He inhabited a remote and essentially unworldly sphere, from which the existence of his daughter was wholly separate. He was conscious of her presence in an unrealizing way; was even aware that just now she had in the house a guest who had come ashore from a wreck. But that was the affair of[31] Columbine and old Sarah; he could not of course be expected to loosen his hold upon the clew which he hoped would lead him to the exact connection between the Dysarts and the Van Rensselaers of two generations back, to pay attention to a chance waif from that outer world with which he had never considered it worth his while to concern himself.

As far as Mr. Tom was concerned, Mr. Dysart might as well not have existed. They did once meet in the passage before the study door when the invalid in his first days of walking was one rainy morning wandering restlessly about the halls; but the owner of the house hurried furtively past, as if he were the interloper and the other lord of the manor; and even when the convalescent was well enough to join the family at table, Mr. Dysart was very seldom there, so that the meals were for the most part taken tête-à-tête by Columbine and her patient.

The result of such a situation is evident from the beginning. Exceptional natures might be imagined, perhaps, that would not have grown dangerously interested in each other under such circumstances; but at least these two drew every day closer together. Neither had any tie belonging to the past;[32] or, more exactly, Columbine had none, and he, for the time being, at least, had no past. His helplessness and the mystery enshrouding him would have appealed to the heart of any woman, and Columbine had no distractions to fill her life and crowd out this ever-deepening interest. Of Mr. Tom, her beauty and freshness, her simplicity, which was so far removed from insipidity, her innocence, which never suggested ignorance, won the respect and admiration long before he was conscious that love, too, was growing in his heart.

There came a day, however, when he could no longer be ignorant of the nature of his feelings.

The two had gone past the arbor and down to the shore. Columbine was seated upon a rock, while Tom lay at her feet, idly tossing pebbles into a pool left among the sea-weed by the ebbing tide. The maiden wore that day a dress of gray flannel, almost the color of the stone upon which she sat, trimmed with a velvet of orange which no complexion less brilliant than hers could have endured. She twisted in her fingers a spray of goldenrod, yellow-coated harbinger of autumn.

“The summer is gone,” Columbine remarked, pensively. “It is getting late even for goldenrod.”

“Yes,” he echoed, “the summer is gone. I lost so much of it I hardly realize—”

“Why!” he exclaimed, “how long I have been here! I ought to have taken myself off your hands long ago. How you must think I abuse your hospitality!”

“Nonsense!” she returned, brightly; “you of course cannot go until you are well. It is necessary that you at least conjure from the past the rest of your name before you start out into the world again. Make yourself as comfortable as you can, Mr. Tom; you won’t be let loose for a long time to come yet.”

Despite the lightness of her manner her companion fancied he detected a shade of some hitherto unnoted feeling in her words; but whether dread of his departure or desire to be rid of him he could not divine. The latter thought struck him with a sudden chill. The love which had been fostered in his mind by this close and intimate companionship was not unmixed at this moment with a fear of being thrown upon his own resources while ignorant alike of his place and his name. He clung strongly to Columbine as to one who understood and sympathized with his strange[34] mental weakness. The color flamed into his pale cheeks with a sudden throb of intense emotion; then faded, to leave him whiter than ever.

“Besides,” Columbine continued, after a moment’s pause, her glance still downcast, “why shouldn’t you stay? Your being here makes no difference to papa; he smokes and grubs after the roots of his ancestral tree the same as ever; and as for me,” lifting her eyes with a sudden smile that showed all her dimples, “you know how much you amuse me. You are as good as a continued story, and are alive, too, the last being a good deal in this desert.”

He returned her smile with effort. His moment of intense feeling had so overpowered him that he felt weak and faint.

“How white you are!” she exclaimed, noting the wanness of his face; “you should have had your bouillon long ago. A pretty condition you are in to go roaming off by yourself!”

She tripped lightly off towards the house for the forgotten nourishment, and Mr. Tom was left to his reflections. He raised himself, as her graceful figure vanished, then sank back upon his rug with something like a groan. All in an instant the knowledge had[35] come to him that he loved her. He had gone on from day to day conscious only of thinking of his own history, which, bit by bit, he was disinterring from the past, as men bring to light some buried city, and insensibly Columbine had become dear to him before he was aware.

He buried his face in his hands in a despair which was in part the result of his strange mental confusion; in part arose from his physical weakness. He did not reflect then that his case was not necessarily hopeless; that nothing in his life which remembrance had recovered need raise a barrier between himself and Columbine. Afterward this thought came to him and brought comfort; now he was overwhelmed by a sense of impotent misery. Helpless in the hand of fate, it seemed to him that this love, of which he was newly aware, was but a fresh device of malignant destiny. He did not even consider whether his affection might be returned; he only felt the impossibility of offering his broken life to Columbine,—of binding her to a past that was uncertain and a future that was insecure.

Tears of weakness, and scorn of that weakness, came into his eyes. Their traces were still visible when Columbine returned.

“Come,” she said, ignoring the signs of[36] his agitation, “you have told me nothing on the story to-day. Just down there,” indicating by a pretty sweep of the hand a little pebbly cove lying just below them, “is where Sarah and I found you.”

“And I would to God,” cried poor Tom with sudden fierceness, “that you had left me there.”

Columbine made, for the moment, no reply to this outburst. She insisted upon his drinking his bouillon, despite his protests of disinclination, and then brought him back to the tale of his life.

“There is an air of improbability about my story,” he said, after a little musing. “Indeed, so much so that I myself begin to doubt the truth of it. In the first place it seems particularly arranged to baffle inquiry. Whenever I recall a person to whom I might send for verification or information, I straightway remember that he is dead, or that my wanderings have carried me beyond his knowledge. I am apparently as far as ever from knowing who I am or what I am. And, besides, suppose your beautiful theory, that my memory acts as it does because the impressions of youth are strongest, is not true? You put me in the same category with those whose memory is weakened by age; but this[37] may be all moonshine. Perhaps this history, to which I am painfully adding every day, is something I have read, and only a fiction after all.”

“But why suppose so many tormenting things?” returned Columbine, brightly. “The fault of the age, they say,—we know very little of it here, but cousin Tom sends me a paper occasionally,—is unrest; and whoever you are, a little tranquillity will scarcely be likely to harm you. Go on with the life and adventures, and never mind now whether they are true or not. At least they are interesting. You broke off yesterday in a most exciting account of a tiger hunt.”

“Ah, yes; I got the rest of it together this morning. Where did I leave off? Had we reached the second jungle?”

The salt meadows were on fire. The pungent odor of burning peat and saline grasses floated over the Dysart place and about the arbor one October morning when Tom sat there meditating. He was thinking of Columbine, and of his passion for her. His health now seemed firmly re-establishing itself, and his memory had gone on over the[38] old track of his life in its singular method of progression until he felt confident that he should ultimately be in possession of all his past. He reviewed what he remembered, as he sat this morning inhaling the aromatic scent of the burning lowlands, and the result was not unsatisfactory. He had recovered from oblivion his life up to the time, three years before, when he took passage home from India, and his financial affairs at that period were in an eminently satisfactory position. He recalled that he had been regarded on shipboard as a person of more consequence than the British officer who, with his daughter, occupied the cabin of the Indiaman with him; and he trusted that no untoward circumstances of the interval had placed him in a condition less desirable.

He had reconciled himself to remaining at the Dysart mansion by turning over to old Sarah a goodly portion of the money contained in his travelling-belt, and blessed himself that his wandering life had led him to form the habit of always going thus provided. He sat now waiting for Columbine to appear, and fondly picturing to himself the delight of telling his love when the time came that he dare speak. Each day increased his attachment, and he believed, as every lover will,[39] that his love was returned. A smile of brooding contentment, so deep that even the impatience of his passion could not disturb it, dwelt upon his face as he inhaled the fragrant odors from the burning marshes, and listened for the step of the maiden he loved.

She came at last, moving along the garden paths between the faded shrubs, a gracious and winning figure. She was dressed that morning in a gown of russet wool, with a bunch of gold and crimson leaves at her throat, and never, in Tom’s eyes, had she looked so lovely.

“I shouldn’t have been so late in getting here,” she said, as she took her accustomed seat, “but Sarah is greatly concerned about the fire in the salt marshes. She says it is thirty years since they burnt over, and she presages all sorts of dire calamities from that fact.”

“Well,” Columbine returned with a pout, “she is not at all clear what she does mean, so it isn’t to be expected that I shall be. We will go on with the life and adventures, if you please.”

“Nonsense,” retorted pretty Columbine; “you never really remember. I am convinced that you make it all up as you go along; but you tell it so seriously that it might as well be true. And in any case it does credit to your powers of imagination.”

His story now was of his voyage from Calcutta. He told of moonlight nights in the Indian ocean, of long days of sunny idling on deck, and all the pleasant details of a prosperous voyage over Southern seas.

“Miss Grant wasn’t very pretty,” he observed, lying lazily back and looking up into the blue October sky, “at least not as I remember her; but she was very good company, only a little given to sentimentalizing. She had a guitar, and I will confess I did hate to see that guitar come out.”

“She would be pleased if she could hear you,” laughed Columbine. “What was there so frightful about her guitar?”

“Oh, after that,” he returned, with an impatient shake of his shoulders, “she was sure to talk sentiment.”

His companion laughed merrily. The[41] faint, almost unconscious feeling of jealousy which had risen at the mention of this engaging young lady had vanished entirely in the indifference with which Mr. Tom spoke of her. She moved her head with a happy little motion not unlike that with which a bird plumes itself. Her soft, low laugh did not really end, but lost itself among the dimples of her cheeks.

“Not that I should mind some people’s talking sentiment,” he said with a smile.

She raised her laughing gaze to his, and, as their eyes met, the meaning of the look in his was too plain to be mistaken. She flushed and paled, dropping her gaze from his.

“And did nothing especial happen on the voyage?” she asked, with a strong effort to regain her careless manner.

“Not that I recall,” he answered, putting his hand beside hers upon the rustic table so that their fingers almost touched.

A moment of silence followed, broken only by the chirping of a few belated crickets, that, despite the advancement of the season, had not yet discontinued their autumnal concerts. The two, so quiet outwardly, sat with beating hearts, when suddenly a wandering[42] breeze brought into the summer-house a puff of smoke from the burning salt meadows. It was laden with the fetid odor of consuming animal matter, and so powerful was it that both involuntarily turned away their heads.

“Bah!” Columbine cried. “How horrible! There must be a dead animal of some sort there that the fire has reached.”

She stopped speaking and gazed with surprise at Tom, who had buried his face in his hands with a groan.

“No,” he said, “it has not made me ill,—physically, that is; but it has done worse, it has made me remember.”

She leaned toward him, and to poor Tom she looked the incarnation of enticing loveliness. Sympathy and interest—not unmixed, she being a woman, with curiosity—sparkled in her eyes, yet he nerved himself to tell her all that had come back to him.

“That smell of burning hide,” he began, “brought it all up in a flash. The ship got on fire; Miss Grant clung to me; there was just such an odor leaking out around the[43] hatches from the hold where the flames were at the cargo; she—I—when everything else was right, when the fire was out, I was all wrong.”

She drew away from him, her cheeks pale, her very lips wan. She did not meet his gaze, but sat with downcast eyes.

“I was engaged to Miss Grant. I did not pretend to love her, but I thought we were all bound for the bottom, and”—

“And if a lie would soothe her last moments,” she said, bitterly, “you— No, no; I beg your pardon.”

“I remember more,” he went on, wrenching each word out as if by a strong effort of will. “The shock, and, perhaps, previous seeds of disease, were too much for her father; he died the day before we landed. She was alone in the world, she had no protector, and I—I married her at once, to protect her.”

A sparrow flew up into the lattice outside the arbor without noticing the pair within, so dead was the stillness which now fell upon them. At length Columbine rose and stood an instant by the table which had been between[44] them. She wavered an instant, then stooped and kissed him upon the forehead. Then without a word she turned from the arbor and fled swiftly to the house.

VI.

Left alone in the summer-house Tom’s first feeling was a great throb of joy; but it gave place almost instantly to an aching pang of misery. To be assured of Columbine’s love would have been intense happiness an hour before; now it could only add to his pain. He raged against the toils in which fate had entangled him, yet defiance to helplessness and every paroxysm of rage at destiny ended in a new and humiliating consciousness of his own impotence. He felt like one who walked blindfolded, with light granted him, not to avoid missteps, but merely to see them after they were taken.

One thing at least was clear to Tom,—that he must leave the Dysart mansion. To go on seeing Columbine day after day, with the knowledge at once of their love and of the barrier that stood between them, was a position too painful and too anomalous to be endured. Both for his own sake and for Miss[45] Dysart’s it was necessary that he delay no longer. Where he was going he was not at all clear; that he left to circumstances to decide. He quitted the arbor and walked toward the house, so intent upon his painful thoughts that at a turning of the path he ran plump against old Sarah, who was hurrying along with a face full of anxiety.

“Oh, mercy gracious, Mr. Thomas!” the faithful creature cried; “I’m sure I beg your pardon! But you look as if you’d seen a ghost!”

“To the salt meadows,” she answered. “The fire’s sure to come into the lower garden if we don’t ditch it, and if it does, there’ll be no stopping it from the house.”

“There ain’t no men,” old Sarah returned, philosophically. “Why should there be?”

“’D I be likely to stop in-doors and let the house where I’ve lived fifty years burn over my head?” demanded she, grimly.

Old Sarah remonstrated, but it ended in the strangely matched pair going together to the meadows below.

The dry sphagnum was readily cut through with the spade, and it was not a difficult, although a slow task, to dig a wide, shallow trench between the stretch of burning moss and the gardens. Once the ditch was complete, it would be easy to fight the fire on the home side, since there was nothing swift or fierce about the conflagration, it being rather a sullen, relentless smouldering of the moss and grass-roots, dry from the long drought.

Zealously as the two labored, the fire gained upon them, and as they worked, they could not but cast despairing glances at the long stretch of garden which lay still unprotected.

Meanwhile Columbine from her window had seen the laborers, and, in a moment realizing the danger, she flew to the library.

“Father,” she cried, “the salt marshes have been burning all day, and the fire is almost up to the garden.”

“Good heavens, Columbine, how impetuous you are! You have quite driven out of my head what became of the second son of—”

“But, father,” she interrupted, impatiently, “do you realize that if you sit here pothering[47] about second sons the house may be burned over our heads?”

“Burned!” exclaimed the genealogist, in dismay; “and all my papers scattered about! Oh, help me, Columbine, to pack up my notes; but don’t take up anything without asking me where it goes. Do you think that iron-bound trunk will hold them all?”

Fearing to trust herself to reply, Columbine darted from the library, leaving her father to the half-frenzied collection of his papers, and betook herself to the salt meadows, where, grimed with smoke, Tom and the old serving woman were sturdily laboring. The pungent smoke eddied about them, and already old Sarah’s gown showed marks of having been on fire in a dozen places. Columbine stood upon the descending path a moment and regarded them; then, with a step which bespoke determination, she went on and joined them.

“Go back!” shouted Tom, hoarsely, as she approached; “don’t you see how the sparks are flying about? You’ll be a-fire before you know it.”

And, indeed, the fire was becoming more active as it crept nearer to the edges of the meadows, where the grass was taller. The word of warning had hardly left Tom’s lips[48] before she found her dress burning, and while, being of wool, it was easily extinguished, Tom found in it an excuse for taking her in his arms to smother the flame.

“Go back to the house,” he said, in a voice which was full of feeling, yet which it would have been impossible to disobey. “We shall save the place; but I cannot work while you are in danger.”

“Nonsense! there is no danger for me,” he returned, smiling tenderly. “Don’t think of me.”

It was not until late in the night that the contest against the fire was concluded. Tom worked with an energy in which desperation had a large place, while old Sarah, with the pathetic fidelity of an animal, labored by his side, indefatigable and unmurmuring. Faint streaks of light had begun to show in the east when Tom flung down the spade, upon which he had been leaning, for a last close scrutiny.

“It is all right now,” he said; “there can’t possibly be any fire left on this side of the marshes. It was lucky for us that the tide rose into the lower part of the trench.”

Undemonstratively, as she had worked, old[49] Sarah gathered herself together, grimy, stooping, quivering with weariness and hunger, and crept back to the house they had saved; while Tom, with tired step, climbed the path and took his way past the summer-house toward the other side of the mansion. As he passed the arbor something stirred within.

“Columbine!” he said, in surprise, recognizing by some instinct that it was she. “Why, Columbine, what are you here for? You will be chilled to death.”

“You sent me away,” returned the girl, with a trace of dogged protest in her voice. “You wouldn’t let me help.”

“I should hope not,” laughed Tom, nervously, taking off his hat and passing his hand through his hair, from which odors of smoke flowed as he stirred it. “You were hardly made to fight fire.”

“No,” she answered, with sudden and significant vehemence, “I was not made to fight fire.”

He moved uneasily where he stood in the darkness; then he took a stride forward and sat down beside her. They were silent a moment, his eyes fixed upon the first far sign of dawn, while hers searched the gloom for his features.

“Columbine,” he began, at length, in a[50] voice of strange softness, “it would have been better for us both if I had never come here.”

“No, no,” was her eager reply; “I cannot have you say that. You have put savor into my life that was so vapid before.”

“Bitter, yes,” Columbine returned in a voice which, though low and restrained, betrayed the fierceness of her excitement. “Bitter as death; but sweet too, sweet as—”

She left the sentence unfinished. Below on the shore the full tide was lapping the stones with monotonous melody. Save for their iterance, the stillness was almost as deep as the marvellous silence of a winter night which no sound of living thing breaks.

“Whatever comes,” Columbine murmured a moment later, her voice changed and softened so that he had to bend to catch her words, “I am glad of all that has happened; glad of you; glad, always glad.”

He caught her passionately in his arms and covered her downcast head with kisses, while she yielded unresistingly to his embrace, although she sobbed as if her heart would break. In the east the promise of the dawn shone steadily, increasing slowly but surely. It became at last so strong that Columbine, opening her swollen lids, was[51] able to distinguish objects a little. At that moment she became conscious that the arms of her lover had loosened their hold upon her. She looked into his face with sudden alarm. Mr. Tom had fallen into a dead faint.

VII.

The afternoon sun was shining into Tom’s chamber windows when he awoke. Ten hours of heavy sleep had had a wonderfully revigorating effect upon him, and despite some stiffness he awoke with a sense of renewed power. His repose had, too, a far more remarkable effect than this. Before his eyes were open he said aloud, as if he were solemnly summoning some culprit before the bar of an awful tribunal:—

The sound of his own words acted upon him like an electric shock. He started up in bed, wide awake, his eyes shining, his whole manner alert, joyous, and confident. He was nameless no longer. Treacherous memory had yielded up its tenaciously kept secret, and at last he emerged from the shadowy company of the nameless to be again a man among men.

He sprang from his couch and made his toilet with impatient eagerness. As he dressed he remembered everything in an instant. That baffling mystery of his family name seemed the key to all the secrets of his past, and, having yielded up this prime fact, his memory made no further resistance. His whole life lay before him, no longer laboriously traced out, bit by bit, but unrolled as a map, visible at a single coup d’œil.

Little that he recalled was of a nature to change the conclusions he had formed of his circumstances, except the single fact that his wife had not outlived her honeymoon. The shock of her father’s death, and, perhaps, some seeds of malaria contracted in India, had proved too much for her delicate constitution, and Tom, eagerly reviewing his newly recovered past, felt a pang of unselfish sorrow for the unloved bride who had for so short a time borne his name, that name which he now kept saying over to himself, as if he feared he might again forget it.

He hurried downstairs, and in the old-fashioned hall, stately with its wainscoting and antique carved furniture, he met Columbine coming towards him. Like his, her eyes shone with a new light, her lips were parted with excitement, and her step was eager.

“Good-morning, Mr. Wainwright,” she fluted in a voice high with excitement and joyousness. “I heard your step, and could not wait for you to get to the parlor.”

“Good heavens!” cried he, stopping short in amazement. “How did you know? Are you a witch?”

“No,” she laughed, pleasure and excitement mingling rather dangerously in her mood. “Nothing of the sort, I assure you; though one of my ancestors was tried for witchcraft at Salem. Cousin Tom sent me this advertisement, and I knew at once that it must be you.”

The advertisement she showed him was cut from a New York paper, and called, with a detailed description of the personal appearance of the missing man, for tidings of one Thomas Wainwright, of Baltimore, supposed to have perished in the wreck of the Sound steamer, and whose large estate was unsettled. Tom read it over with mingled feelings.

“Bah!” he said. “When I get home I shall only have to look over a file of the daily papers to read my obituary. Fortunately I have been back from India so few years that they cannot say a great deal about me.”

“De mortuis,” returned Columbine, smiling. “They will only say good of you. I congratulate you on having found your name.”

“I have all my past, too,” he went on. “I am free; I have nothing to hide; nothing stands between us. Will you be my wife, Columbine?”

She grew pale as ashes; then flushed celestial red; but her eyes did not flinch.

Interlude First

AN EPISODE IN MASK.

[Scene:—A balcony opening by a wide, curtained window from a ball-room in which a masquerade is in progress. Two maskers, the lady dressed as a peasant girl of Britany and her companion as a brigand, come out. The curtains fall behind them so that they are hidden from those within.]

She. Thank you. So I have been told before, but I find that it depends entirely upon my partner.

She. Thank you. How glad one is when a ball is over. It is almost worth enduring it all, just to experience the relief of getting through with it.

She. Oh, everybody is young in a mask, and by benefit of the same doubt, I suppose, everybody is fair as well.

He. It were easy in the present case to settle all doubts by dropping the mask.

She. No, thank you. The doubt does not trouble me, so why should I take pains to dispel it? Say I am five hundred; I feel it.

He. What indifference; and in one who waltzes so well, too. Will you not give me another turn?

She. Inexpressibly. It is just that—solemn. It is too sad for anger, and too great and grave for repining; it is as awful as fate.

She. It did not me always. It was while I was in Britany—where I got this peasant dress; isn’t it quaint?—that I learned to know the sea. It judged me; it reiterated one burden over and over until it seemed to me that I should go mad; yet at the same time its calmness gave me self-control. If there had been the slightest trace of anger or relenting in its accusations, I could have turned away easily enough, and shaken its influence all off. But it was like an awful tribunal before which I had to stand silent, and review my past as interpreted by inexorable justice,—with no palliations, no shams, nothing but honest truth. But why should I say all this rigmarole to you? You must be amused,—if you are not too much bored, that is.

He. First, for your confidence in me; and second, for telling me an experience so like my own.[59] It was not the sea, but circumstances that delivered me over to myself,—a long, slow convalescence, in which I, too, had an interview with the Nemesis of truth, and found a carefully built structure of shams and self-deception go down as mist before the sun. The most frightful being in the world to encounter is one’s estranged better self.

She. That is true. No one but myself could have persuaded me that it was I who was to blame. The more I was argued with, the more I believed myself a martyr, and my husband—

He. Do? Oh, it is considered proper in such cases, I believe, for him to make a violent pretence of not accepting his freedom.

He. He might have followed; he might have argued. It is scarcely possible that you alone were to blame. Was there nothing in which he might have acknowledged himself wrong,—nothing with which he should reproach himself?

She. How can I tell what took place in his heart? I only know my own. He may have repented somewhat, or he may not. As for following— You do not know my husband. He is just, just, just. It was his one fault, I thought then. It took time for me to appreciate the worth of such a virtue.

She. ‘She has chosen,’ he would reason. ‘Let the event punish her; it is only right that she should suffer for her own act.’

She. The highest mercy is to be just. To palliate is merely to postpone sentence.

She. Few women, I hope, have been taught by an experience so hard as mine. But how dolefully we are talking. Do say something amusing; we are at a ball.

He. I might give you an epigram for the one with which you served me a moment ago, and retort that to be amusing is to be insincere.

She. You are right. I came to get away from myself. One must do something, and even the dissipations of charity pall after a time.

He. We seem to be in much the same frame of mind, and perhaps cannot do better than to stay where we are, consorting darkly, while the others take pains to amuse themselves. So we get through the evening, that is the main thing.

She. You have forgotten to be as complimentary as you were half an hour since.

He. Have I? And yet the greatest compliment a man can pay a woman is sincerity.

She. If we were we should undoubtedly say a great many foolish things and quite as many false ones.

She. Oh, no. Cynicism is like a cravat, very becoming to a man if properly worn, but always setting ill upon a lady.

He. Did you learn that, also, in Britany? It is a country of enlightenment. Would that my wife had gone there.

He. You are keen. Her husband learned bitter truths enough by staying at home. I am evidently your complement; for I had a wedding-ring sent back to me.

He. Why? Why? Who ever knows a woman’s reason! Because I refused, perhaps, to call black white, to say I was pleased by what made me angry; because— No; on the whole, since I am not making love to her, it is hardly worth while to lie to a peasant from Britany, though it is of course[63] necessary to sustain the social fictions with people nearer home. It was because the wedding-ring was a fetter that constrained my wife, body and soul; because I was as inflexible as steel. My purposes, my views, my beliefs were the Procrustean bed upon which every act of hers was measured. Voila tout!

He. Oh, I have learned well enough where the blame lay in the three years since she left me.

He. Heaven knows; not I. But let that go. Why may we not be useful to each other? Our cases are similar; we are both lonely.

He. Acquaintance is not a matter of time, but of temperament. Should we have found it possible to be so frank with one another had we been merely strangers?

He. What? Why, friendship. We have found[64] it possible to be frank in masks; why not out of them?

He. I want a woman who will be my friend, to whom I can talk freely. There are words a man has no power or wish to say to a man, yet which must be spoken or they fester in his mind.

He. My wife? She voluntarily abandoned me. I haven’t seen her for three years; and surely she ought to cease to count by this time.

She. If you had really loved your wife, you’d always mourn for her, whatever she did.

He. Good Heavens! That is like a woman. A man is expected to bear anything, everything, and if at last he does not come weeping to kiss the hand that smites him, he is heartless, forsooth! Bah! I am not a whipped puppy, thank you.

She. It might be none the worst for that. The ideal man for whom I am looking will not be too lamblike, even in love.

[There is a moment’s silence, in which they look at each other intently. He takes her hand in both his.]

She. Oh, if you acknowledge that, Phil, it is hardly worth while to spend any more time in explanations while this divine waltz is running to waste.

[They attempt to adjust their masks, but somehow get into each other’s arms. In a few moments more, however, they are seen among the dancers within.]

Tale the Second.

THE TUBEROSE.

“I shall feel honored, Mistress Henshaw, if you will accept this posie as a token which may perchance serve to keep me in remembrance while I am over the sea.”

“I am extremely beholden to you,” replied the old dame addressed, her wrinkled face illuminated with a smile of pleasure. “But for keeping you in remembrance it needs not this posie or other token. I do not hold my friends so lightly.”

“I thank you for counting me one of your friends,” John Friendleton said frankly. “I have no kindlier memories of Boston than of the home under your roof.”

He had placed upon the many-legged table a flower-pot containing a thrifty tuberose, and with a kindly smile upon his handsome and winning face, he stood regarding the old dame into whose custody he had just given the plant. The dress of the period,—the days of the end of the seventeenth century,—plain[70] though it was, accorded well with the sturdy honesty and kindness of his face and the compact and strong build of his figure. The wrinkled crone returned his smile with one of frosty but genuine warmth.

“This plant is none the less pleasing to me,” she said, “though I by no means need it as a reminder. I shall be very careful in its nourishing.”

“It is by no means an ordinary herb,” Friendleton returned lightly. “There may be magic in it for aught I can tell. My uncle, who sent me the bulbs from even so far away as Spain, hath a shrewd name as a wise man; and to say sooth he belike doth know far more than altogether becometh a good Christian. I give you fair warning that there may be mischief in the herb; though to be sure,” he added laughing, “the earth in which it grows is consecrated, for I filled the pot from Copp’s Hill graveyard hard by here.”

A momentary gleam shot with a sinister light its fiery sparkle across the black eyes of Mistress Henshaw.

“To one who feareth no harm,” she answered, “it seldom haps. I trust the wind may hold fair for your sailing,” she added,[71] glancing from the small-paned window, “and that you may safely return to Boston as you are minded.”

“Thank you, I have hitherto been much favored by Providence in my journeyings. Farewell, Mistress Henshaw.”

The old dame received his adieu, and a moment later she watched from the window his active young figure as he walked briskly away. She regarded it intently until a corner hid him from sight. Then she turned back to her room and her occupations.

“Providence, indeed!” she muttered half aloud, with a world of contempt in her tone.

Then she turned to the thrifty, healthy tuberose and caressed its leaves with her thin old fingers as if it were alive and could understand her attentions.

The house in which this conversation took place was still standing a few years since, the oldest in Boston, at the corner of Moon and Sun Court streets. It was erected in 1669; its timber, tradition says, being cut in the neighborhood. The upper story projected over the lower like a frowning brow, from beneath which the windows shone at night like the glowing eye-balls of a wild beast. It was a stout and almost warlike-looking edifice, which preserved even up to the[72] day when, in 1878, it was at length pulled down by the hand of progress, a certain strongly individual appearance, which if less marked at the time when John Friendleton bade Mistress Henshaw good-by, and the building was thirty years old, must always have distinguished the dwelling from those about it.

Dwellings, however, take much of their air from dwellers, and Mistress Henshaw was likely to impart to any house she inhabited a bearing unlike that of its neighbors. She was a dame to all appearances of some three score winters, each frosty season having left its snow upon her hair. Her figure was still erect, while her eyes were piercing and black and capable of a glance of such strength and directness as almost to seem supernatural.

It may have been from the power and fervor of this glance that Mistress Henshaw acquired the uncanny reputation which she enjoyed in Boston. As she moved with surprising energy about the house, overseeing and directing her dumb negro servant Dinah, the eyes of passers-by who saw her erect figure flit by the windows were half averted as if from some deadly thing which yet held them with a weird fascination; and at nightfall the children whom chance belated in the[73] neighborhood went skurrying past Dame Henshaw’s house like frightened hares.

It is not perhaps to be told why Satan should have been able to establish his kingdom among a people so devout and pious as the godly inhabitants of the Massachusetts colony; yet we have it upon the testimony of no less a man than the sage and reverend Cotton Mather, whose sepulchre is with us unto this day, and upon the word of many another scarcely less wise and devout, that the Father of Evil did establish a peculiar and covenant people of his own in the midst of the very elect of New England. It may be that it is always as it was in the days of Job, and that the sons of God never assemble without finding in their midst the dark form of Lucifer; for certain it is that the devil, to quote the Rev. Cotton Mather’s own words, “broke in upon the country after as astonishing a manner as was ever heard of.”

“Flashy people,” quaintly and solemnly remarks the learned divine, “may burlesque these things, but when hundreds of the most sober people in a country where they have as much mother-wit certainly as the rest of mankind, know them to be true, nothing but the absurd and forward spirit of Sadducism can question them.” From all of which,[74] and from much more which might be cited, it is evident that there was plenty of witchcraft abroad in those days, whether Mistress Henshaw was concerned therein or not.

It is sufficient to note that certain gossips scrupled not to declare that Dame Henshaw was one of the accursed who bore the mark of the beast and kept tryst at the orgies of the witches’ sabbath, and the report once started the facts in the case made little difference. Some of her neighbors went so far as to declare that if the dame’s residence were forcibly changed from Sun Court street to Prison lane, the community would be the better off.

Governor Belamont, however, in this last year of the century, was far more exercised about pirates than concerning witches; and better pleased at the capture of Captain Kidd, who had just fallen into his hands, than if he had discovered all the wise women in the colonies. Public feeling, moreover, was still in a reactionary state from the horrors of the Salem delusion of 1692; and thus it came about that Mistress Henshaw was left unmolested.

The second person in the dialogue given above, John Friendleton, was an Englishman, and, if tradition be true, the son of an old[75] lover of Mistress Henshaw. He had taken up his abode with that lady upon his arrival in the New World, whither he had been led, like many another stout young blade of his day, by the hope of finding fair fortunes in the growing colonies, and from the first he had been a favorite with the old lady. It was whispered over certain of those tea-cups which we now tenderly cherish from a respect for the memory of very great grandmothers and an æsthetic enjoyment of the beauties of old china, that it was by the aid of unhallowed power exercised in his behalf that the young man was always so fortunate in his undertakings. There were sinister tales of singular coincidences which had worked for his good, and behind which the gossips believed to lie the instigating will of his powerful landlady. Whether he himself was aware of this supernatural aid, opinion was divided, but he was so frank and handsome withal that the weight of opinion leaned toward acquitting him. The habit of New England thought, moreover, was so opposed to imagining a witch as exercising her power for anything but evil, that these rumors after all gained no great or general credence.

The friendship between the dame and her lodger was perhaps based upon mutual need.[76] The young man gave her that full confidence which a pure-minded youth enjoys bestowing upon an elderly female friend; while in turn the childless old lady, alone and otherwise friendless, regarded him with tender affection. She cherished any chance token from him, and especially did she seem touched by this gift of a tuberose which he had given her at parting. She knew how carefully he had tended and cherished the plant, more rare then than now, and long after the sails of the ship which conveyed him to England, whither he had been summoned by the serious illness of a relative, had dipped under the horizon, the old witch—if witch she were—sat regarding the flower with eyes in which the tears glistened.

II.

It was early springtime when John Friendleton once more caught sight of the beacon upon Trimountain, and the walls of the fort standing upon a hill which has itself been removed by the enterprise of Boston. The few months of the young man’s absence, and the progress of time from one century to another—for it was now 1700—had brought no[77] great changes to the town; but to him it seemed far from being the same he had left.

The first tidings he had received from Boston, after landing in England, had been a letter telling of the death of Mistress Henshaw. She had set out from Boston, so the letter informed him, to visit a sister living somewhere in the wilds toward far Pemaquid, and had never returned. The letter was written by one Rose Dalton, who claimed to be a niece of the deceased, and who had come into possession of the small property of Mistress Henshaw by virtue of a will made before the adventurous and fatal journey. The writer added to her letter the information that she should live on with dumb Dinah, holding as nearly as possible to the fashion of her aunt’s housekeeping.

When John stood once more upon the well-remembered threshold, he felt half disposed to turn away and enter no more a place in which every familiar sight could but call up sad memories. Then, endeavoring to shake off his melancholy, he knocked.

John stood in amazement, unable to utter a word, so bewildered was he by the beauty of the maiden who stood before him; a[78] beauty which now, after nearly two centuries, is still a tradition of marvel. Something unreal and almost supernatural there might seem in the wonderful loveliness of this exquisite creature, were it not that she seemed so to overflow with life and vitality. Her soft and dove like eyes were full of gleams of human energy, of joy, of passion; she had all the beauty of a perfect dream without its unreality; and then and there the young Englishman’s heart fell down and worshipped her, never after to swerve from its allegiance.

“You must be Mr. Friendleton,” the maiden said, courtesying bewitchingly. “I knew your ship was in.”

“I—I have been minding my luggage,” he stammered, rather irrelevantly, his eyes fastened upon her face.

“Be pleased to enter,” said she, smiling a little at the boldness and unconsciousness of his stare. “Your room has been preserved as you left it at your departure. My aunt, good Mistress Henshaw, as I wrote you, straitly enjoined in her will that everything should be kept for you as you had left it. Her affections were marvellously set upon you.”

That he should be allowed to enter under[79] the same roof with this beautiful creature seemed to John Friendleton the height of bliss, and he had no words to express his delight when he learned that Mistress Rose expected him to take up his abode there as in former times. Her aunt had wished it; had especially spoken of it in her will, and so it was to be.

It would be impossible to pretend that Friendleton struggled much against this proposition, when inclination so strongly pleaded for the carrying out of the wishes of his dead friend; and in this way he became the lodger of young Mistress Rose.

III.

It did not long escape the eye of the young man that his new landlady wore always at her throat a cluster of the white, waxy blossoms of the tuberose. The circumstance was in itself sufficiently curious and unusual to excite his attention, and it recalled to his mind the plant he had given to Mistress Henshaw. He wondered what had been the fate of his gift, and one day he ventured to ask Mistress Rose about it. For reply she led him to the room formerly occupied[80] by her aunt, and showed him the tuberose in a quaint pot. It had grown tall and thrifty, and half a dozen slim stalks upon it stood up stoutly, covered with buds, which showed here and there touches of dull red evolved in their transformation from green to white.

“It hath thriven marvellously,” she replied. “Never before hath it been known that the plant would bloom throughout all the year, but this sends out buds continually. I daily wear a blossom, as you may see, and I find its odor wonderfully cheering, although for most it is too powerfully sweet.”

“It is an ornament which becometh you exceedingly well,” he responded, flushing.

“My neighbors,” returned she smiling, “regard it as exceeding frivolous.”

The fragrance of the flower which Mistress Rose wore at her throat floated about John wherever his daily occupations led him, and doubly did the delicious perfume steal through his dreams. He never thought of the maiden without feeling in the air that divinely sweet odor; and a thousand times he secretly compared her to the flower she wore. Nor was the comparison inapt; since her beauty was[81] rendered somewhat unearthly by the strange pallor of her face, while the intense and passionate intoxication it produced might, without great straining of the simile, be directly compared to the exaltation which the delicious and powerful fragrance produces in sensuous and sensitive natures.

The intimacy between the young people was at first hindered by the shyness of Friendleton, who was only too conscious of the fervor and depth of his passion; but as Rose had many of the well-remembered ways of her aunt, and, stranger yet, appeared well versed in his own past history, he soon became more at his ease. In defiance of the proverb which condemns all true lovers to uneven ways and obstructed paths, the wooing of lovely Mistress Rose by John Friendleton ran smoothly and happily on, seeming to have begun with the young man’s first meeting with his lovely landlady. The gossips of Boston town, strangely enough, left the relations of the lovers untouched by any but friendly comment; and in a fashion as natural as the ripening of the year, their love ripened into completeness.

It was early autumn when Rose became Mistress Friendleton. The wedding was quietly celebrated in the old North Church,[82] and never in its century of existence before its timbers went to feed the campfires of British soldiers, did that house shelter a more lovely bride or a more manly and blissful groom. A faint flush softened the pallor of the maiden, the one charm which could add to her beauty. Her only ornament was her usual cluster of tuberoses, and more than one spectator noted how like the flower was the lady. The circumstance was recalled afterward when the slab was placed above her grave in Copp’s Hill burial-ground. There still lingers among certain old gossips of tenacious memory the tradition of a stone which had on it “some sort of a flower.” It was the slab upon which John Friendleton, imaginative at sorest need, had caused to be carved simply a bunch of tuberoses.

If John had been happy in anticipation, he was, if such a thing be possible, no less so in reality. It is as trite to attempt as it is impossible to effect the portraying of the life of two young people who are profoundly happy in each other. Joy may be named, but not painted. Even were it easy to picture their existence, their self-absorption would prevent their being interesting. As I have sometimes passed the old house on Moon Street, standing worn and stained with[83] the storms of two centuries, a picture has risen before me of the young bride and groom sitting together and inhaling the fragrance of a quaint pot of tuberoses, blooming so wonderfully that the whole house was filled with their odor; and the memory brings always the tears to my eyes.

IV.

November was at its last day. A severe storm, half rain, half snow, was sweeping over Boston. The beacon upon Trimount trembled in the blast, and on the shores of the peninsula the waves roared sullenly. Few people were abroad, and there was never a watchman in the city who did not for that day at least regret having chosen a calling which kept him out of doors in such weather.

The house on Sun Court Street was too stoutly built to tremble, yet those within heard the wind howling over the hill as if scourged by all the furies. It was one of those nights when a man sits before his fire and realizes the value of all his blessings.

John and Rose sat together before the blazing hearth while the husband told stories of his boyhood in England. The wife[84] nestled close to him, absorbed in the narration, yet not forgetting to fondle his hand with her smooth, soft fingers.

Suddenly into the room burst black, dumb Dinah, wringing her hands and moving her speechless lips with frightful earnestness. In her hands she carried the fragments of the pot which had held the tuberose.

The negress gesticulated wildly, but her mistress rushed past her; and, followed by her husband, hastened to see for herself the extent of the mischief.

The pot had been overturned by the wind, which had burst in one of the tiny greenish window panes, and the plant was completely crushed in the downfall. Not a single flower had escaped, and mingled with fragments of pottery and with the black church-yard mould in which the flower had—perhaps ill-fatedly—been planted, were the leaves and petals, torn and stained and mangled.

In the first sorrow of the discovery of the accident, Rose threw herself into her husband’s arms and burst into tears; but she soon controlled herself, and became perfectly calm. She directed Dinah to remove the débris, and returned to listen to her husband’s[85] stories; and, although she was more quiet than before, she seemed no less interested.

“John,” Rose said, hesitatingly, as they lingered a moment side by side before the wide hearth, “it is just a year to-night since Mistress Henshaw died. If you are willing, I wish to pass the night alone in her room.”

“I am always willing you should do whatever pleaseth you best,” he answered, smiling upon her; “but why do you mean to shut me out from your sorrow? I, too, loved her.”

“I know,” Rose returned, bending to kiss the hand he had laid upon hers, “and I fear you can never be shut out from my sorrows, however much I could wish to spare you. Still, I wish it to be so for to-night.”

She took from her throat the tuberoses she had worn that day, and gazed at them sadly.

“I can never wear another,” she said. “These are faded like our happy days.”

“You speak but sadly,” returned her husband, with a look of such fondness that the tears started into her eyes despite all her efforts to restrain them. “You would have[86] spoken so had you been bidding me farewell. The destruction of the flower makes you downcast. Mayhap there is still life in the root, and it may be made once more to grow and bloom.”

“John,” his wife said abruptly, “John, I have loved you from the first moment I saw you; I love you now, and I shall love you to all eternity. Whatever happens, remember that and believe it.”

“I have never doubted that you love me,” he answered, gathering her into his arms; “how else could it be that you could have made me so utterly happy?”

She clung to him passionately a moment. Then with an evident effort at self-control, she kissed his lips fervently, disengaged herself from his embrace, and turned away.

Then upon the threshold of Mistress Henshaw’s chamber she paused and looked back, tears shining in her beautiful dark eyes.

It was somewhat past his usual hour of rising when John Friendleton next morning came downstairs. The storm was over, but[87] everywhere had it left its traces in broken boughs, overturned fences, and dilapidated chimneys, so that as he looked from the window, John could see on all sides the evidences of its violence.

The house was strangely quiet, and he looked about him with the impatience of a lover for his wife, that she might chase away the unaccustomed sombreness which seemed to have descended upon the place.

The mute regarded him with a strange appearance of wildness and terror, but she replied by a shake of the head,—instantly hurrying out of the room as if in fear.

John looked after her an instant in bewilderment, not understanding her odd manner; and then approaching the door of the room occupied by his wife, he tapped softly.

He tapped again somewhat more loudly. Still there was no reply. A third time he rapped, now with a heavy hand. All within was as silent as the grave.

Startled by he knew not what fear, with a sudden impulse he set his strong shoulder to the door, and strained until with a crash it flew open.

The heavy curtains were undrawn, and a grey gloom filled the chamber. A fearful silence followed the crash of the breaking lock, and met him like a palpable terror. He saw Rose lying on the bed, her face buried in the pillows; and by some fantastic jugglery, the light from the open door, as it fell upon her hair,—those abundant tresses whose rich, dark glory he so loved,—seemed to silver them to the whiteness of hoary age.

“Rose!” he cried, starting forward to seize her hand which lay upon the coverlid.

“Rose! Sweetheart!” he cried in a piercing voice, bending over and tenderly turning her dear face up to the light.

What horrible mockery confronted him? He started back like one stung by a serpent!

Along the pillow lay a crushed and withered tuberose, and he looked upon the face, ghastly in death, and old and haggard and wrinkled—of Mistress Henshaw.

Interlude Second.

AN EVENING AT WHIST.

[The scene is the parlor of a modern house, much adorned, and furnished with a wealth of bric-a-brac, which renders getting about a most difficult and delicate operation, unless one is wholly regardless of the consequences to the innumerable ornaments. Mrs. Greeleigh Vaughn, a corpulent and well-preserved widow, who passes for forty, and is not less, has just seated herself at the whist-table, with her daughter and two guests. One of these, Mr. Amptill Talbot, is one of those young men whose wits seem to be in some mysterious fashion closely connected with the parting of their hair exactly in the middle; the other is a handsome and keen-eyed gentleman of middle age, who answers to the name Colonel Graham.]

Mrs. Vaughn. I am so glad you could and would come, Colonel Graham. Now we shall have a delightful evening at whist. You are such a superb player that I am sure I shall learn more about the game by playing with you a single evening than I should by studying the books for a year.

Mrs. V. Oh, of course not. You are too modest; but everybody says that you are a wonderful player. I only hope you won’t be too hard on me if I make a mistake.

Miss Vaughn. Oh, I am so glad mamma is your partner, Colonel Graham. I should be frightened to death if I had to play with you. Mr. Talbot will be a good deal more merciful, I am sure.

Mr. Talbot. Anything you do is sure to be right, Miss Vaughn. If you can put up with me, I am sure I can afford to overlook any mistakes you make. I play whist so seldom that I am all out of practice.

Miss V. (dealing). Oh, I just never play, only when I have to make up the table. I have so many things on hand. Why weren’t you at the Wentworths’ last night, Mr. Talbot?

Miss V. Oh, which was the last card? I am sure I don’t know; I’ve got them all mixed up now.

Mrs. V. No, diamonds suits me, and of course you can’t change it now; can she, Colonel Graham?

Colonel G. It isn’t customary, I believe, unless we are to play Auction Pitch, and bid for the trump.

Mrs. V. Oh, is it my lead? I’m sure I don’t know what to play. You always lead from your long suit, don’t you? There, I hope that queen will be good.

Mrs. V. That wasn’t fair, and you deserve to be beaten. Now my jack is good, any way.

Mrs. V. Then if I put on a high one it will get it out of the way, so you’ll know what to do next time.

Miss V. Why, of course not, mamma. You ought to have put on either the ace or a low one.

Mrs. V. She says she’ll trump hearts, and I can’t play my knave. I’ll try spades. I hope you’ll take it.

Miss V. Oh, and I had the ace, king, and queen. Ought I to have played one of those?

Miss V. Oh, well, never mind. Let it go. I have the king, any way (leading it).

Miss V. Oh, it doesn’t either! I didn’t see that king at all when I trumped, and that was the[96] only spade I had. I’ll change it on the last trick, and then it will be all right.

Mr. T. Oh, who wants to play the stiff club rules? I don’t; there isn’t any fun in whist if you are going to be so particular.

Colonel G. If it isn’t yours it must be Mr. Talbot’s, as you decide about that trick.

Mrs. V. Did you ever play Stop? We played it last summer at Bar Harbor. It’s a Western game, and you have chips, just like poker; and then you stop it if you have the stop cards; and sometimes you’ll have the meanest little cards left in your hands, and if it is the ace of diamonds you have to pay five chips for it, or the king, or the queen, or the knave, or the ten; not so much, of course, but it all counts up awfully fast.

Mr. T. Why, that is ever so much like Sixty-six. Do you remember the time we tried to play Sixty-six on the Bar Harbor boat, Miss Vaughn?

Miss V. Oh, yes; and Ethel Mott was such fun. She just would cheat, and there was no stopping her.

Mrs. V. Oh, just wait a moment. I want to know if fourth best has anything to do with playing fourth hand?

Mr. T. Oh, fourth best is one of those things they’ve put in to make whist scientific. For my part, I don’t think there’s any fun—

Miss V. That’s just what I say. When I play whist I want to have a good time, and not feel as if I were going through an examination at a scientific school. Oh, did you know we are going to have a whist figure at Janet Graham’s german, Mr. Talbot? Won’t that be fun?

Miss V. Why, did I take the last trick? What shall I—oh, I know,—the ace of clubs.

Miss V. How horrid! Now the rest of my clubs aren’t any good. Well, any way, I can throw them away.

Mrs. V. Well, I must lead it, and I’m sure I[98] don’t remember about it at all. I’ll lead a small one. Was that right, Colonel Graham?

Mrs. V. Why, how did you know I had the knave. I declare, it’s like witchcraft, the way you keep run of the cards. I suppose you know where every card is. Who took that?

Miss V. Why, I have the king and queen of clubs, and you haven’t a club in your hand.

Colonel G. That is why the tricks are mine. I can keep the lead to the end. I am very sorry, Mrs. Vaughn; but I am suddenly attacked with a nervous headache, so that I cannot possibly go on playing. I shall have to ask to be excused.

Colonel G. It was all owing to the fall of the cards. I haven’t done anything.

Miss V. I’m sure we didn’t have anything on our side at all. I hate whist anyway; you have to be so quiet, and study on it so.

[And the Colonel goes to the club to relieve his mind by a quantity of vigorous expletives, and then to settle down to an evening of what he calls real whist.]

Tale the Third.

SAUCY BETTY MORK.

“I have told you a dozen times, Mr. Granton, that my name is not Bessie. I abhor that final ie; and more than that, I was christened Betty,—plain Betty,—and Betty I will be.”

“Miss Betty, then, if that suits you; though why you should be so particular about that old-fashioned name, I’m sure I can’t conceive.”

“In the first place, it is my name,” Betty replied, bending upon him a glance at once bewitching and tantalizing; “that ought to count for something; and in the second place, my family name isn’t one that lends itself to soft prefixes. Besides all which, there has been a Betty Mork from time immemorial; and I shall never be one to spoil the line by changing my name.”

“What?” Mr. Granton demanded mischievously. “Never change it? Are you vowed to eternal single blessedness, then, or[104] shall you imitate the women’s-rights women, who—”

“It is really none of your affair what I intend to do,” returned she, bridling; “only, to go back to what we started on, I do intend to play in the tournament with Frank Bradford. I am not in the habit of breaking my promises.”

The pair walked along the shady country road without speaking for a moment or two, the young man inclined to be sulky, his companion saucy and good-natured. The dropping sunshine, falling through the gently waving elm-boughs, struck golden lights out of Miss Mork’s abundant chestnut hair,—her one beauty, it amused her to call it, although the smile which brought out her dimples and the lustre of her eyes contradicted the words even while they were being spoken. Young Granton was fully alive to the attractiveness of the lithe figure beside him; indeed, for his own peace of mind, far too keenly. He was aware, too, of the difficulty of managing the wilful beauty, whose independence was sufficiently understood by all the summer idlers at Maugus.

“But you certainly knew I expected you to play in the tournament with me,” he began again, returning to the attack.

“It isn’t modest for a girl ever to know[105] what a man expects of her until she’s told,” Betty replied demurely, “even in tennis. And besides, it was presumptuous for you to be so royally certain of my acquiescence in whatever you deigned to plan.”

“I’ll serve a cut so that you’ll never be able to return it,” threatened he.

“I can serve a cut myself,” she retorted, with an accent which seemed to indicate a double significance in the words.

“Confound it!” he said, incisively, with sudden and inconsistent change of base, “it is perfect folly letting ladies into a tournament anyway. Who wants them? They always make trouble.”

“I understood that you wanted one,” Betty answered, unmoved, observing the fringe of her parasol with great apparent interest; “but of course I knew your invitation was not to be taken too seriously.”

“Oh, bother!” the young man cried, slashing viciously at the head of a late-blooming daisy. “Why do you always insist on quarrelling with me?”

“Are we really quarrelling?” she laughed back with her most exasperating lightness of manner. “How delightful! If there is one thing that I enjoy more than I do tennis, it is a good quarrel.”

“Tennis!” Granton retorted, the last shreds of his patience giving way. “It must be allowed that you can quarrel better than you can play. No girl,” he went on, with increasing acerbity, “can ever really play tennis: she only plays at playing it; and it spoils any man’s game to play with her. For my part, I cannot see why they are to be admitted to the tournament at all.”

“Merci!” exclaimed Mistress Betty, stopping in the sun-dappled way to make him a profound courtesy. “Now I know what your true sentiments are, and how much your invitation was worth. Thank you for nothing, Mr. Nat Granton. I wish you luck of your partner,—when you get one. It is a cruel shame that by the rules of the tournament it must be a girl!”

And before Granton was able to reply or knew what she intended, pretty Miss Mork, with her tripping gait, her bright eyes, ugly name, and all, had whisked through a turnstile and was half-way across the lawn of the cottage where her particular bosom-friend Miss Dora Mosely was spending the summer.

II.

While Granton continued his perturbed way down the lovely village street to the Elm House, which for the time being was the home of a pleasant colony of summer idlers seeking rest and diversion in Maugus, Miss Betty flitted lightly over the lawn and joined her friend, whom she found reposing in a hammock swung under the cool veranda.

“Oh, Dolly,” was her breathless salutation, “I’ve got the awfullest thing to do! But I’ll do it, or perish in the attempt!”

“Halloo, Betty!” was Miss Mosely’s response and greeting; “how like a whirlwind you are! What is the matter? What have you got to do?”

“No; I mean all by myself,—in a single. I sha’n’t play in the double at all, if I can get out of it without sneaking.”

“What in the world has happened to bring you to this desperate frame of mind?”

“Well, Dolly, the fact is, Mr. Granton has been making himself particularly odious because[108] I wouldn’t throw over Frank Bradford to play with him, and—”

“I told you,” her friend interrupted judicially, examining the toe of her slipper with much interest and satisfaction, “that you’d be sorry you agreed to play with Frank.”

“But I’m not sorry,” protested the other, with spirit. “Do you think I’m so bound up in Nat Granton that I can’t get on without him? If he wanted me to play with him why didn’t he ask me, instead of taking it for granted, in that insufferably conceited way of his, that I’d stand about and wait on his lordship’s leisure? Oh, I’ll pay him off! I shall go over to grandmother’s every blessed day from now until the tournament and practise, so as to take down his top-loftical airs.”

At which exhibition of spite and determination Miss Mosely fell to laughing, and said Betty’s manner suggested pickled limes, which in turn reminded her of the chocolate-creams they had at boarding-school, and that brought to mind some particularly delicious marshmallows which had been saved until Betty should come over; and she added that it would be a very good plan to go into the house and devour them.

Over the flabby and inane confection with[109] which the two friends regaled themselves, it was arranged that Dora should devote herself with Machiavelian shrewdness to bringing about a reconciliation between Frank Bradford and his betrothed, Flora Sturtevant, whose quarrel had led to the invitation which had involved Betty in her present difficulties. In the meantime, Mistress Mork was to give herself with great assiduity to the practice of cutting, volleying, and such devices of skill or cunning as would make possible the realization of her bold plan of conquering Mr. Granton in the tennis tournament, over which all the young people were just then much excited.

These conclusions were not reached without much digression, circumlocution, and irrelevant discourse upon various matters, with a good deal of consideration of the dress which would be both convenient and becoming for the important games.

“I have almost a mind to try a divided skirt,” Betty said thoughtfully. “George saw one at a tournament in England, and it could be fixed so as not— Oh, Dora, if George were only here! He knows all the new English rules and cuts, and all sorts of quirks. Oh, why did you have to quarrel with him just now? Now I shall lose my[110] tennis just because you drove him away from Maugus.”

“Why, Betty Mork! You said yourself you wouldn’t stand his lordly ways; you know you did.”

“Of course,” returned her friend illogically; “but we both agreed that you’d have to make up with him some time; and I didn’t know then that I should want him.”

“But what could I do?” demanded Dora, divided between a sense of being deserted by her friend and a desire to have difficulties smoothed over. “Any girl with decent pride would have had to send George away. You know how I hated to do it.”

“Oh, I couldn’t. That would be too awfully humiliating. I wonder you can propose it.”

The two forlorn victims of masculine perversity pensively ate marshmallows in silence for a moment, revolving, no doubt, the most profound reflections upon the vanity of human affairs.

“I’ll tell you what I will do,” Betty said at length, reflectively. “I’ll write to George and make him visit grandmother. He hasn’t been there for a year, to stay; and, as grandmother[111] says, she ‘admires to have him.’ I’ll tell him if he’ll stay there, out of sight, I think I can fix things with you.”

“Oh, you delicious, darling hypocrite!” exclaimed her friend, embracing her rapturously. “You are a perfect treasure, Bet! I’ll do anything to help you,—anything. I’ve been perfectly wretched ever since George went away; but of course I couldn’t say so, if I’d died.”

III.

“So you are not going to play with Bradford, after all?” Nat Granton said, flinging himself on the turf at Miss Mork’s feet as she sat watching the tennis-players practising for the tournament.

“No,” she answered. “He and Flora have recovered from their temporary alienation, and I was generous and took myself out of the way.”

“Thank you; no. I shall not go into any team; and in any case, I know too well your sentiments on the subject of girls’ playing to trespass on your good nature.”

she quoted, twirling her gay parasol swiftly on its handle. “Do see Tom Carruth serve. That cut is my despair.”

“It is simple enough to return,” Granton answered, “if you know when it is coming: you’ve only to run up.”

“One always can tell when I give it,” he replied, laughing, “for I always fling my head back.”

There came a wicked sparkle of intelligence into Betty’s eyes as she made a mental note of this confession for future use. Then the long lashes fell demurely over her cheeks as she gathered together her belongings and rose.

“I must go over to grandmother’s,” she said. “Never spend the summer near your grandmother’s, Mr. Granton: she may be ill and absorb all your spare time.”

And away sped the deceitful damsel, on nefarious schemes intent, to play tennis with her cousin George, who had responded with celerity to her summons. She was really improving[113] with a good deal of rapidity. She had been a sad romp in her day, and every prank of her tomboy girlhood stood her in good stead now. Every fence and tree she had climbed, to the unspeakable horror and scandal of elderly spinster aunts, every game of ball for which she had been lectured by an eminently proper governess, every stolen fishing-expedition and hoydenish race whose improprieties my lady buried with overwhelming scorn in the oblivion of the past, had been a preparation for the struggle into which she now threw herself with the whole force of mind and body.

Her cousin George Snow, who was sufficiently fond of his mischievous cousin, and duly grateful for her supposed good offices in arranging the difficulties between himself and Dora, was an invaluable ally. He was taken into full confidence, and embraced the project most heartily. Granton was a right nice fellow, he admitted, but it certainly would not hurt him to be taken down a peg. Snow had just returned from England, where he had seen some of the finest tennis-players perform.

“You play too near the net,” he said. “All American players do. Play well back, and above everything, put all your force into the return.”

“You mustn’t. Drive it down as hard as ever you can. Strength—or rather swiftness—tells; if your service is swift enough it is worth all the fancy cuts in the world. The Renshaws make half their points by volleying from the service-line, and the rest by swift service.”

“Get used to striking back-handed; don’t try to turn your thumb down; make a business of an out-and-out back-handed, wrong-side-of-the-racquet stroke.”

How sound all this advice was, tennis players may determine for themselves; but it certainly served its purpose well. Betty was a promising pupil. Morning, noon, and night she played, working with an assiduity which nearly fagged her cousin out.

“You are plucky, Betty,” he declared one day. “I’m afraid for my own laurels. And by the way, am I to be allowed to be present at this great tournament in which you are to cover yourself and your sex with glory?”

“Oh, yes; you are to challenge Mr. Granton if he beats me,—though he sha’n’t! Anybody can challenge the winner, you[115] know. That’s a provision I had put in myself to cover my own case.”

“Poor Granton!” George laughed. “Little does he dream of the awful humiliation in store for him.”

“George,” she declared, with tragic earnestness, “if I get beaten I shall go straight home and die of—”

“No, of righteous indignation. Come, one set more before we drive back to Maugus. Only two days left, you know.”

IV.

The morning of the second day of the tournament dawned clear, and what was quite as much to the purpose, unusually cool. A little breeze from the northwest crept over the hills,—just enough to fan the heated players without disturbing the flight of the balls; while to make the weather perfect for tennis, by ten o’clock a light veil of clouds had comfortably covered the sun, cutting off all troublesome rays.

“It is a perfect day,” Betty remarked to Dora, as they took their places among the spectators. “I’ve put my things ready so I can dress in two minutes. Here comes George.”

The affair was an event in quiet Maugus. It had been talked about as the most important event could not have been discussed anywhere but in the idle hours of summer leisure, and had come to be regarded as quite the event of the season. The tennis-court was laid out near the Elm House, and was surrounded by superb old trees that in all the slow years of their growth had never over-arched a prettier sight than that afternoon showed, with its groups of nice old ladies, and charming young damsels in all the picturesque bravery of their nineteenth-century costume. The contest of the first day of the tournament had disposed of all the four-handed games but the final match, and the afternoon of the second day was left free for the single games. Granton had entered for the latter, and was looked upon as the probable victor. He won easily his first rubber, and came over to where Betty sat to wait his turn again.

“It is lucky for me, Mr. Snow,” he said to George, who in the happiness of full reconciliation[117] sat by Dora’s side, “that you are not playing, or I shouldn’t have the ghost of a chance.”

“I’m resting on the laurels I won last year,” was the light response. “It’s far easier than to risk one’s reputation and defend it.”

“Sure? Of course not; but I have hopes now, which I shouldn’t indulge if Mr. Snow, with the glory of his victories at Newport last year, were counted in.”

“I wish you success,” she said, with a certain trace of satire in her tone. “Isn’t Mr. Howard playing remarkably well to-day? What a splendid volley? That gives him the game.”

“Sets: two, love,” called the scorer, and Mr. Howard’s victory was saluted with applause, which Mistress Betty took great satisfaction in leading.

“You seem to be greatly pleased at Howard’s good luck,” Granton observed, remembering that when his success had been clapped, just before, Miss Mork had refrained from lending a hand.

“Why shouldn’t I be?” she returned. “I’ve bet him a pair of gloves he wins.”

“What will you bet me I lose?” demanded he, not especially pleased at any sort of understanding[118] between the young lady before him and Howard.

“No; upon reflection I don’t think I dare mention it,” Granton said coolly, looking at her with an expression in his big brown eyes which made her flush in spite of herself.

“Time!” called the umpire, a little later. “Howard and Granton, concluding set.”

“I’m sure I do, for my own sake,” she responded, with an ambiguity he afterward had reason to understand.

“What shall I do if Mr. Howard beats him?” Betty said to George and Dora, as the set began. “There’d be no fun playing him instead of Mr. Granton.”

“Oh, Howard hasn’t the ghost of a chance,” George responded reassuringly. “You are all right, Bet, if you don’t get nervous.”

But Betty did get nervous. The color came and went in her cheeks almost as swiftly as the flying balls were thrown, whose skilful[119] service and returns soon proved Snow to be right in asserting that Howard had no chance against his antagonist.

“Oh, George,” she whispered, in an agony of apprehension, “can I do it? Won’t he beat me? It would be too horrible to challenge him and then fail!”

“Do it?” retorted her cousin; “of course you can do it! See that short serve. That’s what’s breaking Howard up: it’s easy for you to return if you’ll run up to it. His swift service doesn’t begin to be as good as yours.”

“Love set,” called the scorer; and as Betty looked at the supple, muscular figure of Nat Granton while the players exchanged courts, her fears almost overcame her resolve.

“My heart is thumping against my very boot-heels, Dolly,” she confided to her friend. “It’s no sort of use.”

“Are you going to give up?” demanded Dora curiously, and perhaps a little tauntingly.

“Give up!” cried Mistress Mork stoutly. “Do I ever give up? I’ll die first! But I do wish he wouldn’t get so many love games! It’s dreadfully discouraging.”

Granton was, in truth, having everything his own way. Howard, although a good player, had somehow lost his coolness, and[120] was soon demoralized by a peculiar short, cutting service, of which his opponent had complete mastery, and which he was unable to return. His play became wild and uneven, and the contest was quickly decided against him.

The master of ceremonies came forward with the announcement that the prize racquet belonged to Mr. Nathaniel Granton, but that, according to the provisions of the tournament, any person had now a right to challenge the winner to play for the prize, by the best two games in three.

There was a rustle, and then a pause, as many eyes were turned toward George Snow, who had won in the Newport games the summer before. But that gentleman sat quiet in his place, a smile of amusement stealing over his comely features as Dora said, in the most tragic of whispers,—

But Betty, her head thrown a trifle back, and the color flaming hotly into her face, rose with a charming mixture of dignity and shyness, and walked, before them all, straight up to the judges.

“I challenge the winner to a match,” she said, steadily enough, although she confided to Dora afterward that she felt as if every[121] word had to be dragged out by main force. “I should like five minutes to change my dress.”

“All right,” the master of ceremonies returned. “Be as quick as you can.”

“I’ll not keep you waiting long,” she assured him, and turned to beckon Dora to her.

As the two girls disappeared into the hotel, the bustle and chatter began again with renewed vigor, and swelled and buzzed in the liveliest fashion. Here was a genuine sensation for Maugus. Betty was too lovely and too great a favorite with the men wholly to escape the censure of the young ladies, who now had a string of pretty things to say of her boldness and presumption. But the gentlemen rallied to a man in her support, and, by the time she reappeared, public opinion, as represented by the spectators of the tournament, if not wholly in her favor, was so in outward expression.

She was dressed in a dark-blue jersey of silk, which fitted her in that perfect combination only possible with a faultless figure and an irreproachable jersey; and below that a skirt of navy-blue flannel fell in straight plaits to her ankles, where one[122] caught, as she moved, occasional glimpses of a crimson stocking, the exact shade of her flat sash and of the close wing-tip in her trig little blue silk cap. There was nothing of the nature of tags and ends about her costume. Her hair was closely coiled, and even her ear-rings had been removed. The crimson handkerchief about her white throat was fastened into its place so securely as scarcely to be less smooth when the playing was over than when the first game began.

She was very sober,—so grave, indeed, that George went over to her just as she took her place, to say some absurd thing to make her laugh.

“Don’t be nervous,” he added, having succeeded in his object so far as to call a fleeting smile to her face. “And don’t look as if assisting at your own obsequies. You are all right, if you’ll only think so.”

“I’m sure I don’t know,” he answered. “I’ve told her she will, and I hope so; but it isn’t going to be so easy.”

They talked of that tennis tournament for many a long day in Maugus. Opinion was divided at first as to the probable result. There was a quiet concentration in Betty’s[123] manner which soon began to awake confidence in her ultimate success, although at first she lost. Even the most envious of the girls soon found themselves applauding every lucky hit she made; and Betty, whose senses were keenly alive that day, felt the stimulating consciousness that the general sympathy was with her. She threw her whole soul into her playing, every point she lost arousing her to new exertions.

“By Jove! Dora,” George said, “Granton’s bound to get a lesson. Betty’s blood is getting up. I’m convinced now that she’ll win, and I’ll bet you the gloves that she beats him a love set before she’s done.”

Dora was too excited to answer him. She hoped he might be right, but just now Betty was losing. She had been beaten three games out of five, and the present one, on Granton’s service, was going hard against her. Granton was harassing her with his short cut, which fell before her racquet reached it nearly every time.

“What’s got into her?” George muttered uneasily. “Ah, that was better. Good return.”

And he led the hand-clapping which greeted the difficult stroke by which Betty brought the score up to deuce. The game[124] went against her, however, and soon after, the set.

“I’ll do it, George,” Betty said under her breath, as she passed him in changing courts. “Don’t be discouraged. The Mork blood is up.”

“It’s all on his cuts, Bet. Run up to them. Watch his service, and you can tell when they are coming. Nat could never serve a decent swift ball.”

Watching him, his opponent noticed him throw his head back, and remembered his telling her that he always betrayed his cutting. She ran toward the net as the ball came down, and returned it like a cannonball.

“She’s got it!” cried Snow, with great glee, in his excitement calling so loudly that both the players heard him. “She’s all right now. Oh, that’s beautiful!”

Another cut; again cleverly intercepted; then a fault and an easy, round-hand service.

“They are all against me,” Granton observed to Betty, handing her the balls over the net and laughing rather ruefully. “Public opinion would be positively outraged if you should fail.”

“I’ve no intention of failing, thank you,” she returned, with spirit; and away she swept to her position. “Play!”

Granton was himself on his mettle, yet he did not play his best. He could not fully recover from his surprise at the style of his adversary’s play. The swiftness of her service and returns was so different from what was expected of a girl that he was scarcely on his guard against it up to the very end. He felt the sympathy of the spectators, too, to be against him, and this was not without its influence. He lost the set, and with it, by an unfortunate chance, his good nature.

“Sets, one all,” the scorer announced; and something in the saucy toss of Betty’s lovely head, as, flushed and panting, she stood talking with George and Dora, jarred upon her lover’s nerves with sudden irritation. An unreasonable madness took possession of him. How much was wounded vanity, it might not be easy to say; but under the circumstances, with all his mates grinning at his failure, it was not at all strange that[126] his feelings were not wholly placid. His play in the third and decisive set became rash and excited. He lost his head a little, and before he fairly knew how it happened the score was called on Betty’s service:—

“Good!” was George Snow’s comment. “I told you she’d beat a love set before she was done.—Oh, keep your head, Bet!”

A fault, and then another swift ball, which skimmed like a swallow over the net and struck the ground only to cling to it in a swift roll.

The next ball was beaten back and forth until Granton dashed it to the ground at Betty’s very feet.

The excitement was at its height. Even those who did not appreciate the finer points of the play caught the interest and somehow understood pretty accurately how matters stood, and were as earnest as the rest. Small-talk was forgotten, heads were craned forward, and all eyes were fixed upon the players. Betty grasped her racquet by[127] the extreme end of its handle, and held the ball as high above her head as she could reach.

“Forty; fifteen,” was the scorer’s call; and Nat Granton understood that only one stroke lay between him and defeat by a love set.

“I never supposed I could be such a consummate fool,” he said afterward, “but I positively could not look at your last service, Bet. I felt as if the whole universe were at stake.”

As for the player, she was fairly pale with excitement; but her head was clear and her hand steady. She paused an instant, poising her racquet. She observed that Granton stood near the middle of his court. With a quick step she moved to the very outer corner of her own and sent a swift ball sharply under her opponent’s left hand.

“Game; love set,” called the scorer. “Sets two to one in favor of Miss Mork.”

And, amid what for Maugus was a really astonishing round of applause, Betty, flushed but triumphant, walked to the net to shake hands with her vanquished lover.

It was astonishing how humble and forgiving her victory made Mistress Betty. She was troubled with the fear that she had been unmaidenly, that she had hurt Granton’s feelings and alienated his friendship forever, with a dozen more scruples quite as absurd and irrational.

She escaped as quickly as possible from her friends and their congratulations, and hurried to her room on the pretext of dressing for supper. There she cooled her hot cheeks, burning with exercise and excitement, and looking ruefully at her image in the mirror, shook her head reproachfully at the counterfeit presentment as at one who had beguiled her into misdoing.

After supper she was sitting rather gloomily in a retired corner of the piazza, when the defeated Granton approached. The reaction from the afternoon’s excitement had rendered the young lady’s spirit rather subdued, but she rallied at sight of the new-comer.

“I suppose,” he remarked, taking a vacant chair near her, “that I need not apologize for my ill-judged remarks some time since about girls and tennis. My afternoon’s punishment ought to pass as a sufficient expiation.”

“Oh, as to that, I felt I had enough, I assure you,” he laughed. “It may not be gallant to say so, but it was really horrible to be beaten out of my boots by a lady in broad daylight, in face of all Maugus assembled.”

Betty was silent. The remorseful feeling rose again in her breast. Granton spoke lightly enough, but she wondered if she had not humiliated him terribly. She played nervously with her fan, hardly knowing how to phrase it, yet longing to offer something in the way of apology.

Nat regarded her closely in the fading light as she hesitated, and by some happy inspiration divined her softened mood. He noted the downcast eyes and troubled face. Without fully comprehending her mental state, he yet found courage to move a trifle nearer.

Betty looked at the hand which had approached[130] so near, and a sudden trepidation thrilled her. She opened and closed her fan nervously, but made no attempt to finish her broken sentence.

“Betty,” her lover said, leaning forward, “now I am in the dust at your feet, you must at least let me speak. You’ve kept out of my way so for the last two or three weeks that I was afraid you disliked me; but now I understand where you have been. You know how much I care for you.”

“Don’t you care for me?” he pleaded. “I’ve been in love with you all summer. You must have known it.”

He paused again, yet she did not answer, though a great tide of joy thrilled her whole being. Her lover seized both her hands and bent down until his cheek almost touched hers.

All her wilfulness and sauciness flashed in her eyes as she lifted her glance at last to his and answered.

Interlude Third.

MRS. FRUFFLES IS AT HOME.

In answer to the announcement that Mrs. Stephen Morgan Fruffles will, on the afternoon of January 27, be at home from four to seven, all the world—with the exception of her husband, who keeps significantly out of the house, and at his club finds such solace as is possible under the circumstances—has assembled to celebrate that rare and exciting event.

The parlors are thronged almost to suffocation; the air is warm, and laden with a hundred odors, which combine to make it well-nigh unbreathable; the constant babble of conversation goes on with the steady click-clack of a mill-wheel, and several hundred people persistently talk without saying anything whatever.

Mrs. Chumley Jones is there, in a most effective, costume of garnet plush, adorned with some sort of long-haired black fur. She is conscious of being perfectly well dressed, of being the best-known woman in the parlors, and most of all is she now, as always, conscious of being the one and only Mrs. Chumley Jones. Soothed and sustained by an unfaltering trust in all these good things, she moves slowly through the rooms, or stands at some convenient coign of vantage, dropping a word to[134] this one and to that, with just the right differences of manner fitted to the degrees of the people whom she addresses.

“My dear Mrs. Fruffles,” she remarks to the hostess, “you do always have such enchanting receptions!”

“Oh, thank you, dear Mrs. Jones,” responds the other, fully aware what is expected of her; “I wish I could begin to have anything so charming as your Fridays.”

“Oh, so kind of you to say so,” murmurs Mrs. Jones, with the expressive shake of the head proper to the sentiment and the occasion.

“How do you do, Mrs. Jones?” the voice of Ferdinand Maunder says at her side. “Isn’t it a lovely day? It is really like a Roman winter; don’t you think so?”

They smile at each other with perfect and well-bred inanity for a second, and then Fred Lasceet slips in between them.

Mr. Maunder having meanwhile glided through the crowd with an eel-like elusiveness, Mrs. Chumley Jones is left with a remark upon which to form her conversation for the afternoon.

“We have had such a strange winter; don’t you think so, Mr. Lasceet? It is really like a Roman winter.”

“It really is; though I shouldn’t have thought of it. You are always so clever in thinking of things, Mrs. Jones.”

Mr. Lasceet endeavors to look very sly and cunning, and while he gives his mind to this endeavor another slips into his place.

“It really is not nice of you to say so, Mrs. Jones,” is Mr. Drummond’s response, “when I took you in to dinner at Mrs. Tiger’s night before last.”

“Oh, dear me; how stupid of me! I really fear I am losing my mind. It is the weather, I think. It is so like a Roman winter, don’t you think?”

“Oh, ever so much. How do you do, dear Mrs. Gray? I am delighted to see you. I was just saying to Mr. Drummond that it seems to me that our winter this year is so much like a Roman winter. Did you ever think of it?”

“Oh, my dear, I have thought of nothing else all winter. Why, it is just such a day as it was one afternoon two years ago when I was in Rome.”

“Were you in Rome year before last?” Mr. Drummond inquires, with the air of one to whom the answer of the question is of the most vital importance, although he asks only for the sake of being silent no longer.

“Yes, we went in October and stayed until March. You remember, Mrs. Jones, that we dined with you the very day before we sailed.”

“Yes, I really must go. I have three places more to call before I go home, and we are going out to dinner.”

“I hope to take one of you in,” Mr. Drummond says, with a smile of the most brilliant vacuity.

The crowd swallows Mrs. Gray, and at the same[137] moment Mr. Drummond is seized upon by a sharp-looking elderly female, who drags him off as if she were conveying him into some sly corner where she may devour him undisturbed. Mrs. Jones turns to move toward the other parlor.

At that moment she is accosted by a lady of an appearance so airy, both as regards dress and manner, as to suggest that she is a mislaid member of some ballet troupe.

“Why, how do you do?” she cried, with a vivacity quite in keeping with her appearance. “My dear Mrs. Jones, I haven’t seen you since I got back from Europe.”

“Oh, I knew you came home from Europe, but I thought you were still in New York.”

“Oh, I only went on to see Aunt Dinah for a couple of days. I got caught in the most awful storm you ever saw.”

“But the winter,” Mrs. Chumley Jones observes, with an air of freshness and conviction which is something beautiful to see, “has been as mild as a Roman winter most of the time.”

The crowd separates them and they go their several ways, each repeating that it is like a Roman winter; but meanwhile the same observation is[138] being scattered broadcast by Mr. Maunder, Mr. Lasceet, and Mr. Drummond, so that, although there are a good many people in the room, they are in a fair way of being all informed that the winter strongly resembles that of Rome; a statement which, if true, may be regarded as of the highest importance.

It is not until, entering the tea room, Mrs. Chumley Jones encounters Mrs. Quagget, who talks more rapidly than any other known woman, that she has anybody take the words out of her mouth; but before she can tell Mrs. Quagget that it is like a Roman winter, Mrs. Quagget has imparted that interesting information to her. It is all one, however, since something has been said by one of them; and Mrs. Chumley Jones is not in the least disconcerted. She still clings to the convenient remark, as she did not take the trouble to bring one with her, and this one suits her purpose admirably.

“My dear Miss Tarrart,” she exclaims, as she comes upon a wintry young lady of advanced stages of maturity, “how do you do? I haven’t seen you for an age.”

“Why, how do you do, Mrs. Jones?” is the response, delivered in a manner so emphatic as to convey the impression that the reason why Miss Tarrart is so odd-looking is because she has put so much energy into her greetings of her friends. “I am enchanted to see you. When do you go[139] abroad? I am sure one might almost think they were abroad in this weather. It is so—”

“Yes,” Mrs. Jones interposes, taking the words out of her mouth; “I was just saying to Mrs. Quagget that this is really quite like a Roman winter; don’t you think so?”

“Yes, it is,” Miss Tarrart answers, with the air of one who has been beaten by unfair means. “It is like a Roman winter.”

“Why don’t you come and see me, Miss Tarrart? It really is not kind of you to stay away so long.”

“Oh, yes; I am coming. Do you know which way Mrs. Fruffles is? I really must go.”

The two separate, each thinking how fast the other is growing old. Mrs. Chumley Jones, feeling that she has now done her whole duty, does not even take the trouble any more to tell people that the winter is like a Roman one. She merely makes her way to the hostess.

“Good-bye,” she says. “One always has such lovely times at your house, Mrs. Fruffles.”

“Oh, it is so kind of you to say so, when your Fridays are so much pleasanter.”

“It is so kind of you to say so, my dear Mrs.[140] Fruffles; but I am sorry to say that I cannot agree with you.”

“It is the weather partly,” the hostess observes; “so many people have said to me this afternoon that it seems like a Roman winter.”

“Yes, I was just thinking of that very thing. Well, good-bye, my dear. Be sure and come in on Friday.”

And as far as Mrs. Chumley Jones is concerned, Mrs. Stephen Morgan Fruffles ceases to be “At Home.”

Tale the Fourth.

JOHN VANTINE.

The relation of so improbable a story as the following is to be justified only by its truth. The hero is a New York lawyer, sufficiently well known to render the mention of his name, were it allowable to give it, an ample guarantee for the entire trustworthiness of any statement he might make; and it is perhaps to be regretted that his invincible—albeit natural—dislike of publicity prevents the production of evidence which would at least establish the fact that his own belief in the appearances by which he was visited is complete and sincere.

Mr. Vantine, although a handsome and intellectual-looking man, is by no means a person whose appearance would in any way single him out as likely to be the hero of marvellous adventures. He is neither especially imaginative nor credulous. He is simply a clear-headed and shrewd business man, such as are nourished in the atmosphere of New York, of all places in the wide world,[144] perhaps, the one least likely to nourish fancy or belief in the unseen. To see him going steadily about his affairs down town, it is hardly probable that any observer, however keen, would look on him as the probable object of remarkable hallucinations, or of experiences so far from the ordinary course of human life, as sure to be classed as such by ninety-nine men out of a hundred.

Yet John Vantine, of whom most of his acquaintances would have said that he was a commonplace man of business, lived for years a double life, into which he did not venture to initiate even his wife, with whom he lived on terms of the warmest sympathy and closest confidence.

It was on the morning of his wedding-day that certain impressions, which in a vague shape had for years haunted him, first took form so definite that he could not but think of them as something having a tangibility of their own, different though it was from that of the ordinary things which surround common human life. He was married at the home of his bride, a pretty village in western Massachusetts. There being no hotel of even decent comfort in the place, Vantine had passed the night at the inn of a town half a dozen miles away, whence he drove over in[145] the dewy June morning to the scene of his marriage.

As he passed along between the fields starred with daisies, reflecting in blissful mood upon the beauty of the day and the happiness it brought to him, his horse came suddenly and without warning to a standstill. John instinctively gathered up the reins to start the animal, when to his unspeakable amazement he perceived a man in an Eastern dress of great splendor standing beside the open carriage. His robes were of the richest stuffs, while jewels sparkled from every part of his attire. He was standing apparently upon a small rug, a circumstance which at the moment impressed Vantine more than his mysterious presence. The stranger saluted the young man with the most profound obeisances, and it was only after repeated genuflections that he spoke. When he did address Vantine, it was in a language of which the latter did not even know the name, although in some astonishing way he still comprehended what was said.

“Great Master,” the stranger greeted him, “will you receive an embassy to congratulate you on your nuptials?”

Of course I cannot pretend here or elsewhere to give the exact words in which my[146] friend was addressed. It was some years before he confided the story to me, and although I have endeavored to set the words down exactly as he gave them, it must be borne in mind that he made no attempt at literal verbal accuracy.

That a young man who had been nourished amid the hard commonplaces of New York life should be astounded by an address of this sort was only natural. That Vantine did not lose his head altogether was probably due to certain vague and premonitory experiences which he never defined very clearly, alluding to them as “passing fancies,” “nebulous impressions,” and by other phrases too general to convey exact meaning to my mind. On the present occasion, however, beyond a rather prolonged silence before he answered his interlocutor, he seems to have behaved much as might a man stopped on the street by an ordinary acquaintance. When he spoke, he simply and laconically answered “Yes;” and, as he did so, he swept with his eye the wide horizon which the nature of the country laid open to him, perceiving nowhere sign of anything unusual.

Scarcely, however, had the monosyllable left his lips when he saw upon the woodside an enormous oriental rug cover the greensward,[147] and instantly upon it stood a numerous company, dressed in the most splendid robes, saluting, and uttering stately but most enthusiastic congratulations. In this, as in all other instances in which my friend has seen figures, the lower portions have appeared first.

John sat in dignified and very probably half-stupefied silence during this extraordinary scene, and suddenly, without warning, the whole pageant vanished into the limbo from which it had come. He was once more alone upon a country road, in the bright sunshine of a June forenoon. It was his wedding morning, and, the vision or whatever it might properly be called having vanished, there was obviously nothing to do but to drive on and be married,—a course of action which he carried out to the letter.

I have fancied, although it is a point upon which I am doubtful, that John made some beginning of a confidence to his bride during the honeymoon of this extraordinary occurrence, and that the levity with which she received his first suggestions prevented his going further in his disclosures. The reason is, however, of no great consequence, but at least the fact is that he did not tell her. He gave a good deal of thought to the matter,[148] corresponded with the Psychical Society, of London, not relating his own experience, but endeavoring to learn of a parallel case. He had, too, some communication with the Theosophical Society, of London, and even with the parent society, of Madras; and he at one time contemplated making a confidant of Madame Blavatsky, concerning whom, at that time, the European papers were full of marvellous tales.

He does not seem, so far as I am able to gather from what he has told me, to have hit upon any theory which afforded him a clue to the mystery of his own case; and just as he had made up his mind that the whole was a mere optical delusion, he had a second visitation.

He was in a Fifth Avenue car on the elevated road, returning home at night. The car was compactly filled, but before him, as he sat facing the middle of the car, was an open space, two or three feet square. Looking up, as the train started after stopping at the Twenty-third street station, John saw standing before him the same oriental figure which had greeted him on his wedding day. The stranger’s face beamed with joy, and he scarcely waited to finish his profound salutation before exclaiming, “It is a propitious[149] hour, Great Master. The young prince is a pearl beyond price.”

Vantine’s first instinct was to look at his neighbors, to see whether they too beheld the apparition, if apparition it were. The man on his right was looking up from his newspaper with the air of one who had heard the strange words and wished to discover whence they came. The man on the left was gazing at Vantine with an expression of bewildered curiosity. John turned his eyes again to the spot where his strange visitor had been.

My friend, in relating this, blamed himself severely that he had allowed a natural diffidence to prevent his asking his neighbors whether they had seen the “Great Mogul,” as he began facetiously to dub the phantom in his thoughts. “But,” he added, “nobody likes to be taken for a raving idiot, even by a stranger. They certainly looked as if they had seen the figure, but I couldn’t make up my mind to ask.”

Reaching home, John found that his wife had been prematurely but safely delivered of a lusty son. The messenger sent to his office had missed him, and at the time of the appearance in the car, he declares that[150] he was not consciously even thinking of his wife’s condition at all.

When he had time to collect his thoughts after this second visitation, Vantine came firmly to the resolution that if he were ever favored with a third sight of the “Great Mogul,” he would at least endeavor to discover whether the phantom were appreciable by the sense of touch. He read much about “astral appearances,” and a good many more things of the sort, of which my own knowledge is too limited to permit my writing at all. He formed a hundred theories, and he began to get somewhat confused, to use his own expression, in regard to his identity. He was half convinced that by some mis-working of the law of re-incarnation, the spirit of some Eastern potentate had been put into his body.

“Or,” said he, with a whimsicality which was evidently deeply tinctured with a serious feeling, “that I had got into somebody’s else body. If I had known any possible way of stopping the thing, it wouldn’t have been so bad; but to have the ‘Great Mogul’ pop up like a jack-in-a-box, without any warning, was taking me at a disadvantage that I think decidedly unfair.”

Not to lengthen unnecessarily a simple[151] story, the speculations and investigations of Vantine may be passed over, and the narrative confined to the bare facts.

It was when John’s boy was about two months old that the embassy which had greeted John upon his wedding morning, or one closely resembling it, put in an appearance in honor of the child’s birth. The child and its mother were taking their first drive, and Vantine came home to luncheon rather earlier than usual, to find them out. He went into the library, but had scarcely closed the door behind him, when the whole gorgeous company of his wedding morning were before him, and so real did they seem to him that John entirely forgot his intention of grasping the “Great Mogul” by the arm, to convince himself of the reality of that personage. The company overflowed with congratulations, rather florid to my friend’s occidentally trained taste, but doubtless poetical in the extreme from an oriental point of view. Vantine was afterward amused and a little surprised to remember how much as a matter of course he took the adulation offered him, and the ease with which he played the rôle of “Great Master.”

But suddenly he became so thoroughly amazed that all power of speech or motion[152] seemed to forsake him. In the arms of the “Great Mogul” he perceived his baby boy, or an image that seemed to be the child, and to the babe the brilliant company were kneeling and swearing fealty. The whole ceremony occupied about half an hour, at the end of which time Vantine found himself once more alone, and upon going downstairs he met his wife and the nurse with the baby returning from their drive.

“He’s slept like a dormouse,” Mrs. Vantine said, in answer to her husband’s inquiry. “I tried to rouse him once, but he wouldn’t wake. I was half frightened, but he seems all right now.”

As they entered the parlor the maid came to inquire if Mr. Vantine had brought company to luncheon, as she had heard voices in the library,—a circumstance which proved that the sound of the voices of his ghostly visitors was audible to other ears than his own.

John vainly wished that the baby, healthy, awake and cooing now, could tell whether dreams or strange experiences had troubled its sleep while its father had seen its image; but that is a point upon which he has never received enlightenment.

It was one winter night when the baby was six months old that the “Great Mogul”[153] presented himself again. My friend had been taking a bath, and was dressing for bed when the figure of his visions appeared, and with every mark of terror and consternation prostrated itself at his feet.

“Great Master,” it gasped in the usual formula, “pardon your slave’s intrusion. The enemy are upon us. They—”

With this sentence still unfinished, the vision faded away in an instant, as if some unforeseen catastrophe in whatever region it came from had suddenly recalled the eidolon, or projected presence, or whatever the thing might be.

More confounded and disturbed than ever, my friend retired to bed, but he was too much excited to sleep. He had much the feeling that one fancies a prince to have over whose heritage distant armies are contending, while he in forced inaction awaits the result. No clue had been given which enabled him to reach a solution of the mystery that involved him, and nothing further transpired during the night to render matters any plainer.

On the following afternoon he was obliged to start for Boston on business. As he was elbowing his way through the crowd in the Grand Central station, he heard at his ear the[154] well known voice of the “Great Mogul,” speaking as usual in the unknown tongue which Vantine understood, yet the identity of which he had never established. There was no visible appearance this time, and the voice, although distinctly audible, seemed to come from a great distance.

“It would be some comfort,” John Vantine said, rather irritably, when he confided this strange story to me, “to know what was lost. It would have been uncommonly civil of the ‘Great Mogul’ to be a little more definite in his information. If the poor fellow lost his head in my service I am profoundly grateful, of course; but precious little good does it do me. Do you think the Psychical Society would undertake the job of discovering in what part of the universe I am rightfully dubbed the Great Master and that young rascal in the nursery is a prince! Unless they can do something, I’m afraid I shall be a half-starved New York lawyer to the end of the chapter.”

Interlude Fourth.

THE RADIATOR.

[Scene, the chamber of Mr. and Mrs. Ellston, in an apartment hotel. Time, three A. M. The silence of the night is unbroken, save by the regular breathing of the sleepers, until suddenly, from the steam radiator, bursts a sound like the discharge of a battery of forty-pound guns.]

[Her husband moves uneasily in his sleep, but does not reply. The noise of the sledge-hammer score of the “Anvil Chorus” rings out from the radiator.]

Mrs. E. George! George! Something is going to happen! Do wake up, or we shall be murdered in our sleep!

Mr. E. (with mingled ferocity and amusement) There is small danger of anybody’s being murdered in his sleep, my dear, where you are. It’s only that confounded radiator; it’s always making some sort of an infernal tumult. It can’t do any harm.

[From the room adjoining is heard a clattering din, as if all the kettles and pans in the house were being thrown violently across the floor.]

Mr. E. Let baby alone. If the youngster will sleep, for heaven’s sake let him. The steam-pipes make noise enough for this time of night, one would think, without your taking the trouble to wake baby.

Mrs. E. (with volumes of reproach in her tone) Your own little baby! You never loved him as his mother does.

[The disturbances now assume the likeness to a thoroughly inebriated drum corps practising upon sheet-iron air-tight stoves.]

[A sudden and sharp boom interrupts him. Mrs. Ellston screams, while her husband indulges in language which, although somewhat inexcusably forcible, is yet to be regarded as not unnatural under the circumstances.]

Mrs. E. Oh, George, don’t swear. It always seems so much worse to swear in danger; like tempting Providence; and I know there’s going to be an explosion!

Mr. E. (severely) Don’t talk nonsense! The engineer has gone to sleep and left the drafts open, that’s all. Don’t be so absurd.

[There is another fusillade from the radiator, reinforced by the reverberations from the nursery, where[159] a regiment of artillery seem to have begun target practice.]

Mrs. E. I will go and get my baby! I know— Oh, George, just hear it crash! Do get up and put the screen in front of it; that may turn off the pieces so they won’t come this way.

Mrs. E. How can you make fun? If the engineer has gone to sleep, he’s sure to blow up the whole hotel. I’m going to get up and dress myself, and take baby over to mother’s!

Mr. E. (with calm but cutting irony) At three o’clock in the morning? Shall you walk, or call a carriage?

Mrs. E. (beginning to sob in a dry and perfunctory fashion) Oh, you are too cruel! You are perfectly heartless. I wonder you don’t take that dear little innocent baby and hold him between you and the radiator for a shield.

Mr. E. That might be a good scheme, my dear, only the little beggar would probably howl so that I haven’t really the moral courage to wake him.

[The indignant reply of Mrs. Ellston is lost in the confused sound of the brays of a drove of brazen donkeys, which appear to be disporting themselves in the radiator. The noise of mighty rushing waters, the clanking of chains, the din of a political convention, the characteristic disturbances of a hundred factories and machine-shops, with the deafening whirr of all the elevated railways in the universe follow in turn.]

Mrs. E. I will go and get my baby, and I will[160] go to mother’s; and, what is more, we will never, never come back!

Mr. E. Oh, just as you please about going, my dear; only you know that if you desert my bed and board, the law gives the boy to me.

Mrs. E. I don’t believe it’s any such thing; and if it is, it is because men made the law. Women wouldn’t take a baby away from its mother.

Mr. E. Have what theories you choose, my dear; only please let me get a few crumbs of sleep, now the radiator has had the mercy to subside.

[She firmly assumes a stony silence, and the radiator, after a few concluding ejaculations and metallic objurgations, also relapses into comparative stillness. Mr. Ellston’s breathing begins to give strong indications that slumber has re-descended upon his weary frame.]

Mrs. E. (starting up with the inspiration of an entirely new and startling idea) George! George! George!

Mr. E. (drowsily) Yes; droll little beggar. His mother wasn’t in the nursery to wake him, though.

Mrs. E. You don’t suppose there is anything the matter with him? George! George, I say! you don’t suppose the reason he sleeps so soundly is because he’s sick?

[To this conundrum Mr. Ellston offers no solution, and equally passes in silence queries in regard to the probability of the nurse’s being awake, alive, well-disposed, and able to take care of baby in case of emergency. Mrs. Ellston sighs with the desperation of long-suffering anguish, and once more stillness reigns in the chamber. The lady again arouses herself, however, from an apparently sound nap to ask, in penetrating tones,—]

(To which her brutal worser half grumbles out the reply) “No! and that’s where it is more endurable than a woman.”

[At which the radiator gives a chuckle so apt as to suggest the possession of a sinister consciousness on the part of that noisy instrument of torture. Mrs. Ellston groans, with the discouraged conviction that she is but one against two, and upon this theory at length consents to resume her interrupted slumbers.]

Tale the Fifth.

MÈRE MARCHETTE.

It was half-past eleven of a hot July day in Paris. The sunlight lay over the whole city and shone nowhere more strongly than upon the great hospital of the Salpêtrière. The hush of noon brooded over all the place. Nobody was stirring unless forced to activity by some pressing duty. In the long white wards the patients were asleep or lying quiet in exhaustion under the burning fervor of the summer heat.

Down one of the corridors, where it seemed refreshingly cool after the warmth of the outer air from which he had come, a young man was passing. His step, though rapid, had the noiseless quality which bespeaks familiarity with the sick-room and the hospital. His figure was compact and nervous, his glance clear and keen. Dr. Jean Lommel was one of the house physicians of the[166] Salpêtrière, although that he was not now making his regular rounds was evident from the fact that entering a certain ward he passed quickly to a bed near the middle of it without stopping at any of the others.

On the bed lay an old woman. Her face was one which showed great strength of character. It was of a marked peasant type, and for all its innumerable wrinkles, its sunken temples, the coarse texture of its skin, and the shrunken lips which showed the lack of teeth behind them, it was full of a nobility and kindliness which no ravages of time or disease could wholly hide. The hair that straggled in thin locks from beneath the white cap was hardly less snowy than the lawn which covered it; and when the patient opened her sunken eyes, as the doctor stopped beside the bed, they were bright and shining with a lustre which was not all either fever or anxiety. Her glance was one of intense and pitiful inquiry. The young man touched her white hair with the tips of his long, fine fingers in a pitying caress before he took hold of the withered wrist, shrunken and marked with blue veins, that lay outside the coverlid.

“In an hour, Mère Marchette,” he said, answering her look—“in an hour he will be[167] here; keep up a good heart. You do not suffer?”

The old woman feebly shook her head. The ghost of a smile, faint but full of happiness, shone on her face. She did not speak, but she thanked him with a look before she closed her eyes and lay motionless as before he had come.

The young man looked at her a moment, an expression of pity in his brown eyes; then with a sigh he turned away and moved softly down the ward again. By the door he encountered one of the nurses, who had risen and come forward to speak with him.

“Yes,” the doctor answered. “She has given all her energies for days to keeping alive till her grandson gets here. It is very singular,” he went on, in a voice of low distinctness that could have been acquired only in sick-rooms, “how her instinct has taught her to save her strength. She neither moves nor speaks; she simply lives.”

“She has been that way,” the nurse returned, “ever since we told her that Pierre was coming. Will he be here by twelve?”

“Not till half-past twelve,” Dr. Lommel replied. “I will return before then.”

II.

Everybody connected with the ward of the Salpêtrière wherein she was had a kindly feeling for poor old Mère Marchette. The doctors and the nurses could not have been more kind or more tender had she been of their own blood. She was one of those who always win affection. She was so patient, so simple, so kindly. She was a peasant woman from Normandy, who had in her old age drifted to Paris with her grandson Pierre, a lad of sixteen years. All the rest of the family were dead. Pierre’s father had been a soldier, and it was with the hope of securing a pension for the son that Mère Marchette had left her home and the life in Normandy she loved, to throw herself into Paris as into the sea. The dead soldier, however, had been mustered out before the malarial fever, contracted in the swamps of the Landes, had developed itself, and the pension could not be obtained. The disappointment was a bitter one, made worse by the fact that Mère Marchette had been told by one and another that the claim would have been granted had the case been properly managed. The poor old creature could not escape a feeling of self-blame[169] in thinking that it was her want of keenness which had deprived Pierre of his pension. Her grandson for her represented the world, and to him she devoted all her energies. She toiled for him, and watched and suffered with that unselfish egotism possible only to the old and lonely.

Fortunately Pierre was a good lad, who returned his grandmother’s love with a devotion hardly less complete than her own. They lived together in two attic rooms, where they passed the evenings sitting in the dark and talking of their Normandy home. They recalled the past and built endless air castles of the time when they should be able to return. They had grand plans of repurchasing the old cot where both of them had been born, and which had been lost by the foreclosure of a mortgage after the long illness of Pierre’s father had ended. They were never tired of talking of what they would do then, and of devising little ways in which the worn-out old farm might be made more profitable. They remained as truly children of the soil as if they had been still in Normandy instead of in their attic in the midst of Paris.

In the daytime Mère Marchette went out to do work as charwoman, while Pierre had[170] been fortunate enough to obtain a place as assistant in a little grocery in Rue M. le Prince. It was in connection with this that Pierre gave his grandmother the only real grief he ever caused her while they were together. Suddenly the boy began to stay away in the evening, and when Mère Marchette sought to know the reason he put her questions aside. One evening as she was making her way home she saw her grandson chatting with a girl at the door of a milliner’s dingy shop. The heart of poor old Mère Marchette sunk within her. The castles in the air, from whose glittering towers had shone delusive lights to strengthen and encourage her, fell in ruins before her eyes. In a moment the burden of her age, her poverty, her weariness, seemed increased tenfold. Feebly she climbed the long stairs and sat down to wait, heartbroken. She had all the peasant’s instinctive distrust of Paris: she had not been able to live in the Latin Quarter without comprehending something of the evil about her, although, happily for her, the worst features of Parisian life would have been so unintelligible that she might have seen them unmoved. She thought no evil now of Pierre, but she was seized with a terrible fear lest[171] he might fall a victim to one of the sirens of the Latin Quarter, who, to Mère Marchette’s thinking, destroyed soul and body alike.

Mère Marchette did not tell Pierre of the discovery she had made. She was only more gentle with him, while in secret she prayed more fervently. For some days longer the lad’s mysterious absence continued, the sad hours of the evening stretching like long deserts of agony, over which the soul of Mère Marchette walked painfully with bleeding feet. And then one night Pierre came home with eyes aglow, and all was explained. He put into his grandmother’s hand a little pile of francs, a sum pitiful enough in itself but large to them, and told how a milliner in the street beyond had employed him in moving boxes and clearing out the attics of her house, which were to be remodelled into lodgings. This had been his secret, and in his thought of the joyful surprise he was to give his grandmother he had forgotten the pain she might endure by misunderstanding his absence.

It was such trifles as this that were the great events in the life of Mère Marchette and Pierre. There was a tenderness, an unselfishness, an idyllic devotion in their[172] love which no amount of wealth, or culture, or rank could have heightened; but in the lad’s veins was the blood of a soldier, that stirred hot with the currents of a vigorous youth. Of the army he had dreamed from his cradle, and strong as was his love for Mère Marchette the force of destiny was stronger. It was the old tragedy of youth and age, of the absorption of maternal love and the restless impulses of the boy’s heart. Pierre justified his desire to himself with the excuse that he could earn more money in the ranks; but his grandmother knew, only too well, the force of the instinct he had inherited. She had seen the same struggle in the life of his father.

When Pierre was eighteen he shouldered his musket and marched away, leaving poor old Mère Marchette as much a stranger in Paris as when she had come to it two years before to weep and pray alone. It would hardly be within the power of words to paint the anguish which lay between Pierre’s departure and that hot July noon when Mère Marchette lay dying at the Salpêtrière. Always in Paris she had been like a wild thing, caged and bewildered, confused by the life that swirled about her in the great city, even when she had been sustained by the presence[173] of Pierre. When he was gone the gentle old soul began to die of homesickness and heartbreak. For two years she fought death stolidly but persistently, refusing to acknowledge to herself that she was breaking down under the stress of loneliness and sorrow. She came of a race that died hard, and although she was past eighty she looked forward hopefully to the time when Pierre should leave the army and come back to live with her again.

But the struggle for existence in Paris was hard, even when the joy of working for Pierre sustained her; when he was gone it became intolerable. At the end of two years the strength and courage even of the sturdy Norman peasant woman were exhausted; and then a dreadful disease, which had before shown itself in her family, seemed to take advantage of her weakness to spring upon her. She had been a charwoman in the family of Jean Lommel’s mother, and so it came about that through the influence of the young doctor she had been admitted to the Salpêtrière when she was already dying from cancer in the stomach.

There was no patient in the ward who was not of better birth than Mère Marchette. She was of all most deficient in education,[174] in knowledge of the world, in the graces of life; and yet of them all it was only the poor old peasant woman who awakened in the minds of the attendants a glow of genuine affection. There are some people who are born to be loved, and when these rare beings remain worthy of it, neither age, nor poverty, nor sickness can destroy their power of awaking affection. The hired nurses touched their lips to her forehead in kisses given furtively, as if they were surprised, and prepared to be ashamed of the emotion which called from them this unwonted display. The doctors spoke to her in tones unprofessionally soft, while Dr. Lommel, who had charge of the ward, treated her with an affectionate courtesy scarcely less warm than that he would have shown to his own grandmother. They all knew that Mère Marchette must die, and from counting the time in weeks they had dropped to days, and then to hours. Indeed it seemed only the old woman’s will which kept her alive now until Pierre should come. She had borne all her sufferings without a murmur, but she had not been able wholly to repress the cry of her heart. The young soldier’s regiment was in Algiers, and there had been difficulties about his furlough.[175] Had it been any other death-bed in the hospital to which he had been summoned these difficulties would hardly have been surmounted; but in behalf of Mère Marchette the physicians had worked so zealously that all obstacles were removed and Pierre’s leave of absence granted. From the moment she had been told that her grandson was on his way she had been perfectly quiet, and, as the doctor said, had devoted her whole being to keeping alive until Pierre should come.

And on this hot July noon the train which was bringing Pierre was drawing nearer to Paris, and Mère Marchette lay so still that she seemed scarcely to breathe,—so still that one might fancy she would not even think, lest in so doing she exhaust some precious grain of strength and so should die without the blessing of that last embrace.

III.

Whoever keeps himself informed of the course of modern scientific investigations is likely to be aware that during the last decade especial attention has been given at the Salpêtrière to that strange physical or psychical[176] force known as hypnotism. M. Charcot, chief of the school of the Salpêtrière, has particularly distinguished himself by his researches. Attacked at first by his professional brethren, it has been his good fortune to live to see the scientific value of hypnotism acknowledged, and to be triumphantly readmitted to the Academy of Sciences, which had at first stigmatized his investigations as mere charlatanism. Charles Féré, an assistant physician at the Salpêtrière, with Richer, Bourneville, and nearly a score other distinguished men, have pursued their investigations with great zeal and thoroughness, and have produced a valuable literature devoted to this intricate subject.

It will be easily understood that all the physicians at the Salpêtrière, and especially the younger men, could not fail to be deeply interested in this new and fascinating branch of science. The facts upon which had been founded the theories of mesmerism, animal magnetism, and other shadowy systems were reduced to order and scientifically tested. M. Charcot and his associates worked with much care and thoroughness, and, without being able to solve the mystery of the force with which they dealt, they proved its value as a therapeutic agent. In the cure of nervous[177] diseases, and in dealing with hysterical patients, they obtained remarkable and satisfactory results. They were even able to alleviate suffering by simply assuring the patient, while in a hypnotic sleep, that he would be free from pain on waking.

To the outside observer no feature of this strange power is more remarkable than the influence the hypnotist may exert over his subject after the trance is broken. A hypnotized person may be told to perform any act on awaking, and, when seemingly restored to his normal condition, bears the impress of that command so strongly that he is urged to obey it by an irresistible impulse. It is quite as easy, moreover, to foist upon the patients the most extraordinary delusions. The subject is told that upon awaking a bottle will seem to be a lamp, a blank card a picture, or any other deception which comes into the mind of the hypnotist; and so perfect is the working of this mysterious and terrible law that the delusion is accomplished to its minutest details.

Dr. Lommel, like all his young confrères, had become intensely interested in all these researches, so like a scientific realization of the fairy tales of the Orient. He had even tried some experiments on his own account;[178] and when the sufferings of Mère Marchette became pitifully intense he had ventured to attempt the substitution of hypnotism for opiates in relieving her distress. The old woman had not easily yielded to this influence. Susceptibility to hypnotism is more apt to be found in hysterical or nervously sensitive subjects than in such sturdy characters. By degrees, however, Dr. Lommel established control over her. In the end, to throw her into a hypnotic sleep he had only to hold his forefinger an inch or two from her forehead, so that her eyes in looking at it turned upward and inward a little. He did not experiment with Mère Marchette; he felt too tenderly toward the old woman to make her the subject of scientific investigation outside of the direct line of treatment. He simply said, “When you awaken you will be free from pain, Mère Marchette;” then he would breathe lightly on her forehead and the sick woman would awaken, to lie as peaceful and painless as if no terrible disease was gnawing like a tiger at her vitals.

The case had attracted a good deal of attention at the Salpêtrière, and although Mère Marchette was utterly ignorant of it, her sick-bed was a point of interest toward which[179] were turned the thoughts of physicians over half of Europe. The unlearned peasant, to whom the simplest terms of science would have been unintelligible, was furnishing data for future scientific treatises; and people of whose very existence she was unaware read the daily bulletins of her condition with closest eagerness.

IV.

It was a few minutes after twelve o’clock when Dr. Lommel reentered the ward. Mère Marchette lay apparently sleeping, but as he approached her bedside the old eyes opened with a piercing and eager question. The young man shook his head, smiling tenderly.

“Not quite yet, Mère Marchette,” he said; “there are still some minutes to wait.”

He sat down beside the bed and laid his fingers on her wrist. The pulse was so faint that he could scarcely feel it, but it was steady. For some minutes he remained quiet, with his eyes fixed on the poor old face before him. There came into his mind the thought of what this woman’s life had been: her childhood and youth in the hut of a Norman peasant; of what her own home might have been when she became a wife[180] and mother; of the desolation which had come upon her in the death of all her family save only Pierre; of the strange fate that had brought her to Paris; of the terrible wrench which her old heart must have felt when her grandson was taken from her; and of the pathetic patience with which she had borne privation, loneliness, and suffering.

He knew only the outlines of her history, since Mère Marchette had spoken little of herself. What her feelings might have been he could only imagine: the old woman could not have told her mental experiences; she had never even analyzed them. Unless he had been a peasant and a mother himself, Lommel could not have divined Mère Marchette’s emotions; he could only reflect what he should have felt in her place. He said to himself at last that, after all, the circumstances which made Mère Marchette’s lot so pathetic must also have deadened her sensibilities and so have softened her suffering.

He sighed and looked at his watch. His assistant had gone to the railway station to meet Pierre, and the time he had fixed for their return was already past by five minutes. He felt again of his patient’s pulse, with a terrible dread lest after all the young soldier[181] should arrive too late. The artery throbbed more feebly, but still steadily; and at his touch the sick woman opened her eyes with the old questioning look.

“Patience, Mère Marchette,” he said, nodding encouragingly; “all goes well.”

She did not speak, but she gave him a look so eloquent with gratitude that words were not needed. Then she lay quiet again and the silent watch went on. Five minutes passed, ten, fifteen; the young doctor became extremely uneasy. At last in the distance he heard a clock strike one. At the sound Mère Marchette opened her eyes with a quick, startled glance.

At that moment, through the still afternoon, was heard the sound of a carriage. Mère Marchette’s eyes shone with a wild and fevered expression.

He administered the little stimulant she could take, and passed quickly out into the corridor.

Dr. Lommel closed the door of the ward behind him and started down the corridor, but at the first step he stopped suddenly with a terrible sinking of the heart. Victor was coming toward him, but alone, and with a white face.

“Victor,” Jean cried, in a voice intense but low, “what has happened? Where is Pierre?”

“There has been an accident,” Victor returned. “A bridge broke under his train.”

“Yes,” the other interrupted; “M. de Brue, who was on the train and escaped with a broken arm, was in the same compartment with Pierre. He rode through on the engine that came in for help. Pierre had told him I was to meet him, and so when M. de Brue saw me he stopped to say that the soldier was struck on the chest and killed instantly.”

Dr. Lommel stood regarding his companion with terror and compassion in his look.

“That is nothing,” was the doctor’s reply. “It is not death, but the agony she will suffer.”

At that moment the nurse came out of the ward and hurried down the corridor to join them.

“M. le Docteur,” she said, “I beg your pardon, but the excitement of Mère Marchette is so great that I venture to suggest that her grandson hurry.”

She glanced around as she spoke, and saw that he was not there. An exclamation rose to her lips; the doctor checked her by a glance.

“Go back to Mère Marchette,” said he, “and say that I am cautioning Pierre— Stay, I will go myself. Wait here, Victor.”

He went back into the ward and passed down between the cots, from which eyes that the indifference of illness scarcely left human, watched him with faint curiosity. Mère Marchette was sitting up in bed, trembling with eagerness and excitement. All the reserve which she had maintained for weeks had been swept aside. The moment for which she had kept herself alive had come at last, and there was no longer any need to save her energy. Her eyes shone, a feverish glow was on her[184] cheek, even her withered lips had taken on for the moment a wan and ghostly red. It seemed to the doctor, as he looked at her, as if all the vitality which remained in her feeble frame was being expended in a last quick fire.

“Ah,” he said, “I have been warning Pierre to be calm, when it is you to whom I should speak. Come, it will take only a moment, but I must give you treatment before I can let you see him.”

As he spoke he put his forefinger up to her forehead with a gesture he always used in hypnotizing her. Mère Marchette struggled a moment as if she could not yield to anything which delayed her reunion with Pierre; then she sank into a hypnotic sleep. The doctor leaned forward and spoke with an emphasis which he had never before used with his patient.

“When you awake,” he said, “you will see Pierre; the person I shall bring to you is your grandson. Remember,” he repeated, “it is Pierre who will come in with me.”

“Victor,” he said quickly, “you know the experiment M. Charcot tried yesterday when he made a hypnotized patient believe one person was another; I have told Mère Marchette that you are Pierre. You must take his place; come quickly.”

VI.

It was with terrible inward misgiving that Jean and Victor entered the ward; but as soon as the eyes of Mère Marchette fell upon the latter they knew that the experiment was a success. Such a look of yearning love illumined the withered old features, such an unspeakable joy shone in the sunken eyes, such quivering eagerness was expressed by the outstretched hands, that the young men found their way to the bedside blinded by tears. An inarticulate cry, that was half moan and half sob, burst from the lips of Mère Marchette as Victor fell on his knees by the bedside. Carried out of himself by genuine feeling, the young man had no need[186] to simulate the emotions necessary for the part he was playing. Seizing the wrinkled hand which lay before him on the bed he covered it with tears and kisses; then, with a cry of piercing sweetness, Mère Marchette flung herself forward into his arms.

She clasped her arms about his neck, she strained him to her breast, the feebleness of her dying embrace transformed to strength by the divine fervor of maternal love. She mingled her kisses with a soft and hardly articulate babble of endearing words; the terms which she had used over his cradle she mingled with the pet names of his childhood and the loving speech which belonged to maturer years. She held him away from her that she might look at him, and her eyes were holden so that she saw in his face the changes that her fancy had pictured in thinking of the real Pierre.

“Ah,” she said, “how brown thou hast grown; and thou art such a man now! Ah, thou rogue,” she went on, laughing softly, “I knew thou hadst grown a beard—and not a word of it in thy letters. But I knew.”

She put her thin fingers under his chin and with a sudden gravity lifted his face.

“Look in my eyes,” she said; “why dost thou turn away? Hast thou not been a good boy; hast thou not loved the good God?”

Poor Victor, overwhelmed with the dreadful consciousness of deceit, found it almost impossible, in face of this touching and pious affection, to meet the old woman’s glance. He struggled to force himself to look into her eyes unwaveringly. Dr. Lommel laid his hand upon his companion’s shoulder.

“Yes, Mère Marchette,” said he, “Pierre is a good lad; that I will answer for.”

The old woman raised her eyes toward heaven, and her lips moved. She was evidently praying. She had received extreme unction just before noon, but this moment in which she commended her grandson to God was to her no less solemn than that of her own last communion. Then she put out her hand to Dr. Lommel with her smile of wonderful sweetness and an air of noble simplicity.

“You have been so kind to old Mère Marchette,” were her words; “the good God will reward you.”

He looked at the old dying peasant woman and tried to speak, but his sobs choked him. He bent and kissed her hand and laid it back gently in that of Victor. Her little strength was evidently failing fast. With a last effort[188] she made a movement to drag herself nearer to Victor. He understood her wish and supported her in his arms.

“Promise me,” she murmured, her voice wasted almost to a whisper, “that thou wilt be good.”

And the words were no less sincere because she mistook the speaker. A smile of heavenly rapture came over her face; she tried to speak and failed. But Victor understood her wish and kissed her. As their lips parted she sighed quiveringly.

VII.

Victor laid the body gently back upon the bed and rose to his feet. He seized his friend by the shoulders; the tears were streaming down his cheeks.

“O mon Dieu, Jean!” he cried, “to deceive such trust. I feel as if I had been violating a sacrament.”

Interlude Fifth.

“SUCH SWEET SORROW.”

[A drawing-room. Fanny Motley, who has been making a long call upon her bosom friend, Alice Langley, has at last risen to go.]

Fanny. Oh, I must go. I’ve got to go home to dress for Mrs. Fresco’s dinner. Do you suppose Jack will be there?

F. Oh, I do hope he won’t fail. I do so want to joke him about his sleigh-ride with Ella. Do you suppose she wore her hat with the orange plumes? It’s awfully unbecoming to her. It makes her look just salmon color.

A. She always had perfectly hideous taste. Do you remember that dowdy gown of green plush and mauve tulle she wore to Kate West’s german? It was a perfect dream of horror.

F. Yes; didn’t she look per-fectly hideous? Well (moving toward the door), come and see me just as soon as you can.

A. I’ll come in to-morrow before sewing-circle, if I can, to hear about the dinner. Don’t be too hard on Jack. You know he’s aw-fully thin-skinned.

F. Yes; isn’t it lovely? But I told mamma I knew she got it because she knew I’d got to have one, and she’d got to give me something.

A. Yes, I will. Oh, did I tell you that Tom Jones has invited Sophia Weston to go to the opera Saturday night?

A. Oh, there’s no telling about him. Frank says they bet about it at the club.

F. How per-fectly horrid! Men are the worst creatures. I declare, I think those dreadful clubs ought to be suppressed.

A. So do I. They do say the most outrageous things. I don’t see how they can sit and listen to them.

F. Yes, it is simply diabolical. How perfectly sweet it is to have a brother who will tell you all about it.

F. Will never tells me a single thing (moving on into the hall). Well, be sure you come, and come as early as you can. Good-bye. (Kisses her.)

F. Do you think so? Clara Martin’s makes her look as if she hadn’t any neck at all.

F. Thank you, dear. But then you can afford to say so, because you can wear anything yourself. Would you ask Jack about the orange feathers?

A. Oh, he wouldn’t know. Men never know what girls have on,—except Clarence Key, and he’s a perfect man-milliner. Did I tell you what he said to Kate West at the Westons’ tea? I’d have scratched his eyes out.

A. You won’t repeat it? Because I told Kate I wouldn’t tell. She was so furious she had to tell somebody.

A. You know that tailor-made gown she wears? The one made of gray corduroy? Well, Clarence[194] Key asked her if she got it so her husband could have it made into riding trousers, after she was done with it. Did you ever hear such impertinence?

F. (putting her hand on the handle of the door) Well, good-bye. Give my love to Blanche when you write.

A. I went over to Ethel Mott’s this morning, and I thought I should freeze to death.

F. I hope I sha’n’t get pneumonia or anything. I want to go to the Claytons’ ball.

F. (returning and closing the door) There, that is one thing I wanted to ask you about. I want you to go in white, and I’ll wear that black lace I had made in New York last winter. I’ve never worn it here at all, and that’s the most stylish gown I ever had in my whole life.

A. Wouldn’t that be striking? We could go in together. I’ll have a new white tulle, and wear my pearls. I’ll make Aunt Alicia lend me hers, too.

F. Oh, no. I wore jet in New York. Not a single thing but black about me; not even my fan-sticks.

F. We’ll talk about it when you come to-morrow. (Opening the door.) I must go this very moment, or I shall never get to Mrs. Fresco’s.

F. Oh, it’s going to be a big dinner, you know; and there’s lots of black lace on it.

F. It is. If Jack knows anything, he ought to see a difference between that and orange plumes.

A. Ethel Mott told me— Oh, do come in a moment. I’m simply freezing to death, and I must tell you this.

F. (once more coming in and closing the door) Well, do be quick. I ought to have been home long ago.

F. The same old way. I wish somebody’d invent some new style,—something real nice and becoming. I asked Uncle Calvin the other night if he hadn’t seen some pretty styles in China, and I wish you could have seen the pictures he brought out!

F. Like? They weren’t like anything. Why, I just gasped over them! Ships, and butterflies, and all sorts of things; all made out of hair, right on your own head.

A. Oh, she said that Kate West has been corresponding all winter with that West Point cadet she met at Newport last summer.

A. Oh, no. He’s so gone on Kate, he thinks she’d never look at anybody but him.

F. I wonder she doesn’t expect the ground to open and swallow her. I never heard of such deceit. Why, she’s going to lead the german with George at the Wentworths’ next week.

F. Well, I’ve always said Kate West couldn’t be trusted out of your sight. (She turns, and opens the door.) I do believe that every time I open that door it is colder. I know I shall die before I get home,—or freeze my ears.

A. Think how dreadful it would be to freeze your ears. I knew a girl at boarding-school that froze her ears skating one vacation, and they hung[198] down like rags. We used to tell her they were like a spaniel’s, and call her Fido. She’d get perfectly furious.

A. It was awfully good fun to see how she tried to pretend she didn’t care; and then, when she couldn’t stand it another minute, she’d catch up the very first thing she could lay her hands on, and throw it.

F. (descending the steps) I would if I’d been she. Could she wear ear-rings?

A. Oh, not for the longest time,—as much as a year, any way. When we wanted to be especially pleasant, we told her that frozen ears always came off after a time.

F. Yes. I don’t see why the florists don’t get up some. Phew! It’s as cold as Greenland. Do go in. You’ll get your death cold.

[Fanny returns to the foot of the steps, and Alice goes half way down to meet her.]

A. He said he wasn’t going to the Whist Club any more, and I asked him why not, and he said he was tired of taking girls down to feed, when they’d been talking so all the evening that he couldn’t play.

A. I told Mr. Van Bruch, and he said the trouble was that Mr. Fremont wanted all the time to feed himself.

F. Good. Do you know Colonel Graham says that he went to the Vaughns’ to play whist, and they held a conversazione instead. Wasn’t that clever?

F. Good-bye. I’ll tell Jane to lay out my black dress, so it will be all ready when you come.

A. I’ll try and get time to go down town in the morning, to see what I can get to make my gown of. It’s an awful shame you had to hurry away so; I had lots of things to say.

F. Well, I really had to go, you know. You can’t keep a dinner party waiting, of course.

[She at last really goes, and Alice, after lingering a second to regret the things she has not said, retires and closes the door of the now pretty well aired house.]

Tale the Sixth.

BARUM WEST’S EXTRAVAGANZA.

Barum West threw down his pen, and looked about his attic with a gloomy face. The light from his one window, a dormer facing the east, was too faint to permit his writing any longer, even had he been in the mood; and how far he was from desiring to go on with his work was shown by his seizing the sheets which were the result of his afternoon’s labor, and angrily tearing them into bits.

The room was not unlike the traditional abode of that melancholy thing, a poor-devil author. The roof sloped from the middle of the ceiling almost to the floor, the niche of the dormer-window where his writing-table stood being the only part of the eastern side of the chamber where one could stand upright. In the corner on the opposite side stood an old-fashioned, high-posted bedstead; a bureau, over which hung a tarnished mirror of antique frame, was placed opposite the tall stove, in which was carefully cherished a frugal[204] coal fire; a black trunk was pushed under the eaves, while some pine shelves held the young man’s unimposing library. Both carpet and wall-paper were dingy and faded, and in the darkening winter twilight the attic was gloomy enough to depress the spirits of one in a frame of mind far more cheerful than that in which West found himself.

Most authors are too unhappily familiar with the fact that a financial crisis is apt to be so desperately unproductive of marketable ideas that even the excitement of a definite order is likely, at such a time, to beget in the brain rather a confused sense of impotence than a creative inspiration. One must be well seasoned in the vicissitudes of a literary career to be able to do his best under the combined pressure of sore need and the necessity of seizing at once an unusual opportunity. West was still young in his profession, as well as in years, and the wild exhilaration of receiving a conditional commission had given place to an awful feeling of despairing helplessness. A friend who had considerable confidence in him, and, what was more to the purpose, some acquaintance and influence in theatrical circles, had persuaded a manager to promise to consider an extravaganza from the pen of the would-be playwright, and Barum felt[205] as if his whole future depended upon his success.

He had started upon his task with the utmost hope and confidence. He had for a couple of years been studying stage work, writing plays that nobody would touch, and serving that dreary apprenticeship which comes before literary success, but which is, unhappily, not always followed by it. He had pinned above his writing-table a sentence from “Earl’s Dene,” which had afforded him a sombre support often enough: “The only road to the skies, Mademoiselle, is up the garret stairs. Mozart climbed them, Moretti climbed them, ... everybody who has ever done anything has had to climb them; and you, Mademoiselle, are one whose duty for the present is to starve.” It may have been because he secretly felt that he had starved long enough, or from the buoyant hope pathetically natural to youth, that West was convinced that his time had come; but at least of that fact he had no doubt.

When, however, he sat down to write, he found his brain teeming, in place of valuable ideas, with the single notion that this time he must succeed; instead of a plot, his mind spun visions of coming greatness; and in place of elaborating witticisms, his thoughts turned[206] alternately to dismal memories and to yet more gloomy forebodings. To-day ended a week of futile endeavor, and the unlucky writer was forced to confess to himself that, so far from being further on in his work than he was seven days earlier, he had stuck where he set out, and acquired the fatal hindrance of a self-distrust which benumbed all his powers.

It grew quickly darker as he brooded, the brief February twilight shutting down rapidly. It was so dark when at last he got heavily upon his feet that he was obliged to fumble about for his shabby hat and coat in the shallow closet which held his scant wardrobe. He muttered to himself as he did so a quotation from Octave Feuillet. He could hardly have been an aspirant for literary honors, and not be crammed to the throat with quotations.

“‘Ce n’est donc pas un vain mot, la faim!’” he said aloud, with so much bitterness that a hearer, had there been one, might have forgiven his sentimentality. “‘Il y a donc vraiment une maladie de ce nom-là.’”

He went down the three flights of stairs which lay between his chamber and the sordid street, taking his way to a cheap restaurant, which his soul loathed, but to which the narrowness of his purse constrained him.[207] The waiter-girls, gossiping together, knew his shabby figure too well to hasten to serve him with any alacrity born of expectation of tips; but one of them came to stand, leaning by one hand upon the table, while he studied the bill of fare in a vain attempt to discover some dish which would be alike satisfactory to his appetite and his finances. There were stains of coffee and of soup upon the card, which gave him a feeling of disgust, as if his food had been served in an unwashed dish; but he repressed his feelings and made out his meagre order. The damsel filled him the usual glass of ice-water, tossed an evening paper before him, and betook herself to cry the supper he had called for into the mouth of a rubber tube, which hung flabbily out of the wall. West could hear the voice of somebody under ground repeating the order, like a surly subterranean echo, and he was peevishly half inclined to fling a plate at the head of a man at the next table, on the supposition that that individual might have been listening to this double disclosure of the straitness of diet to which his poverty constrained him.

He tried to interest himself in the paper which had been given him. He picked out the smallest paragraphs with a feeling of being[208] so much at variance with the world in general that nothing could possibly interest him which was not held to be of no especial moment to the majority. Suddenly he felt that little thrill with which a man always comes upon his name in print. Among a lot of brief jottings was the statement that a man in Chicago had left two hundred thousand dollars to Barum West. For a moment his heart seemed to stand still, but instantly his common sense reasserted itself, and he smiled with the bitter but fleeting cynicism of youth at the impossibility that a fortune should come to him by any lucky throw of Fortune’s dice. The name was sufficiently uncommon, however, to make the coincidence striking, and what artistic youth, so placed that his wits were more or less disconcerted by the unevenness of life, could fail to make the paragraph the starting-point for a thousand dreams.

All that night, when he should have been sleeping, and when he really was half under the influence of slumber, Barum West’s thoughts, which should have been devising stage situations, droll dialogue, and popular allusions, occupied themselves with that illusive fortune. He considered what he would do did he really have it; how he would enjoy it; what delights he would purchase, and what[209] miseries escape. In dreams his fancy wove a gorgeous tissue of enchantment, at which he smiled when he waked, although in reality it was little more extravagant than the airy fabric of his waking fancies. When once an imaginative youth gives rein to his fancy, especially if hope and need prick the tricksy steed forward, there is no telling to what lengths the race it runs may not stretch. West certainly did not believe that the legacy of which he had seen mention was really intended for his pocket, and yet the coincidence of the name seemed to him so good proof that it went far toward persuading him that he was, in truth, the legatee. For the rest, he, perhaps not unconsciously, humored a little a dream which at least amused for the time being a life all too little lightened by frivolity of any sort.

It was not until the following evening that it occurred to West that, having a fortune in hand, it would be necessary for him to invest it. He was once more at the eating-house, which to-night he regarded with less bitterness than hitherto, so strong was the effect of his dream in putting him in better temper toward life and the world. As he scanned the paper, in the hope that he might come upon some further information in regard to[210] Barum West’s fortune, his eye lighted on the stock reports, and, with a sudden sense of importance he reflected that with two hundred thousand dollars to take care of it behooved him to furbish up whatever knowledge he possessed of stocks. The unintelligibility of the stock reports was sufficient proof that he had little knowledge to furbish, but this only aroused his combativeness, and made him determined to learn.

When he left the restaurant he bought a paper of his own, and taking it to his room, he passed the evening in studying finance as represented in the columns of the daily journal. There was something amusing, or pathetic, as one might look at it, about the absorption with which he gave himself to the occupation of deciding what he should do with $200,000 if he had it. He reflected shrewdly that it were wise not to invest his whole capital in a single stock, and he tried to recall whatever he had heard of the relative safety of different classes of security. He guessed at the amount of commission he would be obliged to pay a broker, his guide being a confused remembrance that in a play he had heard a certain rate mentioned. He carefully tabulated his investments, and retired at length, the possessor of an income[211] of something over $11,000, all commissions having been paid.

It was perhaps not strange that Barum was in absolute ignorance of the fact, since a knowledge of the vagaries of the stock market was decidedly outside of his world, but the truth was that he had begun to manage his fancied fortunes on a falling market when the bears were raging in Wall Street. While he slept that night a combination was being completed which was the next day to run down twenty-five per cent the conservative railroad stock in which West had felt it safe to put half his fairy gold. When Barum took up the paper at the restaurant on the third evening he had lost about $40,000,—a fact which could hardly have caused him more chagrin had he really possessed the money to lose.

The game he was playing interested him like a new novel. His quick imagination had taken fire, and this defeat spurred him to a fresh endeavor. He felt himself in honor bound to regain what he had lost; and this evening went like the last, in complicated and decidedly amateurish efforts to bring his imaginary finances into a satisfactory condition. The writing of the play of which he was to read the skeleton to the[212] manager in a fortnight advanced not at all. He took his pen to write, and laid it down to refresh his memory on the latest quotation on some stock; he tried to think of his plot, and found himself reflecting concerning debenture bonds and second mortgages, with the vaguest possible notion of what either might be.

The strange possession which a vivid fancy may take of a lonely and imaginative mind is a phenomenon not unfamiliar to those who have studied the lives of men of fervid temperament; and the whim to which West now gave himself up was no more extravagant than many another which has had consequences far more serious. For days he went on, becoming more and more completely engrossed by the folly he was following. His writing-table was covered with papers upon which he had memoranda of stocks, of sales, of investments, calculations of commissions, and all the rest of it. He even thought of going down town to watch the bulletin boards at some broker’s, but he would hardly have been the fanciful dreamer he was, had he not shrunk from actually coming in contact with men and the reality of the business at which he played.

For a week this absurdity continued. Sometimes[213] West gained a little in his visionary speculations, and this inspired him with new courage, although whether he won or lost he was still possessed with the fatal gambling mania. His work meanwhile was not advancing. It is true that he sat for hours at his table nominally at work upon his play, but he interrupted himself constantly to consider whether there were not some way of recovering the money he had lost.

When Saturday night came he looked back over his week with regret and shame. The date fixed for his presenting his sketch to the manager was now only eight days off, and he was practically no further advanced in his preparation than on the day when his friend brought him the delightful news that that elusive personage had consented to make the appointment. He had wasted the past week in a foolish day-dream, as profitless as it was absurd. Yet he smiled to himself at the reflection that his day-dream had at least been amusing. It had been like creating a story or the plot for a play; and with a characteristically bachelor thought, he added to himself that it was at least less dangerous to play with visions of fortune than of love, and quite as sensible.

He could not, on the whole, however, be[214] satisfied with the result of his week, and he determined to have no more of this folly. He must set to work in earnest, and he resented the consciousness which forced itself upon him that his lonely life and imaginative turn made it possible for him to fall into vagaries which to the practical common-sense of mankind in general would be held to indicate anything but a sound mind. He started up suddenly and gathered all the papers upon which were recorded his unlucky stock transactions, and began to thrust them into the stove. He would make an end of the whole foolish business. And yet, so far from entirely burning his ships, he at least left for himself a little boat in which to continue his explorations into the delusive regions of financial fairy-land, since he saved the one slip which contained the statement of the present condition of his much-diminished fortune. He condescended to the weak, but eminently human trick of attempting to humbug himself in regard to his reasons for doing so. He said to himself, exactly as if he were explaining to another person, that the bit of paper would serve as a warning to him, should he ever be tempted to indulge in so idiotic a diversion again; and he added, as if to quiet the least suspicion that he meant to[215] use the memorandum, that the morrow being Sunday there would be no market with which he could play.

And yet, so weak is human resolution, such a rope of sand is it to fetter the resistless progress of character,—which is destiny,—that the next evening found West with the Sunday paper spread before him, carefully studying the financial article, and elaborating his plans for a grand coup, by which he should regain all the thousands he had lost. He had become very canny during the week’s study of the market reports, and he felt this Sunday evening all the pleasant satisfaction of one who, out of sight, cunningly devises the overthrow of clever enemies. On Monday morning he would—in imagination, of course—go into the field with a shrewdly devised scheme of buying and selling, which should result in the triumphant re-establishment of his financial standing. When one is dealing with life in imagination merely there is of course no limit to the extent to which one may make himself master of events; and partly from a keen fancy, partly from pure naïveté, West’s plan involved nothing less than bulling the market himself upon his visionary capital, now shrunken to some $70,000.

All day Monday West was in a state of excitement[216] which was amazingly absurd when one considers that the cause was wholly fancy. When a drunkard returns to his cups he is notoriously more intemperate than before, and in delivering himself up for a second time to the intoxication of his vagaries Barum plunged more recklessly than ever into its extravagances. On Tuesday he was once more to be rich, and then he would speculate no more. Safe mortgages and government bonds should suffice him as investments, even though the rate of interest they paid was low. He would not again expose himself to the chances of such feverish excitement as that in which he had spent the past week.

So real had the whole business become to him that, while he smiled at his own folly as he took up the Tuesday evening paper, he actually felt a pang of disappointment to discover that his imaginary operations had produced no effect on the stock market. So far from rising, stocks had that day gone almost out of sight, so great had been the fall in the price of securities of all sorts.

A feeling almost of despair came over the young man as he read. He had gone out into the street to buy the earliest edition which would contain the account of the sales[217] that day, and as he walked toward his attic he experienced almost as sharp a pang as if the absolute wreck which he found had overtaken his imaginary fortune had befallen a genuine bank-account. That unreasonable youthful disappointment which arises from a sense of failure per se, with little reference to the real importance of the stake, stung him keenly; and he was one of those men who cannot but confound real and æsthetic grievances.

He returned to his attic and figured it out. He was absolutely and hopelessly ruined. He had not only lost every dollar of his imaginary fortune, but he was, on paper, some seven or eight hundred dollars in debt to his brokers for commissions. He was so overwhelmed by this catastrophe that he sat brooding over it in the darkness of the February twilight and gathering night, until it was far past the hour when he usually took his apology for a dinner. He was not without a sense of humor sufficiently vivid to make him laugh at himself, and mentally mock at the vexation which the result of his airy speculations caused him; but this did not prevent his being vexed, or take his thoughts from laborious calculations how a different result might have been reached. He went off to dinner at last with a sober[218] and abstracted mien, ordering a repast even more economical than usual, as befitted one who had just lost his whole fortune in ill-starred speculation.

It was his custom to time his visit to the restaurant so as to dine before the crowd of customers came for their evening meal. To-night, however, he was behind them. The place was no fuller than he usually found it, but it bore signs of the recent crush. The cloth of the table was crumpled and soiled, the glass in which the inevitable ice-water was poured was yet warm from being washed, while the evening paper the waiter gave him was adorned with an irregular stain of coffee. In the midst of the brown blotch of this stain was a patch undiscolored; and by one of those odd and improbable coincidences of which life is full, in the midst of this spot of dingy white Barum West once more caught sight of his own name. The whimsical fate which had started the fantastic train of thought in his mind ten days before now finished its work by a paragraph stating that the will by which $200,000 had been bequeathed to Barum West by Richard Granger, of Chicago, was now found to antedate a second testament by which the money was left to Harvard College.

Barum West went home with the light step of a boy. A great responsibility seemed suddenly lifted from his shoulders. The capricious fancy which had insisted that he should be depressed because he had lost an imaginary fortune had apparently been willing to accept the fact that even in hypothesis the possession of the money had been a mistake, and the unlucky speculator was formally acquitted at the bar of his inner consciousness. He lit his lamp and his pipe, seated himself in his chintz-covered rocking-chair, with his heels on the top of the coal stove, and ruminated. He reflected upon the fact that it was only five days before he was to meet the manager, and nothing was done in the way of a play which he could for an instant regard as at all satisfactory.

“Instead of writing an extravaganza,” he thought, with mingled amusement and self-reproach, “I have been living one.”

The form of the thought struck him instantly. His feet came down to the floor with a crash, and in his excitement his pipe went smashing down beside them.

And the plot of the extravaganza, which everybody will remember as being so successful the following winter, “A Speculator[220] in Air,” and which set Barum West on his feet financially, was only a properly modified version of the vagaries in which the author had indulged in the handling and the losing of his imaginary fortune.

Interlude Sixth.

A BUSINESS MEETING.

[Certain absurd, not to say malicious, reports having been circulated in regard to the meeting held by the Rosedale Sewing-Circle to decide upon the time, place, and other details of their annual spring fair, it is deemed but simple justice to the estimable ladies who compose that body to give an accurate and unvarnished account of the proceedings on that occasion; and the writer feels that not only will such a narration sufficiently silence all slanders, but that it will as well go far toward a triumphant refutation of the often-repeated falsehood that women have no aptitude for business.]

The meeting, being appointed for 2.30 P. M., was called to order by the president, Mrs. Gilflora Smithe, at 3.30 P. M., the hour preceding having been spent in an animated and pleasant discussion of the important question whether the pastor’s wife, who was detained at home by illness, was really so extravagant as to use granulated sugar in her sweet pickles, as was positively asserted by Miss Araminta Sharp. The secretary read the report of the last meeting, as follows:—

“Monday, April 7.—Meeting called to order by the president. The records read and approved. There being no quorum present, it was unanimously[224] voted to hold the next meeting on Thursday, as that day is more convenient for the ladies. On motion of Mrs. Percy Browne, voted to appoint a committee of one to take charge of the Art Department of the fair. Mrs. Browne kindly volunteered to serve as that committee. Adjourned.”

The records having been approved, the president remarked that there was so much business to come before the meeting that she really could not tell where to begin, and she should be glad if some one would make a motion, just to start things.

“A motion to put things in motion,” murmured Miss Keene, looking around with the smile which everybody knew meant that she had made a joke.

Everybody smiled also, although nobody saw the point until the president echoed, with a pleased air of discovery, “Motion,—motion! Very good, Miss Keene.”

Then they all smiled once again, and Miss Gray told of an excellent jest made by a cousin in Boston:—

“My cousin in Boston—that is, she isn’t my real cousin, but a step-cousin by marriage—was at a concert once, and she made an awfully good joke. I don’t remember exactly now what it was, but it was awfully funny. It was something about music, and we all laughed.”

“It doesn’t seem to me,” spoke up Miss Sharp, acidly, “that Boston jokes will help the fair much;[225] and I move you, Mrs. President,—if I don’t make a motion, I’m sure I don’t know who ever will,—that the fair be held on the 20th of April.”

“I second the motion,” promptly spoke up Miss Snob, who always seconded everything.

“It is moved and seconded,” said the president, “that the fair be held on the 20th of April; but I’m sure the 23d would suit me a great deal better.”

“Why not have it the 17th?” asked Miss Keene; “that seems to me quite late enough.”

“Oh, dear, no,” interrupted Mrs. Percy Browne, “I never could get half the things done for my department by that time. I move we have it the 30th.”

“It is moved and seconded,” propounded Mrs. Smithe from the chair, “that the fair be held on the 30th. That seems to me an excellent time. If it be your minds, you will please to signify it. It is a vote.”

“I still stick to the 20th,” declared Miss Sharp, viciously. “I shall open my candy-table then, whether the rest of the fair is ready or not.”

“Sweets to the sweet,” murmured Miss Keene, looking around with her jest-announcing smile.

“The 20th is Sunday, any way,” observed the Hon. Mrs. Sampson Hoyt, in tones of great condescension.

“I don’t care,” persisted the contumacious Sharp. “I’ll have my part of the fair then, any way.”

“Suppose we compromise,” suggested the president, pacifically, “and say the 25th.”

There was considerable discussion, more or less acrimonious, at this proposition, but it was finally adopted without the formality of a vote, the secretary being instructed to set the date April 25th down as the final decision of the meeting.

“There will have to be a general committee of arrangements,” the president observed, this important preliminary having been settled. “I suppose it is customary for the chair to appoint them; but I am ready to receive nominations.”

“I nominate Miss Keene,” said Mrs. Browne, who wished to keep in that lady’s good graces.

“Miss Keene will have enough to do at the cake-table,” Mrs. Smithe replied. “I think I’ll appoint Mrs. Hoyt, Mrs. Crowler, Mrs. Henderson, and Mrs. Lowell.”

“There’s never but three on that committee,” snapped Miss Sharp. “You’ll have to take off one.”

“Dear me!” responded Mrs. Smithe, in dismay; “I think you must be mistaken.”

But Miss Sharp persisted, and the president, driven into a corner, was forced to propose that[227] one of the ladies named should resign. Nobody seemed willing to do this, however, and it was at length decided that some one of the four should regard herself as a substitute, to act in case one of the others could not serve. The president could not, however, bring herself to specify which should be the substitute, and was greatly relieved when the conversation was turned by Mrs. Henderson’s remarking,—

“Speaking of substitutes reminds me. Did you know that you could make mince-pies without meat? My niece from Bangor—”

[The talk of the next fifteen minutes is omitted, as being irrelevant, relating exclusively to cooking. At the expiration of that time, the business of the occasion was accidentally reintroduced by an allusion on the part of Mrs. Crowler to some delicious chocolate macaroons which she had eaten at a fair in East Machias.]

“We really must have some more committees,” the president said, recovering herself with a start. “Will somebody make a motion?”

“I don’t think Friday is a good day for a fair, any way,” Mrs. Lowell now remarked, reflectively. “The 25th is Friday.”

“Oh, I never thought of that,” exclaimed half a dozen ladies, in dismay. “We should be all tired out for baking-day.”

“I don’t know what we can do,” the president said, in despairing accents,—“there seem to be so many days, and only one fair; and we’ve had[228] so many dates proposed. We shall have to unvote something.”

It was at this crisis that the Hon. Mrs. Sampson Hoyt rose to the heights of the parliamentary opportunity.

There fell a hush of awe over the sewing-circle, and even Miss Snob was a moment in bringing out her second.

“I don’t think!” Mrs. President Smithe ventured, a little falteringly, “that I quite understood the motion.”

“I moved,” the Hon. Mrs. Hoyt replied, with the air of one conscious that her husband had once been almost nominated to the State Legislature, and had been addressed as Honorable ever after, “I moved the previous question.”

“That takes everything back to the beginning,” Mrs. Hoyt condescended to explain, “and we can then change the date of our fair in a strictly legal way.”

She threw a glance of superb scorn around her as she spoke, and even Miss Sharp took on a subdued and corrected air.

“It is moved and seconded the previous question,” Mrs. Smithe propounded, with an air of great relief. “It is a vote.”

“I don’t think we had better do away with everything in this case,” Mrs. Hoyt observed, with a smile of gracious concession. “We might let the committee of arrangements stand.”

“I don’t remember,” observed Miss Sharp, gazing into futurity with an air of abstraction, “that there is anything in the by-laws about the previous question.”

A flutter stirred the entire company. The ladies looked at each other, and then with one accord turned their regards upon the Hon. Mrs. Hoyt, as one who, having got them into this difficulty, was in honor bound to help them out of it.

“I supposed everybody knew,” that lady remarked, with icy sweetness, “that the rules of making motions do not have to be in the by-laws. They are in”—the speaker hesitated, not being exactly sure of the title of the volume to which her husband had given so careful attention when expecting to be nominated: feeling, however, that anything was better than the appearance of ignorance, she went on precipitately—“in ‘Pole’s Manual.’”

Even Miss Sharp had no retort adequate to meet this crushing appeal to authority, not being sufficiently well informed to connect Pole with whist, so she contented herself by observing, with[230] a sniff, that for her part she was glad she did not know so much as some people pretended to.

“It does seem to me,” observed Mrs. Henderson, at this point, “that we might let this one year go by without a fair. There’s been so much sickness in Rosedale this winter that everybody is tired out, and we had a great deal better wait till June, and have a strawberry-festival. I move we put the whole thing off till then.”

“I cannot consent to put that motion,” the president said, with great dignity. “We have made up our minds to have a fair now, and we might as well have it, and be done with it.”

“I move,” Mrs. Browne put in sweetly, with the intention of suiting everybody, “that we have a fair and a strawberry-festival.”

“It is moved and seconded,” the president said, “that we have a fair and a strawberry-festival. But that seems a great deal; and I think I had better declare it not a vote, unless doubted.”

Nobody was clear about the effects of doubting a negative proposition; but Mrs. Crowler was pleased to observe, “Well, any way, now I come to think it over, I think, on the whole, I won’t be on the arrangements committee at all; but I’ll be chairman of the finance committee when that is[231] fixed,—and that’ll leave only three on the arrangements.”

This moved Mrs. Henderson to resign, and Mrs. Lowell following her example, Mrs. Hoyt was left in solitary grandeur upon the committee.

Matters were not improved, moreover, when Miss Keene remarked, “If we’ve voted ‘the previous question,’ I don’t see but we’ve still got to fix the day. All that is undone now.”

“Certainly,” responded the Hon. Mrs. Sampson Hoyt, with the virtuous joy of an iconoclast gazing on the ruin he has wrought.

“We don’t seem to have anything exactly fixed,” the president said, with a helpless and conciliatory smile. “If somebody would make a motion—”

“It’s too late to make any more motions to-day,” Miss Sharp interrupted, with much vigor. “It’s ten minutes of six.”

At this announcement of the lateness of the hour, the entire company started to their feet in dismay; and although, when the president and secretary tried next day to remember what had been done, that the latter might make up her report, they recorded that the meeting adjourned, that statement must be regarded as having been purely a parliamentary fiction, entered in the secretary’s book to gratify that instinct innate in woman’s breast to follow exactly the regular and strictest forms of recognized rules of order.

Tale the Seventh.

A SKETCH IN UMBER.

Every life has its history: this is the story of Ruth Welch, the placid-faced, silver-haired woman who sat in the September twilight looking out over the moorlands one Saturday evening, and considering many things.

The house faced toward the south. It looked across a little creek which made in from the sea, and it had in its prospect only level heaths to the horizon’s edge. On the west stretched the waters of an arm of the Atlantic, and the tides came twice a day around the low cape into the inlet, and the wind blew over the moors; but in all directions one looked upon level wastes,—“the plains,” the country people called them, speaking of them sometimes as “Welch’s bogs,” or in sections as the “blueb’ry plains,” or the “cramb’ry marshes;” and people who lived outside of them regarded the moors as painfully dull.

They were not, too, without some excuse for such an opinion. The rhodora and the[236] kalmia—the “lamb-kill”—in spring spread over sections of the waste transient sheets of glowing color, but for the most part the country was either white or brown, and to one not fond of it the effect of the monotone of hue was depressing. The shade of brown varied, changing from a grayish or even greenish brown in midsummer to a sombre, almost uniform umber in autumn, which latter tint now and then during the winter appeared in desolate patches through the flats of snow, until in March the whole plain came to light darker and more forbidding than ever.

All these long months the only break in the low monochrome of the landscape was the red cottage which still was called “Gran’sir’ Welch’s,” although the old man had been dead many a year, and the little garden before it that kept up, with old-fashioned flowers, a show of bravery until the frosts came. The tint of the old house was dull and dingy, but in so colorless a setting the hue seemed brighter, as a single event might assume undue importance in a monotonous life. If one could have supposed the builder an imaginative man or one given to refinements of sentiment, it might be easy to imagine that when he built his house thus alone in the plains, with not another dwelling in sight and without[237] a break in the level landscape, he felt the need of giving it some color that should protest against the deadly grayness of all around and hearten its owner by its warmth of tone.

So overwhelming were the solitude and the unbroken sameness of the place, however, that an imaginative man would scarcely have chosen it as an abiding-place, although once involved in its powerful fascination he would have been held to his life’s end. By what accident Gran’sir’ Welch’s grandfather had chosen to build here, half a score of miles from the little fishing village which stood to the people of that region for the world, no one knew, and very likely no one cared. Folk thereabout concerned themselves little with reasons for anything, facts being all they found mental grasp sufficient to hold. Once established in the plains, however, there was no especial cause to suppose the family would not continue to live on there until its course was interrupted either by extinction or by the arrival of the Judgment-Day.

Extinction was not very far off now, since only this white-haired woman remained to bear the name. Her mother had died in the daughter’s infancy. Mrs. Welch had never adapted herself to the silence and loneliness of the moors, and her people over at the[238] village declared that she had “died of the plains;” and it is possible that they were right. Ruth’s father, when she was still but a child, had been lost at sea; and the girl had been cared for by her grandfather and the old serving-woman Bethiah, who had once been supposed to be a hired girl, but had ended by being so thoroughly identified with the family that her surname was wellnigh forgotten, and she was designated, when she was spoken of at all, as Bethiah Welch.

The child grew much in the same way as grew the houseleeks in the boxes beside the southern door, very slowly and dully. Once or twice she went for a few months to stay with an aunt in the village ten miles away, it being the unanimous opinion of her relatives that as the Welches always had known how to read and write it was proper that something should be done for Ruth’s education; and the village school was the only educational means known in the region. The girl pined for home, however, and was never content away from the red house. Perhaps by a strange perversity of circumstance the home-longing of the mother was in the child transformed into a clinging fondness for the place where the former was so lonely and alien. The low, level moors were necessary to[239] Ruth’s life; in their colorless monotony she somehow found the complement for her uneventful life. Perhaps the very dulness developed her imagination, as special organs appear in animals whose abnormal conditions of existence render them needful. If this were so, it was no less true that the moors absorbed whatever mental life they stimulated, until the girl seemed hardly less a part of them than the knolls of leathery shrubs, the scattered, shallow pools, the tufts of coarse grass, or the whispering voices of the wind which all night long and every night were hurrying to and fro, concerned with unspeakable tidings which perhaps came from the sea that forever moaned along the moorland’s edges.

Little conscious imagination had Ruth at nineteen; and it was at nineteen that the single, trifling event of her life occurred. She was a maiden by no means uncomely. She was not educated in any conventional sense of the term; but her life alone with her grandfather and old Bethiah and the great brown moors had bred in her a certain sweet gravity which was not without its charm, had there been but those to see who could appreciate it.

Along the front of the house ran a bench, where people seldom sat, since there were[240] none to sit, but where the milk-pans dried in the sun, a gleaming row; and one sunny morning late in September the flash of their shimmer caught the eye of a skipper who in his yacht in the bay studied the horizon with his glass. He was not yet past those years when a man still finds amusement in imitating fate and nature by yielding to his impulses; the gleam suggested pleasant draughts of fresh milk; and without more ado, he headed the trig little craft in which he and a brother artist were skirting the coast of the Gulf of Maine for the little inlet upon which Gran’sir’ Welch’s red cottage stood.

In those days yachts were less common than now, and both Ruth and Bethiah left their work to watch the boat as it ran up to the low wharf, and the snowy sail fell with a musical rattle and clash of metallic rings.

The skipper, a stalwart young fellow, too handsome by half, came briskly ashore and did his errand, and while the old servant went for the milk, stood with Ruth by the open door asking idle questions, to which she replied without either shyness or boldness. His eyes were just on a level with hers as she stood on the threshold above him, and their bold, merry glance saw with full appreciation how clear were her sherry-brown orbs. He[241] removed his cap and leaned against the door-post, letting his glance stray over the landscape. Here and there upon the brown surface his keen eye detected the flame of a scarlet leaf amid the prevailing russet, but the combined effect of all the red leaves upon the plain could not warm the sombre wastes.

“Don’t you get tired of the sameness?” he asked suddenly, as if the monotony all at once seemed to him too great to be borne.

He brushed back his curly, golden locks with a shapely brown hand, and regarded her more closely.

“It is like a fish in the water,” was his conclusion when he spoke again. “It would drown me.”

Ruth smiled again, showing her white, even teeth a little, although she did not in the least understand what he meant; and before the conversation could go further Bethiah appeared with the milk she had been getting. Ruth put aside the stranger’s offer of pay, and with an instinct of hospitality which must have been genuine indeed to have survived so long disuse from lack of opportunity, she stepped down into the little garden-plot and picked a nosegay of the old-fashioned flowers[242] which in the southern exposure were still unharmed by frost.

“Put a posy in my button-hole,” he requested lightly, when she gave them to him. “Pick out the prettiest.”

She had never stuck a flower in a man’s coat, but she was too utterly devoid of self-consciousness to be shy. She selected a beautiful clove pink, and smiling her grave smile, thrust the stem through the buttonhole of his yachting-jacket as he held out the lapel.

“It would be just the color of your cheeks,” he said, “if it could only get sunburned.”

A redder glow flushed up at his words, and so tempting was the innocent face before him that half involuntarily he bent forward to kiss the smooth lips. The girl drew back, in that grave, unemotional fashion of hers which was to the stranger so unaccountable at once and so fascinating, and he failed of his intent.

“Ah, well,” he said, in nowise disconcerted, “keep the kiss for your sweetheart, but thank you for the flowers.”

He laughed with a gleeful, deep-toned note, and turned down the faintly-defined path to the shore again.

Ruth looked on with interest at the hoisting[243] of the sail; she smiled responsively as the two mariners doffed their caps to her, and then, regardless of the old superstition of the ill-luck of watching people out of sight, she kept her eyes fixed upon the pretty little craft as it skimmed over the waters, as long as it could be seen. Then she turned a comprehensive glance over all her moors, as if to to take them into confidence regarding the pleasant incident which had just happened, and returned to her interrupted domestic duties. The interview had touched her with no repinings; and even could she have known that in that brief moment all the romance of her life had been acted, she would scarcely have sighed. She smiled as she went about her homely occupations, and flushed a little with the consciousness of innocent vanity as she found herself glancing into the glass at the reflection of her softly-glowing cheeks, reddened with health and with the sun.

This September day was the single glowing spot in the slow, mellow years of Ruth’s life. She came and went, slept and waked, perhaps even dreamed. She was always in a happy, contented repose among her moors, becoming of them every day more and more completely a part. The wide plains grew green in spring with transient verdure, the[244] purple petals of the rhodora flushed through their brief day and dropped into the shallow brown pools left by the late rains in the hollows; then all the waste turned to fawn and russet under the suns of summer, and the cycle of the year was completed by deepening browns and the wide stretches of snow. Now and again great rolling masses of mist came up from the sea and hid wold and wave alike from sight, but yet the sense of the plains was like a presence to Ruth, as with heart warm as an egg beneath the mother-bird’s breast, she went her way and lived her span of life.

She was far from being dull in her feelings. Indeed, for one in her station and surroundings, she was unusually sensitive to mood of shore and sky, to the beauty of the sunsets or of the wild flowers which sprang amid the low shrubs. She was simply content. She was so perfectly in harmony with her world that she could not be unhappy. She grew as a bluebell grows. She was not deficient in womanly sentiment. She thought sometimes of the handsome sailor lad whose bold brown eyes had looked into hers, and she smiled anew with simple pleasure that he had found her fair. She remembered the audacious gleam which crossed his face when[245] he bent forward to kiss her, and she did not forget his words about a sweetheart. She never spoke of her memories,—she came of a reticent race, and neither Gran’sir’ Welch nor Bethiah was especially adapted to the reception of confidences,—but she speculated concerning the sweetheart she never had, and of whose coming fate gave no sign. There was never any tinge of melancholy in these reflections. She accepted life too simply to be sad, even with that vague oppression which seemed to casual observers the obvious consequence of the overpowering presence of the wastes.

As years went on, she accepted the fact that the time of dreams of love was past, and with placid content she reflected that the shadow of the ungiven kiss of the sailor would never be disturbed by the pressure of lover’s lips upon hers.

It is between twenty and thirty that the temperament of a woman becomes fixed, and all her future irrevocably made or marred. Before this her character is too flexible, after this too rigid for impressions to be lasting. During these years the peace of the wide, calm, and sombre moorlands stamped indelibly upon Ruth a sweet, grave content which nothing could destroy or shake.

There came a time when into the calm of the old house death rushed, with that dreadful precipitancy which always marks his coming, even when expected, and old Gran’sir’ Welch, long past fourscore, was, in the quaint language of the King James version, gathered to his fathers.

In the gray dawn Ruth tapped softly at the hives of the bees which stood, straw-thatched, against the eastern end of the cottage, and announced the sad news, firmly believing that unless within twelve hours the swarms were told of death they would desert their homes. Then in the sunny autumn afternoon a funeral procession of boats trailed from the red cottage to the graveyard behind the church in the village, where slept such of his forefathers as the sea had spared to die in their beds. With evenly dipping oars went first the quaintly-shaped pinky bearing the coffin between two stout fisherman, one at prow and one at stern; while after followed the dories in which were the few nearer relatives who had come to attend the services at the house.

Ruth sat beside a cousin and listened half unconsciously to the plash of the oars and the rhythmic beat of the waves against the boat, looking back with tear-dimmed eyes to[247] the red house until it was by distance blended with the dun country as the last spark dies amid the ashes. She was sad, and she felt that oppressive terror which the presence of death brings; yet her calm was not seriously or permanently shaken.

In their relentless, even course the years moved on, and one day in spring, when the rhodora was in all its glory, and the one bush of mountain-laurel in the wide plains, which had strayed into the heath like a lamb into the wilderness, was as white in the distance as a bunch of upland maybloom, again Ruth went softly and gravely to tell the bees that death had been in the red house, and the procession of boats, like the Egyptian train over the Lake of the Dead, bore away the mortal remains of faithful old Bethiah.

Ruth’s relatives in the village tried to induce her now to come to them, and when she could not be moved to do this, urged her at least to have some one live with her. She was getting to be an old woman, they said among themselves, although in truth she was little past fifty, and since for that part of the world she was not ill-provided with worldly goods, there was no lack of those who were willing to take up their abode as her companion in the red house.

Ruth put all offers aside,—kindly, indeed, but decisively. She was pleased to live alone; not from a misanthropic dislike of her kind, but because it was so deep and inexhaustible a delight to her to brood happily among her plains. More and more she loved these umber wastes, over which cloud-shadows drifted like the darkening ripple of the wind on the sea. She knew all their ways, those mysterious paths which wind between the hillocks of deserted heaths as if worn with the constant passing of invisible feet, and she was never weary of wandering among the ragged hummocks, breathing in the salt air from the sea and noting with happy eyes all the weeds and wild flowers, the shrubs that were too inconspicuous to be singled out at a distance, but which to the careful and loving observer revealed themselves as full of beauty. She was fond of the faint, sweet scents of the opening flowers in spring, of the dying grass in fall, of the burning peat when fires broke out sometimes to smoulder until the next rain. She never thought about her feelings or phrased the matter to herself, but she loved so perfectly these wastes which seemed so desolate that they were to her as kindred and home; perhaps even the maternal instinct which is inborn[249] in every woman’s breast found some not quite inadequate expression in her almost passionate fondness for the great heath.

Her relatives spoke of her always as “odd,” and were aggrieved that her ways should be different from theirs; but everything that continues comes in time to be accepted, and as the years went on Ruth’s method of life came to seem proper because it had so long been the same. A brawny armed fisher cousin sailed over from the village every Sunday morning to see that all was well at the red house, and to bring whatever might be needed from the village store. Sometimes in winter he found her house half buried in snow, but he never could report that she appeared either discontented or sad.

It was of the coming of this emissary that Ruth was thinking on this Saturday night in September where first this record found her. She had been reflecting much to-day about dying. In her walk about the heath she had come upon a dead bird, and the sight had suggested to her her own end. She acknowledged to herself that she was old, and for perhaps the only time in her life her thought had formulated a general truth. She had regarded the tiny corpse at her feet, and then, looking about upon the moors, it[250] came over her how immortal is the youth of the world and how brief is man’s life. The land about her was no older than when she had looked upon it with baby eyes. For a single instant a poignant taste of bitterness seemed set to her lips; then in a moment the very wide, changeless plain that had caused her pain seemed itself somehow to assuage it.

To-night sitting here she admitted to herself that her strength had failed somewhat of late. Yes, she was old. It was almost half a century ago that that bold-eyed handsome stranger had compared the color in her cheeks to a clove pink. She smiled serenely, although her reflections were of age and death, so perfectly did she recall the sunny day and the air with which the sailor would have kissed her. Placid and content in the gathering dusk, she smiled her own grave, sweet smile, which it were scarcely too fanciful to liken to the odor of the clove pink of her garden-plot whose hue half a century ago had been in her cheek. She had but one regret in leaving life, and that was to leave her moorlands. She had found existence so pleasant and had been so well content that she could not understand why people so usually spoke of life as sad; but she could not think without pain of[251] leaving the plains behind and going away to lie in the bleak hillside graveyard where slept her kinsfolk. It had never occurred to her before to consider to which she held more strongly, her people or the wide brown stretches of open about her, but to-night she debated it with herself and decided it. She resolved to say to her cousin tomorrow that she wished her grave made in the plains. Very likely her relatives would object. They had always thought her ideas strange; but they would surely let her have her way in this. She would even make some concessions and perhaps let Cousin Sarah come to live with her if they would agree to do as she wished about this. It would be so great a comfort to her to be assured that she was not in death to be separated from her dearly loved moors. She liked Sarah well enough, only that it was so pleasant to live alone with her bees and the plains. Besides, if she should chance to die alone, who would tell the bees? It would be a pity to have the fine swarms lost.

Suddenly she started up in the dusk, and without knowing clearly why she did it, she wrote on the bottom of the list of errands which she always made on Saturday for her cousin her wish concerning her grave. The[252] spot she mentioned was a knoll near the house, where the ground rose a little before it dipped into the sea. She reflected as she wrote that it was wiser to be prepared for whatever could happen, and, although she would not own it frankly even in these lonely musings, Ruth had felt strangely weak and worn to-day.

She frugally blew out the candle when her writing was done, and with calm content sat down again in her rocking-chair by the window darkening to “a glimmering square.” She heard the sound of the sea and the low wind blowing over the wide plains; and, lulled by the soft sounds, she fell at last asleep.

The wind rose in the night, and it was afternoon when the cousin from the village came in sight of the red house. No smoke rose from its chimney, and as he tied his clumsy sail-boat to the low wharf where so long ago a yacht had been briefly fastened, a long wavering line of bees rose glistening from the straw-thatched hives, floating upward and away like the departing soul of mortal. Their mistress had been dead more than twelve hours and they had not been told. Perhaps it was a chance flight; perhaps they were seeking her serene spirit over the moors she loved so well.

Interlude Seventh.

THIRTEEN.

[The drawing-room of Mr. Sylvanus Potts Thompson, banker. Mr. Thompson and his wife, with ten guests, making a neat round dozen in all, are waiting the announcement of dinner. Enter Mr. Sylvanus Potts, a wealthy uncle from the country.]

Mr. Potts. I told the man there was no need to announce me; you knew I was coming next week, and a few days don’t matter. How do you do, nephew? how do you do, Jane?

Mr. Thompson. Why, uncle, we did not expect you so soon, but we are always glad to see you, of course.

[He takes him on his arm and presents him to his guests. While this is being done, a sentimental, elderly young woman, with thin curls, after whispering impressively with her neighbor, glides up to the hostess, and holds a moment’s conversation with that lady. Mrs. Thompson turns pale, and seems engaged in a mental calculation. Then she starts quickly toward her husband and draws him aside]

Mrs. T. What of it! Why, we can’t sit down to dinner with thirteen at table. Maria Smith says she should have a fit.

Mr. T. But what does Maria expect us to do about it? Turn Uncle Sylvanus out of the house? Wasn’t I named for him, and haven’t I always been his favorite? Do you want me to be left out of his will?

Mrs. T. But something must be done. Don’t you see everybody is whispering and counting? Can’t we get somebody else?

Servant (who has entered unperceived). There is a man downstairs, sir, wants you to sign something.

Mr. T. Ah, my dear, here’s the very man,—young Jones. He’s our new cashier, and a very clever fellow.

[Exit Mr. Thompson. During his absence Mrs. Thompson communicates to Miss Smith the solution of the difficulty at which they have arrived. Everybody[257] has soon heard of it, so that on Mr. Thompson’s return with Mr. Jones, the pair are greeted with much joking about the ill-luck which is thus averted. The necessary introductions take place.]

Mr. Jones. I am sure I am rejoiced at being instrumental in bringing good luck.

Mr. P. I am glad you found somebody, nephew; for I must say I never would have given up my dinner for a foolish superstition; and as I came last and uninvited—

Mrs. T. (relieved of her fears and remembering the will) You are always invited to this house, Uncle Potts; and we would never hear of your going away.

Mr. Robinson. Well, it is all very well to call it a superstition, you know; but I knew—

[Mr. Robinson proceeds to narrate a grewsome and melancholy tale, in which disaster and death resulted from the imprudence of sitting down with thirteen at table; half a dozen other guests begin simultaneously the relation of six more equally or even more grewsome and melancholy tales upon the same subject, when they are interrupted by the arrival of a note for Mr. Robinson.]

Mr. R. My dear Mrs. Thompson, I am so sorry,[258] but my brother has telegraphed for me to come to him at once on a matter of the utmost importance. I regret—

Miss S. But we can’t go to dinner now. Mr. Robinson is called away, and that leaves us thirteen again.

[An awful hush ensues, during which Mr. Robinson, finding himself regarded as a criminal, suddenly slips away, leaving the company to extricate themselves from their trying situation as best they can. The hush is followed by a Babel of voices, in which all sorts of suggestions are made.]

Mr. J. (with heroic and renunciatory self-denial) Let me speak, please, Mrs. Thompson. It was very kind in your husband to invite me to remain to dinner, but now that I shall be the thirteenth, I am sure you’ll excuse me.

Mrs. T. But it is more generous to deprive ourselves of Mr. Jones’s company than to be the means of bringing ill-luck upon him.

Mr. J. Quite right. I bid you good evening, Mrs. Thompson. I sincerely hope nothing further will occur to mar the pleasure of your evening.

[Mr. Jones having retired, a move is at once made toward the dining-room, but just as Mr. Thompson and Mrs. Brown reach the drawing-room door, they[259] are confronted by Mr. Robinson, who comes in breathless but triumphant.]

Mr. R. I thought it was so unkind of me to throw all your arrangements into confusion after the ill-luck of numbers you have already had, that I concluded to telegraph to my brother instead of going. Phew! How I have hurried! I am glad I am in time.

Mrs. Brown. Mr. Thompson, I positively cannot sit down at table with thirteen. My aunt died of it, and my second cousin. I am positive it runs in the family, and I know I should be the one to bear the consequence if we had thirteen at any table where I sat down.

[The greatest confusion follows. Miss Maria Smith is heard to declare that “Fate takes delight in persecuting her!” while young Algernon White mumbles something which has a distinct flavor of the Apostles’ Creed. Mr. Robinson shows a disposition to consider himself a most ill-used individual, thus to be rewarded for the trouble he has taken.]

Mrs. T. There is only one thing that I can think of; we can send across the street for Widow Ellis. You might go yourself and explain to her how it is.

[This suggestion being acted upon, the company settles into a solemn gloom, pending the return of the host with Widow Ellis. Every one knows the dinner will be spoiled, none being more acutely conscious of that fact than the hostess, and every one is nearly perishing[260] with hunger. More grewsome and melancholy stories are told, but in a wavering and subdued manner, as if they are being offered as excuses for resisting the cravings of appetite, which are rapidly becoming insupportable. Young White is heard to mutter, with fresh suspicions of theological terms, that one might as well die of thirteen at table as of starvation, and that for his part he prefers the former method of extinction. The return of Mr. Thompson with the Widow Ellis awakens some feeble enthusiasm, but it is evident that nothing short of a substantial dinner can restore the spirits of the company.]

Mr. P. Well, nephew, now I hope we may have some dinner. I, for one, am faint with hunger.

[At this juncture poor Mrs. Thompson, overcome with anxiety, fatigue, and hunger, produces a diversion by falling in a dead faint. The shrieks of Miss Maria Smith are re-enforced by those of other ladies of the company, and it is to be feared that Mr. Algernon White no longer enjoys the exclusive privilege of indulging in ecclesiastical references. The excitement usual upon such occasions reigns, and when at length Mrs. Thompson is restored to consciousness, but is found to be too ill to stand, and is borne off to her chamber, the company, once more reduced to thirteen, distributes itself in a stricken and overwhelmed state about the drawing-room, with the air of having ceased to struggle against an adverse fate.]

Mr. P. Thirteen or no thirteen, nephew, I’m going to have something to eat if it’s in this house.

[He disappears toward the dining-room, and as the resolution of Widow Ellis seems to have solved once more the dreadful conundrum of the fated number, the company hastily follow, too nearly famished to notice that the lady does not carry out her apparent intention of returning home, so that after all they sit down thirteen at table.]

Tale the Eighth.

APRIL’S LADY.

It was fortunate that when the editor of the “Dark Red” magazine first did me the honor to request a story from my pen, I had one ready for him, and one, moreover, with which I was so well satisfied. I had so long vainly desired to be really asked for a contribution, and thus raised from the numerous and indiscriminate company of scribblers who send hopeful manuscripts to the magazines, and in trembling uncertainty await the issue, that it is not strange my bosom swelled with gratified pride, and that I dispatched my copy with so perfect a sense of complacency that I almost seemed to condescend a little in letting the editor have it.

I was fond of that story. I experienced a certain delight in recalling the circumstances under which it was composed, and I felt in it that confidence which an author is sure to have in work which has sprung spontaneously, and as it were full-grown, from his[266] brain. Every literary worker, down to the veriest penny-a-liner of them all, knows the difference between a tale which makes itself, so to speak, growing unforced into beauty and completeness like a crystal, and a laboriously constructed piece of work, be it contrived never so ingeniously and cleverly. The fiction I sent to the editor of the “Dark Red” was of the former variety. It had come into my head all of itself, as the children say, while I was travelling between New York and Boston, so complete and so distinct that I scarcely seemed to have more to do with its creation than the later putting upon paper.

I had reached the Grand Central Station just in time to catch the morning train; and as the cars swept out into the daylight, I settled myself into a seat with a comfortable and something too self-satisfied feeling. In the first place, I was glad to be out of New York,—partly because it was hot and dusty there, partly because I am not over-fond of Gotham, and partly because sundry pleasant bachelor friends and divers good times were awaiting me at the Boston end of the journey.

I looked out upon the sunny landscape, over which the splendors of an April day[267] cast a glow of warmth and brightness, smiled at the remembrance of a retort I had made at the Century Club on the previous evening, which seemed to me rather neat, and then with a sort of mental nod of farewell to all the outside world I took up my book and prepared to follow the fortunes of the woful and wicked, but thoroughly charming French heroine with whose adventures I was at that particular time occupying myself. To my vexation, however, I discovered that instead of the second volume I had taken the first, and as I had no especial desire to peruse again the somewhat detailed account of the heroine’s youth, her career at school, her first confession and early marriage,—all these being preliminary to the impropriety and the interest of the book, which, after the reprehensible manner of French novels, began together,—I laid down the volume with a sigh, and resigned myself to a ride of unalleviated dulness.

A resource instantly presented itself, however, in the page which the lady in the seat before me was reading. As I glanced up I saw that she was entertaining herself with poetry, and the next moment a familiar line caught my eye:—

“Swinburne,” I mused, “or a collection of selected poems, perhaps. Wiseacres would say one ought to know what a reader is like by the book she reads; but in the first place that’s nonsense, and in the second place I don’t know what book she is reading. She has an exquisite ear, and her hair is something bewildering. ‘If you were April’s lady.’ April’s lady should be a capricious creature, all smiles and tears, with winning ways and wilful wiles,—impulsive and wayward, and thoroughly enchanting. It would not,”—my thoughts ran on in a professional turn, while my eyes dwelt appreciatively, if somewhat presumptuously, upon the lovely curve of my neighbor’s neck,—“it would not be a bad notion to write a story of such a maiden and call it ‘April’s Lady.’ Let me see, what should it be like?”

And upon this impulse I fell to pondering, when suddenly, as if by magic, a tale presented itself all complete in my mind. My mental action appeared to me more like that of remembering than of creating, so real and so complete was the pretty history. The self-willed, volatile damsel whose fortunes it concerned seemed one whom I had known, and whom I might meet again some day. In my mind she assumed, it is true, an outward[269] semblance similar to that of the lady before me, upon whose back I fixed my regards in an absorbed stare, which should have disturbed her could looks make themselves felt. She did not move, however, and as she did not turn the leaf of her book, I fancied she might have fallen into a reverie as deep as my own. I had not been able fully to see her face, although a lucky turn had given me a glimpse of a profile full of character and beauty, and which made me desire to behold more. I did not, however, trouble myself about the exact details of my heroine’s features, since every story-teller has a stock of choice personal charms with which to endow his fictitious children, but continued to gloat over my little romance; and so vividly was the tale of “April’s Lady” impressed upon my mind that although some weeks elapsed before I found time to put it upon paper, I had not the slightest difficulty in recalling even its most trifling incidents.

Almost the whole of my journey was taken up in turning the story over in my mind, and when we drew into the Boston station, and my neighbor closed her volume to begin the collection of her numerous feminine possessions, I had half a mind to lean forward and thank her for having given me, although unconsciously, so good a story.

It did seem to me, even after I had sent my manuscript off and the dreadful moment came when one realizes that it is too late to make changes and consequently thinks of plenty of things he wishes to alter, that “April’s Lady” was the best work I had ever done. I had let a month or two pass between its first writing and the final revision, and I was pretty well satisfied that I had produced a really capital story. I fondly hoped Mr. Lane, the editor of the “Dark Red,” would be moved by its excellence to give me further orders; and the eagerness with which I one morning tore open an envelope upon which I recognized his handwriting, may be easily enough imagined, at least by members of the literary guild. My impatience gave place to profound astonishment as I read the following note:—

I was utterly confounded. I racked my brains to discover who could possibly have stolen my story, and even suspected the small black girl who dusted my rooms, although the sooty little morsel did not know one letter from another. The first draft of the story had lain in my desk for some time, it was true, yet that any literary burglar should have forced an entrance and then contented himself with copying this seemed, upon the whole, scarcely probable. I ransacked my memory for some old tale which I might unconsciously have plagiarized, but I could think of nothing; and, moreover, I reflected that the coincidence of names certainly could not be accounted for in this way, even did I recall the germ of my plot.

I presented myself at the office of the “Dark Red” at the hour appointed with a clear conscience, it is true, but with positively no suggestion whatever to offer in regard to the method by which a copy of my story could have reached the editor in advance of my own manuscript.

Mr. Lane received me with the conventionally cordial manner which is as much a part of editorial duties as is the use of the blue pencil, and without much delay came to the business of the call.

“There is something very singular about this affair,” he said, laying out my manuscript, and beside it another which I could see was written in a running feminine hand. “If the stories were a little more alike, I should be sure one was copied from the other; as it is, it is inconceivable that they have not at least a common origin. Where did you get your idea?”

“Why, so far as I know,” I replied in perplexity, “I evolved it from my inner consciousness; but the germ may have been the unconscious recollection of some incident or floating idea. I’ve tried to discover where I did get the fancy, but without a glimmer of success. Who sent you the other version?”

“A lady of whose integrity I am as sure as I am of yours. That’s the odd part of it. Besides, you are both of you too clever to plagiarize, even if you weren’t too honest. The mere similarity of theme isn’t so strange; that happens often enough; but that the title of the stories should be identical, and that in each the heroine should be named May—”

“Is her heroine named May?” I interrupted in astonishment; “why, then, she must have seen my copy; or,” I added, a new thought striking me, “she must have got the name in the same way I did. I[273] took the title of the story and the name of the heroine from a line of Swinburne, and—”

“And,” interrupted the editor in turn, catching up the manuscript before him, “so did she.”

“Well,” I remarked, with a not unnatural mingling of philosophy and annoyance, “it is all of a piece with my theory that ideas are in the air, and belong, like wild geese, to whoever catches them first; but it is vexatious, when I captured a fancy that particularly pleased me, to find that some woman or other has been smart enough to get salt on its tail-feathers before I did.”

Mr. Lane smiled at my desperate air, and at that moment his little office-boy, whom I particularly detest because of the catlike stillness and suddenness of his movements, silently produced first himself and then a card.

“‘Agnes Graham,’” read Mr. Lane. “Here is your rival to speak for herself. I hope you don’t mind seeing her?”

“Oh, by no means,” I replied rather ungraciously. “Let us see what she is like, and what she will have to say about this puzzle.”

The name was not wholly new to me, as I had seen it signed to various magazine articles, concerning which at this moment I had only the most vague and general idea. I was sitting with my back to the door, and in rising I still kept my face half turned away from the lady who entered, but I saw the reflection of her face in a mirror opposite without any sense of recognition. As she advanced a step or two, however, and half passed me, I knew her. The delicate ear, the fine sweep of the neck, the knot of golden brown hair, were all familiar. It was the lady who had sat before me in the cars from New York on that April day.

As she turned in recognition of Mr. Lane’s introduction, a faint flush seemed to show that she too recognized me, although I was unable to understand how she should know me, since she certainly had not turned her head once in the entire journey. I set it down to pure feminine intuition, not having wholly freed myself from that masculine superstition which regards woman’s instinct as a sort of supernatural clairvoyance.

My sensations on discovering her identity were not wholly unlike those of a man who inadvertently touches a charged Leyden jar.

“Good heavens!” I exclaimed, “what a[275] psychological conundrum, or whatever you choose to call it. The whole matter is as plain to me now as daylight.”

“Well?” Mr. Lane asked, while Miss Graham regarded me with an air which seemed to question whether my insanity were of a dangerous type.

“Pardon me, Miss Graham, if I cross-question you a little,” I went on, becoming somewhat excited. “You came from New York on the morning train on Wednesday, the fifteenth—no, the sixteenth of last April, did you not?”

“Yes,” she answered, her color again a trifle heightened, but her appearance being rather that of perplexity than of self-consciousness.

and it occurred to you what a capital name for a story ‘April’s Lady’ would be?”

“Yes,” she repeated; and then, with a yet more puzzled air, she turned to Mr. Lane to ask, “Is this mind-reading?”

“I’m sure I don’t know,” returned he. “Mr. Gray can best tell what it is.”

“And the rest of the way to Boston,” I continued, ignoring the interruption, “you[276] were elaborating your story. You took the heroine’s name from the same line, and had a pun at the climax about the hero’s becoming ‘lord of May.’”

“No,” Miss Graham retorted, beginning to enter into the spirit of the situation. “I deny the pun, although I acknowledge the rest. The pun I didn’t even think of.”

“Well, you see I haven’t read your manuscript, but I own I fell so low that I put in the pun myself. At least the old gentleman with a scar on his cheek, who sat in the corner of the car, gave you hints for—”

“The uncle,” broke in Miss Graham, with a gleeful laugh at the remembrance of the oddity of the old gentleman’s appearance. “But how in the world did you know?”

“Oh, he did me. We evidently had the same mental experience; which proves, I suppose, that we are literary Corsican brothers or something of the sort.”

“But the great question to be settled is,” Mr. Lane observed, bringing in, after some further talk, the editorial consideration, “whose story this really is.”

“Miss Graham’s, by all means,” I said instantly. “Hers was first in the field, and if I hadn’t impertinently looked over her shoulder, I shouldn’t have had any share in it whatever.”

Miss Graham laughed, showing a delicious dimple, and Mr. Lane, who evidently had no desire to settle the question under discussion, looked inquiringly at her for a response to my words.

“You are very generous, Mr. Gray,” she answered; “but in the first place my story has never been accepted for the ‘Dark Red,’ and in the second, as the stories really ought to stand on their merits, I shall certainly not venture to put mine into competition with yours, but prefer to pocket my manuscript and retire.”

“I fear,” was my reply, “that I discover rather a tendency to sarcasm in what you say than any true humility. Of course the first point is one for Mr. Lane to settle.”

The editor cleared his throat with some embarrassment, but before he found the words he wanted, Miss Graham spoke again.

“I had not the slightest idea of being sarcastic, for, of course, it goes without saying that your story is better than mine; but since you choose to take it in that way, I am willing to leave the whole matter to Mr. Lane. He is at least the only person who has read both manuscripts.”

“Really,” Mr. Lane said, thus pushed into a corner, “I am extremely sorry to find myself[278] placed in so trying a situation. There are points in which each story excels, and the best result would undoubtedly be attained by welding them together.”

“Now, in Mr. Gray’s version,” he continued, “the heroine is more attractive and real.”

“That,” I interpolated, trying to cover the awkwardness I felt by a jest, “is the first time in all my literary experience that the character I thought best in a story I’d written has seemed so to the editorial mind.”

The dark eyes of my neighbor gave me a bright, brief glance, but whether of sympathy with my statement or of contempt for the feebleness of my attempts at being jocose, I could not determine.

“While Miss Graham,” went on the editorial comment, “has decidedly the advantage in her hero.”

Miss Graham flushed slightly, but offered no remark in reply to this opinion beyond a smile which seemed one of frank pleasure. We sat in silence a moment, a not unnatural hesitancy preventing my making a proposition which had presented itself to my mind.

“If it will not seem impertinent to Miss Graham,” I ventured at length, “I would propose that we really do try the experiment of collaboration on this story. I have never worked with anybody, but I promise to be tractable; and the thing had so odd a beginning that it is a pity to thwart the evident intention of destiny that we shall both have a hand in it.”

To this proposition the lady at first returned a decided and even peremptory negative; but my persuasions, seconded by those of Mr. Lane, who was partly curious and partly anxious to escape from the necessity of arbitrating in the matter, in the end induced her to alter her decision.

The result of the interview was that when we left the office of the “Dark Red” Miss Graham had my manuscript and I hers, and that an appointment had been made for my calling upon her with a view to an interchange of comments and criticisms.

Upon the appointed evening I presented myself at the home of Miss Graham, and almost without the usual conventionalities concerning the weather we proceeded to discuss the stories. We began with great outward suavity and courtesy the exchange of compliments, which were so obviously formal and[280] perfunctory that in a moment more we looked into each other’s faces and burst into laughter which if hardly polite was at least genuine.

“Come,” I said, “now the ice is broken and we can say what we really think; and I must be pardoned for saying that that hero of yours, whom Mr. Lane praised, is the most insufferable cad I’ve encountered this many a day. He can’t be set off against that lovely girl in my story. Why, the truth is, Miss Graham, I meant her to be what I fancied you might be. She’s the ideal I built up from seeing you in the cars.”

“I must say,” Miss Graham retorted with spirit, “that if you meant that pert heroine of yours for me, I am anything but complimented.”

“It is a pity, then, that you didn’t intend your hero for me, and we should have been more than quits.”

“Good heavens!” I exclaimed, “he does have my eyes and beard; but you didn’t see me. It isn’t possible—”

“But it is,” interrupted she, desperately. “With a mirror in the end of the car directly before me all the way from New York, do you suppose I could help seeing[281] you! I’m sure you kept your eyes on me steadily enough to give me a good excuse.”

I whistled rudely; whereat she looked offended, and we went on from one thing to another until we had got up a very respectable quarrel indeed. There is nothing more conducive to a thoroughly good understanding between persons of opposite sex than a genuine quarrel; and having reached the point where there was no alternative but to separate in anger or to apologize, we chose the latter course, and having mutually humbled ourselves, after that got on capitally.

“It is my deliberate conviction,” she observed, when we at length got upon a footing sufficiently familiar for jesting, “that this story is really mine, and that you purloined it from me by some mysterious clairvoyance.”

“That may be,” I admitted. “I once guessed that a man was a bartender by the way he stirred his coffee at the steamer table, and that got me a very pretty reputation as a seer for a day or two; and very likely the truth is that I was all the time a mind-reader without knowing it.”

She smiled good-naturedly—more good-naturedly, indeed, than the jest deserved; and from that moment our acquaintance got on famously. The story was far from advancing[282] as rapidly, however. A very brief time sufficed to reduce both versions of “April’s Lady” to hopeless confusion, but to build from the fragments a new and improved copy was a labor of much magnitude. Circumstances moreover, conspired to hinder our work. It was necessary that we verify our impressions of material we had used, and to do this we were obliged to attend the theatre together, to read together various poems, and together to hear a good deal of music. A little ingenuity, and a common inclination to prolong these investigations, effected so great a lengthening out that it was several months before we could even pretend to be ready to begin serious work upon the story; and even then we were far from agreeing in a number of important particulars.

“Agnes,” I remarked, one February evening, when we were on our way home from a concert to which we had boldly gone without even a pretence that it was in the remotest way connected with our literary project, “I fear we are becoming demoralized, and it seems to me the only hope of our ever completing ‘April’s Lady’ is to put everything else aside for the time being and give our minds to it. I can get my work arranged, and you can finish those articles for ‘The[283] Quill’ by the middle of March. Then, we can be quietly married and go to some nice old-fashioned place—say St. Augustine—for a couple of months and get this magnum opus on paper at last.”

“As to being married,” returned she sedately, “have you considered that we could not possibly make a living, since we should inevitably be always writing the same things?”

“Why, that is my chief reason,” I retorted, “for proposing it. Think how awkward it is going to be if either of us marries somebody else, and then we write the same things. It is a good deal better to have our interests in common if our inventive faculty is to be so.”

“There is something in what you say,” Agnes assented; “and it would be especially awkward for you, since the invention is in my head.”

Whether she did think of it for a minute is a point which may be left for the settling of those versed in the ways of the feminine mind; certain it is that the programme was carried out—except in one trifling particular. We were quietly married, we did go to St. Augustine, but as for doing anything with[284] the story, that was quite another thing. We did not finish it then, and we have not finished it yet, and I have ceased to have any very firm confidence that we ever shall finish it; although, whenever arises one of those financial crises which are so painfully frequent in the family of a literary man, and we sit down to consider possible resources, one or the other of us is sure sooner or later to observe:—

Interlude Eighth.

A CUBAN MORNING.

[Scene, the shady piazza of the hotel at Marianao, Cuba. Time, nine o’clock on a hot March morning. Miss Peltonville and Arthur Chester tête-à-tête.]

She. Yes? And so you came to Marianao, where nobody comes at this time of year, in order that you might be perfectly safe from an encounter, I suppose.

She. Do you speak the truth so seldom, then? Is there no dependence to be put on what you say?

He. None whatever; otherwise I should be continually hampered by the necessity of conforming my actions to my words. You can see yourself how inconvenient that would be.

She. For one who has had so little practice, very likely; but then you would find it a novel experience, I have no doubt.

He. Ah, you have given me an idea. I’ll try it when all other novelties in life are exhausted.

She. Don’t put it off too long, or from the force of habit you may find it impossible.

He. Since you are here yourself, you might be supposed to regard the place as sufficiently interesting to attract the traveller.

He. And consequently I am in love with you, as I did myself the honor to mention before you left New York.

He. Oh, it is only one way out of many; I assure you I have quantities of ideas upon the subject, all founded upon experience. I loved Lottie Greenwell because she made a glorious champagne cup. Indeed, for ten days I positively adored her, until one night she put in too much curaçoa, and I[289] realized how uncertain a foundation my passion had. Then there was Elsie Manning. My passion for her was roused entirely by her divine waltzing, but I realized that it isn’t good form for a man to waltz with his wife, and I stood a much better chance if she married some other man. After that came Kate Turner; she writes so fascinating a letter that I lost my heart every time I saw her handwriting on the back of an envelope, although perhaps that feeling you would call only a fancy, since nobody would think of marrying on a virtue that is sure to end with the wedding. A wife never writes to her husband about anything but the servants and the payment of her milliner’s bills; so my flirtation with her wouldn’t really count as a love affair.

He. Then there was Miss French. I loved her because she snubbed me,—just as I loved Nora Delaney for her riding, and Annie Cleaves for her music.

She. And now you love me, I am to understand, as suited to the position of court jester to your Royal Highness.

He. Oh, yes; life is very dull otherwise; and besides, I have always thought it very stupid to marry without having been in love a dozen times at least. One is apt to lose his head otherwise;[290] and how can he judge of the value of his passion without having had a good deal of experience?

He. Every bachelor is a marrying man. It is only a question of finding a convenient wife.

He. You are amazingly pretty when you toss your head that way. It is worth coming from New York to see.

She. It is well you think so; otherwise you might consider your voyage a waste of time.

He. I supposed that with your sex the fact of my amazing attachment would be a sufficient reason.

She. Your knowledge of our sex is then remarkably limited. Apparently, whether I happen to love you is of no particular consequence.

She. But you love me, you say, because I amuse[291] you. Now you don’t amuse me in the least, and as I do not know just how to cultivate a passion simply on the rather doubtful ground of your affection, especially with the chance of its being transient, there really seems to be very little chance of reciprocity.

He. But you make it very hot for me! How picturesque that ragged fellow over there looks, riding on the top of his high saddle.

She. With a string of mules tied to his horse’s tail. I am fond of the mules, their bells are so musical.

She. And the muleteers sing such weird songs. I hear them going by about four o’clock in the morning, on their way to the Havana market, and the effect is most fascinating.

He. A fellow feeling is said to have a softening effect, and the mule’s strongest characteristic is—

He. And as I was about to remark, we are apt to value others most for the virtues we do not ourselves possess.

She. Really, you begin to amuse me. Please go on; I would like to try falling in love on the amusement plan; it must be very droll.

He. Oh, bother the amusement! Like the young ladies in novels, I would be loved for myself alone.

She. I fear that would be more difficult than the other way. What have you ever done to make me admire you?

He. I have managed to find you at Marianao, and bring about a tête-à-tête before I have been here fifteen hours.

She. Yes; it isn’t much, and you have done it before. But as you say, it is certainly something.

He. You are always flattering! Really, one wouldn’t have expected you to be light now, when it is my deepest affections and all that sort of touching thing with which you are trifling.

He. Of course; so are you; so is everybody. Civilization is merely the apotheosis of humbug.

She. My friend, that trick of striving after epigram is fast making you as bad as a confirmed punster.

He. Still, it is all true. I am a humbug in proposing to you; you, if you reject me—

He. Oh, no; I have to be genuine occasionally, for the sake of contrast. The humbug was in asking you to marry me, and I wouldn’t have had you say yes for the world.

She. I never suspected you of insanity, Mr. Chester. Am I to infer that the climate of Cuba, or the wines—

He. Oh, neither, I assure you. Besides, Cuba has no wines, as you ought to know. Now, see; I’ll do you the rare honor of telling you the truth. Of course, you are at liberty to believe it or not, as you please; and very likely you won’t, because it happens to be as true as the Gospel, revised version. Some days since, I asked Annie Cleaves to marry me.

She. What particular thing had she been playing to rouse you to that point of enthusiasm?

He. If my memory serves me, it was the Chopin Nocturne in G minor. She did play extremely well, and as we happened to be in the conservatory afterward, I improved the opportunity to propose.

He. It is a form of words that comes very readily to my lips, as you know. Annie confessed to that very superfluous and old-fashioned sentiment called love, which wasn’t in good form, I’ll admit; but in consideration for the object of her attachment, and the fact that on that particular evening I was in love myself, I managed to overlook it.

He. Very likely she didn’t. Your sex very seldom do appreciate masculine virtues; but Annie has a far more old-fashioned and worse vice than love. Why, the girl, in the midst of these enlightened nineteenth-century days, actually goes to the nonsensical bother of keeping a conscience! It must be more trouble to attend to, Agnes, than her aunt Wheeler’s seven pet poodles and three red-headed parrots.

She. I suppose you are right. You don’t speak from experience, though, do you?

He. Oh, no; I never had a conscience: as a boy, I preferred white mice; now I have my horses, you know.

He. Well, on my confessing how far I had carried my flirtation with you— I can’t, for the life of me, tell how I happened to speak of it; I am usually more discreet.

He. Oh, I am, I assure you; but the loves are so numerous, while I am but one, that they sometimes get the better of my discretion. What is one among so many?

He. Well, to continue, Annie actually seemed to think that you had some sort of claim upon me. Fancy!

He. Oh, of course not. Why, I have offered myself to dozens of girls, with no more idea of marrying them than I have of becoming a howling dervish; and more than that, I have habitually been accepted. That is one thing about you that attracted me, do you know? There is a beautiful novelty about being rejected.

She. So that is the secret of my amusing you, is it? You ought to have explained this to Annie.

He. Oh, she wouldn’t have understood. Like every other girl, ’twas the personal application that[296] she was touched by. You see she didn’t know the other girls, and she did know you; and she seems to think your no more binding than any other person’s yes. Perhaps she knows that a woman’s negative—

She. Really, Arthur, that’s so hackneyed that if you haven’t the gallantry not to say it you ought to be ashamed to repeat anything so stale.

He. Perhaps you are right; I have known you to be on very rare occasions. However, Annie insisted that I should come, and, as she said, “assure myself of your sentiments and of my own.” Did you ever hear anything more absurd? As if I didn’t know, all the time, that you were dying for me; and as if I—despite my mad and overpowering passion for your lovely self, Miss Peltonville—couldn’t tell as well in New York as in Cuba whether I wanted to marry her or not.

She. If you were no better informed of your own sentiments than of mine, I don’t wonder she doubted your conclusions.

She. At least, Annie may set her mind quite at rest, so far as I am concerned.

He. Oh, I was confident of my ability of putting the question so that you wouldn’t.

She. Well, I wish Annie joy of her bargain. She is worthy of a better fate; and since we are talking frankly, I must say that what she can see in you I can’t imagine.

He. These things are so strange; there is no accounting for them. Why, I have been perfectly puzzled—do you know?—ever since I came last night, to tell what I found in you last winter.

She. Since we seem to be striving to outdo each other in abuse, it is quite in keeping for me to add, that I have no occasion to bother my head on such a question, for I never pretended to have found anything in you.

He. But then, as I said, you amused me; and one may sometimes be so far amused that—

She. His amusement may even amount to astonishment, perhaps; and, by the way, that gentleman on the gray horse, just coming between the China laurels with papa, expects to marry me.

He. Fred Armstrong, by all that is unspeakable! Agnes Peltonville, I humble myself in the[298] dust before you; and no humiliation could be greater than going down into Cuban dust. You are an angel; you have removed my last fear.

He. I was always jealous of Fred Armstrong; he was forever dangling about Annie. Do I understand that you are engaged?

She. Oh, I didn’t say that I expected to marry him; but since Annie confesses such a strong attachment to you—

[They sit confronting each other in silence a moment, until the riders, having dismounted, are seen approaching the piazza. Then Chester leans forward impulsively, and speaks with a new intensity.]

He. No, no more nonsense; I am in dead earnest now. You know I couldn’t live without you, or I shouldn’t have followed you to Cuba.

He. Oh, if you had a letter from her yesterday, you must know she’s engaged to Bob Wainwright. Is it yes?

She. (rising.) It would be a pity that you should have come so far for nothing.

[As he rises also he manages to catch her hand, which he clasps joyously before the pair go forward to meet the new-comers.]

He. I hope you had a pleasant ride, Mr. Peltonville? I like Marianao so well that I have concluded to remain a while.

Tale the Ninth.

DELIA GRIMWET.

To an ordinary observer, nothing could be more commonplace than Kempton, a decrepit little apology for a village, lying on the coast of Maine. Properly speaking, however, no sea-port can be utterly commonplace, with its suggestion of the mystery of the sea, the ships, the sailors who have been to far lands, the glimpses of unwritten tragedies on every hand. But among sea-side villages Kempton was surely dull enough, and dry enough, and lifeless enough,—as if the sea-winds had sucked its vitality, leaving it empty and pallid and juiceless, like the cockle-shells which bleached upon its sandy beaches.

Yet Kempton had one peculiarity which marked it as singular among all New England towns. It had a woman to dig its graves.

Its one church stood stark and doleful upon the hill at whose foot lay the rotting wharves; and back from the church stretched the church-yard in which the Kempton dead took their long repose, scarcely more monotonous[304] than their colorless lives. The sexton, digging their last resting-places in the ochery loam, might look far off toward the sea where they had wrested from the grudging waters a scanty subsistence; and the dead wives, if so be that their ears were yet sentient, might lie at night and hear below the beat of the waves which afar had rolled over the unmarked graves of their sailor husbands.

To and fro among the grass-grown mounds the sexton went daily, quite unmindful of being the unique feature of Kempton by belonging to the weaker sex. With masculine stride and coarse hands, her unkempt locks blown by the salt winds, the woman went her way and did her work with a steadfastness and a vigor which might have put to shame many a man idling about the boats under the hill. She was not an old woman,—not even middle-aged, except with the premature age of toil and sorrow; but the weather-beaten face, the stooping shoulders, and the faded hair made her seem old. To look at her, it was difficult to realize what her youth could have been like, or to call up any image of sweet or gracious maidenhood in which she could have shared.

It was a gray November day. The white-caps made doubly black the dark waves of[305] the bay, and the bitter wind blew freshly through the withered grass and stubble, chasing the faded leaves over Kempton Hill until they rushed about the old meeting-house like a flight of terrified witches. A stranger was driving slowly up the road from the next town in an open carriage, and as he came to the top of the hill he drew rein before the church and looked about him.

His gaze was not that of one who beheld the scene for the first time. He gazed down at the irregular houses under the hill, cuddled like frightened and weak-kneed sheep. He looked over the bay to the lighthouse, looming ghastly and white against the dark sea and sky. His glance took in all the details of the picture, cold and joyless, devoid alike of warmth and color. He shivered and sighed, his brows drooping more heavily yet over his dark piercing eyes, and then turned his gaze to objects nearer at hand.

Close by was the stark church, with weather-beaten steeple, wherein half a dozen generations of Kempton women,—the men, for the most part, being at sea,—had worshipped the power of the storm, praying more for the escape from evil of the absent than for good to themselves. Beyond the church appeared the first headstones of the[306] graveyard, the ground sloping away so rapidly that little more than the first row of slate slabs was visible from the street. With another shiver Mr. Farnsworth (for by that name the gentleman played his part upon this world’s stage) got down from his carriage, fastened his horse, and walked toward the stones, whose rudely chiselled cherubs leered at him through their tawny rust of moss with a diabolic and sinister mirthfulness.

As Mr. Farnsworth opened the sagging and unpainted gate of the enclosure, he became aware that the place was not empty. The head and shoulders of a human being were visible half-way down the hill, now and then obscured by the dull-reddish heap of earth thrown up from a partially dug grave.

The visitor made his way down the irregular path, so steep as to be almost like a rude flight of stairs, and as he neared the worker, he suddenly perceived, with something of a shock, that the grave-digger was a woman. She worked as if familiar with her task, a man’s battered hat pushed back from her forehead, over which her faded hair straggled in confusion, and across which certain grimy streaks bore witness that she had not escaped the primal curse, but labored in the sweat of her brow.

Kempton’s peculiarity in the matter of its sexton had not come to the knowledge of the stranger before, although he once had known the village life somewhat intimately. He regarded the woman with a double curiosity,—to see what she was like and to discover whether perchance he had ever known her. He paused as he neared her, resting one nicely gloved hand upon a tilted stone which perpetuated the memory and recorded the virtues of a captain who reposed in some chill cave under the Northern seas. Some slight sound caught the ear of the sexton, who until then had not perceived his approach; she looked up at him stolidly, and as stolidly looked down again, continuing her work without interruption. If there remained any consciousness of the strangeness of her occupation, or if there stirred any womanly shame to be so observed, they were betrayed by no outward sign. She threw up the dull-yellow earth at the feet of the new-comer as unmoved as if she had still only the dwellers in the graves as companions of her labor.

“Don’t you find this rather hard work, my good woman?” the gentleman inquired at length, more by way of breaking the silence than from any especial interest.

To this very obvious remark she returned no answer, a stone to which she had come in her digging seeming to absorb all her attention. She unearthed the obstacle with some difficulty, seized it with her rough hands, and threw it up at the feet of the stranger, who watched her with that idle interest which labor begets in the unconcerned observer.

The woman looked up with some interest at this indication that the other had some previous acquaintance with Kempton and its people. She did not, however, stop her labor, as a man would probably have stopped.

“Yes,” she said. “He’s buried over yonder,—there beyond the burdocks.”

The gentleman changed his position uneasily. Some subtile disquietude had arisen to disturb his serenity. The wind rustled mournfully among the dry leaves, the pebbles rattled against the spade of the grave-digger,[309] increasing the sombreness of a scene which might easily affect one at all susceptible to outward influences. In such an atmosphere a sensitive nature not unfrequently experiences a certain feeling of unreality, as if dealing with scenes and creatures of the imagination rather than with actualities; and Farnsworth, whatever the delicacy of his mental fibre, was conscious of such a sense at this moment. He hastened to speak again, as if the sound of his own voice were needed to assure him of the genuineness of the place and scene.

“But how long has he been dead?” he asked. “And his daughter; what became of her?”

The grave-digger straightened herself to her full height; brushing back her wind-blown hair with one grimy hand, she raised her face so that her deep-set eyes were fixed upon the questioner’s face.

“So you knew Delia Grimwet?” she said. “When was you here before? It’d go hard for you to make her out now, if it’s long since.”

“Yes,” the sexton replied, suddenly sinking back into the unfinished grave as a[310] frightened animal might retreat into its den. “Yes; she lives in the old place.”

He recoiled a step, as if the mention of a child startled or repelled him. Yet to a close observer it might have seemed as if he were making an effort to press her with further questions. If so his courage did not prove sufficient, and he watched in silence while the woman before him went steadily on with her arduous work. Presently, however, he advanced again toward the edge of the pit, which was rapidly approaching completion under her familiar labor.

“Should I find her at home at this time?” he inquired. “Or would she be out at work?”

“She’s out, most likely,” she replied in a muffled voice. “She’ll be home along about sundown.”

Farnsworth lingered irresolutely a moment or two, as if there were many things concerning which he could wish to ask; but, as the woman gave him no encouragement, he turned at last and climbed the slippery, ragged path up to the church, untethered his[311] horse, and drove slowly down the hill to the village.

Cap’n Nat Hersey was just coming out of the village store, and to him Farnsworth addressed an inquiry where he might find shelter for himself and horse.

“Well,” the cap’n responded, with the deliberation of a man who has very little to say and his whole life to say it in, “well I dunno but ye might get a chance with Widder Bemis, an’ I dunno as ye could; but there ain’t no harm trying, as I knows of.”

Further inquiry regarding the whereabouts of the domicile of the Widow Bemis led to an offer on the part of Cap’n Hersey to act as pilot to that haven. He declined, however, to take a seat in the buggy. The Cap’n had his own opinion of land-vehicles. A man might with perfect assurance trust himself in a boat; but, for his own part, the cap’n had no faith in those dangerous structures which roam about with nothing better than dry land under them. He walked along by the side of the carriage, conversing affably with the stranger under his convoy.

“Isn’t it a queer notion to have a woman for a sexton?” Farnsworth asked, as they wended along.

“Well, yes,” the captain returned reflectively.[312] “Yes, it is sort of curious. Folks mostly speaks of it that comes here. It is curious, if ye look at it that way. But it all come about as natural as a barnacle on a keel. Old Sexton Grimwet kept getting considerable feeble, and Dele she took to helping him with his work. She was sort of cut off from folks, as ye may say, owing to having a baby and no father to show for it, and she naturally took to heaving anchor alone, or leastways along with the old man. And when the old man was took down with a languishment, she turned to and did all his work for him,—having gradually worked into it, as you may say.”

The cap’n paused to recover from his astonishment at having been betrayed into so long a speech; but, as the stranger had the air of expecting him to continue, he presently went on again:

“There was them that wanted her turned out when old Grimwet died. Some said a woman of that character hadn’t ought to have no connection with the church, even to digging its graves. But Parson Eaton he was good for ’em—I’ve always noticed that when these pious men gets their regular mad up they most generally have things their own way; and he preached ’em a sermon about[313] the Samaritan woman, and Mary Magdalene, and a lot more of them disreputable Scripture women-folks, and, though he never mentioned Dele by name, they all knew what he was driving at, and they wilted. ’Twas a pitiful sight to see the girl a-digging her own father’s grave up there. Me and Tom Tobey and Zenas Faston took hold and finished it for her.”

They moved on in silence a moment or two. Farnsworth’s gaze was fixed upon the darkening bay, and no longer interrogated his companion; but the latter soon again took up his narrative:—

“’Twas well the parson stood up for Dele, too; women-folks is so cussed hard on each other. They wouldn’t ha’ let the girl live, I believe. I always were of the notion there warn’t no harm in Dele. Some —— city chap got the better of her. She never was over-smart, but she was awful pretty; and I never believed there was any harm in her. At any rate, she digs a grave as well as a man, and I guess them that’s in ’em don’t lay awake none thinking who tucked ’em in.”

The house of the Widow Bemis was by this time reached, and that estimable lady, who in the summer furnished accommodations to a boarder whenever that rare blessing was to be secured in Kempton, readily undertook[314] the charge of Mr. Farnsworth and his horse for the night. The latter was given into the care of her daughter, for the frequent absences of the men had accustomed the damsels of Kempton to those labors which in inland villages are more frequently left to their brothers; and Farnsworth strolled off toward the wharves, leaving the widow Bemis and Cap’n Hersey in an agony of curiosity in regard to himself and his errand.

Whatever may have been Farnsworth’s feelings at the discovery that the daughter of the dead sexton and the woman of whom he had asked tidings of her were identical,—and they must have been both deep and strong—he had given no outward sign. But now the settling of his brows, and the disquiet apparent in his eyes betrayed his inward conflict. He strolled out upon one of the rotting wharves about which the tide lapped in mournful iteration, folded his arms upon a breast-high post, and stood gazing seaward.

The retrospect which occupied his mind was scarcely more cheerful than the gray scene which spread before his eyes. How awful are the corpses of dead sins which memory casts up, as the sea its victims! The betrayal of a woman is a ghastly thing when one looks back upon it stripped of the[315] garlands and enchantments of passion and temptation; and to Farnsworth, with the image fresh in his rememberance of that faded, earth-stained woman digging a grave upon the bleak hillside, the fault of his youth seemed an incredible dream which only stubborn and stinging memory converted into a possibility. A retrospect is apt to be essentially a plea for self against conscience; but in his gloomy revery Farnsworth found scant excuse for the wreck he had made of the life of Delia Grimwet. He had gone away, married, and lived honored and prosperous. He would have forgotten, had not some nobility of his nature prevented. With the stubbornness of his race, he had fought long and determinedly against his conscience, but he had been forced to yield at last. The death of his wife, to whom he had been tenderly attached, had at once left him free to make such reparation as might still be possible, and had softened him as only sharp sorrow can. He had come to Kempton with the determination of finding Delia, and of doing whatever could be done, at whatever cost to himself.

He had been unprepared, however, for the woman he found. He had left a fresh, beautiful young girl; ten years had transformed[316] her into a repulsive old woman. He had no means of adequately measuring the force of the storms of scorn and poverty and sorrow which had beaten upon Delia Grimwet in the years that had made of him the cultured, delicately nurtured man he was. What man ever appreciated the woe of the woman he betrays? Indeed, what measure has a man of the sorrow of any woman? Farnsworth had painfully to adjust himself to a condition of affairs for which he should have been prepared, yet which took him absolutely by surprise.

He lingered upon the bleak wharf, unconsciously the object of much mildly speculative curiosity, until the twilight began to fall. Then with a shiver, no less of mind than of body, he shook off his painful abstraction, and turned his steps toward the path, once well known, which led to the house of Delia Grimwet. It seemed to him, as he paused a brief instant with his hand upon the old knocker, as if nothing here had changed in ten years. The sunlight would have shown him traces of decay, but in the gathering dusk the house seemed a pallid phantom from the past, unchanged but lifeless.

But his knock at once destroyed all illusions, since it summoned the woman who[317] belonged not at all to that past which he remembered, but to the pitiful and too tangible present. She held her guttering candle up without a word, and, having identified him, made him, without speaking, a signal to enter.

When Farnsworth had left her in the afternoon, Delia crouched in the bottom of the grave she was digging, her first feeling being an unreasoning desire for concealment. She thought she should remain passive if the sides of the pit collapsed and buried her. In the old days before her boy was born she had been night after night out on the old wharves, praying for courage to drown herself. After the child came, her feelings changed, and she longed only to escape and to take her son away from the scorn and the sordid life which surrounded them. Gradually she had become hardened; hers was one of those common natures to which custom and pain are opiates, mercifully dulling all sensibilities. To-day the appearance of her betrayer had revivified all the old impressions, and for a moment seemed to transport her to the early days when her anguish was new. The keenest pangs of sorrow stabbed her afresh, and she lived again the bitter moments of her sin and shame. Her instinct was to flee from the man whose presence meant to her only pain.

But habit is strong, and presently the fading light reminded the sexton that her work was still unfinished, and that Widow Pettigrove, who was past all earthly tribulation, must have her last bed prepared, whatever the woe of the living woman who worked at it with trembling hands and a sensation as if a demon had clutched her by the throat. Yet work was not unmerciful; it brought some relief, since it served to dilute the thought which rushed dizzyingly to her brain, and by the time her toil was completed she was steadier. When she opened the door to Farnsworth she was not unlike her usual stolid self. She perceived at a glance that he had learned who she was, and she hoped in a blind, aching way, that he had not betrayed his presence to the neighbors, thus to re-awaken all the old stinging flight of bitter words.

Farnsworth followed Delia into the kitchen, without even those greetings which habit renders so involuntary that only in the most poignant moments are they disregarded. With their past between them it was not easy to break the silence. Farnsworth seated himself, and the woman stood regarding him. There was in her attitude all the questioning, all the agony, of her years of suffering. Her[319] wrongs and her sorrows gave her a dignity before which he shrank as he could not have quailed under the most withering reproaches. Whatever words he would have spoken—and no man can come deliberately to so important a crisis without formulating, even if unconsciously, the plea which his self-defence will make—were forgotten, or seemed miserably inadequate now. What were words to this woman, pallid and worn before her time with privation, anguish, and unwomanly toil? The contrast between his rich and careful dress and her coarse garb, between his white hands and her knotted fingers, between his high-bred, pale face and her cowed, weather-beaten countenance, was too violent not to be apparent to them both,—as if they were in some strange way merely spectators looking dispassionately at this wretched meeting of those who had once been passionate lovers.

With each moment the silence became more oppressive; yet as each moment dragged by it became more difficult to break the stillness. Only a man utterly devoid of remorse or feeling could have framed upon his tongue commonplace phrases at such a time. It seemed to Farnsworth as if he were brought to judgment before the whole universe. His throat became parched. He[320] longed to have the candle and the flames flickering in the old fireplace go out in darkness, and take from his sight the Nemesis that confronted him.

She wavered as she stood, putting out her hand as if reaching for support. Then she half staggered backward into a chair.

“There is nothing I can say!” Farnsworth went on vehemently. “There is nothing I can do! I came here dreaming of making reparation; but there is no reparation I can make. There is nothing that can change the past,—nothing that will undo what I have done to you. Oh, my God! How little I dreamed it would be like this!”

But the words rebuked him before they were spoken. He buried his face in his hands, and again they were silent. What the woman,—this woman who had never been able to think much, even in her best days, and who now was blunted and dulled almost to stupidity,—what she felt in those[321] bitter moments, who can tell? The man’s soul was a tumult of wild regret and unavailing remorse, while she waited again for him to speak.

“But,” Farnsworth said at length, a new idea seizing him, “but the—our child, Delia? The boy?”

A shuddering seized her. Unused to giving way to her emotions, she was torn by her excited feelings almost to the verge of convulsions. She clutched the arms of her chair and set her teeth together. In her incoherent attempts at thought, as she had delved among her graves, there had occurred to her the possibility that the father might sometime take his child from her. Now this fear possessed her like a physical epilepsy. Twice she tried to speak, and only emitted a gurgling sound as if strangling. He sprang toward her, but a sudden repulsion gave her self-control. She put out her hands as if to ward him off.

“Oh, my boy, my boy!” she cried, breaking out into hysterical sobs. “My boy, my boy!”

She wrung her hands, and twisted them together in fierce contortions which frightened Farnsworth; but she still would not allow him to approach her. She struggled[322] for composure, writhing in paroxysms dreadful to see.

“Oh, my child!” she cried out, in a tone new and piercing; “no, no! not him! Oh, God! You cannot have my boy!”

He had not considered this. Indeed, so different was everything he found from everything he had expected, that whatever he had preconsidered was swept out of existence as irrelevant. He was confronted with a catastrophe in which it was necessary to judge unerringly and to act instantly, yet which paralyzed all his powers by its strangeness and its horror. He groped his way back to his chair and sat down, leaving the silence again unbroken save by her convulsive breathing and his deep-drawn sighs.

“He is coming!” she gasped hoarsely. “I sent him away; but he has come back. He could not keep away, my beautiful boy.”

Her face was illumined with a love which wellnigh transfigured it. The door was opened violently, and the boy came rudely in,—a gaunt, rough whelp of a dozen summers, defiant, bold, and curious.

“I knew there was something up,” the[323] young rascal observed with much self-complacency. “I knew when you sent me off to stay all night that somebody’s funeral was comin’ off, and I was bound I’d be here to see it.”

Neither the mother nor the father returned any answer. Ordinary feelings were so absolutely swept away that the woman did not even remember that she should have attempted to quiet and to excuse the intruder. Even the maternal pride which would usually have been troubled by the impression the child’s rudeness must make upon her guest was overwhelmed by the greater emotion which possessed her whole being.

Farnsworth had never been more keenly alive in every fibre of his being than at this moment. All his family pride, his refined tastes, his delicate nature, revolted from a kinship with the ugly, uncouth child who stood grinning maliciously upon his guilty parents. His impulse, almost too strong to be resisted, was to turn back and hide himself again in the world from which he had come,—to leave this woman and her loutish child in the quiet and obscurity in which he had found them. But he was nobler than his impulses and had paid already too dearly for rashness; the claim of a son upon the father[324] who has brought him into the world grasped his sense of justice like a hand of steel.

“Go away now,” he said to the boy quietly, but in a voice which even the urchin felt admitted of no disobedience. “I wish to talk with your mother. I will see you to-morrow.”

“Yes, Farnsworth,” the mother said pleadingly. “Go to bed now. I will come to you before long. That’s a good boy.”

The boy slowly and unwillingly withdrew, his reluctance showing how rare obedience was to him, and the parents were once more alone.

“You have given him my name,” were Farnsworth’s first words, as the door closed behind his son.

“It was father who did that. He said he should remember to curse you every time the name was spoken.”

“I did not care. Cursing could not change things. Only I would not let him do it before the boy. I didn’t want him to know what sort of a father he had.”

In the midst of his self-abasement some hidden fibre of resentment and wounded vanity tingled at her words; but he would not heed it.

“I am not so wholly bad, Delia,” he said in a moment. “I came back to marry you. It will not change or mend the past; but it is the best I can do now.”

“It is no use to talk of that,” she returned wearily; “you and I are done with each other. Even I can see that.”

She was spent with the violence of her emotions, and only longed to have Farnsworth leave her. She was keenly sensitive now of the nicety of his attire, the contrast between him and her meagre surroundings. The shamefacedness of the poor overwhelmed her. She rose with uneven steps and trembling hands, and began to put things to rights a little. She snuffed the ill-conditioned candle, and trimmed the fire, whose drift-wood sent out tongues of colored flame. She set back into their usual gaunt and vulgar order the chairs which had been disturbed.

“Delia,” he said at length, “come and sit down. We must decide what it is best to do.”

She obeyed him, although with evident reluctance. All the brief dignity which her elevation of mood had imparted had vanished now, leaving her more haggard and worn than ever. A faded, prematurely old woman,[326] she sat twisting her red, stained hands in a vain attempt to hide their ugliness in the folds of her poor dress. Even self-pity in Farnsworth’s breast began to vanish in the depth of compassion which the sexton excited.

“Delia,” he said, “I must think for us both, and for the boy. He must be considered. For his sake we must be married.”

It was at once with a sense of relief and of humiliation that he saw how she shrank from this proposition. To have fallen from godhood in the meanest woman’s eyes is the keenest thrust at man’s pride. It gave Farnsworth a new conception that the gulf between them must look as impassable from her side as from his. He had thus far been too much absorbed in the sacrifices he himself was making to consider that all the desirabilities of his world would not appeal to her as to him,—that its very fulness and richness which so held and delighted him would confuse and repel her.

“It is of no use!” he exclaimed, starting up. “I must have time to think. I will come back in the morning. Think yourself, Delia,—not of me, or even of yourself, so much as of the boy. It is of him that we must have the first care. Nothing can much[327] change our lives; but the world is before him. Goodnight.”

However different may have been the reflexions of Farnsworth and of Delia Grimwet through that long, sad night, their conclusions must have been in some respects identical, for when the former came to the house in the morning with the astonished clergyman the woman acquiesced without any discussion in the performance of the marriage ceremony. It was an occasion which the Rev. Mr. Eaton long remembered, and of which he told to the end of his life, filling out, it must be confessed, as time went on, its spare facts with sundry incidents, trifling, it is true, yet gradually overlaying the bare truth with a completeness which the clerical gossip himself, whose belief always kept pace with his invention, was far from realizing. The only thing he could with accuracy have told, beyond the simple fact of the marriage, was that when, according to his wont, he attempted to add a few words of exhortation and moral reflection, the bridegroom cut him short and showed him to the door with a courtesy perfect but irresistible, the rebuff somewhat softened by the liberality of the fee which accompanied the dismissal.

The boy during these singular proceedings[328] had remained in a state of excited astonishment almost amounting to stupefaction; but when the newly united family were alone together, his natural perversity broke out, and showed itself in its natural and unamiable colors. To the father the child’s every uncouth word and act were the most acute torture; and the mother, partly by woman’s instinct, partly from previous acquaintance with her husband’s fastidiousness, was to a great degree sensible of this. She made no effort, however, to restrain her child. She seemed to have thrown off all responsibility upon the father, and busied herself in preparations for the boy’s departure, about which, although neither had spoken of it, there seemed to be some tacit understanding.

The forenoon was well worn when Farnsworth came to the door with his carriage, for which he had gone in person.

“Come, Delia,” he said, entering the house. “We may as well leave everything as it is. I told Mrs. Bemis to lock up the house and see to it. Are you ready?”

“Farnsworth is,” she replied, seating herself in a low chair and drawing to her side the uncouth boy, who struggled to get free.

He broke in rudely, announcing his readiness, his joy at leaving Kempton, and his satisfaction[329] at wearing his Sunday jacket, which to his father looked poor enough.

“But you, Delia?” her husband inquired, putting up his hand to quiet the child. “Are you ready?”

Whether it was relief, remorse, or astonishment which overwhelmed him, John Farnsworth could not have told. He stood speechless, looking at his wife like one suddenly stricken dumb. The boy filled in the pause with noisy expostulations, depriving the tragedy of even the poor dignity of silence. The father knew from the outset that remonstrances would not be likely to avail, yet he remonstrated; perhaps, for human nature is subtle beyond word, he was unconsciously for that reason the more earnest in his pleading. He would have been glad could this woman and her child have been swept out of existence. Already he had to hold himself strongly in check, lest the reaction which had followed his heroic resolve to marry Delia should show itself; but he choked back the feeling with all his resolution.

“No,” Delia persistently said, her eyes dry, her voice harsh from huskiness. “I’ve no place anywhere but here. It is too late now.[330] I’ve more feeling than I thought, for I do care something even now to be an honest woman in the sight of my neighbors; and that’ll help me bear it, I suppose. Take the boy, and do for him all you owed to me. I should spoil all if I went. He is best quit of me if he’s to please you and grow like you. I’ll stay here and dig graves; I am fit for nothing else. I want nothing of you. I married you for the boy’s sake, and for his sake I break my heart and send him away; but I will have nothing for myself. The days when I would have taken a penny from you are long gone.”

She spoke calmly enough, but with a certain poignant stress which made every word fall like a weight. He did not urge her further. He held out his hand, into which she laid hers lifelessly.

“Good-bye,” he said. “As God sees me, Delia, I’ll do my best by the boy. I will write to you. If you change your decision,—but no matter now. I will write to you and to the minister.”

All other words of parting were brief and soon spoken. The boy showed no emotion at leaving his mother, as he had throughout exhibited no tenderness. He climbed noisily into the carriage, and the father and son, so[331] strangely assorted, rode together up the hill, past the stark meeting-house, and so on into the world whose seething waves seldom troubled, even by such a ripple as the events just narrated, the dull calm of Kempton; and to John Farnsworth it was as if the woful burden of remorse which had so long vexed heart and conscience had taken bodily shape and rode by his side.

Delia had been calm until the two were gone,—so calm that her husband thought her still half dazed by the excitement and anguish of the previous night. She stood steadily at the window until the carriage disappeared behind the grave-covered hill. Then she threw herself grovelling upon the floor in the very ecstasy of woe. She did not shriek, strangling in her throat into inarticulate moans and gurglings the cries which rent their way from her inmost soul; but she beat her head upon the bare floor; she caught at the furniture like a wild beast, leaving the print of her strong teeth in the hard wood; she was convulsed with her agony, a speechless animal rage, a boundless, irrepressible anguish which could not be measured or expressed. She clutched her bosom with her savage hands, as if she would tear herself in pieces; she wounded[332] and bruised herself with a fierceness so intense as to be almost delight.

In the midst of her wildest paroxysm there came a knocking at the door. She started up, her face positively illuminated.

She rushed to the door and undid its fastenings with fingers tremulous from eager joy. A neighbor confronted her, staring in dismay and amazement at her strange and dishevelled appearance.

“What’s come to ye, Dele?” he demanded roughly, though not unkindly. “When ye goin’ to put the box in Widder Pettigrove’s grave?”

She confronted him for an instant with a wandering look in her eye, as though she had mercifully been driven mad. Then the tyranny of life and habit reasserted itself.

It is just the kind of a story to suit the majority of watering-place people who wish to help pass the time with light reading. The scene is laid in Campobello; and the social life at a sea-side resort, with its impromptu festivities, is attractively set forth. The persons who form the principal group in the story are above the usual watering-place gossips, that magnify every innocent flirtation they see; and the lad who at twenty-one falls desperately in love with a charming widow of thirty-five years, at last sensibly turns to the daughter, loves her and marries her, through the shrewd management of her mother. The object of the book is to show how often and how fervently a callow youth is attracted to some one older and more cultivated than himself; and the analysis of his passion is very well done.—Hartford Times.

This time Mr. Bates, who wields a facile pen, has taken up a facile subject, for the burden of his story is the evolution of a young man’s love in the cool shades and sylvan retreats of Campobello.... Incidentally he pictures certain aspects of society and gives a fair account of Campobello. A Lad’s Love is a readable story, and young women will read it not only with pleasure but also with profit. It will teach them how love acts in a pure lad.—The Beacon.

Arlo Bates is favorably known as a writer of pleasant and healthy verse, and he appears to equal advantage as the author of this bright novel, which is as breezy as the air of Mount Desert, where the scene is laid. The “Lad” is a youth of twenty-two or so, just through Harvard; and the depth, strength, and variety of his love are well illustrated by his frantic passion for a widow old enough to be his mother, by his rapid transfer of affection to her lovely daughter, and by his nearly getting entangled with a third woman before he secures the right one. There is a thorough-bred air about the book which leaves a good impression, and a liveliness of fancy and description which promises more good stories from Mr. Bates’s pen. The minor characters, though merely sketched in lightly, fill their places admirably, and the two heroines are quite delicious.—Pittsburgh Bulletin.

The author delights in making an analytical study of the mental condition of the principal actors at various stages of the story, and now and then brightens the pages with a crisp epigram that betrays a habit of close observation of human nature in the lines of the story’s theme.... The people of the story are lifelike, however, and there is not an impossible nor even an improbable person among them.—Springfield Union.

These poems are always poetical; they are carefully finished; they are not vers de société; they do not affect American humor, and they are utterly unpretentious. Mr. T. B. Aldrich might own a good many of them. They reveal Mr. Bates’ mind and temper at their very best, and will be enjoyed by those who have an ear for fine, light impressions finely and delicately expressed.—The Beacon.

The poems, all very short, except the “Ballad of the Spinner,” are almost all flavorous with love’s delicious essence. The perennial passion receives fresh illumination in a hundred ways. Warmth, richness, suggestiveness, smooth-flowing melody,—these are some of the traits of Mr. Bates’ verses, which are well worthy the tasteful setting here given them.

They are almost invariably the setting of some pretty and thoroughly poetic thought; and the writer’s expression is clear and precise, and studded with bits of exquisite imagery.—Argonaut.

There are many who will welcome another volume from the pen of Arlo Bates, although it be a sad one. The twenty-nine sonnets which make up this little collection are but variations of one melody, and that played in the minor key. They will sink deep into many hearts, for they are the expressions of various moods which all who have known grief and loss will have felt and be able to comprehend. The men and women who have no artistic gifts, and who sit and shed salt tears in stony silence, unable to give their woe adequate words, will feel that a human heart has here been revealed to them able to sympathize with every throb and pulsation of their own. There is not a cry of a bruised soul but will find its echo in some one of these sonnets, and the knowledge that they are the expression of a real and personal sorrow gives them a power and interest that no ideal or imaginary work could possess.—Transcript.

A thoroughly wholesome story is A Woodland Wooing, by Eleanor Putnam (the late Mrs. Arlo Bates). It is as sweet as a meadow of clover and as bright as a crisp October morning. Its simplest events are made fascinating by their rare naturalness. The motherless children of a country doctor figure prominently in the tale, and they devise all sorts of original modes of amusing themselves, of course omitting whatever is incompatible with self-respect or unapproved by conscience. Boys and girls are for the most part the story’s heroes and heroines, and when they find themselves quite unexpectedly grown into men and women and realize all that maturity means, their natures are strong and unhurt by the evils of self-consciousness or of unwholesome speculations regarding the significance of this life or the next. They are children of fine, vigorous intellectual fibre and noble impulses that lead them toward worthiness, happiness, and usefulness, and the story of their progress toward higher things is charmingly told.—The Delineator.

Like a cool breeze on a sultry day comes this little book, A Woodland Wooing, by Eleanor Putnam, fresh and sparkling, with almost child-like fun, and not even the shadow of a moral spectre to be found stalking anywhere between its dainty covers.... The Yankee country-folks all around are photographed very accurately to our mind’s eye, and it is difficult to say whether they are more amusing than the widely-travelled and elegantly-Bohemian family of Sparhawks, whose advent in the village makes such a sensation. The infant Sparhawks are especially droll, and remind one strongly of those famous personages, “Toddy and Budge.” In fact it is just the sort of book to read aloud, so as to have some one to laugh with over its joyous humor.—Home Journal.

One of the breeziest, brightest books of the year. It is not only charmingly original, but thoroughly amusing. Its characters are drawn with all the skill of the literary artist, and stand out in the mind of the reader like beautiful pictures upon the canvas. The reading will make old gray heads feel again young. It will revive the visions of youth, with spring flowers, when all the world stretched away in brightness. The story is a summer camping-out, told in alternate chapters by a brother and sister, in which all sorts of people are introduced to the reader in a most delightful and amusing way. It matters not that it contains much nonsense; life needs a good deal of such to spice it up. The woodland wooing, it may be remarked, is carried on under many and trying circumstances. But it all ends well. It is indeed a bright, breezy, pleasing book, and tears will only come in the remembrance that the hand that penned the lines has ceased forever from such pleasing earthly tasks.—Chicago Inter-Ocean.

A Story of a Prince with a Court in His Box. By Eleanor Putnam and Arlo Bates. Illustrated by Frank Myrick.

“Prince Vance” is an Entertaining Fairy Story of the wildest and most fantastic adventures and of amusing and original impossibilities, which, however, carry with them a stern puritan moral. This allegiance of unfettered imagination and straightforward, wholesome, moral teaching is unusual, and gives the little book a special value.

Transcriber’s Note

In the Table of Contents “283” was changed to “285” (Interlude Eighth: A Cuban Morning 285). Also the following corrections were made, on page
171 “forgotton” changed to “forgotten” (he had forgotten the pain she might endure)
174 “Dr” changed to “Dr.” (while Dr. Lommel, who had charge of the ward)
240 “Gran’sir” changed to “Gran’sir’” (Gran’sir’ Welch’s red cottage)
269 “slighest” changed to “slightest” (I had not the slightest difficulty)
273 “anoyance” changed to “annoyance” (mingling of philosophy and annoyance)
279 “persausions” changed to “persuasions” (but my persuasions, seconded by those of)
313 “accomodations” changed to “accommodations” (furnished accommodations to a boarder).

Otherwise the original was preserved, including archaic and inconsistent spelling and hyphenation.

*** END OF THE PROJECT GUTENBERG EBOOK A BOOK O' NINE TALES. ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

		PAGE
Tale the First:	A Strange Idyl	7
Interlude First:	An Episode in Mask	55
Tale the Second:	The Tuberose	67
Interlude Second:	An Evening at Whist	89
Tale the Third:	Saucy Betty Mork	101
Interlude Third:	Mrs. Fruffles is at Home	131
Tale the Fourth:	John Vantine	141
Interlude Fourth:	The Radiator	155
Tale the Fifth:	Mère Marchette	163
Interlude Fifth:	“Such Sweet Sorrow”	189
Tale the Sixth:	Barum West’s Extravaganza	201
Interlude Sixth:	A Business Meeting	221
Tale the Seventh:	A Sketch in Umber	233
Interlude Seventh:	Thirteen	253
Tale the Eighth:	April’s Lady	263
Interlude Eighth:	A Cuban Morning	285
Tale the Ninth:	Delia Grimwet	301