The Project Gutenberg eBook of Odd Craft By W. W. Jacobs: Part 11

Mr. John Blows stood listening to the foreman with an air of lofty disdain. He was a free-born Englishman, and yet he had been summarily paid off at eleven o'clock in the morning and told that his valuable services would no longer be required. More than that, the foreman had passed certain strictures upon his features which, however true they might be, were quite irrelevant to the fact that Mr. Blows had been discovered slumbering in a shed when he should have been laying bricks.

"Take your ugly face off these 'ere works," said the foreman; "take it 'ome and bury it in the back-yard. Anybody'll be glad to lend you a spade."

Mr. Blows, in a somewhat fluent reply, reflected severely on the foreman's immediate ancestors, and the strange lack of good-feeling and public spirit they had exhibited by allowing him to grow up.

"Take it 'ome and bury it," said the foreman again. "Not under any plants you've got a liking for."

"I suppose," said Mr. Blows, still referring to his foe's parents, and now endeavouring to make excuses for them—"I s'pose they was so pleased, and so surprised when they found that you was a 'uman being, that they didn't mind anything else."

He walked off with his head in the air, and the other men, who had partially suspended work to listen, resumed their labours. A modest pint at the Rising Sun revived his drooping spirits, and he walked home thinking of several things which he might have said to the foreman if he had only thought of them in time.

He paused at the open door of his house and, looking in, sniffed at the smell of mottled soap and dirty water which pervaded it. The stairs were wet, and a pail stood in the narrow passage. From the kitchen came the sounds of crying children and a scolding mother. Master Joseph Henry Blows, aged three, was "holding his breath," and the family were all aghast at the length of his performance. He re-covered it as his father entered the room, and drowned, without distressing himself, the impotent efforts of the others. Mrs. Blows turned upon her husband a look of hot inquiry.

Mrs. Blows turned away, and dropping into a chair threw her apron over her head and burst into discordant weeping. Two little Blows, who had ceased their outcries, resumed them again from sheer sympathy.

"I wish I'd never seen you," sobbed his wife from behind her apron. "Of all the lazy, idle, drunken, good-for-nothing——"

"You're more trouble than you're worth," declared Mrs. Blows. "Look at your father, my dears," she continued, taking the apron away from her face; "take a good look at him, and mind you don't grow up like it."

Mr. Blows met the combined gaze of his innocent offspring with a dark scowl, and then fell to moodily walking up and down the passage until he fell over the pail. At that his mood changed, and, turning fiercely, he kicked that useful article up and down the passage until he was tired.

"I've 'ad enough of it," he muttered. He stopped at the kitchen-door and, putting his hand in his pocket, threw a handful of change on to the floor and swung out of the house.

Another pint of beer confirmed him in his resolution. He would go far away and make a fresh start in the world. The morning was bright and the air fresh, and a pleasant sense of freedom and adventure possessed his soul as he walked. At a swinging pace he soon left Gravelton behind him, and, coming to the river, sat down to smoke a final pipe before turning his back forever on a town which had treated him so badly.

The river murmured agreeably and the rushes stirred softly in the breeze; Mr. Blows, who could fall asleep on an upturned pail, succumbed to the influence at once; the pipe dropped from his mouth and he snored peacefully.

He was awakened by a choking scream, and, starting up hastily, looked about for the cause. Then in the water he saw the little white face of Billy Clements, and wading in up to his middle he reached out and, catching the child by the hair, drew him to the bank and set him on his feet. Still screaming with terror, Billy threw up some of the water he had swallowed, and without turning his head made off in the direction of home, calling piteously upon his mother.

Mr. Blows, shivering on the bank, watched him out of sight, and, missing his cap, was just in time to see that friend of several seasons slowly sinking in the middle of the river. He squeezed the water from his trousers and, crossing the bridge, set off across the meadows.

His self-imposed term of bachelorhood lasted just three months, at the end of which time he made up his mind to enact the part of the generous husband and forgive his wife everything. He would not go into details, but issue one big, magnanimous pardon.

Full of these lofty ideas he set off in the direction of home again. It was a three-days' tramp, and the evening of the third day saw him but a bare two miles from home. He clambered up the bank at the side of the road and, sprawling at his ease, smoked quietly in the moonlight.

A waggon piled up with straw came jolting and creaking toward him. The driver sat dozing on the shafts, and Mr. Blows smiled pleasantly as he recognised the first face of a friend he had seen for three months. He thrust his pipe in his pocket and, rising to his feet, clambered on to the back of the waggon, and lying face downward on the straw peered down at the unconscious driver below.

"I'll give old Joe a surprise," he said to himself. "He'll be the first to welcome me back."

Mr. Joe Carter, still dozing, opened his eyes at the sound of his name and looked round; then, coming to the conclusion that he had been dreaming, closed them again.

Mr. Carter looked up sharply and, catching sight of the grinning features of Mr. Blows protruding over the edge of the straw, threw up his arms with a piercing shriek and fell off the shafts on to the road. The astounded Mr. Blows, raising himself on his hands, saw him pick himself up and, giving vent to a series of fearsome yelps, run clumsily back along the road.

Mr. Carter put his hands to his ears and ran on blindly, while his friend, sitting on the top of the straw, regarded his proceedings with mixed feelings of surprise and indignation.

"It can't be that tanner 'e owes me," he mused, "and yet I don't know what else it can be. I never see a man so jumpy."

He continued to speculate while the old horse, undisturbed by the driver's absence, placidly continued its journey. A mile farther, however, he got down to take the short cut by the fields.

"If Joe can't look after his 'orse and cart," he said, primly, as he watched it along the road, "it's not my business."

The footpath was not much used at that time of night, and he only met one man. They were in the shadow of the trees which fringed the new cemetery as they passed, and both peered. The stranger was satisfied first and, to Mr. Blows's growing indignation, first gave a leap backward which would not have disgraced an acrobat, and then made off across the field with hideous outcries.

"If I get 'old of some of you," said the offended Mr. Blows, "I'll give you something to holler for."

He pursued his way grumbling, and insensibly slackened his pace as he drew near home. A remnant of conscience which had stuck to him without encouragement for thirty-five years persisted in suggesting that he had behaved badly. It also made a few ill-bred inquiries as to how his wife and children had subsisted for the last three months. He stood outside the house for a short space, and then, opening the door softly, walked in.

The kitchen-door stood open, and his wife in a black dress sat sewing by the light of a smoky lamp. She looked up as she heard his footsteps, and then, without a word, slid from the chair full length to the floor.

Mrs. Blows paid no heed; her face was white and her eyes were closed. Her husband, with a dawning perception of the state of affairs, drew a mug of water from the tap and flung it over her. She opened her eyes and gave a faint scream, and then, scrambling to her feet, tottered toward him and sobbed on his breast.

"Oh, John," said his wife, sobbing convulsively, "I thought you was dead. I thought you was dead. It's only a fortnight ago since we buried you!"

"I shall wake up and find I'm dreaming," wailed Mrs. Blows; "I know I shall. I'm always dreaming that you're not dead. Night before last I dreamt that you was alive, and I woke up sobbing as if my 'art would break."

Mr. Blows was about to ask for a further explanation of the mystery when he stopped, and regarded with much interest a fair-sized cask which stood in one corner.

"A cask o' beer," he said, staring, as he took a glass from the dresser and crossed over to it. "You don't seem to 'ave taken much 'arm during my—my going after work."

"We 'ad it for the funeral, John," said his wife; "leastways, we 'ad two; this is the second."

Mr. Blows, who had filled the glass, set it down on the table untasted; things seemed a trifle uncanny.

"Go on," said Mrs. Blows; "you've got more right to it than anybody else. Fancy 'aving you here drinking up the beer for your own funeral."

"I don't understand what you're a-driving at," retorted Mr. Blows, drinking somewhat gingerly from the glass. 'Ow could there be a funeral without me?"

"It's all a mistake," said the overjoyed Mrs. Blows; "we must have buried somebody else. But such a funeral, John; you would ha' been proud if you could ha' seen it. All Gravelton followed, nearly. There was the boys' drum and fife band, and the Ancient Order of Camels, what you used to belong to, turned out with their brass band and banners—all the people marching four abreast and sometimes five."

Mr. Blows's face softened; he had no idea that he had established himself so firmly in the affections of his fellow-townsmen.

"Four mourning carriages," continued his wife, "and the—the hearse, all covered in flowers so that you couldn't see it 'ardly. One wreath cost two pounds."

Mr. Blows endeavoured to conceal his gratification beneath a mask of surliness. "Waste o' money," he growled, and stooping to the cask drew himself an-other glass of beer.

"Some o' the gentry sent their carriages to follow," said Mrs. Blows, sitting down and clasping her hands in her lap.

"And to think that it's all a mistake," continued his wife. "But I thought it was you; it was dressed like you, and your cap was found near it."

"H'm," said Mr. Blows; "a pretty mess you've been and made of it. Here's people been giving two pounds for wreaths and turning up with brass bands and banners because they thought it was me, and it's all been wasted."

"It wasn't my fault," said his wife. "Little Billy Clements came running 'ome the day you went away and said 'e'd fallen in the water, and you'd gone in and pulled 'im out. He said 'e thought you was drownded, and when you didn't come 'ome I naturally thought so too. What else could I think?"

Mr. Blows coughed, and holding his glass up to the light regarded it with a preoccupied air.

"They dragged the river," resumed his wife, "and found the cap, but they didn't find the body till nine weeks afterward. There was a inquest at the Peal o' Bells, and I identified you, and all that grand funeral was because they thought you'd lost your life saving little Billy. They said you was a hero."

"The rector preached the sermon," continued his wife; "a beautiful sermon it was, too. I wish you'd been there to hear it; I should 'ave enjoyed it ever so much better. He said that nobody was more surprised than what 'e was at your doing such a thing, and that it only showed 'ow little we knowed our fellow-creatures. He said that it proved there was good in all of us if we only gave it a chance to come out."

"Money that was collected for us," replied his wife. "One 'undered and eighty-three pounds seven shillings and fourpence."

"Show it to me," said the other, in trembling tones; "let's 'ave a look at it. Let's 'old some of it."

"I can't," was the reply; "there's a committee of the Camels took charge of it, and they pay my rent and allow me ten shillings a week. Now I s'pose it'll have to be given back?"

"Don't you talk nonsense," said Mr. Blows, violently. "You go to them interfering Camels and say you want your money—all of it. Say you're going to Australia. Say it was my last dying wish."

"I'll keep quiet upstairs till you've got it," continued her husband, rapidly. "There was only two men saw me, and I can see now that they thought I was my own ghost. Send the kids off to your mother for a few days."

His wife sent them off next morning, and a little later was able to tell him that his surmise as to his friends' mistake was correct. All Gravelton was thrilled by the news that the spiritual part of Mr. John Blows was walking the earth, and much exercised as to his reasons for so doing.

"Seemed such a monkey trick for 'im to do," complained Mr. Carter, to the listening circle at the Peal o' Bells. "'I'm a-looking at you, Joe,' he ses, and he waggled his 'ead as if it was made of india-rubber."

"He'd got something on 'is mind what he wanted to tell you," said a listener, severely; "you ought to 'ave stopped, Joe, and asked 'im what it was."

Mr. Carter turned pale and eyed him fixedly. "P'r'aps it was only a death-warning," said another man.

"What d'ye mean, 'only a death-warning'?" demanded the unfortunate Mr. Carter; "you don't know what you're talking about."

"I 'ad an uncle o' mine see a ghost once," said a third man, anxious to relieve the tension.

"And what 'appened?" inquired the first speaker. "I'll tell you after Joe's gone," said the other, with rare consideration.

Mr. Carter called for some more beer and told the barmaid to put a little gin in it. In a pitiable state of "nerves" he sat at the extreme end of a bench, and felt that he was an object of unwholesome interest to his acquaintances. The finishing touch was put to his discomfiture when a well-meaning friend in a vague and disjointed way advised him to give up drink, swearing, and any other bad habits which he might have contracted.

The committee of the Ancient Order of Camels took the news calmly, and classed it with pink rats and other abnormalities. In reply to Mrs. Blows's request for the capital sum, they expressed astonishment that she could be willing to tear herself away from the hero's grave, and spoke of the pain which such an act on her part would cause him in the event of his being conscious of it. In order to show that they were reasonable men, they allowed her an extra shilling that week.

The hero threw the dole on the bedroom floor, and in a speech bristling with personalities, consigned the committee to perdition. The confinement was beginning to tell upon him, and two nights afterward, just before midnight, he slipped out for a breath of fresh air.

It was a clear night, and all Gravelton with one exception, appeared to have gone to bed. The exception was Police-constable Collins, and he, after tracking the skulking figure of Mr. Blows and finally bringing it to bay in a doorway, kept his for a fort-night. As a sensible man, Mr. Blows took no credit to himself for the circumstance, but a natural feeling of satisfaction at the discomfiture of a member of a force for which he had long entertained a strong objection could not be denied.

Gravelton debated this new appearance with bated breath, and even the purblind committee of the Camels had to alter their views. They no longer denied the supernatural nature of the manifestations, but, with a strange misunderstanding of Mr. Blows's desires, attributed his restlessness to dissatisfaction with the projected tombstone, and, having plenty of funds, amended their order for a plain stone at ten guineas to one in pink marble at twenty-five.

"That there committee," said Mr. Blows to his wife, in a trembling voice, as he heard of the alteration—"that there committee seem to think that they can play about with my money as they like. You go and tell 'em you won't 'ave it. And say you've given up the idea of going to Australia and you want the money to open a shop with. We'll take a little pub somewhere."

Mrs. Blows went, and returned in tears, and for two entire days her husband, a prey to gloom, sat trying to evolve fresh and original ideas for the possession of the money. On the evening of the second day he became low-spirited, and going down to the kitchen took a glass from the dresser and sat down by the beer-cask.

Almost insensibly he began to take a brighter view of things. It was Saturday night and his wife was out. He shook his head indulgently as he thought of her, and began to realise how foolish he had been to entrust such a delicate mission to a woman. The Ancient Order of Camels wanted a man to talk to them—a man who knew the world and could assail them with unanswerable arguments. Having applied every known test to make sure that the cask was empty, he took his cap from a nail and sallied out into the street.

Old Mrs. Martin, a neighbour, saw him first, and announced the fact with a scream that brought a dozen people round her. Bereft of speech, she mouthed dumbly at Mr. Blows.

"I ain't touch—touched her," said that gentleman, earnestly. "I ain't— been near 'er."

The crowd regarded him wild-eyed. Fresh members came running up, and pushing for a front place fell back hastily on the main body and watched breathlessly. Mr. Blows, disquieted by their silence, renewed his protestations.

He broke off suddenly and, turning round, gazed with some heat at a gentleman who was endeavouring to ascertain whether an umbrella would pass through him. The investigator backed hastily into the crowd again, and a faint murmur of surprise arose as the indignant Mr. Blows rubbed the place.

Bill came forward cautiously, and, first shaking hands, satisfied himself by various little taps and prods that his friend was really alive.

At least fifty hands accepted the invitation, and, ignoring the threats and entreaties of Mr. Blows, who was a highly ticklish subject, wandered briskly over his anatomy. He broke free at last and, supported by Bill and a friend, set off for the Peal o' Bells.

By the time he arrived there his following had swollen to immense proportions. Windows were thrown up, and people standing on their doorsteps shouted inquiries. Congratulations met him on all sides, and the joy of Mr. Joseph Carter was so great that Mr. Blows was quite affected.

In high feather at the attention he was receiving, Mr. Blows pushed his way through the idlers at the door and ascended the short flight of stairs which led to the room where the members of the Ancient Order of Camels were holding their lodge. The crowd swarmed up after him.

The door was locked, but in response to his knocking it opened a couple of inches, and a gruff voice demanded his business. Then, before he could give it, the doorkeeper reeled back into the room, and Mr. Blows with a large following pushed his way in.

The president and his officers, who were sitting in state behind a long table at the end of the room, started to their feet with mingled cries of indignation and dismay at the intrusion. Mr. Blows, conscious of the strength of his position, walked up to them.

"Ah, you didn't expec' see me," said Mr. Blows, with a scornful laugh "They're trying do me, do me out o' my lill bit o' money, Bill."

Mr. Blows turned and eyed him haughtily; then he confronted the staring president again.

"I've come for—my money," he said, impressively— "one 'under-eighty pounds."

"But look 'ere," said the scandalised Bill, tugging at his sleeve; "you ain't dead, Jack."

"You don't understan'," said Mr. Blows, impatiently. "They know wharri mean; one 'undereighty pounds. They want to buy me a tombstone, an' I don't want it. I want the money. Here, stop it! Dye hear?" The words were wrung from him by the action of the president, who, after eyeing him doubtfully during his remarks, suddenly prodded him with the butt-end of one of the property spears which leaned against his chair. The solidity of Mr. Blows was unmistakable, and with a sudden resumption of dignity the official seated himself and called for silence.

"I'm sorry to say there's been a bit of a mistake made," he said, slowly, "but I'm glad to say that Mr. Blows has come back to support his wife and family with the sweat of his own brow. Only a pound or two of the money so kindly subscribed has been spent, and the remainder will be handed back to the subscribers."

"Take him away," said the president, with great dignity. "Clear the room. Strangers outside."

Two of the members approached Mr. Blows and, placing their hands on his shoulders, requested him to withdraw. He went at last, the centre of a dozen panting men, and becoming wedged on the narrow staircase, spoke fluently on such widely differing subjects as the rights of man and the shape of the president's nose.

He finished his remarks in the street, but, becoming aware at last of a strange lack of sympathy on the part of his audience, he shook off the arm of the faithful Mr. Carter and stalked moodily home.

*** END OF THE PROJECT GUTENBERG EBOOK A SPIRIT OF AVARICE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of A Spirit of Avarice

1909

PART 11.

List of Illustrations

A SPIRIT OF AVARICE

THE FULL PROJECT GUTENBERG LICENSE